Download as pdf or txt
Download as pdf or txt
You are on page 1of 45

Discovering Behavioral Neuroscience:

An Introduction to Biological
Psychology 4th ed. Edition Laura A.
Freberg
Visit to download the full and correct content document:
https://ebookmass.com/product/discovering-behavioral-neuroscience-an-introduction-
to-biological-psychology-4th-ed-edition-laura-a-freberg/
More products digital (pdf, epub, mobi) instant
download maybe you interests ...

Discovering behavioral neuroscience: an introduction to


biological psychology Fourth Edition Freberg

https://ebookmass.com/product/discovering-behavioral-
neuroscience-an-introduction-to-biological-psychology-fourth-
edition-freberg/

Introduction to Research Methods in Psychology, 4th ed


4th Edition Dennis Howitt

https://ebookmass.com/product/introduction-to-research-methods-
in-psychology-4th-ed-4th-edition-dennis-howitt/

The Science of Psychology An Appreciative View -


Looseleaf (Laura A. King, Professor) 4th Edition Laura
A. King

https://ebookmass.com/product/the-science-of-psychology-an-
appreciative-view-looseleaf-laura-a-king-professor-4th-edition-
laura-a-king/

An Introduction to Mechanical Engineering (4th Ed.) 4th


Edition Jonathan Wickert

https://ebookmass.com/product/an-introduction-to-mechanical-
engineering-4th-ed-4th-edition-jonathan-wickert/
Introduction to Health Psychology 4th Edition Val
Morrison

https://ebookmass.com/product/introduction-to-health-
psychology-4th-edition-val-morrison/

Encyclopedia of Behavioral Neuroscience, 2nd Edition

https://ebookmass.com/product/encyclopedia-of-behavioral-
neuroscience-2nd-edition/

The Science of Psychology: An Appreciative View 5th


Edition Laura A. King

https://ebookmass.com/product/the-science-of-psychology-an-
appreciative-view-5th-edition-laura-a-king/

Behavioral Neuroscience 9th Edition S. Mark Breedlove

https://ebookmass.com/product/behavioral-neuroscience-9th-
edition-s-mark-breedlove/

(Original PDF) Chemistry: An Introduction to General,


Organic, and Biological Chemistry 13th Edition

https://ebookmass.com/product/original-pdf-chemistry-an-
introduction-to-general-organic-and-biological-chemistry-13th-
edition/
Discovering Behavioral Neuroscience
AN INTRODUCTION TO BIOLOGICAL PSYCHOLOGY

Fourth Edition

Laura A. Freberg
California Polytechnic State University,
San Luis Obispo

,
-
·-
# CENGAGE
Australia• Brazil• Mexico• Singapore• United Kingdom• United States

Copyright 2019 Cengage Learning. All Rights Reserved. May not be copied, scanned, or duplicated, In whole or in part. WCN 02-200-202

Copyrigh t 2019 Ccngagc Learning. All Rights Reserved. May not be copied, scanned, or duplicated, in whole or in part. Due to electronic rights, some third party content may be suppressed from the cBook andfor cChaptcr(s).
Editorial review has deemed that any suppressed content docs not materially affect the overall learning experience. Ccngagc Leaming reserves lhc right 10 remove additionaJ contcnl at any time if subsequent rights restrictions require ii.
This is an electronic version of the print textbook. Due to electronic rights restrictions,
some third party content may be suppressed. Editorial review has deemed that any suppressed
content does not materially affect the overall learning experience. The publisher reserves the right
to remove content from this title at any time if subsequent rights restrictions require it. For
valuable information on pricing, previous editions, changes to current editions, and alternate
formats, please visit www cengage com/bjghered to search by ISBN#, author, title, or keyword for
materials in your areas of interest.

Important Notice: Media content referenced within the product description or the product
text may not be available in the eBook version.

Copyright 2019 Cengage Learning. All Rights Reserved. May not be copied, scanned, or duplicated, In whole or in part. WCN 02-200-202

Copyrigh t 2019 Ccngagc Learning. All Rights Reserved. May not be copied, scanned, or duplicated, in whole or in part. Due to electronic rights, some third party content may be suppressed from the cBook andfor cChaptcr(s).
Editorial review has deemed that any suppressed content docs not materially affect the overall learning experience. Ccngagc Leaming reserves lhc right 10 remove additionaJ contcnl at any time if subsequent rights restrictions require ii.
�... #
. ..
CENGAGE

Discovering Behavioral Neuroscience: © 2019, 2016 Cengage Learning, Inc.

An Introduction to Biological Psychology.


Fourth Edition Unless otherwise noted, all content is© Cengage.
Laura A. Freberg
ALL RIGHTS RESERVED. No part of this work covered by the copyright herein
Product Director: Marta Lee-Perriard may be reproduced or distributed in any form or by any means, except as
permitted by U.S. copyright law, without the prior written permission of the
Product Manager: Erin Schnair
copyright owner.

Content Developer: Linda Man

Product Assistant: Leah Jenson


For product information and technology assistance, contact us at

Digital Content Specialist: Allison Marion Cengage Customer & Sales Support, 1-800-354-9706.

Marketing Manager: Heather Thompson For permission to use material from this text or product,
submit all requests online at www.cengage.com/permissions.
Content Project Manager: Ruth Sakata Corley
Further permissions questions can be e-mailed to
permissionrequest@cengage.com.
Production Service and Compositor:
MPS Limited

Intellectual Property Analyst:


Library of Cong ress Control Number: 2017939421
Deanna Ettinger

Student Edition:
Intellectual Property Project Manager:
ISBN: 978-1-337-57093-0
Betsy Hathaway

Illustrator: Jan Troutt Loose-leaf Edition:


ISBN: 978-1-337-57094-7
Art Director: Vernon Boes

Text Designer: Liz Harasymczuk Cengage

20 Channel Center Street


Cover Designer: Irene Morris
Boston, MA 02210
Cover Image: Chaikom/Shutterstock.com, USA

makalo86/Fotolia.com
Cengage is a leading provider of customized learning solutions with
employees residing in nearly 40 different countries and sales in more
than 125 countries around the world. Find your local representative at
www.cengage.com.

Cengage products are represented in Canada by Nelson Education, Ltd.

To learn more about Cengage platforms and services, visit


www.cengage.com.

To register or access your online learning solution or purchase materials for


your course, visit www.cengagebrain.com.

Printed in the United States of America


Print Number: 01 PrintYear: 2017

Copyright 2019 Cengage Learning. All Rights Reserved. May not be copied, scanned, or duplicated, In whole or in part. WCN 02-200-202

Copyright 2019 Ccngagc Learning. All Rights Reserved. May not be copied, scanned, or duplicated, in whole or in part. Due to electronic rights, some third party content may be suppressed from the cBook andfor cChaptcr(s).
Editorial review has deemed that any suppressed content docs not materially affect the overall learning experience. Ccngagc Leaming reserves lhc right 10 remove additionaJ contcnl at any time if subsequent rights restrictions require ii.
TO MY FAMILY
Roger, Kristin, Karen, and Karla

Copyright 2019 Cengage Learning. All Rights Reserved. May not be copied, scanned, or duplicated, In whole or in part. WCN 02-200-202

Copyright 2019 Cc.ngagc Leaming. All Rights Reserved. May not be copied, scanned, or duplicated, i n whole or in part. Due to electronic rights, some third party content may be suppressed from the cBook andfor cChaptcr(s).
Editorial review has deemed that any suppressed concent does no< materially affect the overall learning experience. Ccngagc Leaming reserves the rig.ht 10 remove additional contcn1 at any time if subsequent righ[S restrictions require ii.
Laura A. Freberg is Professor of Psychology at California Polytechnic State University,
San Luis Obispo, where she teaches courses in Introductory Psychology, Biological
Psychology, and Sensation and Perception. With John Cacioppo of the University
of Chicago, Laura is the co-author of three editions of Discovering Psychology: The
Science ofMind for Cengage Learning. She is also lead author on a new online Research
Methods textbook.
Laura completed her undergraduate and graduate studies at UCLA, where her
thinking about psychology was shaped by Eric Holman, John Garcia, 0. Ivar Lovaas,
Larry Butcher, Jackson Beatty, John Libeskind, Donald Novin, Frank Krasne, and
F. Nowell Jones. She was privileged to study neuroanatomy with Arnold Scheibe!, and
she investigated the effects of psychoactive drugs on learning and memory under the
direction of Murray Jarvik and Ronald Siegel in the UCLA Neuropsychiatric Institute.
As a capstone to her education, Laura completed her dissertation with Robert Rescorla,
then at Yale University.
Laura's teaching career began when she taught her first college course at Pasadena
City College at the age of 23 while still a graduate student at UCLA. Beginning in
20 1 1, to better understand the needs of the online education community, she also be­
gan teaching for Argosy University Online, including courses in Social Psychology,
Sensation/Perception, Cognitive Psychology, Statistics, Research Methods, and Writing
in Psychology. She has also redesigned her Cal Poly introductory course according
to QOLT standards to be administered completely online. She has received Faculty
Member of the Year recognition from Cal Poly Disabilities Resource Center three
times (1991, 1994, and 2009) for her work with students with disabilities. She enjoys
using technology and social media in the classroom and is a Google Glass Explorer.
Laura enjoys collaborating with daughters Kristin Saling (Systems Engineering-US.
Military Academy at West Point) and Karen Freberg (Communications-University
of Louisville) on a variety of research projects in crisis management and public rela­
tions as well as in psychology. She serves as the Bylaws and Archives Committee Chair
for the Society for Social Neuroscience and was recently elected President-Elect of the
Western Psychological Association (WPA).
In her spare time, Laura enjoys family time with her husband, Roger, their young­
est daughter Karla, who has autism spectrum disorder, and an active menagerie in­
cluding an Australian shepherd, two cats, and three parakeets. She usually writes while
consuming vast quantities of Gevalia coffee and listening to the Rolling Stones (which
might be apparent in the book's writing style), and she has been known to enjoy college
football, Harley Davidsons, episodes of Game of Thrones that do not feature weddings,
and Sherlock. Her ringtone is from Nintendo's Legend ofZelda.

iv

Copyright 2019 Cengage Learning. All Rights Reserved. May not be copied, scanned, or duplicated, In whole or in part. WCN 02-200-202

Copyright 2019 Ccngagc Learning. All Rights Reserved. May not be copied, scanned, or duplicated, in whole or in part. Due to electronic rights, some third party content may be suppressed from the cBook andfor cChaptcr(s).
Editorial review has deemed that any suppressed content docs not materially affect the overall learning experience. Ccngagc Leaming reserves lhc right 10 remove additionaJ contcnl at any time if subsequent rights restrictions require ii.
Preface xix

1 What Is Behavioral Neuroscience? 1

2 Functional Neuroanatomy and the Evolution of the


Nervous System 27

3 Neurophysiology: The Structure and Functions


of the Cells of the Nervous System 67

4 Psychopharmacology 107

5 Genetics and the Development of the Human Brain 145

6 Vision 183

7 Nonvisual Sensation and Perception 225

8 Movement 265

9 Homeostasis, Motivation, and Reward 301

10 Sexual Behavior 337

11 Sleep and Waking 375

12 Learning and Memory 415

13 Cognitive Neuroscience 455

14 Emotion, Aggression, and Stress 489

15 Neuropsychology 523

16 Psychopathology 555

References R-1

Name Index 1-1

Subject Index/Glossary 1-12

Copyright 2019 Cengage Learning. All Rights Reserved. May not be copied, scanned, or duplicated, In whole or in part. WCN 02-200-202

Copyright 2019 Ccngagc Learning. All Rights Reserved. May not be copied, scanned, or duplicated, in whole or in part. Due to electronic rights, some third party content may be suppressed from the cBook andfor cChaptcr(s).
Editorial review has deemed that any suppressed content docs not materially affect the overall learning experience. Ccngagc Leaming reserves lhc right 10 remove additionaJ contcnl at any time if subsequent rights restrictions require ii.
If you are familiar with the first three editions of this textbook, you know that we like
to pick colorful visuals that portray the biology behind the behavior. For this fourth
edition, we selected an image of the Organ of Corti in the inner ear produced by Sonja
Pyott of the Univeristy of Groningen using a technique known as confocal micros­
copy. Confocal microscopy produces superior resolution compared to conventional,
wide-field microscopes. This stunning image was awarded fourth place in the annu­
al Olympus BioScapes International Digital Imaging Competition in 2007. The green
structures are the hair cells of the cochlea (see Chapter 7), and the nuclei of the inner
hair cells appear in blue. Neurons making contact with the hair cells appear red.

vi

Copyright 2019 Cengage Learning. All Rights Reserved. May not be copied, scanned, or duplicated, In whole or in part. WCN 02-200-202

Copyright 2019 Ccngagc Learning. All Rights Reserved. May not be copied, scanned, or duplicated, in whole or in part. Due to electronic rights, some third party content may be suppressed from the cBook andfor cChaptcr(s).
Editorial review has deemed that any suppressed content docs not materially affect the overall learning experience. Ccngagc Leaming reserves lhc right 10 remove additionaJ contcnl at any time if subsequent rights restrictions require ii.
Preface xix

Neuroscience as an Interdisciplinary Field 2


Historical Highlights in Neuroscience 5
Ancient Milestones in Understanding the Nervous System 5
The Dawn of Scientific Reasoning 5
Modern Neuroscience Begins 6
Interim Summary 1. 1 7
Behavioral Neuroscience Research Methods 9
Microscopic Methods 9
Imaging 11
Recording 14
Brain Stimulation 17
Lesion 19
Biochemical Methods 20
Genetic Methods 20
Interim Summary 1.2 21
Research Ethics in Behavioral Neuroscience 23
Human Participant Guidelines 23
Animal Subjects Guidelines 24
Interim Summary 1 .3 25
Chapter Review • T hought Questions• Key Terms 26

CONNECTING TO RESEARCH: Thinking about Your Food as Healthy or


Indulgent Affects Your Physical Reactions to Eating 3
BEHAVIORAL NEUROSCIENCE GOES TO WORK: What Can I Do with a Degree
in Neuroscience? 4
THINKING ETHICALLY: Can We Read Minds with Brain Imaging? 14
BUILDING BETTER HEALTH: When Is It Appropriate to Use Placebos? 25

Functional Neuroanato my and the Evolution


of the Nervous System 27

Anatomical Directions and Planes of Section 28


Protecting and Supplying the Nervous System 30
Meninges 30
Cerebrospinal Fluid 31
vii

Copyright 2019 Cengage Learning. All Rights Reserved. May not be copied, scanned, or duplicated, In whole or i n part. WCN 02-200-202

Copyright 2019 Ccngagc Learning. All Rights Reserved. May not be copied, scanned, or duplicated, in whole or in part. Due to electronic rights, some third party content may be suppressed from the cBook andfor cChaptcr(s).
Editorial review has deemed that any suppressed content docs not materially affect the overall learning experience. Ccngagc Leaming reserves lhc right 10 remove additionaJ contcnl at any time if subsequent rights restrictions require ii.
viii Contents

The Brain's Blood Supply 34


Interim Summary 2.1 35
The Central Nervous System 36
The Spinal Cord 37
Embryological Divisions of the Brain 38
The Hindbrain 39
The Midbrain 41
The Forebrain 42
Interim Summary 2.2 53
The Peripheral Nervous System 55
The Cranial Nerves 55
The Spinal Nerves 55
The Autonomic Nervous System 57
The Endocrine System 61
The Evolution of the Human Nervous System 61
Natural Selection and Evolution 61
Evolution of the Nervous System 62
Evolution of the Human Brain 63
Interim Summary 2.3 64
Chapter Review• Thought Questions• Key Terms 65

CONNECTING TO RESEARCH: Linking the Brain and the Immune System 31


BEHAVIORAL NEUROSCIENCE GOES TO WORK: Treating Hydrocephalus 34
BUILDING BETTER HEALTH: Using Epidural Stimulation to Improve Standing and
Walking In Patients with Spinal Damage 39
THINKING ETHICALLY: Can We Localize Intelligence in the Brain? 53

Glia and Neurons 68


Glia 68
The Structure of Neurons 73
Structural Variations in Neurons 80
Functional Variations in Neurons 82
Interim Summary 3.1 82
Generating Action Potentials 83
The Ionic Composition of the Intracellular and Extracellular Fluids 83
The Movement of Ions 85
The Resting Potential 86
The Action Potential 86
Propagating Action Potentials 90
Interim Summary 3.2 93
The Synapse 94
Gap Junctions 95
Chemical Synapses 96
Axo-axonic Synapses 103
Interim Summary 3.3 104
Chapter Review• Thought Questions• Key Terms 105
Copyright 2019 Cengage Learning. All Rights Reserved. May not be copied, scanned, or duplicated, In whole or in part. WCN 02-200-202

Copyright 2019 Ccngagc Learning. All Rights Reserved. May not be copied, scanned, or duplicated, in whole or in part. Due to electronic rights, some third party content may be suppressed from the cBook andfor cChaptcr(s).
Leaming reserves lhc right 10 remove additionaJ contcnl at any time if subsequent rights restrictions require ii.
Editorial review has deemed that any suppressed content docs not materially affect the overall learning experience. Ccngagc
Contents ix

CONNECTING TO RESEARCH: Astrocytes, HIV, and the Blood-Brain Barrier 70


BUILDING BETTER HEALTH: Microglia and Autism Spectrum Disorder 73
THINKING ETHICALLY: Lethal Injection 87
BEHAVIORAL NEUROSCIENCE GOES TO WORK: What Are We Reading in an ECG or EEG? 92

II Psycho pharmacology

Neurotransmitters, Neuromodulators, and Neurohormones


Identifying Neurochemicals 109
107

108

Types of Neurochemicals 109


Interim Summary 4.1 121
Mechanisms of Neuropharmacology 123
Agonists and Antagonists 123
Production of Neurochemicals 123
Neurochemical Storage 123
Neurochemical Release 124
Receptor Effects 125
Reuptake and Enzymatic Degradation 126
Interim Summary 4.2 127
Basic Principles of Drug Effects 127
Administration of Drugs 128
Individual Differences in Responses to Drugs 128
Placebo Effects 129
Tolerance and Withdrawal 129
Addiction 130
Effects of Selected Psychoactive Drugs 133
Stimulants133
Opioids 137
Cannabis 138
LSD 139
Alcohol 141
Interim Summary 4.3 143
Chapter Review • T hought Questions • Key Terms 144

CONNECTING TO RESEARCH: Otto Loewi and "Vagus Stuff" 110


BEHAVIORAL NEUROSCIENCE GOES TO WORK: Substance Abuse Counselors 132
BUILDING BETTER HEALTH: Does Legalization Change Adolescent Attitudes Toward
and Use of Marijuana? 140
THINKING ETHICALLY: Using Addictive Drugs Affects Future Generations 142

The Genetic Bases of Behavior 146


From Genome to Trait 146
Sources of Genetic Variability 148
Heritability 151
Epigenetics 153
Interim Summary 5.1 157
Copyright 2019 Cengage Learning. All Rights Reserved. May not be copied, scanned, or duplicated, In whole or in part. WCN 02-200-202

Copyright 2019 Ccngagc Learning. All Rights Reserved. May not be copied, scanned, or duplicated, in whole or in part. Due to electronic rights, some third party content may be suppressed from the cBook andfor cChaptcr(s).
Leaming reserves lhc right 10 remove additionaJ contcnl at any time if subsequent rights restrictions require ii.
Editorial review has deemed that any suppressed content docs not materially affect the overall learning experience. Ccngagc
X Contents

Building a Brain 158


Prenatal Development 158
Effects of Experience on Development 167
Disorders of Nervous System Development 172
Interim Summary 5.2 175
The Brain Across the Lifespan 176
Brain Changes During Adolescence and Adulthood 176
Adult Neurogenesis
178
Healthy Brain Aging 178
Interim Summary 5.3 180

Chapter Review• Thought Questions• Key Terms 181

CONNECTING TO RESEARCH: Epigenetics, Gene Expression, and Stress 155


BEHAVIORAL NEUROSCIENCE GOES TO WORK: Genetics Counseling 156
THINKING ETHICALLY: When are Adolescents Responsible for Their Actions? 179
BUILDING BETTER HEALTH: Nutritional Cognitive Neuroscience and Healthy
Aging 179

From Sensation to Perception 184


The Visual Stimulus: Light 185
The Advantages of Light as a Stimulus 185
The Electromagnetic Spectrum 185
Light Interacts with Objects 186
Interim Summary 6.1 187
The Structure and Functions of the Visual System 188
Protecting the Eye 188
The Functional Anatomy of the Eye 188
The Layered Organization of the Retina 192
The Photoreceptors 192
Processing by Retinal Interneurons 196
Optic Nerve Connections 201
The Striate Cortex 204
Visual Analysis beyond the Striate Cortex 207
Interim Summary 6.2 210
Visual Perception 211
Hierarchies 211
Spatial Frequencies 212
The Perception of Depth 213
Coding Color 214
The Lifespan Development of the Visual System 218
Disorders of the Visual System 219
Amblyopia 219
Cataracts 220
Visual Acuity Problems 220
Blindness 220
Visual Agnosias 221
Interim Summary 6.3 222
Chapter Review• Thought Questions• Key Terms 223
Copyright 2019 Cengage Learning. All Rights Reserved. May not be copied, scanned, or duplicated, In whole or in part. WCN 02·200-202

Copyright 2019 Ccngagc Learning. All Rights Reserved. May not be copied, scanned, or duplicated, in whole or in part. Due to electronic rights, some third party content may be suppressed from the cBook andfor cChaptcr(s).
Editorial review has deemed that any suppressed content docs not materially affect the overall learning experience. Ccngagc Leaming reserves lhc right 10 remove additionaJ contcnl at any time if subsequent rights restrictions require ii.
Contents xi

CONNECTING TO RESEARCH: Hubel and Wiesel Map the Visual Cortex 206
BEHAVIORAL NEUROSCIENCE GOES TO WORK: 3-D Animation 214
THINKING ETHICALLY: Are There Sex Differences in Color Preferences? 216
BUILDING BETTER HEALTH: Does Eating Carrots Really Help Your Vision? 222

Audition 226
Sound as a Stimulus 226
The Structure and Function of the Auditory System 229
Auditory Perception
235
Hearing Disorders 23 7
Interim Summary 7.1 240
The Body Senses 241
The Vestibular System 241
Touch243
Pain 251
Interim Summary 7.2 255
The Chemical Senses 257
Olfaction
257
Gustation
259
Synaesthesia 262
Interim Summary 7.3 263
Chapter Review • T hought Questions • Key Terms 264

BUILDING BETTER HEALTH: Earbuds and Hearing Loss 238


THINKING ETHICALLY: Cochlear Prosthetics and Deaf Culture 239
CONNECTING TO RESEARCH: Phantom Limbs, Mirrors, and Longer Noses 250
BEHAVIORAL NEUROSCIENCE GOES TO WORK: What Is a Perfumer? 262

Types of Muscles 266


Muscle Anatomy and Contraction 267
The Effects of Exercise on Muscle 270
The Effects of Aging on Muscles 270
Neural Control of Muscles 272
Alpha Motor Neurons 272
The Motor Unit 272
The Control of Muscle Contractions 273
The Control of Spinal Motor Neurons 274
Interim Summary 8.1 277
Reflex Control of Movement 278
Reciprocal Inhibition at Joints 278
The Flexor Reflex 279
Spinal Reflexes Related to Walking 280
Reflexes over the Lifespan 280
Copyright 2019 Cengage Learning. All Rights Reserved. May not be copied, scanned, or duplicated, In whole or in part. WCN 02-200-202

Copyright 2019 Ccngagc Learning. All Rights Reserved. May not be copied, scanned, or duplicated, in whole or in part. Due to electronic rights, some third party content may be suppressed from the cBook andfor cChaptcr(s).
Editorial review has deemed that any suppressed content docs not materially affect the overall learning experience. Ccngagc Leaming reserves lhc right 10 remove additionaJ contcnl at any time if subsequent rights restrictions require ii.
xii Contents

Motor Systems of the Brain 281


Spinal Motor Pathways 281
The Cerebellum283
The Basal Ganglia
284
The Motor Cortex 285
Interim Summary 8.2 289
Disorders of Movement 291
Toxins 291
Myasthenia Gravis 292
Muscular Dystrophy 292
Polio 293
Accidental Spinal Cord Injury (SCI) 293
Amyotrophic Lateral Sclerosis (ALS; Lou Gehrig's Disease) 294
Parkinson's Disease
295
Huntington's Disease 297
Interim Summary 8.3 299
Chapter Review• Thought Questions• Key Terms 300

THINKING ETHICALLY: Gene Doping for Strength 271


CONNECTING TO RESEARCH: Mirror Neurons 289
BUILDING BETTER HEALTH: When Vaccination Is Not Enough 293
BEHAVIORAL NEUROSCIENCE GOES TO WORK: Physical Therapy 294

Homeostasis and Motivation 302


Regulating Body Temperature 303
Adaptations Maintain Temperature 303
Endothermic Responses to Heat and Cold 303
Deviations in Human Core Temperature 305
Brain Mechanisms for Temperature Regulation 307
Thirst: Regulating the Body's Fluid Levels 309
Intracellular and Extracellular Fluid Compartments 309
Osmosis Causes Water to Move 310
The Kidneys 310
The Sensation of Thirst 311
Interim Summary 9.1 317
Hunger: Regulating the Body's Supply of Nutrients 318
The Process of Digestion 318
The Pancreatic Hormones 319
The Initiation of Eating 320
Satiety 325
Healthy and Disordered Eating 326
Defining Healthy Weight 326
Obesity 327
Disordered Eating
328
Interim Summary 9.2 332
Pleasure and Reward 332
Multiple Facets of Reward 333

Copyright 2019 Cengage Learning. All Rights Reserved. May not be copied, scanned, or duplicated, In whole or in part. WCN 02-200-202

Copyright 2019 Ccngagc Learning. All Rights Reserved. May not be copied, scanned, or duplicated, in whole or in part. Due to electronic rights, some third party content may be suppressed from the cBook andfor cChaptcr(s).
Editorial review has deemed that any suppressed content docs not materially affect the overall learning experience. Ccngagc Leaming reserves lhc right 10 remove additionaJ contcnl at any time if subsequent rights restrictions require ii.
Contents xiii

Reward Pathways 333


The Neurochemistry of Reward 334
Cortical Processing of Reward 335
Interim Summary 9.3 336
Chapter Review • T hought Questions • Key Terms 336

BUILDING BETTER HEALTH: Understanding the Benefits of Fever 306


CONNECTING TO RESEARCH: Swallowing Balloons and Growling Stomachs 321
BEHAVIORAL NEUROSCIENCE GOES TO WORK: Dieticians and Nutritionists 327
THINKING ETHICALLY: How Dangerous Is It to Be Overweight or Obese? 329

Sexual Behavior 337

Sexual Development 338


The Genetics of Sex 338
Three Stages of Prenatal Development 342
Development at Mini-puberty 346
Development at Puberty 347
Interim Summary 10.1 350
Sex Differences in Hormones, Brain Structure, and Behavior 351
The Organizing Role of Sex Hormones 351
The Organizing Role of Sex Chromosome Genes 353
Sexual Dimorphism in the Brain 354
Sex Differences in Behavior and Cognition 356
Sexual Orientation 359
Hormones and Sexual Orientation 360
Brain Structure and Sexual Orientation 361
Genes and Sexual Orientation 362
Sexual Orientation and Cognition 362
Interim Summary 10.2 364
Biological Influences on Adult Sexual Behavior 364
The Regulation of Sex Hormones 364
Mood, Menstruation, and Childbirth 365
Hormones and Adult Sexual Behavior 366
Attraction, Romantic Love, Sexual Desire, and Parenting 367
Elements of Physical Attractiveness 368
Romantic Love and Sexual Desire 369
Reproduction and Parenting 371
Sexual Dysfunction and Its Treatment 372
Interim Summary 10.3 373
Chapter Review • T hought Questions • Key Terms 374

BEHAVIORAL NEUROSCIENCE GOES TO WORK: How Do Therapists Treat Gender


Dysphoria? 348
CONNECTING TO RESEARCH: Simon LeVay and INAH-3 362
THINKING ETHICALLY: Biology's Role in Explaining Gender and Sexual Orientation 363
BUILDING BETTER HEALTH: Treating Patients with Antidepressant-Induced Sexual
Dysfunction 373

Copyright 2019 Cengage Learning. All Rights Reserved. May not be copied, scanned, or duplicated, In whole or in part. WCN 02-200-202

Copyright 2019 Ccngagc Learning. All Rights Reserved. May not be copied, scanned, or duplicated, in whole or in part. Due to electronic rights, some third party content may be suppressed from the cBook andfor cChaptcr(s).
Editorial review has deemed that any suppressed content docs not materially affect the overall learning experience. Ccngagc Leaming reserves lhc right 10 remove additionaJ contcnl at any time if subsequent rights restrictions require ii.
xiv Contents

Biorhythms 376
Individual Variations in Sleep Patterns 376
Shift Work, Jet Lag, and Daylight Saving Time 378
The Body's Internal Clocks Manage Circadian Rhythms 379
Major Depressive Disorder with Seasonal Pattern 385
Interim Summary 1 1.1 387
Neural Correlates of Waking and Sleep 388
Electroencephalogram Recordings of Waking and Sleep 388
Brain Networks Control Waking and Sleep 392
Biochemical Correlates of Waking and Sleep 397
Interim Summary 1 1.2 398
The Functions of Sleep 399
Changes in Sleep over the Lifetime 400
Possible Advantages of Sleep 401
Special Benefits of REM Sleep 403
The Possible Functions of Dreaming 404
Sleep-Wake Disorders 407
Insomnia 407
Narcolepsy 408
Breathing-Related Sleep Disorders 409
Sudden Infant Death Syndrome (SIDS) 410
Sleep Talking and Sleep Walking 411
REM Sleep Behavior Disorder 411
Restless Legs Syndrome (RLS) 411
Interim Summary 11 .3 412
Chapter Review• Thought Questions• Key Terms 413

CONNECTING TO RESEARCH: A Composite Scale of Morningness 377


THINKING ETHICALLY: Artificial Lighting and Circadian Rhythms 386
BUILDING BETTER HEALTH: Do Smartphone Sleep Apps Work? 389
BEHAVIORAL NEUROSCIENCE GOES TO WORK: Sleep Medicine 407

Categorizing Learning and Memory 416


Types of Learning 416
Types of Memory 418
Mechanisms of Synaptic Plasticity 421
Learning in Simple Organisms 421
Long-Term Potentiation (LTP) 425
Working Memory 432
Memory Consolidation 433
Reactivation and Reconsolidation 433
Interim Summary 12.1 434
Neural Systems Supporting Learning and Memory 435
Early Efforts to Locate Memory Functions 435

Copyright 2019 Cengage Learning. All Rights Reserved. May not be copied, scanned, or duplicated, In whole or in part. WCN 02-200-202

Copyright 2019 Ccngagc Learning. All Rights Reserved. May not be copied, scanned, or duplicated, in whole or in part. Due to electronic rights, some third party content may be suppressed from the cBook andfor cChaptcr(s).
Editorial review has deemed that any suppressed content docs not materially affect the overall learning experience. Ccngagc Leaming reserves lhc right 10 remove additionaJ contcnl at any time if subsequent rights restrictions require ii.
Contents XV

Systems Supporting Classical Conditioning 436


The Temporal Lobe and Episodic Memory 441
Semantic Memory Networks 444
Systems Supporting Working Memory 445
Systems Supporting Procedural Memory 446
Interim Summary 12.2 447
The Effects of Stress and Healthy Aging on Learning and Memory 448
Stress Effects on Memory 448
The Effects of Healthy Aging on Memory 451
Interim Summary 12. 3 453
Chapter Review • T hought Questions • Key Terms 454

BEHAVIORAL NEUROSCIENCE GOES TO WORK: What Is Neuro Education? 421


CONNECTING TO RESEARCH: Karl Lashley's Search for the Engram 436
THINKING ETHICALLY: Should We Erase Traumatic Memories? 451
BUILDING BETTER HEALTH: Can We Avoid Age-Related Memory Deficits? 452

Understanding Cognitive Neuroscience 456


Hemispheric Asymmetry and Its Behavioral Correlates 456
Learning About Asymmetry 456
The Evolution of Lateralization 459
The Development of Lateralization 460
Implications of Asymmetry for Behavior 461
Interim Summary 13. 1 467
Language 468
The Origins of Language 468
Communication in Nonhuman Animals 469
Multilingualism 471
American Sign Language (ASL) 472
Communication Disorders and Brain Mechanisms for Language 473
Paul Broca and Patient Tan 473
Aphasia 473
Disorders of Reading and Writing 478
Stuttering
479
Interim Summary 13.2 480
Intelligence 481
Assessing Intelligence 481
Intelligence and Genetics 482
Structural and Functional Correlates of Intelligence 482
The Neuroscience of Decision Making 485
Interim Summary 13.3 487
Chapter Review • T hought Questions • Key Terms 488

CONNECTING TO RESEARCH: Savants and Laterality 466


BEHAVIORAL NEUROSCIENCE GOES TO WORK: Speech and Language Pathology 480
THINKING ETHICALLY: Performance-Enhancing Drugs for the Mind? 484
BUILDING BETTER HEALTH: Enriched Environments, Infectious Load, and IQ 485

Copyright 2019 Cengage Learning. All Rights Reserved. May not be copied, scanned, or duplicated, In whole or in part. WCN 02-200-202

Copyright 2019 Ccngagc Learning. All Rights Reserved. May not be copied, scanned, or duplicated, in whole or in part. Due to electronic rights, some third party content may be suppressed from the cBook andfor cChaptcr(s).
Editorial review has deemed that any suppressed content docs not materially affect the overall learning experience. Ccngagc Leaming reserves lhc right 10 remove additionaJ contcnl at any time if subsequent rights restrictions require ii.
xvi Contents

• Emotion, Aggressio n, and Stress

Emotion 490
The Evolution and Adaptive Benefits of Emotion
489

490
Theories of Emotion 491
The Expression and Recognition of Emotion 495
Biological Correlates of Emotion 501
Emotion Regulation 506
Social Cognition 507
Interim Summary 14.1 507
Aggression and Violence 508
Genetics, Environment, Epigenetics, and Aggression 509
Brain Structures and Aggression 510
Biochemistry and Aggression 511
Interim Summary 14.2 513
Stress 513
Hans Selye and the General Adaptation Syndrome (GAS) 514
Responses to Stress 515
Stress and Epigenetics 517
Stress, the Immune System, and Health 518
Interim Summary 14.3 520
Chapter Review• Thought Questions• Key Terms 521

CONNECTING TO RESEARCH: Facial Expressions Predict Assault 498


THINKING ETHICALLY: Using Neuroscience to Assess "Dangerousness" 510
BEHAVIORAL NEUROSCIENCE GOES TO WORK: Pet Therapy for Stress 519
BUILDING BETTER HEALTH: Stress Management 520

What Is Neuropsychology? 524


Who Are the Neuropsychologists? 524
Neuropsychological Assessment 524
Neurocognitive Disorders 525
Alzheimer's Disease 526
Vascular Disease (Stroke) 528
Traumatic Brain Injury (TBI) 532
Substance/Medication-Induced Neurocognitive Disorder 534
HIV-Associated Neurocognitive Disorder (HAND) 534
Prion Diseases 535
Interim Summary 15.1 539
Neurocognitive Disorders Due to Other Medical Conditions 540
Brain Tumors 540
Infections 543
Epilepsy 545
Multiple Sclerosis 548
Migraine 549

Copyright 2019 Cengage Learning. All Rights Reserved. May not be copied, scanned, or duplicated, In whole or in part. WCN 02-200-202

Copyright 2019 Ccngagc Learning. All Rights Reserved. May not be copied, scanned, or duplicated, in whole or in part. Due to electronic rights, some third party content may be suppressed from the cBook andfor cChaptcr(s).
Editorial review has deemed that any suppressed contentdocs not materially affect the overall learning experience. Ccngagc Leaming reserves lhc right 10 remove additionaJ contcnl at any time if subsequent rights restrictions require ii.
Contents xvii

Recovery and Treatment in Neurocognitive Disorders 550


Plasticity and Recovery 550
Cognitive Reserve 551
Rehabilitation for Neurocognitive Disorders 552
Interim Summary 1 5.2 553
Chapter Review • Thought Questions • Key Terms 554

BEHAVIORAL NEUROSCIENCE GOES TO WORK: Preparing to Be a Clinical


Neuropsychologist 525
THINKING ETHICALLY: Apoe E4 in Younger Adults 529
531
BUILDING BETTER HEALTH: Recognizing the Signs of a Stroke
CONNECTING TO RESEARCH: Stanley Prusiner and the Prion 537

What Does It Mean to Have a Mental Disorder? 556


Autism Spectrum Disorder (ASD) 558
Causes of ASD 559
Brain Structure and Function in ASD 560
Treatment of ASD 562
Attention Deficit Hyperactivity Disorder (ADHD) 563
Causes of ADHD 564
Brain Structure and Function in ADHD 564
Treatment of ADHD 565
Interim Summary 1 6. 1 566
Schizophrenia 566
Genetic Contributions to Schizophrenia 567
Environmental Influences on Schizophrenia 568
Brain Structure and Function in Schizophrenia 569
The Biochemistry of Schizophrenia 571
Treating Schizophrenia 572
Bipolar Disorder 574
Genetics and Bipolar Disorder 575
Brain Structure and Function in Bipolar Disorder 575
Biochemistry and Treatment of Bipolar Disorder 576
Major Depressive Disorder (MOD) 577
Genetic Contributions to MDD 577
Environmental Influences on MDD 578
Brain Structure and Function in MDD 578
Biochemistry of MDD 579
Treatment of MDD 580
Interim Summary 1 6.2 581
Anxiety Disorders 582
Obsessive-Compulsive Disorder (OCD) 583
Posttraumatic Stress Disorder (PTSD) 585
Brain Structure and Activity in P TSD 586
Biochemistry and Treatment of PTSD 587

Copyright 2019 Cengage Learning. All Rights Reserved. May not be copied, scanned, or duplicated, In whole or in part. WCN 02·200-202

Copyright 2019 Ccngagc Learning. All Rights Reserved. May not be copied, scanned, or duplicated, in whole or in part. Due to electronic rights, some third party content may be suppressed from the cBook andfor cChaptcr(s).
Editorial review has deemed that any suppressed content docs not materially affect the overall learning experience. Ccngagc Leaming reserves lhc right 10 remove additionaJ contcnl at any time if subsequent rights restrictions require ii.
xviii Contents

Antisocial Personality Disorder (ASPD) 587


Genetics and ASPD 587
Brain Structure and Function in ASPD 588
Treatment of ASPD 589
Interim Summary 16.3 590
Chapter Review• Thought Questions• Key Terms 590

CONNECTING TO RESEARCH: Genetic Overlap in Five Disorders 557


BUILDING BETTER HEALTH: The Gut Microbiota and Mental Disorders 557
BEHAVIORAL NEUROSCIENCE GOES TO WORK: Applied Behavior Analysis 563
THINKING ETHICALLY: Are Psychopaths Responsible for their Behavior? 589

Reference R- 1
Name Index I- 1
Subject Index/Glossary I- 12

Copyright 2019 Cengage Learning. All Rights Reserved. May not be copied, scanned, or duplicated, In whole or in part. WCN 02·200-202

Copyright 2019 Ccngagc Learning. All Rights Reserved. May not be copied, scanned, or duplicated, in whole or in part. Due to electronic rights, some third party content may be suppressed from the cBook andfor cChaptcr(s).
Editorial review has deemed that any suppressed content docs not materially affect the overall learning experience. Ccngagc Leaming reserves lhc right 10 remove additionaJ contcnl at any time if subsequent rights restrictions require ii.
Another random document with
no related content on Scribd:
— Ei, ei lainkaan, pikemmin päinvastoin, mutta emme nyt niistä
puhu, johan minä — — —

— Vallanko nyt niin, eihän tuo niin "vaarallista" liene?

— Eihän se vaarallista lainkaan. Minä näet harrastin kokonaan


toista taiteenhaaraa, maalausta, josta ei sitten tullut kuitenkaan
mitään.

— Rajoittui vain koulun piirustusopetukseen?

— Pääasiallisesti siihen. Hiukan sitä myös käytteli värejä


ominpäinsä, mutta eihän tuloksettomasta työstä kannata puhua.

Olimme ihan samaa mieltä, varsinkin kun tahdoimme päästä taas


käsiksi näyttämötaiteeseen. Tiedustelimme senvuoksi taiteilijattaren
ensimmäistä näyttämöllistä esitystä ja sen tekemää vaikutusta
häneen.

Eräässä tuttavaperheessä lapset olivat keskenään leikkineet ja


näytelleet, ruotsinkielellä, Z. Topeliuksen pienen kappaleen "Ole
armelias köyhille", jossa taiteilijattaremme 15-vuotiaana oli esittänyt
Brita muorin osan. Hauskaahan se etupäässä oli ollut, mutta kovin
vakavasti se oli otettu, täydellisellä hartaudella ja antaumuksella
esitettiin esitettävä.

— Ei siis tämä johtanut ajatusta teatteriin, synnyttänyt edes


hämärää aavistusta tulevasta toimialasta?

— Eipä tietenkään, koska vuotta myöhemmin koulusta erottuani


rupesin erään suuren tamperelaisen liikkeen kassanhoitajattareksi ja
siinä toimessa sitten pysyin kaksi vuotta.
— Entäs sitten kahden vuoden kuluttua?

— Läksin silloin teatteriin.

— Ajatus siis kypsyi kassanhoitajattarena.

— Silloinpa tietenkin.

— Esiinnyittekö Tampereella missään seuranäytelmässä?

— Esiinnyin, kuten nuoret ihmiset yleensä esiintyvät heitä sellaisiin


tilaisuuksiin avustamaan pyydettäessä. Ensimmäinen osani tältä
ajalta oli Alman osa kappaleessa "Tätä nykyä." Tekijän salanimeä en
muista, mutta älkää kirjoituksessanne mainitko kuulemaanne oikeata
nimeä, sillä en tiedä lainkaan, haluaako hän esiintyä julkisuudessa.
Suomalainen teatteri kyllä esitti näytelmän aikoinaan, ja on se
painettuna kirjanakin ilmestynyt. Nämä esiintymiset eivät suinkaan
vaikuttaneet ratkaisevasti uranvaihdokseeni, päätös siitä kypsyi
hiljalleen ensimmäisen siellä viettämäni vuoden kuluessa, ja
luultavasti ikävän ja työalaani kyllästymisen aiheuttamana.
Seitsentoistavuotiaana kirjoitin sitten äidilleni, että ehdottomasti tulen
pyrkimään teatteriin ja että minua on turha kieltää siitä, sillä kaikesta
huolimatta lähden kumminkin.

— Halu oli siis järkähtämätön ja vakava joka tapauksessa.

— Siitäpä se näyttää.

— Niin, siitä ja sen syistähän emme tosiaankaan puhu.


Kyselisimme kuitenkin unelmistanne ja odotuksistanne tälle uudelle
uralle astuessanne, tiedustelisimme noin vain ohimennen,
sivuuttaaksemme tuon arkaluontoisen syntyjen syvien tutkimisen.
— Kahdeksantoistavuotiaan unelmathan ovat aina loistavat ja
valoisat ja korkealle sitä tietysti taiteensa asetti, korkeammalle
kaikkea muuta maallista. Muistan hyvin, kuinka syvästi säälin
jokaista ihmistä, joka vain puhui tavallisista arkiasioista; ne raukat
eivät mitään tiedä oikeasta, todellisesta elämästä, mietiskelin
mielessäni. Nyt myöhemmin on sitten kyllä itsekin saanut paljon
arkiasioita aprikoida, ja hyvinhän sitä siihenkin perehtyy ja tottuu.

— Oliko polkunne tällä uudella uralla sitten aivan ohdakkeeton?


uskalsimme kysäistä.

— Eipä suinkaan, toista oli silloin kuin nykyään. Nykyisellä


nuorella polvella on ihan liian hyvät päivät. Teatterikoulussa saadaan
valmis näyttämötottumus ja tekotapa, ei tarvitse paljon itse
ponnistella, vähälahjaisimmatkin voivat jo heti alussa esiintyä
jonkinlaisella valmiudella ja suoriutua tehtävistään melkoisella
menestyksellä. Me saimme väliin vuosikaudet olla statisteina ja
vuorotellen hoitaa kuiskaajan tointa. Kuiskaajana oli kurjinta. Halu
paloi näyttämölle, mutta kohtalo viskasi näyttämön alle. Muistan
hyvin, kuinka kerran Turussa vierailtaessa näyteltiin "Kylän heittiö"
nimistä laulukappaletta. Minulla oli tässä ilossa kuiskaajan onneton
osa. Joku edellinen uhri, joka nyt luultavasti liikkui jo lavalla, oli
piirtänyt suorin kirjaimin luukun eteen sanat: Sufflera, din fan
(Kuiskaa, senkin piru)! Tämä tietysti ärsytti yhä enemmän jo
ennestään ärtynyttä mieltä, ja laulukohtauksien aikana painuin aina
kuiskaajan koppiin ja itkin kiukusta ja katkeruudesta. Varsinaisia
vastuksia minulla ei kuitenkaan ollut, ei suuria suruja eikä
pettymyksiä, olivathan kaikki muutkin ennen saaneet samaa kokea
kuin minäkin, ei siis mitään valittamista. Ja siitä huolimatta oli koko
teatterissaoloni minulle kuin uhkaava, pakottava ruoska.
— Mistä se sitten johtui?

— Siitä ankarasta kunnioituksesta työtä kohtaan, jonka minulle


antoi neiti Avellan, joka sattui joutumaan opettajakseni. Siihen
aikaan sai kukin vanhempi näyttelijä jonkun vasta-alkajan
opastettavakseen, ja minä jouduin nauttimaan, osaksi hyvien
tuttavienkin toimesta, neiti Avellanin nerokasta ja sytyttävää
ohjausta. Häntä saan kaikesta kiittää. Ensinnäkin jo ehkä teatteriin
pääsystäni. Tohtori Bergbom ei näet kiinnittänyt mitään erikoista
huomiota minuun, mutta neiti Avellan uhkasi, että ei lukisi kenenkään
alottelevan kanssa vastaisuudessa, ellei "Finneä oteta teatteriin". Ja
sitten on hänen ansiotaan koko se kunnioitus taidetta ja vakavaa
työskentelyä kohtaan, mikä minussa mahdollisesti on ollut ja vieläkin
on.

— Tämä mainitsemanne neiti Avellanin lausuntoko aiheutti sitten


pääsynne vakinaiseksi näyttelijäksi?

— Ehkäpä välillisesti, mutta oikeastaan sen aiheutti suoranainen


sattuma. Muistattehan Molièren "Luulosairaassa" pienen Louison
nimisen tytön, joka m.m. saa vitsaa isältään? No niin, minun
tehtävänäni oli harjoittaa siihen osaan pieni kansakoulutyttö, joka
oppikin sen hyvin, mutta oli niin kaino, että ei saanut sanaakaan
suustaan ratkaisevana hetkenä. Harmistuneena toht. Bergbom
määräsi minut näyttelemään oppilaani osaa, ja siinä onnistuinkin niin
hyvin, että sain muitta mutkitta näyttelijävälikirjan, tarvitsematta
antaa koenäytäntöä johtokunnalle. Tämä tapahtui kevättalvella 1886,
siis oltuani jo kokonaisen vuoden teatterin palveluksessa.

— Silloinko esiinnyitte ensi kerran vakinaisen teatterin lavalla?


— En, olin jo hiukan aikaisemmin näytellyt Sinipiikaa "Kullervossa"
Kivi-juhlassa tammikuun 1 päivänä 1886. Se oli samalla minulle
suuri ilonpäivä, sillä silloin oli nimeni ensi kerran painettu ohjelmaan.

Kysyimme sitten taiteilijattaren ensimmäistä suurta iloa taiteellisen


voiton ja menestyksen johdosta.

Se oli tapahtunut hänen esittäessään Boriskan osaa samassa


"Kylän heittiössä", jonka kappaleen kuiskaajana hän kerran Turussa
oli niin katkerasti itkenyt.

Kaarle Halme.

— Aiotte siis lopettaa sarjanne ja tehdä minusta viimeisen miehen,


virkkoi Kaarle Halme häneltä haastattelua pyytäessämme. Kiitos
vain kunniasta! Mutta olettehan jo haastatellut niin monta suuruutta,
että mitäs tällaisista pojista…

— Poika kuin poika — ja mitäs turhista masentua, voihan sitä


miehestä vastaisuudessa vielä suuruuskin sukeutua, kuten kaikista
muistakin… Ensimmäiset tulevat viimeisiksi ja viimeiset
ensimmäisiksi… Mutta tosissa puhuen olen valinnut juuri teidät
viimeiseksi senvuoksi, että voisin lopettaa sarjan johonkin
suurempaan, merkitsevämpään pisteeseen, jollaisella sen
alotinkin…

— Minunko siis pitäisi ruveta menneitä miettimään; sehän on kuin


testamentin tekoa, kuolemaa. Olen niin keskellä työtäni, näen kaiken
vielä niin edessäni, etten tiedä mennyttä olleeksi, en mitään tähän
saakka tapahtuneeksi.

— Ja kuitenkin on niin paljon tapahtunut.

— Mitä vielä. Kaikki kävi kuin itsestään, 23-vuotiaana menin


Suomalaiseen teatteriin…

— Miten sinne jouduitte?

— Menin vain, kuten jo sanoin. Olin siihen aikaan Turun


lääninhallituksessa, jossa sain toimen v. 1883. Teatteri vieraili
kaupungissa syksyllä 1887, minä menin tarjolle ja kelpasin.

— Muitta mutkittako?

— Täytyi tietysti ensin esiintyä Turussa ja antaa vielä koenäytäntö


johtokunnalle Helsingissä, sitten oli kaikki sitä myöten valmista.

— Missä kappaleessa ensin esiinnyitte Turussa?

— Näyttelin Marokon prinssin osan Shakespearen Venezian


kauppiaassa, Portian erään kosijan. Katsomossa istuivat kaikki
virkatoverini virnistellen, mikä minua hermostutti niin, että
ratkaisevassa silmänräpäyksessä unohdin koko osani. Kuiskaaja
pani parastaan. Portia, rouva Rautio, koetti hänkin supattaa jotakin
minulle, mutta mikään ei auttanut, ennenkuin ennätin rauhoittua ja
itse muistaa vuorosanani. No niin, otin sitten viransijaisen kahdeksi
viikoksi, lääninsihteeri Rydman, jonka täydellisessä suosiossa olin,
antoi minulle oikeuden olla poissa kokonaista 2 vuotta paikkaani
menettämättä, ja suori minut matkalle Helsinkiin, vaikka ei erittäin
kehottanut teatteriin liittymään, mutta ei tahtonut estääkään.
— No, sille Helsinginmatkalle jäitte?

— Sille jäin, aluksi 100 markan kuukausipalkalla, joka ei vieläkään


niin ruhtinaallinen ole. Silloisista virkatovereistani istuu usea nyt
20000 vuosituloilla, jotka kai minullakin olisi, ellen olisi antautunut
tuolle epäkiitolliselle taiteilijauralle. Olinhan jo nuoruudestani
huolimatta ollut Liedon nimismiehen sijaisena; alku oli siis hyvä.

—. Minkä osan esititte sitten johtokunnalle Helsingissä?

— Daniel Hjortin. Heti esityksen päätyttyä nousi Jaakko Forsman


paikaltaan, muutoin vanha kotipitäjäläinen, Hämeenkyrön poika, ja
lausui: "Tervetuloa Helsinkiin!" Tiesin sen kohtaloni ratkaisuksi, ja
heti sitten sainkin välikirjan.

— Olitte tietysti näytellyt jo usein ennen teatteriin liittymistänne.


Minkä ikäisenä ja missä osassa ensi kerran eläissänne esiinnyitte?

— Hämeenkyrössä esiinnyin ensi kerran ja olin silloin


kymmenvuotias. Joku vanhempi koulupoika oli kirjoittanut Saul
nimisen kappaleen, jonka sai myös pitäjäläisten suureksi
ihastukseksi lavalle, ja pisti sievät rahat taskuunsa. Tässä
kappaleessa näyttelin Davidin osan. Muistan, että minulla oli m.m.
pitkä yksinpuhelu, jonka tahdoin piirtää hiilellä esiripun yläosaan,
mukavuutta rakastava kun olen aina vähin ollut, mutta siihen eivät
muut suostuneet.

— Tästäkö sitten teatteri-intonne alkoi, vai oliko se jo ennenkin


ilmennyt?

— Ei ennen, eikä tästäkään. Pääharrastuksenani oli


kirjoitteleminen, joka ei vieläkään ole sammunut, kuten tiedätte.
Turunkin sanomalehtien alakertoja täyttelin novelleilla, joista ei
maksettu paljon mitään.

— Harrastitte näyttämötaidetta tietysti Turussakin?

— Harrastinpa tietystikin, ja ihan teatterin ohjaajana. Nämä puuhat


saivat alkunsa siten, että muuan Vankka niminen toveri oli
puutteessa ja hänen hyväkseen panimme toimeen pienet
näyttäjäiset. Useita muitakin köyhiä tovereita autettiin siten. Niin,
ensi talvenahan vietän teatterinjohtajajuhlaani, jolloin näyttämölle
asettamieni ja ohjaamieni kappaleiden luku nousee sataan, Turun
näytännöt niihin luettuina.

— Kyselisin vielä ensimmäisiä näyttämötaiteellisia


menestyksiänne ja voittojanne.

— Ensimmäinen suurempi merkkitapaus taiteessani oli tohtori


Rellingin osa Ibsenin Villisorsassa. Silloin aloin hallita tekotapaani ja
järkiperäisesti eritellä osiani. Toinen voittoni oli Ahman osa Santeri
Ivalon Juho Vesaisessa, jolloin liitin pysyväisesti ohjelmistooni
kotimaisten aiheitten esittämisen. Kenraalikuvernööri Mörnerin osa
Arvid Järnefeltin Samuel Croëlissa merkitsi sitten viimein valmiutta
taiteessani. Sitä esitystä oli muun muassa katsomassa kirjailija
Birger Mörner, joka näytännön jälkeen tuli kiittämään minua siitä, että
oli saanut nähdä sukunsa kantaisää niin hienosti ja sielukkaasti
esitettävän. — Ja nyt kai pääsen rauhaan tärkeimmät tiedot
saatuanne? lopetti taiteilija.

Mikä kumartaen myönnettiin.


*** END OF THE PROJECT GUTENBERG EBOOK SUOMALAISIA
NÄYTTELIJÖITÄ ***

Updated editions will replace the previous one—the old editions will
be renamed.

Creating the works from print editions not protected by U.S.


copyright law means that no one owns a United States copyright in
these works, so the Foundation (and you!) can copy and distribute it
in the United States without permission and without paying copyright
royalties. Special rules, set forth in the General Terms of Use part of
this license, apply to copying and distributing Project Gutenberg™
electronic works to protect the PROJECT GUTENBERG™ concept
and trademark. Project Gutenberg is a registered trademark, and
may not be used if you charge for an eBook, except by following the
terms of the trademark license, including paying royalties for use of
the Project Gutenberg trademark. If you do not charge anything for
copies of this eBook, complying with the trademark license is very
easy. You may use this eBook for nearly any purpose such as
creation of derivative works, reports, performances and research.
Project Gutenberg eBooks may be modified and printed and given
away—you may do practically ANYTHING in the United States with
eBooks not protected by U.S. copyright law. Redistribution is subject
to the trademark license, especially commercial redistribution.

START: FULL LICENSE


THE FULL PROJECT GUTENBERG LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg™ mission of promoting the free


distribution of electronic works, by using or distributing this work (or
any other work associated in any way with the phrase “Project
Gutenberg”), you agree to comply with all the terms of the Full
Project Gutenberg™ License available with this file or online at
www.gutenberg.org/license.

Section 1. General Terms of Use and


Redistributing Project Gutenberg™
electronic works
1.A. By reading or using any part of this Project Gutenberg™
electronic work, you indicate that you have read, understand, agree
to and accept all the terms of this license and intellectual property
(trademark/copyright) agreement. If you do not agree to abide by all
the terms of this agreement, you must cease using and return or
destroy all copies of Project Gutenberg™ electronic works in your
possession. If you paid a fee for obtaining a copy of or access to a
Project Gutenberg™ electronic work and you do not agree to be
bound by the terms of this agreement, you may obtain a refund from
the person or entity to whom you paid the fee as set forth in
paragraph 1.E.8.

1.B. “Project Gutenberg” is a registered trademark. It may only be


used on or associated in any way with an electronic work by people
who agree to be bound by the terms of this agreement. There are a
few things that you can do with most Project Gutenberg™ electronic
works even without complying with the full terms of this agreement.
See paragraph 1.C below. There are a lot of things you can do with
Project Gutenberg™ electronic works if you follow the terms of this
agreement and help preserve free future access to Project
Gutenberg™ electronic works. See paragraph 1.E below.
1.C. The Project Gutenberg Literary Archive Foundation (“the
Foundation” or PGLAF), owns a compilation copyright in the
collection of Project Gutenberg™ electronic works. Nearly all the
individual works in the collection are in the public domain in the
United States. If an individual work is unprotected by copyright law in
the United States and you are located in the United States, we do
not claim a right to prevent you from copying, distributing,
performing, displaying or creating derivative works based on the
work as long as all references to Project Gutenberg are removed. Of
course, we hope that you will support the Project Gutenberg™
mission of promoting free access to electronic works by freely
sharing Project Gutenberg™ works in compliance with the terms of
this agreement for keeping the Project Gutenberg™ name
associated with the work. You can easily comply with the terms of
this agreement by keeping this work in the same format with its
attached full Project Gutenberg™ License when you share it without
charge with others.

1.D. The copyright laws of the place where you are located also
govern what you can do with this work. Copyright laws in most
countries are in a constant state of change. If you are outside the
United States, check the laws of your country in addition to the terms
of this agreement before downloading, copying, displaying,
performing, distributing or creating derivative works based on this
work or any other Project Gutenberg™ work. The Foundation makes
no representations concerning the copyright status of any work in
any country other than the United States.

1.E. Unless you have removed all references to Project Gutenberg:

1.E.1. The following sentence, with active links to, or other


immediate access to, the full Project Gutenberg™ License must
appear prominently whenever any copy of a Project Gutenberg™
work (any work on which the phrase “Project Gutenberg” appears, or
with which the phrase “Project Gutenberg” is associated) is
accessed, displayed, performed, viewed, copied or distributed:
This eBook is for the use of anyone anywhere in the United
States and most other parts of the world at no cost and with
almost no restrictions whatsoever. You may copy it, give it away
or re-use it under the terms of the Project Gutenberg License
included with this eBook or online at www.gutenberg.org. If you
are not located in the United States, you will have to check the
laws of the country where you are located before using this
eBook.

1.E.2. If an individual Project Gutenberg™ electronic work is derived


from texts not protected by U.S. copyright law (does not contain a
notice indicating that it is posted with permission of the copyright
holder), the work can be copied and distributed to anyone in the
United States without paying any fees or charges. If you are
redistributing or providing access to a work with the phrase “Project
Gutenberg” associated with or appearing on the work, you must
comply either with the requirements of paragraphs 1.E.1 through
1.E.7 or obtain permission for the use of the work and the Project
Gutenberg™ trademark as set forth in paragraphs 1.E.8 or 1.E.9.

1.E.3. If an individual Project Gutenberg™ electronic work is posted


with the permission of the copyright holder, your use and distribution
must comply with both paragraphs 1.E.1 through 1.E.7 and any
additional terms imposed by the copyright holder. Additional terms
will be linked to the Project Gutenberg™ License for all works posted
with the permission of the copyright holder found at the beginning of
this work.

1.E.4. Do not unlink or detach or remove the full Project


Gutenberg™ License terms from this work, or any files containing a
part of this work or any other work associated with Project
Gutenberg™.

1.E.5. Do not copy, display, perform, distribute or redistribute this


electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1.E.1 with
active links or immediate access to the full terms of the Project
Gutenberg™ License.
1.E.6. You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form,
including any word processing or hypertext form. However, if you
provide access to or distribute copies of a Project Gutenberg™ work
in a format other than “Plain Vanilla ASCII” or other format used in
the official version posted on the official Project Gutenberg™ website
(www.gutenberg.org), you must, at no additional cost, fee or expense
to the user, provide a copy, a means of exporting a copy, or a means
of obtaining a copy upon request, of the work in its original “Plain
Vanilla ASCII” or other form. Any alternate format must include the
full Project Gutenberg™ License as specified in paragraph 1.E.1.

1.E.7. Do not charge a fee for access to, viewing, displaying,


performing, copying or distributing any Project Gutenberg™ works
unless you comply with paragraph 1.E.8 or 1.E.9.

1.E.8. You may charge a reasonable fee for copies of or providing


access to or distributing Project Gutenberg™ electronic works
provided that:

• You pay a royalty fee of 20% of the gross profits you derive from
the use of Project Gutenberg™ works calculated using the
method you already use to calculate your applicable taxes. The
fee is owed to the owner of the Project Gutenberg™ trademark,
but he has agreed to donate royalties under this paragraph to
the Project Gutenberg Literary Archive Foundation. Royalty
payments must be paid within 60 days following each date on
which you prepare (or are legally required to prepare) your
periodic tax returns. Royalty payments should be clearly marked
as such and sent to the Project Gutenberg Literary Archive
Foundation at the address specified in Section 4, “Information
about donations to the Project Gutenberg Literary Archive
Foundation.”

• You provide a full refund of any money paid by a user who


notifies you in writing (or by e-mail) within 30 days of receipt that
s/he does not agree to the terms of the full Project Gutenberg™
License. You must require such a user to return or destroy all
copies of the works possessed in a physical medium and
discontinue all use of and all access to other copies of Project
Gutenberg™ works.

• You provide, in accordance with paragraph 1.F.3, a full refund of


any money paid for a work or a replacement copy, if a defect in
the electronic work is discovered and reported to you within 90
days of receipt of the work.

• You comply with all other terms of this agreement for free
distribution of Project Gutenberg™ works.

1.E.9. If you wish to charge a fee or distribute a Project Gutenberg™


electronic work or group of works on different terms than are set
forth in this agreement, you must obtain permission in writing from
the Project Gutenberg Literary Archive Foundation, the manager of
the Project Gutenberg™ trademark. Contact the Foundation as set
forth in Section 3 below.

1.F.

1.F.1. Project Gutenberg volunteers and employees expend


considerable effort to identify, do copyright research on, transcribe
and proofread works not protected by U.S. copyright law in creating
the Project Gutenberg™ collection. Despite these efforts, Project
Gutenberg™ electronic works, and the medium on which they may
be stored, may contain “Defects,” such as, but not limited to,
incomplete, inaccurate or corrupt data, transcription errors, a
copyright or other intellectual property infringement, a defective or
damaged disk or other medium, a computer virus, or computer
codes that damage or cannot be read by your equipment.

1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except


for the “Right of Replacement or Refund” described in paragraph
1.F.3, the Project Gutenberg Literary Archive Foundation, the owner
of the Project Gutenberg™ trademark, and any other party
distributing a Project Gutenberg™ electronic work under this
agreement, disclaim all liability to you for damages, costs and
expenses, including legal fees. YOU AGREE THAT YOU HAVE NO
REMEDIES FOR NEGLIGENCE, STRICT LIABILITY, BREACH OF
WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE
FOUNDATION, THE TRADEMARK OWNER, AND ANY
DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE LIABLE
TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL,
PUNITIVE OR INCIDENTAL DAMAGES EVEN IF YOU GIVE
NOTICE OF THE POSSIBILITY OF SUCH DAMAGE.

1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you


discover a defect in this electronic work within 90 days of receiving it,
you can receive a refund of the money (if any) you paid for it by
sending a written explanation to the person you received the work
from. If you received the work on a physical medium, you must
return the medium with your written explanation. The person or entity
that provided you with the defective work may elect to provide a
replacement copy in lieu of a refund. If you received the work
electronically, the person or entity providing it to you may choose to
give you a second opportunity to receive the work electronically in
lieu of a refund. If the second copy is also defective, you may
demand a refund in writing without further opportunities to fix the
problem.

1.F.4. Except for the limited right of replacement or refund set forth in
paragraph 1.F.3, this work is provided to you ‘AS-IS’, WITH NO
OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED,
INCLUDING BUT NOT LIMITED TO WARRANTIES OF
MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.

1.F.5. Some states do not allow disclaimers of certain implied


warranties or the exclusion or limitation of certain types of damages.
If any disclaimer or limitation set forth in this agreement violates the
law of the state applicable to this agreement, the agreement shall be
interpreted to make the maximum disclaimer or limitation permitted
by the applicable state law. The invalidity or unenforceability of any
provision of this agreement shall not void the remaining provisions.

1.F.6. INDEMNITY - You agree to indemnify and hold the


Foundation, the trademark owner, any agent or employee of the
Foundation, anyone providing copies of Project Gutenberg™
electronic works in accordance with this agreement, and any
volunteers associated with the production, promotion and distribution
of Project Gutenberg™ electronic works, harmless from all liability,
costs and expenses, including legal fees, that arise directly or
indirectly from any of the following which you do or cause to occur:
(a) distribution of this or any Project Gutenberg™ work, (b)
alteration, modification, or additions or deletions to any Project
Gutenberg™ work, and (c) any Defect you cause.

Section 2. Information about the Mission of


Project Gutenberg™
Project Gutenberg™ is synonymous with the free distribution of
electronic works in formats readable by the widest variety of
computers including obsolete, old, middle-aged and new computers.
It exists because of the efforts of hundreds of volunteers and
donations from people in all walks of life.

Volunteers and financial support to provide volunteers with the


assistance they need are critical to reaching Project Gutenberg™’s
goals and ensuring that the Project Gutenberg™ collection will
remain freely available for generations to come. In 2001, the Project
Gutenberg Literary Archive Foundation was created to provide a
secure and permanent future for Project Gutenberg™ and future
generations. To learn more about the Project Gutenberg Literary
Archive Foundation and how your efforts and donations can help,
see Sections 3 and 4 and the Foundation information page at
www.gutenberg.org.
Section 3. Information about the Project
Gutenberg Literary Archive Foundation
The Project Gutenberg Literary Archive Foundation is a non-profit
501(c)(3) educational corporation organized under the laws of the
state of Mississippi and granted tax exempt status by the Internal
Revenue Service. The Foundation’s EIN or federal tax identification
number is 64-6221541. Contributions to the Project Gutenberg
Literary Archive Foundation are tax deductible to the full extent
permitted by U.S. federal laws and your state’s laws.

The Foundation’s business office is located at 809 North 1500 West,


Salt Lake City, UT 84116, (801) 596-1887. Email contact links and up
to date contact information can be found at the Foundation’s website
and official page at www.gutenberg.org/contact

Section 4. Information about Donations to


the Project Gutenberg Literary Archive
Foundation
Project Gutenberg™ depends upon and cannot survive without
widespread public support and donations to carry out its mission of
increasing the number of public domain and licensed works that can
be freely distributed in machine-readable form accessible by the
widest array of equipment including outdated equipment. Many small
donations ($1 to $5,000) are particularly important to maintaining tax
exempt status with the IRS.

The Foundation is committed to complying with the laws regulating


charities and charitable donations in all 50 states of the United
States. Compliance requirements are not uniform and it takes a
considerable effort, much paperwork and many fees to meet and
keep up with these requirements. We do not solicit donations in
locations where we have not received written confirmation of
compliance. To SEND DONATIONS or determine the status of
compliance for any particular state visit www.gutenberg.org/donate.

While we cannot and do not solicit contributions from states where


we have not met the solicitation requirements, we know of no
prohibition against accepting unsolicited donations from donors in
such states who approach us with offers to donate.

International donations are gratefully accepted, but we cannot make


any statements concerning tax treatment of donations received from
outside the United States. U.S. laws alone swamp our small staff.

Please check the Project Gutenberg web pages for current donation
methods and addresses. Donations are accepted in a number of
other ways including checks, online payments and credit card
donations. To donate, please visit: www.gutenberg.org/donate.

Section 5. General Information About Project


Gutenberg™ electronic works
Professor Michael S. Hart was the originator of the Project
Gutenberg™ concept of a library of electronic works that could be
freely shared with anyone. For forty years, he produced and
distributed Project Gutenberg™ eBooks with only a loose network of
volunteer support.

Project Gutenberg™ eBooks are often created from several printed


editions, all of which are confirmed as not protected by copyright in
the U.S. unless a copyright notice is included. Thus, we do not
necessarily keep eBooks in compliance with any particular paper
edition.

Most people start at our website which has the main PG search
facility: www.gutenberg.org.

This website includes information about Project Gutenberg™,


including how to make donations to the Project Gutenberg Literary
Archive Foundation, how to help produce our new eBooks, and how
to subscribe to our email newsletter to hear about new eBooks.

You might also like