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Chapter Eight: Prints
————————————————————
Chapter Outline
Chapter 8. Prints
Five basic print methods
RELIEF
Woodcut
Preface to the Diamond Sutra
Käthe Kollwitz, The Widow
Motosugu Sugiyama, Sumida River, Late Autumn
Wood Engraving
Rockwell Kent, Workers of the World, Unite!
Linocut
John Muafangejo, Men are Working in Town
INTAGLIO
Platemaking methods for intaglio printing
Engraving
Albrecht Dürer, Saint Jerome in His Study
Drypoint
Louise Bourgeois, Spider
Mezzotint
Susan Rothenberg, Mezzo Fist #1
Etching
Rembrandt, Christ Preaching
Aquatint
Francisco de Goya, Hasta la Muerte (Until Death) from Los Caprichos
Mary Cassatt, Woman Bathing
Photogravure
Lorna Simpson, Counting
LITHOGRAPHY
Philip Guston, Curtain
Elizabeth Catlett, Singing Their Songs
SCREENPRINTING
Ed Ruscha, Standard Station
INKJET
Fiona Rae, Cute Motion!
Lecture Topics
1. Recognizing and evaluating machine-printed versus “limited” artists’ prints
7. The formal and technical influences of Asian wood cuts on 19th- and 20th-century artists
10. How printmaking has been changed by computers and digital technology
Discussion Topics
1. What is a monotype and how is one made?
2. How do the subjects and forms of prints differ from painted works? Are prints a more
democratic medium than painting?
4. Can prints created digitally or via computer printer, scanner, fax, or copier be considered
“original” artists’ prints? If so, why and how?
2. Create a monotype on any slick surface – such as a pane of glass or plexiglass, a bathtub, a
sheet of tin – using tempera paints, acrylics, or watercolors. Test the paint on the surface first
to make sure that the surface will not be damaged by the process. When you have quickly
completed your painting on the slick surface, before the paint dries, carefully place a sheet of
paper over the painting and press the paper gently onto the painting with a squeegee or the
edge of a piece of cardboard. Then “pull” your print up from the surface and allow it to dry.
You can then add details or other refinements to your monotype.
3. Use a computer to digitally manipulate camera images (some software programs will
“posterize” or otherwise stylize your images). Try re-creating the manipulated image as a
collage, or print variations of your manipulated image to explore the possibilities of your
creativity and your applications.
— Pappi —?
— Ovatko ne kiinni?
Pastori nyökäytti jälleen päätään.
Pastori kuulosti.
Heidän vasemmalla puolellaan, verrattain lähellä, lauloi reipas
ääni:
— Terve, terve!
— No sittenhän sopii.
Aslak huusi jotakin koirille ja vihainen haukunta alkoi taas. Porot
lähtivät karkaamaan koirain ajamaa suuntaa ja Aslak renkineen
karahutti perään. Pastori kyytimiehineen lyöttäytyi samaan joukkoon,
— ja niin mentiin hyvää vauhtia.
VII.
— Niin… ja Tösselin.
— Niinpä taitaa…
— Onhan se.
Vanhus oli juomassa kahvia, kun hän palasi kotaan. Hän joi kolme
kuppia yhteen menoon ja heittäytyi sitten taas pitkälleen äskeiselle
paikalleen. Pikku-Jouni haki pataan lunta ja asetti lavanpuolikkaan
sulamaan.
‒ Tiesi jo.
— Satakunta.
— Siinäpä se juuri onkin, poika, siinäpä juuri, kun kaikki papit eivät
ole kristityitä.
Hän vastasi kysymykseen, josta oli seurauksena, että uusi tuli heti
perässä: