Download as pdf or txt
Download as pdf or txt
You are on page 1of 34

Infectious Disease: A Very Short

Introduction, 2e 2nd Edition Marta


Wayne
Visit to download the full and correct content document:
https://ebookmass.com/product/infectious-disease-a-very-short-introduction-2e-2nd-e
dition-marta-wayne/
More products digital (pdf, epub, mobi) instant
download maybe you interests ...

Genes: A Very Short Introduction 2nd Edition Jonathan


Slack

https://ebookmass.com/product/genes-a-very-short-
introduction-2nd-edition-jonathan-slack/

Poststructuralism: A Very Short Introduction, 2nd


Edition Catherine Belsey

https://ebookmass.com/product/poststructuralism-a-very-short-
introduction-2nd-edition-catherine-belsey-2/

Poststructuralism: A Very Short Introduction, 2nd


Edition Catherine Belsey

https://ebookmass.com/product/poststructuralism-a-very-short-
introduction-2nd-edition-catherine-belsey/

The Spartans: a Very Short Introduction Andrew J.


Bayliss

https://ebookmass.com/product/the-spartans-a-very-short-
introduction-andrew-j-bayliss/
Revolutions: A Very Short Introduction (2nd Edition)
Jack A. Goldstone

https://ebookmass.com/product/revolutions-a-very-short-
introduction-2nd-edition-jack-a-goldstone/

Democracy: A Very Short Introduction (Very Short


Introductions) 2023rd Edition Zack

https://ebookmass.com/product/democracy-a-very-short-
introduction-very-short-introductions-2023rd-edition-zack/

Nanotechnology: A Very Short Introduction Philip


Moriarty

https://ebookmass.com/product/nanotechnology-a-very-short-
introduction-philip-moriarty/

Nelson Mandela: a Very Short Introduction , 2nd Edition


Elleke Boehmer

https://ebookmass.com/product/nelson-mandela-a-very-short-
introduction-2nd-edition-elleke-boehmer/

Ancient Philosophy: a Very Short Introduction , 2nd


Edition Julia Annas

https://ebookmass.com/product/ancient-philosophy-a-very-short-
introduction-2nd-edition-julia-annas/
Infectious Disease: A Very Short Introduction
VERY SHORT INTRODUCTIONS are for anyone wanting a stimulating
and accessible way into a new subject. They are written by experts, and
have been translated into more than 45 different languages.
The series began in 1995, and now covers a wide variety of topics in
every d
­ iscipline. The VSI library currently contains over 700 volumes—a
Very Short Introduction to everything from Psychology and Philosophy of
Science to American History and Relativity—and continues to grow in
every subject area.

Very Short Introductions available now:

ABOLITIONISM Richard S. Newman AMERICAN IMMIGRATION


THE ABRAHAMIC RELIGIONS David A. Gerber
Charles L. Cohen AMERICAN INTELLECTUAL
ACCOUNTING Christopher Nobes HISTORY
ADDICTION Keith Humphreys Jennifer Ratner-­Rosenhagen
ADOLESCENCE Peter K. Smith THE AMERICAN JUDICIAL
THEODOR W. ADORNO SYSTEM Charles L. Zelden
Andrew Bowie AMERICAN LEGAL HISTORY
ADVERTISING Winston Fletcher G. Edward White
AERIAL WARFARE Frank Ledwidge AMERICAN MILITARY HISTORY
AESTHETICS Bence Nanay Joseph T. Glatthaar
AFRICAN AMERICAN HISTORY AMERICAN NAVAL HISTORY
Jonathan Scott Holloway Craig L. Symonds
AFRICAN AMERICAN RELIGION AMERICAN POETRY David Caplan
Eddie S. Glaude Jr AMERICAN POLITICAL HISTORY
AFRICAN HISTORY John Parker and Donald Critchlow
Richard Rathbone AMERICAN POLITICAL PARTIES
AFRICAN POLITICS Ian Taylor AND ELECTIONS L. Sandy Maisel
AFRICAN RELIGIONS AMERICAN POLITICS
Jacob K. Olupona Richard M. Valelly
AGEING Nancy A. Pachana THE AMERICAN PRESIDENCY
AGNOSTICISM Robin Le Poidevin Charles O. Jones
AGRICULTURE Paul Brassley and THE AMERICAN REVOLUTION
Richard Soffe Robert J. Allison
ALEXANDER THE GREAT AMERICAN SLAVERY
Hugh Bowden Heather Andrea Williams
ALGEBRA Peter M. Higgins THE AMERICAN SOUTH
AMERICAN BUSINESS HISTORY Charles Reagan Wilson
Walter A. Friedman THE AMERICAN WEST
AMERICAN CULTURAL HISTORY Stephen Aron
Eric Avila AMERICAN WOMEN’S HISTORY
AMERICAN FOREIGN RELATIONS Susan Ware
Andrew Preston AMPHIBIANS T. S. Kemp
AMERICAN HISTORY Paul S. Boyer ANAESTHESIA Aidan O’Donnell
ANALYTIC PHILOSOPHY ASTROPHYSICS James Binney
Michael Beaney ATHEISM Julian Baggini
ANARCHISM Alex Prichard THE ATMOSPHERE Paul I. Palmer
ANCIENT ASSYRIA Karen Radner AUGUSTINE Henry Chadwick
ANCIENT EGYPT Ian Shaw JANE AUSTEN Tom Keymer
ANCIENT EGYPTIAN ART AND AUSTRALIA Kenneth Morgan
ARCHITECTURE Christina Riggs AUTISM Uta Frith
ANCIENT GREECE Paul Cartledge AUTOBIOGRAPHY Laura Marcus
ANCIENT GREEK AND THE AVANT GARDE David Cottington
ROMAN SCIENCE Liba Taub THE AZTECS Davíd Carrasco
THE ANCIENT NEAR BABYLONIA Trevor Bryce
EAST Amanda H. Podany BACTERIA Sebastian G. B. Amyes
ANCIENT PHILOSOPHY Julia Annas BANKING John Goddard and
ANCIENT WARFARE John O. S. Wilson
Harry Sidebottom BARTHES Jonathan Culler
ANGELS David Albert Jones THE BEATS David Sterritt
ANGLICANISM Mark Chapman BEAUTY Roger Scruton
THE ANGLO-­SAXON AGE John Blair LUDWIG VAN BEETHOVEN
ANIMAL BEHAVIOUR Mark Evan Bonds
Tristram D. Wyatt BEHAVIOURAL ECONOMICS
THE ANIMAL KINGDOM Michelle Baddeley
Peter Holland BESTSELLERS John Sutherland
ANIMAL RIGHTS David DeGrazia THE BIBLE John Riches
ANSELM Thomas Williams BIBLICAL ARCHAEOLOGY
THE ANTARCTIC Klaus Dodds Eric H. Cline
ANTHROPOCENE Erle C. Ellis BIG DATA Dawn E. Holmes
ANTISEMITISM Steven Beller BIOCHEMISTRY Mark Lorch
ANXIETY Daniel Freeman and BIODIVERSITY CONSERVATION
Jason Freeman David Macdonald
THE APOCRYPHAL GOSPELS BIOGEOGRAPHY Mark V. Lomolino
Paul Foster BIOGRAPHY Hermione Lee
APPLIED MATHEMATICS BIOMETRICS Michael Fairhurst
Alain Goriely ELIZABETH BISHOP
THOMAS AQUINAS Fergus Kerr Jonathan F. S. Post
ARBITRATION Thomas Schultz and BLACK HOLES Katherine Blundell
Thomas Grant BLASPHEMY Yvonne Sherwood
ARCHAEOLOGY Paul Bahn BLOOD Chris Cooper
ARCHITECTURE Andrew Ballantyne THE BLUES Elijah Wald
THE ARCTIC Klaus Dodds and THE BODY Chris Shilling
Jamie Woodward THE BOHEMIANS David Weir
HANNAH ARENDT Dana Villa NIELS BOHR J. L. Heilbron
ARISTOCRACY William Doyle THE BOOK OF COMMON PRAYER
ARISTOTLE Jonathan Barnes Brian Cummings
ART HISTORY Dana Arnold THE BOOK OF MORMON
ART THEORY Cynthia Freeland Terryl Givens
ARTIFICIAL INTELLIGENCE BORDERS Alexander C. Diener and
Margaret A. Boden Joshua Hagen
ASIAN AMERICAN HISTORY THE BRAIN Michael O’Shea
Madeline Y. Hsu BRANDING Robert Jones
ASTROBIOLOGY David C. Catling THE BRICS Andrew F. Cooper
BRITISH CINEMA Charles Barr COGNITIVE BEHAVIOURAL
THE BRITISH CONSTITUTION THERAPY Freda McManus
Martin Loughlin COGNITIVE NEUROSCIENCE
THE BRITISH EMPIRE Ashley Jackson Richard Passingham
BRITISH POLITICS Tony Wright THE COLD WAR Robert J. McMahon
BUDDHA Michael Carrithers COLONIAL AMERICA Alan Taylor
BUDDHISM Damien Keown COLONIAL LATIN AMERICAN
BUDDHIST ETHICS Damien Keown LITERATURE Rolena Adorno
BYZANTIUM Peter Sarris COMBINATORICS Robin Wilson
CALVINISM Jon Balserak COMEDY Matthew Bevis
ALBERT CAMUS Oliver Gloag COMMUNISM Leslie Holmes
CANADA Donald Wright COMPARATIVE LITERATURE
CANCER Nicholas James Ben Hutchinson
CAPITALISM James Fulcher COMPETITION AND ANTITRUST
CATHOLICISM Gerald O’Collins LAW Ariel Ezrachi
CAUSATION Stephen Mumford and COMPLEXITY John H. Holland
Rani Lill Anjum THE COMPUTER Darrel Ince
THE CELL Terence Allen and COMPUTER SCIENCE
Graham Cowling Subrata Dasgupta
THE CELTS Barry Cunliffe CONCENTRATION CAMPS
CHAOS Leonard Smith Dan Stone
GEOFFREY CHAUCER David Wallace CONDENSED MATTER PHYSICS
CHEMISTRY Peter Atkins Ross H. McKenzie
CHILD PSYCHOLOGY Usha Goswami CONFUCIANISM Daniel K. Gardner
CHILDREN’S LITERATURE THE CONQUISTADORS
Kimberley Reynolds Matthew Restall and
CHINESE LITERATURE Sabina Knight Felipe Fernández-­Armesto
CHOICE THEORY Michael Allingham CONSCIENCE Paul Strohm
CHRISTIAN ART Beth Williamson CONSCIOUSNESS Susan Blackmore
CHRISTIAN ETHICS D. Stephen Long CONTEMPORARY ART
CHRISTIANITY Linda Woodhead Julian Stallabrass
CIRCADIAN RHYTHMS CONTEMPORARY FICTION
Russell Foster and Leon Kreitzman Robert Eaglestone
CITIZENSHIP Richard Bellamy CONTINENTAL PHILOSOPHY
CITY PLANNING Carl Abbott Simon Critchley
CIVIL ENGINEERING COPERNICUS Owen Gingerich
David Muir Wood CORAL REEFS Charles Sheppard
THE CIVIL RIGHTS MOVEMENT CORPORATE SOCIAL
Thomas C. Holt RESPONSIBILITY Jeremy Moon
CLASSICAL LITERATURE William Allan CORRUPTION Leslie Holmes
CLASSICAL MYTHOLOGY COSMOLOGY Peter Coles
Helen Morales COUNTRY MUSIC Richard Carlin
CLASSICS Mary Beard and CREATIVITY Vlad Glăveanu
John Henderson CRIME FICTION Richard Bradford
CLAUSEWITZ Michael Howard CRIMINAL JUSTICE Julian V. Roberts
CLIMATE Mark Maslin CRIMINOLOGY Tim Newburn
CLIMATE CHANGE Mark Maslin CRITICAL THEORY
CLINICAL PSYCHOLOGY Stephen Eric Bronner
Susan Llewelyn and THE CRUSADES
Katie Aafjes-­van Doorn Christopher Tyerman
CRYPTOGRAPHY Fred Piper and EMOTION Dylan Evans
Sean Murphy EMPIRE Stephen Howe
CRYSTALLOGRAPHY A. M. Glazer EMPLOYMENT LAW David Cabrelli
THE CULTURAL REVOLUTION ENERGY SYSTEMS Nick Jenkins
Richard Curt Kraus ENGELS Terrell Carver
DADA AND SURREALISM ENGINEERING David Blockley
David Hopkins THE ENGLISH LANGUAGE
DANTE Peter Hainsworth and Simon Horobin
David Robey ENGLISH LITERATURE Jonathan Bate
DARWIN Jonathan Howard THE ENLIGHTENMENT
THE DEAD SEA SCROLLS John Robertson
Timothy H. Lim ENTREPRENEURSHIP Paul Westhead
DECADENCE David Weir and Mike Wright
DECOLONIZATION Dane Kennedy ENVIRONMENTAL ECONOMICS
DEMENTIA Kathleen Taylor Stephen Smith
DEMOCRACY Naomi Zack ENVIRONMENTAL ETHICS
DEMOGRAPHY Sarah Harper Robin Attfield
DEPRESSION Jan Scott and ENVIRONMENTAL LAW
Mary Jane Tacchi Elizabeth Fisher
DERRIDA Simon Glendinning ENVIRONMENTAL POLITICS
DESCARTES Tom Sorell Andrew Dobson
DESERTS Nick Middleton ENZYMES Paul Engel
DESIGN John Heskett EPICUREANISM Catherine Wilson
DEVELOPMENT Ian Goldin EPIDEMIOLOGY Rodolfo Saracci
DEVELOPMENTAL BIOLOGY ETHICS Simon Blackburn
Lewis Wolpert ETHNOMUSICOLOGY Timothy Rice
THE DEVIL Darren Oldridge THE ETRUSCANS Christopher Smith
DIASPORA Kevin Kenny EUGENICS Philippa Levine
CHARLES DICKENS Jenny Hartley THE EUROPEAN UNION
DICTIONARIES Lynda Mugglestone Simon Usherwood and John Pinder
DINOSAURS David Norman EUROPEAN UNION LAW
DIPLOMATIC HISTORY Anthony Arnull
Joseph M. Siracusa EVANGELICALISM
DOCUMENTARY FILM John G. Stackhouse Jr.
Patricia Aufderheide EVIL Luke Russell
DREAMING J. Allan Hobson EVOLUTION Brian and
DRUGS Les Iversen Deborah Charlesworth
DRUIDS Barry Cunliffe EXISTENTIALISM Thomas Flynn
DYNASTY Jeroen Duindam EXPLORATION Stewart A. Weaver
DYSLEXIA Margaret J. Snowling EXTINCTION Paul B. Wignall
EARLY MUSIC Thomas Forrest Kelly THE EYE Michael Land
THE EARTH Martin Redfern FAIRY TALE Marina Warner
EARTH SYSTEM SCIENCE Tim Lenton FAMILY LAW Jonathan Herring
ECOLOGY Jaboury Ghazoul MICHAEL FARADAY
ECONOMICS Partha Dasgupta Frank A. J. L. James
EDUCATION Gary Thomas FASCISM Kevin Passmore
EGYPTIAN MYTH Geraldine Pinch FASHION Rebecca Arnold
EIGHTEENTH‑CENTURY BRITAIN FEDERALISM Mark J. Rozell and
Paul Langford Clyde Wilcox
THE ELEMENTS Philip Ball FEMINISM Margaret Walters
FILM Michael Wood GLOBAL ECONOMIC HISTORY
FILM MUSIC Kathryn Kalinak Robert C. Allen
FILM NOIR James Naremore GLOBAL ISLAM Nile Green
FIRE Andrew C. Scott GLOBALIZATION Manfred B. Steger
THE FIRST WORLD WAR GOD John Bowker
Michael Howard GÖDEL’S THEOREM A. W. Moore
FLUID MECHANICS Eric Lauga GOETHE Ritchie Robertson
FOLK MUSIC Mark Slobin THE GOTHIC Nick Groom
FOOD John Krebs GOVERNANCE Mark Bevir
FORENSIC PSYCHOLOGY GRAVITY Timothy Clifton
David Canter THE GREAT DEPRESSION AND THE
FORENSIC SCIENCE Jim Fraser NEW DEAL Eric Rauchway
FORESTS Jaboury Ghazoul HABEAS CORPUS Amanda L. Tyler
FOSSILS Keith Thomson HABERMAS James Gordon Finlayson
FOUCAULT Gary Gutting THE HABSBURG EMPIRE
THE FOUNDING FATHERS Martyn Rady
R. B. Bernstein HAPPINESS Daniel M. Haybron
FRACTALS Kenneth Falconer THE HARLEM RENAISSANCE
FREE SPEECH Nigel Warburton Cheryl A. Wall
FREE WILL Thomas Pink THE HEBREW BIBLE AS LITERATURE
FREEMASONRY Andreas Önnerfors Tod Linafelt
FRENCH LITERATURE John D. Lyons HEGEL Peter Singer
FRENCH PHILOSOPHY HEIDEGGER Michael Inwood
Stephen Gaukroger and Knox Peden THE HELLENISTIC AGE
THE FRENCH REVOLUTION Peter Thonemann
William Doyle HEREDITY John Waller
FREUD Anthony Storr HERMENEUTICS Jens Zimmermann
FUNDAMENTALISM Malise Ruthven HERODOTUS Jennifer T. Roberts
FUNGI Nicholas P. Money HIEROGLYPHS Penelope Wilson
THE FUTURE Jennifer M. Gidley HINDUISM Kim Knott
GALAXIES John Gribbin HISTORY John H. Arnold
GALILEO Stillman Drake THE HISTORY OF ASTRONOMY
GAME THEORY Ken Binmore Michael Hoskin
GANDHI Bhikhu Parekh THE HISTORY OF CHEMISTRY
GARDEN HISTORY Gordon Campbell William H. Brock
GENES Jonathan Slack THE HISTORY OF CHILDHOOD
GENIUS Andrew Robinson James Marten
GENOMICS John Archibald THE HISTORY OF CINEMA
GEOGRAPHY John Matthews and Geoffrey Nowell-­Smith
David Herbert THE HISTORY OF COMPUTING
GEOLOGY Jan Zalasiewicz Doron Swade
GEOMETRY Maciej Dunajski THE HISTORY OF EMOTIONS
GEOPHYSICS William Lowrie Thomas Dixon
GEOPOLITICS Klaus Dodds THE HISTORY OF LIFE Michael Benton
GERMAN LITERATURE Nicholas Boyle THE HISTORY OF MATHEMATICS
GERMAN PHILOSOPHY Jacqueline Stedall
Andrew Bowie THE HISTORY OF MEDICINE
THE GHETTO Bryan Cheyette William Bynum
GLACIATION David J. A. Evans THE HISTORY OF PHYSICS
GLOBAL CATASTROPHES Bill McGuire J. L. Heilbron
THE HISTORY OF POLITICAL INTERNATIONAL RELATIONS
THOUGHT Richard Whatmore Christian Reus-­Smit
THE HISTORY OF TIME INTERNATIONAL SECURITY
Leofranc Holford‑Strevens Christopher S. Browning
HIV AND AIDS Alan Whiteside INSECTS Simon Leather
HOBBES Richard Tuck INVASIVE SPECIES Julie Lockwood and
HOLLYWOOD Peter Decherney Dustin Welbourne
THE HOLY ROMAN EMPIRE IRAN Ali M. Ansari
Joachim Whaley ISLAM Malise Ruthven
HOME Michael Allen Fox ISLAMIC HISTORY Adam Silverstein
HOMER Barbara Graziosi ISLAMIC LAW Mashood A. Baderin
HORMONES Martin Luck ISOTOPES Rob Ellam
HORROR Darryl Jones ITALIAN LITERATURE
HUMAN ANATOMY Peter Hainsworth and David Robey
Leslie Klenerman HENRY JAMES Susan L. Mizruchi
HUMAN EVOLUTION Bernard Wood JAPANESE LITERATURE Alan Tansman
HUMAN PHYSIOLOGY JESUS Richard Bauckham
Jamie A. Davies JEWISH HISTORY David N. Myers
HUMAN RESOURCE JEWISH LITERATURE Ilan Stavans
MANAGEMENT Adrian Wilkinson JOURNALISM Ian Hargreaves
HUMAN RIGHTS Andrew Clapham JAMES JOYCE Colin MacCabe
HUMANISM Stephen Law JUDAISM Norman Solomon
HUME James A. Harris JUNG Anthony Stevens
HUMOUR Noël Carroll THE JURY Renée Lettow Lerner
IBN SĪNĀ (AVICENNA) Peter Adamson KABBALAH Joseph Dan
THE ICE AGE Jamie Woodward KAFKA Ritchie Robertson
IDENTITY Florian Coulmas KANT Roger Scruton
IDEOLOGY Michael Freeden KEYNES Robert Skidelsky
IMAGINATION KIERKEGAARD Patrick Gardiner
Jennifer Gosetti-­Ferencei KNOWLEDGE Jennifer Nagel
THE IMMUNE SYSTEM THE KORAN Michael Cook
Paul Klenerman KOREA Michael J. Seth
INDIAN CINEMA LAKES Warwick F. Vincent
Ashish Rajadhyaksha LANDSCAPE ARCHITECTURE
INDIAN PHILOSOPHY Sue Hamilton Ian H. Thompson
THE INDUSTRIAL REVOLUTION LANDSCAPES AND
Robert C. Allen GEOMORPHOLOGY
INFECTIOUS DISEASE Marta L. Wayne Andrew Goudie and Heather Viles
and Benjamin M. Bolker LANGUAGES Stephen R. Anderson
INFINITY Ian Stewart LATE ANTIQUITY Gillian Clark
INFORMATION Luciano Floridi LAW Raymond Wacks
INNOVATION Mark Dodgson and THE LAWS OF THERMODYNAMICS
David Gann Peter Atkins
INTELLECTUAL PROPERTY LEADERSHIP Keith Grint
Siva Vaidhyanathan LEARNING Mark Haselgrove
INTELLIGENCE Ian J. Deary LEIBNIZ Maria Rosa Antognazza
INTERNATIONAL LAW C. S. LEWIS James Como
Vaughan Lowe LIBERALISM Michael Freeden
INTERNATIONAL MIGRATION LIGHT Ian Walmsley
Khalid Koser LINCOLN Allen C. Guelzo
LINGUISTICS Peter Matthews MICROECONOMICS
LITERARY THEORY Jonathan Culler Avinash Dixit
LOCKE John Dunn MICROSCOPY Terence Allen
LOGIC Graham Priest THE MIDDLE AGES Miri Rubin
LOVE Ronald de Sousa MILITARY JUSTICE Eugene R. Fidell
MARTIN LUTHER Scott H. Hendrix MILITARY STRATEGY
MACHIAVELLI Quentin Skinner Antulio J. Echevarria II
MADNESS Andrew Scull JOHN STUART MILL Gregory Claeys
MAGIC Owen Davies MINERALS David Vaughan
MAGNA CARTA Nicholas Vincent MIRACLES Yujin Nagasawa
MAGNETISM Stephen Blundell MODERN ARCHITECTURE
MALTHUS Donald Winch Adam Sharr
MAMMALS T. S. Kemp MODERN ART David Cottington
MANAGEMENT John Hendry MODERN BRAZIL Anthony W. Pereira
NELSON MANDELA Elleke Boehmer MODERN CHINA Rana Mitter
MAO Delia Davin MODERN DRAMA
MARINE BIOLOGY Philip V. Mladenov Kirsten E. Shepherd-­Barr
MARKETING MODERN FRANCE
Kenneth Le Meunier-­FitzHugh Vanessa R. Schwartz
THE MARQUIS DE SADE John Phillips MODERN INDIA Craig Jeffrey
MARTYRDOM Jolyon Mitchell MODERN IRELAND Senia Pašeta
MARX Peter Singer MODERN ITALY Anna Cento Bull
MATERIALS Christopher Hall MODERN JAPAN
MATHEMATICAL ANALYSIS Christopher Goto-­Jones
Richard Earl MODERN LATIN AMERICAN
MATHEMATICAL FINANCE LITERATURE
Mark H. A. Davis Roberto González Echevarría
MATHEMATICS Timothy Gowers MODERN WAR Richard English
MATTER Geoff Cottrell MODERNISM Christopher Butler
THE MAYA Matthew Restall and MOLECULAR BIOLOGY
Amara Solari Aysha Divan and Janice A. Royds
THE MEANING OF LIFE MOLECULES Philip Ball
Terry Eagleton MONASTICISM Stephen J. Davis
MEASUREMENT David Hand THE MONGOLS Morris Rossabi
MEDICAL ETHICS Michael Dunn and MONTAIGNE William M. Hamlin
Tony Hope MOONS David A. Rothery
MEDICAL LAW Charles Foster MORMONISM Richard Lyman Bushman
MEDIEVAL BRITAIN John Gillingham MOUNTAINS Martin F. Price
and Ralph A. Griffiths MUHAMMAD Jonathan A. C. Brown
MEDIEVAL LITERATURE MULTICULTURALISM Ali Rattansi
Elaine Treharne MULTILINGUALISM John C. Maher
MEDIEVAL PHILOSOPHY MUSIC Nicholas Cook
John Marenbon MUSIC AND TECHNOLOGY
MEMORY Jonathan K. Foster Mark Katz
METAPHYSICS Stephen Mumford MYTH Robert A. Segal
METHODISM William J. Abraham NANOTECHNOLOGY Philip Moriarty
THE MEXICAN REVOLUTION NAPOLEON David A. Bell
Alan Knight THE NAPOLEONIC WARS
MICROBIOLOGY Nicholas P. Money Mike Rapport
MICROBIOMES Angela E. Douglas NATIONALISM Steven Grosby
NATIVE AMERICAN THE PALESTINIAN-­ISRAELI
LITERATURE Sean Teuton CONFLICT Martin Bunton
NAVIGATION Jim Bennett PANDEMICS Christian W. McMillen
NAZI GERMANY Jane Caplan PARTICLE PHYSICS Frank Close
NEGOTIATION Carrie Menkel-­Meadow PAUL E. P. Sanders
NEOLIBERALISM Manfred B. Steger IVAN PAVLOV Daniel P. Todes
and Ravi K. Roy PEACE Oliver P. Richmond
NETWORKS Guido Caldarelli and PENTECOSTALISM William K. Kay
Michele Catanzaro PERCEPTION Brian Rogers
THE NEW TESTAMENT THE PERIODIC TABLE Eric R. Scerri
Luke Timothy Johnson PHILOSOPHICAL METHOD
THE NEW TESTAMENT AS Timothy Williamson
LITERATURE Kyle Keefer PHILOSOPHY Edward Craig
NEWTON Robert Iliffe PHILOSOPHY IN THE ISLAMIC
NIETZSCHE Michael Tanner WORLD Peter Adamson
NINETEENTH‑CENTURY BRITAIN PHILOSOPHY OF BIOLOGY
Christopher Harvie and Samir Okasha
H. C. G. Matthew PHILOSOPHY OF LAW
THE NORMAN CONQUEST Raymond Wacks
George Garnett PHILOSOPHY OF MIND
NORTH AMERICAN INDIANS Barbara Gail Montero
Theda Perdue and Michael D. Green PHILOSOPHY OF PHYSICS
NORTHERN IRELAND David Wallace
Marc Mulholland PHILOSOPHY OF SCIENCE
NOTHING Frank Close Samir Okasha
NUCLEAR PHYSICS Frank Close PHILOSOPHY OF RELIGION
NUCLEAR POWER Maxwell Irvine Tim Bayne
NUCLEAR WEAPONS PHOTOGRAPHY Steve Edwards
Joseph M. Siracusa PHYSICAL CHEMISTRY Peter Atkins
NUMBER THEORY Robin Wilson PHYSICS Sidney Perkowitz
NUMBERS Peter M. Higgins PILGRIMAGE Ian Reader
NUTRITION David A. Bender PLAGUE Paul Slack
OBJECTIVITY Stephen Gaukroger PLANETARY SYSTEMS
OBSERVATIONAL ASTRONOMY Raymond T. Pierrehumbert
Geoff Cottrell PLANETS David A. Rothery
OCEANS Dorrik Stow PLANTS Timothy Walker
THE OLD TESTAMENT PLATE TECTONICS Peter Molnar
Michael D. Coogan PLATO Julia Annas
THE ORCHESTRA D. Kern Holoman POETRY Bernard O’Donoghue
ORGANIC CHEMISTRY POLITICAL PHILOSOPHY David Miller
Graham Patrick POLITICS Kenneth Minogue
ORGANIZATIONS Mary Jo Hatch POLYGAMY Sarah M. S. Pearsall
ORGANIZED CRIME POPULISM Cas Mudde and
Georgios A. Antonopoulos and Cristóbal Rovira Kaltwasser
Georgios Papanicolaou POSTCOLONIALISM Robert J. C. Young
ORTHODOX CHRISTIANITY POSTMODERNISM Christopher Butler
A. Edward Siecienski POSTSTRUCTURALISM
OVID Llewelyn Morgan Catherine Belsey
PAGANISM Owen Davies POVERTY Philip N. Jefferson
PAKISTAN Pippa Virdee PREHISTORY Chris Gosden
PRESOCRATIC PHILOSOPHY THE ROMAN EMPIRE
Catherine Osborne Christopher Kelly
PRIVACY Raymond Wacks THE ROMAN REPUBLIC
PROBABILITY John Haigh David M. Gwynn
PROGRESSIVISM Walter Nugent ROMANTICISM Michael Ferber
PROHIBITION W. J. Rorabaugh ROUSSEAU Robert Wokler
PROJECTS Andrew Davies RUSSELL A. C. Grayling
PROTESTANTISM Mark A. Noll THE RUSSIAN ECONOMY
PSEUDOSCIENCE Michael D. Gordin Richard Connolly
PSYCHIATRY Tom Burns RUSSIAN HISTORY Geoffrey Hosking
PSYCHOANALYSIS Daniel Pick RUSSIAN LITERATURE Catriona Kelly
PSYCHOLOGY Gillian Butler and THE RUSSIAN REVOLUTION
Freda McManus S. A. Smith
PSYCHOLOGY OF MUSIC SAINTS Simon Yarrow
Elizabeth Hellmuth Margulis SAMURAI Michael Wert
PSYCHOPATHY Essi Viding SAVANNAS Peter A. Furley
PSYCHOTHERAPY Tom Burns and SCEPTICISM Duncan Pritchard
Eva Burns-­Lundgren SCHIZOPHRENIA Chris Frith and
PUBLIC ADMINISTRATION Eve Johnstone
Stella Z. Theodoulou and Ravi K. Roy SCHOPENHAUER
PUBLIC HEALTH Virginia Berridge Christopher Janaway
PURITANISM Francis J. Bremer SCIENCE AND RELIGION
THE QUAKERS Pink Dandelion Thomas Dixon and Adam R. Shapiro
QUANTUM THEORY SCIENCE FICTION David Seed
John Polkinghorne THE SCIENTIFIC REVOLUTION
RACISM Ali Rattansi Lawrence M. Principe
RADIOACTIVITY Claudio Tuniz SCOTLAND Rab Houston
RASTAFARI Ennis B. Edmonds SECULARISM Andrew Copson
READING Belinda Jack SEXUAL SELECTION Marlene Zuk and
THE REAGAN REVOLUTION Gil Troy Leigh W. Simmons
REALITY Jan Westerhoff SEXUALITY Véronique Mottier
RECONSTRUCTION Allen C. Guelzo WILLIAM SHAKESPEARE
THE REFORMATION Peter Marshall Stanley Wells
REFUGEES Gil Loescher SHAKESPEARE’S COMEDIES
RELATIVITY Russell Stannard Bart van Es
RELIGION Thomas A. Tweed SHAKESPEARE’S SONNETS AND
RELIGION IN AMERICA Timothy Beal POEMS Jonathan F. S. Post
THE RENAISSANCE Jerry Brotton SHAKESPEARE’S TRAGEDIES
RENAISSANCE ART Stanley Wells
Geraldine A. Johnson GEORGE BERNARD SHAW
RENEWABLE ENERGY Nick Jelley Christopher Wixson
REPTILES T. S. Kemp MARY SHELLEY Charlotte Gordon
REVOLUTIONS Jack A. Goldstone THE SHORT STORY Andrew Kahn
RHETORIC Richard Toye SIKHISM Eleanor Nesbitt
RISK Baruch Fischhoff and John Kadvany SILENT FILM Donna Kornhaber
RITUAL Barry Stephenson THE SILK ROAD James A. Millward
RIVERS Nick Middleton SLANG Jonathon Green
ROBOTICS Alan Winfield SLEEP Steven W. Lockley and
ROCKS Jan Zalasiewicz Russell G. Foster
ROMAN BRITAIN Peter Salway SMELL Matthew Cobb
ADAM SMITH Christopher J. Berry TIME Jenann Ismael
SOCIAL AND CULTURAL TOCQUEVILLE Harvey C. Mansfield
ANTHROPOLOGY LEO TOLSTOY Liza Knapp
John Monaghan and Peter Just TOPOLOGY Richard Earl
SOCIAL PSYCHOLOGY Richard J. Crisp TRAGEDY Adrian Poole
SOCIAL WORK Sally Holland and TRANSLATION Matthew Reynolds
Jonathan Scourfield THE TREATY OF VERSAILLES
SOCIALISM Michael Newman Michael S. Neiberg
SOCIOLINGUISTICS John Edwards TRIGONOMETRY Glen Van Brummelen
SOCIOLOGY Steve Bruce THE TROJAN WAR Eric H. Cline
SOCRATES C. C. W. Taylor TRUST Katherine Hawley
SOFT MATTER Tom McLeish THE TUDORS John Guy
SOUND Mike Goldsmith TWENTIETH‑CENTURY BRITAIN
SOUTHEAST ASIA James R. Rush Kenneth O. Morgan
THE SOVIET UNION Stephen Lovell TYPOGRAPHY Paul Luna
THE SPANISH CIVIL WAR THE UNITED NATIONS
Helen Graham Jussi M. Hanhimäki
SPANISH LITERATURE Jo Labanyi UNIVERSITIES AND COLLEGES
THE SPARTANS Andrew J. Bayliss David Palfreyman and Paul Temple
SPINOZA Roger Scruton THE U.S. CIVIL WAR Louis P. Masur
SPIRITUALITY Philip Sheldrake THE U.S. CONGRESS Donald A. Ritchie
SPORT Mike Cronin THE U.S. CONSTITUTION
STARS Andrew King David J. Bodenhamer
STATISTICS David J. Hand THE U.S. SUPREME COURT
STEM CELLS Jonathan Slack Linda Greenhouse
STOICISM Brad Inwood UTILITARIANISM
STRUCTURAL ENGINEERING Katarzyna de Lazari-­Radek and
David Blockley Peter Singer
STUART BRITAIN John Morrill UTOPIANISM Lyman Tower Sargent
SUBURBS Carl Abbott VATICAN II Shaun Blanchard and
THE SUN Philip Judge Stephen Bullivant
SUPERCONDUCTIVITY VETERINARY SCIENCE
Stephen Blundell James Yeates
SUPERSTITION Stuart Vyse THE VICTORIANS Martin Hewitt
SYMMETRY Ian Stewart THE VIKINGS Julian D. Richards
SYNAESTHESIA Julia Simner VIOLENCE Philip Dwyer
SYNTHETIC BIOLOGY Jamie A. Davies THE VIRGIN MARY
SYSTEMS BIOLOGY Eberhard O. Voit Mary Joan Winn Leith
TAXATION Stephen Smith THE VIRTUES Craig A. Boyd and
TEETH Peter S. Ungar Kevin Timpe
TERRORISM Charles Townshend VIRUSES Dorothy H. Crawford
THEATRE Marvin Carlson VOLCANOES Michael J. Branney and
THEOLOGY David F. Ford Jan Zalasiewicz
THINKING AND REASONING VOLTAIRE Nicholas Cronk
Jonathan St B. T. Evans WAR AND RELIGION
THOUGHT Tim Bayne Jolyon Mitchell and Joshua Rey
TIBETAN BUDDHISM WAR AND TECHNOLOGY
Matthew T. Kapstein Alex Roland
TIDES David George Bowers and WATER John Finney
Emyr Martyn Roberts WAVES Mike Goldsmith
WEATHER Storm Dunlop THE WORLD TRADE
THE WELFARE STATE David Garland ORGANIZATION Amrita Narlikar
WITCHCRAFT Malcolm Gaskill WORLD WAR II Gerhard L. Weinberg
WITTGENSTEIN A. C. Grayling WRITING AND SCRIPT
WORK Stephen Fineman Andrew Robinson
WORLD MUSIC Philip Bohlman ZIONISM Michael Stanislawski
WORLD MYTHOLOGY David Leeming ÉMILE ZOLA Brian Nelson

Available soon:
CIVIL WARS Monica Duffy Toft HORACE VSI Llewellyn Morgan
THE GULAG COMPARATIVE LAW
Alan Barenberg Sabrina Ragone & Guido Smorto

For more information visit our website


www.oup.com/vsi/
Marta L. Wayne and Benjamin M. Bolker

INFECTIOUS
DISEASE
A Very Short Introduction
second edition
Great Clarendon Street, Oxford, OX2 6DP,
United Kingdom
Oxford University Press is a department of the University of Oxford.
It furthers the University’s objective of excellence in research, scholarship,
and education by publishing worldwide. Oxford is a registered trade mark of
Oxford University Press in the UK and in certain other countries
© Marta L. Wayne & Benjamin M. Bolker 2023
The moral rights of the authors have been asserted
First edition published 2015
All rights reserved. No part of this publication may be reproduced, stored in
a retrieval system, or transmitted, in any form or by any means, without the
prior permission in writing of Oxford University Press, or as expressly permitted
by law, by licence or under terms agreed with the appropriate reprographics
rights organization. Enquiries concerning reproduction outside the scope of the
above should be sent to the Rights Department, Oxford University Press, at the
address above
You must not circulate this work in any other form
and you must impose this same condition on any acquirer
Published in the United States of America by Oxford University Press
198 Madison Avenue, New York, NY 10016, United States of America
British Library Cataloguing in Publication Data
Data available
Library of Congress Control Number: 2023935107
ISBN 978–0–19–285851–1
Printed and bound by
CPI Group (UK) Ltd, Croydon, CR0 4YY
Links to third party websites are provided by Oxford in good faith and
for information only. Oxford disclaims any responsibility for the materials
contained in any third party website referenced in this work.
Contents

Acknowledgements xvii

List of illustrations xix

1 Infection is inevitable 1

2 Transmission at different scales 11

3 Influenza 28

4 HIV/AIDS 42

5 Cholera 56

6 Malaria 69

7 Amphibian chytrid fungus 86

8 SARS-­CoV-­2/COVID-­19 100

9 Looking ahead 112

Further reading 125

Index 137
Acknowledgements

For Charlie, Norma, Tara, and (in memoriam) Django. We


acknowledge the partial support of the US National Institutes
of Health. We would like to thank the understanding and
professional editorial staff at Oxford University Press, especially
Cathy Kennedy, along with our colleagues who contributed
friendly reviews and technical advice: Rustom Antia,
Janis Antonovics, Ottar Bjørnstad, Julia Buck, Robin Bush,
Derek Cummings, Jonathan Dushoff, David Earn, Tom Hladish,
David Hillis, Lindsay Keegan, Marm Kilpatrick, Aaron King,
Marc Lipsitch, Ana Longo, Glenn Morris, Juliet Pulliam,
Marco Salemi, and David Smith. Needless to say, we are entirely
responsible for any remaining errors or oversimplifications.
List of illustrations

1 SIR model 19 4 Contact network 37

2 Critical control level 5 Phylogenetic trees for


required to eradicate an HIV and influenza 51
infectious disease 20

3 Within-­host compartmental
model 25
Another random document with
no related content on Scribd:
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg™ mission of promoting the free


distribution of electronic works, by using or distributing this work (or
any other work associated in any way with the phrase “Project
Gutenberg”), you agree to comply with all the terms of the Full
Project Gutenberg™ License available with this file or online at
www.gutenberg.org/license.

Section 1. General Terms of Use and


Redistributing Project Gutenberg™
electronic works
1.A. By reading or using any part of this Project Gutenberg™
electronic work, you indicate that you have read, understand, agree
to and accept all the terms of this license and intellectual property
(trademark/copyright) agreement. If you do not agree to abide by all
the terms of this agreement, you must cease using and return or
destroy all copies of Project Gutenberg™ electronic works in your
possession. If you paid a fee for obtaining a copy of or access to a
Project Gutenberg™ electronic work and you do not agree to be
bound by the terms of this agreement, you may obtain a refund from
the person or entity to whom you paid the fee as set forth in
paragraph 1.E.8.

1.B. “Project Gutenberg” is a registered trademark. It may only be


used on or associated in any way with an electronic work by people
who agree to be bound by the terms of this agreement. There are a
few things that you can do with most Project Gutenberg™ electronic
works even without complying with the full terms of this agreement.
See paragraph 1.C below. There are a lot of things you can do with
Project Gutenberg™ electronic works if you follow the terms of this
agreement and help preserve free future access to Project
Gutenberg™ electronic works. See paragraph 1.E below.
1.C. The Project Gutenberg Literary Archive Foundation (“the
Foundation” or PGLAF), owns a compilation copyright in the
collection of Project Gutenberg™ electronic works. Nearly all the
individual works in the collection are in the public domain in the
United States. If an individual work is unprotected by copyright law in
the United States and you are located in the United States, we do
not claim a right to prevent you from copying, distributing,
performing, displaying or creating derivative works based on the
work as long as all references to Project Gutenberg are removed. Of
course, we hope that you will support the Project Gutenberg™
mission of promoting free access to electronic works by freely
sharing Project Gutenberg™ works in compliance with the terms of
this agreement for keeping the Project Gutenberg™ name
associated with the work. You can easily comply with the terms of
this agreement by keeping this work in the same format with its
attached full Project Gutenberg™ License when you share it without
charge with others.

1.D. The copyright laws of the place where you are located also
govern what you can do with this work. Copyright laws in most
countries are in a constant state of change. If you are outside the
United States, check the laws of your country in addition to the terms
of this agreement before downloading, copying, displaying,
performing, distributing or creating derivative works based on this
work or any other Project Gutenberg™ work. The Foundation makes
no representations concerning the copyright status of any work in
any country other than the United States.

1.E. Unless you have removed all references to Project Gutenberg:

1.E.1. The following sentence, with active links to, or other


immediate access to, the full Project Gutenberg™ License must
appear prominently whenever any copy of a Project Gutenberg™
work (any work on which the phrase “Project Gutenberg” appears, or
with which the phrase “Project Gutenberg” is associated) is
accessed, displayed, performed, viewed, copied or distributed:
This eBook is for the use of anyone anywhere in the United
States and most other parts of the world at no cost and with
almost no restrictions whatsoever. You may copy it, give it away
or re-use it under the terms of the Project Gutenberg License
included with this eBook or online at www.gutenberg.org. If you
are not located in the United States, you will have to check the
laws of the country where you are located before using this
eBook.

1.E.2. If an individual Project Gutenberg™ electronic work is derived


from texts not protected by U.S. copyright law (does not contain a
notice indicating that it is posted with permission of the copyright
holder), the work can be copied and distributed to anyone in the
United States without paying any fees or charges. If you are
redistributing or providing access to a work with the phrase “Project
Gutenberg” associated with or appearing on the work, you must
comply either with the requirements of paragraphs 1.E.1 through
1.E.7 or obtain permission for the use of the work and the Project
Gutenberg™ trademark as set forth in paragraphs 1.E.8 or 1.E.9.

1.E.3. If an individual Project Gutenberg™ electronic work is posted


with the permission of the copyright holder, your use and distribution
must comply with both paragraphs 1.E.1 through 1.E.7 and any
additional terms imposed by the copyright holder. Additional terms
will be linked to the Project Gutenberg™ License for all works posted
with the permission of the copyright holder found at the beginning of
this work.

1.E.4. Do not unlink or detach or remove the full Project


Gutenberg™ License terms from this work, or any files containing a
part of this work or any other work associated with Project
Gutenberg™.

1.E.5. Do not copy, display, perform, distribute or redistribute this


electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1.E.1 with
active links or immediate access to the full terms of the Project
Gutenberg™ License.
1.E.6. You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form,
including any word processing or hypertext form. However, if you
provide access to or distribute copies of a Project Gutenberg™ work
in a format other than “Plain Vanilla ASCII” or other format used in
the official version posted on the official Project Gutenberg™ website
(www.gutenberg.org), you must, at no additional cost, fee or expense
to the user, provide a copy, a means of exporting a copy, or a means
of obtaining a copy upon request, of the work in its original “Plain
Vanilla ASCII” or other form. Any alternate format must include the
full Project Gutenberg™ License as specified in paragraph 1.E.1.

1.E.7. Do not charge a fee for access to, viewing, displaying,


performing, copying or distributing any Project Gutenberg™ works
unless you comply with paragraph 1.E.8 or 1.E.9.

1.E.8. You may charge a reasonable fee for copies of or providing


access to or distributing Project Gutenberg™ electronic works
provided that:

• You pay a royalty fee of 20% of the gross profits you derive from
the use of Project Gutenberg™ works calculated using the
method you already use to calculate your applicable taxes. The
fee is owed to the owner of the Project Gutenberg™ trademark,
but he has agreed to donate royalties under this paragraph to
the Project Gutenberg Literary Archive Foundation. Royalty
payments must be paid within 60 days following each date on
which you prepare (or are legally required to prepare) your
periodic tax returns. Royalty payments should be clearly marked
as such and sent to the Project Gutenberg Literary Archive
Foundation at the address specified in Section 4, “Information
about donations to the Project Gutenberg Literary Archive
Foundation.”

• You provide a full refund of any money paid by a user who


notifies you in writing (or by e-mail) within 30 days of receipt that
s/he does not agree to the terms of the full Project Gutenberg™
License. You must require such a user to return or destroy all
copies of the works possessed in a physical medium and
discontinue all use of and all access to other copies of Project
Gutenberg™ works.

• You provide, in accordance with paragraph 1.F.3, a full refund of


any money paid for a work or a replacement copy, if a defect in
the electronic work is discovered and reported to you within 90
days of receipt of the work.

• You comply with all other terms of this agreement for free
distribution of Project Gutenberg™ works.

1.E.9. If you wish to charge a fee or distribute a Project Gutenberg™


electronic work or group of works on different terms than are set
forth in this agreement, you must obtain permission in writing from
the Project Gutenberg Literary Archive Foundation, the manager of
the Project Gutenberg™ trademark. Contact the Foundation as set
forth in Section 3 below.

1.F.

1.F.1. Project Gutenberg volunteers and employees expend


considerable effort to identify, do copyright research on, transcribe
and proofread works not protected by U.S. copyright law in creating
the Project Gutenberg™ collection. Despite these efforts, Project
Gutenberg™ electronic works, and the medium on which they may
be stored, may contain “Defects,” such as, but not limited to,
incomplete, inaccurate or corrupt data, transcription errors, a
copyright or other intellectual property infringement, a defective or
damaged disk or other medium, a computer virus, or computer
codes that damage or cannot be read by your equipment.

1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except


for the “Right of Replacement or Refund” described in paragraph
1.F.3, the Project Gutenberg Literary Archive Foundation, the owner
of the Project Gutenberg™ trademark, and any other party
distributing a Project Gutenberg™ electronic work under this
agreement, disclaim all liability to you for damages, costs and
expenses, including legal fees. YOU AGREE THAT YOU HAVE NO
REMEDIES FOR NEGLIGENCE, STRICT LIABILITY, BREACH OF
WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE
FOUNDATION, THE TRADEMARK OWNER, AND ANY
DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE LIABLE
TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL,
PUNITIVE OR INCIDENTAL DAMAGES EVEN IF YOU GIVE
NOTICE OF THE POSSIBILITY OF SUCH DAMAGE.

1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you


discover a defect in this electronic work within 90 days of receiving it,
you can receive a refund of the money (if any) you paid for it by
sending a written explanation to the person you received the work
from. If you received the work on a physical medium, you must
return the medium with your written explanation. The person or entity
that provided you with the defective work may elect to provide a
replacement copy in lieu of a refund. If you received the work
electronically, the person or entity providing it to you may choose to
give you a second opportunity to receive the work electronically in
lieu of a refund. If the second copy is also defective, you may
demand a refund in writing without further opportunities to fix the
problem.

1.F.4. Except for the limited right of replacement or refund set forth in
paragraph 1.F.3, this work is provided to you ‘AS-IS’, WITH NO
OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED,
INCLUDING BUT NOT LIMITED TO WARRANTIES OF
MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.

1.F.5. Some states do not allow disclaimers of certain implied


warranties or the exclusion or limitation of certain types of damages.
If any disclaimer or limitation set forth in this agreement violates the
law of the state applicable to this agreement, the agreement shall be
interpreted to make the maximum disclaimer or limitation permitted
by the applicable state law. The invalidity or unenforceability of any
provision of this agreement shall not void the remaining provisions.

1.F.6. INDEMNITY - You agree to indemnify and hold the


Foundation, the trademark owner, any agent or employee of the
Foundation, anyone providing copies of Project Gutenberg™
electronic works in accordance with this agreement, and any
volunteers associated with the production, promotion and distribution
of Project Gutenberg™ electronic works, harmless from all liability,
costs and expenses, including legal fees, that arise directly or
indirectly from any of the following which you do or cause to occur:
(a) distribution of this or any Project Gutenberg™ work, (b)
alteration, modification, or additions or deletions to any Project
Gutenberg™ work, and (c) any Defect you cause.

Section 2. Information about the Mission of


Project Gutenberg™
Project Gutenberg™ is synonymous with the free distribution of
electronic works in formats readable by the widest variety of
computers including obsolete, old, middle-aged and new computers.
It exists because of the efforts of hundreds of volunteers and
donations from people in all walks of life.

Volunteers and financial support to provide volunteers with the


assistance they need are critical to reaching Project Gutenberg™’s
goals and ensuring that the Project Gutenberg™ collection will
remain freely available for generations to come. In 2001, the Project
Gutenberg Literary Archive Foundation was created to provide a
secure and permanent future for Project Gutenberg™ and future
generations. To learn more about the Project Gutenberg Literary
Archive Foundation and how your efforts and donations can help,
see Sections 3 and 4 and the Foundation information page at
www.gutenberg.org.
Section 3. Information about the Project
Gutenberg Literary Archive Foundation
The Project Gutenberg Literary Archive Foundation is a non-profit
501(c)(3) educational corporation organized under the laws of the
state of Mississippi and granted tax exempt status by the Internal
Revenue Service. The Foundation’s EIN or federal tax identification
number is 64-6221541. Contributions to the Project Gutenberg
Literary Archive Foundation are tax deductible to the full extent
permitted by U.S. federal laws and your state’s laws.

The Foundation’s business office is located at 809 North 1500 West,


Salt Lake City, UT 84116, (801) 596-1887. Email contact links and up
to date contact information can be found at the Foundation’s website
and official page at www.gutenberg.org/contact

Section 4. Information about Donations to


the Project Gutenberg Literary Archive
Foundation
Project Gutenberg™ depends upon and cannot survive without
widespread public support and donations to carry out its mission of
increasing the number of public domain and licensed works that can
be freely distributed in machine-readable form accessible by the
widest array of equipment including outdated equipment. Many small
donations ($1 to $5,000) are particularly important to maintaining tax
exempt status with the IRS.

The Foundation is committed to complying with the laws regulating


charities and charitable donations in all 50 states of the United
States. Compliance requirements are not uniform and it takes a
considerable effort, much paperwork and many fees to meet and
keep up with these requirements. We do not solicit donations in
locations where we have not received written confirmation of
compliance. To SEND DONATIONS or determine the status of
compliance for any particular state visit www.gutenberg.org/donate.

While we cannot and do not solicit contributions from states where


we have not met the solicitation requirements, we know of no
prohibition against accepting unsolicited donations from donors in
such states who approach us with offers to donate.

International donations are gratefully accepted, but we cannot make


any statements concerning tax treatment of donations received from
outside the United States. U.S. laws alone swamp our small staff.

Please check the Project Gutenberg web pages for current donation
methods and addresses. Donations are accepted in a number of
other ways including checks, online payments and credit card
donations. To donate, please visit: www.gutenberg.org/donate.

Section 5. General Information About Project


Gutenberg™ electronic works
Professor Michael S. Hart was the originator of the Project
Gutenberg™ concept of a library of electronic works that could be
freely shared with anyone. For forty years, he produced and
distributed Project Gutenberg™ eBooks with only a loose network of
volunteer support.

Project Gutenberg™ eBooks are often created from several printed


editions, all of which are confirmed as not protected by copyright in
the U.S. unless a copyright notice is included. Thus, we do not
necessarily keep eBooks in compliance with any particular paper
edition.

Most people start at our website which has the main PG search
facility: www.gutenberg.org.

This website includes information about Project Gutenberg™,


including how to make donations to the Project Gutenberg Literary
Archive Foundation, how to help produce our new eBooks, and how
to subscribe to our email newsletter to hear about new eBooks.

You might also like