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Chapter 02: The Production Possibility Model, Trade, and Globalization
Questions and Exercises
1. In the accompanying figure, wadget production is measured on the vertical axis
and widget production is measured on the horizontal axis. If the society becomes
more productive in its output of widgets, it can produce more of them, and the
endpoint of the curve on the horizontal axis will move to the right, as shown in
the graph. If the society is also less productive in its production of wadgets, the
endpoint on the vertical axis will move down, as shown in the graph. The result is
a new production possibility curve.
2. If a society became equally more productive in the production of both widgets

and wadgets, the production possibility curve would shift out to the right, as
shown in the accompanying graph.
3. Any production possibility curve that shows the principle of a rising trade-off
must be bowed out. The accompanying grade production possibility curve
embodies the principle of rising trade-off. The table is also presented here. Notice
that for each 20-point gain in the History grade, the amount of points lost on the
Economics grade steadily increases.
2-1
© 2013 by McGraw-Hill Education. This is proprietary material solely for authorized instructor use. Not authorized for sale or
distribution in any manner. This document may not be copied, scanned, duplicated, forwarded, distributed, or posted on a website, in
whole or part.
History Economics
40 100
60 80
80 50
4. a. To produce one more Peep, JustBorn must give up 3 Mike and Ikes. Hence, the
trade-off for 1 Peep is 3 Mike and Ikes. The trade-off for 1 Mike and Ike is 1/3 of
a Peep.
b. See the accompanying graph.
c. Point A is efficient. Point B is inefficient. Point C is impossible.

d. See the accompanying graph.
5. The theory of comparative advantage underlies the shape of the production

possibility curve. If each person's comparative advantage is taken advantage
of, higher total output can be reached than would be the case if each produced
all goods on his or her own or if each produced goods for which he or she did
not have a comparative advantage. As more and more of a good is produced,
resources that have less of a comparative advantage are brought into the
production of a good, causing the production possibility curve to be bowed
outward.
2-2
whole or part.
6. a. See the accompanying graph.
b. As the output of food increases, the trade-off between food and clothing is
increasing. To illustrate, giving up 4 of clothing (from 20 to 16) results in a gain
of 5 food (from 0 to 5), but giving up another 4 clothing (from 16 to 12) results
in a gain of 4 food (from 5 to 9), and this pattern continues.
c. If the country gets better at producing food, the place where the production
possibility curve intersects the horizontal axis will move to the right.
d. If the country gets equally better at producing food and producing clothing, the
production possibility curve will shift out along both axes by the same proportion.
7. There are no gains from trade when neither of two countries has a
comparative advantage in either of two goods.
8. The fact that the production possibility model tells us that trade is good does not
mean that in the real world free trade is the best policy. The production possibility
model does not take into account the importance of institutions and government
in trade. For example, the model does not take into account externalities
associated with some trades, the provision of public goods, or the need for a
stable set of institutions or rules. The production possibility model shows
maximum total output, but that is not the only societal goal to take into account in
formulating policy.
9. a. See the accompanying graph.
2-3
whole or part.
b. The United States has a comparative advantage in the production of wheat

because it can produce 2 additional tons of wheat for every 1 fewer bolt of
cloth, whereas Japan can produce 1 additional ton of wheat for every 2 fewer
bolts of cloth. Japan has a comparative advantage in producing cloth.
c. The United States should trade wheat to Japan in return for bolts of cloth. One
possibility is that the United States produces 1,000 tons of wheat and Japan
produces 1,000 bolts of fabric and they divide total production equally. Both
get 500 tons of wheat and 500 yards of fabric. Both end up with more of each
good. (Note: Other combinations are possible.)
d. See the accompanying graph.
10. Globalization increases competition by allowing greater specialization and

division of labor. Because companies can move operations to countries with a
comparative advantage, they can lower production costs and increase competitive
pressures. The decreased importance of geographical location increases the size
of potential markets, increasing the number of suppliers in each market and thus
increasing competition.
11. The law of one price rules, meaning that U.S. wages can exceed foreign
wages only to the degree that U.S. workers are more productive than foreign
workers. Therefore, the adjustments that will need to occur will equalize
wage rates. Thus, either Western nominal wages will grow slowly and
foreign nominal wages will grow rapidly and catch up or U.S. exchange rates
will decline to equalize wages. Some combination of the two is most likely. It
is possible that there will develop areas of production/services that will
allow U.S. wages to remain high.
12. The law of one prices states that the wages of workers in one country will not
differ significantly from the wages of (equal) workers in another institutionally
similar country. As the world is globalizing, the law of one price causes firms
to hire workers in other countries. Because wages adjusted for productivity
differences are lower in other countries, firms choose to use workers in foreign
countries. As they do so, wages will be bid up until wages, adjusted for
productivity differences, are equal between the two countries.
2-4
whole or part.
Questions from Alternative Perspectives
1. Austrian
In a market economy competition, the market process translates individual

actions into actions that are good for society. There is no such mechanism for
government; government has a monopoly on power, which allows
individuals in government to use that monopoly to achieve their ends, which
may not be “good” ends. This monopoly on power makes government less
reliable than the market for doing good, since the government is not subject
to entry and exit as firms are in the market. Also, whether every individual
voice is taken into account depends on the government system, whereas the
market will always include any individual’s voice by that individual’s entry
or exit.
2. Religious
a. Most people would say that although it might be a component of the goals of
society, it is not “the” goal of society. Other goals might include virtues such
as kindness and generosity.
b. If a country is Christian, maximizing should not be "the" goal of society.
c. In a Christian society, the paramount goal would be to discern and fulfill the
will of God.
3. Feminist
a. Companies definitely think that sex sells products. Just look at the cover of any
number of magazines.
b. Sex is used in the advertising of numerous products.
c. All people are subject to abuse by advertising, but women are more likely to be
portrayed as objects instead of people and are therefore at greater risk of
exploitation.
d. Although men and women may both be used in advertising, typically men are
shown to be in a dominant position of power and women are shown in
subordinate positions.
4. Institutionalist
a. Back in the 1950s President Eisenhower warned of the military/industrial

complex, which maintains all types of military spending on projects so that
they continue to generate jobs in those areas. Senators with power on the
appropriations committee inevitably have larger defense expenditures in
their districts than do senators not on the appropriations committee. This
2-5
whole or part.
high spending on military production results in a trade-off. It means that

there is less money to spend on consumer goods, leading to lower
production of consumer goods.
b. The short-term consequence is a loss in consumer goods. The long-term

consequences are potentially much more serious, because for the military to
justify the expenditures, wars are necessary; thus, the production of military
goods over consumer goods can increase the probability of wars. Some
might argue that the latest Iraq war is an example, with Halliburton
benefiting from it and the former head of Halliburton, Vice President Cheney,
leading the group pushing for the U.S. entrance into the war.
5. Radical
a. Yes, for many low-wage jobs it does, although technology is changing that
to some degree.
b. When making policy decisions, society must take into account not only what
is produced but the methods and means of production.
Issues to Ponder
1. This statement can be true or false depending on the implicit assumptions made in
the analysis. It is true in light of the fact that individuals will eliminate all
inefficiencies they see through trading. It might be false if not everyone knows all
the benefits and the inefficiencies or does not have the opportunity to correct the
inefficiencies or if the costs of eliminating the inefficiency are too high.
2. If a particular distribution of income is one of society’s goals, a particular

production technique that leads to greater output but also an undesirable
distribution of income might be considered an inefficient method of
production. Remember, efficiency is achieving a goal as cheaply as possible.
Maximizing output is not the only goal of a society.
3. a. From the numbers alone, one would choose not to work because the
opportunity cost of working is giving up an $80,000 increase in lifetime
income whereas the benefit is $32,000 of income now. Although there is a
correlation between working time and GPA, we cannot conclude that
working an after-school job causes the decrease in GPA. Therefore, one might
be able to maintain a decent GPA while working. Moreover, earning money
might be the priority for a particular student to reach a goal, such as saving
for college that will lead to even greater lifetime earnings.
b. It depends on the particular student. Working takes time from study and
thus might be a reason for the decrease in GPA. But the situation varies from
student to student.
2-6
whole or part.
4. The fact that lawns occupy more land in the United States than does any single
crop does not mean that the United States is operating inefficiently. Although
the cost of enjoying lawns is not included in GDP, lawns are nevertheless
produced consumption goods and are included in the production possibility
curve for the United States. The high proportion of land devoted to lawns
implies that the United States has enough food that it can devote a fair amount of
land to the production of goods for enjoyment such as lawns.
5. Following the hint that society’s production possibility curve reflects more than
just technical relationships, we realize that trust is an input to production to the
extent that it is necessary for transactions. If everyone could fake honesty, the
production possibility curve would shift inward since no one could trust anyone
else, leading to the disintegration of markets. If some could fake honesty, those
few would gain at the expense of others. This is an example of the tragedy of
the commons.
6. a. Firms may produce in Germany because (1) transportation costs to and from
the other countries may be very high, so that if these costs are included, it
would not be efficient to produce there, (2) there might be tariffs or quotas
for imports into Germany that will prevent producing elsewhere, (3) the
productivity of German labor may be so much higher that unit labor costs
in Germany are the lowest, and (4) historical circumstances may have led
to production in Germany, and the cost of moving production may exceed
potential gains.
b. There would probably not be a significant movement of workers right away.
One would expect some movement from Greece and Italy into Germany, but
this would be limited by social restrictions such as language, culture, and
the economic climate in Germany, which currently has high unemployment.
Movement in the long run, however, might be substantial.
c. I would want to know about the rule of law in Thailand that will govern
business practices, the stability of the government, and the infrastructure. All
of these will affect the cost of production.
2-7
whole or part.
Chapter 2: Appendix A
1. See the accompanying graph.
a. The relationship is nonlinear because it is curved, not straight.

b. From 0 to 5, cost declines as quantity rises (inverse relationship). From 5 to 10,
cost rises as quantity rises (direct relationship).
c. From 0 to 5, the slope is negative (slopes down). From 5 to 10, the slope is
positive (slopes up).
d. The slope between 1 and 2 units is the change in cost (30 – 20) divided by the
change in quantity (1 – 2), or –10.
10
9
8
d b
7
6
5
a
4
3
c
2
1
1 2 3 4 5 6 7 8 9 10
2-8
whole or part.
4. a. 1.
b. –3. c.
1/3. d.
–3/4. e.
0.
5. a. C.
b. A and E.
c. B and D.
d. B is a local maximum; D is a local minimum.
6. a. See line a in the accompanying graph.

b. See line b in the accompanying graph.
c. See line c in the accompanying graph.
7. a. y = 5x + 1,000.
b. y = 3x + 1,500.
8. a. Line graph.
b. Bar graph.
c. Pie chart.
d. Line graph.
2-9
whole or part.
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Erect Forms.
(SEE DIA. VIIIa.)
Although I have said that the backbone never gets longer or shorter
in the same form, we find that whenever a body assumes the
position of an over-erect form the direct distance from the blade to
the seat becomes shorter, and the hollow of the waist becomes
deeper and consequently longer. This can be noticed by anyone who
will take the trouble to make the experiment. Take any form with a
well-fitting coat and let him assume the stooping position, and the
alteration for it may be found correct as described in the preceding
article. Now let the same form throw himself in an over-erect
position, and see the result. As the front of the pit of the stomach
opens and becomes longer, it will pull the front of the coat upward. If
we cut the waist through in front and sidewise, this cut will fall apart
in front and at the side, and the back will set smoothly.
But we cannot cut the coat through, and so we must resort to
artificial means, as follows: While the body thus expands in front,
and the coat cannot follow suit unless cut through, the back of the
coat will contract, starting at the side and at the most hollow part of
the waist, and running backward. If we take a few pins and fasten up
that surplus cloth at the hollow of the back, starting with nothing at
the sides, we can readily ascertain the amount of alteration required,
and fold up our pattern accordingly.
On a frock coat said fold is over the entire sidepiece, not at the
waist seam, but at the most hollow part, or at and above line 17½. If
it were lower it could be taken out in the waist seam. This fold, if laid
in the pattern, will produce a sharp turn of the back part of the
sidepiece and must be straightened by giving more width along that
kink. The same is to be done on a sack. If the sack is a three-
seamed one, the pattern must be cut through under the arm upward,
the fold laid across the hollow of the waist, and seams allowed again
in the opening, which may be an inch at the armhole; but what is not
used for seams should not be cut away, but used as an outlet, which
will sometimes be found quite handy. See Dia. VIIIa.
It is true, we can alter such a coat by reducing it somewhere at
and behind and below the arm, and by cutting the armhole forward,
so that the back of the waist can fall backward; but it will take all the
life out of a fit in the back, and make the breast too small. The only
remedy is an outlet under the arm on a frock coat, or in the center of
the back, or in the side seam on a sack. By this operation it will be
seen that the erect form cannot be fitted by carving out the waist
behind, but must be done by contracting the length, and really giving
more width. One-half to five-eighths inches fold may be set down as
the average, but the exact amount cannot be found by measuring.
All this depends upon the judgment of the cutter. One-half to one-
fourth inch, one way or the other, will not spoil a coat if otherwise
well-balanced.
Stretching certain parts will accomplish a great deal of good, but
all stretching should be clearly marked by nicks, for a journeyman
cannot always be expected to know just where the stretching is
required. Thus, if we take a regular frock coat pattern, and stretch
the sidepiece half an inch downward on the front and at the hollow of
the waist, that is equal to contracting the sidepiece the same
distance at the back seam; and the erect form is imitated.
The erect form requires the coat short at the hollow of the waist,
but the stooping form requires the coat longer over the shoulder
blade. Erect forms may be fitted by simply taking, say one half inch,
from the curve of the sidepiece, starting at the hollow of the waist, as
shown on Dia. II B, and the contrary may be applied to stooping
forms. To fit the back of the waist for either the erect or for the
stooping form, and taking Dia. II as a model, we must in some way
give more spring for the erect form, and less for the stooping form.
Stretching the bottom of the sidepiece is equal to giving more spring
on either side, and it is better, because the extra width so obtained
will divide better all over the hip. But it would not do to adopt the
contrary plan for the stooping form, and shrink the bottom of the
sidepiece. The measure of the waist being the same, the back part
of the waist requires a reduction, but which reduction on the back
must be allowed in front. The reduction of the back part for the
stooping form is best made by reducing, say one half inch, on the
sidepiece and on the under arm gore, and by stretching the back
sidepiece seam about three eighths downward on starting at line
11¼, which operation will leave the whole gore between the back
and the sidepiece undisturbed.
I have seen a great many tailors shrinking the sidepiece in its
center downward, but shrinking a straight piece will always come
back to its original shape. To improve the shape of the sidepiece
under the iron must be done by stretching its edges downward; the
front seam for the erect and the back seam for the stooping form.
After a coat is made up, and it should prove short over the blade by
hanging loose at the back, the back may be made longer over the
blade by stretching the front seam of the side piece upward, starting
at the hollow of the waist. I say it may be so made longer, but the
best way to treat such a back, is to give the whole back and the back
part of the side seam a good stretch downward, over the blade, all of
which holds good on a sack coat.
Many coats hang better after three months wear, simply because
some parts have stretched, and can now conform to the shape of the
body. It is always better to have a coat back a trifle short rather than
too long. A short back can easily be stretched one half to five-eighths
of an inch over the blade, say 3 to 4 inches sidewise from the center
of the back, for which reason all back lining should be put in in ample
quantity, both in length and width and on the bias. If, however, the
lining is straight and not longer than the outside, then the lining must
be opened and pieced, for it cannot be stretched.
A skeleton coat of woolen material will fit almost any form, for it will
stretch wherever a strain may exist; for this reason all linings should
be plenty large around the arm and back, and the whole coat should
be made soft so that it will give. This includes even the basting of the
linings on the seams, all of which should be made with large and
loose back stitches.
In connection with this article and that on the “Stooping Forms,” let
us again compare the angle of 15 deg. If a cutter will go to the
expense and trouble to cut and make for himself a skeleton coat, cut
over Dia. III, omitting all seams sidewise, and for this reason
reducing the square of 18 to 17, and using nothing in front and
outside of the angle of 15 deg., in fact cutting nothing out except the
armholes and the shoulder seams, and using some stiff material,
such as heavy vest padding or French canvas, he will be able to
form for himself a correct idea of the workings of the angle of 15
deg.; and it will repay him, for he may save many subsequent
alterations. And alterations cost considerable money, besides a great
deal of annoyance between employer, cutter and customer.
In cutting it, the back should be cut pretty short, say 13 on line 9 in
front, or still shorter, in order to assure a smooth back. When such a
skeleton is on the body it will be observed that the center of the back
is on a plumb line from the shoulders down to over the seat and the
bottom of the coat, and that at the side it tapers outward from under
the arm to over the largest part at the thigh, and down to the end of
the coat, but does not touch the hollow of the waist anywhere,
running straight downward. In front it will taper outward but fit the
whole chest above the pit of the stomach; below, it will taper forward
and stick outward in front, as shown in Fig. II.
To reduce the front, means to reduce the front angle of 15 deg. so
that it falls straight downward from the front of the waist the same as
it does at the back of the seat, thus giving stepping room for the legs,
backward and forward, as also shown in Fig. II. Elsewhere the
modus operandi is fully explained.
Now, suppose this angle of 15 deg., as a completed coat, is upon
the body, and without a wrinkle in the back as well as without any
reduction at the hollow of the back of the waist, and let us—
contemplate the scene! If we desire to bring the straight back into the
hollow of the body at the side and back, we must do what we have
done to bring the back of the pants in to the body, back and below
the seat. We must cut the waist through, starting at the side and
going all around the back, and over to the other side; and when thus
cut through we can push the upper part in to the hollow of the waist.
And it will be found that in so doing the upper portion becomes too
wide for that circle around the body and must be reduced in width. At
the same time the upper part becomes too short and a wedge must
be put in, starting with nothing at the side and running backward; and
the closer we try to fit the waist, the wider the wedge must be at the
back, and the more the back must be reduced in width.
Dia. III demonstrates this fact by the shorter back, and by the
reduction of the back of the sidepiece, and by the wedge between
the bottom of the sidepiece and the top of the skirt. I do not claim
that it is just so, by every fraction of an inch, but I know that Dia. III
will produce a coat that will fit the normal form, and is the same as
Dia. II; and if anyone else would like to see it illustrated in a different
way it would merely show that our ideas are running in different
directions. But this would not change the principle.
Now, I will refer to the different effects produced if the wearer
throws himself into a stooping or over-erect position when the
garment is cut through at and across the hollow of the waist. By
observing the backward and forward movements of the different
forms, it cannot fail to show to the most critical observer that most all
changes between the stooping and the erect form can be made by
reducing the width and giving more length for the stooping, and by
reducing length and giving more width for the erect form at the
hollow of the waist; and no other change is required, unless a
combination of abnormal conditions exists. The gore between the
back and the sidepiece at the waist is an artificial gore, and should
not be much changed for any form.
Most all changes between the stooping and erect forms may be
made at the under arm seam, as follows: For the erect form, allow
say ½ to ¾ inches at the side, and before sewing that seam up
stretch the sidepiece say ¼ to ⅜ inches, which will shorten the back
seam that much and throw the extra width behind where it belongs.
For a stooping form, take off the same width at the side, and stretch
the back seam of the sidepiece at, and just above, the hollow of the
waist, but never enough to show the back full. The reason why I am
opposed to changing much on the back seam of the sidepiece is,
that that seam is always on a curve and it is very long, reaching clear
down to the bottom of the coat, and is apt to be thrown clear out of
gear by changing it. But the under arm cut is nearly straight, and
short, and can better be managed. If a vest can be thrown in by that
seam surely a frock coat can also. If the back is a trifle full at the
sidepiece, and at the hollow of the waist, a coat will be made the
better by it, and in no case should the back be stretched there. If the
back requires shortening, it must be obtained by stretching the
sidepiece on the forepart downward, or by folding up the pattern at
the back of the sidepiece. The form of alteration depends upon the
time it is to be made, either before the coat is cut, or after it is made.
To this article of erect forms may be added something about
straight backs, at the neck, or from the shoulder blade upward. A
long neck may lean forward and may then be classed among
stooping forms, and must be stretched accordingly; that is, by
lengthening the back only. But a long neck may shoot nearly straight
up behind, in which case it must be classed among the erect forms.
Between a long neck leaning forward and a long neck shooting
nearly straight up behind, there must be a difference in the shape of
the top of the back. We all know that the top of the center of the back
must be higher or at least as high as the side of the back, when the
coat is on the body; still when the pattern is spread out on a flat
surface, the neckhole is nearly a circle, and it will be a still more
complete circle when the garment is on the body. It must run nearly
in a circle because from the chest, shoulders and shoulder blades
the body runs upward to a point, as shown in Fig. I, but the garments
are cut off at the neck. The broader the top of the back is cut, the
more center sinks down behind, as shown in Dia. V.
Now, the cutting down of the top and center of back must be done,
because we intend to cut the shoulder seam where fashion requires
it should be. As far as the fit is concerned, we might run the shoulder
seam to within ½ in. of the center of back, in which case the center
of the back would be the highest point. As backs are cut, the sides
are the highest point on the flat table, but when on the body the
center of back is the highest point, and we may just as well say that
the top and center of back are the highest points, that this is the
starting point, and that from this point the whole neckhole is thrown
forward and downward, where it forms in a complete circle around
the neck.
I am writing here about the neckhole proper, and not of the length
of the back over the blade; and the above explanations are made to
show that the so-called front shoulder point is anywhere we please
to locate the shoulder seam, and again, I want to show that a straight
back, or a straight neck behind, requires the top and center of back
higher than a neck which leans forward.
Mr. J. B. West, in his “Grand Edition,” page 30, claims that the
principle alteration from a normal to a stooping form consists in
raising the center of the top of back (somewhere up to line A.) I
certainly will not dispute the merits of Mr. West, but I must say that,
like all mortals, he made mistakes, and the above is a “Grand
Mistake,” especially when we read on page 5, that the problem he
has worked on for fifteen years is now solved, and complete, and will
stand without improvement, or alteration, as long as there is no
change in the construction of the human form.
About thirty years have passed, and the human form has not
changed, and still I claim, that the above alteration must be made in
just a contrary way; that is, that the circle for the neckhole over the
back must be more complete toward the center of back for a person
who drops his neck downward and forward, and that the erect form
or the straight form on the back of neck requires the circle
straightened over the center of back, and will here repeat, that on the
angle of 135 deg. a neckhole can be cut and fitted with a complete
circle as seen in Dia. XI and XII. That part of the circle which passes
through the back, say 2½ in. wide, sinks about ⅝ at the center of
back, and this part must be straighter behind for a straighter neck,
and may be made entirely straight for extremely straight backs.
Quite straight backs are usually long necks, and for such the
center of back must be raised, whereas a short straight neck would
require the sides lowered. How much more or less all this may be,
must depend upon the judgment of the cutter, and as the whole thing
turns within five-eighths of a number, a cutter cannot go far out of the
way; but he should observe that a collar one half or even one quarter
inch lower behind than at the sides, is a spoiled collar, and that a
collar which is too high is easily cut down, but when it is too low it is
hard to bring it up, unless there are outlets.
Some cutters may say that I am mentioning things which will do
them no good, because they cannot go into all the details. This I
admit, but others again will be glad to have a thing figured down, so
that they need not bother their heads about it. But to illustrate: Let us
suppose we have before us a round wooden pole 5 in. in diameter,
representing the neck of a man. If we cut it straight through we can
fit a collar to it with a square piece of cloth or paper. Such a square
piece fits to the circumference of a pole, if wound around on
horizontal lines. Next, let us suppose that we cut one end down,
about 3 in., representing the forward and downward slope of the
neck, and we find that a straight piece will not fit that slope, but must
be hollowed out. Now, if we build shoulders to it, and a chest and
shoulder blades, in fact take the form of a person for our model, we
find that the neckhole of a garment goes around the top of a body
sloping upward from all sides, though irregularly, but that a complete
circle from the point of the angle of 135 deg. will fit the neck after 45
deg. have been taken out from its center, all of which will form an
irregular circle or curve, while in any shape on the flat table; but will
form an almost complete circle when sewed together and placed on
the body. The neck itself is almost a complete circle, and the point of
the angle of 135 deg. must be considered as the center of the neck,
which is round, but to which cloth must be brought by irregular
approaches. Now if we find a straight neck behind, with hardly any
incline from the back forward, the garment must run straight up, too,
and the circle for the neckhole must be straightened as far as the
back goes; but if the neck slopes forward, the garment must turn
forward also, and the edge of the circle over the back must form a
more complete part of a circle.
But I must make another illustration: Take a piece of stiff paper,
and cut out of it a half circle of say 4½ in. whole diameter,
representing the neck of a 36 breast measure, or thereabouts. Take
that circle and fit it to the neck of a man on horizontal lines, and the
circle will fit the neck no matter where you apply it. Next try to fit it to
the neck from the side, but on the slope of the shoulders, and the
circle will be too round for the neck. Again, try to fit it from the slope
of the back, and the difference between neck and circle will be still
greater. Next, take a stove-pipe of 4½ in. diameter and try to fit it on
that, and on perpendicular lines, and you will find that the circle
cannot be used at all, but that a square piece must be used for that.
If the neck were as wide as the shoulders, and the chest and the
blades, that is, if the body would run straight up from these points,
then the top edge could be fitted with nothing else but a square piece
of cloth.
After all, the above pros and cons let me say that if Dia. II is used
for the stooping form, place height of back ¼ to ¾ higher, and reduce
the back of the sidepiece ⅛ to ¼ more, at the waist, and that is about
the best alteration which will result from the description of the
stooping form. Contrary: Placing height of back at 14½, and giving ⅛
to ¼ more spring at the waist will give a good proportion for the erect
form. As to the difference of 1¼ numbers more or less back length
over the blade, between the stooping and erect form, each cutter
must judge for himself, for it cannot be measured on the human
form.
Short persons with short necks and very flat shoulder blades, may
be fitted with a height of back of 14¼ above line 9, and top of back at
3¾ and side of neck at 4. (See Odd Forms I.) Erect forms who throw
their arms backward can be fitted by using a pattern one or two sizes
too small, and by allowing the difference of ½ to 1 inch, as the case
may be, on the front of the breast. If a cutter will put a coat, say two
sizes too small on such a form, he will find that the back, the
shoulders and the armhole fit, but that the front of breast is too small,
and the extra size must be allowed there. This rule will work both
ways, and the contrary may be applied for stooping forms.
Odd Forms.
During the summer of 1891, I reviewed such patterns which I had
preserved for several years back, and I knew that they were good. I
laid them out like Dia. II, IV, VIII, VIIIa and X, and they came as near
together as could be expected, at least they came near enough so
that a slight difference would make no difference in the fit, and I think
I can give some valuable information if I give descriptions of some
odd shaped garments, just as I found them.
I.—CUTAWAY FROCK COAT.

MODEL: DIA. II.
Breast, 40; Waist, 40; Hip, 41½; Seat, 40; Length of legs, 30. The
seat measure and the length of legs are noted for the purpose of
giving a better impression of the form. Form: Erect—square
shoulders—short neck—height of back above line 9 is 14½—top of
back, 3¾—side of neck, 4—bottom of armhole, ⅜ above 11¼. No
gore under the arm, but a spring of ½ inch at line 18¼, on which line
is also the waist length of the back. The waist seam drops 1¾ in
front; is even in front and side, but laps ¾ over the gore in the
forepart, which is ½ inch, running up to line 15. Front: Quaker
Cutaway, with no lapel—standing collar—front of neck at 3¾—notch
in center of 15 deg.—for the button hole side allow ⅝ in front of
base, and for the button side ½ more. In front of line 9, allow ½ for
both sides and meet base again in front of 11¼. At 15 go forward 3¼
—at 20, 2½. Meet plumb base at 26½ and go back 3 at line 32½.
Drop bottom of skirt ¾ at the base. Shoulder laps ⅜ at the neck and
½ toward the blade. Gore between the back and sidepiece: ⅜ at the
armhole—meet at 10½—½ at 11¼—⅞ at 14½, on back—1⅜ at 15—
1⅝ at 18¼,—1¼ at 20—⅝ at 25—⅞ at 30. Center of back is
hollowed out ⅜ at 17½, and at line 30 the finished hook is 1¼ out.
II.—FROCK COAT.
Breast, 36; waist, 31; seat, 36. Form: Erect—square shoulders—
full breast—very hollow back, which causes the shoulder blade to
appear pretty prominent—waist diameter very small from side to
side. This is a form which mostly has its coat back too long or too
wide, and requires quite a close breast measure, or a small square
and a full breast. An apparently long coat back behind the arm is
caused when the seat has not enough spring. Model: Dia. II. Square
of 17½. The height of back above line 9 over the front is 15 numbers
—top of back 3½—side of neck 4. The shoulder seam is even at
both neck and armhole, but toward the blade there is a lap of ½ inch,
and which seam is for the square shoulder. Under-arm gore: ½ at
line 15—⅞ at 17½—1 at line 18⅝, which is the length for the waist
on the back—⅞ at 20. For the contracted waist length behind, the
top of skirt, and the bottom of the back sidepiece seam is even, but
lap ⅜ at the underarm gore—1 at the plumb line base—¾ in front.
The bottom of the sidepiece is ⅜ higher behind, but when the coat is
on, the run of the waist seam is even, on the erect form. At the waist
the forepart has a gore of 1¼ starting at line 15. The front of breast is
1⅜ in front of 9—meets the front angle in front of line 15—and
strikes the base at 32 for a cutaway. Spring center of back out from
line 15: ½ at 20—1 at 25—1⅝ at 30, and then allow 1 in. for the
hook. Gore between sidepiece and back: ¼ at the armhole—meets
at 10½ on back—¾ at 11¼ over the front—1¼ at 15 on back—1½ at
15 over the front—1¼ at 17½—⅞ at 20—¾ at 25—¾ at 30.
III.—FROCK COAT.
Breast, 34, close measure; waist, 30; seat, 34½; length of legs, 29.
Form: Erect—long neck—flat shoulder blades—all normal cut coats
fall away from his neck—are too long and too wide in the back and
too small in the breast. Model: Dia. II—the square was made 17¾—
top of back 2⅝—side of neck 3—shoulders lap ⅞ at the neck and ½
toward the blade—height of back above line 9, 14½ numbers. Gore
between back and sidepiece: ¾ at armhole—meets at line 11—½ at
line 9 and 14½—¾ at 15—1 at 17½—⅝ at 20—meet again at 25 to
30—¼ at 35. Spring back from 15—allow ¾ at 25—1¼ at 30—and
allow for the hook. The front is straight—single-breasted—the lapel
is 3 in front of the base on top—3¾ in front of 11¼—meets the front
angle at 15½—thence parallel with the plumb base. The waist seam
is even at the underarm cut—skirt and front laps 1 at line 20, running
so forward. Bottom of skirt sinks ½ in front. The vest had ¾ lap at the
shoulder seam toward the neck and top of back was placed at 3⅛,
and had a spring of 1¼ at the center of back at line 20. The vest was
cut size 33, and ¼ inch allowed in front of the breast, which accounts
for the small square and the full breast.
IV. MODEL: DIA. II.

Breast, 35; waist, 33; seat, 35. Form: A combination of stooping
and erect—neck bends forward—arms thrown backward—shoulders
thrown up and square—very hollow at the back of the waist but erect
there—shoulder blades prominent—seat shows very little at the back
—front of waist and front of thigh thrown forward—top of back 3¼—
side of neck 3⅝—shoulder laps ⅜ at the neck—⅝ toward the blade.
Side of shoulder 9⅛ at 60 deg. Height of back above line 9 is 15⅜.
Underarm gore, ⅛ on line 9—½ at line 15—1 at 17½—¾ at 20. Gore
between the back and sidepiece: ½ at the armhole—meet at 11½ on
the back—½ at 11¼—¾ at 15⅜—1 at 15 over the front—1⅜ at 17½
—1¼ at 20—½ at 25—¼ at 30—¼ at 35. The forepart has a gore of
½ at the waist seam, and the same gore between the skirt and
forepart in front. Center of back: From 15⅜ upward allow ⅛ outside
of the base, and come even again on top—from 15⅜ downward go
inward of the base ¼ at 17½—meet again at 22—go out ⅜ at 30—⅝
at 35 for the center and allow for the hook, etc. Front: In front of 9
allow 1—meet front edge and front angle at 14—go out 3¼ at 20—
1½ at 30—meet at 35. Sink front of skirt ⅝, and no lap between skirt
and forepart at the waist seam except to straighten the forepart over
the gore.
V.—LARGE-WAISTED SACK COAT.

MODEL: DIA. VIIIA.
Breast, 43; waist, 46; hip, 46; seat, 44; length of pants, 32 inches.
Form: Large all around—prominent shoulder blades—square
shoulders—arms thrown back—neck rather short—head and front of
waist bent forward—sides of waist full—all normal cut coats are too
high in the neck for this form. Square of 18¾, which is small but
good. Top of back at 3⅜—side of neck 3⅞. Shoulder seam laps ½ at
the neck and ⅝ toward the blade—at 60 deg., 9. Height of back
above line 9 over the forepart, 12½. Underarm cut, 1, and stretched
up ½. Side seam: even at the armhole, and down to 11¼—¾ at 15—
1¼ at 17½—1½ at 20—⅞ at 25—⅜ at 30. Center of back: From line
17½ spring out ⅜ at line 25. Front: In front of point 9 give 1¼—meet
the front edge at the front angle at 20—go out 5 at 25 and 4 at 30—
which will give a pretty straight front, but runs a trifle backward at the
bottom. On top of lapel allow 1½ in front of the front angle and cut a
gore of ½ under the lapel and in the center of the angle of 15 deg. At
the bottom sink the front ¾ at the base. Notice that the proportions
are all small over the breast line, but full in front, and also full at the
side of waist, and will make a good coat for that size.
VI.—MODEL: DIA. VIIIa.

The breast size is the same as the preceding description, but the
waist and hip are comparatively small. Breast, 43; waist, 41; hip,
43½. Form very erect and hollow in the back of waist—shoulders
square—arms thrown back, requiring a small square for the back,
and a full breast. Square of 18¼—under arm gore ⅜ at 11¼ and
stretched up ⅜—height of back above line 9 is 12¼—top of back is
at 3⅜ and side of neck 3⅞—shoulder seam laps ⅜ at the neck—side
of shoulders, 9—gore between side and back: even at armhole—
even at 11¼—1¼ at 15—1¾ at 17½—2 at 20—1¾ at 25 and 28.
Center of back spring: ¾ at line 25, starting at 17½—cutaway front.
Allow 1 in front of 9—meet front edge and front angle at 15—3¼ in
front of 20—2½ at 25—meet at 28.
VII. A VEST FOR A LARGE WAIST.

Breast, 45; waist, 48; hip, 48; seat, 40. Dia. IV as the model.
Breast measure taken over the shirt. The under arm cut is ½ inch at
the hollow of waist, but both back and front meet below and above.
This ½ inch is simply to give form to the seams. Top of back is 4¼—
side of neck 4 for top of collar band—bottom of neck band 5¼. Side
of shoulders at 60 deg., 9¼—shoulder seam even, but ¼ inch spring
at the neck may be good. Center of back is on the line and spring of
½ at the bottom—height of back, 14¼. From the point of the angle of
135 deg. go down 7 numbers for the front edge of the vest and go
forward a ¼ at line 9—1⅛, at line 15—1⅜ at 17. Cut a small gore in
the forepart, below the pocket, in order to make the front to conform
to the oval form of the body. The description of this vest and Dia. XX
will fit the same person. This vest, made up and placed on a person
of 36 breast and 32 waist measure, will fit at the shoulders, and if it is
left to hang alone, will simply be too large all around the breast and
around the waist, but hangs good. There is one peculiar feature in
this or all large vests cut according to this work, which should be
considered. You can draw all surplus cloth together behind, or in
front, or at the side, or you may pin it up even all around, and the fit
of the shoulders will remain. For this reason, vests one size too large
will fit the same, and are better than if one size too small. Cut all
vests ½ waist and 2½ inches at the waist line, and pay little attention
to the hip line, as long as the sides have an opening over the hips. If
no opening is left there the hip line must also receive ½ hip and 2½
inches. Allow all extra waist proportion, by allowing one half of it in
front and one half at the side of the back. Any other surplus width,
which may be desired may be allowed at the center of the back,
where it may be buckled up smooth.
VIII.—Frock Coat for a Very Stooping Form, and

with Very Round Shoulder Blades.
MODEL: DIA. II.
Very hollow breast—front of waist and back of waist very erect—
square of 18—front of armhole ⅝ in front of 45 deg., where armhole
and sleeve meet at 10¼—back sleeve seam laps ¾ at line 8—top of
back at 3—side of neck at 3½—height of back above line 9, 15¾—
width of back at 9½, 7⅜. Centre of back is hollowed out ⅜ at the
hollow of the waist, meets base at 22 and at line 35 the edge for the
finished hook is 1¼ outside. Gore between the side and back: ¾ at
the armhole—⅞ at 15¾—1¼ at 15—1½ at 17½—1⅜ at 20—1 at 25
—1 at 30. Underarm cut: ¼ at 15—¾ at 17½—¾ at 19½. The
shoulder seam laps ⅜ at the neck and ¾ at the blade. Front edge:
1¾ in front of 3—1⅛ in front of 9—meet at 14—3¼ at 20—2½ at 30
—1 at 35. No gore in breast, but ¾ gore in the front waist seam.
Drop front skirt ¾ at the base.
IX.—FAT MEN’S OVERCOAT.

Breast, 52; waist, 60. Form, very erect; front of waist band forward
and abdomen very large and round. The shoulders are normal, and
the shoulder seam have the same spring as Dia. X. The model is
Dia. X. The square is 19¼ numbers, and 1¼ numbers are cut out as
a gore under the arm, and the sidepiece stretched upward ¼. The
large square and the large gore under the arm, throw extra waist
proportion into the center of the forepart. Neck from 135 deg.—top of
back 3⅜—side of back 3¾—at 60 deg. 3¼—base 3¼—armhole
from 135 deg.: front sleeve nick at 10¾—at 60 deg. 8⅞—at 45 deg.
or top square 9⅞—width of back at 8 is 6⅞—bottom of armhole is ¾
above line 11¼, and the front sleeve base is forward two seams. The
front of armhole is on 45 deg. Center of back: height of back above
line 9 is 12½ numbers—from line 15 spring out 1¼ at 25. Center of
front from the plumb line base: top ¾—½ gore, ¾ to edge—at 11¼,
4¾—at 20, 6—at 30, 6—drop front of bottom 1, and set the buttons
back from the edge about 2½ inches.
Now, while I am describing “Odd Forms,” which in reality are not
odd at all, only a trifle different from the so-called normal form, it may
be well, to point out another fact: For coats and vests all large-
waisted forms require either a proportionately smaller scale with
extra allowance in front of the breast, or if the measure and the scale
are used the same as on a small-waisted form, the square must be
made smaller, and the front must be that much larger.
It is the same on the full-breasted and on the erect forms, and the
description of Forms V and VI, as well as Dia. VIIIa, with their
different squares ought to be sufficient to give a general idea of what
is to be taken off behind in the square, and what is to be allowed in
front. Large-waisted persons have mostly erect forms even if they
should have prominent shoulder blades, or throw their necks down in
front. At the hollow of waist they may be considered erect and mostly
throw their arms backward, and all such forms require a smaller
square and a larger breast. The best way to measure is this: Take all
measures even and close, and reduce the square, and enlarge the
breast according to the above description, and according to your
judgment, and remember, that ½ inch more, or ½ inch less in the
breast, or in the square, may be considered the outside limit, and
that ¼ inch goes a good ways.
In regard to the amount, you better learn to depend upon your
judgment, for if that should be ever so poor, it will be better than a
so-called proof or balance measure, from the center of back forward.
That measure, even if taken with the utmost care, will mostly depend
upon the coat which the person wears, and not upon the body, which
is to be fitted.
Low Shoulders.
Low shoulders and long necks are the same. Dia. IX shows the
correct alteration for such forms as well as for the stooping form. The
body between the arm and neck becomes longer than usual, and
consequently the coat must be lengthened on each back and front
alike. Attempting to cut the shoulders lower at the arm will never lift
the coat up to the neck. If that alteration is correctly made no other
portion is to be altered. All allowance for a longer neck should be
given sparingly, as ¼ in. on each back and each front goes a great
ways; only extremes may require more, and from ⅜ to ½ in. may be
called correct for the average long neck. The front of the neck hole
should not be raised on a long neck, for the very length of neck
requires extra depth there. Addition for a longer neck should be
started at the middle of the shoulder seam, as indicated by dotted
lines in Dia. IX.
Raising the side of the back up higher requires the center of the
back higher also, all of which may be run out to nothing at the sleeve
base. Adding say ½ in. to the top of the neck will make the shoulder
look broader, that is, the shoulder on top of the slope will contain
more space from arm to neck, though the diameter of the shoulders
from side to side may not be any larger. The armhole must be
considered the same for all long or short necks, and the changes
must be made upward, and above the armhole, as shown in Dia. IX,
and if that is correct, the so-called “front shoulder point” exists in the
imagination of each individual cutter only.
If the shoulders and the neck of all men were formed the same,
there would be very little trouble to fit coats. But the longer, or
shorter, or forward or backward leaning neck play smash with the
fitting points. All kinds of imaginary proof measures have been
invented, but they all will prove that they are not proof, unless the
measure is a straight one, either horizontal, or perpendicular, or
parallel. The proof measure, as shown in Fig. I, and which consists
of the application of the angle of 135 deg., is a new measure, of my
own invention, and it will do away with all the so-called long or short
balance measures which have been used for the last century.
When I say give so and so much more for a long neck, I mean so
much more than what is shown in Dia. II, all of which may be divided
between the forepart and the back, but so that the top of back is
never less than 2½ in. wide. I will repeat here that a long neck not
only requires the shoulder straps longer, but the top and the side of
the back must be cut closer toward the center, gradually running out
at the front. If the shoulder seam has 1 in. spring, that is, ½ to ⅝
more than Dia. II, the top of back may be placed at 2½ and the side
of neck at 3, and this will make a good proportion for the average
long neck. So far I have found in my practice, that very few cases
require more. The worst case I ever found was fitted with 1⅝ spring
allowed on the forepart, with top of back at 2¼ and side of neck at
2¾, and I do not think that there is any shoulder which requires
more. In all cases the collar must be sewed on easy, on each “side
of the neck” not behind.
But here I will give another idea of fitting a long and straight neck:
At the center of the back and from the back sleeve base upward, go
outside of the base and allow say ½ in. “extra,” and at the same time
allow ½ in. on top of back and at the side of neck. The ½ inch extra
allowance on the back may again be reduced from the front of neck
downward, but this is of little consequence, for if not cut off, the lapel
and the breast will simply be that much larger, which is mostly a
“good fault” for such a coat, and may often be quite necessary, as all
such forms are mostly full breasted. If for any cause, the top of back
and side of neck are placed closer toward the center, do not drop the
front of the neck hole, because the extra spring at the shoulder seam
will produce all extra length required.
The low and the high shoulders may be considered very indefinite
terms, and a cutter must learn to use his judgment as to what each
particular customer requires, but for the reason that Dia. II will fit at
least 49 out of 50 persons, all changes must be made with great
caution, because the actual shoulder is not to be fitted at all, and if
anybody attempts to do this, he must cut low shoulders for most all,
and the majority he will have to alter, more or less.
About a year ago, while at church on a Sunday, I noticed a man
who sat in front of me; he wears different coats according to the
weather. Two of such coats fit him as good as any can be made, but
one coat makes him low shouldered while the other gives him the
appearance of a square shoulder. The square shoulder coat don’t fit
as close around the arm as the one with the low shoulder, but the
square shoulder hangs good, sleeve included, and no one will ask
anything better. Any cutter can satisfy himself on that point by trying
on different good fitting coats, on the same person, and by doing so
he will soon find that a solid measure around the arm and shoulder,
or a so-called “Balance Measure” is one of the greatest delusions the
Nineteenth century has brought forth, in so far as fitting garments is
concerned.
But I must point to another reason why a coat can be fitted to the
same person with either a square or a sloping shoulder. A coat cut
too high up at the back and at the side of the neck will have the
appearance of a lower shoulder, because the coat starts higher up.
At the present time the style for the shoulders is toward a square
shoulder, and I think that will be the style for some time to come.
Looking back to continental styles and pictures, we find all coats high
up at the back and at the side of the neck, and consequently all are
represented as low shoulders.
In fitting clothing according to the present style, a cutter must see,
though he is compelled to cut a coat for a long neck higher than
usual, that it gets not too high, but as low as possible for that

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2. If a society became equally more productive in the production of both widgets

c. Point A is efficient. Point B is inefficient. Point C is impossible.

5. The theory of comparative advantage underlies the shape of the production

6. a. See the accompanying graph.

9. a. See the accompanying graph.

b. The United States has a comparative advantage in the production of wheat

10. Globalization increases competition by allowing greater specialization and

Questions from Alternative Perspectives

In a market economy competition, the market process translates individual

b. If a country is Christian, maximizing should not be "the" goal of society.

b. Sex is used in the advertising of numerous products.

a. Back in the 1950s President Eisenhower warned of the military/industrial

high spending on military production results in a trade-off. It means that

b. The short-term consequence is a loss in consumer goods. The long-term

2. If a particular distribution of income is one of society’s goals, a particular

1. See the accompanying graph.

2. See the accompanying graph.

a. The relationship is nonlinear because it is curved, not straight.

3. See the accompanying graph.

6. a. See line a in the accompanying graph.

I.—CUTAWAY FROCK COAT.

IV. MODEL: DIA. II.

V.—LARGE-WAISTED SACK COAT.

VI.—MODEL: DIA. VIIIa.

VII. A VEST FOR A LARGE WAIST.

VIII.—Frock Coat for a Very Stooping Form, and

IX.—FAT MEN’S OVERCOAT.

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