Professional Documents
Culture Documents
Full download The Fine Art of Literary Fist-Fighting Lee Gutkind file pdf all chapter on 2024
Full download The Fine Art of Literary Fist-Fighting Lee Gutkind file pdf all chapter on 2024
Lee Gutkind
Visit to download the full and correct content document:
https://ebookmass.com/product/the-fine-art-of-literary-fist-fighting-lee-gutkind/
More products digital (pdf, epub, mobi) instant
download maybe you interests ...
https://ebookmass.com/product/the-fine-art-of-literary-fist-
fighting-how-a-bunch-of-rabble-rousers-outsiders-and-neer-do-
wells-concocted-creative-nonfiction-gutkind/
https://ebookmass.com/product/adornos-aesthetics-as-a-literary-
theory-of-art-1st-ed-edition-mario-farina/
https://ebookmass.com/product/the-oxford-handbook-of-plato-2nd-
edition-edition-gail-fine/
https://ebookmass.com/product/the-palgrave-handbook-of-literary-
translation-boase-beier/
Industry 4.0: Fighting Climate Change in the Economy of
the Future Elena B. Zavyalova
https://ebookmass.com/product/industry-4-0-fighting-climate-
change-in-the-economy-of-the-future-elena-b-zavyalova/
https://ebookmass.com/product/the-promise-of-bitcoin-bobby-c-lee/
https://ebookmass.com/product/dialogue-of-the-domestic-final-
visual-presentation-for-the-degree-of-master-of-fine-arts-
painting-house/
https://ebookmass.com/product/the-art-of-the-storyboard-john-
hart/
https://ebookmass.com/product/the-contemporary-construction-of-
the-chinese-form-of-marxist-literary-criticism-yamin-hu/
THE FINE ART OF LITERARY FIST-FIGHTING
THE FINE ART OF LITERARY FIST-
FIGHTING
How a Bunch of Rabble-Rousers,
Outsiders, and Ne’er-do-wells Concocted
Creative Nonfiction
Lee Gutkind
Copyright © 2024 by Lee Gutkind.
All rights reserved.
This book may not be reproduced, in whole or in part, including illustrations, in
any form (beyond that copying permitted by Sections 107 and 108 of the U.S.
Copyright Law and except by reviewers for the public press), without written
permission from the publishers.
Set in Yale and Alternate Gothic No2 type by Integrated Publishing Solutions.
Introduction
PART 1
PART 2
PART 3
PART 4
Epilogue
Acknowledgments
Notes
Index
THE FINE ART OF LITERARY FIST-FIGHTING
INTRODUCTION
I did not make up the term “creative nonfiction.” I began using it,
off and on, when a colleague, a mentor at Pitt, Montgomery Culver,
commented, after reading my first book, that I was “trying to be
creative with nonfiction.” But I did not know then that the term had
been used sporadically and sparingly over the years. David Madden,
a poet, essayist, and novelist, first used the term in 1959 at the
University of Tennessee where he was then teaching. Half a dozen
years later, at Ohio University in Athens, he taught his first class in
creative nonfiction, titled “American Dreams, American Nightmares.”
And in 1969, Madden reviewed Frank Conroy’s memoir, Stop Time,
describing it as creative nonfiction. Around the same time, Seymour
Krim, a journalist and novelist, taught a class once or twice at
Columbia University called Creative Nonfiction. The term didn’t quite
catch on—although its roots can be traced back to a quarter century
before Madden and Krim and, surprisingly, not to the United States,
where creative nonfiction as a movement first emerged.4
Another random document with
no related content on Scribd:
date of the 27th, accordingly, I find it duly entered that “the vagabond
who came in for water must have had a confederate, who got into
the hall whilst we were attending to his comrade, for yesterday there
was a great lamentation over cloaks and great-coats missing from
the hall, and as the day wore on the area of plunder was extended.
Carl discovers he has been robbed of his best clothes, and Caroline
has lost her watch and many petticoats.”
Thanksgiving Day on the 28th was celebrated by enormous
drunkenness in the army. The weather varied between days of
delicious summer—soft, bright, balmy, and beautiful beyond
expression—and days of wintry storm, with torrents of rain.
Some excitement was caused at the end of the month by the
report I had received information from England that the law officers
of the Crown had given it as their opinion that a United States man-
of-war would be justified by Lord Stowell’s decisions in taking Mason
and Slidell even in the British Channel, if the Nashville transferred
them to a British mail steamer. This opinion was called for in
consequence of the Tuscarora appearing in Southampton Water;
and, having heard of it, I repeated it in strict confidence to some one
else, till at last Baron de Stoeckl came to ask me if it was true.
Receiving passengers from the Nashville, however, would have been
an act of direct intercourse with an enemy’s ship. In the case of the
Trent the persons seized had come on board as lawful passengers
at a neutral port.
The tide of success runs strongly in favour of the North at present,
although they generally get the worst of it in the small affairs in the
front of Washington. The entrance to Savannah has been occupied,
and by degrees the fleets are biting into the Confederate lines along
the coast, and establishing positions which will afford bases of
operations to the Federals hereafter. The President and Cabinet
seem in better spirits, and the former indulges in quaint speculations,
which he transfers even to State papers. He calculates, for instance,
there are human beings now alive who may ere they die behold the
United States peopled by 250 millions of souls. Talking of a high
mound on the prairie, in Illinois, he remarked, “that if all the nations
of the earth were assembled there, a man standing on its top would
see them all, for that the whole human race would fit on a space
twelve miles square, which was about the extent of the plain.”
CHAPTER XXIII.
News of the death of the Prince Consort—Mr. Sumner and the Trent Affair—
Dispatch to Lord Russell—The Southern Commissioners given up—
Effects on the friends of the South—My own unpopularity at New York—
Attack of fever—My tour in Canada—My return to New York in February
—Successes of the Western States—Mr. Stanton succeeds Mr. Cameron
as Secretary of War—Reverse and retreat of M‘Clellan—My free pass—
The Merrimac and Monitor—My arrangement to accompany M‘Clellan’s
head-quarters—Mr. Stanton refuses his sanction—National vanity
wounded by my truthfulness—My retirement and return to Europe.