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 + Review 2:522 My 15 ’20 200w

“Lady Ritchie interests and amuses us without falling either into

the distortions of malice, or the sentimentally which dwells on the
‘dear old days,’ and leaves us as cold as if we were listening to a
canting preacher.”

+ Sat R 129:189 F 21 ’20 750w

“Charming little book.”

+ Spec 124:54 Ja 10 ’20 140w

Springf’d Republican p8 My 1 ’20 120w

“Lady Ritchie knew what was interesting and what was not; she
lived intensely in her memories, and she can take her readers to live
in them with her.”

+ The Times [London] Lit Sup p19 Ja 8

’20 1100w

RITCHIE, ROBERT WELLES. Trails to Two

Moons. il *$1.75 (3½c) Little

20–17007

The story is of the Wyoming cattle country at the time when the
struggle for existence was on between the cattle rangers and the
sheep-raising homesteaders. Little by little the latter were
encroaching upon the former’s grazing lands. Three figures stand out
in the tale, Zang Whistler, the cattle-thieving outlaw, Original Bill
Blunt, inspector for the Stockman’s alliance, and Hilma Ring, a
sheepherder’s daughter, a dazzling but heartless beauty. A lonely life
of hardship and struggle had cut her off from all femininity and
hardened her heart. It is the taming of this shrew that tempts both
Zang and Original. Amid killings and rough horse-play, during which
Hilma has her fill of terror, loneliness and despair, nursing her
hatred for Original, the latter’s character and power finally subdue
and awaken the woman in her. Even Zang, whose wild career is but
an offshoot of his inherent integrity, receives Hilma’s recognition of
his loyalty and devotion.

“The story possesses a sort of crude strength besides exciting

incidents; its characters are fairly well individualized; its descriptions
are vivid, and its fights colorful. However, we cannot say that the
conversion of the heroine’s hate for the hero to love for him is
convincing. The strings that pull the character hither and thither at
this point of the story are altogether too evident.”

+ − N Y Evening Post p21 O 23 ’20 110w

“The story is ultra-romantic and the characters not essentially of

flesh and blood—mere types and caricatures. But the setting in which
the story occurs is painted so very vividly that it lends the air of
reality to ‘Trails to Two Moons’ which the characters themselves and
their vigorous actions lack.”

+ − N Y Times p25 D 26 ’20 320w

 ROBBINS, CLARENCE AARON (TOD
ROBBINS). Silent, white and beautiful; and other
stories. *$1.90 (3c) Boni & Liveright

Short stories by an author who makes a specialty of the gruesome.

Contents: Silent, white and beautiful; Who wants a green bottle?
Wild Wullie, the waster; For art’s sake. There is a preface by Robert
H. Davis.

“If these grotesque and morbid tales were just a bit better, they
might even be great! But failing of greatness, they are so horrible as
to be occasionally funny.”

− + Bookm 52:550 F ’21 100w

“The horror of the truth in daily life is greater than the horror Mr
Robbins seeks in his imaginative and improbable wanderings among
murderers and spirits.” R. D. W.

− Boston Transcript p8 Ja 29 ’21 350w

“Genuine horror requires a certain inner logic, a subtle plausibility

not discoverable in these stories.” L. B.

− Freeman 2:358 D 22 ’20 170w

“There is no doubt that he has an eerie fancy, great fertility of

invention, and not a little psychological insight. But he is unequal to
the point of eccentricity. Two of his four narratives, ‘Wild Wullie, the
waster,’ and ‘Who wants a green bottle,’ are simply inept. ‘Silent,
white and beautiful,’ on the other hand, has an original and strangely
vivid central idea.”

+ − Nation 111:596 N 24 ’20 230w

“Frankly tales of terror, built upon most improbable foundations,

they would be revolting in the hands of a lesser artist.”

+ N Y Evening Post p17 D 4 ’20 100w

“The author has dipped his pen in blood while steeping his literary
ego in diablerie, and the outcome is a feast of melodrama and
morbidity that leads logically to nightmare.”

− + N Y Times p27 Ja 2 ’21 420w

ROBERTS, CECIL EDRIC MORNINGTON.

Poems. *$1.50 Stokes 821

20–1006

This collection of poems falls into three parts: Poems; The dark
years; and Other poems. John Masefield writes a preface to the
collection and says of the author: “When I think of the poems, I feel
that he must be young; not young enough perhaps to have been
carried away, or destroyed, by the recent great events, but young
enough to see them clearly, to respond to them, and to realize that
the tragedy of them has been the tragedy of the young, the blasting of
the young, for the benefit and at the bidding of the old.... That, in the
main, is the tragedy of Mr Roberts’ latest and best poems, in the
volume here printed.” In another place he says of the poet: “He has a
quick eye for characters, a lively sense of rhythm, and a fondness for
people, which should make his future work as remarkable as his
present promise.”

“Will be liked by those who enjoy conventional poetry touching on

a note of sadness.”

+ Booklist 16:235 Ap ’20

“These labored verses move us not at all. The book is full of echoes
and infelicitous imitations. The book, in short, is full of clichés of
thought and phrase.” H: A. Lappin

− Bookm 51:213 Ap ’20 100w

“The experience which has made Mr Roberts ‘old’
to his friends, has by a curious paradox kept him
gloriously young in his dreams and visions. These
poems, even embedding such grim interludes as is
represented by the ‘Charing cross’ poems, are the
poems of youth; but of a youth who has been trebly
stored with the ancient wisdom and ways of the
world.” W. S. B.

+ Boston Transcript p6 Ja 24 ’20 2150w

“Delightful poems chiefly on Arcadian themes.”

+ |Cleveland p52 My ’20 60w

 Reviewed by Mark Van Doren

Nation 111:sup415 O 13 ’20 60w

“It is not enough to be high-spirited, and warm-hearted, and

quick-witted, and brave and sensitive—and this poet is all these. To
feel splendidly is one thing, to shape the feeling another. Mr Roberts
at present is apt to throw off his feeling into rhyme without due
concentration, as though assuring us of his exuberance and bidding
us be content with that.” J: Drinkwater

+ − N Y Times 25:240 My 9 ’20 380w

“The many lyric poems are a flower-garden in which the reader can
spend a long time, and to which he will want to return. Mr Roberts
writes gracefully and melodiously, and is never elaborate or
artificial.”

+ Springf’d Republican p8a Ap 4 ’20 700w

ROBERTS, RICHARD. Unfinished program of

democracy. *$2 Huebsch 321.8

(Eng ed 20–6572)

“‘The unfinished programme of democracy.’ by Dr Richard

Roberts, readily divides itself into two parts: the first three chapters
in which the author sets forth what he considers to be the causes of
the present crisis in democracy, and the rest of the book in which he
specifies in detail and supports with argument the measures and
changes that would, in his view, fulfil the democratic ideal.”
(Freeman). “The main lines of practical doctrine on which the
discussion is conducted are—a national minimum and a secure
standard of life universally enforced and provided for; the limitation
of profits; the elimination of the ‘social parasite’; the economic
independence of women; the abandonment of the dogma of ‘State
sovereignty’ and the recognition in the organization of government of
the geographical and the vocational unit; the growth of the spirit and
practice of social fellowship; a democratic world knit by a federation
of democratic nations.” (The Times [London] Lit Sup)

“Mr Roberts’s work is one to be read and inwardly digested.”

+ Ath p1048 O 17 ’19 130w

Booklist 17:142 Ja ’21
Brooklyn 12:125 My ’20 30w

“It is only the first part of the book, in which Dr Roberts states his
social theory, that in the view of the writer of this note exposes itself
to criticism.” T. M. Ave-Lallemant

+ − Freeman 1:428 Jl 14 ’20 1100w

Ind 103:319 S 11 ’20 30w

“The book is both refreshing and heartening and deserves a wide

reading, not only for the soundness of its ideas but for the distinction
and charm of its temper, and the vividness of its style.”

+ Nation 111:330 S 18 ’20 620w

 “He writes with force and charm; and he gives evidence of wide
reading and of serious reflection. But when he comes to chapter VII,
‘The organization of government,’ his hand fails him.” W. J. Ghent

+ − Review 3:316 O 13 ’20 300w

+ Springf’d Republican p8 F 7 ’20 60w

“It is a scholarly book by a man of vision.” A. J. Lien

+ Survey 45:73 O 9 ’20 180w

“One of the ablest of the ministers of the English Presbyterian

church here discusses the social problem in a comprehensive and
practical way, with a full appreciation of new conditions and new
trends of thought.”

+ The Times [London] Lit Sup p550 O 9

’19 180w
Wis Lib Bul 16:107 Je ’20 60w

ROBEY, GEORGE. My rest cure. il *$1.40 (4c)

Stokes 827

19–13978

The author informs his readers that he is tired of being funny, that
he has had a collapse and needs a complete rest, and he is going to
tell about his holiday in the country in his natural serious and solemn
manner. By the skin of his teeth he succeeds in escaping from home
without his wife and the entire family. His haven of rest is the
Sunrise Arms of Little Slocum. The dream and the reality of Little
Slocum are not quite the same. He almost succumbs to the
ministrations of the sewing-bee of Little Slocum mothers, but after a
ten mile flight in pajamas and mackintosh and rubber boots he
catches a train that takes him back to the city. The illustrations by
John Hassall add to the solemnity of the book.

+ Booklist 16:246 Ap ’20

“It may be that Mr Robey converses too much about nothing in

particular, it may be that his humor is not that of America; but
various episodes in his book are excruciatingly funny.”

+ Boston Transcript Mr 13 ’20 350w

“We cannot say that we have been vastly exhilarated by ‘My rest
cure.’”

− Sat R 128:160 Ag 16 ’19 340w

ROBINSON, ALBERT GARDNER. Old New

England houses. il *$5 Scribner 728

20–16280
 “‘Old New England houses’ has about one hundred sumptuously
printed views, mostly of the type of plain, unpretentious small
country houses of the seventeenth and eighteenth centuries, which
we roughly classify as ‘colonial,’ though quite a few of the more
pretentious mansion type of house, such as were built by the
wealthier merchants and shipmasters in the larger coast towns, are
included. The subjects are selected from an artistic rather than an
architectural or antiquarian viewpoint. The first few pages are given
to an untechnical talk on the varied types and styles of houses and
where one may hunt for them with reasonable chance of success, but
the greater part of the book is devoted to the pictures of the houses
themselves, an entire page being usually given to each print.”—
Boston Transcript

+ Boston Transcript p4 S 29 ’20 280w

“The text of this book is slight, not wholly unsuggestive perhaps,

but disappointing. The illustrations, however, are of positive
interest.”

+ − N Y Evening Post p14 O 23 ’20 520w

Reviewed by W. B. Chase

+ N Y Times p2 S 12 ’20 2450w

+ Outlook 126:202 S 29 ’20 70w

Reviewed by E. L. Pearson
 + Review 3:314 O 13 ’20 30w

“Like most books of the sort, ‘Old New England houses’ is more to
be valued for its pictures than for its text. Here the text, however, is
entirely adequate as a brief introduction to upward of a hundred
photographs.”

+ Review 3:479 N 17 ’20 180w

“‘Old New England houses’ will be interesting and useful.”

+ Springf’d Republican p9a O 3 ’20 260w

ROBINSON, EDWIN ARLINGTON. Lancelot.

*$1.75 Seltzer 811

20–12049

“In ‘Lancelot’ Mr Robinson has continued the study of Camelot

which he began three years ago in ‘Merlin.’” (Nation) “We open at the
period in the Arthurian triangle when Lancelot, who has seen the
grail, has determined to leave Camelot and Guinevere forever, and
follow the lonely marsh-light that the knights hailed as the true
gleam. Guinevere tempts him out of this. Arthur and his knights
return, and find what the purblind king has shut his eyes to so long.
Lancelot flees, and Guinevere is to be burnt at the stake. The greatest
of the knights returns and rescues her, taking her to his castle of
Joyous Gard; from which he later surrenders her. But the poison of
the situation has raised up enemies in the king’s own household,
especially his illegitimate son, Modred, and Lancelot, persuaded too
late to go to the king’s aid, arrives after the battle in the north, in
which king and bastard alike receive their death-wounds. He pays
one final visit to Guinevere, habited as a nun, but still enough of her
own self to listen to Lancelot’s belated plea that she rejoin him, and
now enough of her new self to refuse it. Then the passion-wrecked
knight rides away after that will-o-the-wisp whose presence men still
vainly seek without themselves.” (N Y Call)

+ Booklist 17:22 O ’20

“Any modern treatment of the Arthur material challenges

comparison at once with some of the illustrious names in English
literature: Tennyson, Swinburne, Arnold, and Morris, to mention
only the best known. Mr Robinson’s ‘Lancelot’ is no misbegotten
changeling in this notable company. The analysis is subtle,
unsentimental, and contagiously sympathetic.” R. M. Weaver

+ Bookm 51:457 Je ’20 520w

“In this narrative Mr Robinson not only proves by reason of

thought and substance his position as the greatest of all living
American poets, but also by the supreme consciousness and
evocation of beauty.” W. S. B.

+ Boston Transcript p9 Je 12 ’20 1350w

+ Cleveland p86 O ’20 80w

“The verse moves with dignity and attains at times even a

detachable beauty, and yet the memorable lines are comparatively
few—for this author.”

+ − Dial 69:103 Jl ’20 120w

“It has no pictorial exuberance. Scarcely a line could be quoted for

self-sufficient imagery. For the rest, the beauty of the poem is a low-
keyed, intense but quiet beauty of cadence and rhythm. Its matter
speaks with restraint and with completion. Its power lies in the
immanence of its people and their struggle with their fate.” C. M.
Rourke

+ Freeman 2:164 O 27 ’20 550w

“The verse of ‘Lancelot’ is as athletic and spare as an Indian

runner, though it walks not runs. At the same time, he varies his
verse in admirable accord with situation and character. Since
Browning there has been no finer dramatic dialogue in verse than
that spoken by Lancelot and Guinevere and no apter characterization
than the ironical talk of Gawaine. One must go out of verse, to
George Meredith and Henry James, to find its match. But Mr
Robinson has the advantage of verse.” C. V. D.

+ Nation 110:622 My 8 ’20 650w

“Edwin Arlington Robinson can say more in two lines than most
poets can in several verses. His vision is somber; it is marked by an
uncompromising consistency in the handling of eternal values.” H. S.
Gorman

+ New Repub 23:259 Jl 28 ’20 1150w

 “‘Lancelot’ is life, albeit a gray and grim vision of it. It is a great
tale, greatly told. American poetry is richer for the aching
disillusionment of Mr Robinson’s art.” Clement Wood

+ N Y Call p11 My 16 ’20 750w

“It has been well thought out, well felt and well made. This is not
to say that it is a great poem, however, or that no important criticism
can be brought against it. When he draws personality the lines are
firm and flawless. But can he show us the color and texture of life,
and make us feel the heat of it in those old days of myth and magic?”
Marguerite Wilkinson

+ − N Y Times 25:170 Ap 11 ’20 1050w

“Its supreme beauty lies in its analysis of character and motive.”

+ Outlook 127:67 Ja 12 ’21 780w

“Mr Robinson’s ‘Lancelot’ is a finer achievement than his ‘Merlin.’

Splendidly imagined and unerringly wrought, this book reaffirms the
conviction that Mr Robinson is today the most significant figure in
American verse.” E: B. Reed

+ Yale R n s 10:205 O ’20 280w

ROBINSON, EDWIN ARLINGTON. Three

taverns. *$1.50 Macmillan 811

20–15484
 “Edwin Arlington Robinson’s new volume of miscellaneous poems,
‘The three taverns’ is likely to earn him—if he has not already earned
—a reputation as the Henry James among poets. His fondness for
portraying the complex facets of character in an oblique light and by
means of inscrutable hints and sinuous innuendoes has led him to
further workings of the vein of dramatic lyric opened four years ago
by his famous ‘Ben Johnson entertains a man from Stratford.’ The
present collection contains seven long poems of this sort, revealing in
monolog or dialog a moment in the life of St Paul, Lazarus, Brown of
Harper’s ferry, Hamilton, and real or imagined people of lesser
note.”—Springf’d Republican

+ Booklist 17:106 D ’20

“‘The man against the sky’ indicated very clearly the place of the
poet, it was very high—how high we had not the standards by which
to measure. ‘The three taverns’ brings us much nearer to him, closer
within the embrace of his sympathies, and, by the same law, lifts him
much farther above us.” S: Roth

+ Bookm 52:361 D ’20 500w

“The substance of the longer poems in this book is more

profoundly grounded in Mr Robinson’s philosophy of human nature
and experience than in any of his other poems. Even in the shorter
poems we find this power distilled until almost achingly the
meanings break through a speech that is simplified to a bareness of
figure or illusion. Take the poem ‘The mill’ and say if a tragedy could
be so mercilessly told with the economy of speech by any other living
poet.” W. S. B.
 + Boston Transcript p9 S 11 ’20 1850w

“Here is a great virtue that belongs peculiarly to Mr Robinson

among American poets. His work is always packed with thought. ‘The
three taverns’ is a big book and it grows with each reading. It is the
work of lonely hours, of unfailing meditation, and of authentic
genius, if such a thing may be admitted to exist in these troublous
times.” H. S. Gorman

+ Freeman 2:186 N 3 ’20 1150w

“It is a sombre book, ‘The three taverns,’ sombre and polished to a

high dark sheen, and the bitter tang of it remains in the memory
after reading.” C. F. G.

+ Grinnell R 16:332 Ja ’21 340w

“Separate enough in themselves, they yet stand with respect to

each other in a sort of pattern, like the monoliths of a Druid circle....
What holds them in the pattern is that tone of mingled wisdom and
irony, that color of dignity touched with colloquial flexibility, that
clear, hard, tender blank verse and those unforgettable eight-line
stanzas and dramatic sonnets which go to make up one of the most
scrupulous and valuable of living poets.” C. V. D.

+ Nation 111:453 O 20 ’20 1300w

“‘The three taverns’ is a finished product. It is a book such as only

a master, touched with the authentic fire of genius, could make
possible. Within its 120 pages is crystallized the best of modern
American poetry. No European could find better introduction to
American achievement in letters than through the poems that are
contained in ‘Three taverns.’” H. S. Gorman

+ N Y Times p18 Ja 16 ’21 1250w

“Little of his old magic of intonation and rhythm is lacking from

‘The three taverns,’ even though the intellectual appeal overmasters
at times the poetic.”

+ Outlook 127:67 Ja 12 ’21 680w

“Mr Robinson’s verse, as always, flows with limpid purity, but his
quaintly compounded vocabulary and his intellectual penetration
compel the closest attention to his pages. Readers who have the
patience or the agility to follow Mr Robinson are not meanly
rewarded.”

+ − Springf’d Republican p10 O 7 ’20 450w

ROBINSON, EDWIN MEADE (TED

ROBINSON, pseud.). Piping and panning. *$1.75
Harcourt 811

20–16520

The author conducts a column in the Cleveland Plain Dealer and

this is a volume of his humorous newspaper verse. Among the titles
are: To a lady; The lecture; The story of Ug; Things I despise; Things
I like; Some Anglicisms; The drawbacks of humor; Love lyrics; We
Olympians; The critic’s apology; In various keys; The typewriter’s
song; Rural delights; Butter and eggs; The average man.

“Of its kind, Edwin Meade Robinson’s ‘Piping and panning’ is of a

pleasant quality. No man may trifle with the muse day after day with
impunity, but Mr Robinson has been able to command her support
in a fair average of instances. His book discloses a nimble fancy, a
facile dominion of vocabulary and verse forms, and a ready wit.” L. B.

+ − Freeman 2:190 N 3 ’20 160w

“Many of the verses, it is true, are occasional and uninspired; but

the book is a wholly satisfactory one for the good things it has in
abundance.” Clement Wood

+ − N Y Call p8 Ja 9 ’21 180w

ROBINSON, ELIOT HARLOW. Maid of

Mirabelle. il *$1.75 (2c) Page

20–12599

A story of the last days of the war and the period immediately
following. The scene is laid in a village of Lorraine. Here Daniel
Steele, an American Friend who has come to France to do relief and
reconstruction work, falls under the spell of Joan le Jeune, the maid
of Mirabelle. When Daniel had left home he had taken with him the
promise of his foster-sister Faith to be his wife on his return. But for
a little time Joan makes him forget Faith, and Joan, to whom he
brings the romance of strange lands, almost forgets her own soldier
lover Jean. But when Jean is under suspicion she turns to him, and
Daniel, too, recovering from a wound, finds his thoughts bound up in
Faith and is ready to return to his own country leaving Joan to her
happiness.

“Somewhat too sentimental in execution, but simple and pretty.”

+ − Outlook 126:67 S 8 ’20 20w

ROCHE, ARTHUR SOMERS. Uneasy street. il

*$1.75 (2c) Cosmopolitan bk. corporation

20–2645

He was an impecunious clerk before the war, but won a

commission and was swept into New York gilt-edged society by his
millionaire chum after their discharge. He goes the pace and one
night of it finds him in debt and in love and temptation staring him
in the face in the form of a trunkful of money under his hotel bed. He
falls for it, takes what he needs with intentions to refund, but is
found out before that happy event can take place. Then his manhood
reasserts itself, he returns the stolen money and makes a clean
confession of his guilt to his employer, his chum’s father. He is
forgiven and is reinstated in the good graces of his fiancée, his chum
and gilt-edged society.

“In construction the present story is by far the best he has written.”

+ Boston Transcript p4 Ap 7 ’20 120w

 “That the story is devoid of all plausibility will not detract from its
interest to such readers as enjoy this sort of a book.”

+ − N Y Times 25:120 Mr 14 ’20 220w

Reviewed by Joseph Mosher

Pub W 97:177 Ja 17 ’20 260w

ROCHECHOUART, LOUIS VICTOR LÉON,

[2]
comte de. Memoirs of the Count de Rochechouart;
auth. tr. by Frances Jackson. *$5 Dutton

20–17881

“These memoirs are a first-class historical document of the period

before and after the Napoleonic wars. The Count de Rochechouart
was only a lad when the revolution broke out, and practically without
money he made his way across Europe and took service with the
Emperor of Russia, whom he served until 1814, when he was
appointed to a military post under the restored Bourbons in Paris,
and took a prominent part in the refounding of royalist France.”—Sat
R

“His narrative is of absorbing interest, in itself: material enough

for a dozen historical romances, told with vivacity, a wealth of
illuminative anecdote. The version is faithful and admirably written,
a valuable contribution to French and European history in our
language.”