Professional Documents
Culture Documents
Origin of Lath
Origin of Lath
Origin of Lath
1 32
by Hobert S. Woodbury
achine tools lie at the heart of being rotated between two fixed mem work alone, using one hand to pull the
·133
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I N DE X --7'=----,
PLATE
GEAR BOX
(48 SPEEDS)
FROM SPINDLE
COMPOUND GEARS
/
LEAD SCREW AND DRIVE SHAFT
ANATOMY OF THE LATHE shows the location of the principal between the headstock and tailstock. The compound rest, a devel·
parts and mechanisms discussed in the text. The workpiece is held opment of the simple slide rest, holds the cutting tool and, in mod·
134
{j.
TOOL HOLDER tilb... COMPOUND REST TOP BLOCK
L
TOOL � ;;: Ri
POST
ern lathes, is equipped with means for feeding the tool into the the workpiece from bending under the pressure of the tool. The
workpiece. The steady rest, a development of the back rest, keeps lead screw provides the means for cutting threads in the workpiece.
135
not seen previously [see top illustration and was mounted between two bear In another sketch Leonardo showed a
011 opposite page], but whether or not his ings-the first time this arrangement had screw· cutting machine (not strictlv a
innovations were embodied in the ma been seen. A fly\Vheel, supported by an lathe), in which he provided "change
chines of his day is not known. Leonardo additional bearing, kept the work turn· gears" to cut threads of various pitches.
showed one lathe driven by a treadle ing smoothly. Finally, to hold \Vork· This was a significant advance over the
acting on a crankshaft. The crankshaft pieces of various lengths, Leonardo in· screw·cutting lathe of 1480.
was attached directly to the lathe spindle troduced an adjustable tailstock spindle. After Leonardo, lathe designers turned
SCREW·CUTTING LATHE OF 1480 was depicted in the Mittel· (detllil lit ri.ghtl, which today would be called a slide rest. The
alterlichen HlIusbuch. For the first time control of the cutting tool rest was held in a longitudinal guideway. The workpiece was
was taken from the skilled worker and put in a mechanical device moved below, and past, the cutting tool by means of a hand crank.
136
automatic lathe, that is, a lathe in which design. The lathe at left has a treadle, a crankshaft and a large flywheel. The tailstock
spindle Can he adjusted by a hand crank. The devi('e at right is a s('rew-cutting machine (not
the performance did not depend on the
strictly a lathe), which has a set of change gears for cutting threads of various pitches.
operator's skill but was built into the
machine itself.
137
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"ROSE ENGINE" of 1771 was a specialized lathe for cutting rose pewter. A dose-up of the compound slide rest is shown at the hot
like and other ornamental designs in wood or soft metals such as tom right, with an "exploded" view of its parts directly above.
IRON-CUTTING LATHE OF 1701 was designed by Charles The cutting tool was supported by a heavy rest (L). Power was
Plumier. The lathe was ruggedly built and had adjustable stocks. supplied by a large wheel (/lot shown) turned by two laborers.
138
faces, being sloped, easily shed dirt and Conservatoire National des Arts et Metiers in Paris. The heavy framework of solidly
bolted bars provided great rigidity. The lathe could take a workpiece a meter in length.
chips. Guideways with these sloping
surfaces are said to be prismatic and
have been widely used in machine tools
ever since.
Vaucanson's lathe must have been
rather inconvenient to use. The apparent
limitations in the workpiece drive mech
anism and the use of brass instead of
iron in the carriage must have sharply
limited the rate of metal removal. It
shows quite clearly, nevertheless, that
French designers were at least a gener
ation ahead of English lathe builders in
producing a lathe capable of precision
machining on parts of industrial size.
Also preserved in the Conservatoire
National is a remarkable screw-cutting
lathe built in 1795 by a machinist named
Senot r
[see lower illustration at ight J. It
includes such features as change gears
(for changing the pitch of the screws to
be cut), fixed and following back rests SCREW·CUTTING LATHE OF 1795, also in the Conservatoire National (which supplied
(to keep the workpiece from bending these two photographs), was built by a machinist named Senot. The lathe includes change
while being cut), a simple set-screw gears, fixed and following back rests and a set· screw chuck mounted on headstock spindle.
139
SCREW-CUTTING LATHE OF 1797 was built by the gifted Eng the age of 26. He devoted great effort to producing true guideways,
lish machinist Henry Maud,lay when he started his own shop at highly precise master screws and accurate, rugged bearings.
ANOTHER MAUDSLAY LATHE was this screw-cutting model iron bed supported on solid legs. The machine shown is relatively
built around 1800. The guideways are mounted on a separate cast· small, but it foreshadows the design of larger industrial lathes.
140
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gear, or pinion, mounted on a counter
shaft. The countershaft could be shifted
so as to engage the pinion with any one
of the three gears.
Beyond dispute Maudslav had put
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into one great svnthesis all th� elements
of the lathe that had gone before. And
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BEMBIX PRUINOSA, having prepared a nest in a sand dune, APHILANTHOPS LATICINCTUS, a highly evolved wasp, preys
approaches the nest carrying a flower fly with its middle legs. only on one species of harvester ant, which it carries on special.
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