ABRSM英皇管风琴2021考纲（英文）

Qualification Specification
MUSIC PERFORMANCE
GRADES
ORGAN
Syllabus (Section 3)
second edition – valid for exams from 6 September 2021
This syllabus is specific to Organ and is part of the main

Qualification Specification: Music Performance Grades. The
remainder of that specification provides other relevant
information for those preparing for Performance Grades
exams and applies to all subjects (instruments). It can be
found at www.abrsm.org/performancegrades and should
be read when preparing for an exam. 23 July 2021
Qualification Specification: Performance Grades
Contents
3. Organ Performance Grades syllabus 2

Introducing the qualification 2
Performance Grades: requirements and information 2
• Instruments2
• Performance as a whole 3
• Selecting repertoire 3
• Preparing for the exam 5
Organ repertoire lists 7
Programme form 15
Changes in this edition

This second edition, first published July 2021, includes several significant changes and updates to
the exam requirements and information. There are no changes to the repertoire lists.
• We have provided additional guidance for the performance as a whole component of the exam
• We have made a change to the own-choice piece requirements to allow unpublished repertoire,
including candidates’ own compositions
• We have changed our policy on the use of the same piece(s) in more than one exam; this is
now allowed
• We have updated the Programme form – in particular, the Candidate ID should now be provided
A range of updates have also been made to the text to further clarify the existing requirements and
information, based on queries and feedback received since the Performance Grades qualification
was launched in summer 2020.
The overarching Qualification Specification: Music Performance Grades document, which has other
important and relevant information for those preparing for Performance Grades, has also been
significantly updated.
© 2020 by The Associated Board of the Royal Schools of Music

All the syllabus information in this document, including repertoire lists, is the copyright of ABRSM.
No syllabus listing may be reproduced or published without the permission of ABRSM. Updated in 2021.
3. Organ Performance Grades syllabus
Introducing the qualification
Performance Grades are new qualifications from ABRSM, introduced in 2020 to run alongside
our long-standing and respected Practical Grades. They allow learners to focus on and showcase
their performance skills if that is their preference. This additional suite of qualifications has
been designed to allow learners to play to their strengths and interests and still have their level
of achievement formally recognised with a regulated qualification that attracts UCAS points
(in the UK) at Grades 6 to 8. Performance Grades are accessible exams given their sole focus
on performance, without the assessment of any supporting tests. Instead they encourage the
selection of appropriate repertoire to be delivered in a sustained performance, even at the earliest
levels.
Musicians learn to play an instrument to explore and perform repertoire, which is why pieces, and
the way they can be combined to create a convincing and sustained performance, are the focus
of the exam. For Performance Grades, candidates are asked to present four pieces at each grade.
ABRSM Performance Grades draw on the same repertoire set for our Practical Grades. This
syllabus repertoire is organised into lists, which explore different traditions and styles, dating
from the Renaissance period to the present day. Choosing repertoire from different lists gives
candidates the opportunity to perform a balanced selection and demonstrate a range of skills.
Since Performance Grades focus on performance alone, the choice of repertoire is important, and
attention should be given to the way pieces are contrasted, the order in which they are presented,
and the different moods and characters they inhabit. This will enable candidates to demonstrate
their ability to deliver a coherent and convincing performance event, not just a series of individual
pieces. Credit for this is given through the performance as a whole assessment criteria that are
applied.
Performance Grades: requirements and information

The syllabus repertoire is valid until further notice.
This section provides a summary of the most important points that teachers and candidates
need to know when taking ABRSM Performance Grades for Organ. Further details, as well as
administrative information about the exams, are given in ABRSM’s Exam Regulations (available
at www.abrsm.org/examregulations) which should be read before making an exam booking.
Instruments
Other than the Grades 1 to 3 exceptions described on page 3, the instrument used for the
exam should be a pipe (or electronic) organ with:
• an orthodox console having at least two manuals covering a minimum range of C–f ‴
• a pedal-board covering a minimum range of C–f ′
• a swell pedal (if essential for the pieces chosen)
• the usual couplers
C two octaves below middle C
f ′/f ‴ a fourth/two octaves and a fourth above middle C (pieces with a range extending above
f ‴ are indicated in the syllabus by the symbol §)
2
Performance Grades 3. Organ Performance Grades syllabus
At Grades 1 to 3, the exam may be taken on an instrument without pedals as the majority of the
pieces are for manuals only. Pieces at Grades 1 to 3 requiring pedals, or where pedalling is optional,
are indicated in the syllabus by the symbols † and ‡, respectively. In addition, at Grades 1 and 2,
the exam may be taken on an instrument with only one manual. Consequently, at Grades 1 to 3,
some notes may be transposed or omitted, provided the result is musical.
Performance as a whole
Performance skills are at the heart of Performance Grades, and go beyond the preparation of
individual pieces. Designing programmes that play to learners’ strengths as performers, and
then delivering them with a real sense of musical intent and communication, is central to musical
development. This also builds stamina, and embeds the technical control required to play a
whole programme through, including managing the transitions from one piece to another. Finding
ways to put across the mood and character, and really get inside the style of different types of
repertoire, as well as arranging pieces into coherent and compelling programmes will in turn
increase learners’ knowledge and understanding of music more broadly.
For full details of how the performance as a whole component of the exam is assessed, see
Section 4 of the Qualification Specification: Music Performance Grades.
Selecting repertoire
Number of pieces: Candidates present four pieces in one continuous performance (without a
break). They choose at least one piece from each of the three lists (A, B and C). The fourth piece
can be from the repertoire lists or a piece of the candidate’s choice. The pieces can be performed
in any order. See further programming requirements within this ‘Selecting repertoire’ section
before finalising choices.
Own-choice piece: The following options and restrictions apply to the own-choice piece selection:
• The piece should be broadly the same standard, or above, as repertoire set for the grade being
taken (prior approval from ABRSM is not needed, and can’t be given).
• The piece may be chosen from any of the repertoire lists set for the grade, as long as all other
requirements within this ‘Selecting repertoire’ section are also met, including the minimum
duration. Performing all four pieces from the lists gives no advantage.
• The piece may be a candidate’s own composition or arrangement (see ‘Own composition’).
• The piece must exist in a legible and fully-notated score using standard music notation (e.g.
not in tab, not a lead sheet if candidate is playing a harmonic instrument etc.) and must be
performed as notated in that score.
In cases where there is a concern about the standard of an own-choice piece presented, ABRSM
reserves the right to request a copy from the Applicant where we cannot readily access one
ourselves. This may delay the issuing of the exam result.
• The piece must not last less than the following timings for each grade (unless the overall
programme time would be exceeded; see ‘Programme times’):
Grade
1 2 3 4 5 6 7 8
Minimum duration (mm:ss) 00:25 00:30 00:35 00:45 01:00 01:30 02:00 03:00
3
The duration for each grade is the minimum time required in order to demonstrate the breadth
and depth of skills required, including stamina.
The other programming requirements described in this ‘Selecting repertoire’ section must also
be met.
Programme times: The overall performance, including transitions between pieces, should not
exceed the maximum programme time set for the grade, as shown in the following table. The
programme time is the duration from the first note of the performance to the last. The examiner
may stop listening to the recording if the candidate’s performance goes over the maximum
programme time.
Grade
1 2 3 4 5 6 7 8
Maximum programme time
6 7 8 10 12 15 20 25
(minutes)
Composers: Up to two pieces by the same composer may be performed. Where two or more
pieces/movements by a composer are required by the syllabus (i.e. under one list number and
indicated with an ‘and’), these are considered as one ‘piece’.
Own composition: ABRSM welcomes the inclusion of candidates’ own compositions, or
arrangements, to be performed as their own-choice piece. We will not judge or provide feedback
on the structure or quality of the composition, only the performance of it. However, as with any
other own-choice piece, the technical demand of the composition must be broadly the same as
repertoire set for the grade being taken.
Repertoire lists: Every effort has been made to feature a broad range of repertoire to suit and appeal
to candidates of different ages, backgrounds and interests. Certain pieces may not be suitable
for every candidate for technical reasons (e.g. hand size) or because of wider context (historical,
cultural, subject matter, etc.). Pieces should be considered carefully for their appropriateness to
each individual, which may need consultation between teachers and parents/carers. Teachers
and parents/carers should also exercise caution when allowing younger candidates to research
pieces online: www.nspcc.org.uk/onlinesafety.
The repertoire lists are the same as for ABRSM Practical Grades. Candidates intending on taking
both qualifications at the same grade may find their musical development benefits from preparing
different pieces for each.
Exam music & editions: Wherever the syllabus includes an arrangement or transcription
(appearing as ‘arr.’ or ‘trans.’ in the repertoire lists), the edition listed in the syllabus must be
used. For all other pieces, editions are listed for guidance only and candidates may use any
edition of their choice. This includes editions that are downloaded. A small number of editions
for keyboard instruments other than organ are listed in the lower grades; candidates are free to
adapt or disregard any indications such as dynamics or articulation in these editions which are
not suitable for organ. Information on sourcing exam music is given on page 6.
Repeats: In most cases, da capo and dal segno indications must be followed but other repeats
may be included, or not, at candidates’ discretion (in order to achieve a musically satisfying
performance). If the syllabus specifies that a repeat should be included, this instruction must be
followed. If the syllabus indicates that a da capo/dal segno should be omitted, candidates have the
4
option to include or not. The maximum programme time should also be taken into consideration
when deciding whether to include repeats (see ‘Programme times’).
Preparing for the exam

Programme form & pre-performance procedures: Candidates should complete a programme
form and show it to the camera, for approximately five seconds, at the start of the exam recording.
A form that can be printed and completed is provided on page 15. Alternatively, the required
information can be written on a blank piece of paper. The piece information required should be
given in the order the pieces will be performed.
As well as showing the form to camera, candidates should show the opening of their own-choice
piece and announce themselves and their pieces before beginning their performance. Candidates
taking a Grade 6, 7 or 8 must additionally show a form of photographic identification to the
camera. This is because these qualifications can be used either as a prerequisite for higher grades
and diplomas, or as part of a university application.
If preferred, a Responsible Adult present may show the form and music to camera (but not the
ID, where applicable) and make the introductory announcement, as this does not form part of
the performance. The assessment of the performance begins on the first note of music played.
More information on all of the above is given in the Guidance for Music Performance Grades
available at www.abrsm.org/performancegrades.
Interpreting the score: Printed editorial suggestions such as fingering, metronome marks,
realisation of ornaments, etc. do not need to be strictly observed. Whether the piece contains
musical indications or not, candidates are encouraged to interpret the score in a musical and
stylistic way. For pieces in a jazz style, candidates may add slight embellishment, as stylistically
appropriate, but not include extensive improvisation. Examiners’ marking will be determined by
how candidates’ decisions contribute to the musical outcome of each individual piece and to the
performance as a whole.
Performing from memory: There is no requirement to perform from memory although candidates
are encouraged to do so, if they believe it will enhance their performance. No extra marks are
directly awarded for performing from memory.
Ossias: Where an ossia (alternative musical line or note) occurs in the music, candidates may
choose either option unless the repertoire list specifies differently.
Ornaments: At Grades 1 to 4, only essential ornaments (such as cadential trills) are required. All
other ornaments at these grades are optional.
Registration: Registration is left to candidates’ discretion. Candidates at any grade may use a
registrant, who may also act as page-turner.
Page-turns: Candidates need to manage any page-turns appropriately to avoid any adverse effect
on the performance as a whole, which examiners will be assessing. Candidates may use an extra
copy of the music or a photocopy of a section of the piece (but see ‘Copyright’) to help with page-
turns. They may also use a page-turner (prior permission is not required; the turner may be the
teacher and/or may also act as registrant).
Copyright: Performing from unauthorised photocopies (or other kinds of copies) or illegal
downloads of copyright music is not allowed. In the UK, copies may be used in certain limited
5
circumstances – for full details, see the MPA’s Code of Fair Practice at www.mpaonline.org.uk/
mpa-guidelines. In all other cases, application should be made to the copyright holder before
any copy is made. Care should also be taken when making arrangements, as permission will be
required in the case of copyright music.
Candidates and Applicants are expected to act within the law with regard to copyright. ABRSM
may withhold the exam result where we have evidence that this is not the case.
Sourcing exam music: Exam music is available from music retailers and online, including at the
ABRSM music shop: www.abrsm.org/shop. Every effort has been made to make sure that the
publications listed will be available for the duration of the syllabus. We advise candidates to
get their music well before the exam in case items are not kept in stock by retailers. Non-exam
related questions about the music (e.g. editorial, availability) should be addressed to the relevant
publisher: contact details are listed at www.abrsm.org/publishers.
6
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Grade 5 – Ex 2
Grade 5 – ExSIGHT-READING
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a single manual in Simple
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D minors,
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and
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each handaccidentals (within minor
playing separately and keys
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five-finger encountered.
position. SimpleSee also p. 61.note values, articulations
dynamics,
and occasional accidentals (within minor keys only) may be encountered. See also p. 61.
and occasional accidentals (within minor keys only) may be encountered. See also p. 61.
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AURAL TESTS FOR THE GRADE*: see pp. 94 and 95
TESTS FOR THE GRADE*: see pp. 94 and 95
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Grade 6 – ExAURAL
1
Grade 6 – Ex 1* Published by ABRSM (Scale requirements, Specimen tests) † Pedals required § Range of piece extends above f
Grade 6 – Ex* 1Published by ABRSM (Scale requirements, Specimen tests) † Pedals required § Range of piece extends above f
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Grade 6 – Ex* 1Published by ABRSM (Scale requirements, Specimen tests) † Pedals required § Range of piece extends above f
Grade 6 – Ex 1 63
Grade 6 – Ex 1 63
63
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Grade 7 – Ex 1
Grade 7 – Ex 1
Grade 7 – Ex 1
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Grade 7 – Ex 1
Grade 7 – Ex 1
Grade 7 – Ex 1
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Grade 8 – Ex 1
Grade 8 – Ex 1
Grade 8 – Ex 1
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Grade 8 – Ex 1
Grade 8 – Ex 1
Grade 8 – Ex 1
d Apr 14 16:30:14 BST 2010 01_all : page 1 of 1 Barnes Music Engraving

† Pedals required § Range of piece extends above f ‴ 7

2 chords
F major
Broken chords
V 8 ŠŠ Š Š Š Š Š Š Š Š Š Š ŠŠ Š .
hands separately, as pattern below: 2 octaves
VVV bbb Š Š ŠŠ ŠŠ Š ŠŠ ŠŠ ŠŠŠ ŠŠ ŠŠ ŠŠŠ ŠŠŠ ŠŠ ŠŠŠ ŠŠŠ ŠŠŠ ŠŠŠ ŠŠŠ ŠŠŠ ŠŠ ŠŠŠ ŠŠŠ ŠŠ ŠŠ ŠŠŠ ŠŠ ŠŠ Š ŠŠ ŠŠ Š Š
F major hands separately, as pattern below: 2 octaves
E minor
F major hands separately, as pattern below: 2 octaves
E minor
E minor
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Grade 2 – Ex 1
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Grade 3 –†Ex1 1de Araújo
LIST A
4
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Grade 3 –†Ex1 1de Araújo Batalha do sexto tom. Oxford Service Music for Organ, Manuals and Pedals Book 1 (OUP)
A † 212 G. de Böhm Minuet
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2 (Cramer)
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23 Fugue in in C
BBB 343 Š#Š Š#Š Š#Š ŠbŠ Š#Š

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34 G.
˝
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Clarke The Prince of Denmark’s March No. 25 from ˛ ˝ Baroque Keyboard Pieces, Book 1 (ABRSM)
Grade 3 – Ex5 2Daquin Suite de la Réjouissance: Gavotte en Rondeau. No. 52a from ¸ ˛ Keyboard Pieces, Book 1 (ABRSM)
Grade 3 –‡Ex6 Prelude: from PreludeGavotte
and Fugue in E minor. No. ˛ 14 Easy Preludes & Fugues (Schott ED 3877)
˝ Baroque
‡ 6 5 2J.
Daquin
J. C. Suite
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from Prelude and en
Fugue Rondeau.
in E minor.
P. 2252a
P. 22
from
from
from
Simon
Simon 14 Organ,
Easy Preludes & only
Fugues (Schott ED 3877)
Grade 3 – Ex7 2J. G. Walther Warum sollt ich mich denn grämen. Oxford Service Music for 1 (OUP)
‡ 76 J. J. C.
G. Simon
Walther Prelude:
Warumfrom solltPrelude
ich mich anddenn
Fugue in E minor.
grämen. Oxford P.Service
22 fromMusic
Simonfor14 Organ, Manuals
Easy Preludes
Manuals& only
Fugues (Schott
Book
Book ED 3877)
1 (OUP)
7LIST B Walther Warum sollt ich mich denn grämen. Oxford Service Music for Organ, Manuals only Book 1 (OUP)
BBB 44 Š Š ŠŠ Š ŠŠ ŠŠ ŠŠ Š ŠŠ Š Š
J. G.
† 1LIST B Bach Wie schön leuchtet der Morgenstern. Oxford Service Music for Organ, Manuals and Pedals Book 1 (OUP)
44 ŠŠŠ ŠŠ ŠŠ Š ŠŠ Š Š Š ŠŠ Š ŠŠ ŠŠ ŠŠŠ
J. C.
LIST B Bach Wie schön leuchtet der Morgenstern. Oxford Service Music for Organ, Manuals and Pedals Book 1 (OUP)
B † 12 J. C. Variation 2: from Noël 4, ‘Laissez paîtreMusic
vos bêtes’.
† 1 Bach Wie schön leuchtet
Beauvarlet-Charpentier
J. C.
Grade 4 – Ex2 1Beauvarlet-Charpentier der Morgenstern.
Variation 2: from Noël 4, Oxford
‘LaissezService Beauvarlet-Charpentier
for Organ,
paître vos bêtes’. Beauvarlet-Charpentier Book 1(Willemsen
Manuals and Pedals Noëls
Noëls (OUP)
(Willemsen
Grade 4 – Ex2 1Beauvarlet-Charpentier
XWIL869) Variation 2: from Noël 4, ‘Laissez paître vos bêtes’. Beauvarlet-Charpentier Noëls (Willemsen
Grade 4 – Ex 1XWIL869)
3 Boëllmann Verset in A, Op. 29 No. 19. A Graded Romantic French Anthology for Organ, Book 1 (Cramer)
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b
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Grade 5 – Ex5 1Knecht
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Grade 5 – Ex6
5 1R. Knecht Andantino No.
or in A minor
Un1poco Adagio: from Andantino in C ˛ ˝ A Graded Anthology for Organ, Book 2 (Cramer)
Grade 5 – Ex6 Interlude No. in A minor ¸
R. Vierne ˛ for Organ, Book 2 (Cramer)
677 R. AnimatedNo. in D. Book 1 (OUP)
1 ˝ A Graded onlyAnthology
Vierne Interlude
S. Wesley 1 inOxford
A minor Service Music for Organ, Manuals
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7LIST S. Wesley
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Š Š qq qq
LIST C Variation 2: from Kleine Choralpartita über ‘O Jesu, all mein Leben bist Du’ (Universal UE 17162)
C † 1LIST EbenC Variation 2: from Kleine Choralpartita über ‘O Jesu, all mein Leben bist Du’ (Universal UE 17162)
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17162) Service Music
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Grade 6 –§Ex7 1Ned Rorem Episode: No. 2 from Organbook 1 (Boosey & Hawkes)
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* Published by ABRSM (Scale requirements, Specimen tests) † Pedals required ‡ Pedals optional § Range of piece extends above f
* Published by ABRSM (Scale requirements, Specimen tests) † Pedals required ‡ Pedals optional § Range of piece extends above f
*64
Published by ABRSM (Scale requirements, Specimen tests) † Pedals required ‡ Pedals optional § Range of piece extends above f
64
64
Grade 7 – Ex 1
Grade 7 – Ex 1
Grade 7 – Ex 1 44 ŠŠ Š Š Š Š Š Š ŠŠ ‰
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Grade 8 – Ex 1
Grade 8 – Ex 1
Grade 8 – Ex 1 44 #Š#Š#Š ŠŠ ŠŠ bŠ ŠŠ #Š bŠ Š #Š Š Š #Š Š bŠ Š ŠŠ Š ŠŠ ŠŠ #ˆ#ˆ
#ˆ
ed Apr 14 16:30:14 BST 2010 01_all : page 1 of 1 Barnes Music Engraving
8 † Pedals required ‡ Pedals optional § Range of piece extends above f ‴

Performance Grades Organ from 2011
Organ:
GRADE
Organ: GRADE
3 3
Organ: GRADE
GRADE 33
THREE
FOURPIECES:
PIECES: at one chosen
least by the candidate
the three
of theLists,
three A, B and
Lists, A, BC:
THREE
LIST A PIECES:
candidate one chosen by the candidate from each of the three Lists, A, B and C:
’s own choice; for further programming requirements, see pages 3–5
LIST A
1LIST A Bach Gottes Sohn ist kommen, BWV 703
J. S.
1 J. S. Bach Gottes Sohn ist kommen, BWV 703 ¸ ¸ Oxford Service Music for Organ, Manuals only Book 1 (OUP )
A 21 Frescobaldi Allegro
J. S. Bach Gottes Sohnin Gistminor
kommen, BWV 703 ˝
2 Frescobaldi Allegro in G minor
32 Lübeck Allein Gott ininder Höh sei Ehr
˝¸˛ Oxford Service Music for Organ, Manuals only Book 1 (OUP )
Frescobaldi Allegro G minor ˛˝ Oxford Service Music for Organ, Manuals only Book 1 (OUP )
3 Lübeck Allein Gott in der Höh sei Ehr
34 Lübeck Coelho Primeiro
Allein GottKyrio do Höh
in der sextosei
tomEhr¸ ˛
4 Coelho Primeiro Kyrio do sexto tom ˝ ¸ A Graded Anthology for Organ, Book 3 (Cramer)
54 J. Primeiro
G. Walther
Coelho Jesu, meine
Kyrio Freude
do sexto tom ˛ ˝ A Graded Anthology for Organ, Book 3 (Cramer)
5 J. G. Walther Jesu, meine b. P. Freude
Freude ¸
‡ 65 Martini Toccata in Bmeine
˛ A Graded Anthology
Works,for Organ, Book 3 (Cramer)
2 (Doblinger
6 Martini Toccata in B b. P. 20 from Martini Liturgical Works, Vol. 2 (Doblinger 1302)
˝
‡ J. G. Walther Jesu, 20 from Martini
˛ Liturgical Vol. 1302)
‡ 7 Fugue: b
from Prelude and Fugue in E.
6 Martini Toccata in B . P. 20 from Martini Liturgical Works, Vol. 2 (Doblinger
J. C. Simon P. 8 from Simon 14 Easy 1302)& Fugues (Schott ED 3877)
Preludes
7 J. C. Simon Fugue: from Prelude and Fugue in E. P. 8 from Simon 14 Easy Preludes & Fugues (Schott ED 3877)
7LIST
J. C.
B Simon Fugue: from Prelude and Fugue in E. P. 8 from Simon 14 Easy Preludes & Fugues (Schott ED 3877)
†
LIST B
1LIST B Nun ruhen alle Wälder: No. 26 from 43 Chorale Preludes, Op. 52 (Willemsen XWIL714)
Dienel
B † 1 Dienel Nun ruhen alle Wälder: No. 26 from 43 Chorale Preludes, Op. 52 (Willemsen XWIL714)
† 12 Dienel
Franck NunVieux Noëlalle
ruhen (from
Wälder: No. 26 from 43 Chorale
L’organiste) ¸ Preludes, Op. 52 (Willemsen XWIL714)
†
2 Franck Vieux Noël (from L’organiste) ¸ A Graded Anthology for Organ, Book 3 (Cramer)
˝
32 Guilmant
Franck Vieux DuoNoël
Pastorale
(from(from Magnificat, Op. 41) ˛
L’organiste) ˝ A Graded Anthology for Organ, Book 3 (Cramer)
† 3 Guilmant Duo Pastorale (from Magnificat, Op. 41) ¸ ˝ A Graded Anthology for Organ, Book 3 (Cramer)
˛
† 43 Gigout
Guilmant Allegretto in A (No.
Duo Pastorale 51 from
(from Magnificat, Op. 41)
100 Pieces) ¸ ˛
†
4 Gigout Allegretto in A (No. 51 from 100 Pieces) ˝ ¸ A Graded Romantic French Anthology for Organ, Book 1 (Cramer)
† 45 Gigout Jacob Noël
GeorgesAllegretto in A (No. 51 from 100 Pieces) ˛ ˝ A Graded Romantic French Anthology for Organ, Book 1 (Cramer)
5 Georges Jacob Noël ¸
˝ A Graded Romantic French Anthology for Organ, Book 1 (Cramer)
˛
† 65 S. WesleyJacob
Georges Andantino
Noël in F. Oxford Service Music ˛for Organ, Manuals only Book 1 (OUP)
6 S. Wesley Andantino in F. Oxford Service Music for Organ, Manuals only Book 1 (OUP)
† 76 S. Wesley Diapason AndantinoPiece.
in F. Oxford
Oxford Service
Service Music
Music for for Organ,
Organ, Manuals
Manuals only
and Pedals (OUP)
Book 1 Book 1 (OUP)
† 7 S. Wesley Diapason Piece. Oxford Service Music for Organ, Manuals and Pedals Book 1 (OUP)
† 7LIST S. Wesley
C Diapason Piece. Oxford Service Music for Organ, Manuals and Pedals Book 1 (OUP)
LIST C
C †† 1LIST JohnC Barry Pray to the Lord. Fanfare for Francis (Banks FJ1917)
1 John Barry Pray to the Lord. Fanfare for Francis (Banks FJ1917)
† 21 arr. Barry Pray
JohnGunther to the
Martin Das ist ein
Lord. Fanfare
Göttsche for köstlich
Francis Ding.(BanksP. 10 from Jazz Inspirations for Organ, Book 1 (Bärenreiter BA
FJ1917)
2 arr. Gunther Martin Göttsche Das ist ein köstlich Ding. P. 10 from Jazz Inspirations for Organ, Book 1 (Bärenreiter BA
2 arr. 8440) Gunther Martin Göttsche Das ist ein köstlich Ding. P. 10 from Jazz Inspirations for Organ, Book 1 (Bärenreiter BA
8440)
† 3 arr. 8440)Rebecca Groom Te Velde Adeste fideles: No. 1 from Hymn Miniatures 1 (OUP)
† 3 arr. Rebecca Groom Te Velde Adeste fideles: No. 1 from Hymn Miniatures 1 (OUP)
† 34 arr.PeterRebecca
HurfordGroomNo. 1:Te from FiveAdeste
Velde Verses fideles: No. 1 from
on a Melody from the Paderborn
Hymn 1 (OUP) Oxford Service Music for Organ,
Gesangbuch.
Miniatures
† 4 Peter Hurford No. 1: from Five Verses on a Melody from the Paderborn Gesangbuch. Oxford Service Music for Organ,
† 4 Manuals No. 1:
and Pedals
Peter Hurford Bookfrom1 (OUP)
Five Verses on a Melody from the Paderborn Gesangbuch. Oxford Service Music for Organ,
Manuals and Pedals Book 1 (OUP)
5 Philip Manuals Moore Prelude
and Pedals Book(from Three Pieces for Withycombe). A Graded Anthology for Organ, Book 3 (Cramer)
1 (OUP)
5 Philip Moore Prelude (from Three Pieces for Withycombe). A Graded Anthology for Organ, Book 3 (Cramer)
† 65 Peeters Of thePrelude
Philip Moore Father’s(from
love begotten.
Three Pieces Thefor
Church Year (Cramer)
Withycombe). A Graded Anthology for Organ, Book 3 (Cramer)
† 6 Peeters Of the Father’s love begotten. The Church Year (Cramer)
†§
† 76 Ned Peeters Of the
Rorem Serenade:
Father’sNo. love4 begotten.
from Organbook 1 (Boosey
The Church Year & (Cramer)
Hawkes)
†§ 7 Ned Rorem Serenade: No. 4 from Organbook 1 (Boosey & Hawkes)
†§ 7 Ned Rorem Serenade: No. 4 from Organbook 1 (Boosey & Hawkes)
SIGHT-READING*: a piece of up to eight bars in length for manuals, time and key signatures as Grade 2, with
SIGHT-READING *: a piecebof up b majors
to eight bars in length for manuals, time and key signatures as Grade 2, with
the addition of 3388 and A, B bb, E bb majors and B minor, and with hands playing together outside of a five-finger
the addition of 3 *and
SIGHT-READING A, B of
: a piece , Eup to eightandbarsB in minor,
lengthand forwith handstime
manuals, playing
and together outsideasofGrade
key signatures a five-finger
2, with
position.
the additionEach of test
andfeatures
A, B , Eonemajors manual andchange,
B minor, andand occasional
with hands two-note
playing chords
togetherinoutside
either ofhand may be
a five-finger
position. Each 8test features one manual change, and occasional two-note chords in either hand may be
encountered. Seetest
position. Each alsofeatures
p. 61. one manual change, and occasional two-note chords in either hand may be
encountered. See also p. 61.
† Pedals required ‡ Pedals optional § Range of piece extends above f ‴ 9

67
67
Organ: GRADE 4
Organ:
GRADE GRADE
4 4
Organ: GRADE 4
THREE
FOURPIECES:
PIECES: at oneleast
chosen by the candidate
the three
of theLists,
three A, B and
Lists, A, BC:and C, and a fourth of the
LIST
THREE A PIECES: one chosen by the candidate from each of the three Lists, A, B and C:
candidate
LIST A ’s own choice; for further programming requirements, see pages 3–5
1 J. S. Bach O Lamm Gottes unschuldig, BWV 1095 ¸ Oxford Service Music for Organ,
LIST A Bach O Lamm Gottes unschuldig, BWV 1095
21 F. J. S. ˝
¸ Oxford Service
Couperin Trio (7e couplet du Gloria): No. 12 from Messe pour les Convents ˛ Manuals onlyMusic
Book for Organ,
2 (OUP)
1 F. Bach O TrioLamm Gottes unschuldig, BWV 12 1095 ˝ Oxford
32 G. (7e
in Acouplet
minor. duA Gloria):
Graded No. from 2 (OUP)
A J. S.
Couperin ¸ Service
onlyMusic
Book for Organ,
Böhm Prelude Anthology forMesse pour
Organ, Bookles 4Convents
(Cramer)˛ ˝
Manuals
3 2 G. F. Couperin
Böhm Trio (7e
Prelude in A couplet
minor. duA Gloria):
Graded No. 12 from
Anthology Messe
for pour
Organ, Book (Cramer)
les 4Convents ˛ Manuals only Book 2 (OUP)
4 Buxtehude Puer natus in Bethlehem, BuxWV 217. No. 40 from Buxtehude New Edition of the Complete Organ Works,
43 Buxtehude
G. Böhm Prelude
Vol. 5 (Bärenreiter
in A minor.
Puer natus in Bethlehem,
BA 8405)
A GradedBuxWV 217. for
Anthology No.Organ,
40 fromBook 4 (Cramer)
Buxtehude New Edition of the Complete Organ Works,
4 Buxtehude Puer natus8405)
Vol. 5 (Bärenreiter in Bethlehem, BuxWV 217. No. 40 from Buxtehude New Edition of the Complete Organ Works,
5 Hanff Auf meinen BA lieben Gott. No. 2 from Incognita Organo, Vol. 7: Hanff Chorale Preludes (Harmonia XHU3180)
5 J. Vol. 5 (Bärenreiter
Auf meinen
Preludelieben
in F. Gott. 1 (OUP)(Harmonia XHU3180)
Hanff BA 8405)
6 L. Krebs OxfordNo. 2 fromMusic
Service Incognita Organo,
for Organ, Vol. 7:and
Manuals Hanff Chorale
Pedals BookPreludes
5 J. Auf meinen liebenF. Gott. (Harmonia XHU3180)
7 Purcell Symphony toinAct
6 Prelude 1 (OUP)
Hanff
L. Krebs No. 2 fromMusic
Incognita Organo, Vol. 7:andHanff Chorale Preludes
5Oxford
(from TheService
Fairy Queen).for Organ, Manuals
A Purcell Organ Album,Pedals Book
arr. Setchell (OUP)
768 Purcell
J. L. Krebs
Sweelinck
Prelude inAct
Symphony
Toccata to
F. 5Oxford
in A minor. (fromNo. Service
The
29Fairy
Music for Organ,
from Queen).
SweelinckAWorks
Manuals
PurcellforOrgan
and Pedals
OrganAlbum,
Book
arr.
and Keyboard
1 (OUP)
Setchell (OUP)
(Dover DP13186) or The Church
78 Purcell
Sweelinck Symphony
Toccata to
in Act 5 (fromNo.
AMayhew)
minor. The29Fairy
from Queen).
SweelinckAWorks
PurcellforOrgan
OrganAlbum, (OUP)
(Dover
arr. Setchell
and Keyboard DP13186) or The Church
Organist, Vol. 2 (Kevin
8 Sweelinck Toccata in A
Organist, Vol. 2 (Kevin Mayhew) minor. No. 29 from Sweelinck Works for Organ and Keyboard (Dover DP13186) or The Church
Organist, Vol. 2 (Kevin Mayhew)
LIST B
1LIST B
Claussmann Allegro in E ¸
B § 12LIST B
Claussmann Allegro in E ˝ A Graded Romantic French Anthology for Organ, Book 2 (Cramer)
Wachs Canzona ¸
˛ A Graded Romantic French Anthology for Organ, Book 2 (Cramer)
§ 12 Claussmann Canzona
WachsVesper Allegro in E ˝ ¸
3 Elgar Voluntary No.˛ ˝3 A(from 11 Vesper
Graded Voluntaries,
Romantic Op. 14) ¸for
French Anthology Oxford
Organ,Service 2 (Cramer)
Book Music for Organ, Manuals and
§ 342 Elgar
Wachs Canzona
Parry Vesper Voluntary No.˛3 (from 11 Vesper Voluntaries, Op. 14) ˝
Tranquilly ¸ Oxford
˛ PedalsService
Book Music
1 (OUP) for Organ, Manuals and
3 Elgar Vesper Voluntary No. 3 (from 11 Vesper Voluntaries, Op. 14) ˛ ˝
54 C. Tranquilly 1 (OUP)
Parry ¸ Oxford
PedalsService
Book Music for Organ, Manuals and
Geissler Adagio, Op. 39 ¸ ˝
564 C. Parry Tranquilly
Geissler Adagio,(No.
Allegro Op.239 from Magnificat, Op. 41) ¸
˝ A Graded Anthology˛ Pedals (OUP)
Book 1Book
for Organ, 4 (Cramer)
56 C.
Guilmant
Adagio,(No.
GeisslerAllegro Op.239
˛
˝ A Graded Anthology for Organ, Book 4 (Cramer)
7 Guilmant
Oley Nun freut euch lieben from Magnificat,
Christen gemein. Op.Incognita
41) ˛¸
Organo,Anthology
˝ A Graded Vol. 47: Oley ChoraleBook
for Organ, Preludes (Harmonia XHU4107)
4 (Cramer)
67 Guilmant
Oley Nun Allegro (No. 2 from Magnificat, Op. 41) ˛ Organo, Vol. 47: Oley Chorale Preludes (Harmonia XHU4107)
8 Rinck Triofreut
in F euch
minorlieben Christen
(Moderato). gemein.
No. 9 fromIncognita
Incognita Organo, Vol. 15: Rinck 12 Trios (Harmonia XHU3291)
87 Rinck
Oley Nun Triofreut
in F euch
minorlieben Christen No.
(Moderato). gemein.
9 fromIncognita
IncognitaOrgano,
Organo,Vol. Vol.47:
15:Oley
RinckChorale (Harmonia
Preludes
12 Trios (Harmonia
XHU3291)XHU4107)
8LIST C Trio in F minor (Moderato). No. 9 from Incognita Organo, Vol. 15: Rinck 12 Trios (Harmonia XHU3291)
Rinck
LIST C
1 John A. Behnke Go tell it on the mountain (gliss. optional). P. 29 from Jazz Inspirations for Organ, Book 1 (Bärenreiter
C
1LISTJohn
BA
C A. Behnke Go tell it on the mountain (gliss. optional). P. 29 from Jazz Inspirations for Organ, Book 1 (Bärenreiter
8440)
1 BA John A. Behnke Go tell it on the mountain (gliss. optional). P. 29 from Jazz Inspirations for Organ, Book 1 (Bärenreiter
8440)
2 Demessieux Rorate Caeli or Tu es Petrus: from Twelve Choral Preludes on Gregorian Chant Themes (Alfred—Summy-
2 BA 8440)
Demessieux
Birchard 0603) Rorate Caeli or Tu es Petrus: from Twelve Choral Preludes on Gregorian Chant Themes (Alfred—Summy-
2 Demessieux Rorate Caeli or Tu es Petrus: from Twelve Choral Preludes on Gregorian Chant Themes (Alfred—Summy-
3 Birchard
Wilbur Held 0603) O little town of Bethlehem. The Church Year (Cramer)
43 Karel
Birchard
WilburJirák 0603)O little town of Bethlehem. The Church Year (Cramer)
Held
§ Prelude No. 3 (from Five Little Preludes and Fugues, Op. 77). A Graded Anthology for Organ, Book 4
§ 3
4 Karel Wilbur Held O
Jirák Prelude little No.
town3 of Bethlehem.
(from Five LittleThe Churchand
Preludes Year (Cramer)
Fugues, Op. 77). A Graded Anthology for Organ, Book 4
(Cramer)
§ 4 (Cramer)
Karel Jirák Prelude No. 3 (from Five Little Preludes and Fugues, Op. 77). A Graded Anthology for Organ, Book 4
5 Herbert Paulmichl Vater, in deine Hände empfehl ich meinen Geist!: No. 8 from Die Sieben Worte Jesu am Kreuze, Op.
5 Herbert(Cramer)Paulmichl Vater, in deine Hände empfehl ich meinen Geist!: No. 8 from Die Sieben Worte Jesu am Kreuze, Op.
189 (Doblinger 02451)
5 Herbert Vater, in deine Hände empfehl ich meinen Geist!: No. 8 from Die Sieben Worte Jesu am Kreuze, Op.
6 189 (Doblinger
Paulmichl
02451)
N. Rawsthorne Flourish for an Occasion: from 12 Fanfares and Trumpet Tunes for Festive Occasions ( pedals edition:
6 Kevin 189 (Doblinger 02451)
N. Rawsthorne Flourish for an Occasion: from 12 Fanfares and Trumpet Tunes for Festive Occasions ( pedals edition:
Mayhew 1400209)
6 N. Rawsthorne Flourish for an Occasion: from 12 Fanfares and Trumpet Tunes for Festive Occasions ( pedals edition:
7 Kevin Mayhew
Betty Roe 1400209)
Bishop’s Blues. Swing Gently ( pedals edition: Kevin Mayhew 1400326)
87 Gordon Bishop’s Blues. Swing ( pedals
Kevin Roe
Betty Mayhew 1400209) Gently edition: Kevin MayhewXWIL510)
1400326)
Young Praeludium: 1st movt from Cathedral Suite (Willemsen
7 Betty Roe Bishop’s
8 Gordon Young Praeludium:Swing Blues. 1st movt from
Gently ( pedals edition:
Cathedral (Willemsen
Kevin
Suite MayhewXWIL510)
1400326)
8SIGHT-READING
Gordon Young *Praeludium:
: a piece of 1staround
movt fromeight bars in Suite
Cathedral (Willemsen
length for manuals and pedals, time and key signatures as
XWIL510)
SIGHT-READING*: a piece of 6around eight bars in length for manuals and pedals, time and key signatures as
Grade 3, with the*:addition
SIGHT-READING a piece of
of . Occasional
around eight chromatic
bars in notes
length forand pauseand
manuals signs, and tests
pedals, time with left signatures
and key hand whollyas
Grade
in treble3, clef,
with the
mayaddition
be encountered.
6
of 8. Occasional
8
Increasing chromatic notes and
use of manual pause signs,
changes, and tests
including handswith left hand
playing wholly
on different
Grade
in 3, with
treble Simple the
clef, may addition of
be encountered.
6. Occasional
8 line.Increasing chromatic notes and pause signs, and tests with left hand wholly
in manuals.
treble Simple
clef, may writing
be encountered. in pedal See also p.use 61. of manual changes, including hands playing on different
manuals. writing in pedal line.Increasing
See also p.use
61. of manual changes, including hands playing on different
manuals. SimpleFOR
AURAL TESTS writing
THE in pedal*line.
GRADE : seeSee
pp. also p. 61.
94 and 96
10 § Range of piece extends above f ‴

69
69
Organ:
Organ: GRADE
GRADE 55
GRADE 5
Organ: GRADE 5
THREE PIECES: one
FOURPIECES: chosen
at least one by the candidate
chosen from each
the three
of theLists,
threeA, B and
Lists, A, BC:
THREE
LIST A PIECES:
candidate
one chosen by the candidate from each of the three Lists, A, B and C:
LIST A
1LIST
J. S.
A Bach Erschienen ist der herrliche Tag, BWV 629 or Ich ruf zu dir, Herr Jesu Christ, BWV 639 (Orgelbüchlein).
1 J. S. Bach Erschienen ist der herrliche Tag, BWV 629 or Ich ruf zu dir, Herr Jesu Christ, BWV 639 (Orgelbüchlein).
A 1 J. Erschienen Vol. 1 (BA
ist der herrliche Tag, BWV or629 or Ich &
rufHärtel
zu dir,Vol.
Herr7 (EB 6587)
Christ,or 639or
7 Jesu orBWV or(Orgelbüchlein).
Complete
S. Bacheditions: Bärenreiter 5261) Breitkopf No. 15 No. 30 from Peters
Complete editions: Bärenreiter Vol. 1 (BA 5261) or Breitkopf & Härtel Vol. (EB 6587) No. 15 No. 30 from Peters
Vol. 5 (EPeditions:
244) Bärenreiter Vol. 1 (BA 5261) or Breitkopf & Härtel Vol. 7 (EB 6587) or No. 15 or No. 30 from Peters
5 (EP 244)
Complete
Vol.
2 Vol. J. S. 5Bach Herzlich
(EP 244) tut mich verlangen, BWV 727. Complete editions: Bärenreiter Vol. 3 (BA 5173) or Breitkopf &
2 J. S. Bach Herzlich tut mich verlangen, BWV 727. Complete editions: Bärenreiter Vol. 3 (BA 5173) or Breitkopf &
2 Härtel 9 (EB 6589)
Vol. Herzlich tut or No.verlangen,
mich BWV
27 from Peters 727.
Vol. 5 (EP 244) editions: Bärenreiter Vol. 3 (BA 5173) or Breitkopf &
Härtel Vol. 9 (EB 6589) or No. 27 from Peters Vol. 5 (EP 244)
J. S. Bach Complete
3 Härtel Vol. 9 Verse
C. Gibbons (EB 6589)for the or(Double) Organ ¸ Vol. 5 (EP 244)
3 C. Gibbons Verse for the (Double)
No. 27 from Organ
Peters
¸ Oxford Service Music for Organ, Manuals only Book 2 (OUP)
˝
43 L. C. Marchand
Gibbons Verse Basse forde trompette ¸ Oxford Service Music for Organ, Manuals only Book 2 (OUP)
dethe (Double) Organ ˛ ˝
4 L. Marchand Basse trompette ˛
(OUP)
5
45 L. J. C. Kittel Mache dich,
Bassedich, mein
de trompette Geist, bereit.
˝ Oxford
Oxford Service
Service Music
Music for
for Organ,
Organ, Manuals
Manuals only Book 2Book
and Pedals 2 (OUP)
Kittel Mache
Marchand
J. C. mein Geist, bereit.˛ Oxford Service Music for Organ, Manuals and Pedals Book 2 (OUP)
65 Lübeck FugueMache(p. 49):
dich, from
mein Praeambulum
Geist, bereit.in Oxford
F. No.Service
5 from Lübeck Complete Organ Works (Breitkopf (OUP)EB
& 2Härtel
6 Lübeck Fugue (p. 49): from Praeambulum in F. No. 5 from Lübeck Complete Organ Works (Breitkopf & Härtel
J. C. Kittel Music for Organ, Manuals and Pedals Book EB
6 8824)
8824) Fugue (p. 49): from Praeambulum in F. No. 5 from Lübeck Complete Organ Works (Breitkopf & Härtel EB
Lübeck
7 Scheidt Komm, Gott Schöpfer, heiliger Geist. The Church Year (Cramer)
7 Scheidt
8824) Komm, Gott Schöpfer, heiliger Geist. The Church Year (Cramer)
8
7 D. Strunck Komm,Primus GottVersus from:heiliger
Schöpfer, Magnificat
Geist. noni toni – Meine Seele erhebet den Herren. No. 3 from D. Strunck
(Cramer)
8 Scheidt
D. Strunck Primus Versus from: Magnificat noni
Thetoni – Meine
Church Seele
Year erhebet den Herren. No. 3 from D. Strunck
8 Complete Primus
Organ WorksVersus(Schott
from: EDMagnificat
20025) noni toni – Meine Seele erhebet den Herren. No. 3 from D. Strunck
Complete Organ Works (Schott ED 20025)
D. Strunck
Complete
LIST B Organ Works (Schott ED 20025)
LIST B
1LISTW. BT. Best My soul, praise the Lord or O praise the Lord with one consent. Incognita Organo, Vol. 13: S. S. Wesley &
B 1 W. T. Best My soul, praise the Lord or O praise the Lord with one consent. Incognita Organo, Vol. 13: S. S. Wesley &
(Harmonia
1 W. W. T.
W. T.Best
T. Best My soul,
BestChorale
Chorale praise the
Preludes
Preludes Lord or O
(Harmonia praise the Lord with one consent. Incognita Organo, Vol. 13: S. S. Wesley &
XHU3289)
XHU3289)
2 Dienel Lobe den Herren, den(Harmonia
mächtigen XHU3289)
König der Ehren or Wer nur den lieben Gott lässt walten: No. 18 or No. 39 from
2 Dienel Lobe den Herren, den mächtigen König der Ehren or Wer nur den lieben Gott lässt walten: No. 18 or No. 39 from
W. T. Best Chorale Preludes
2 Dienel
43 ChoraleLobePreludes,
den Herren, Op. den52 (Willemsen
mächtigen XWIL714)
König der Ehren or Wer nur den lieben Gott lässt walten: No. 18 or No. 39 from
43 Chorale Preludes, Op. 52 (Willemsen XWIL714)
3 43 Grieg Norwegian Dance
Op. No. 2 (Op. 35 No.
52 (Willemsen 2). A Grieg Organ Album, arr. Eva (OUP)
3 Grieg Norwegian
Chorale Preludes, Dance No. 2 (Op. 35 No. 2). A Grieg Organ Album, arr. Eva (OUP)
XWIL714)
344 Grieg
Guilmant
Guilmant
Lamento
Norwegian
Lamento
(Op. No.
Dance 90 No.
(Op. 90 No.
4). 35
2 (Op. No. 2). Anthology
A Graded
4). A Graded
for Organ,
A Grieg Organ
Anthology Album,
for Organ,
Book (Cramer)
arr.55Eva
Book (OUP)
(Cramer)
5 Guilmant
4 Massenet Prelude
Lamento in(Op.
C. 90 No.
Oxford 4).
Service Music Anthology
for Organ, forManuals and Pedals Book 2 (OUP)
(Cramer)
5 Massenet Prelude in C. Oxford Service Music for Organ, Manuals and Pedals
A Graded Organ, Book 5 Book 2 (OUP)
6 Massenet
5 Oley Der Tag ist hin,
Prelude meinOxford
in C. Jesu bey mir bleibe. The Church Year (Cramer)
and Pedals Book 2 (OUP)
6 Oley Der Tag bb. Oxford
ist hin, mein Jesu bey mir bleibe. Year (Cramer)
Service Music for TheOrgan,
Church Manuals
7 DerTrio
Tagin istE Pedals Book 2 (OUP) or Reubke Organ Works
67 Reubke
Oley Trio in .
Ehin, mein Jesu bey mir
Service bleibe.
Music for Organ, Manuals
The Church and(Cramer)
and Pedals Book 2 (OUP) or Reubke Organ Works
Year
E b.50243)
Reubke Oxford Service Music for Organ, Manuals
(Wiener Urtext
7 Reubke Trio inUT Oxford Service Music for Organ, Manuals and Pedals Book 2 (OUP) or Reubke Organ Works
(Wiener Urtext UT 50243)
8 (Wiener
R. Vierne Intermezzo. A Graded Romantic French Anthology for Organ, Book 2 (Cramer)
8 R. Vierne Intermezzo.
Urtext UT 50243) A Graded Romantic French Anthology for Organ, Book 2 (Cramer)
8LIST
R. Vierne
C Intermezzo. A Graded Romantic French Anthology for Organ, Book 2 (Cramer)
LIST C
C §§ 11LIST Demessieux
C
Demessieux
Attende Domine: from Twelve Choral Preludes on Gregorian Chant Themes (Alfred—Summy-Birchard
Attende Domine: from Twelve Choral Preludes on Gregorian Chant Themes (Alfred—Summy-Birchard
§ 1 0603) Demessieux Attende Domine: from Twelve Choral Preludes on Gregorian Chant Themes (Alfred—Summy-Birchard
0603)
2 Eben Variation 3: from Kleine Choralpartita über ‘O Jesu, all mein Leben bist Du’ (Universal UE 17162)
2 0603)
Eben Variation 3: from Kleine Choralpartita über ‘O Jesu, all mein Leben bist Du’ (Universal UE 17162)
32 Geoffray O quam
Variation suavisKleine Choralpartita
3: from ¸ A Graded überAnthology formein
Organ, Book (Cramer)
bist55 Du’ (LangUE
(Universal also available
3 Eben
Geoffray O quam suavis ¸ A Graded
˝ ‘O Jesu, all
Anthology Leben
for Organ, Book (Cramer) (Lang also17162)
available
344 Geoffray
C. S. LangOTuba
C. S. Lang Tuba quamTune suavis
Tune
in D, Op. 15 ˛
in D, Op. 15 ˛
˝ separately:
¸ A Graded
Cramer)
Anthology
separately: Cramer) for Organ, Book 5 (Cramer) (Lang also available
54 Langlais Pasticcio:
Tuba Tune No. 10 from ˝ Book (Elkan-Vogel)
No.in10D,fromOp. Organ
15 ˛ Book
Organ
5 Langlais
C. S. LangPasticcio: (Elkan-Vogel)
separately: Cramer)
6 Langlais
5 N. Rawsthorne Fanfare
Pasticcio: No. 10 forfrom
Francis. in the album: Fanfare for Francis (Banks FJ1917)
Book (Elkan-Vogel)
Available
6 N. Rawsthorne Fanfare for Francis.
Organ Available in the album: Fanfare for Francis (Banks FJ1917)
§ 76 Lucie Robert-DiesselFanfare Lied.
for Francis.
Female Composers:
Available in 22 theOrgan
album:Pieces (Schott ED 9741) (Banks FJ1917)
§ 7 Lucie N. Rawsthorne
Robert-Diessel Lied. Female Composers: 22 Organ Pieces (Schott
Fanfare for Francis
ED 9741)
§ 78 Schroeder
8 Lucie
Es ist ein Ros
Es ist ein Ros
Robert-Diessel
Schroeder
entsprungen:
Lied.
entsprungen:
No. 2 from 22 Orgelchoräle
No. 2 from Orgelchoräle
Female Composers: Organ Piecesim (Schott
Kirchenjahr
ED 9741)
im Kirchenjahr
(Schott ED 5426)
(Schott ED 5426)
8 Schroeder Es ist ein Ros entsprungen: No. 2 from Orgelchoräle im Kirchenjahr (Schott ED 5426)
SIGHT-READING*: a piece of around eight to twelve bars in length for manuals and pedals, time signatures as
SIGHT-READING*: a piece of around eight to twelve bars in length for manuals and pedals, time signatures as
Grade 4, keys up*to
SIGHT-READING : a four
piecesharps/flats
of around (major)
eight to or threebars
twelve sharps/flats
in length(minor).
for manuals Anacrusis, tenuto,time
and pedals, four-part chords
signatures as
Grade 4, keys up to four sharps/flats (major) or three sharps/flats (minor). Anacrusis, tenuto, four-part chords
on manuals
Grade 4, keys(two
up notes maximum
to four in either
sharps/flats (major)hand), some
or three independent
sharps/flats movement
(minor). in inner
Anacrusis, parts,four-part
tenuto, and a slowing
chords
on manuals (two notes maximum in either hand), some independent movement in inner parts, and a slowing
of
on tempo at the
manuals endnotes
(two may maximum
be encountered.
in Increasing
either hand), detail
some in pedal line. movement
independent See also p. in
61.inner parts, and a slowing
of tempo at the end may be encountered. Increasing detail in pedal line. See also p. 61.
of tempoTESTS
AURAL at the FOR
end may
THEbe encountered.
GRADE *: see pp.Increasing
94 and 97detail in pedal line. See also p. 61.
§ Range of piece extends above f ‴ 11

71
71
GRADE 6
PREREQUISITE FOR ENTRY: ABRSM Grade 5 (or above) in Music Theory, Practical Musicianship or a Practical
Organ:
Grades GRADE
Organ: 66
solo Jazz instrument.
GRADE For alternatives, see www.abrsm.org/prerequisite.
Organ: GRADE 6
THREE PIECES: one
FOURPIECES: chosen
chosen from each
by the candidate from ofeach
the three
of theLists,
threeA, B and
Lists, A, BC:and C, and a fourth of the
THREE
LIST A PIECES: one chosen by the candidate from each of the three Lists, A, B and C:
candidate
LIST A ’s own choice; for further programming requirements, see pages 3–5
1LIST J. S.
A Bach Prelude: from Prelude and Fugue in E, BWV 566. Complete editions: Bärenreiter Vol. 6 (BA 5176) or Breit-
1 J. S. Bach Prelude: from Prelude and Fugue in E, BWV 566. Complete editions: Bärenreiter Vol. 6 (BA 5176) or Breit-
1 kopf Prelude: (EB 6581)
Vol. 1 from Prelude or and 3 (EP 242)
or No. Fugue
J. S. & Härtel
Bach No. 7 fromin E, BWV
Peters Vol.566. editions: Bärenreiter Vol. 6 (BA 52665176) or Breit-
A kopf & Härtel Vol. 1 (EB 6581) 7 from Peters Vol. 3 (EPComplete
242)
2 J. S. &
kopf Bach O Lamm
Härtel Vol. 1 Gottes,
(EB 6581)unschuldig,
or No. 7 BWVPeters
from 618 (Orgelbüchlein).
Vol. 3 (EP 242) Complete editions: Bärenreiter Vol. 1 (BA 5171) or
2 J. S. Bach O Lamm Gottes, unschuldig, BWV 618 (Orgelbüchlein). Complete editions: Bärenreiter Vol. 1 (BA 5171) or
2 Breitkopf 7 (EBunschuldig,
6587) or No. Peters Vol. 5 (EP 244)
J. S. Bach&&OHärtel
LammVol. Gottes, BWV 618 (Orgelbüchlein). Complete editions: Bärenreiter Vol. 1 (BA 52615171) or
Härtel 44 from
Breitkopf Vol. 7 (EB 6587) or No. 44 from Peters Vol. 5 (EP 244)
3 G. Böhm Nun bitten wir7 den
(EB heiligen
6587) orGeistNo. 44 from Peters Vol. 5 (EP Oxford Service Music for Organ, Manuals and
¸ 244)
3 Breitkopf
G. Böhm &Nun Härtel
bittenVol.
wir den heiligen Geist ¸ Oxford Service Music for Organ, Manuals and
˝
43 J. G.G. Nun Allegro:
Walther
Böhm bitten wir1st denmovt from Geist
heiligen ‘Concerto del Signor Meck’ ˛ ˝ Pedals
¸ Oxford 2 (OUP)
Book Music
Service for Organ, Manuals and
4 J. G. Walther Allegro: 1st movt from ‘Concerto del Signor Meck’ ˛ Pedals Book 2 (OUP)
45 Fugue Allegro:
(p. 50): from Praeludium in G minor. Works (Breitkopf & Härtel EB
˝
Bruhns
J. G. Walther 1st movt from ‘Concerto del Signor
No. 5 Meck’
from Bruhns
˛ Complete
Pedals BookOrgan
2
5 Bruhns Fugue (p. 50): from Praeludium in G minor. No. 5 from Bruhns Complete Organ Works (Breitkopf & Härtel EB(OUP)
5 8663)
8663) Fugue (p. 50): from Praeludium in G minor. No. 5 from Bruhns Complete Organ Works (Breitkopf & Härtel EB
Bruhns
6 L.-N. Clérambault Récit de Nazard (Suite du 2e ton): from Premier livre d’orgue. Oxford Service Music for Organ,
6 8663)
L.-N. Clérambault Récit de Nazard (Suite du 2e ton): from Premier livre d’orgue. Oxford Service Music for Organ,
6 Manuals only Book 3Récit
L.-N. Clérambault (OUP) de Nazard (Suite du 2e ton): from Premier livre d’orgue. Oxford Service Music for Organ,
Manuals only Book 3 (OUP)
7 T. Roseingrave
Manuals only Book Double
3 (OUP)Fugue in E minor. No. 10 from Roseingrave 10 Organ Pieces (Stainer & Bell K18)
7 T. Roseingrave Double Fugue in
87 Stölzel 1st movt:Double
from Trio in Binb. ENo.
minor. No. 10 from Roseingrave 10 Organ Pieces (Stainer & Bell K18)
Trios (Harmonia
in Bb. ENo.
Fugue minor. (Stainer
3 from
No.Incognita Organo, Vol.10 2: Krebs & Stölzel & Bell K18)XHU3083)
8 T. Roseingrave
1st movt: from Trio 10 from Roseingrave
Organo, Vol. 2: Organ Pieces Trios (Harmonia
Stölzel
8LIST
Stölzel
B 1st movt: from Trio in B b . No.
3 from Incognita Krebs & Stölzel
3 from Incognita Organo, Vol. 2: Krebs & Stölzel Trios (Harmonia XHU3083)
XHU3083)
LIST B
1LIST Guilmant
B Marche de Procession, Op. 41 No. 5. A Graded Romantic French Anthology for Organ, Book 3 (Cramer) or
B 1 Guilmant Marche de Procession, Op. 41 No. 5. A Graded Romantic French Anthology for Organ, Book 3 (Cramer) or
1 Oxford Marche de for
Procession, Op. 41 No.and5.Pedals (OUP)
Book 2 (OUP) French Anthology for Organ, Book 3 (Cramer) or
GuilmantService Music Organ, Manuals Book 2Romantic
A Graded
Oxford Service Music for Organ, Manuals and Pedals
§ 2 Oxford
J. Jongen Petite
Service piècefor
Music AndanteManuals
or Organ, cantabile§.
and No. 4 or
Pedals from A Jongen Organ Album (OUP)
No. 25 (OUP)
Book
§ 2 J. Jongen Petite pièce or Andante cantabile§. No. 4 or No. 5 from A Jongen Organ Album (OUP)
§ 3 Karg-Elert Quasi Scherzo (Op. 83 No. 15). No. (Breitkopf & Härtel EB
32 Karg-Elert
J. Jongen Petite
Quasipièce or Andante
(Op. 83cantabile§. 4 or No. (OUP)(Breitkopf
No.6 from Karg-Elert
5 from A3232Jongen
Fairly Easy Organ
AlbumPieces
Scherzo No. 15). No. 6 from Karg-Elert FairlyOrgan
Easy Organ Pieces & Härtel EB
3 Karg-Elert
8759)
8759) Quasi Scherzo (Op. 83 No. 15). No. 6 from Karg-Elert 32 Fairly Easy Organ Pieces (Breitkopf & Härtel EB
4 Mendelssohn
8759) Andante con moto: 2nd movt from Sonata in D, Op. 65 No. 5. No. 27 from Mendelssohn Complete Organ
4 Mendelssohn Andante con moto: 2nd movt from Sonata in D, Op. 65 No. 5. No. 27 from Mendelssohn Complete Organ
4 Works,
Works, Vol. 2 (Bärenreiter
Mendelssohn Andante conBAmoto:
8197) 2ndormovt from
Mendelssohn Sonata in D,
Complete Op.
Organ65 No. 5.
Works, Vol.
No. 4 (Novello
27 from NOV010218)
Mendelssohn Complete Organ
Vol. 2 (Bärenreiter BA 8197) or Mendelssohn Complete Organ Works, Vol. 4 (Novello NOV010218)
5 Parry Rockingham:
Works, Rockingham: No. 2 from
Vol. 2 (Bärenreiter Seven or Chorale
Chorale Preludes, Set 1 (Novello Vol. 4 (Novello NOV010218)
NOV590001)
5 Parry No. 2 BAfrom8197)
Seven Mendelssohn Complete
Preludes, Set 1 Organ
(NovelloWorks,
NOV590001)
6 Reger Lobe den Herren, den mächtigen König der Ehren (Op. 67 No. 24).
65 RegerParry Rockingham: No. den
2 from Set 167 (Novello
Seven Chorale Preludes, No. 20 from Reger Choralvorspiele zum
NOV590001)
Lobe den Herren, mächtigen König der Ehren (Op. No. 24). No. 20 from Reger Choralvorspiele zum
6 gottesdienstlichen
Lobe den Herren,
gottesdienstlichen
Reger Gebrauch den (Bärenreiter
mächtigen König der
BA 8249) Ehren (Op. 67 No. 24). No. 20 from Reger Choralvorspiele zum
Gebrauch (Bärenreiter BA 8249)
7 Salomé Cantilène or Grand Choeur.
gottesdienstlichen (Bärenreiter A Graded Romantic French Anthology for Organ, Book 3 (Cramer)
7 Salomé CantilèneGebrauch
or Grand Choeur. BA 8249)
A Graded Romantic French Anthology for Organ, Book 3 (Cramer)
8 StanfordCantilène
No. 5: from Op. 101, Set 1 (Stainer or(Cramer)
87 Salomé or Grand Choeur.
Six Short Preludes and Postludes,
A Graded Romantic French Anthology for& Bell MO27) Oxford Service Music
Stanford No. 5: from Six Short Preludes and Postludes, Op. 101, Set 1 (Stainer &Organ, Book 3or
Bell MO27) Oxford Service Music
8 Stanford 2 (OUP)
for Organ,No. 5: from and Postludes, Op. 101, Set 1 (Stainer & Bell MO27) or Oxford Service Music
for Organ, Manuals and Pedals
SixPedals Book
Short Book
Preludes
Manuals and 2 (OUP)
Organ, Manuals and Pedals Book 2 (OUP)
for C
LIST
LIST C
C § 1LIST Judith
C Bingham The Dawn of Redeeming Grace (Peters EP 71098)
§ 1 Judith Bingham The Dawn of Redeeming Grace (Peters EP 71098)
§
§ 2
1 Demessieux O Filii:
Thefrom
Dawn of Redeeming
Twelve Grace (Peters
Choral Preludes on Gregorian Chant Themes (Alfred—Summy-Birchard 0603)
§ 2 Judith Bingham
Demessieux O Filii: from Twelve Choral Preludes EP 71098)
on Gregorian Chant Themes (Alfred—Summy-Birchard 0603)
§ 32 Demessieux
Hindemith Sehr langsam
O Filii: from (pp. 14–15): from 2nd movt from Sonata No. 1Themes
(Schott ED 2557)
3 Hindemith Sehr langsam Twelve
(pp. Choral
14–15): Preludes
from 2nd movton Gregorian
from Sonata No. 1 (Schott(Alfred—Summy-Birchard
Chant ED 2557) 0603)
4
34 Leighton
Leighton Rockingham.
Sehr langsamA(pp.
HindemithRockingham. A 14–15):
Leighton from
Organ 2nd
Album (OUP)
movt from Sonata No. 1 (Schott ED 2557)
Leighton Organ Album (OUP)
45 Mathias Fanfare
5 Leighton Rockingham. A Leighton¸
Mathias Fanfare Organ Album (OUP)
˝ The Oxford Book of Ceremonial Music for Organ (OUP)
56 Peeters Festival
Mathias Fanfare Voluntary, Op. 87 ¸ ˝ The Oxford Book of Ceremonial Music for Organ (OUP)
˛
6 Peeters Festival Voluntary, Op. 87 ¸ ˛ The Oxford Book of Ceremonial Music for Organ (OUP)
76 Lionel Choral
Festival
PeetersRogg and Canon:
Voluntary, Op. 87 from˛ Partita sopra ‘Nun freut euch’ (UMP)
˝
7 Lionel Rogg Choral and Canon: from Partita sopra ‘Nun freut euch’ (UMP)
8
78 Lionel Flourish:
ChoralFlourish:
and Canon: No. 2 from sopraOp. 33freut
(Novello
No. from (UMP)
Christopher Steel
Rogg Steel Six Pieces,
Partita ‘Nun euch’NOV590352)
Christopher 2 from Six Pieces, Op. 33 (Novello NOV590352)
8 Christopher Steel Flourish: No. 2 from Six Pieces, Op. 33 (Novello NOV590352)
SIGHT-READING*: a piece of around twelve to sixteen bars in length for manuals and pedals, time signatures
SIGHT-READING*: a piece of around 9 , 5 twelve to sixteen bars in length for manuals and pedals, time signatures
as Grade 5, with *the
SIGHT-READING : aaddition
piece ofofaround and 5 , tokeys
twelve up tobars
sixteen fourinsharps/flats (major and
length for manuals andminor).
pedals, Tempo changes
time signatures
as Grade 5, with the addition of 9988 , 5544 and 5588 , keys up to four sharps/flats (major and minor). Tempo changes
and occasional three-part chords in
as Grade 5, with the addition of 8 , 4 and 8 , keys either hand may be up encountered. Increasing
to four sharps/flats (majorindependent
and minor). movement in inner
Tempo changes
and occasional three-part chords in either hand may be encountered. Increasing independent movement in inner
parts. See also p.three-part
and occasional 61. chords in either hand may be encountered. Increasing independent movement in inner
parts. See also p. 61.
parts. See also p. 61.
TRANSPOSITION *: a simple two-part passage for a single manual, eight bars long in 444 or 334 , to be transposed
TRANSPOSITION*: a simple two-part passage for a single manual, eight bars long in 4 or 34 , to be transposed
up a tone from C*:major
TRANSPOSITION or Ftwo-part
a simple major orpassage
down afortone from manual,
a single G majoreight
or Dbars
major,
longasindirected by
4 or 4 , by
thetransposed
to be examiner.
up a tone from C major or F major or down a tone from G major or D major, as directed the examiner.
Simple
up a tone note
fromvalues (including
C major dottedornotes)
or F major downand articulations,
a tone anacrusis,
from G major or D occasional accidentals
major, as directed andexaminer.
by the ties may
Simple note values (including dotted notes) and articulations, anacrusis, occasional accidentals and ties may
be encountered.
Simple note valuesSee also p. 62. dotted notes) and articulations, anacrusis, occasional accidentals and ties may
(including
be encountered. See also p. 62.
be encountered.
Blind See also p. candidates
or partially-sighted 62. will be given an alternative, combined test in place of the two tests
Blind or partially-sighted candidates will be given an alternative, combined test in place of the two tests
above,
Blind or if requested at the time
partially-sighted of entry.
candidates willFurther details
be given an are containedcombined
alternative, in Guidelines
test inforplace of the Blind
Examining two tests
and
above, if requested at the time of entry. Further details are contained in Guidelines for Examining Blind and
above, if requested
Partially-Sighted at the time
Candidates, available from
of entry. www.abrsm.org.
Further details are contained in Guidelines for Examining Blind and
Partially-Sighted Candidates, available from www.abrsm.org.
Partially-Sighted
AURAL TESTS FOR Candidates,
THE GRADE available from
*: see pp. 94www.abrsm.org.
and 97
12 AURAL TESTS FOR THE GRADE *: see pp. 94 and 97
§ RangeTESTS
AURAL of piece FOR
extends above
THE f‴
GRADE *: see pp. 94 and 97
GRADE 7
Organ:
Grades GRADE 7
solo Jazz instrument. For alternatives, see www.abrsm.org/prerequisite.
Organ:
Organ: GRADE
GRADE 77
PIECES: one
FOURPIECES:
THREE chosen
chosen from each
by the candidate from ofeach
the three
of theLists,
threeA, B and
Lists, A, BC:
THREE
LIST A PIECES:
candidate
one chosen by the candidate from each of the three Lists, A, B and C:
LIST
1LIST A
A Bach In dir ist Freude, BWV 615 (Orgelbüchlein). Complete editions: Bärenreiter Vol. 1 (BA 5261) or Breitkopf &
J. S.
1 J. S. Bach
Vol. In dir ist
7 (EB Freude,or No.BWV 615 (Orgelbüchlein).
Peters Vol. 5 (EP 244)Complete editions: Bärenreiter Vol. 1 (BA 5261) or Breitkopf &
A 1 Härtel J. S. Bach In dir ist Freude,
6587) BWV 615 (Orgelbüchlein).
34 from Complete editions: Bärenreiter Vol. 1 (BA 5261) or Breitkopf &
2 J. Härtel Vol. 7 (EB 6587) or No. 34 from Peters Vol. 5 (EP 244)
Vol. Largo:
S. Bach
Härtel 2nd movt
7 (EB 6587) or No.from
34 Trio
fromSonata
Peters No.
Vol.25in(EPC minor,
244) BWV 526. Complete editions: Bärenreiter Vol. 7 (BA
2 J. S. Bach Largo: 2nd
or Breitkopf movt from6Trio (EB Sonata
6586) or No. 2 in CVol.
minor,
1 (EPBWV
240)526. Complete editions: Bärenreiter Vol. 7 (BA
2 5177)J. S. Bach Largo: 2nd movt Vol.
& Härtel from Trio Sonata No. 2 in C minor,
Peters BWV 526. Complete editions: Bärenreiter Vol. 7 (BA
3 5177)5177) or Breitkopf
Prelude& &andHärtel
Fugue Vol. (EB
in 66A(EB 6586)
minor, BWVor Peters Vol. 1 (EP 240) Bärenreiter Vol. 6 (BA 5266) or Breitkopf &
551. Complete
or Breitkopf
J. S. Bach Härtel Vol. 6586) or Peters Vol. 1 (EPeditions:
240)
3 J. S. Bach Prelude
2 (EB 6582)and Fugue in
or No. in A minor, BWV 551. Complete
3 (EPComplete editions: Bärenreiter Vol. 6 (BA 5266) or Breitkopf &
3 J. Härtel Vol. Prelude
S. Bach and Fugue A minor,
9 from PetersBWV
Vol.551. 242) editions: Bärenreiter Vol. 6 (BA 5266) or Breitkopf &
Härtel
4 Buxtehude Vol. 2 (EB 6582) or No. 9 from Peters Vol. 3 (EP 242)
Härtel Vol. 2Praeludium
(EB 6582) or (with
No.Fuga),
9 fromBuxWV 152.3 (EP
Peters Vol. No. 242)
37 from Buxtehude New Edition of the Complete Free Organ
4 Buxtehude Praeludium
(Bärenreiter (with Fuga), BuxWV 152. No. 37 from Buxtehude New Edition of the Complete Free Organ
4 Buxtehude
Works, Vol. 3Praeludium (with
BA Fuga),
8223) BuxWV 152. No. 37 from Buxtehude New Edition of the Complete Free Organ
Works,
5 Works, Vol. 3 (Bärenreiter BA 8223)
De GrignyVol. 3Récit de TierceBA
(Bärenreiter en 8223)
Taille. Oxford Service Music for Organ, Manuals and Pedals Book 3 (OUP)
5 De Grigny Récit de Tierce en Taille. Oxford Service Music for Organ, Manuals and Pedals Book 3 (OUP) & Härtel EB
56 De GrignyKomm,
Homilius Récit de Heiliger
Tierce Geist, HerreOxford
en Taille. Gott. Service
No. 20 Music
from Homilius
for Organ,Chorale Preludes
Manuals Book(Breitkopf
for Organ
and Pedals 3 (OUP)
6 Homilius Komm, Heiliger Geist, Herre Gott. No. 20 from Homilius Chorale Preludes for Organ (Breitkopf & Härtel EB
6 Homilius
8541) Komm, Heiliger Geist, Herre Gott. No. 20 from Homilius Chorale Preludes for Organ (Breitkopf & Härtel EB
7 8541)8541)
Sweelinck Variations on ‘More palatino’. No. 61 from Sweelinck Works for Organ and Keyboard (Dover DP13186)
877 T. Sweelinck Variations
Voluntaryon
TomkinsVariations
Sweelinck
onin‘More
‘More
palatino’.
C. P.palatino’.
5 from TomkinsNo. 61 fromOrgan
No. 61Nine
Sweelinck
from Sweelinck
Works
Pieces for Organ
(Stainer
Works
and
& Bell and
for Organ
Keyboard (Dover DP13186)
K1) Keyboard (Dover DP13186)
8 T. Tomkins Voluntary in C. P. 5 from Tomkins Nine Organ Pieces (Stainer & Bell K1)
8LIST T. Tomkins
B Voluntary in C. P. 5 from Tomkins Nine Organ Pieces (Stainer & Bell K1)
1LIST
LIST
B
B
Boëllmann Menuet gothique: 2nd movt from Suite gothique, Op. 25 (Suite published separately: UMP) or Boëllmann
B 1 Boëllmann Menuet gothique:
Vol. 2 2nd movt from
(Bärenreiter BASuite gothique, Op. 25 (Suite published separately: UMP) or Boëllmann
1 Boëllmann
Complete Organ Menuet gothique:
Works, 2nd movt from gothique, Op. 25 (Suite published separately: UMP) or Boëllmann
8425)
Suite
Complete
2 Ireland Organ Works, Vol. 2 (Bärenreiter BA 8425)Suite for Organ. Organ Music of John Ireland (Novello NOV010183)
CompleteMenuetto–Impromptu: No. 3 from Miniature
Organ Works, Vol. 2 (Bärenreiter BA 8425)
23 Ireland Menuetto–Impromptu:
Lobe den Herren, oNo. No.
meine3 from
SeeleMiniature
(Op. 65 Suite for Organ.
No. 28). Organ Music of 14
John Ireland (Novello NOV010183)
2 Ireland
Karg-ElertMenuetto–Impromptu: 3 from Miniature Suite No. 7 from
for Organ. OrganKarg-Elert Ireland (Novello NOV010183)
Chorale-Improvisations
Music of John for
3 Organ
Karg-Elert Lobe den Herren,
(Breitkopf o meine Seele (Op. 65 No. 28). No. 7 from Karg-Elert 14 Chorale-Improvisations for
3 Karg-Elert
from Op.Lobe 65den Herren, & o meine
HärtelSeele (Op. 65 No. 28). No. 7 from Karg-Elert 14 Chorale-Improvisations for
EB 8374)
4 Organ from Op.Allegro
from Op. 65 (Breitkopf in Bb &
65 (Breitkopf Härtel EB 8374)
in Bbb Chorale Preludes, Set 2 ˝
Mendelssohn
Organ & Härtel EB 8374) ¸ Oxford Service Music for Organ, Manuals and Pedals Book 3
45 Mendelssohn
Parry Eventide: Allegro
from Seven ¸ Oxford
(OUP)Service Music for Organ, Manuals and Pedals Book 3
4 Mendelssohn Allegro in B ˛
¸ Oxford
˝ Service Music for Organ, Manuals and Pedals Book 3
5
§ 65 RenaudParry Eventide: from
Toccata from Seven
in D minor Chorale Preludes, Set 2 ˝ (OUP)
˛
Parry Eventide: Seven (Op.Chorale108 Preludes,
No. 1) (published (OUP) UMP) or Toccatas, Carillons and Scherzos for Organ
Set 2 ˛ separately:
§ 6 Renaud Toccata in D minor (Op. 108 No. 1) (published separately: UMP) or Toccatas, Carillons and Scherzos for Organ
§ 6 (Dover Toccata in D minor (Op. 108 No. 1) (published separately: UMP) or Toccatas, Carillons and Scherzos for Organ
RenaudDP19613)
7 (Dover DP19613)
(Dover DP19613)
Thalben-Ball Elegy (Paxton NOV357436)
7
8 Thalben-Ball
Vierne Cortège: ElegyNo. (Paxton
2 from NOV357436)
Pièces en style libre, Op. 31, Book 1 (Bärenreiter BA 9235 or Carus)
7 L. Thalben-Ball Elegy (Paxton NOV357436)
8 L. Vierne Cortège: No. 2 from Pièces en style libre, Op. 31, Book 1 (Bärenreiter BA 9235 or Carus)
8LIST L. Vierne
C Cortège: No. 2 from Pièces en style libre, Op. 31, Book 1 (Bärenreiter BA 9235 or Carus)
LIST C
C 1LIST C Bedford Carillon. Unbeaten Tracks – Organ (Faber)
David
1
2 David BedfordSun Carillon.
Dance. Unbeaten Tracks
Book––ofOrgan (Faber)Music for Organ (OUP)
1 David Bedford Carillon.
Bob Chilcott The Oxford
Unbeaten Tracks (Faber)
Ceremonial
Organ
2 Bob
32 HindemithChilcott Sun Dance. The20–23):
Oxford Book of Ceremonial
movt from Music
Sonatafor Organ (OUP)
Bob ChilcottRuhig bewegt (pp.
Sun Dance. The Oxford Book from 2nd
of Ceremonial Music No.
for 1 (Schott
Organ (OUP)ED 2557)
34 Hindemith
Ibert Musette: Ruhig bewegt
No.bewegt
2 from (pp.(pp. 20–23): from 2nd
(Heugel movt from Sonata No. 1 (Schott ED 2557)
3 Hindemith Ruhig Trois20–23):
pièces from 2ndHE27663)
movt from Sonata No. 1 (Schott ED 2557)
45 Ibert
KodályMusette:
PraeludiumNo. 2(Universal
from Trois pièces (Heugel HE27663)
4 Ibert Musette: No. 2 from TroisUE (Heugel HE27663)
7941a)
pièces
65 Kodály
5 Kodály
Praeludium
Paean.(Universal
Praeludium
Philip Moore (Universal
UE 7941a)
Little Organ Book (Novello NOV016346)
UE 7941a)
67 Philip Moore Paean.
Uns istPaean. Little
geborenLittle Organ
ein Kindelein Book (Novello
or Von LiebeNOV016346)
kommt gross Leiden: No. 4 or No. 9 from 10 Organ Chorales, Op. 39
6 Philip
PeetersMoore Organ Book (Novello NOV016346)
7 (Schott
Peeters Uns ist geboren ein Kindelein or Von Liebe kommt gross Leiden: No. 4 or No. 9 from 10 Organ Chorales, Op. 39
7 PeetersED Uns ist geboren ein Kindelein or Von Liebe kommt gross Leiden: No. 4 or No. 9 from 10 Organ Chorales, Op. 39
2553)
8 (Schott
(Schott
Erzsébet EDSzöny
2553)
ED 2553)Tänzerische Weise – Presque Dansant. Female Composers: 22 Organ Pieces (Schott ED 9741)
8 Erzsébet Szöny Tänzerische Weise – Presque Dansant. Female Composers: 22 Organ Pieces (Schott ED 9741)
8 Erzsébet Szöny Tänzerische Weise – Presque Dansant. Female Composers: 22 Organ Pieces (Schott ED 9741)
SIGHT-READING*: a piece of around sixteen to twenty bars in length for manuals and pedals, time and key
SIGHT-READING*: a piece of around sixteen to twenty bars in length for manuals and pedals, time and key
signatures
SIGHT-READINGas Grade *: a6.piece Simpleof around
ornaments, sixteen to twenty
four-part barsininhands,
chords lengthand
for clef
manuals and in
changes pedals, time and
left hand, maykeybe
signatures as Grade 6. Simple ornaments, four-part chords in hands, and clef changes in left hand, may be
signatures as See
encountered. Grade
also6.p. Simple
61. ornaments, four-part chords in hands, and clef changes in left hand, may be
TRANSPOSITION*: a simple passage in four-part harmony for a single manual and pedals, four bars long in 44,
TRANSPOSITION*: a simple passage in four-part harmony for a single manual and pedals, four bars long in 44,
with minim movement
TRANSPOSITION *: a simple
only, topassage in four-part
be transposed up orharmony
down a for
tonea within
single major
manualkeys
and of
pedals,
up to four bars long
two sharps in 4,
or flats,
with minim movement only, to be transposed up or down a tone within major keys of up to two sharps or flats,
with
as minim by
directed movement only, to
the examiner. Thebe bass
transposed up or
line must be down
playeda tone
on thewithin major
pedals. keys of up
Occasional to two sharps
accidentals or flats,
and modula-
as directed by the examiner. The bass line must be played on the pedals. Occasional accidentals and modula-
as directed
tion may be by the examiner.
encountered. See The
also bass
p. 62.line must be played on the pedals. Occasional accidentals and modula-
tion may be encountered. See also p. 62.
tion
Blindmay
or be encountered. See
partially-sighted also p. 62.will be given an alternative, combined test in place of the two tests
candidates
Blind or partially-sighted candidates will be given an alternative, combined test in place of the two tests
Blind or
above, partially-sighted
if requested candidates
at the time willFurther
of entry. be given an are
details alternative,
containedcombined test inforplace
in Guidelines of the Blind
Examining two tests
and
above, if requested
Partially-Sighted at the time
Candidates, of entry.
available Further
from details are contained in Guidelines for Examining Blind and
www.abrsm.org.
§ Range of piece extends above f ‴ 13
GRADE 8
Organ:
Grades GRADE
Organ: 8
solo Jazz instrument. For alternatives, see www.abrsm.org/prerequisite.
Organ: GRADE
GRADE 88
THREE PIECES: one
FOURPIECES: one
chosen
chosenone byby
the candidate
the
from each ofeach
the three
of theLists,
threeA, B and
A, BC:
the candidate from each
each of of the
the three Lists, A,
A, BB and
and C:
THREE PIECES: at least chosen by the candidate from Lists, and C, and a fourth of the
THREE
LIST A ’s ownone
PIECES:
candidate chosen
choice; for by
further candidate
programming fromrequirements, three Lists, 3–5
see pages C:
LIST A
1LIST A Bach Allegro, Grave and Fuga: 1st, 2nd and 3rd movts from Concerto in D minor (after Vivaldi), BWV 596.
J. S.
1 J. S. Bach Allegro, Grave and Fuga: 1st, 2nd and 3rd movts from Concerto in D minor (after Vivaldi), BWV 596.
A 1 Complete Allegro,Bärenreiter
J. S. Bacheditions: Grave and Fuga:Vol. 8 1st,
(BA2nd andor3rd
5178) movts from
Breitkopf Concerto
& Härtel Vol. 5in(EB
D minor
6585);(after Vivaldi), BWV
or separately: Peters596.
(EP 3002)
Complete editions: Bärenreiter Vol. 8 (BA 5178) or Breitkopf & Härtel Vol. 5 (EB 6585); or separately: Peters (EP 3002)
2 J.Complete Fantasia:Bärenreiter
S. Bacheditions: from Fantasia 8 (BA
Vol.and Fugue in G
5178) orminor, BWV
Breitkopf Vol. 5 (EBeditions:
542. Complete
& Härtel 6585); or separately:
Bärenreiter 5 (BA(EP
Peters
Vol. or
3002)
5175)
2 J. S. Bach Fantasia: from Fantasia and Fugue in G minor, BWV 542. Complete editions: Bärenreiter Vol. 5 (BA 5175) or
2 J. S. Bach&Fantasia:
Breitkopf Härtel Vol.from Fantasia
3 (EB 6583)and or Fugue in G Peters
No. 4 from minor, Vol.
BWV2 542. Complete editions: Bärenreiter Vol. 5 (BA 5175) or
(EP 241)
Breitkopf & Härtel Vol. 3 (EB 6583) or No. 4 from Peters Vol. 2 (EP 241)
3 Breitkopf
J. S. Bach&Prelude
Härtel Vol. 3 (EB from
or Fugue: or No. 4and
6583)Prelude fromFugue in G,
Peters BWV
Vol. 2 (EP 541.
241)Complete editions: Bärenreiter Vol. 5 (BA 5175)
3 J. S. Bach Prelude or Fugue: from Prelude and Fugue in G, BWV 541. Complete editions: Bärenreiter Vol. 5 (BA 5175)
3 J.
or S. Bach Prelude
Breitkopf & Härtel Fugue:
orVol. from
2 (EB Prelude
6582) and2 Fugue
or No. in G, BWV
from Peters Vol. 2 541.
(EP 241)Complete editions: Bärenreiter Vol. 5 (BA 5175)
or Breitkopf & Härtel Vol. 2 (EB 6582) or No. 2 from
or S. 2 (EB or No. b, BWVPeters Vol. 2 (EP 241)
2 (EP
4 J. S. Bach 1st movt from Trio Sonata No. 1 in Ebb, BWV 525 or 1st movt from Trio Sonata No. 4 in E minor, BWV 528.
4 J. Bach 1st
Breitkopf movt from
& Härtel Vol. Trio Sonata
6582)No. 1 in2Efrom 525Vol.
Peters or 1st movt from Trio Sonata No. 4 in E minor, BWV 528.
241)
4 Complete 1st movtBärenreiter
J. S. Bacheditions: from Trio Sonata No. 5177)
Vol. 7 (BA 1 in E or, BWV 525 &
Breitkopf 1st movt
or Härtel from
Vol. Trio6586)
6 (EB Sonata
or No. 4 inVol.
Peters E minor,
1 (EP BWV
240) 528.
Complete editions: Bärenreiter Vol. 7 (BA 5177) or Breitkopf & Härtel Vol. 6 (EB 6586) or Peters Vol. 1 (EP 240)
5 J. Complete Valet will
S. Bacheditions: ich dir geben,
Bärenreiter 7 (BA 736.
Vol. BWV or Breitkopf
5177) Complete & Härtel
editions: Vol. 6 (EB
Bärenreiter 6586)
Vol. or 5173)
3 (BA Petersor Vol. 1 (EP 240)
Breitkopf & Härtel
5 J. S. Bach Valet will ich dir geben, BWV 736. Complete editions: Bärenreiter Vol. 3 (BA 5173) or Breitkopf & Härtel
5 Vol. Valet will
(EB 6589)
J. S. 9Bach or No. ich5dir
fromgeben,
PetersBWVVol.736.
7 (EPComplete
246) editions: Bärenreiter Vol. 3 (BA 5173) or Breitkopf & Härtel
Vol. 9 (EB 6589) or No. 5 from Peters Vol. 7 (EP 246)
6 Vol. 9 (EB 6589)
Buxtehude or No. 5infrom
Praeludium D minor
Peters(with 7 (EP BuxWV
Vol.Fuga), 246) 140. No. 9 from Buxtehude New Edition of the Complete Free
6 Buxtehude Praeludium in D minor (with Fuga), BuxWV 140. No. 9 from Buxtehude New Edition of the Complete Free
6 Organ
BuxtehudeWorks,Praeludium in D minor
Vol. 1 (Bärenreiter BA(with
8221)Fuga), BuxWV 140. No. 9 from Buxtehude New Edition of the Complete Free
Organ Works, Vol. 1 (Bärenreiter BA 8221)
7 Organ
BuxtehudeWorks,Toccata
Vol. 1 in(Bärenreiter
F (with Fuga), BuxWV 157. No. 21 from Buxtehude New Edition of the Complete Free Organ
BA 8221)
7 Buxtehude Toccata in F (with Fuga), BuxWV 157. No. 21 from Buxtehude New Edition of the Complete Free Organ
7 Works,
BuxtehudeVol. 2Toccata in F (with
(Bärenreiter Fuga),orBuxWV
BA 8222) Oxford 157.
ServiceNo.Music
21 fromfor Buxtehude
Organ, ManualsNew Edition of theBook
and Pedals 3 (OUP)
Complete Free Organ
Works, Vol. 2 (Bärenreiter BA 8222) or Oxford Service Music for Organ, Manuals and Pedals Book 3 (OUP)
8 Byrd Vol. 2 (Bärenreiter
Works,Fantasia in C. No. 15 BAfrom
8222) or Oxford
English Organ Service
Music, Vol. 1for(Novello
Music Manuals and Pedals Book 3 (OUP)
Organ, NOV010191)
8 Byrd Fantasia in C. No. 15 from English Organ Music, Vol. 1 (Novello NOV010191)
89 Byrd Fantasia
J. L. Krebs in C.from
Fugue: No.Prelude
15 fromandEnglish
Fugue inOrgan
C. No. Music,
1 fromVol. 1 (Novello
Krebs Organ Works, Vol. 1 (Breitkopf & Härtel EB 8411)
CompleteNOV010191)
9 J. L. Krebs Fugue: from Prelude and Fugue in C. No. 1 from Krebs Complete Organ Works, Vol. 1 (Breitkopf & Härtel EB 8411)
9 J. L. Krebs Fugue: from Prelude and Fugue in C. No. 1 from Krebs Complete Organ Works, Vol. 1 (Breitkopf & Härtel EB 8411)
LIST B
LIST B
§ 1LIST B
Bairstow Toccata-Prelude on ‘Pange Lingua’: from Prelude, Elegy and Toccata-Prelude (Stainer & Bell H349)
B §§ 1 Bairstow Toccata-Prelude on ‘Pange Lingua’: from Prelude, Elegy and Toccata-Prelude (Stainer & Bell H349)
21 Boëllmann
Bairstow Toccata-Prelude
Allegretto con on ‘Pange
moto: 2nd Lingua’:
movt from from Prelude,Suite,
Deuxième Elegy Op.
and27.Toccata-Prelude (StainerOrgan
Boëllmann Complete & BellWorks,
H349)Vol. 2
2 Boëllmann Allegretto con moto: 2nd movt from Deuxième Suite, Op. 27. Boëllmann Complete Organ Works, Vol. 2
2 (Bärenreiter
Boëllmann Allegretto
BA 8425) con moto: 2nd movt from Deuxième Suite, Op. 27. Boëllmann Complete Organ Works, Vol. 2
(Bärenreiter BA 8425)
§ (Bärenreiter
3 Elgar Imperial
BA March,
8425) Op. 32, arr. Hesford (Fentone F387-401)
§ 3 Elgar Imperial March, Op. 32, arr. Hesford (Fentone F387-401)
§ 43 Gigout
Elgar Imperial
ScherzoMarch, Op. 10
in E (from 32,Pièces).
arr. Hesford (Fentone
Toccatas, F387-401)
Carillons and Scherzos for Organ (Dover DP19613)
§ 4 Gigout Scherzo in E (from 10 Pièces). Toccatas, Carillons and Scherzos for Organ (Dover DP19613)
§ 54 Karg-Elert
Gigout Scherzo Nunin E (from
danket alle10Gott (Op. 65Toccatas,
Pièces). No. 59). Carillons and Karg-Elert
No. 13 from Scherzos for 14Organ (Dover DP19613) for Organ from
Chorale-Improvisations
5 Karg-Elert Nun danket alle Gott (Op. 65 No. 59). No. 13 from Karg-Elert 14 Chorale-Improvisations for Organ from
5 Op. Nun danket
65 (Breitkopf
Karg-Elert & Härtel alleEBGott (Op. 65 No. 59). No. 13 from Karg-Elert 14 Chorale-Improvisations for Organ from
8374)
from Sonata in B b, Op. 65 No. 4. No. 26 from Mendelssohn Complete Organ Works,
Op. 65 (Breitkopf & Härtel EB 8374)
Op. 65 (Breitkopf
6 Mendelssohn Allegretto: 3rd movt from Sonata in B bb, Op. 65 No. 4. No. 26 from Mendelssohn Complete Organ Works,
6 Mendelssohn Allegretto:
& Härtel3rd EBmovt
8374)
6 Mendelssohn Allegretto:
Vol. 2 (Bärenreiter BA 8197) 3rd or
movt from Sonata
Mendelssohn in B , Op.
Complete 65 No.
Organ 4. No.
Works, Vol.264 (Novello
from Mendelssohn
NOV010218) or Oxford
Complete Organ Works,
Service
Vol. 2 (Bärenreiter BA 8197) or Mendelssohn Complete Organ Works, Vol. 4 (Novello NOV010218) or Oxford Service
Vol. 2 (Bärenreiter
Music BA 8197)
for Organ, Manuals andorPedals
Mendelssohn (OUP) Organ Works, Vol. 4 (Novello NOV010218) or Oxford Service
Book 3 Complete
Music for Organ, Manuals and Pedals Book 3 (OUP)
7 Reger
Music forTe Organ,
Deum in A minor:
Manuals andNo. 12 from
Pedals Book (OUP)Op. 59 (Breitkopf & Härtel EB 8510)
12 3Stücke,
7 Reger Te Deum in A minor: No. 12 from 12 Stücke, Op. 59 (Breitkopf & Härtel EB 8510)
87 L. Reger
VierneTe Deum
Aubade: in ANo.minor:
1 from No.Pièces
12 from Op. 594,(Breitkopf
12 Stücke, Book
de Fantaisie, Op. 55 (Bärenreiter
& Härtel EB 9230 or Carus)
BA8510)
8 L. Vierne Aubade: No. 1 from Pièces de Fantaisie, Book 4, Op. 55 (Bärenreiter BA 9230 or Carus)
98 L. Whitlock Aubade: No.
Vierne Allegretto: No.1 1from
fromPièces Pieces. Book
de Fantaisie,
Five Short Oxford 4, Service
Op. 55 (Bärenreiter
Music for Organ,BA 9230 or Carus)
Manuals and Pedals Book 3 (OUP)
9 Whitlock Allegretto: No. 1 from Five Short Pieces. Oxford Service Music for Organ, Manuals and Pedals Book 3 (OUP)
9 Whitlock Allegretto: No. 1 from Five Short Pieces. Oxford Service Music for Organ, Manuals and Pedals Book 3 (OUP)
LIST C
LIST C
C 1LIST C
L. Berkeley Impromptu for Organ (Chester CH55960)
1 L. Berkeley Impromptu for Organ (Chester CH55960)
§ 1 Langlais
2 L. Berkeley Impromptu
Hymne d’Actionsfor de
Organ (Chester
grâces: No. 3CH55960)
from Trois Paraphrases Grégoriennes, Op. 5 (Combre C05247; or
§ 2 Langlais Hymne d’Actions de grâces: No. 3 from Trois Paraphrases Grégoriennes, Op. 5 (Combre C05247; or
§ 2 Langlais
separately:Hymne
Combre d’Actions
P02317)de grâces: No. 3 from Trois Paraphrases Grégoriennes, Op. 5 (Combre C05247; or
separately: Combre P02317)
3 separately:
Leighton Fantasy
CombreonP02317)
‘Helmsley’: No. 1 from Six Fantasies on Hymn Tunes, Op. 72 (Basil Ramsey BR94)
3 Leighton Fantasy on ‘Helmsley’: No. 1 from Six Fantasies on Hymn Tunes, Op. 72 (Basil Ramsey BR94)
34 Leighton Fantasy Pedals.
Matthew Martin on ‘Helmsley’: No. 1 from
Organworks! (UMP) Six Fantasies on Hymn Tunes, Op. 72 (Basil Ramsey BR94)
4 Matthew Martin Pedals. Organworks! (UMP)
§ 4 Matthew
5 Pedals.No.Organworks!
Joie et clarté:
Messiaen Martin 6 from Les corps(UMP) glorieux, Vol. 3 (Leduc AL20072)
§ 5 Messiaen Joie et clarté: No. 6 from Les corps glorieux, Vol. 3 (Leduc AL20072)
§ 5 Messiaen La
6 JoieVierge
et clarté: No. 6 from
et L’Enfant: No.Les
1 from
corpsLa NativitéVol.
glorieux, 3 (Leduc AL20072)
du Seigneur, Vol. 1 (Leduc AL19266)
§ 6 Messiaen La Vierge et L’Enfant: No. 1 from La Nativité du Seigneur, Vol. 1 (Leduc AL19266)
§ 67 Messiaen La Vierge
Richard Proulx et L’Enfant:
Fanfare for Organ. No. Oxford
1 from La Nativité
Service for Organ,Vol.
du Seigneur,
Music 1 (Leduc
Manuals Pedals Book 3 (OUP) (also available
andAL19266)
7 Richard Proulx Fanfare for Organ. Oxford Service Music for Organ, Manuals and Pedals Book 3 (OUP) (also available
7 separately:
Richard Proulx Fanfare for Organ. Oxford Service Music for Organ, Manuals and Pedals Book 3 (OUP) (also available
OUP archive)
separately: OUP archive)
8 Lionel
separately:
RoggOUP Toccata: from Partita sopra ‘Nun freut euch’ (UMP)
archive)
8 Lionel Rogg Toccata: from Partita sopra ‘Nun freut euch’ (UMP)
98 Einar Rogg Toccata:
LionelTrærup from Partita
Sark Toccata Primi sopra
Toni, Op.
‘Nun11freut
(Hansen (UMP)
euch’WH26827)
9 Einar Trærup Sark Toccata Primi Toni, Op. 11 (Hansen WH26827)
9 Einar Trærup Sark Toccata Primi Toni, Op. 11 (Hansen WH26827)
SIGHT-READING*: a piece for manuals and pedals, length, time and key signatures as Grade 7, with the addition
SIGHT-READING*: a piece for manuals and pedals, length, time and key signatures as Grade 7, with the addition
of B and Db majors.
b
SIGHT-READING *: aSeepiece
alsoforp.manuals
61. and pedals, length, time and key signatures as Grade 7, with the addition
of
of B
B and
and DDb majors.
majors. See
See also
also p.
p. 61.
61.
TRANSPOSITION*: a simple passage in four-part harmony for a single manual and pedals, eight bars long in 444 ,
TRANSPOSITION*: a simple passage in four-part harmony for a single manual and pedals, eight bars long in 44 ,
with : a simple
simple note *values,
TRANSPOSITION to bepassage in four-part
transposed up or harmony
down a tonefor a or
single manualwithin
semitone and pedals,
major eight
keys bars
of uplong in 4 ,
to three
with simple
with simple notenote values,
values, to be transposed up up or down a tone
tone or semitone within major keys
keys of
of up to
to three
sharps or flats, as directedtobybethetransposed
examiner. Theorbass
down linea must or
be semitone
played onwithin majorAnacrusis,
the pedals. up three
occasional
sharps
sharps or
or flats,
flats, as directed
directed by the
thebeexaminer. The bass line
linep.must be played on the pedals. Anacrusis, occasional
accidentals and as
modulation by
may examiner. TheSee
encountered. bassalso must
62. be played on the pedals. Anacrusis, occasional
accidentals and
accidentals and modulation
modulation may may bebe encountered.
encountered. See
See also
also p.
p. 62.
62.
14 Blind or ofpartially-sighted
§ Range piece extends above fcandidates
‴ will be given an alternative, combined test in place of the two tests
Blind
Blind oror partially-sighted
partially-sighted candidates
candidates will be
be given
willFurther
given an alternative,
an are
alternative, combined test
test in
inforplace of
of the two
two tests
above, if requested at the time of entry. details containedcombined
in Guidelines place
Examiningthe Blind tests
and
Programme form – Performance Grades
Please show this completed form and your own-choice piece/song to the camera, and announce yourself (name, subject, grade) and your
pieces/songs (titles, composers, list information) in the order you will be performing them, before beginning your performance.
Candidate name ________________________________________________________________________________________ Subject (instrument) _______________________________________________________
Candidate/National ID ____________________________________________________________________________ Grade _________________________________________________________________________________
Piece/Song Title Composer List* Number*
* Write ‘OC’ for your own-choice piece/song

Year of syllabus repertoire lists ___________________________ (unless from the repertoire lists);
leave ‘List’ blank if a Snare Drum, Timpani or
Related instrument(s) (if used) _________________________________________________________________________________________________________________ Tuned Percussion candidate
Additional information for own-choice piece/song (unless chosen from the repertoire lists)
Arranger Book/publication title Publisher/available from

(if applicable) (if applicable)
Programme form – Performance Grades
Please show this completed form and your own-choice piece/song to the camera, and
announce yourself (name, subject, grade) and your pieces/songs (titles, composers, list
information) in the order you will be performing them, before beginning your performance.
Candidate name _______________________________________________________________________________________________
Candidate/National ID _______________________________________________________________________________________________
Subject (instrument) _______________________________________________________________________________________________
Grade _______________________________________________
Piece/Song Title Composer List* Number*
Year of syllabus repertoire lists ___________________________
Related instrument(s) (if used) _________________________________________________________________________________________________________________
Additional information for own-choice piece/song (unless chosen from the repertoire lists)
Arranger Book/publication title Publisher/available from

(if applicable) (if applicable)
* Write ‘OC’ for your own-choice piece/song (unless from the repertoire lists);
leave ‘List’ blank if a Snare Drum, Timpani or Tuned Percussion candidate

ABRSM英皇管风琴2021考纲（英文）

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Qualification Specification

This syllabus is specific to Organ and is part of the main

3. Organ Performance Grades syllabus 2

Changes in this edition

© 2020 by The Associated Board of the Royal Schools of Music

Performance Grades: requirements and information

Preparing for the exam

VV 6688 ŠŠ ŠŠ ŠŠ ŠŠ ŠŠ ŠŠŠ ŠŠ ŠŠŠ ŠŠ Š.Š.Š. ŠŠ ŠŠŠ ŠŠ ŠŠŠ ŠŠ ŠŠ ŠŠ ŠŠ ŠŠ ŠŠ ..

ŠbŠ Š#Š Š#Š Š#Š ŠbŠ ŠbŠ ŠbŠ

ŠbŠ ‰. Š#Š ŠbŠ

Š#Š ŠbŠ ŠbŠ Š#Š ŠbŠ ŠbŠ

Š#Š ŠbŠ Š#Š ŠbŠ

ŠbŠ ‰.‰. Š#Š Š#Š Š#Š ŠbŠ ŠbŠ ‰ .

B 434 Š#Š Š#Š Š#Š

BB 668 Š Š Š ŠŠ Š ŠŠ ŠŠ ŠŠŠ ŠŠ ŠŠŠ ... ŠŠŠ ŠŠ ŠŠŠŠ ŠŠ ŠŠ Š ŠŠ Š Š

BB 323 Šˆˆˆˆ ŠŠ ŠŠ ˆˆ ŠŠ ŠŠ Š‰‰. q q

Š Š ˆ ŠŠŠ ŠŠŠ ‰‰‰ qq qq Organ GRADE 2

{ B 3232 ŠŠŠ ŠŠ ŠŠ ŠŠ ŠŠ Š ŠŠ Š Š Š Š Š ŠŠ ŠŠŠŠ ŠŠ ŠŠ ŠŠ ŠŠŠ ŠŠ ‰‰‰ qq qq

BB 44 bŠ Š #Š ŠŠ Š bŠbŠ ŠŠ #Š#Š bŠbŠ ŠŠŠ #Š#Š ŠŠ ‰‰‰ ŠŠŠ bŠbŠ #Š#Š ŠŠ ŠŠ Š ŠŠ #Š Š bŠ #Š ‰

B 44 bŠbŠ ŠŠ #Š#Š ŠŠ ŠŠ bŠ ŠŠ #Š ŠbŠ Š #ŠŠ ‰ Š bŠ #Š ŠŠ Š ŠŠ ŠŠ #Š#Š ŠŠ bŠbŠ #Š#Š ŠŠ ‰‰

BB 44 #Š#Š ŠŠ ŠŠ bŠ ŠŠ #Š bŠ ŠŠ #Š Š ŠŠbŠbŠ Š #Š#Š bŠbŠ ŠŠ #Š#Š ŠŠ bŠbŠ ŠŠ Š ŠŠ ŠŠ Š #Š ŠŠ bŠ Š ŠŠ Š ŠŠ ŠŠ #ˆ#ˆ

d Apr 14 16:30:14 BST 2010 01_all : page 1 of 1 Barnes Music Engraving

† Pedals required § Range of piece extends above f ‴ 7

Š#Š ŠbŠ ŠbŠ

Š#Š ŠbŠ ‰‰‰ ...

BBB 343 Š#Š Š#Š Š#Š ŠbŠ Š#Š

Š#Š ŠbŠ ŠbŠ

ŠbŠ Š#Š ŠbŠ

Š#Š Š#Š ŠbŠ

434 Š#Š Š#Š Š#Š ŠbŠ ŠbŠ

BBB 668 Š Š ŠŠ Š ŠŠb ŠŠ ŠŠŠ ŠŠ ŠŠŠ ... ŠŠŠ ŠŠ ŠŠŠ ŠŠ ŠŠ Š ŠŠ Š Š

688 ŠŠŠ ŠŠ ŠŠ Š ŠŠ Š Š Š Š Š Š ŠŠ Š ŠŠ ŠŠ ŠŠŠ ...

BBB 323 ˆˆˆ ŠŠŠ ŠŠ ˆˆˆ ŠŠŠ ŠŠ ‰‰‰ q q

44 bŠbŠ ŠŠ #Š#Š Š ŠŠ bŠ Š bŠ bŠ Š Š ŠŠ Š #Š#Š ŠŠ bŠbŠ #Š#Š ŠŠ ‰‰

8 † Pedals required ‡ Pedals optional § Range of piece extends above f ‴

† Pedals required ‡ Pedals optional § Range of piece extends above f ‴ 9

10 § Range of piece extends above f ‴

§ Range of piece extends above f ‴ 11

Candidate name ________________________________________________________________________________________ Subject (instrument) _______________________________________________________

Candidate/National ID ____________________________________________________________________________ Grade _________________________________________________________________________________

Piece/Song Title Composer List* Number*

* Write ‘OC’ for your own-choice piece/song

Arranger Book/publication title Publisher/available from

Candidate name _______________________________________________________________________________________________

Subject (instrument) _______________________________________________________________________________________________

Piece/Song Title Composer List* Number*

Year of syllabus repertoire lists ___________________________

Related instrument(s) (if used) _________________________________________________________________________________________________________________

Arranger Book/publication title Publisher/available from

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3. Organ Performance Grades syllabus 2

Candidate name __________________________________ Subject (instrument) _

Candidate/National ID Grade _____