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TheMaximsandReflectionsofGoethe_10114805
TheMaximsandReflectionsofGoethe_10114805
G O ETH E
TR A N SL A TE D B Y
B A I L EX t SPA U N D E iR S
’
)
’
WI TH A P R E FA C E '
New got h
I
T H E M A C M L L A N C O M P A NY
L O NDO N : MAC M ILLAN co .
, L TD .
1 9 06
A ll ri gh t s r e se r ve d
CO NT ENTS
TR A N S L A T C R
’
S P R EFA C E
L I FE A ND C R HA A C TE R
L I TE R A TU R E A ND AR T
S C I E NC E
NA T U R E A P H O RI S M S
IND E X
m i C C S QB
T RA NSL ATO R S P RE FA C E
’
T R A N S LA T O R S EREFQACE
’
0 9
3
! )
‘
f '
.
un d auf ih re Q l
ue l e n zu r fi c kge fii h r t von G v L oe p e r,
rli l i
. .
Be n, 1 8 70 . h
T is f o r s m t h e t e xt of t h e t r ans at on .
TRANSLATO R S PREFAC E ’
en deavour to explai n N I th i nk c an
. o one , ,
a e m e nt
g and
, st i ll more for help o f an alto
gether invaluable k i n d ; for in i t s measure o f
knowle dge and ski ll i t i s a d mittedly beyon d
,
TRANSLATO R S ’
PREFACE
, ,
twenty t of the
ou i hundred an d fif t y fi
s x -
ve
maxims Lit
on t now collecte d an d place d
e r a ur e ,
—
,
II
H aving thus ackno w ledged but in no way
discharge d a triple debt f grati tu de i t will be
o ,
value .
p osthumous .
Y o u m i ght he s u ggeste d
”
!
, fill the gaps ,
!
B e t r ae t ht u nge n i m S i nn e d e r Wa n d e r e r Ka nst ,
E t hi sc he s N a t u r
, The remain d er of the u n pub
.
quar t o e di t i on of 1 8 3 6 .
an
y other writer whatever , even tho u gh it be
Monta i gne or Bacon or S hakespeare ; an d say
i ngs of hi s not t o be foun d i n thi s c ollection
are some o f the b est that he uttere d .
g u id e d act i v i ty b
; ut great i s the m i sch i ef they
work where the m i n d i s weak disorgan ise d or .
suggesti o of to m rr
n -
o ow .
No amount or i ntens i ty o f e ff o rt wi l l al o ne p r o
d uce i t ; but to the mi n d o f genius i t comes l ike
a su dd en revelat i on flash i ng i ts l i ght o n a long
,
k i nd o f l i terature w i th wh i ch h e w as unfamili ar ,
i an i t y M e di aevalism —
, at o n e o r another time
,
It i s al most the la st fr u it o f th i s l i fe of c on
c e n t r at e d act i v i ty the fina l outcome of th i s
,
l
a n e o us recor d f the shrewdest observation ;
o
an d t rea d them
o they shoul d be rea d a f
as , ew
no t al l sh i ne w i th the l i ke b r i ll i ance S me . o
is ste dfasta .
34 TRANS L A TO R S
’
PREFACE
fu he says elsewhere 1
i n arresti ng an d
,
!
h i mself ”
. What Goethe means i s that we shal l
d o b est t o find out the truth o f all thi ngs f o r
ourselves for on one s ide truth i s i n di vid ual ;
,
1
Wil he l m M e i st er s Wa nde rjah r e ,
Bk . I . ch . 10 .
TRAN SL A TO R S’
PRE F ACE 35
—
worl d wh ile it orig i nal for h i m s i nce
w as ,
he di sc vere d i t f
o h imse l f an d or his on ow n
themselves are di fle r e n t .
to i t himself A r s e st hom o a d d i t u s n a t u r es
. .
ence h i s age ”
A n d again : F rom thi s time
.
!
an d acri mony .
, o , ,
fli t
c s within that un d ermi ne and destroy the
soul . Try to d o your d uty an d you will
!
,
activi ty In no w i se
! self o ur ow n , our ow n
he comman ds h i mself to d o ”
V oluntary d e .
!
Of i t .
C r e d o D e um.
’ that he remin d s us here
”
, is ,
!
!
condi ti one d c ertainty f o r whi c h as we h O pe
”
, , ,
!
have come o ur makers of literature When .
u d escrib e d
n .
f
or that thought an d for whatever i s character
i t i in the way f convey ing i t ; neither adding
s c o
translate d .
De c b em er 2 , 18 92 .
L I FE AND C HARAC T ER
60 M AXI MS A ND REFLEC TI O NS OF GOE THE
S
The longer I live the more it gri eves me t o
,
7
Tell me w i th wh om y ou asso c iate and I will ,
y
Ever m m us t think after h is ow n fashion ;
an
U nqual ified
activi ty Of whate ver , kind , leads
at last to bankrupt c y .
worth a t tention .
14
I S
General ideas and great c on c eit are always
in a fair way t o bring about terrible m is fortu ne .
1 6
I 7
1 8
I 9
It i s o nl y men o f p ractical ability k nowing
,
2 1
2 3
I must hol d i t for the greatest c alamity O f
o u r t i me which lets nothi ng come to maturity
, ,
to c i ty from k i ng d om to ki n n m an d at last
from o n e hemisp here to the other —all in post
, ,
haste .
2 4
—
debts t o p ay debts all these are the monstrous
elements t o wh i ch in these d ays a young man
i s exposed Well is it for h i m if he i s gi fted
.
d ete rm ine it .
2 5
But o n all s id es he i s threatened by the S pir i t
o f the day an d nothi ng i s more nee d ful than
,
2 7
2 8
A
man i s really al i ve o nly when he del ights
in the goo d wi ll of others .
35
36
hypocrites .
37
3 8
39
D efe c ts
are perce i ve d only by o n e w h o has
no l ove ; therefore to see them a man must
, ,
4 0
mistakes .
useful t o others .
4 2
44
46
47
48
49
le ge ni e d e l hu m
’ ’
‘
Le se n se c om m un e st ani t é
.
5 0
gence or by a cc ident .
72 M AXIMS A ND REFLEC TI O NS OF GO E THE
5 1
5 2
’
B ut as a rule a man s knowledge of whatever
, , ,
53
T h ere are two powers that mak e f or p ea c e
wh at is right and what i s fitting
, .
54
J usti c e insists o n obl igati on law o n decoru m
, .
law t o society .
55
The h isto ry o f knowledge is a great fugue in
which the voi c es o f the nations o ne after th e
other emerge .
74 M A X I M S AND RE FLE CTIONS O F GO E T HE
5 6
57
W ork makes c om p anionshi p .
5 8
59
It i s mu c h eas ier t o put y o u rself in th e
position O f a m i n d taken up with the most
absolute error than o f on e whi ch mirrors to
,
6c
everything .
68
We Sh ould
know on e another better i f on e
man were not so anxious t o p ut hi m self on an
equal i ty with another .
69
7 0
7 1
v y h
Not e er w ere where there is water , are
th ere frogs ; but wh ere you have frogs there ,
7 2
73
In the formation of spe c ies Nature gets as it ,
74
E very has something in hi nature whi c h
o ne s ,
si t y give off en c e .
75
7 6
trouble hi m .
7 8
79
80
H istory writing
-
is a way of getting rid Of
the past .
81
possess .
82
No t
eve r y o n e who has a pregnant thought
del ivere d to hi m becomes pro ductive it
probably makes h i m th i nk O f something w i th
whi ch he is quite famili ar .
L IFE A ND CHARA C TER 79
83
vu
Fa o r, as a s mbol y of sovereignty , is e xe r
c i se d by weak men .
84
85
86
87
88
9 0
S no w is false purity .
93
Whoso S hrinks from ideas en ds by having
noth ing but sensations .
94
Those from whom we are always learning
are r i ghtly called o u r masters ; but not every
o n e who teaches us d eserves this title .
95
It i s with y o u as with the se a : the most
vari e d names are given t o what i s in the end
only salt wa ter .
L IFE A ND C HARAC T ER 81
9 6
97
9 8
e t p r e ca r i o .
99
10 3
10 4
A
state o f things in which every day brings
some new trouble is not the ri ght o n e .
10
5
10 6
1 1 3
1 14
1 1
5
A ra i nbow whi ch lasts a quarter of an h our is
looke d at no more .
1 1 6
1 1 7
loan f fi
-
O wh i ch su ppl y i n di viduals i n their
c e s,
hi interest f
s hi mself
or .
1 1 8
1 19
1 2 2
1 2 3
Be c ause a man S peaks he thi nks he is able to ,
1 24
one s ju dgments
’
I see no faul t comm i tte d
.
1 2
5
The man who acts never has any cons c ien c e
no o n e has any conscience but the man wh o
thi nks .
1 2 6
mob !
1 2
7
S ome asked Timon about th e edu c ation
one
of L e t them
’
his children he said
. be , ,
I 2 8
12 9
B y force o f habi t we look at a clo ck th at
h as run d own as i f it were still going and we ,
0
1 3
ci i
H atred i s a t ve d spleasure , envy passive .
1 3 2
pe dantry .
I S3
Noone but the master can promote the c a use
of A rt P atrons help the mas ter
. that i s r ight ,
I 34
The most fool ish of all errors is for clever
young men to bel i eve that they forfeit the i r
ori gi nal i ty in re c ognising a tr uth whi c h h as
alrea dy been re cogn i sed by othe r s .
1 35
S cholars are generally mal ignant wh en they
are refuti n g o thers ; an d i f they th i nk a man i s
mak i ng a m istake they straightway look u pon
,
1 3 6
I 37
It is muc h easier to recognise error than to
fin d truth ; for error lies o n the surface an d may
be overcome ; but truth l i es in the d epths an d ,
1 3 8
are destroyed .
I
S9
We are no sooner about to learn some great
lesson than we take refuge in o u r o w n i nnate
p overty of soul an d yet for all that the lesson
,
14 0
14 1
14 2
I4 S
mu c h d etermination he is c ap able .
14 4
1 45
grateful .
I S3
We are all so l i m i te d that we always thi nk
we are ri ght ; an d so we may conce i ve Of an
extraordi nary m i n d whi ch n o t only errs but h as
a positi ve delight i n error .
S4 I
SS
I
1 5 6
S7 I
1 5 8
I S9
The imp ort u nity of yo u ng dilettanti m ust
94 MAXIMS A ND REFLEC TIO NS O F GO E THE
be b orne w ith goo d will ; for as they grow o l d
-
1 60
1 61
1 62
1 63
1 64
1 65
ph i he i
o s .
96 MAXIMS A ND R E FLEC TIO NS OF GO E THE
wrongl y and fall between two stools
, you w i n
no a dh erents an d lose y our fri en ds . What i s
to be the end O f it !
I 73
It is all on e whether yo u are o f high or Of
h umble origin Yo u will always have t o pay
.
for yo ur humanity .
I 74
o u s exclusive
, i n or der to fulfil i ts mission of
,
I 7S
1 7 6
I 77
1 7 8
I 79
Th e errors O f a man are wh at make h im
really lovable.
1 80
1 81
1 83
1 84
1 85
1 86
I
94
1 95
1
9 6
I 97
1 9 8
I 99
20 0
20 3
Ever ything
an abstra c t or sy mboli c nature
of ,
20 4
20 6
Error is
related to tru t h as sleep to waking .
2 14
2 1 5
M en s prejudi c es rest upon their
’
i
c h ar a z
te r
for the time be i ng and cann o t be overcome as ,
2 1 6
2 1 7
C ommon -
sense i s born p ure in the h ealthy
man is sel f d evelope d and is revealed by a
,
-
,
2 1 8
weak t oo little .
2 1
9
2 20
2 2 1
2 2 2
i t never changes .
af f e c t us : it is their aflai r .
108 MAXIMS A ND R E FL E CTIONS OF GO E THE
229
2 3 0
feelings .
2 3 1
2 3 2
2 33
2 34
2
35
2 3 6
o r to w o e i s a matte r of c han c e
, .
110 MAXIMS AND REFL EC TIONS OF GOE THE
2 37
2 3 8
2 39
i n dee d he w as ready
, m to a d it that life
pro d uces l i fe ; that a fruitful act has e ff ects
to all time H e too k pleasure i n c o nf essing
.
2 4 2
24 3
24 4
24 5
N0 on e c an
live mu ch with c h ildren without
finding th at the y always rea c t to an y o u tward
influen c e up on them .
1 14 MAXIMS A ND REFL E CTIO NS OF GOE THE
24 6
energetic .
2 4 7
24 8
2
54
W h at we c all c on d uct and good manners
Obtains for us that wh i ch other w i se is t o be
obtained only by for c e o r not e ven by force
, .
2 55
W omen s so c iety
’
is th e element Of good
manners .
2 5 6
2 57
It i s thr o ugh his goo d manners th at a man s ’
2
5 8
at n eed .
2 59
NO one more troublesome than an awk ward
is
civilian A s his bus i ness is not with an ything
.
delic a cy of feeling .
2 60
2 61
2 63
2 64
A man s manners
’
are th e mirror in whi ch h e
shows his portrait .
2 65
2 66
2 75 .
2 7 6
2 77
To a difficult thing lightly h an dled gi ves
se e
2 7 8
2 79
S owing is not so painful as reaping .
2 80
2 81
2 82
2 83
2 84
2 85
2 86
2 88
2 89
them ba d conversation
, .
2 90
2
9 1
2
2
9
2
93
0 0
3
The passions are goo d or ba d quali ties only ,
intens i fie d
.
3 0 1
0
3 2
3 0 3
P assion is enhan c ed an d temp ered by avowal .
3 0 4
To sit 111 ju dgment on the departe d is never
likely to b e equ i table We all su ff er from li fe ;
.
L IFE A ND CHARAC T ER 1 25
survivors .
3 0 5
It is failings that show h uman nature an d ,
VI
3 0 6
3 0 7
3 0 8
3 0 9
master .
10
3
3 14
3 5 1
3 6 1
sense .
L IFE A ND CHARAC TER 1 29
3 7 1
method o f expression .
honest p urpose .
3 8 1
3 9 1
3 20
3 2 2
3 3 2
3 4 2
3 5 2
C hinese In di an and
, yptian anti quiti es
, Eg
are never more than curios i ti es ; i t i s we ll to
make acquaintan c e w i th them ; but in po i nt
of moral and esthetic c ulture the y can help us
a
l i ttle
.
3 6 2
33 I
33 2
3 33
P e r e ant
q u i t Th i s
a n e n os n ost r a d i sce r un t ’ .
as he allows hi ms elf .
3 34
S tri ctly speak i ng everything depends up on a
,
tho ughts .
335
If a man lives long i n a h i gh pos i tion he ,
parallel el s e w here .
L IFE AN D CHARAC T ER 13 3
VII
33 6
33 7
33 8
3 39
0
34
certai nty .
13 4 MAXIMS A ND RE F LEC TIO NS OF GO E THE
34 I
34 2
34 3
34 4
34 5
s i ti es of l i fe i f he trusts hi se es an d
s ns , so
culti vates them that the y remain worthy of
be i ng truste d .
136 MAXIMS A ND REFLEC TIO NS OF GOE THE
35 I
35 2
353
That i s a fine a worthy thing
C r e do D e um !
,
earth .
3 54
Kepler said : My wi sh is that I may p er
‘
3 55
What i s predesti nati on ! It i s this : Go d
is mighti er an d wiser than we are and so he ,
35 6
is t o aff ront hi m .
35 7
Faith , Lo ve
and H ope on c e felt in a q u iet
, ,
35 8
w h o said t h at .
359
3 6 0
3 6 1
6
3 3
A burnt chil d dreads the fire ; an ol d man
who has often been s in ge d is afra i d Of
hi mself .
6
3 4
It i s not worth while to d o anyt hin g for th e
worl d that we have with us as the existing or d er
,
6
3 5
Let every man as k himself with whi c h Of h i s
fa c ulties he can and will somehow influence
hi s age .
3 6 6
6
3 7
C harac ter in matters great and small consists
i n a man stea dily pursu ing the things of which
he feels himself capable .
14 0 MAXIM S A ND R EFLE CTIONS OF GOE THE
they are boun d by the rules of their o ffi ce to
teach an d communicate thi ngs which they look
upon as useless an d hu rtful .
3 7 2
3 73
3 74
3 75
37 6
V anit yi
a desire Of personal glory the wish
s ,
3 77
37 8
3 79
t per c e i ve the d i fl
o between things
e r e n ce s .
3 8 0
3 8 1
3 8 8
8
3 9
39 °
39 I
39 2
are a i m i ng at .
393
We have
long been b usy with th e c ritique o f
reas on I Sh ould like t o s e e a critique Of
.
3 94
395
themselves .
39 6
W h at is invention discovery ! It
or is the
c on cl usion Of what we were looking for .
39 8
4 0 7
It is not language in itse l f whi c h i s c orre c t or
forc i ble o r elegant but the mind that i s embodied
,
4 0 8
4 0 9
4 10
4 1 1
4 1 2
where .
4 1 3
‘
L ucidity is a du e dis tr ibut ion of light and
sh ade .
’
Ha m ann .
15 4 M AXIMS AND RE FLEC TIO NS OF GO E T HE
4 14
4 1 5
W e must remember that there are many men
wh o w ithout being produ c tive are anxious t o
, ,
4 1 6
4 1 7
4 1 8
4 24
4 2 5
That glorio us h ymn Ve ni C r e a t or Sp i r i t u s
, ,
4 2 6
4 2 7
A S pinoza in p oetry becomes a M a chiavelli in
philos p hy
o .
4 2 8
4 2 9
Th e sentimentality of th e En glish is h umor
o us and tender ; o f the F rench popular and ,
4 3 0
dialecti c of th e f eelings .
4 3 1
4 3 2
4 33
4 34
a i m and
, c ommon activity reste d
o ur the on
t atta i n that a i m
o .
160 MAXIM S A ND RE FLEC TIONS OF GO E THE
4 38
4 39
440
44 1
44 2
443
speculati on b u t l i ve and do
, .
16 2 MAXIMS A ND REFLEC TIO NS OF GOE T HE
444
445
44 6
447
4 53
4 54
4 55
to w n or monastery o r age .
45 6
4 57
45 8
4 60
satisfy no o n e .
4 6 1
4 6 2
disease .
1 68 MAX IM S A ND RE FL EC TIO NS OF G OE TH E
4 67
1
6
4 9
4 7 °
4 7I
4 7 2
4 73
S h akes p eare s ’
y
He n r y I V: If ever thing were
lost that has ever been preserved to us o f this
kin d of writing th e arts Of poetry and rhetor i c
,
4 74
47 6
4 77
4 7 8
8
4 5
7
4 6
8
8
4 7
4 88
4 89
more
49 0
49I
4 93
A noble p h ilosopher s p oke of arc hi te c ture as
f r oze n m u s i c ; and it was inevitable that man y
pe ople shoul d shake the ir heads over his
remark We believe that no better re p eti ti on
.
4 94
Art isessentially nobl e ; therefore the artist
has noth i ng to fear from a low or common
subject Nay by tak i ng i t up he ennobles it ;
.
, ,
4 95
In every artist there i s a germ of daring ,
49 6
all too .
5 0 2
5 4 0
506
5 0
7
Le t be man y sided ! Turn i ps are good but
us -
,
5 8
0
5 0 9
5 1 1
lent pa i nters .
5 1 2
5 13
5 9 1
5 20
o f it
.
5 2 1
5 2 2
5 3 2
5 4 2
5 2 5
With the growth o f knowledge o u r i deas
must from t ime to ti me be organ i se d afresh .
5 6 2
5 7 2
at all .
534
A u t hor i t y . M an cannot exist without it an d ,
want of progress .
535
Authority the fa c t namely that something
, ,
53 6
53 7
O ur a dvice is that every man Sh ould remain
in the path he has struck o ut f or himself and ,
S CIENCE 189
53 8
539
Fo r th e y are in truth text books of
, ,
-
54 °
S4 I
O n the ap p earan c e o f anything new t h e mass
o f people as k : What i s the u se o f it ! And
they are not wrong F or it is only through
.
practi cal .
54 3
Every in v estigator must be fore all things
look upon hi mself as one who is summoned to
serve on a jury H e h as only to cons ider how
.
54 4
A nd in a c ting thus he remains equally at ease
whether the majori ty agree with hi he fin d m or s
others .
19 2 M AXI MS A ND REFLEC TIO NS OF GO E T HE
Wh at i s a musi c al string an d all i ts m echan
,
55 °
55 I
it an d w ill be af t er it
, .
S C IENCE 19 3
55 2
5 53
E verything that we call In vention o r Di s
c o v e r y in the higher sense o f the word is the
554
A man m ust cling to the belie f th at th e
in c omprehensible i c omp rehensible ; oth er ise
s w
555
Th ere are pedants w h o are also ras cals and ,
55 6
557
Th e supreme achievement would be to se e
5 6 2
6
5 3
The greatest p iece of folly i s that every man
thinks himself compelled to hand down what
p eople thi nk they have known .
6
5 4
If man y a man did n o t feel obliged t o re p eat
what i s untrue because he has sa id i t once the
, ,
6
5 5
Every man looks at the world lying rea dy
befo re hi m ordere d an d fash i one d i nto a com
,
p l e t e whole as
, after a ll but an element out o f
whi ch h i s en deavo ur i s to create a spec i al worl d
SC IENCE 19 7
them at all .
5 6 6
6
5 7
When 1 Observe the l um i nous progress and
expans i on of natural sc i ence in modern times ,
mu ch desire .
5 6 8
6
5 9
A s ch ool may be regarded as a single indi
vidual who talks to himsel f f or a hundr ed
years and takes an extraor di nary pleasure in
,
may be .
5 7 °
57 6
se e th at th e u n fathomable i s of n o p ra c ti c al
118 6 .
5 77
The finest a c hievement for a man o f tho u gh t
is to have fathome d what may be fathomed and ,
57 8
5 79
There are two things of which a man cannot
be c areful enough : o f obsti nacy if he confines
himself to h i s o w n l i ne of thought ; o f i n c om pe
teney i f he goes b eyon d it
,
.
SC IEN C E 20 1
5 8 0
5 8 1
5 8 2
8
5 3
A man c annot live with e very and there
on e ,
8
5 5
The be st metemps yc hosis is for us to ap p ear
aga i n in others .
5 8 6
8
5 7
5 8 8
now i s .
NA T URE AP HO RI SMS
208 MAXIMS AND REFLECTIONS O F GO E THE
Natu re li v es in h er chil d e only and th e r n ,
ou t f th e simplest
o aterial s th e greatest di v e
m r
of it e
s ow n
; v er y Sh a p e t h at S he takes i in idea s
Th ere is c on
tant li fe in her motion and de
s ,
v e l O pm e nt ; and y et Sh e re m a i n s w h ere sh e w as .
no o n e c an learn it o f her .
NATUR E APHO R ISMS 209
protection .
manifold .
'
S h e i wise an d still N
s can force her . O one
her cunnin g .
Ab s n e t t he , 4 7 r—ld Ar t and t he Wo 4 85 6
Ar i s
-
Ab s l
. .
, ,
o ut e t he 238 t t , t h e , 4 95 8
Ab s ac i ns d s r y d Ar is i c c r i ici sm
. .
, ,
tr t o how e t o e t t t 116
A ss m b l i s
.
, , ,
28 1
Ab s r d i i s A ai nabl
e e , .
u t e 229 , 5 75 tt e t he 48
A a i nm n s
.
, .
, ,
Aq r m ns r
. .
, ,
ui e A i y t 34 4 ut t 5 34 7
Ac ng n A h rs h i p
c e o
nsl
.
, .
,
ti l i ke f , 298 ut 4 18
A c i vi y
u o e e . o ,
.
t t 34 2 , 368 , 37 2 , 40 1
sa ying allad s
.
,
E sc h y l us , of 121 B 4 77 8
a y
-
. .
, ,
A ge 39 1 2 Be ut 1 36 , 2 3 481
an d Y h ib l
. .
, , ,
s
-
.
, , , ,
295 , 3 2 1 , 3 7 4 Boo k 4 17 , 4 20 , 4 3 2 , 4 56
Ag s l i
. .
,
of f e , 3 90
d is g n a and c
e
A gr m n
.
t and a re e m e t, C us e ff e t , 3 94
n r y and nd ivi d
ee e e .
Ce tu t he t he i
Ai s
, ,
27 8 , 34 2 500 u al , 58 1
Al r s h arac r
m , . .
t ui m 16 7 , 2 14 , 5 83 C te 36 7
Anal gi s h arac r i s ic s
. .
, ,
o e 4 6 , 5 23 C te t 7 29 , 7 4 , 9 1 ,
A nal ys is
.
, ,
n t ite tu 447 C 24 5 7
Anci n h ri s
e e , . e ,
-
.
—
t s , t he 4 4 3 , 4 4 5 , 5 70 C t 3 14
A n h r p m r ph i s lass ici s
e , .
, .
t o o o m 165 C m 4 62 3
An i q i i s l v r lly
.
, , .
t u t e 3 25 C fo 175
A n i q ui y an d p s r y
e e
mm n s ns
.
, , .
t t 7 te it 190 Co 4 9 , 21
Ar ch i c r a p chl ss m pl i c i ns
o , . o -
e e , .
te t u e S ee e m u Co at o 45
n ss i n rr r
.
, ,
Si c , 4 93 Co fe o of e o 5 29
Aris l
. .
,
t ot e 55 9 C o n fi d e nc e s , 1 4 2
nsci n c
. .
,
— nsc i n c and i n ll c 0
Ar t 4 92 , 4 94 4 99 , 508 Co e e 125
and a
.
, , , .
Ar t N t ur e , 4 8 2 3 , 4 90 1 , Co te t , 53
n mp rar i s
-
e e e .
5 09 , 5 12 . Co te o e , 3 8 6 , 4 54 .
2 17
2 18 INDEX
Co t n radi c i ns rr r and h al r h
t o 87 , 102 , 223 , E o f t -
ut 5 9 , 6 1 , 72 ,
—
, ,
288 9 , 37 8 , 38 2
nv r s r rs
.
Co t 17 0 E of the 5 21
i i ci sm xc ll n c n a h mabl
e , . ro age , .
Cr t 1 4 6 , 1 8 2 304 , 4 56 E f t 4 06
r i i q c mm n s ns
e e e u o e
i s nc vi l
.
, , .
,
C t ue of 3 93 Ex te e of e 5 72 3
xp ri nc
o o e e
-
r i i qu s ns s
- .
, . ,
C t e of t he 5 14 E 4 3 , 55 6
ryp gamy—
e e , . e e e ,
.
C to 5 74
l r ac s an d h r s
.
,
Cu tu 3 28 9 , 4 12 F t t ie 55 7
ac s and h u gh s
e , . eo , .
F t t t 1 88
—
o
ang r u s ac s n l y s a d
.
,
D 2 75 6 F t t te 5 26
b r an d c r d i r — Fa i h
e o m e n, . ew , .
De t o to 28 2 3 t 1 17
cpin
e
als n i s
, .
, .
De t 320 4 00 F o t on 5 , 200
cs als nd nci s
e o , , . e , .
De f e t 39 F te 64
sp i sm a d v an ag s
e e e
a i l i ar i y
.
, , .
De ot t of , 209 F t 262
i al c i c ash i n
, e . m , .
D t 37 9 F 3 92
i c lis as i d i sn—ss
e , . o , .
D ffi u t e 27 7 8 , 330 , 3 98 F t 260
—
ou e
i l an i
-
a ul s
. .
, ,
av r
.
, .
, ,
D 397 , 55 3 F 83
i sp s i i ns l and nl i
o e ou
ar
. .
, ,
D o t o ik e u ke Fe 27 5
i g ra iv say ngs
.
, ,
F t i
i s i n c i ns a l a and a bi rd
u e
D t t o 166 f 35 9
an man arm i ng hi s
e
gg r l
. .
, ,
Do e e 5 06 ol d w m e lf ,
i ng g d
.
,
Do 98
A l b r ch
oo
— b l i ng
.
,
D ii r e r u t 502 3 t he fl t e 16
u i s an d r i gh s b n i ng n s c a
, e , . ow , .
D t 15 0 362
’
t ut t o t
c r d s an d c r a
e , . o e o , .
D ut y 3 , 38 , 4 02 u e m 58
di r an d s u n
. .
, ,
t t he 99
cl c ic sm d s an d s rm
.
,
E t i 4 36 7 t t he to 66
d ca i n
e -
u
r gs and a r
. .
, ,
E t 444 f te 71
d c a i n v rp r ss h r s and v al s
u o , . o w , .
E t o in t 27 2
dsr
u o e e ur e e oe e
i nd s
.
, , ,
3 71 H of t he t 106
i gh n h c n r y h ng nai l
. oo e e , .
E tee t tu 56 8 itt i t he 78
h ry lam ps an d l i gh b av
e , . , .
E m bo i t e m e nt , t of , 550 t he t of
mp i r i cal m ral i y
eo . e
E o t 14 0 e n, 36 1
bs l i i ng s n
. .
,
E nc y C IO p se d i a , t h e e t , 16 1 ft t he to e 208
n mi s an ind and
.
.
,
E e e 58 2 m k t he R e d S e a,
n m i s m ri s
.
,
'
E t 38 7 , 583 187
n h u s i asm
e e e
nam s
. .
,
E t 211 , 4 7 1 e f or t h e se a , 95
r sm s sayi ng sn
. .
,
E a u , of , 63 . ow , 92 .
220 INDEX
I ns i ght 3 70 L v f t r t h 28
I nt ll i g n c 322
o e o u
L vi ng n s l i k
. .
, ,
180
’
L c i d i t y 4 13
e e e o o e e
Int nt i n 334
. .
, ,
In t r st i n p ub l i c v nt s 33 1 Lyr i c s 4 2 1
e o , . u , .
I nt r s p c t i n 7 5
e e e e , . , .
I n v st i ga t r t h t r 5 4 3— aj ri i s —
o e o , .
4 M o t e 54 4 6 566
I rr g lar c i r c mst an s 14 3 a i gnanc sch lars
e o , e ue , .
, , .
M l e of 1 35
and h i s rgans
e u u ce o
I s lat i n f t h g d 224
. .
, ,
o o o e oo Ma n o 34 7
I t al i an t 505 a rs
. .
, ,
ar M st e 94 3 10
s r
. .
, , ,
y Ma t e
dg n —
20 4
a r c n n s and
, .
! t , 85 6 M tte te t f or m 1 83
s ic and ax i ms an d an cd s
u m e .
, o , .
! u t l aw 54 M ot e 156
anc i n s
e e
a i ms
. .
, ,
M x of t he t 4 38
K pl r sayi ng
e ,
of , 354 42
Kn l d g — M ans an d
e e , . .
2 35 , 324 37 0 5 25 6 e nd , 11
M di cri y
ow e e , , . e .
5 38 e o t 22 1 , 27 3
Kn l d g an d d b M m i rs
. .
,
ou t 17 8 14 9
i d as
ow e e e o
K n l d g an d M m ry
. .
, ,
82 15 7
Kn l d g b ran ch and m n
ow e e ne w e , . e o , .
M es of 5 39 226 , 295
Kn l dg an h r M aphysi cs
ow e e , , . en w o e , .
e of ot 67 t 55 1
mpsych si s b s
ow e o ne e , e , .
7 0 , 25 1 3 M te t he t , 585
Kn l d g c n mp M h d in
e o e
n l dg
-
. , .
ow e e , t he o te t f or , e t o ar t a nd k ow e e ,
1 13 1 12
Mi sch i
. .
f 160
Lang ag an d h gh
e
Mi s r n s
.
,
u e t ou t , 3 17 , 4 0 7 fo t u e 227
Lang ag n l dg Mi s a s
. .
,
u es, k ow e e of 4 14 t ke 1 3 4 0 , 15 3 , 16 2 , 210 ,
La s —
, .
, ,
32 1 218 2 85 6 , 5 24 , 5 6 1
M i s u n d rs an d i ng
w
La s s dy
.
, .
,
tu of 168 t 122
a i nd p bl i c
w e
L ss i ng say ng M m n
, , . , .
e i of 52 o e t t he k of u
L ss ns
, , .
, , ,
13 9 36 9
Lib ral i d a and p r ss
e o . .
M h 174 , 3 75 ar ch s t he 37 5
M ds
e e s, o e
Lib ra i y r s
. .
,
e l t t he t ue t 385 oo 100
M ral i y
. .
, , ,
Li f e , t he ar t of , 10 1 , 1 92, 28 2 o t ,
3 19 .
M iv ot e 10
Li m i a i ns s
, .
t t M 5 78 ot t oe 207
— M u s ic
o
Li ra r a ragm n
. .
, ,
te tu e f t 4 04 5 4 88
Li ra r c rr u p M y s r i s an d m i ra cl s
e
—
. .
, ,
te tu t , 4 65 7 te 16 9
M y s i c i sm
e o e e
Li ra u r
.
, . ,
te t e , ne w , 4 09 . t , 4 30 .
LO ve ,
1 95 , 2 7 0 .
INDEX 22 1
Na p l n o eo — P h n na 24 0 1 pp r a ch om e h ow t o a o
a i n l char c r
, . e , ,
N t t 73 , 37 4 ,
Ph i l s ph y and ag s l i
o a a e ,
o o t he e of fe .
a r
N tu
—
5 7 2 , 5 90
a r and
e , .
N tu P y ar t 4 8 2 3 , 4 90 1 iet 35 6
Pla i n s p a i ng
- -
e , , .
509 , 5 12 k 17 2
a r and c l r Plans an d d s i gns
. e , .
N tu u tu e 284 , 4 7 7 12
a r p
e e
P ic al al n
.
, .
,
N tu t s , 4 19 t t t 44 9
Na r s d y
e- oe oe e
P ry
.
.
,
tu e tu of , 56 1 t 1 76
sp ap rs app al
oe
P s ri y
.
, . ,
N 23 , 3 7 5 , 4 6 1 te t t he t o , 4 08
P r c nvic i n
ew e ,
. o , e .
of t 84
P rac i c al an d h i n rs
ow e o o
b s ran i sm
.
,
O cu t 88 t m en t ke
sc r i y i n an a h r
, .
,
Ob u t ut 4 31 3 95
bs rv a i n and ncl s i n P rai si ng a man
o , . .
O e t o co u o 323
Pray r
.
, ,
5 17 , 55 9 3 15
b s inac y
e
P r d s i na i n
.
.
,
O t 5 79 t t o 35 5
p in i ns P r j d ic s
, . e e , .
O 10 7 55 2 u 2 15
pp n n s P r i m v al p rs
o , . e e , .
O t 38 1 2 236
pp i i n c i nc
o e e ow e
Pr bl s
-
. .
, ,
O t o 88 of 5 15 , 55 1
— P r bl a i c al na r s
os o em e e
ri gi nal i y
.
, .
,
O t 1 , 134 , 4 09 1 1, 536 7 t tu e 97
P r b l ma i c al p i n i ns
-
o e m
ri gi ns
.
, ,
O 5 50 t 30
Pr b l ma ic a l al n s
, . o e o o , .
O vid 463 o e t t e t 17 1
P r b l ms
. .
, ,
o e 5 27
P ar i s P r d c iv n r y
.
,
t e 5 16 o u t e e e g 164
P as i ns — Pr duc ivi y
. .
, ,
300 3 t t 4 15
P r gr s and p r bl s
s o o
P as
. .
, ,
t t h e , 138 398
Pa i nc
o es o em
P r gr ss c n ic s
. .
, ,
t 35 7 fl t of , 2 19
P a ri i sm i n and sci n c Pr gr ss sci n c
e e , . o e , o .
t ot ar t of 56 7
P r p d u ic s
e e ,
o e e e , .
o ae e t 2 12 , 5 1 1
P a r ns P r s an s
, .
t o 1 33 ot e t t 205
P ayi ng n s h an i y P r u d n n r y
. .
, ,
’
f or t 173 t g , 16
P syc h l y
o e um e e e
P ac
.
,
53 43 3
P d an ry P bl i c
e e , . o og , .
e t , 1 3 2 , 5 35 , 55 5 . u , t h e , 96 , 36 9 , 389 , 4 16 ,
P e r e ant q u i an t e n os n os t r a 54 1 .
d i m e r u n t ! 33 3
P rf ct i n 34 3 5 78 580 s i ns
.
e e o Q ue t o 53 2
P r v ran c 1 93 5 3 7
, , . .
, ,
P r v rs i t i s f t h d ay 24 4
e se e e
as n
.
, ,
e e e o e Re o 4
P ssi m i sm 13 1 184 r ain
, .
, .
e , , . Re f o m t o , t he , 3 1 3 , 3 16 .
2 22 INDEX
Re l i gi n ci y 3 12 So et 250
S c i y s ldi rs civili ans
o
l igi s c n r v s y
, .
, .
in —
Re ou o t o er 460 o e t o e and
nai s anc , .
,
Re s t he 3 13 25 8 9
ci y b s
e
v l u i n sayi ng
.
, , , .
Re o t o on t he 37 3 So et t he e t 230 , 28 9
v l i nary s n i n s
.
, , , , .
Re o ut o t m e t 2 16 So po ri fi cs , 7 6
hy hm S i ng and r api ng
e , . .
R t 13 1 27 9
i dd l s S p c acl s
, . ow e , .
R 62 t 26 1
i d ic l s S p ch
e e e
—
. .
, ,
R t he 29 1 4 38 2
igh d i ng h a i s
u ou
S p ch an d lang ag , , . e e , .
R t t 77 1 23
nc S p c h and r i ing
o w ee u e
c s
. .
, , ,
Ro k o f o ff e 306 t 37 7
land M ad am S p ch s
e , . ee w , .
Ro 4 03 28 7
pi n i sm i n p ry
e e e e
manc s
. .
, , ,
Ro 4 22 S t 4 27
an ic land sc ap S ady ac ivi y
e , . oz oe , .
R om t e 4 80 te t t 154
man ici sm S rn
. .
, ,
Ro t 4 6 2 , 4 64 te e 4 76
ub rdi na i n
. .
, ,
S t o 19 1
S cc ss i n r ld
o , .
S a kon t a la , 4 7 2 t he w 6 , 19 , 368
S p ri r i y an h r
u e o
Sa i s ac i n —
.
, .
t f t 586 t of ot 27 0
S u p rs i i n
u
S c p i ci sm
o , . e o e , .
S ch i ll r G h and — S ym b l i sm
e t , 34 0 1 . e t t o ,
3 1 , 4 24 .
t 4 34 5 20 2
S ch lar r al
e , oe e , . o , .
t he 309
ac —
o e
M ar i n
.
, ,
S c h ii n , t 5 04 T t , 26 7
S ch ls h gh a l
. .
,
of t t 56 9 T tt 14 8
S ci nc — c rs
oo ou e
a ing
. .
, ,
it s 5 18 , 54 0 1 T t t oo 79
ac hi ng
e e : ou e -
—
.
, ,
5 4 5 6 , 56 7 , 5 7 0 1 , 58 9 Te 5 1 9 , 56 2 3
S ci n c p r b m har c
-
. .
,
its le 5 15 T t ff e t of t he 197
h ry
e e : o e e e
Scs
.
, .
, ,
t 5 22 T 44 5 20 , 5 5 7
S l appr ci a i n h ry and xp r i nc
e , . eo , , .
f t o 20 , 56 , 1 11 T 198
h i ngs an h r rld
e -
e , eo e e e e , .
24 9 , 3 66 T of
S l g id an c — —
. ot e w o ,
f 2 1 2 , 24 5 , 33 24 2 3
S l n l—dg hin r
e -
u e , .
-
.
f k 2 T ke 4 16
h i n i ng n s l
e ow e e s,
S ns s
-
. .
,
34 5 6 T k f or f 8
S ns s a s nd n ci s h r gh n s
e e , . o e e , .
f l te of 4 87 T 41
S n i m n al p ry h gh
e e , e e e , o ou es , .
n i m n al i y na i nal cl s
. .
, ,
Se t e t i t t o 4 29 T o t at t he o e of l fe ,
S r vic
.
, ,
1 96 4 03
S h a sp ar
e
i m n sayi ng
e , . .
ke 4 73 5 T o of 127
l ra i n
e e
S il n c
-
. .
, , ,
32 To t 35 6
an d i m par i al i y rad i i n
e e , . e o ,
.
S i zi c e r i t y t t 15 1 T t 392 , 5 6 3
h
o
rag i s
.
, ,
S ke t c s , 5 10 . T ed e , 4 70 .
MACMl LLANS ’
Ne w Mini at ure S e ri e s
C lot h e 0 ne t e ach
EAC H VO L UM E I N A HA ND SO M E BO X
T h is s r i s c nsi st s f t h i rt y
e e b ks ach f
o o -
o ne oo , e o
w h ich h as pr v d by c n t i n d d man d f i t t h av
o e o ue e or o e
s m sp ci al app al t a id cir cl f r ad rs
o e e e o w e e o e e .
Ea ch v l u m c n t a i ns s i x ill s t rat i ns an d i s b
o e o nd u o , ou
i n li ght bl cl t h i t h an at t ract i v c v r d si gn
ue o , w e o e e
it h gilt t ps Th b ks f a t t h r ghly i
,
w o . e oo ar e o se o ou n
k p i n g i t h t h s t t l d c h ar
e e w f h ic h a c h v l m
e e e m o w e o u e
h as d ply i m p r ss d t h b kl v rs f t h last f
e e e e e oo o e o e ew
ye a rs .
T HE M A CM I L L A N C O M PA N Y
64 -
6 6 Fi f t h Av e nue , Ne w Yo r k
T HE G R EAT C O M P ANIO N
LYM AN ABB O TT By
I t h firs t ch a pt r f t hi s c m p an i n v l u m t
Th O t h r R m D Abb t t says It i s b caus
n e e o o o o e o
! ”
I b li v t h at G d i s t h G r at C mp ani n t h at
e e oo , r. o : e e
i t h H i t h at I h a v r i t t n t h s p a g s N t t
ar e n o e o ,
w e e o e
t th s sh a d d b y b r a v m n t p
e e oo e s e e e
h
i m s r a i s b
o o e w o are ow e e e e e or er
l d h h y f d h h k
carr i s h lp an d n c rag m nt f t h s h
p e xe t t t w
y t t e e o e , so oo
I t i s t h p r d ct f D Abb t t s ri p st t h ght d
e o e , , oo, e .
d als i t h a t h m t h t h as l n g b n hi st dy It
e o u o r. o e ou , an
i s a it n ss t t h i man nc f G d i n nat r an d
e w e e a o ee s u .
li f an d t h d a ily a l ks f
w e o e m e e o o u e
e e w o m e n.
T H E O TH E R RO O M
By LYM AN AB BOTT
s h ich h av h i r p rp s ch r h
Bo o k fo r t t
i h a su ran c i mm r ali an d
to
h ar
w e e u o e ee e
t of m t he of
gi v di gn i li by li n ing i h
e an w t s e o t ty
t y t o t he fe of k it
li f rnal h av a p r nn ial i m li n ss i gh
to e m an w t
The
ch ap rs hi s li l b s di s i n r sur
e e te , e e e t e e . e t
of o o k ar e t he
r c i n hris r su rr c i n
te t tt tu
an d
e e e
of C t , t he of t he
li f v rlas i g h p r f n dl h ugh f l
e t o e e t o m an ,
T
v n m r p r n d ly s p i r i a l
e e e t n . e y ar e o ou
y t o t u ;
”
e e o e ofo u tu .
'
Ab h i ch ill pr v f ll c mf r
.
o ok w h of
l s d ar fri n ds
t to t
h m rn
w o e u o o o se
”
w o ou t he os of e e .
Om a ha W ar id H e r a ld -
.
T HE M A CM I L L AN C O M PA N Y
64- 6 6 Fi f t h Av N Y k e nue e w or
ii
,
Th e Flo w e r of
En g la n d
’
s Fa ce
S ke w / w: f
o E ngli sk Tr a ve !
By JUL IA c . R . DO RR
C O NT ENT S
C HAP TE R I —A Wi n W al s k
HAPTER II anb u r C a s and h I sl W igh
. e e e .
C k B t e of t
C H A PT ER III n ras s
.
y e e .
A D ay o f C o t t
C H APT ER I V In Fr s f Ard n
. .
t he o e t o
HAPTER V ac c I nn
. e .
C At t h e P e o k
HAPTER V I Ha rh
. .
C At w o t
C H A PT ER V II Fr m r d r I nv rn ss
. .
t h e Bo
— a d r a l an d ull d n
to
C H A ER V
o . e e e .
l II To C w o C st e C
M r
PT . o e
TER — n ch an d
oo .
C HAP IX . An E te Da y .
A C at he dr a l P ilgr i m age
B y JUL I A c R DO R R . .
T many m i n d s b t h p r f u n d d cu l t r d t
any nat ur s t h at b t h s nsi t iv an d pp i
o o o o an u e , o
th
It i s larg ly a mat t r f t m p ram n t Th r
e , e e e no e e .
t h rs t h m th y h v m ch t say t h at it is
e e o e e e . e e ar e
v rp ri ng F t h m v ry s t n h as a v i c
o e o w o e a e so u o
v ry a i sl a m ssag T h gr at s mb r t rs
o e ow e . or e e e o e o e ,
li ft t h m ab v art h d i t arin ss i nt an t
e e e e o e
r a ll i s s a
e o e e an s w e e o a
m os
p h he re w p c e e e .
”
Fr om Me A uth or ’
s P f
r e a ce .
T HE M A C M I L L AN C O M PA N Y
6 4—
6 6 Fi f t h Av N Y k e nu e e w or
iv
,
Th e C h o i c e o f Bo o ks
B y F RE DER I C HAR R I S O N
A h r ut M an i ng
o H i s ry
of Th e e of to ,
!
e tc .
, e tc.
M H arri n i s an a bl an d c ns ci n i s c ri ic
a g d l gi cian an d a c l v r h i s fa u l s
r. so e o e t ou t ,
M H arri s n fu rn i sh s a v a l abl c n r ib i n
s bj c I i s f ll f su gg s iv n ss an d
r . o e u e o t ut o
h
sh r d analy i cal cri i ci sm I c n ai ns h fr i s f
to t e u e t . t u o e t e e
i d r adi ng an d ric h r s ar c h L
e w t t . t o t t e u t o
” ’
w e e Ti e e .
-
o n ao n m e s.
HA P P INES S
E s s ay s on th e M e a ni n g of L if e
A I
By C RL H L T Y
U niv r i y rn
e s t o f Be
arvard n iv rsi y
,
H U e t
Th ea h r a s h is app al d is c s i n ke
li f h a hi c h d ra s r ad rs
ut o m e no t to us o ,
b ut t o t o t he
rn pr f ss r i s h i s c apac i y mai n ai n i n
e t t w w e e
Be t he
mi d s i mp r an d i s p blic s vi c an d
o e o t to t
of of
sc i n i fic a c i vi an n u s al d ac h n d sir
t o t t ut e u e r e
of
an d an i n r i r i n ss i nd
e t t ty u u e t m e t e e
”
te o
q u e t e of m .
T HE M A CM I L L A N C O M PA N Y
64 -
6 6 Fif t h Av N Y k e nu e ,
e w or
T HE P LEAS URES O F LIFE
By t h e R i gh t Hon sa ! O HN L UBBOCK
rd Av bu ry)
.
(L o e
A u t h o r of Th e U se of i
L fe , !
T h e Be i
au t e s of N at u re ,
”
e tc .
,
e t c.
C O N TE N TS
PA RT I
C H A PTE R I — D u y f H app i n ss C H A P T ER
II T h H appin ss f D u y C H A PT ER III —A
Th . e t o e .
e o e o
.
oo .
V I —T h Val u f T im C H A P T ER V IL —
RT . e e s o e s .
Pl as u r s f T rav l C H A PT ER VI II Th Pl as u r s
. e e Th o e . e
f H m C H A PT ER IX — S ci n c C H A PT ER X
e e o e . . e e e
Ed uc t i n
o o e . . e e . .
PA RT II
a o .
C H A P T ER I — Am bi t i n C H A PTE R II — W alt h
C H A P T ER III —H al h C H A P T ER
o e
I V L v
. . . .
C H A PT ER V —A t C H P T ER V L — P t ry C H A P
. e t . . o e .
f Na ur C H A PT E R IX T r ub l s
e e e
f Li f
. .
C H A PT ER X — L a b u r an d R C H A PT ER X I
o t e Th . . e o e o e .
R l ig i n C H A PT ER X II H p f Pr gr s
. o e st . .
T E R — T h D s i ny f M
Ih
'
e o -
e o e o o e s.
III
. .
C HA P X . e e t o an .
P AR ABLES LIFE OF
HAM I N W I H MA I
By L TO R G T B E
Au t h or of i ll S
Ba ckg ro u n d s o f L t e ra t u re ,
P oe t , D ra m a t i s t , a nd M a n , ”
”
W i iam h ake
vivi d an d ru in im g ry lic ly cl ar an d b au i u l
Dr . e D ke : oe t o e t o ,
in l i l p i c s b l ng M M abi s
t e a e ,
de at e e e t f
T HE M A CM I L L A N C O M PA N Y
64- 6 6 Fi f t h Av u N Y k e n e e w or
vi
,
The P s a lm s and La m e nt at i ons
E D I T E D W I T H AN IN T R O D U T I N AN D N O TE BY
, C O S,
R I C HAR D G M O UL TO N M A P h D (P )
Edi r f T h M d rn R a d r s Bibl
.
, . . . . a .
’
to o t e o e e e e ,
e c.
ff ct f t h s c hang s b a ck t r iginal
f rms n d r h ich t h sac r d rit ings f i r t app ar d
Th e e e h o e e e o t e o
i ll b f t h vas t maj ri y f r ad rs a s u rp ri an d
o u e w e e w s e e
ds ilrigi hutal anhd yint illll cf uall asr iasf tuhr ys hanadd c hmy Wuipll n
w
e
e , or
t e
e
w ee
o t o
e
e e ,
o e
se
o ne w
ci f h fir t i m h m uch h Bibl h su ff r d
p t e e
pp t t e e , t e a re
f r m h h an d s f h s h a v r at d i t i h t
at e or t e st e ow t e e as e e
rc fncr nanc d p issiblil rrarsyul qsu fliPyr f Isn vir M lf t hn s uingd ifir
e
o
e e
t e
e
h
to ts
o
te
t o e
a
w
t
o
.
e t e
ew
e
o e
w
s
t
n
ou
I i s p art f h r na i an c f B i blical s u dy
t t t te t t e t
o o
y e e o e .
ma y m an an d in j u dgm n i d s m n h
t o t e b e it ss e o t ut
o t
e
e s
o ur
e e s
e e
t
e t
e
w ri t n
t
s o
oe
o
o t
e a
e
e w o
e
,
t
t
.
e
T/ze O ut l oo N e w Yor k .
M k rs f V n ic
u o o e e o o e o e ,
e
!
t t a e o e e e c e c.
VOLUM E I Da t Th C at h d ral B il d rs
.
, ,
n e e e u e
VO UM E II S av nar l a —T h P iagn n i P ai nt rs
. .
L -
o o e o e
T h st u d i f ch r c r if lik an d f ir an d t h
. .
narra t iv p rt i s e l
f u ll f p ic u r sq u uch
es o a a te are e e a , e
k i s b au i f u lly i ll u t ra d i h d dcu s f r
e o on are o t e e to e s
Th b
.
d ra i ngs f Fl r n i n b il d i ngs s at u p i i gs
e oo e t s te W t w oo t a te
”
w o o e t e u ,
t e s, an a nt n .
T/ze A t /ze n w u m .
T HE M A C M I L LA N C O M PAN Y
64—
6 6 F i f t h Av N Y k e nu e e w or
v iii
,
The G o ld e n T r e asury
Se le c t e d f ro m t he b e st so ngs and lyr i ca l
p oe ms in t he Eng lish language an d
a rranged w ihn t ot e s
BY
te o e o of P oe t t e e t of O o
R e v ise d an d En lar ge d
h i s li t t l c ll ct i n d i ff rs i t i s b li v d fr
T
t h rs i n t h at t m pt mad t i n cl d i n it all t h
e o e o e , e e e , om
sa a r r r ll m i a n
e o e e o o ur u e
( v v f g fu y d cc f
l n gt h ) b y rit rs t livi ng an d n n b sid s t h
e y e t ew tet e t o e on ou o
bs
e w e no , o e e e e
”
e t .
The G o ld e n T r e asury
SEC O ND SER IE S
S e le c t e d fro m t he
'
b e st so n gs a nd lyric al
po e ms in t he En g lish l an u
g g
a e and
arrange d w ih t no t e s
BY
A I
FR NC S T P ALG R AVE
a r f ss r r i n Univ rsi y xf r d
.
L te P o e o of P oe t y the e t of O o
R e v i se d an d En lar ge d
T HE M A CM I L L A N C O M PA N Y
6 4- 6 6 Fi f t h A N Y k v e nu e e w or
ix
.
,
A T r i p t o En g la n d
By GO L DW N S M T H I I
hr A ut ni d Kingd m
o of ni d
T he U te o
!
Th e U te
S
,
!
t at e s , e tc .
o f i r s i n ngland
nt e e t / E .
”
C zi cago T i m es .
!
b ma s an n r ai ni ng an d s f l
Th e o ok ke e te t u e u
c mp an i n
o rav ll rs i n ngl and
o for t e e E .
”
B ost on H e r a l d .
O xf o r d and he r Co lle ge s
i
A V e w f rom t he Radcl ff e L br ary i i
I By G O L DW N S M T H I
Th rit r h as s ld m nj y d h ims lf m r
e w e e o e o e e o e
t h an i n s h i n g an A m ri can fri n d v r O xf rd
ow e e o e o
f l t s m t hi n g f t h sam nj ym n t i n
.
H h e as e o e o e e e o e
pr paring it h t h h p f i n t r st i n g s m A m ri
e w e O e o e e o e e
c an vi si t rs t hi s t l i n f t h h i st ry f t h U i
,
o ou e o e o o e n
v r i t y an d h c ll g s
,
—F
e s e r o e e .
t ke A ut izor
’
r om s P f
r e a ce .
T HE M A CM I L L A N C O M PA N Y
6 4—
6 6 Fi f t h Av N Y k e nu e ,
e w or
xi
Shado w s of t he .
St age
FIR S T S ER I E S
By W IL L IAM W N T ER I
T h r i s i n t h s ri t i n gs t h s m ch ar f
e e e e w e a e m o
s l ty e , p t ic gl am r an d flav r f p rs nali t y h ic h
oe ou , o o e o w
di s i t n g i sh s h at v r c m s t
u e w fr m M W i
e e o e o us o r. n
rs ’
an d h ic h ma k s t h m n i i
li ra r —N
te pe n, w q e e u ue n o ur
”
te tu e . ew Yor k H om e j ou r n a l .
Shado w s of t he St age
S E C O ND S E R IE S
By W IL L IAM W N TER I
i n r h as l ng b n n n as h f r
I
!
Mr W . te o ee k ow t e o e
of n gli s h p r s
E C H d o e .
”
lzi cago e r al .
T HE M A CM I L L A N C O M PA NY
6 4- 6 6 Fi f t h Av N Y k e nue e w or
xi v
,
Shado w s of t he St age
TH I R D S E R IE S
ul ac rs
ic
te
it
ow n.
the w ay
O ne
of
u t oo k fa r
t
fo r
c ri t i
iv c c i i y ic
,
t
'
e
ve s
, s e nsm ve
e to
e xp r ss d lfil n c i n
um i no us , k
e e fu um s s i ts
,
u t o
,
to t he
t et
t o
,
t .
!
e te
By W I L L I AM W IN T ER
H rs s m h
e ing m r h an g idan c
A m rican rav ll r H i s a c nvin cing an d l q u n
o ffe o e t o e t u e to the
i n rp r r a u gu s m m ri s an d v n rab l san c
e t e e . e o e o e t
s
t i ti e
te
c un ry
t e of t he
e
o f t h e o ld t
t
!
e o e
S a t ur d ay R e vi e w
e e e
b i s d ligh ul r ad ing
o . .
The o ok e tf e .
M b
'
S cr i bne r ont lz
h u ias ic an d y c ri ical n s an d
s '
n nl
.
m n s nglish li and s c n ry
e
E t
t on
s
E
t
fe
ye t ke e
e e .
t
S cot s m
ot e
an .
com
T HE M A C M IL L A N C O M PA N Y
64—
6 6 Fi f t h Av u N Y k e n e e w or
xv
,
A MIEL S ! O UR NA L
’
A t h r f Th H is t ry f D avid G ri v t t
‘
u o o e o o e e , e c. , e c.
A rk f nd rf ul b a t y d p th an d charm
w o . ai r e i n ale .
W i ll s an d b s i d s c h f ss i n as S t A g us t i n s
w o o w o e e u , e , .
and aga i n ; fit t st nd am ng t h ch ic st v l u m s t h at
'
. oo o o e e w t
A I
By M BEL O S GO O D W R G HT
A h r irdc ra ar s mmy Ann an d
ut o of
!
hrB
He
ft ,
”
t
To
!
e t c., e tc
e the T ee
A ch arm i g ch r nicl is ab u n d i ng x c ll n
.
,
t o
n o
te e t
e it
o
,
e
o
t .
in e e e t
m r a h rhs
Th e
as s an
rar d vividly d s c rib h a
insigh an d s s d ply an d
ut o s s ee e es w t she ee .
m s p r ci s h ings d p
B ut
o t
o e
e
, sh e
ou t he
e
ee .
t
B ost on D a i ly A d ve r t ise r
ee ee ,
the
T HE M A CM I L L A N C O M PA N Y
64 —
6 6 Fi f t h Av N Y k e nu e e w or
x vi
,
RETURN TO t h e c irc uld i io n d e sk o f a ny
r
Unive sit y o f C a lif o nia r
Ric h m o nd C A 9 4 8 0 4 4 6 9 8
,
-
5
( )10 6 4 2 6 7 53 -
l ye d r lo a ns m a y b e
-
r e c h a rg e d r
b y b ing ing
b o o ks t o NRLF
Re ne w a s d ndl r e c h a rg e s m ay be m ode 4
r r
d a ys p io t o d ue d a t e .
AUG 2 5 2001
SEP 2 5 2007