Flute 1 INDIO

Vals criollo

Alicia Maguiña

 = 140
      
 = 70
       
 = 140
  
              
 = 20
 
  rall.  

         1.      
            
  
11

  

   2.                 
      

        
24

 

         
             
36
To Coda 1. 2.

 

 
  = 140
  
      

         

D.S. al Coda  = 20

50

  

    
 = 140

        
66  = 20
 Trompeta en Si♭ 1 INDIO
Vals criollo

Alicia Maguiña

 = 140
   20
 = 70
 = 140                     

 
=


       
rall.

                           
      
15
1.

    

 
                     

2.

 
25

    To Coda         
                           
     
1. 2.

    
35

        
                  
            
 
       

44


       
       D.S. al Coda
 
     
            

54


 = 140
      = 20        
     
 = 140
               
  = 20
              

63


 
      

73
 Trompeta en Si♭ 2 INDIO
Vals criollo

Alicia Maguiña

 = 140
 
 = 70
 = 140       
                 
 = 20
 
rall. 
       
    
                        
      
15
1.

      


                            
25 2.

  
   
              
 
 
 
     
       
               
35 To Coda 1. 2.



         
                        
       
44


                 

                          

D.S. al Coda

    
54

 = 140 
      
 = 140
         
       
 = 20
        
 = 20
    
64



    

74
 Bombardino INDIO
Vals criollo

Alicia Maguiña

 = 140
     
 = 70
 = 140    
      
         
 = 20
 

                          1.      
rall.

  
15

              


      
        
25 2.

       
           
        
                   
To Coda


35 1. 2.



                       

         
44


           D.S.al Coda    

 
                   
 
54


 

 = 140
             
= 140

               
 = 20
   
 = 20
     
64

 

    

74
 B♭Clarinet 1 INDIO
Vals criollo

Alicia Maguiña

 = 140
        
 = 140  = 70
       = 20

           
  rall. 

  
             

       
           
17 1. 2.

 

               
               
35 To Coda 1. 2.


 

   
           

        
  
48

3 3 3

 = 20
   
 = 140
    
           D.S. al Coda

 
   
57

  
 = 140
    
 = 20

68
 B♭Clarinet 2 INDIO
Vals criollo

Alicia Maguiña

 = 140
   20    
 = 70
 = 140             

 
= 1. 2.

rall. 

     To Coda
 

27
                   
     
 
1.




                        
           
43 2.

  3 3

               
           
D.S. al Coda


53

 3
3

  
 = 140  = 140
  
  


 = 20  = 20
   
63
 Bajo eléctrico (1) INDIO
Vals criollo

Alicia Maguiña

 = 140
 
 = 70

     
 = 140  = 20
0 3  0 0 3
     
0 0
3 0 3


1 1
rall.

  2 
3 3 3  0 0 0 0  4 4  0 0  3 3  2 2  0 0
15

            
3 0 0 3 3 2 2
4 4 0 0


    2         
1. 2.

0 0 0 0 3 3 3 3 0  3 0 
 0 0 3 3 0
23

       
3 1 3 1
1 1 1 1

    
 0  2  
 2  
1.
 0 3
2.

4  3   4  0     
To Coda

0
34
0

   
0 0 2 3 3 0
4
1 1 1

2    
3  0 0  0   0 3  0 0 3 
44

      
0 0
3 0 3


1 1 1 1

  2       
 0 0 4 4 4 4       0 0 0 0  0
54

             
3 0 0 0 0 3 3 3 3 2 2 2 2 0 0 0
3 0 0


0  2     = 20      2
D.S. al Coda
 = 140

3   4  3 0 0  0 0 0 0 0 4 4 4 4 0 0 0 0 3 3 3 3 3  
62

          

 
0  = 140 2
 = 20
     
 4       
71

0 3 3 0 0

2
Bajo eléctrico INDIO
Vals criollo

Alicia Maguiña

 = 140
   20
 = 70
                     
 = 140  =

   


                                         
rall.

      
14

     

    1.             2.     


             
      
22

 

      ToCoda     

                     
1.

  
31

 

                          

  

    
42 2.



                                 
  
   
    
51

    

    
 = 140
   

                            

  
D.S. al Coda = 20

  
59

    
 

= 140

           
 = 20

                                
66
    
      

73

2
Saxofón Tenor INDIO
Vals criollo

Alicia Maguiña

 = 140
 
 = 70
              
   
 = 140 
   
= 20

    


rall.

 
                        

   
  
1. 2.

  
15

                  
 
               
  
28

  
                           
  

To Coda 1. 2.

     
39


 
 
                      
D.S. al Coda


48

  


 = 140
     
 = 140
 
          
 
  = 20
             


63 = 20



  

75
Tuba in B♭ INDIO
Vals criollo

Alicia Maguiña

 = 140
   20
 = 70

                  
 = 140  =

     
rall. 
 
                           
  
14

         

              

  
                  
21
1. 2.


  

       
         
          
29

   
   

   
                  
To Coda

     
39
1. 2.

        
   
              
47

         
       

                  
       
55

                  
  = 140
 
                 
D.S. al Coda  = 20
 
   
61

               
 

  = 140
  
   
 = 20
            
68

        
         


2
Saxofón Alto 2 INDIO
Vals criollo

Alicia Maguiña

 = 140
   20  
 = 70
 = 140         
       

 
=

rall.   

            
             

           
 
16
1. 2.

  



                         
To Coda 1. 2.

 
32

 

    
                           
 
44

 3 3

              
                      
D.S. al Coda


53 3 3

 
 = 140
 
 = 140
      

 
 = 20  = 20

63
Saxofón Alto 1 INDIO
Vals criollo

Alicia Maguiña

 = 140

 = 70
 = 140                   
      
 = 20
  
rall.    

 
                          

      
14
1. 2.

  

          
         

     
30 To Coda 1.

            
                       
43 2.

  3

                           
  
52

3

3 3

  = 20 
 = 140
  
 = 140
  D.S. al Coda

       
 = 20

61
 Percussion INDIO
Vals criollo

Alicia Maguiña

 = 140
 
 = 70
       
          
 = 140  = 20

rall.

          
                 
17 1. 2.

   
                             
27 To Coda

 
    
 
        
                     
  
40 1. 2.

  

            
          
D.S. al Coda

   
51

 = 140  
  ==20140 
 = 20 

                      
                     
      
64

       


 
75