Acoustic Guitar - 25th Anniversary Songbook

from Ani DiFranco - Up Up Up Up Up Up
Angry Anymore
Words and Music by Ani DiFranco
Gtr. 2: tuning, capo III:
(low to high) E-B-B-F#-B-E
Intro
Moderately fast q = 120 Play 7 times
                                        
    
** G5

*Gtr. 1 Riff A End Riff A Riff B End Riff B
mf
w/ fingers
 
let ring throughout
 
3 3 3 3 3

3 3 3 3 3 3 3 3 3 3 3
0 0 0 0 0 0 0 0 0 0 0 0 0
5 5 5 5 5 5 5 5 4 5 5 5 5
*Banjo arr. for gtr.

**Chord symbols reflect implied harmony.
 
       
Dsus4
         
   
 
Play 3 times
      
 
 
3 3 3 3 3 3
3 3 3 3 3 3 3 3
0 0 0 0 2 2 2 2 2 2 2 2
5 5 5 5 0 0 0 0
Gtr. 1 tacet
G Bm7#5
***(E) (G#m7#5)
 
Gtr. 1
      
Fill 1 End Fill 1
 
4 5
 

          
  
Gtr. 2 (acous.)
  
             


   
mf
  
let ring throughout
0 0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0 0
0 2 2 0 0 0 0 0 0 0
0 4 4 5
0 4
0 0 4
***Symbols in parentheses represent chord names respective to capoed guitar.
Symbols above reflect actual sounding chords. Capoed fret is “0” in tab.
C6sus2 G
(A6sus2) (E)
 

       
 

Gtr. 2
 
Riff C
              

 
  
  
0 0 0
0 0 0 0 0 0 0 0 0 0 0
0 0 0 0 0 0 2 2 0 0 0 0 0
0 4 4 5 5 5
5
5 0
Copyright © 1998 Righteous Babe Music

All Rights Administered by BMG Rights Management (US) LLC
All Rights Reserved Used by Permission 1
Bm7#5 C6sus2

(G#m7#5) (A6sus2)
    
 
1. Grow - ing
      
   
End Riff C

             
 



0 0 0 0 0
0 0 0 0 0 0 0 0 0 0
0 0 0 0 0 0
0 4 5
0 4 5
Verse
2nd time, Gtr. 1: w/ Riff A (8 times)
G
  
(E)
   
3
               
up it was just me and my mom a - gainst the world and all my
taught me how to wage a cold war with qui - et charm. But
       
    

Riff D
  
  
    
 


0 0
0 0 0
0 2 2 0 0 0
0 4 4 5 5
0
Bm7#5 C6sus2

(G#m7#5) (A6sus2)
  
        
         
sym - path - ies were with her when I was a lit - tle girl. But now I’ve
I just want to walk through my life un - armed. To ac -
      
 
End Riff D
       
  

0 0 0
0 0
0 0 0 0
0 5
4
4 5
Gtr. 2: w/ Riff D
G

(E)

 
3
      
          
seen both my par - ents play out the hands that they were dealt. And as each
cept and just get by like my fath - er learned to do, but with - out
Bm7#5 C6sus2
(G#m7#5) (A6sus2)


3
                   
year goes by I know more a - bout how my fath - er must have felt.
all the ac - cept - ance and get - ting by that got my fath - er through.
2
 Chorus
2nd time, Gtr. 1: w/ Riff A (6 times)
G
    
(E)
    
     

1., 2. I just want you to un - der - stand that I
3. I think I un - der - stand what all this
  Riff E
 
  

Gtr. 2
   

        
  

  
0
0 0 0 0 0
0 2 2 0 0 0 0 0
0 4 4 4 5 0 0 5
0
Bm7#5 C6sus2
         


(A6sus2)
 
(G#m7#5)
   


know what all the fight - ing was for. And
fight - ing is for. And ba - by,
      
 
End Riff E
        
   
0 0 0 0
0 0 0 0 0
0 0 0 0 0
0 0
5
4 5
Gtr. 2: w/ Riff E 2nd time, Gtr. 1: w/ Riff E To Coda 

G Bm7#5 C6sus2
           

        
(E) (G#m7#5) (A6sus2)
 
   
     
I just want you to un - der - stand that I’m not an - gry an - y - more. No,
2nd time, Gtr. 1: w/ Fill 2

Dadd4

(Badd4)

 
   




   
   

I’m not an - gry an - y -
(I’m not an - gry an - y -
     
   
   
Gtr. 2
    
 
     

0 0 0 0
0 4 4 0 0 4 4 0 0
0 0 0 0 0 0
0
7 7
7 7
Fill 2
      
Gtr. 1
   

 

3 3
3 3
2 2 2 2
0 0 0
3
Interlude
Gtr. 1: w/ Riff A (2 times)
Gtr. 2: w/ Riff C (2 times)
G
 (E)
    


more.
more.)
Bm7#5 C6sus2
(G#m7#5) (A6sus2)
       
Riff F End Riff F

              
Gtr. 1
     
3 3 3 3
3 3 3 3 3 3 3 3
0 0 0 0
4 0 5 4 0 5 4 0 5 4 0 5
1. 2.
Gtr. 1: w/ Riff A (3 times) Gtr. 1: w/ Riff B Gtr. 1: w/ Riff F (1st. meas.)
G Bm7#5 C6sus2 C6sus2
  

(E) (G#m7#5) (A6sus2) (A6sus2)
          
  
2. She 3. Night
Verse
Gtr. 1: w/ Fill 1 Gtr. 2 tacet
G Bm7#5
  
 
(E) (G#m7#5)
         
              
falls like peo - ple in - to love. We gen - er - ate our own light to com - pen - sate for the
 
Gtr. 2
  
   
0 2
C6sus2 G

(A6sus2) (E)
               
          
lack of light from a - bove. Ev - ’ry - time we fight a cold wind blows our way. But we can learn
4
D.S. al Coda
Bm7#5 C6sus2

(G#m7#5) (A6sus2)

  
   
       

like the trees; how to bend, how to sway an say. I,
 Coda
Dadd4

(Badd4)

 
   




   
    
I’m not an - gry an - y -
(I’m not an - gry an - y -
   
Gtr. 2
        
    
0
0 4 0
0
7 7 7 7
7 7 7 7
Outro
Gtr. 1: w/ Riff A (6 times) Gtr. 1: w/ Riff F
Gtr. 2: w/ Riff B (2 times)
G Bm7#5 C6sus2 G Bm7#5 C6sus2
 (E) (G#m7#5) (A6sus2) (E) (G#m7#5) (A6sus2)
          


more.
more.)
Dadd4 G

(Badd4) (E)
       
Gtr. 1
     


   
3 3 3

3 3 0
2 2 2 2 0
0 0 0 0
  
       

    
Gtr. 2
   
 
        



0 0 0 0 0 0 0 0

0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0 2
0
7 7 0
7 7 0
5
from The Avett Brothers - Emotionalism
The Ballad of Love and Hate

Words and Music by Scott Avett, Seth Avett and Robert Crawford
Capo III
Intro
Moderately q. = 52
Eb
Gtr. 1 *[C]
(acous.)
                 
   
  
           
mp
let ring throughout

1 1 1 1 1 1 1 1 1 1 1 1
0 0 0 0 0 0 0 0 2 0 0 0 0 0
2 0 2 2 2 0 2 X 2 0 2 2
3 3 3
*Symbols in parentheses represent chord names respective to capoed guitar.
Chord symbols reflect implied harmony.
Verse
Eb Bb
[C] [G]

    
         
     
1. Love writes a let - ter and sends it to hate,
               
                

1 1 1 1 1 1 0 0 0 0
0 0 0 0 0 0 0 0 0 0 0 0 0
2 0 2 2 2 2 2 0 0 0 0
3 3 3
3
Eb Ab
 
[C] [F]
      
           

“My va - ca - tion’s end - ing, I’m
            
       
  
 
  
       
 
 
**T T
1 1 1 1 1 1 1
1 1 1 1 1 1 1 1 1 1 1 1 1 1
0 0 0 0 0 0 0 2 2 2 2 2 2 2
2 0 2 2 2 2 0 2 3 3 3 3 3 3 3
3 3
1 1
**T = Thumb on 6th string
Copyright © 2007 First Big Snow Publishing, Ramseur Family Fold Music, Nemoivmusic and Truth Comes True Publishing
Eb
 
[C]
   
             

com - ing home late. The
     
      
                  

T
1 1 1 1
1 1 1 1 1 1 1 1 1 1 1
2 2 2 2 0 0 0 0 0 0 0 0
3 3 3 3 0 2 2 2 2 0 2
3 3
1
Ab Bb Eb Cm Eb Bb
[F] [G] [C] [Am] [C] [G]
    
                   

 
3
  
weath - er was fine and the o - cean was great and I can’t wait to see you a - gain.”
   
     


        
    
     

1 1 1 1
1 1 1 1 0 0 1 1 1 1 1 1
2 2 2 2 0 0 0 2 2 0 0
3 3 3 3 0 0 2 2 2
3 2 0 3
1 3 3
Verse
Ab Eb
    
[F] [C]
 
        

 
2. Hate reads the let - ter and
3. Love sings a song as she sails
   
Rhy. Fig. 1
   
              
  
  
   
   

T T T T

1 1 1
1 1 1 1 1 1 1 1 1 1
2 2 2 2 2 2 2 2 2 2 2 0 0
3 3 3 3 3 3 3 3 3 3 3 3 0 2 2 2
3 3
1 1 1 1
2
Bb Eb
 
[G] [C]
  
       
    

throws it a - way. “A,
through the sky. The

                   
            
0 0 0 0 1 1 1 1 1 1 1 1
0 0 0 0 0 0 0 0 0 0
0 2 0 2 2 2 0 2 2
3 3
3
Ab Eb
[F] [C]

                  
4
no one here cares if you go or you stay,

wa - ter looks blu - er through her pret - ty eyes.
 
                 
 
        
 
  
T T T
1 1
1 1 1 1 1 1 1 1 1 1 1 1
2 2 2 2 2 2 2 2 2 2 2 2 0 0 0 0
3 3 3 3 3 3 3 3 3 3 3 0 2 2 2
3 3
1 1 1
Ab Bb Eb Cm
[F] [G] [C] [Am]
         
   

       

I bare - ly e - ven no - ticed that you were a - way, I’ll
And ev - ’ry - one knows it when - ev - er she flies and
       
                 
  
    

T
1
1 1 1 1 1 1 1 0 0 1 1 1 1
0 0 0 0 0 0 2 2 2 0 0 0 2
2 0 2 2 3 0 2 2
3 3 2 0
1 3
3
Eb Bb Ab
[C] [G] [F]
    
5
          
  
see you or I won’t what - ev - er.”
al - so when she comes down.
End Rhy. Fig. 1
        


  
   
 
      
     

T T T T

1 1 1
1 0 1 1 1 1 1 1 1 1
0 0 2 2 2 2 2 2 2 2 2 2
0 2 0 0 3 3 3 3 3 3 3 3
3
3 1 1 1 1
Verse
Eb Bb Eb

[C] [G] [C]
 
  
       
     

4. Hate keeps his head up and walks through the street,
     
3
             
        
    
1 1 1 1 1 0 0 1 1 1 1
0 0 0 0 0 0 0 0 0 2 0 2 0
0 2 2 2 2 2 0 0 0 2 X
3 3 3
3
Ab
[F]
        
      
ev - er - y stran - ger and drift - er he
 
                     
     
  
T T T
1 1
1 1 1 1 1 1 1 1 1 1 1 1 1
0 0 0 0 0 2 2 2 2 2 2 2 2 2 2 2 2
0 2 2 0 2 2 3 3 3 3 3 3 3 3 3 3 3
3
1 1 1
4
Gtr. 1: w/ Rhy. Fig. 1 (last 7 meas.)
Eb Ab Bb
 
[C] [F] [G]
          
    



greets, and shakes hands with ev - er - y
Eb Cm Eb Bb Ab

[C] [Am] [C] [G] [F]

 
             
3
   
lon - er he meets with a se - ri - ous look on his face.
Verse
Gtr. 1: w/ Rhy. Fig. 1
Eb Bb Eb
      
[C] [G] [C]

        
   

5. Love ar - rives safe - ly with suit - case in tow,
6. Hate sits a - lone on the hood of his car,
7., 8., 9. See additional lyrics
Ab
[F]
         
       
car - ry - ing with her the good things we know,

with - out much re - gard to the moon or the
Eb Ab Bb
 
[C] [F] [G]
    
       

     
a rea - son to live and a
stars, la - zi - ly kil - ling the
Eb Cm Eb Bb Ab
[C] [Am] [C] [G] [F]
       

         
Play 5 times
    
rea - son to grow, to trust, to hold, to care.
last of a jar of the strong - est stuff you can drink.
5
Verse
Gtr. 1: w/ Rhy. Fig. 1 (1st 4 meas.)
Eb Bb Eb
 
[C] [G] [C]
 
                 


10. Hate stum - bles for - ward and leans in the door,
Ab Eb
      
[F] [C]
  

    
     
wear - y head hung down, eyes to the floor.
 
Gtr. 1
     

3
          
     
  
  
T T T
1 1
1 1 1 1 1 1 1 1 1 1 1
2 2 2 2 2 2 2 2 2 2 2 2 0 0 0
3 3 3 3 3 3 3 3 3 3 3 0 2 0 2 0
3
1 1 1
Ab Bb Eb Cm
   
[F] [G] [C] [Am]
       
        
He says, “Love, I’m sor - ry,” and she said, “What for? I’m yours
       
                 
  
    

T
1
1 1 1 1 1 1 1 0 0 1 1 1 1
0 0 0 0 0 0 2 2 2 0 0 0 0 2
2 0 2 2 3 0 2 2
3 3 2 0
1 3
Eb Bb Ab
    
[C] [G] [F]
  
      
    

and that’s it, what - ev - er.” “I
         

       
 
 
 
     
T T T T
1 1 1
1 0 1 1 1 1 1 1 1 1
0 0 2 2 2 2 2 2 2 2 2 2
0 2 0 0 3 3 3 3 3 3 3 3
3
3 1 1 1 1
6
Bb Eb Cm Eb Bb
 
[G] [C] [Am] [C] [G]
   

                   

should not have been gone for so long, I’m yours and that’s it, for -
                    

              
   
T
1 1 1 1 0 0 0 1 1 1 1 1 1 0 0 0 0
2 2 2 2 0 0 0 0 0 0 0 2 2 0 0 0 0 0 0
3 3 3 3 0 0 2 0 2 2 2 2 0 0 0 0
3 2 0 3
1 3 3
Ab Eb Bb Ab
[F] [C] [G] [F]
 
 
rit.
                
    
ev - er, you’re mine and that’s it, for - ev - er.”
       
          
 
  
 
rit.
T T T
1 1
1 1 1 1 1 1 1 1 0
2 2 2 2 2 2 0 0 0 0
3 3 3 3 2 0 0
3
1 1 3 1
Additional Lyrics
7. Love takes a taxi, a young man drives

As soon as he sees her, hope fills his eyes.
But tears follow after, at the end of the ride,
’Cause he might never see her again.
8. Hate gets home lucky to still be alive.

He screams over the sidewalk and into the drive.
The clock in the kitchen says two fifty-five,
And the clock in the kitchen is slow.
9. Love has been waiting, patient and kind,

Just wanting a phone call or some kind of sign,
That the one that she cares for, who’s out of his mind,
Will make it back safe to her arms.
7
from The Beatles - (White Album)
Blackbird
Words and Music by John Lennon and Paul McCartney
Intro
Moderately slow q = 93
** G Am7 G/B G

***

*Gtr. 1 (acous.)
       
                     
   
mf
w/ fingers
let ring throughout

0 1 3 3 12 12 12 12 12 12 12
0 0 0 0 0 0 0 0 0 0
0 2 2 10 10 10 10
3
*Paul McCartney ***Strum upstemmed notes w/ index finger of right hand
**Chord symbols reflect implied harmony. whenever more than one upstemmed note appears.
  Verse
  

G Am7 G/B G
       

      
1., 2., 3. Black - bird sing - ing in the dead of night,
         
                     
   
 0 1 3 3 12 12 12 12 12 12 12
 0
0
0
0
2 2 10
0 0
10
0 0
10
0 0
10
0 0
C A9/C# D'4 B7/D# Em Eb+

     


      
       

 
(1., 3.) take these bro - ken wings and learn to fly.
(2.) take these sunk - en eyes and learn to see.
              
                  
 
3 5
5 0 7 0 8 8 8 8 8 8 8 8
0 0 0 0 0 0 0 0 0 0 0 0
3 4 5 6 7 7 6 6
Copyright © 1968, 1969 Sony/ATV Music Publishing LLC

Copyright Renewed
All Rights Administered by Sony/ATV Music Publishing LLC, 424 Church Street, Suite 1200, Nashville, TN 37219
International Copyright Secured All Rights Reserved 1
To Coda 2 
D'4 A9/C# C Cm G/B A7
   
         
3
      
All your life, you were on - ly wait - ing for the mo -
                   
   
     
      
        
   
*
3
7 0 5 5 5 5 4 4 4 4 3 3 3 2 2 2 2
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
5 4 3 3 3 3 2 2 0 0
*pluck
1.
Interlude

D7'4 G C G/B A7 D7sus4 G
         
   
- ment to a - rise.
                      
            
              
   

**
2 0 0
1 1 1 1 0 0 0 5 3 2 2 2 2 1 1 1 1 0 0 0
0
0 0
0
0 0
0
0 0
0
0
3
0
2
0
0
0 0
0
0
0
0 0
0
0 0
0
0 0
0
0

3 3 3 3
**pluck

2.
Bridge
D7'4 G F'2 Em Dm('4) C

    

    
†
     
- ment to be free. Black - bird fly,
     
   

              
 
***
2
1 1 1 0 0 0 10 8 6 5
0 0 0 0 0 0 0 0 0
0 0 0 0
8 7 5 3
3 3
***pluck †Vocal doubled, next 10 meas.

Bb6 C F'2 Em Dm('4) C
    

 
    
  
black - bird fly
        
                  
    
3 3 3 3 5 5 5 10 8 6 5
0 0 0 0 0 0 0 0 0 0 0 0
1 1 3 3 8 7 5 3
2
To Coda 1 
Interlude
 
Bb6 A7 Dm7'4 G/D G Am7 G/B
         
          
in - to the light of the dark black night.
           
      
         
       
1
3 3 3 3 2 2 2 1 1 1 0 0 1 3 3
0 0 0 0 0 0 0 0 0 0 0 0
0 0 0
1 1 0 0 0 2 2
3
G C A9/C# D'4 B7/D# Em Eb+ D'4 A9/C#
                         
                 
              
   

 
* * *
3 5 3
12 12 12 12 12 12 12 12 5 0 7 0 8 8 8 8 8 8 8 8 7 0
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
0
10 10 10 10 10 3 4 5 6 7 7 6 6 5 4
*pluck
D.S. al Coda 1
C Cm G/B A7'4 D7sus4 G
                 
                                   
       
0
5 5 5 5 4 4 4 4 3 3 3 3 2 2 2 1 1 1 1 0 0 0
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
0 0 0 0 0
3 3 3 3 2 2 0 0
3 3
 Coda 1
Interlude
 
G Am7 G/B G
         
night.
                      
                               
   
**
0 1 3 3 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
X
0 2 2 10 10 10 10 10 10 10
3
**strum
3
A tempo D.S.S. al Coda 2
 Am7 G/B C G/B A7 D7sus4
       
         
                  
  
     
rit.
* *
12 12 12 12 12 12 12 12 0 1 3 5 3 2 1 1 1 1 1
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
0 0 0 0
10 10 10 10 10 0 2 3 2 0
3
*strum
 Coda 2
G/B A7'4 D7sus4 G

          

          

you were on - ly wait - ing for this mo - ment to a - rise.
 
         
    


    

     
    
3 3 2 2 2 1 1 1 1 0 0 0
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
0 0 0 0 0 0 0
2 2 0 0
3 3
C G/B A7'4 D7sus4 G


        
 
      
3
         
You were on - ly wait - ing for this mo - ment to a - rise.
   
        

    

     
     
5 3 2 2 2 1 1 1 1 0 0 0
0 0 0 0 0 0 0 0 0 0 0 0 0 0
0 0 0 0 0 0
3 2 0 0
3 3
C G/B A7'4 D7sus4 G
 
    
rit.
 
   
           
  
You were on - ly wait - ing for this mo - ment to a - rise.

    
         

  

 





   
rit.
 **
3
5 3 2 2 2 1 1 1 1 0 0
0 0 0 0 0 0 0 0 0 0 0
0 0 0 0 0 0
3 2 0 0 X
3
**Pat strings with fingers
of right hand.
4
from Led Zeppelin - Physical Graffiti
Bron-Yr-Aur Music by Jimmy Page
Open C6 tuning:
(low to high) C-A-C-G-C-E
A
*C
   
Gtr. 1 (acous.)
            
                   
   
** p cresc. poco a poco
w/ fingers
let ring throughout
0 0 0 0

0 0 0 0
0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0
0 1 3 0 1 3 0 1 3 0 1 3
0 0 0 0
*Chord symbols reflect implied harmony.
**Fade in
   
           
                   
   mf

0 0 0 0
0 0 0
0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0
0 1 3 0 1 3 0 1 3 0 1 3
0 0 0 0
B
G/B C G II C G/B
     


             
              
 

 
 
3 0 0 3 0
2 0 0 5 0 0 2 2
0 0 0 0 4 4 0 0 0 0
2 2 0 0 0 0 0 0 2 0
2 2 3 5 5 3 2 2
0 0
C G II C F'9
  
    

 
       
           
 
0 0
0 5 0 0 0
0 0 4 4 0 0 0 0
0 0 0 0 0 0 0 0
3 5 5 3 0 0
0 0 5
© 1975 (Renewed) FLAMES OF ALBION MUSIC, INC.

All Rights Administered by WB MUSIC CORP.
Exclusive Print Rights for the World Excluding Europe Administered by ALFRED MUSIC PUBLISHING CO., INC.
C F'9 C G/B
    
            
    

          
 
0 3 0
0 0 0 2 0
0 0 0 0 0 0 0 0
0 0 0 0 0 0 2 2
0 1 3 3 0 0 0 1 3 2 2
0 5 0
C
II
C G C C G/B Asus2 Am7

               
           
   
  
   
  

0
0 5 0 0 0 2 4 0
0 0 4 4 0 0 0 0 4 0
0 0 0 0 0 0 0 2 4 4

3 5 5 3 2 3 2 0 0
0 0 0
C G/B Asus2 Am7 C G/B Asus2
       


   
        
   
      
   
0 2 4 0 0 2 4 5 4 4 5
0 0 4 0 0 0 4 4
0 2 4 4 0 2 4 4
2 3 2 0 0 1 3 2 0 0
A6sus2 Asus2 F5 G5 C
 


           
   

 
 
   
      
  
        

Â
4 4 5 4 4 5 5 5 7 0 0 0
4 4 4 4 4 5 5 5 7 7 0 0
4 4 4 4 4 5 5 5 7 7 0 0
0 0 0 0 0 1 3
5 5 7 0
F5 G5 C F5 G5 C
     
 
   
         
      

   
      
  
     
     

Â Â
5 5 7 0 0 0 5 5 7 0 0 0
5 5 7 7 0 0 5 5 7 7 0 0
5 5 7 7 0 0 5 5 7 7 0 0
0 1 3 0 1 3
3 5 5 7 0 5 5 7 0
2
D
F5 G5 C G/B C
   

   
 
   
  
   
        
 
      
 
 
3 0
Â
5 5 7 0 0 2 0 0
5 5 7 7 0 0 0 0 0 0
5 5 7 7 0 0 2 2 0 0
0 1 3 2 2 3
5 5 7 0 0
G II C G/B C G II
    
           

         
  
 
       
 
0 3 0 0
5 0 0 2 0 0 5 0
4 4 0 0 0 0 0 0 4 4
0 2 0 0 2 2 0 0 0 0
5 3 3 2 2 3 5 5
0 0
C F'9 C F'9
 
            
             

  
 
0 0
0 0 0 0
0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0
3 0 0 0 3 0 0
0 5 0 5
C G/B C G II
     
            
              
 
3 0 0
0 2 0 0 5 0
0 0 0 0 0 0 4 4
0 0 2 2 0 0 0 0
0 1 3 2 2 3 5 5
0 0
E
C C G/B Asus2 C G/B
                

             
 

0 0 0 2 4 5 4 0 0 2
0 0 0 0 4 4 0 0
0 0 0 2 4 4 0 2
3 3 2 0 0 2 3 2
0
3
Asus2 C G/B Asus2 A6sus2 Asus2
15ma loco
  
        
         

          
     
Harm.
4 5 4 0 0 2 4 4 5 4 4 5 4
4 4 0 0 4 4 4 4
4 4 0 2 4 4 4 4
0 0 2 3 2 0 0 0 0
A6sus2 Asus2 F5 G5 C F5 G5
   

     
     
     

   
   
       

        
 
Â
5 4 5 5 7 0 0 0 5 5 7 0
4 4 4 5 5 5 7 7 0 0 5 5 7 7
4 4 4 5 5 5 7 7 0 0 5 5 7 7
0 0 0 1 3
5 7 0 3 5 5 7
C F5 G5 C F5 G5
         
       
         
        

     
   
0 0 5 7 0 0 0 5 7
0 0 5 5 7 7 0 0 5 5 7 7
0 0 5 5 7 7 0 0 5 5 7 7
0 3 0 1 3
0 3 5 7 0 3 5 7
Asus2 A6sus2 Asus2 A6sus2 Asus2 A6sus2 Asus2
  
            
               
4 5 4 5 4 5 4
4 4 4 4 4 4 4 4
4 4 4 4 4 4 4 4
0 0 0 0 0 0 0 0
C'4 C C'Ê C

                   
          

 
    
rit.

0 0 0 0 0 0 0 0
0 0 5 5 5 5 5 5 0
0 5 7 7 7 7 7 7 0
5 7 0 0 0 7 0 7 0
7 3
0
4
from Mississippi John Hurt - Library of Congress Recordings, Vol. 1
Corrina
Traditional
*Tune down approx. 1 1/2 steps:

(low to high) C#-F#-B-E-G#-C#
Intro
Moderately slow h = 86
C
  
    
   
        
Gtr. 1 (acous.)
  
                  

mp

w/ fingers

0 0 0 0 0

1 1 3 1 3 1
0 0 0 0 0 0 0 0 2
2 2 2 2 2 2 2 2
3 3 3 3 3 3 3 3 3
*Recording sounds approx. 1/4 step flat.
F C
            
  
         
    
   
**T
0 0 0
1 1 1 1 1
2 2 2 0 0 0
3 3 3 2 2 2 2
3 3 3
1 1 1 1 3
G5 C G C
     
    
1. Cor - ri - na, Cor -
2. I left Cor -

   
              
  

        

        
0 0
3 3 3 3 1
0 0 0 0 2 0
0 0 0 0 2 0 2
3 2 3 0
0 3 3 3 3 3
Copyright © 2015 by HAL LEONARD CORPORATION

Verse
C


     
 

       

 

ri - na, where’d you stay last night? Cor - ri - na, Cor -
ri - na a - cross the sea. I left Cor -
  
Riff A
        
         
                
0 0 0 0 0
1 1 3 1 3 1
0 0 0 0 2
2 2 2 2 2 2
3 3 3 3 3 3 3 3
F C
 

       
          

ri - na, where’d you stay last night? Come in this morn -
ri - na way a - cross the sea. She won’t write me no
 
End Riff A
   
     
      
          
    
   
0 0 0
1 1 1 1 1
2 2 2 0 0 0
3 3 3 2 2 2 2
3 3 3
1 1 1 1 3
1. 2.
 
G5 C G C C
        
      
      
- in’, sun was shin - in’ bright. 3. Cor - ri - na, Cor -
let - ter, she don’t care for me.


           
        
  
   
                 
  


0 0
3 3 1
0 0 0 0 0 0 0
0 0 0 0 2 0 X 1 2 2 1 2
0 3 2 3 0 3 0
3 3 3 3
Verse
Gtr. 1: w/ Riff A (1st 7 meas.)
C

       
  
     
 
ri - na, where’d you stay last night?
2
G5 C G C
      
    
4. Oh, Cor - ri - na, Cor -
  
  
Riff B End Riff B
                  
Gtr. 1

           
         
0 0 0 0 0
1 1 3 3 3 3 1 1
0 0 0 0
2 2 0 0 0 0 2 0 2 2
3 3 3 2 3 3
3 3 3 3 3
Verse
Gtr. 1: w/ Riff A
C
    
 
  
     
 
ri - na. I love Cor -
F C
         
    

       

ri - na, tell her what I do. Don’t love no -
G5 C G C

       
     

bod - y in this world but you.
    
    
Gtr. 1
       

       
         
0 0
3 3 1
0 0 0 0 0 2
0 0 0 0 2 0 2
0 3 2 3 3
3 3 3 3
Outro
Gtr. 1: w/ Riff A (1st 7 meas.) 1st time, Gtr. 1:w/ Riff B
 
2nd time, Gtr. 1: w/ Riff B (1st 3 meas.)
C F C
       
1. 2.
   
G5 C G C C
   

  
Gtr. 1
 
     
  
   

 



1 1
0 0 2 0 0
0 1 2 2 2
3 0 0 3 3 3
3
from Woody Guthrie - The Asch Recordings
Do Re Mi
Words and Music by Woody Guthrie
Capo IV
Intro
Moderately q = 121
B E B E
*[G] [C] [G] [C]
Gtr. 1
(acous.)
     
               
              
 
mf
let ring let ring let ring throughout

1 0 0 0 1
0 0 0 0 0 0 0 0 0 0
2 2 0 0 2 0 0 0 0 0 0 0 2
3 3 3 3 0 0 2 2 0 3
3 3
B E
[G] [C]
 
        
    
 
       
          
  
  
0
1 1 1 1 1 1 1 1 1 1
0 0 0 0 0 0 0 0 0 0 0
2 0 2 2 2 2 2 2 0 0 2 0 2 0 2 0 0
3 3 0 2 3 3 3 0
0 3 3
Badd4 E B E
[Gadd4] [C] [G] [C]
   
                   
           
   
    
   
0 0 0 3 3 3 0 0 0
1 1 1 1 1 1 0 0 1 1 1 1 1 1 1 1
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
0 0 0 2 0 2 2 2 2 2 0 0 2 2 2 2 2 2 2
0 2 2 3 3 3
3
WGP/TRO - © Copyright 1961 (Renewed), 1963 (Renewed) Woody Guthrie Publications, Inc. & Ludlow Music, Inc., New York, NY
administered by Ludlow Music, Inc.
International Copyright Secured
All Rights Reserved Including Public Performance For Profit
Used by Permission 1
Verse
E A
[C] [F]

                
1. Lots of folks back East, they say, is leav - in’ home ev - ’ry day,
Rhy. Fig. 1
       
            
   
0 1 1 1 1
1 1 1 1 1 1 1 1
0 0 0 0 2 2 2 2 2 2
2 2 2 2 3 3
3 3 3 3
B E
[G] [C]
 
        
3
          
  
beat - in’ the hot old dust - y way to the Cal - i - for - nia line.
End Rhy. Fig. 1
  
              
   
0
0 0 0 0 0 0 1 1 1
0 0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0 0 2 0 2 2 2
3
3 3 3
A
[F]
 
              
    
’Cross the des - ert sands they roll, get - tin’ out of that old dust bowl, they
        
      
           
1 1 1 1
1 1 1 1 1 1 1 1 1
0 0 0 0 0 2 2 2 2 2 2
2 0 2 2 2 2 2 2 3 3
3 3
2
B E
[G] [C]

      
3
       
 

 
think they’re go - in’ to a sug - ar bowl, but here’s what they find.
        
              
   
0
0 0 0 0 0 0 1 1 1
0 0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0 0 2 0 2
3
3 3 3
B
[G]
 
   
          

Now, the po - lice at the port of en - try
          
              
  
1 1 1 1 1 1 0 0 0 0
0 0 0 0 0 0 0 0 0 0
2 2 2 2 2 2 0 0 0 0 0 0
3 3 2 0
3 3

     

         

say, “You’re num - ber four - teen thou - sand for to -
            
                 
  
0 0 0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
0 2 2 2
3 3 3 3
3
 Chorus
E
[C]
   
      

 


      

 
day.” Oh, if you ain’t got the do re mi, folks,
boys,
            
                          
  
0
0 0 0 0 1 1 1 1 1 1 1 1 1
0 0 0 0 0 0 2 0 0 0 0 0 0 0
0 0 0 0 0 2 2 2 2 0 2 2 2 0 2 2 2 2 0 2 2 2
2 3 3 3 3
3 3
B
[G]
 
        

   
you ain’t got the do re mi, why, you
          
                   

1 1 1 1 1 1 0 0 0 0
0 0 0 0 0 0 0 0 0 0 0
2 2 0 2 2 2 2 2 2 0 0 0 0 0 0
3 3 0 2
3 3
  
 

        

      
bet - ter go back to beau - ti - ful Tex - as, O - kla - ho -
         
              
  
0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0 0 0 0
0 2 2
3 3 3 3
4
E
[C]
 
           
 
 
- ma, Kan - sas, Geor - gia, Ten - nes - see. Cal - i -
        
                
  
0
0 0 0 0 0 1 1 1 1
0 0 0 0 0 0 0 0 0 0
0 0 0 0 0 0 2 0 2 2 2 2
2 3 3
3 3
  
     
    
   
for - nia is a gar - den of E - den, a
         
                      
0 0
1 1 1 1 1 1 1 1 1
0 0 0 0 0 0 0 0 0 0 0
2 0 2 2 2 2 0 2 2 0 2 2 0 2
3 3 3 3
A
[F]
 
            
 
par - a - dise to live in or see, but be -
         
                    

1 1 1 1 1
1 1 1 1 1 1 1 1 1 1
0 0 0 0 0 2 0 2 2 2 2 2
2 0 2 2 2 2 3 3 3
3 3 0
5
To Coda 
E
 
[C]
    

         
lieve it or not, you won’t find it so hot if you
        
 
               
  

1 1 1 1 1 1 1 1 1
0 0 0 0 0 0 0 0 0
2 0 2 2 2 2 2 2 2 0 2 2 2 2 2
3 3 3 3
0
B E
 
[G] [C]
       

 
ain’t got the do re mi.
             
                 
  
0
1 1 0 0 1 1 1 1 1 1 1 1 1 1
0 0 0 0 0 0 0 0 0 0 0 0 0 0
2 2 2 0 0 0 2 2 2 2 2 2 2 2 2 2
3 3 3
3
Interlude
Badd4 E Badd4
[Gadd4] [C] [Gadd4]
             
                    
          
   
1 1 1 1 1 1 1 1 1 1 1 1 1
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
0 0 0 2 2 0 0 0 2 0 0 0 0 0 0 0 0 0
3 3 3 0 0 2 2
0 3 3 0 3
E B E
[C] [G] [C]
   
   
     
  
     
 
        
     
   
1 1 1 1 1 1 1 1 1 1
0 0 0 0 0 0 0 0 0 0 0 0 0
0 0 2 2 2 2 0 0 2 2 0 0 2 2 0 0
0 3 3 0 3 3 3 3 0
0 3 3 0
6
B E B E
[G] [C] [G] [C]
             
                      
     
1 1 1 1 1 1 0 0 0 1
0 0 0 0 0 0 0 0 0 0 0 0 0 0
0 0 2 X 0 2 2 2 2 2 0 0 0 2 2 2 2 2
0 2 2 2 3 3 2 3
0 3 0
Verse
E A
[C] [F]

                   
2. You want to buy you a home or farm, that can’t deal no - bod - y harm, or
B E
 
[G] [C]
  


  
       
take your va - ca - tion by the moun - tains or sea.
A
[F]
   
               

           
Don’t swap your old cow for a car, you bet - ter stay right where you are, you
    
Gtr. 1
            

                 
1 1 1 1 1
1 1 1 1 1 1 1 1 1 1 1 1
0 0 0 0 0 0 0 2 2 2 2 2 2 2
2 2 2 2 2 2 2 2 2 2 3 3
3 3 3
B E

[G] [C]
     

   

 

 
bet - ter take this lit - tle tip from me. ’Cause I
         
             
 
0 0 0 0 1 1 1 1 1
0 0 0 0 0 0 0 0 0
0 0 0 0 0 0 2 0 2 2
3 3
3 3
7
B
 
[G]
         

  
 
look through the want ads ev - ’ry day, but the head-
         
               
   
0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0 0
2 0 2 0 2 2
3 3 3 3 3

D.S. al Coda
 
   
3
         
- lines on the pa - pers al - ways say: If you
        
        
     
   
0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0 0
2 2 0 2
3 3 3 3
 Coda
B E
 
[G] [C]
       

 
ain’t got the do re mi.
          
                 
  
0 0
0 0 0 0 1 1 1 1 1 1 1
0 0 0 0 0 0 0 0 0 0 0
0 0 0 0 0 0 2 0 2 2 2 2 2 2 2
3 3
3 3 0
Outro
Begin fade Fade out
E B E
[C] [G] [C]
        
      
 
rit.
1 1 1
0 0 0 0 0 0
0 2 0 0 2 2 2
3 0 3 3
3
8
from Bob Dylan - The Freewheelin’ Bob Dylan
Don’t Think Twice, It’s All Right

Words and Music by Bob Dylan
Capo IV
Intro
Moderately q = 108
E B7 C#m E/B A
Gtr. 1 * (C) (G7) (Am) (C/G) (F)
 
(acous.)

                     
      
mf
 
w/ fingers
let ring throughout
**T T
0 1

1 1 0 1 1 0
0 0 0 0 2 0 2 2
2 2 0 0 2 2 3 3
3 0
3 3 3 3 1 1
*Symbols in parentheses represent chord names respective to capoed guitar. **T = Thumb on 6th string
Symbols above represent actual sounding chords. Capoed fret is “0” in tab.
E/B B7 E/B
 
(C/G) (G7) (C/G)
       
1. Well, it ain’t
    
                   
       
0 0 1
1 0 1 1 1 1
0 0 0 0 0 0 0
2 2 0 0 2 2 2 2
3
3 3 3 3 3 3 3
Verse
E B7 C#m E/B
        
 

(C) (G7) (Am) (C/G)
     
 

no use to sit and won - der why, babe,

      
 
         
   
      


0 1
1 1 1 0
0 0 0 0 2 0
2 2 0 0 2 2 2 2
3 0 0 0
3 3 3 3
Copyright © 1963 Warner Bros. Inc.

Copyright Renewed 1991 Special Rider Music
International Copyright Secured All Rights Reserved
Reprinted by Permission of Music Sales Corporation 1
4th time, Gtr. 1: w/ Fill 2 (2 times)
A E B7
 
(F) (C) (G7)
       

 
       
if - ’n you don’t know by now. And it
              
         
    
  
T T T
0 1
1 1 1 0 1
2 2 2 0 2 0 0 0 0
3 3 3 3 2 2 0 0
3 3
1 1 1 3 3 3
E B7 C#m E/B
  

     
(C) (G7) (Am) (C/G)
     
 

ain’t no use to sit and won - der why, babe.
 
          
       
       
0 1
1 1 1 1
0 0 0 0 2 0
2 2 0 0 2 2 2 2
3 0 0 0
3 3 3 3
F#7/A# B7
 
(D7/F#) (G7)
    
*
        


It - ’ll nev - er do some - how. When your roost -
   
 






            
       
0 1
1 0 0 0 0 0
2 2 2 2 0 0 0 0
0 0 0 0 0 2 3 3 3
2 2 2 2 3 3 3 3
*Sung behind the beat.
2nd, 3rd & 4th times, Gtr. 1: w/ Fill 1

E/B E7



   
(C/G) (C7)
      
  
- er crows at the break of dawn,
             

 

 

 


       
1 1 1 1 1 1 1 0
0 0 0 0 3 3 3 3
2 2 2 2 2 2 2 2
3 3 3 3
3 3 3 3
2
A F#7/A#
  
(F) (D7/F#)
                  
look out your win - dow and I’ll be gone.
  
                      
       
T T T T
2 0 2
1 1 1 0 1 1
2 2 2 2 2 2 2 2
3 3 3 3 0 0 0 0
1 1 1 1 2 2 2 2
E/B B7 C#m E/B A
 
  
(C/G) (G7) (Am) (C/G) (F)
       
       


You’re the rea - son I’m a, trav - el - in’ on, but don’t

                       
       
T T
1
1 0 1 0 1 0
0 0 0 0 0 2 0 2 2
2 2 0 0 2 2 3 3
0
3 3 3 3 3 1 1
1.
E/B B7 E
  


(C/G) (G7) (C)
        
  

think twice, it’s all right.
Fill 1 End Fill 1
                  
    
     
1 1 0 0 1 1 1
0 0 0 0 0 0
2 2 2 3 3 2 2 2 2
3 3
3 3 3 3 3 3
Interlude
E B C#m E/B
(C) (G) (Am) (C/G)
                        
      

1 1 0 1 1 1 1 0
0 0 0 0 2 2 2 0
2 2 0 0 2 2 2 2
3 0 0
3 3 3 0 3
3
A E
(F) (C)
              

        
  
   
T T T T
1 1 1 0 1 1 1 1
2 2 2 2 0 0 0
3 3 3 3 2 2 2 2
3 3
1 1 1 1 3 3
2.
E
   
(C)
        
2. And it ain’t
         
        
  


1 1 1
0 0 0
2 2 2 2 2
3 3 3 3
3 3 3
Interlude
E B7 C#m E/B
(C) (G7) (Am) (C/G)
 
             
         
       
0 1
1 0 1 1 1 0
0 0 0 0 0 2 2 0
2 2 0 0 2 2 2 2
3 0 0 0
3 3 3 3
A E
(F) (C)
                   

   
   
    
T T T
1 1 1 1 1 1 1
2 2 2 0 2 0 0 0
3 3 3 3 2 2 2 2
3 3 3
1 1 1 3 3
4
3.
Interlude
E E B7
    
  
(C) (C) (G7)
         
3. So, it
     
     
              
       


0 1
1 1 0
0 0 0 0 0 0
2 2 2 2 2 2 0 0
3 3 3
3 3 3 3 3
C#m E/B A
(Am) (C/G) (F)
              

         
       
T T T T
1 1 1 0 1 1 1 0
2 0 0 0 2 2 0 2 2
2 2 2 2 3 3 3 3
0
3 3 3 1 1 1 1
E/B B7 E/B E
(C/G) (G7) (C/G) (C)

Fill 2 End Fill 2
                      
       
1
1 1 0 1 1 1 1
0 0 0 0 0 0 0
2 2 0 0 2 2 2 2
3
3 3 3 3 3 3 3
4.
   
(C)
       

4. So
         
 
        
  


0
1 1 1 1
0 0 0 0
2 2 2 2 2 2
3 3 3
3 3 3
5
Outro
E B7 C#m E/B
(C) (G7) (Am) (C/G)
  
                     
       
0 1
0 1 1 1 0
0 0 0 0 2 2 2 0
2 2 0 0 2 2 2 2
3 0 0 0
3 3 3 3
A E
(F) (C)
                

       
    
  
T T T
1 1 1 1 0 1 1 1 1 1
2 2 2 0 2 0 0 0 0
3 3 3 3 2 2 2 2
3 3 3
1 1 1 3 3
B7 C#m E/B
(G7) (Am) (C/G)
         
               
       
0 1
1 1 0 1 1 1
0 0 0 0 0 2 2 2 2 0
2 2 0 0 2 2 2 2
3 0 0 0
3 3 3 3
F#7/A# B7
(D7/F#) (G7)
                    
   
       
1 1 1 0 0 0 0 0
2 2 2 2 0 0 0 0
0 0 0 0 0 2 3 3 3
2 2 2 2 3 3 3 3
E E7
(C) (C7)

             

 

 

 


      

0
1 1 1 1 1 1 1 0
0 0 0 0 3 3 3 3
2 2 2 2 2 2 2 2
3 3 3 3 3
3 3 0
6
A F#7/A#
(F) (D7/F#)
               

 

 

 


       
T T T T
1 1 1 1 0 1 1 1 1 1
2 2 2 2 2 2 2 2
3 3 3 3 0 0 0 0
1 1 1 1 2 2 2 2
E/B B7 C#m E/B A

(C/G) (G7) (Am) (C/G) (F)
   
                         
       
T T
0 1 0
1 0 0 1 0 1 1 0
0 0 0 0 0 0 2 2 0 2 2
2 2 0 0 2 2 3 3
0
3 3 3 3 3 1 1
E/B G#m/B E/B A E/B

(C/G) (Em/G) (C/G) (F) (C/G)
        
 
               
       

T
0
1 1 0 0 1 0 1 0 1 1
0 0 0 0 0 0 0 0 2 2 0
2 2 2 2 2 3 2
3 3 3
3 3 3 3 1 3
Additional Lyrics
2. And it ain’t no use in turnin’ on your light, babe,

The light I never knowed.
And it ain’t no use in turnin’ on your light, babe.
I’m on the dark side of the road.
But I wish there was somethin’ you would do or say
To try and make me change my mind and stay.
But we never did too much talkin’ anyway,
But don’t think twice, it’s all right.
3. So it ain’t no use in callin’ out my name, gal,

Like you never done before.
And it ain’t no use in callin’ out my name, gal.
I can’t hear you anymore.
I’m a, thinkin’ and a, wonderin’, walkin’ down the road.
I once loved a woman, a child I am told.
I give her my heart, but she wanted my soul,
4. So long, honey, babe.

Where I’m bound, I can’t tell.
Goodbye’s too good a word, babe,
So I’ll just say fare thee well.
I ain’t sayin’ you treated me unkind.
You coulda done better, but I don’t mind.
You just kinda wasted my precious time,
7
from Elizabeth Cotten - Freight Train and Other North Carolina Folk Songs
Freight Train
Words and Music by Elizabeth Cotten
Tune down 1 step:

(low to high) D-G-C-F-A-D
Intro
Moderately slow h = 95

C/G G7
Gtr. 1
       
(acous.)
 
    

       
      
mp
w/ fingers
let ring throughout
3 0 3 1

3 1 0 0
0 0
2 2 2 2 0 0 0 0
3 3 3 3 3 3 3
C/G
Fill 1 End Fill 1
           
     
                 
      
3 1 0 3 0
3 1 1
0 0 0 0 0
0 0 3 3 2 2 2 2
3 3 3 3 3 3 3
E7 F
     
Fill 2 End Fill 2
          
                
       
0 0
3 3 1 1 3
1 1 1 1 2 2
2 2 2 2 3 3 3 3
0 0 0 0 1 1 1 1
C/G G7 C
  

         
         

       
  
     
3
0
1 1 0 1 1
0 0 2 0 0 0
2 2 0 3 2 2 2 2
3 3
3 3 3 3 3 3
Copyright © 2015 by HAL LEONARD CORPORATION

E E7 F
      
 
     
            
       
0 0
0 3 3 1 1 3
0 1 2 2
2 2 2 2 3 3 3 3
0 0 0 0 1 1 1 1
C/G G7 C
  
   
            
        
      
       
3
0
1 1 0 1 1 1
0 0 2 0 0 0 0
2 2 0 3 2 2 2 2
3 3
3 3 3 3 3 3
Verse
   
C/G G7

 
   
 
  
1. Freight train, freight train run so fast.

2. When I am dead and in my grave,
3. When I die, Lord, bur - y me deep
4. See additional lyrics
 
     
   
        
      


3 0 3 1
3 1 0 0
2 2 2 2 0 0 0 0
3 3 3 3 3 3 3

C/G
       
   
Freight train, freight train run so fast.
no more good time here I pray.
way down on old Chest - nut Street so
       
         
      
3 1 0 3 0
3 1
0 0 3 3 2 2 2 2
3 3 3 3 3 3 3
2
E E7 F
 
        
 
     
Please don’t tell what train I’m on. They won’t
Place the stone at my head and feet and tell ’em all
I can hear old num - ber nine as
             
                 
       
0 0
0 3 1 1 3
0 1 1 1 2 2
2 2 2 2 3 3 3 3
0 0 0 0 1 1 1 1
C/G G7 C
   
   

   

know what route I’ve gone.

that I’m gone to sleep.
she came roll - in’ by.
  
  
         
        
      
       
3
0
1 1 0 1 1
0 0 2 0 0 0
2 2 0 3 2 2 2 2
3 3
3 3 3 3 3 3
Interlude
E E7 F
          
 
         
         
       
0 0
0 3 3 1 1 3
0 1 2 2
2 2 2 2 3 3 3 3
0 0 0 0 1 1 1 1
1., 2., 3. 4.
C/G G7 C
        
         
           
             
    
3 

0
1 1 0 1 1 1 1
0 0 2 0 0 0 0 0 0
2 2 0 3 2 2 2 2 2 2
3 3 3
3 3 3 3 3 3 3
3
Outro
    
C/G G7

   
 
     
              
        
3 0 3 1 3 1
1 3 1 0 0 0
0 0
2 2 2 2 0 0 0 0 0 0
3 3 3 3 3 3 3 3 3
      
C/G E E7
    
    
 
           
        
0 3 0 0 0
0 3 1 1 3
0 1 1
3 3 2 2 2 2 2 2 2 2
3 3 3 3 3 0 0 0 0
   
F C/G G7 C
 
       
      
       



    
     
   
3
0
1 1 3 4 1 1 0 1 1
2 0 2 0 0 0
3 3 3 4 2 2 0 3 2 2
3
1 1 1 1 3 3 3 3 3
    
E E7 F
 
  
 
     
           
      
0 0
1 0 3 0 3 1
0 0 0 1 2
2 2 2 2 2 2 3 3
3
3 0 0 0 0 1 1
C/G G7 C
  
      
        
    

 
  
        
  
rit.
3
1/2
0 0
1 3 3 3 1 1 0 1 1
0 2 0 0 0
3 3 2 2 0 3 2 2
3 0 3 3
1 1 3 3 3 3 3 0
Additional Lyrics
4. When I die, Lord, bury me deep

Way down on old Chestnut Street.
Place the stone at my head and feet
And tell ’em all that I’m gone to sleep.
4
from Gram Parsons - The Complete Reprise Sessions
Hickory Wind
Words and Music by Gram Parsons and Bob Buchanan
 __ =   
Capo II
Intro 3
Esus4 E EsusÊ A E Esus4 E
*[Dsus4] [D] [DsusÊ] [G] [D] [Dsus4] [D]
  
3 3 3
  
3

Gtr. 1 (acous.) 3
                            
3

3 3
** pp cresc.
w/ fingers
let ring throughout
3 2 0 2 3 2

3 3 3 3 0 3 3 3
2 2 0 0 0 2 2 2
0 0 0 0 0 0 0 0
3
**Fade in, next 5 meas.
Esus4 E EsusÊ F#7 B7 E Esus4 E EsusÊ

[Dsus4] [D] [DsusÊ] [E7] [A7] [D] [Dsus4] [D] [DsusÊ]
    
3 3 3
    
3 3 3 3
      
       
3

3
     
         
   
3   mp 3
3 2 0 0 0 2 3 2 0
3 3 3 0 0 2 3 3 3 3
2 2 0 1 1 0 0 2 2 2 0
0 0 0 2 0 0 0 0 0
0 0
0 0
A6[no3rd] E Esus4 E Esus4 E Esus2 A6[no3rd]

[G6[no3rd]] [D] [Dsus4] [D] [Dsus4] [D] [Dsus2] [G6[no3rd]]
           
3 3 3
    
3 3
    
3 3
              
      
   3
3 3
0 2 3 2 3 2 0 0
3 3 3 3 3 3 3 3 3
0 0 2 2 2 2 2 2 0 0
0 0 0 0 0 0 0 0 0
3 3 3
Copyright © 1968, 1969 GPJ Music, Hot Burrito Music, Sixteen Stars Music and Reservoir 416
Copyright Renewed
All Rights for GPJ Music, Hot Burrito Music and Sixteen Stars Music Administered by BMG Rights Management (US) LLC
All Rights for Reservoir 416 Administered by Reservoir Media Management, Inc.
Reservoir Media Music Administered by Alfred Music
D E
[C] [D]
             
    

         
  
0 0 2 2 2 2 2 2
1 1 1 1 3 3 3 3 3 3
0 0 0 0 2 2 2 2 2
2 2 2 0 0 0 0
3 2 4
2
A D A

[G] [C] [G]
 
3
     

       

1. In South Car - o -
          
         
  
        
3 3 3 3 0 0 0 3 3 3
0 0 0 0 1 1 1 0 0 0
0 0 0 0 0 0
0 0 2 0 0
3 2 0 X 2 3
3 3 3 3 3
Verse
E D
[D] [C]
 3
       

3
  
3
    
 
lin - a, there are ma - ny tall
Rhy. Fig. 1 End Rhy. Fig. 1
      
          







 
2 2 2 2 2
3 3 3 3 3 3 3 3 1 1 1 1 1
2 2 2 2 2 0 0 0 0 0
0 0 0 0 2 2 2 2
3 3
   
[G]
    
      

  
3


pines. I re - mem - ber the
     
            
  
  

   
3 3 3 3 3

0 0 0 0 1 0 0 0 0 0 0
0 0 0 0 0 0 0 0 0 0 0 0
0 0 0 2 0 0 0 0 0
X 2 3
3 3 3 3 3
2
E D
[D] [C]

            
 
    

oak trees that we used to
           
 

           


2
3 3 3 3 3 0 1 1 1 1 1
2 2 2 2 2 0 0 0 0 0
0 0 0 0 0 0 2 2 2 2 2
0 3
3
 
  
[D]
    
 
    
3
  
*
  

climb. But now when I’m
          
         
    
2 2 2 2 3 2 2 2 2 2
3 3 3 3 3 3 3 3 3 3
2 2 2 2 2 2 2 2 2
0 0 0
0 0
*Harmony vocal is female and sounds
one octave lower than written.
D E
       
[C] [D]
            
   
  
lone - some, I al - ways pre -
       
       
     
0
1 1 1 3 3 3 3
0 0 0 2 2 2 2
2 2 0 0 0 0
3 3 2 3 4 0
3
A
         3 
  
[G]
 
       
 

- tend that I’m get - tin’ the
  
       
         
   
3 3
0 0 0 0 0 0 0
0 0 0 0 0 0 0
0 0 0 0 0 0 0
0 0 2
3 3 3 3
D E
[C] [D]
           
     

    



feel of hick - or - y
        
    
         
0 2 2
1 1 1 3 3 3 3
0 0 0 2 2 2 2
2 0 0 0 0 0
3 3 2 3 4
A D A
    
  
[G] [C] [G]
   

      
wind. 2. I start - ed out
   
         

           

3 0 3
0 1 0 0 0
0 0 0 0 0 0 0
0 2 0 0 0 0
3 2 0 2 3
3 3 3 3
4
 Verse
E D
 
[D] [C]
             
   


young - er, had most ev - ’ry - thing.
find out that trou - ble is


 
  
   
        

            

2

2 2 0 3

3 3 3 3 3 1 1 1 1 1 1
2 2 2 2 2 0 0 0 0 0
0 0 0 0 0 0 0 2 2 2 2 2
0 3 3 3 3
3
 
[G]
3
  
      

    

All the rich - es and
real, in a far a - way
    
   
           
     
3 3 3 3
0 0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0 0
X 2 3
3 3 3 3
E D
[D] [C]

         

      

pleas - ures, what else could life
cit - y with a far a - way
            
     

     

     
*T


2 2 2 2 2 0 0
3 3 3 3 3 3 1 1 1 1 1 1
2 2 2 2 2 2 0 0 0 0 0
0 0 0 0 0 2 2 2 2
0 3 3 3 3 2 3 4
2 3
*T = Thumb on 6th string
5
E
3     
[D]
     
     

  


bring?
feel. But it makes me feel
           
       
           
2 2 2 2 2 2 2 2
3 3 3 3 3 3 3 3 3 3 3
2 2 2 2 2 2 2 2 2 2
0 0 0 0 0 0 0 0 0 0 0
0
D E
             
 
[C] [D]

          

bet - ter each time it be -
       
          
     

 

0 2
1 1 1 1 3 3 3 0
0 0 0 0 2 2 2 2
2 2 2 2 0 0 0 0 0 0
3 3 3 3 3 2 3 4
3
  
[G]
              
      
- gins call - in’ me
     
            

             

3 3 3 3 3
0 0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0
2 0 2
3 3 3 3 3
6
D E
[C] [D]
             
        

home, hick - or - y
           
           
  
0 0 0 2
1 1 1 1 3 3 3 3 3
0 0 0 0 2 2 2 2 2 2
2 2 0 0 0 0 0 0
3 3 2 3 0
To Coda 
A D A
    
[G] [C] [G]

   
wind.
      
        
   

      

3 3 0 3 3 3
0 0 1 0 0 0 0 0
0 0 0 0 0 0 0 0
2 0 0 0
3 2 0 0 2
3 3 3 3
Piano Solo
E D

[D] [C]
     
D.S. al Coda
A D A
[G] [C] [G]

   

   

    
3. It’s a hard way to
7
 Coda
A D
  
[G] [C]
 
     
         
   
Keeps call - ing me home,
     
      
    
   
3 3 3 3 0
0 0 0 0 1 1
0 0 0 0 0 0
0 2 2
0 2 3
3 3 3
E
[D]
         
3

         

hick - or - y
      
       
    
2 2 2 2
1 3 3 3 3 3
0 2 2 2 2
2 2 0 0 0
3 2 3 0
D A5
[C] [G5]
   
rit.

    
wind.
     
       


   
rit.


0 0 0
1 1 1 1 1
0 0 0 0 0 0
2 2 0 0 0
3 3 2 0
3
8
from Milk Carton Kids - The Ash & Clay
Hope of a Lifetime
Words and Music by Kenneth Pattengale and Joseph Ryan
Gtr. 1: Capo VIII

Gtr. 2: Tune down 1 step, capo V:
(low to high) D-G-C-F-A-D
Intro
Moderately q = 110
Fm
*[Am]
[[Dm]]
    
Gtr. 1 (acous.)
                  
      
mf
w/ pick & fingers
let ring throughout
0 0

1 1 1 1
0 0 0 0 0 2 2 2 2 0 0
0 2 0 2 2 2 X
0 2 3
Rhy. Fig. 1
Gtr. 2
  
(acous.)
      

   

   

   
   
mf
w/ fingers
let ring throughout
1 1 1

3 3 3 3 3 3 3 3 3 3 3 3
2 2 2 2 2 2 2 2
0 0 0 0
0 0 0 0
*Symbols in single parentheses represent chord names respective to capoed Gtr. 1. Symbols in double parentheses represent chord names respective to capoed Gtr. 2.
Symbols above reflect actual sounding chords. Capoed fret is "0" in tab. Chord symbols reflect implied harmony.
Bb

[D]
[[G]]
   
            
    
      
0
**
2 0 0
1 0 0 0 0 0 0 0
2 0 0 0 0 0 0 0 0 0 0 0
0 0 4 2 0 0 2 0
3 0 1
**2nd string bumped with pull-off finger.
            
         
0 0 0 0 0 0 0 0
0 0 0 0 0 0 0
2 0 2 0 2 0 2
3 3 3 3
Copyright © 2013 BMG Gold Songs, Dr. Caulwell and Co. and Joey Ryan Music Publishing
Eb Ebsus4 Eb
[G] [Gsus4] [G]
 
[[C]] [[Csus4]] [[C]]

    
1. There’s a

       
            
 
0 0 0 0 0
0 0 0 0 0 0 0
0 4 4 0 2 0 0 0 0
2 0 2
End Rhy. Fig. 1
 
          

   
  
     
0
1 1 1 1 1 1 1 1 1
0 0 0 0 0 0 0 0 0 0
2 2 2 3 2 2
3 3 3 3
3 3
Verse
Eb Bb/D Cm
[G] [D/F#] [Em]
 
       

[[C]] [[G/B]] [[Am]]
   
light that’s shin - ing now, and a

              
          
 

0 0 0 0 0
0 0 0 0 0 0 0 0 0 0 0
0 0 0 2 2 0 0 2 0 0
2
3 3 3 2
Rhy. Fig. 2
      
     
       
1
0 0 0 0 2 2 2 2 2
2 0 0 2 2 2 2
3 3 3 2 0 0 0
0
2
Ab Eb
[C] [G]
       

[[F]] [[C]]


 
       
calm wind in the pine, for the
   
                    
  
0
1 1 3
0 0 0 0 0 0 0 0
0 2 2 0 0 0 0 0
3 3
3
   
         
       
1
1 1 1
2 2 0 0 0 0 0 0
3 2 2 2 2
3 3
1 1 1 1 3 3
Bb/D Cm

[D/F#] [Em]
        
[[G/B]] [[Am]]
           

 
fate of a fear - some trav - es - ty
  
   
           

 
   
3 3 0 0
0 0 0 0 0 0
0 0 0 2 4 0 0 0
2 2
3 3 2 0
        
      


 
  
1 1
0 0 0 0 0 2 2 2 0
2 2 2 0 2 2 2 2
3 3 2 0 0
3 0 0
3
Fm
[Am]
         
    
[[Dm]]
 
seems to have for - got - ten me,

                        

1 1 1 1 1 1 1 1
0 0 0 0 0 0 0 0 0 0
0 2 4 4 2 0 0
3
            
     
   
3 3 3 3 3 3 3 1
2 2 2 2 2 2 2 0
0 0 0 0
0 0 0 0
Ab
[C]
           
[[F]]
     
  

seems to have for - got - ten me. If it


      
 
       

         
3 0 3 3 3 3
1 1
0 0 0 0 0 0 0 0 0 0 0
0 2 2 2 2 2 2 0
3 3 3

End Rhy. Fig. 2
               
   
  
1
1 1 1 1 1 1
2 2 2 2 2 2 2 0
3 3 3 3 3 3
3 3 3
4
Eb Bb/D Cm
[G] [D/F#] [Em]
 
       
[[C]] [[G/B]] [[Am]]

   

has - n’t learned by now where I’ve
   
Gtr. 1
  

   
          
 


0 3 0 3
0 0 0 0 2 2 4 0
0 0 0 0 0 0 0 0 0
3 3 2
Ab Eb
[C] [G]
      

[[F]] [[C]]

        

hid so ver - y long I’ll come
  
              
        

3 0 0
1 1 1 0 0
0 0 0 0 0 0 0 0 0 0
2 2 2 0 0 0 0
3 3
3
Bb/D Cm

[D/F#] [Em]
           

  
[[G/B]] [[Am]]
              
 
safe - ly out in - to the si - lence found in the wake

          
        
  
 


0 0 0 0
0 0 0 0 0 0 0 0
0 0 0 0 0 4 2 0 0
0 2
3 2 0
Fm
[Am]
             
[[Dm]]
    

of its pass - ing on, in the

                        
1 1 1 1 1 1 1 1
0 0 0 0 0 0 0 0 0
0 2 4 4 2 0
3
5
Ab Eb
[C] [G]
       
[[F]] [[C]]


 
    
  
wake of its pass - ing on. A

Gtr. 1
              
           
 

1 1 0 0
0 0 0 0 0 0 0 0 0 0 0
0 2 2 2 0 0 0 0 0
3 3 2
3
Gtr. 2
            
     
1 1
2 2 2 0 0 0 0 0
3 3 2 2 2
3 3 3 3
3 3
Chorus
Ab Eb
[C] [G]
  
[[F]] [[C]]

     

  




Spar - tan smile and west - ward stare

 
                    
  
1 1 0
0 0 0 0 0 0 0 0
2 2 2 0 0 0 0 0 0
3 2
3 3
Rhy. Fig. 3
          
       
1
2 2 2 2 0 0 0 0 0
3 3 2 2 2 2
3 3 3 3
1 1 3 3
6
Fm Bb
[Am] [D]
   
  

   
[[Dm]] [[G]]

   
  
hold a prom - ise in the air.

                        

0
0 0 0 0 0 0 0 0 0 0
0 0 0 2 2 0 0 2 2 4 0 0
3 3
         
 
          
 
3 3 3 3 3
2 2 2 2 0 0 0 0
0 0 0 0 0 0
0 0 2 0 2
3 3
Ab Eb
[C] [G]
    
[[F]] [[C]]
          

 

  
That’s the way they used to find their own way home,
 


              
       

1 0 0

0 0 0 0 0 0 0
2 2 0 0 0 0 0
3 3 3 3 2 2
3
             
    
 
2 2 2 2 0 0 0 0 0 0
3 3 3 2 2 2 2
3 3 3 3
1 1 3 3
7
Fm Bb
[Am] [D]
  
[[Dm]] [[G]]
      
  
   
by the stars, on their own,
    
           
   
 
 

0
1 1 1 1 1
0 0 0 2 2 2 2 2 0
2 2 2 0 0
0
     
    
        
 
1
3 3 3 3
2 2 2 2 0 0 0
0 0 0 0 0 0
0 0 2 0 2
3 3
Fm Eb/G Ab
[Am] [G/B] [C]
         
[[Dm]] [[C/E]] [[F]]
    
 
   
 
by the stars, on their own. 2. While I
 
                                 

    

1 1 1 1 1 1 1 1 1 1

0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
2 2 2 0 2 2 4 4 2 0 0 0
0 3
End Rhy. Fig. 3
                
      
    
3 3 3 1 1 1 1 1 1 1 1 1
2 2 2 0 2 2 2 2 2 2 2 0
0 0 0 2 3 3 3 3
0 3 3 3 3
8
Verse
Eb Bb/D Cm
[G] [D/F#] [Em]
       
[[C]] [[G/B]] [[Am]]
 
  
pray for Prom - ised Land to re -
  

   
Gtr. 1
   
          
   
0
0 0 3 5 3 0 0
0 0 0 0 0 0
0 0 0 0 0
2 2
3 3
Ab Eb

[C] [G]
    

[[F]] [[C]]
 
    
place all I have made,
   
           
      
  
0
1 1 1 0
0 0 0 0 0 0 0
0 2 2 0 0 0 0 0
3 3
3
Bb/D Cm
[D/F#] [Em]
          
[[G/B]] [[Am]]
 
       
      
 
dark - ness steals the light I bear and the hope

  
             
   
0 0
0 0 0 0 0 0 0 0
0 0 0 4 0 0
3 3 2 0
9
Fm
[Am]
  

       
[[Dm]]
  

   
of a life - time fades, the

   
                  
   
0 1 1 1
0 0 0 0 0 0 0 0 0 0 0 0
0 0 2 4 4 2 2 0 0
3 0 2
Ab
[C]
       
[[F]]
       
 

hope of a life - time fades.
         
 
     
       
       
0 3 3 3
1 1 1 1
0 0 0 0 0 0 0 0 0 0 0 0
X 2 2 2 2 2 2
3 3 3 3
Interlude
Fm
[Am]
[[Dm]]
 
                      
 
      
 
0
1 1 1 1 1 1 1 1 1 1
0 2 2 2 2 0 0 0 0 2 2 2 2 2 0 X 0
0 2 0 2 2 X 0
Bb
[D]
[[G]]

        

                
1 1 1 0 0
0 2 4 4 2 0 0 0 0 0 0 0 0 0 0 0
0 0 0 4 2 2 0
3
10
Eb Ebsus4 Eb
[G] [Gsus4] [G]
[[C]] [[Csus4]] [[C]]
 3 3 3
     
               

 
   
0 0 0 0
0 0 0 0 0 0 0 0 0 2
0 0 0 4 0 0 0 2 0 0 3
2 0 2 0 2
Ab
[C]
[[F]]
 
Gtr. 1
                        
  


0
1 1 1 1 1 1 1
0 0 0 0 0 4 4 4 2 2 2 0 2 0 0 0
2 2 2 0 2
3
Gtr. 2
         
      
   
1
2 2 2 2 2 2 2 2
3 3 3 3 3 3 3
3 3 3 3
1 1 1 1
Fm Bb
[Am] [D]
[[Dm]] [[G]]
    
                 
         
2 0
1 0 1 1 1 0
0 0 2 2 2 2 0 2 0 0 0 0 0
0 2 2 2 2 0 0 4 2 0 2
   
        
         
3 3
2 2 2 2 0 0 0 0 0 0
0 0 0 0 0 0
0 0 0 2 0 2
3 3
11
Eb Ebsus4 Eb
[G] [Gsus4] [G]
 
[[C]] [[Csus4]] [[C]]

    
3. In the


 
                     

0 0 0 0 0 0 0 0
4 5 2 4 4 0 0 0 2 0 0 0 0 0
0 2 2
          

     
      
1 1 1 1
0 0 0 0 0 0 0 0 0 0 0
2 2 2 3 2 2 2 2
3 3 3 3
3 3 3
Verse
Eb Bb/D Cm
[G] [D/F#] [Em]

     
[[C]] [[G/B]] [[Am]]
 
   

new - found rev - er - ie of
  
Gtr. 1

         
            

 

0
0 0 0 0 0
0 0 0 0 0 0 0 0 0 0
0 0 0 2 4 4 0 0
2 2
3
Ab Eb
[C] [G]
      

[[F]] [[C]]
 
     
qui - et peace I found,
      
               
     
0 3
1 1 0
0 0 0 0 0 0 0 0 0
2 2 0 0 0 0
3 3 2 2
3
12
Bb/D Cm
[D/F#] [Em]
            
[[G/B]] [[Am]]
  
      
 
      
 

free - dom comes from be - ing un - a - fraid of the heart -

                 
     

0 0 0 0 0
0 0 0 0 0 0
0 0 0 2 0 0
0 2
3 3 2 2 0
Fm
[Am]
 

        
[[Dm]]

   
   
- ache that can plague a man, the

                       

1 1 1 1 1 1 1
0 0 0 0 0 0 0 0 0 0
0 2 4 4 2 0 0
3
Ab
[C]
         
[[F]]
    
   


heart - ache that can plague a man. A
   
                       
0 0
1 1 1 1
0 0 0 0 0 0 0 0 0 0 0 0
2 2 2 2 2 2 2 2 0
3 3 3 3 3
Chorus
Ab Eb
[C] [G]
   
[[F]] [[C]]
     

  




Spar - tan smile and west - ward stare
   
       
            

 
1 1 0

0 0 0 0 0 0 0
2 2 2 0 0 0 0 0 0
3 3 2
3 3
13
Fm Bb
[Am] [D]
  

[[Dm]] [[G]]
  

   

 

  
hold a prom - ise in the air.

                      
  
1 1 1 0 0 0
0 0 0 0 0 0 0 0 0
0 0 2 0 2 4 0
3 0
Ab Eb
[C] [G]
     
       
[[F]] [[C]]
 

 

  
That’s the way they used to find their own way home,
 
    
                   
    

0
0 0
0 0 0 0 0 0 0 0 0 0

2 2 2 0 0 0 0 0 0 0
3 3 0 2 2
3
Fm Bb
[Am] [D]
    
[[Dm]] [[G]]
   

  
   
by the stars, on their own,
   
          
    
     
   
 
2 0
1 1 1 1 0
0 0 0 0 0 2 2 2 0 0 0 0 0
2 2 0 4 2 0
0 0
14
Fm Eb/G Ab
[Am] [G/B] [C]
        
[[Dm]] [[C/E]] [[F]]


   

   


by the stars, on their own.
         
               
     
0 0 0
1 1 1 1 1 1 1 1
0 0 0 0 0 0 0 0 0 0 0 0 0
2 2 2 2 4 4 2 0
0 0 0 2 3
Outro
Fm
[Am]
[[Dm]]

                        
1 1 1 1 1 1 1 1 1
0 0 0 0 0 0 0 0 0
2 4 4 2 4 4
Bb

[D]
[[G]]

                 
      


1 1 1 1
0 0 0 0 0 0 0 0 2 2 4 0 2
2 4 0 4 0 0 0 0 0 0 0 0
Eb Ebsus4 Eb
[G] [Gsus4] [G]
[[C]] [[Csus4]] [[C]]
  
Gtr. 1
     
    

 
         

rit.
3 3 1 0 0
4 4 2 2 2 0 2 0 0 0
0 0 0 0 0 2 0 0 0
3 2

Gtr. 2
               
  
rit.
1
0 0 0 0 0 0 0
2 2 2 3 2 2
3 3 3 3 3
3 3 3
15
from Lead Belly - Where Did You Sleep Last Night: Lead Belly Legacy, Vol. 1
In the Pines (Black Girl)

New Words and New Music Adaptation by Huddie Ledbetter
Tune down 2 steps:

(low to high) C-F-Bb-Eb-G-C
Intro
Moderately q = 120
 
A7
        

1. Black girl,
Gtr. 1
       
(12 str. acous.)
  

 
 
 
  
mf
3 3 3 3 3 3

2 2 2 2 2 2
2 2 2 2 2 2
2 0
0 3 2 0
Verse
    
A7 D C
  
   
          
black girl, don’t lie to me. Tell me, where
     
   

 3

   

    
3 3 3 2 2
2 2 2 3 3 1 0
2 2 2 2 2 0 0
2 0 2 2
0 0 2 4 3
   
E A7
      
   
  
did you sleep last night? In the pines,
    
      

 
  
3 3 3 3
0 0 2 2 2 2
1 X 2 2 2 2
2 2
X 4 0
TRO - © Copyright 1963 (Renewed) Folkways Music Publishers, Inc., New York, NY
International Copyright Secured
All Rights Reserved Including Public Performance For Profit
D C
         

         
3
   
in the pines, oh, where the sun nev - er shine. I would shiv -
Rhy. Fig. 1
     
      3

   

    
3 3 3 2 2
2 2 2 3 3 1 0
2 2 2 2 2 0 0
2 0 2 2
0 0 2 4 3
 
E A7
       
 
      
er the whole night through. 2. Black
End Rhy. Fig. 1
    
    

 

 
  

3 3 3 3
0 0 2 2 2 2
1 1 2 2 2 2
2 2 2 2
2 4 0
0
Verse
   
     
A7 D C
    
  
      
girl, black girl, where will you go? I’m go’n’
girl, black girl, don’t lie to me. Tell me,
  
Rhy. Fig. 2
     
    3

   

    


3 3 3 2 2
2 2 2 3 3 1 0
2 2 2 2 2 0 0
2 0 2 2
0 0 2 4 3
2
E A7
   
         

where the cold wind blows.
In the
where did you sleep last night?
    
End Rhy. Fig. 2
 
     

 

 
 
0 0 3 3 3 3
0 0 0 2 2 2 2
1 1 1 2 2 2 2
2 2
2 4 0

D C E
              
     
3
   
pines, in the pines where the sun nev - er shine. I would shiv - er the
1. 2.
      
A7 A7
 
        


whole night through. 3. Black through. 4. My
Verse
   
A7 D C
  
   
      
hus - band was a rail - road man, killed a
E A7
       
      
  
mile and a half from here. His
 
D C
        
          
head, uh, was found in a driv - er’s wheel and his bod -
3
E A7
       

  
    
y have - n’t nev - er been found.
   
Gtr. 1
    

 

 3
  
   
3 3 3
0 0 2 2 2
1 1 2 2 2
2 2 2
2 4 0
0 0 2 4
Guitar Solo
A7 D C
    
   3

 3

   
       
3 3 2 2
2 2 3 3 1
2 2 2 2 0 0
2 0 2 2
0 0 2 4 0 2 4 3
   
E A7
 
      
 

 3
    
0 0 3 3 3
0 0 2 2 2
1 1 0 2 2 2
2 2 2
2 4 0
0 2 4
D C
    
   3

 3

   
       
3 3 2 2
2 2 3 3 1 0
2 2 2 2 0 0
2 0 2 2
0 0 2 4 0 2 4 3

E A7
        

5. Black
    
    

    
 

3 3 3 3
0 0 2 2 2 2
1 1 2 2 2 2 2
2 2 2
2 4 0
0
4
Verse
A7 D C
    

 
         
girl, black girl, where will you go? I’m
     
   

 3

   

    
3 3 3 2 2
2 2 2 3 3 1 0
2 2 2 2 2 0 0
2 0 2 2
0 0 2 4 3

E A7
   
   
     
go’n’ where the cold wind blows. You caused
    
     

 

 
 
3 3 3 3
0 0 0 2 2 2 2
1 1 1 2 2 2 2
2 2
2 4 0

D C
        
       

 

me to weep and you caused me to mourn. You caused
     
   

 3

   

    
3 3 3 2 2
2 2 2 3 3 1 0
2 2 2 2 2 0 0
2 0 2 2
0 0 2 4 3
E A7
   
rit.
  
    
me to leave my home.
         
      

   





 

   

rit.
3 3 3 3 3 3 3 3
0 0 2 2 2 2 2 2 2 2
1 1 2 2 2 2 2 2 2 2
2 2 2 2 2
2 4 0
0
5
from Iron & Wine - Our Endless Numbered Days
Naked as We Came
Words and Music by Sam Beam
Drop D tuning, capo II:

(low to high) D-A-D-G-B-E
Intro
Eadd4 F#m7 A/G# A/C# A/B
*[Dadd4] [Em7] [G/F#] [G/B] [G/A]
Play 4 times
          
Riff A End Riff A
 
Gtr. 1 (acous.)
  
               
   
mp   
w/ fingers
 
let ring throughout
 

3 3 3 0 0 0 0 0
0 0 0 0 0 0 0 0
4 4 4 4 0 0 0 0
5 0 2 0
0 0 2 4
 Verse
Eadd4 F#m7 A/G# A/C# A/B
[Dadd4] [Em7] [G/F#] [G/B] [G/A]

   

   

       
1. She says, “Wake up, it’s no use pre - tend - ing.”
2. She says, “If I leave be - fore you, dar - ling,
Eadd4 F#m7 A/G# A/C# A/B Eadd4

[Dadd4] [Em7] [G/F#] [G/B] [G/A] [Dadd4]
  
     
  

  
 
       
  


I’ll keep steal - ing, breath - ing her. Birds are leav - ing
don’t you waste me in the ground.” I lay smil - ing
F#m7 A/G# A/C# A/B Eadd4 F#m7 A/G# A/C# A/B

[Em7] [G/F#] [G/B] [G/A] [Dadd4] [Em7] [G/F#] [G/B] [G/A]
 
            

  
    

o - ver au - tumn’s end - ing,
one of us will die in - side these
like our sleep - ing chil - dren,
Copyright © 2004 Sam Beam Music (BMI)

All Rights Administered by Warner-Tamerlane Publishing Corp.
Chorus
Bsus2 F#m7 A/G# A/C# A/B

[Asus2] [Em7] [G/F#] [G/B] [G/A]
 
 
    

*

   
arms. Eyes wide o - pen,
Riff B End Riff B
 
Gtr. 1
                        
      

0
0 0 0 0 0 0 0
2 2 2 2 0 0 0 0
2 2 2 2 0 0 0 0
0 0 0 0 2 0
2 4
*Vocal harmony is female and sounds one octave lower than written.
Gtr. 1: w/ Riff B (3 times)

Bsus2 F#m7 A/G# A/C# A/B Bsus2 F#m7 A/G# A/C# A/B
 
     
[Asus2] [Em7] [G/F#] [G/B] [G/A] [Asus2] [Em7] [G/F#] [G/B] [G/A]
  
     

   
  
  
   
    
na - ked as we came, one will spread our
To Coda  D.S. al Coda

Interlude
Bsus2 F#m7 A/G# A/C# A/B Eadd4
    
[Asus2] [Em7] [G/F#] [G/B] [G/A] [Dadd4]
     
    
  
 
      
ash - es ’round the yard.
 Coda
Outro
Gtr. 1: w/ Riff A (3 1/2 times)
Eadd4

  
[Dadd4]
 
 
F#m7 A/G# A/C# A/B Eadd4

[Em7] [G/F#] [G/B] [G/A] [Dadd4]
 
Gtr. 1
             



  

rit.
0 0 0 3

0 0 0 0 0
0 0 0 0 4
2 0 5
2 4
2
from Gillian Welch - Revival
Orphan Girl
Words and Music by Gillian Welch
Gtrs. 1 & 3: Capo I
Gtr. 2: Drop D tuning, capo I
Intro
Moderately q = 120
Ab
 
**[G]
            
   
1. I am an
        
Gtr. 1 (acous.)
                   
            
mf
let ring throughout
3 3 3 3 3 3 3

3 3 3 3 3 3 3
0 0 0 0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0 0 0 0 0
0 2 2 2 0 2
3 3 3 3 3 3 3
       
*Gtr. 2 (elec.)
        
      

 

   

mp

0 0

2 4 2 0 0 2 0 0

0 0 0 0
X 2
5 5 5 5 5
*Baritone gtr. arr. for standard gtr. **Symbols in parentheses represent chord names respective to capoed guitar.
Verse
Ab Eb

[G] [D]
    
 
 
   

 
    
  
 

or - phan on God’s high - way, but I’ll share my
      
Rhy. Fig. 1
      
         
     
3 3 2 2
3 3 3 3 3 3 3 3 3 3
0 0 0 0 0 2 2 2 2 2 0
0 0 0 0 0 0
2 0 0
3 3 3
 
   
               
   
0
0 0
0 0 0
5 9 7 5 5 5
0 5 5 5 5 0 0 0
Copyright © 1994 IRVING MUSIC, INC.

Ab Db
[G] [C]

    
  
 

 
       
trou - bles (if) you go my way. I have no
End Rhy. Fig. 1
        
           

   
  
       
3 3 0
3 3 3 3 3 1 1 1 1 1
0 0 0 0 0 0 0 0 0 0 0 0 0
0 0 0 2 2 2 2 0
0 2 3 3
3 3 3
 
   
      

          
0 0
2
2 2 2 2 2 7 7
5 0 5 0 5 5 10

Ab Eb
[G] [D]

 
 
    
 
   
    
  
 
  

moth - er, no fath - er, no

Gtr. 2
         
          
   
0 0 0
4 4 0 2 0 0
2 2 2 2 2 2 0 0
5 5 0 0 0 0
Ab Db
[G] [C]
 

      
        

 

   
 
sis - ter, no broth - er.

 
                
     
0 0 0 0 0 0
2 2 2
0 2 2 2 2 3 3 3 3 3
5
2
Ab Ebsus4 Ab
[G] [Dsus4] [G]
   
    
   
      
 
      


 
I am an or - phan girl. 2. I have had
       
Gtr. 1
  
               
    
3 3 3 3
3 3 3 3 3 3 3 3
0 0 0 2 2 0 0 0 0
0 0 0 0 0 0
3 3 3 0 2
   
Gtr. 2


   
  


   

 

0
X 0 2 2
5 0 5 0 5 0 5
Verse
Gtr. 1: w/ Rhy. Fig. 1 (2 times)
Ab Eb
[G] [D]

    
   
    

 
  
 

 

friend - ships pure and gold - en. The ties of

Gtr. 2
     
               
     
2 2 0
0 0 0 4 0 4
2 5 5
0 5 5 5 5 5 5 0 0 0 0 0
Ab Db
[G] [C]

     
        
  

 
   
kin - ship? Have not known them. I know no
         
        
         
  
3 3 3 3 1 3
0 0 0 0 0 0
0 0 2 2
5 5 2 3 3 3 3
0 0 0 5
3
Ab Eb
[G] [D]

         

   
     
 
  

moth - er, no fath - er, no

     
   
              
2 0 0
4 0 0 4
5 5
5 0 5 5 0 5 5 5 0 0 0 0 0 0
Ab Db
[G] [C]
 

      
         

 

   
 
sis - ter, no broth - er.


 
    
0
3
5 0 2 2
Ab Ebsus4 Ab
[G] [Dsus4] [G]

  
        
 
  
   

   
I am an or - phan girl.
         
Gtr. 1
  
               
      
3 3 3 3 3 3 3
3 3 3 3 3 3 3 3 3 3
0 0 0 2 0 0 0 0 0
0 0 0 0 0 0 0
0 0 2 0
3 3 3
 
Gtr. 2

    
     
    
Harm.
12
0 2
5 0 5 0 5 0
4
Guitar Solo
Ab Eb
[G] [D]
Rhy. Fig. 3
           
             
            
 
3 3 3 3 3 3 2 2 2
3 3 3 3 3 3 3 3 3 3 3 0 0
0 0 0 0 0 0 0 2 2 2 2 2 2 0 0
0 0 0 0 0 0 0 0 0 0 2
0 2 0
3 3
 

                  
      
0
0 2 2 0
0 0 0 X 4 4
5 5 9 9 9 9 7 7
5 5 5 5 5 0 0
Ab Db
[G] [C]
    
                   
     
    
3 3 3 0
3 3 3 0 0 0 1 1 1 1 1 1 0
0 0 0 0 0 0 0 0 0 0 0 0
0 0 0 2 0 2 2 2 2 2 0
3 3
3 3 3

            
    
       
0 2 0 0 0
5 4 0 2
X 7 2 0 3 3
5 0 0 5 2 2 5 2 5
5
Ab Eb Ab
[G] [D] [G]
  
       
 

 
3. But when He
End Rhy. Fig. 3
          
          

  

 
       
2 3 3
3 3 3 3 3 3 3 3 3 3
0 0 0 0 0 0 0 0 0
0 0 0 0 0 0
0 2 0 2 2
3 3 3
  
 
           
        
0 0 0 0
3 5 5 3 2
5 5 5 5 0 0 5 5 0 0
Verse
Ab Eb
[G] [D]

      
    
   
   

 

 
calls me, I will be a - ble to meet my

Gtr. 2
    
       
            
3 3 3 3 3
0 0 0
4 4 4
5
0 5 5 5 5 5 5 5 0 0 0 0 0
Ab Db
[G] [C]
  
    
    
   
       
fam - ’ly at God’s ta - ble, and I’ll meet my
 
         
    
  
   
    
0 0 0 0
5 0 0 2 2 2
X 3 3 3 3 3
5 0 0 0 0 0 5 5 0
6
Ab Eb
[G] [D]

 
 
       
   
       

  

moth - er, and my fath - er, my

 

   
      
       


0 1 1 3 1 0
0 2 2 4 2 0 2
0 0 2 4 4 2 0 0
0 2 X 5 0
0
Ab Db
[G] [C]
 

      
         

 

   
 
sis - ter, my broth - er.
 
    
 
 
          
   
5 0
X 5 2 3 3 3 7 7
0 5 0 5 0 2 4 5 7 10 10
Ab Ebsus4 Ab
[G] [Dsus4] [G]

 
   
    
 
    

   
 
No more an or - phan girl.
             
               
      
3 3
3 3 3 3 3 3 3 3 3 3
0 0 0 2 0 0 0 0 0 0
0 0 0 0 0 0 0
2 0 0 2 0
3 3 3
  
         
   
      
0 0 0 0 2
5 5 0
5 0 5 0 0 0 5 5 5
7
Guitar Solo
Ab Eb Ab
[G] [D] [G]
      

Gtr. 2

  
     

            

 


       
3 3 3

4 4 2 0 0 2 2 4 4 4 4

2
0 4 2 0 0 2 4 4 4 4 5 5 5
X 5
5 5 0 5 0 3 0 0 0
Db Ab Eb


[C] [G] [D]
           
              

0 0 0

0 0 0
2 2 3 3 3 2 0
5 5 3 5 5 0
Verse
Ab Ab Eb
[G] [G] [D]
 
      
 

   
  
 

  

4. Bles - sed Sav - ior, make me will - ing.
 
         
 
 
  
       
0
0
0 0
5 0 5 0 0 5 0 0 0
Ab Db
[G] [C]

  

        
   
 

     



Walk be - side me ’til I’m with them. Be my
    

  
                
    
0 0 0 0 0 2
0 2 2 2 3 7 3
0 5 0 0 2 5 5 5
8
Ab Eb Ab
[G] [D] [G]

             

   
 
     
 
  

moth - er, my fath - er, my sis - ter,
   
           
        
       
2 2 0
0 0 0 4 4 0 4
0 0 2 2
0 5 5 5 5 0 0 0 5 5 5

Db Ab Eb
[C] [G] [D]
 
  
   
 
  
      
         
 
   
   

my broth - er. I am an or - phan
  
Gtr. 3 (elec.)
              
   

p mf
w/ dist.
let ring throughout
3 3
1 1 1 0
0 0 0 0 0
4

Gtr. 2
 

     
              
0 0 0
2 2 3 3 3 3
5 5 5 5 5 5 5 0 0 0
9
Ab Eb Db
[G] [D] [C]
 
 
         
    
     
   
girl. I am an or - phan girl.
              
Gtr. 1
 
                  
  
       
3 3 3 3 3 3 2 0 0 0
3 3 3 3 3 3 3 3 3 3 1 1 1 1
0 0 0 0 0 0 0 0 2 0 0 0
0 0 0 0 0 0 0 2 0
0 2 0 3
3 3 3 3
  
  
Gtr. 3
   
       
   
  
1 1 1
0 0 0 0 0
0 0 0 0 0
2 3
3 3
 
Gtr. 2
     
   
     
       
0 0
0 0
3 3 3
5 0 5 5 5 5 0 5 5

Ab
[G]
   
        

     
     
3 3
1 1 1 1 0 3 3 3
0 0 0 0 0 0 0
2 2 0 0 2 0
3 0 2 2
3 3 2 3
       
     


     

1
3 5 7 5 3 3
1 3 3
0 0 4 5 5 5 4
2 2 4
 
       
      

   
0

0 4 4 2 0 0
0 0
3 3 3 3 2 X
5 5 5 5 5
10
from Townes Van Zandt - Rear View Mirror
Pancho & Lefty

Words and Music by Townes Van Zandt
Gtr. 1: Capo II
Intro
Fast q = 156
D
Gtr. 1 *[C]
          
                   
(acous.)

    
          
mp
w/ fingers
let ring throughout
0 0 0 0 0 0

1 1 1 1 1 1 1
0 0 0 0 0 0 0
0 2 0 2 0 2 0 2
3 3 3

A
[G]
 

        
                    
          
  
0 3 3 0 0
1 1 1 0 0 3 3 1
0 0 0 0 0 0 0
0 2 0 0 0 0
3 3
3 3 3
G Bm
Gtr. 2
[F] [Am]
   
(acous.)
      
  

mf
Harm. let ring throughout
0
7 0 2
5
Pitch: E
           
               
Gtr. 1
    
        

       
**T T T T
1 0 0 0 0 0
1 3 1 1 1 1
0 2 2 2 2 2 2 0
3 3 3 0
0 0 0
1 1 1 1 0
© 1972 JTVZ Music (ASCAP), Katie Bell Music (ASCAP) and Will Van Zandt Publishing (ASCAP)
Copyright Renewed
All Rights Administered by Wixen Music Publishing, Inc.
Verse
D A
[C] [G]

                      
  
 
1. Liv-ing on the road, my friend, was gon-na keep you free and clean,
         
            
 

   
0 0 0
3 3 3 3 2 2 0
2 2 2 0 0
0 0 2 2 2
0 0 0 0

 
     
   
Riff A
     
   
    
         

 
0
1 0 1 0 3 3 1
0 0 0 0 0
0 2 0 2 0 0 0 0
3 3
3 3 3 3
G D A
[F] [C] [G]

        
       
         
now you wear your skin like i - ron, your breath’s as hard as ker - o - sene.

            
       
  
0 0
0 0 3 3 3 2
0 0 2 2
0 0 0 0
0 2 0
3 3 3
End Riff A
    
       

  


    
 
 
   
     
T T T T
1
1 1 3 1 3 1
2 2 0 0 0
3 3 3 3 0 0
3 3
1 1 1 1 3 3
2
G D G
[F] [C] [F]
          
                 

You weren’t your ma - ma’s on - ly boy but her fa - v’rite one it seems, she be - gan
      
  
  

      

   
0 3 0 3
0 0 3 0
0 2 2 0
0 0 0 0 0
0 2
3 3
Riff B
      
 

  
      
      
  

 
     
T T T T T T
1 1 1 3 1 1 1 1
2 2 0 0 0 2 2
3 3 3 3 3 0
3 3
1 1 1 1 1 1
Bm G A
[Am] [F] [G]
  
                   

to cry when you said good - bye,
  
  
       
  
   
0
3 0 0
2 0 0 0
4 0 X
2 0
0
 
               
       
      

    
 
0 0
1 3 3 3 1
2 2 0 2 0 0
3 0 0 0 0
0 3
0 1 3 3 3
3
G Bm A/C#
[F] [Am] [G/B]

   
    
 
 
sank in - to your dreams.
     
           

    
3
3 3 3
0 0 4 4 4
0 4 4 4 0
2 2 2 4
3
 
End Riff B
             
             
      
 
T T
1 0 0
1 1 1 1
2 2 2 0
3 2 2 2
3 0 0 0 2
1 1 0
 Verse
Gtr. 1: w/ Riff A
D A
[C] [G]

                 
  


2. Pan - cho was a ban - dit, boys, his horse was fast as
3., 4. See additional lyrics
      
Gtr. 2
     
         

 

0 0 0 0
3 3 3 3 3 2
2 2 2 0
2 2
0
4
2nd & 3rd times, Gtr. 2: w/ Fill 1 2nd & 3rd times, Gtr. 2: w/ Fill 2
G D

[F] [C]
    
    
 
   
    

        
pol - ished steel, wore his gun out - side his pants for all the hon - est world
  
3
    
               
     
 
w/ pick & fingers 
0 0
3 2 0 0 3 3 0 3 3
0 0 2 2
2 4 2 0 0
0 0 0 2
3 3
Gtr. 1: w/ Riff B (1st 7 meas.)

A G D
[G] [F] [C]
           
         
3
   
to feel. Pan - cho met his match, you know, on the des - erts down in
Riff C
  
     
3
      
          
      
0 0
2 0 0 0 0 3 3 0
0 0 0 0 0 2 0
2 2 0 0 0 0 0
0 0 0 2
3 3
Fill 1
 
Gtr. 2
   
 
 

   
 

 
3
2 0 0

0 0 0 0
2 2 0 0
0 0
3 3
Fill 2
 
3
 
Gtr. 2
  
     
    



0
3 3 3 2
2 2 0 2 0
2 4 2
0
5
G Bm G A
[F] [Am] [F] [G]
   
    
                 

Mex - i - co and no - bod - y heard his dy - ing words,
          
          



      
3 0
3 3 3 2 2
4 2 0 0
0 0 4 0 2 2
2 2 0 0
3 3 3
To Coda 2 
G Bm

[F] [Am]
   

 
      
  
that’s the way it goes.
End Riff C

Gtr. 2
  
 
3
      
       

      
0 3 3 3
0 0 4 4 4
2 2 0 0 4 4 4 4
0 0 2 2
3 3 0 2 3
    
              
Fill 3 End Fill 3
    
Gtr. 1
         
    
 

 
    
T T
0 1 0
3 3 1 1 1 1 1
0 0 2 2 2
0 0 3 2 2 2 2
3 0 0
3 1 1 0 0
Chorus
Gtr. 1: w/ Riff B
G D
[F] [C]

          
  



    


And all the fed - er - al - es say they could have had him
  
Gtr. 2
    
         

       
3 0
3 0 3 0 3 3 0
0 0 0 0 2 0
0 0 0 0 2 4 4 4 4
6
G Bm G A

[F] [Am] [F] [G]
  
                     

 
an - y day, they on - ly let him hang a - round
slip a - way
     
  

       



      
3 0
0 3 2 2
0 0
0 0 4 4 0 2 2
2 0 0
3 3 2 3
D.S. al Coda 1
To Coda 1 
G Bm A/C#
[F] [Am] [G/B]

   
        
  
 
out of kind - ness, I sup - pose.
   
               
        
2
3 3
0 0 0 4 4 4
2 2 0 0 4 4 4 0
0 0 2 2 2 2 4
3 3
 Coda 1
Fiddle Solo
Gtr. 1: w/ Riff A
D A
[C] [G]
        
   
  
  
     
 
 
  
0 0 0

3 3 3 3 3 2 2 2 0

2 2 2 2 2 2 2 0 0
0 0 2 2 2
0 0 0
G D A
[F] [C] [G]
 
3
              
        
    
   
w/ pick & fingers
3 0 0
0 0 0 3 3 2 3 2
0 0 2 2 0
0 0 0 0 2 2 4 2
0 2 0
3 3 3 3
7
Gtr. 1: w/ Riff B
G D G
[F] [C] [F]
  
              
       
     
w/ pick & fingers 
3 0 3
0 0 3 0 0
0 0 0 0 0 2 2 0 0
0 0 0 0 0 0 0 0
0 2
3 3 0 2 3 3
Bm G A G
[Am] [F] [G] [F]
   
          
        
     
 
0
0 2 2 0
4 0 0 0 0
4 0 0 0
2 2 0 0
3 3
 Coda 2
D.S. al Coda 2
Gtr. 1: w/ Fill 3
Bm A/C#
[Am] [G/B]
 
Gtr. 2
          
    
         
3 3
4 4 4 4 0
4 4 4 0 0 2 4 5 5
2 2 2 2 4 2 4
Chorus
Gtr. 1: w/ Riff B
Gtr. 2: w/ Riff C
G D
[F] [C]
 
                
3
       
A few gray fed - er - al - es say they could -’ve had him
G Bm G A
[F] [Am] [F] [G]
    
    
 
         
 

an - y day, they on - ly let him go so wrong
G Bm

[F] [Am]
   
       
  
 
out of kind - ness I sup - pose.
8
Gtr. 1: w/ Riff B (1st 8 meas.)
Gtr. 2: w/ Riff C (1st 8 meas.)
G D G

[F] [C] [F]
      
    

 
 
    

 
 



A few gray fed - er - al - es say they could -’ve had him an - y day,
Bm G A
  
[Am] [F] [G]
   
             
   
they on - ly let him go so wrong out of kind -
G Bm

[F] [Am]

 
rit.
   
        
- ness I sup - pose.


 
Gtr. 2
       
   
   
rit.
2 7
3 3
0 4 4
0 0 4 4
2 2
3 3

         
Gtr. 1
         
   
     

T T rit.
0
1 1 1 1
2 0 2 2
3 0 2 2
0 0
1 1 0 3
Additional Lyrics
3. Well, Lefty, he can’t sing the blues,

All night long like he used to.
The dust that Pancho bit down south,
Ended up in Lefty’s mouth.
The day they laid poor Pancho low,
Lefty split for Ohio,
And where he got the bread to go?
Oh, there ain’t nobody knows.
4. When the poets tell how Pancho fell,

Lefty’s living in a cheap hotel.
The desert’s quiet and Cleveland’s cold,
So the story ends, we’re told.
Pancho needs your prayers, it’s true,
But save a few for Lefty too.
He just did what he had to do,
Oh, now he’s growing old.
9
from Bob Marley and the Wailers - Legend
Redemption Song
Words and Music by Bob Marley
Intro
Moderately q = 114
Gtr. 1

 
(acous.) µ(G) (C) (G) (C) (D) (G)
   
 

    
        
         
mf let ring 

0
0 0 2 0 2 0 0 0 0 0
0 0 2 0 3 2 0 0 2 2 2 3 2 0
3 3 3 3
 
(G) (C) (G) (C) (D) (G)
     
1. Old


    
 
 
     
 

   
      
0 0
0 0 2 0 2 0 0 0 2 0 0
0 0 2 0 3 2 0 0 2 3 2 0
3 3 3 3
Verse
   
 
G Em C G/B Am G
          3        
3

pi - rates, yes, they rob I, sold I to the mer - chant ships
        
               
                     
 
0 0 0 0 0 0 0 0 0 0 1 1 1 1 X 1 1
0 0 0 0 0 0 0 0 0 0 0 0 0 0 2 2 2 2 X 2 2 0
0 0 0 0 0 0 0 2 2 2 2 2 2 0 0 2 2 2 2 X 2 2 0
2 2 2 2 2 2 2 3 2 0 0 0 0 0
3 3 3 0 X

Em C G/B Am G
   
         
3
            
3

min - utes af - ter they took I from the bot - tom - less pit. But my
     
                     

                  
    
0
0 0 0 0 0 0 0 0 0 1 0 1 1 1 1 1 1
0 0 0 0 0 0 0 0 0 0 0 0 0 0 2 2 2 2 2 2 0
0 0 0 0 0 0 0 2 2 2 2 2 2 2 0 2 2 2 2 2 2 0
X 2 2 2 2 2 2 X 2 3 2 0 0 0 0 0 0
3 0 0 X X 0
Copyright © 1980 Fifty-Six Hope Road Music Ltd. and Odnil Music Ltd.
All Rights in North America Administered by Blue Mountain Music Ltd./Irish Town Songs (ASCAP)
and throughout the rest of the world by Blue Mountain Music Ltd. (PRS)
All Rights Reserved 1
  
Em C G/B Am
                      

hand was made strong by the hand of the Al - might - y, we for -
     
                      
                    
  
0
0 0 0 0 0 0 0 0 1 0 1 1 1 1 1 1
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 2 2 2 2 2 2 0
0 0 0 0 0 0 2 2 2 2 2 2 2 0 2 0 2 2 2 2 2 2 0
2 2 2 2 2 2 2 3 2 0 0 0 0 0 0
3 0 0
       
G Em C D5
                
 
- ward in this gen - e - ra - tion tri - um - phant - ly.

       









 
 

                
             
      

0 0 0 0 0 0 0 0 0 0 0 0 1 3 3 3 3 3
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 2 2 2 2 2 2 2 2
0 0 0 0 0 0 2 2 2 2 2 2 0 2 2 2 2 2 2 2 2 0 0 0 0 0 0 0 0 0
2 2 2 2 2 2 3 3 3 3 3 3 3 3 0 0 0 0 0
3 0 0 0 0 0 0
Chorus
  
      
G C D5 G

             
Won’t you help to sing these songs of free - dom? ’Cause
 
         
       
        
    
   
   
 
           
   
3
3 3 3 3 3 3 0 0 0 1 1 1 3 3 3 0 0 0 0 0 0 0
2 2 2 2 2 2 0 0 0 0 0 0 0 0 0 2 2 2 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0 0 0 0 0 0 0 2 2 0 0 0 0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 2 2 2 2 3 0 0 0 2 2 2 2 2 2
0 3 3 3
     
     
 
C D5 Em C D5 G

     
all I ev - er have, re - demp - tion songs,
             
                        
                     
          
0 0 3 3 3
3 3 3 0 0 0 0 0 0 0 3 3 3 0 0 0 0 0
0 0 0 2 2 2 2 0 0 0 X 0 0 0 0 0 2 2 2 2 0 0 0 0 0 0 0
2 2 2 0 0 0 0 0 2 2 2 X X 0 2 2 2 0 0 0 0 0 0 0 0 0 0 0
3 3 3 0 0 0 0 2 2 X 2 X 2 3 3 3 0 0 0 0 2 2 2 2
0 0 X 0 3 X
2
   
  
C D5 G C D5
 
        
3
 
re - demp - tion songs. 2. E - man - ci -
         
        
               
         
3 3 3
3 3 3 0 0 0 0 0 3 3 3 0
0 0 0 2 2 2 2 0 0 0 0 0 0 0 0 0 0 2 2 2 0
2 2 2 0 0 0 0 0 0 0 0 0 0 0 2 2 2 0 0 0 0 0
3 3 3 0 0 0 0 2 2 2 2 3 3 3 0 0 0
3 X
 Verse
        3      3   
G Em C G/B Am
3
          
   
pate your - selves from ment - al slav - ’ry. None but our - selves can free our minds. Have no
                            
                                
                       
3 3 3 3 3 3 3 3 0 0 0 0 0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 1 1 1 1 1 1 1 1 1 1 1 0
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 2 2 2 2 2 2 2 0
0 0 0 0 0 0 0 0 2 2 2 2 2 2 2 2 2 2 2 2 0 0 0 0 2 2 2 2 2 2 2 0
2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 3 3 3 3 2 2 2 2 0 0 0 0 0 0 0
3 3 3 3 3 3 3 3 0 0 0 0 0 0 0 0
G Em C G/B D5
    
              
3
  
3
     


fear for a - tom - ic en - er - gy, ’cause none of them can stop the time. How long
                        
                         
                           
3 3 3 3 3 3 0 0 0 0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0 0 0 0 0 0 0 1 1 1 1 3 3 3 3 3 3 3
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 2 2 2 2 2 2 2 0
0 0 0 0 0 0 0 0 2 2 2 2 2 2 0 2 2 2 0 0 0 0 0 0 0 0 0 0 0 0
2 2 2 2 2 2 0 0 2 2 2 2 2 2 2 3 3 3 2 2 0 0 0 0 0 0 0 0 0 0
3 3 3 3 3 3 0 0 0 0 0 0 0 0
     
G Em C G/B Am
3                   
  
shall they kill our proph - ets while we stand a - side and look? Ooh, some
                               
                               
                  
       
3 3 3 3 3 3 0 0 0 0 0 0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 1 1 1 1 1 1 1 1 1 1 1 1 1 1 0
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 2 2 2 2 2 2 2 0
0 0 0 0 0 0 0 0 2 2 2 2 2 2 2 0 2 2 2 2 0 0 0 2 2 2 2 2 2 2 0
2 2 2 2 2 2 0 0 2 2 2 2 2 2 2 3 3 3 3 2 2 2 0 0 0 0 0 0 0 0
3 3 3 3 3 3 0 0 0 0 0 0 0 0 0 0
3

G Em C G/B D5
     
       
      
say it’s just a part of it, we’ve got to ful - fill the book.
                      
  






                        
      
           
3 3 3 3 3 0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0 0 0 0 1 1 3 3 3 3 3 3 3 3 3
0 0 0 0 0 0 0 0 0 0 X X X 0 0 0 0 0 0 0 0 2 2 2 2 2 2 2 2
0 0 0 0 0 0 0 2 2 2 2 2 2 0 2 2 0 0 0 0 0 0 0 0 0 0
2 2 2 2 2 0 0 2 2 2 2 2 2 0 3 3 2 0 0 0 0 0 0 0 0 0
3 3 3 3 3 0 0 0 0 0 0 0 0
Chorus
 
   
G C D5 G
 
   
            
Won’t you help to sing these songs of free - dom? ’Cause
                               
                                
                       
 
3 3 3 3 3 3 3 3 0 0 0 3 3 3 3 3 3 3 3
3 3 3 3 3 3 0 0 0 0 0 0 0 0 0 0 1 1 1 3 3 3 0 0 0 0 0 0 0 0 0
2 2 2 2 2 2 0 0 0 0 0 0 0 0 0 0 0 0 0 2 2 2 0 0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 2 2 2 0 0 0 0 0 0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 2 2 2 2 2 2 2 2 3 3 3 0 0 0 2 2 2 2 2 2 2 2
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
To Coda 
         

 
 
C D5 Em C D5 G
  
 
   
Play 3 times
  
all I ev - er had. Re - demp - tion songs.
  
                     
      
               



 
 













 
                 
           
 
 
0 0 0 0 0 0 0 0 0 0 0 0 3 3 3 3 3 3 3 3
1 1 3 3 0 0 0 0 0 0 0 0 1 1 1 3 3 3 0 0 0 0 0 0 0 0 0
0 0 0 2 2 2 0 0 0 0 0 0 0 0 0 0 0 0 0 2 2 2 0 0 0 0 0 0 0 0 0
2 2 0 0 0 0 0 0 2 2 2 2 2 2 2 0 2 2 2 0 0 0 0 0 0 0 0 0 0 0 0 0
3 3 0 0 0 0 2 2 2 2 2 2 2 3 3 3 0 0 0 2 2 2 2 2 2 2 2
0 0 0 0 0 0 0 0 0 3 3 3 3 3 3 3 3
  
C D5 Em C D5 Play 3 times
           
              
         
        
       
 
P.M. P.M. P.M.
 
0 0
0 3 3 3 0 0 1 1 3 3 3 0
0 0 0 2 2 2 2 0 0 0 0 0 0 0 0 0 0 0 2 2 2 0
2 2 0 0 0 0 2 0 0 2 0 0 2 0 2 2 0 0 0 0 0
3 0 0 0 2 0 0 2 0 0 2 0 3 3 0 0 0 0
0 0 0 0 0 0 0 0
4
D.S. al Coda
 C
 
C

D5
   
 
3. E - man - ci -
     
      

       


 
     
P.M.  P.M.
0 0 1 1 3 3 3 0
0 0 0 0 0 0 2 2 2 0
2 0 X 2 0 2 0 2 2 0 0 0 0 0
2 0 X 2 2 0 2 3 3 0 0 0
0 0 0 0 0 0
 Coda
 C     
 
       
D5 G C D5 Em
     
Re - demp - tion songs, all I ev - er had,
                           
        















      



        
              
 
0 0 0 3 3 3 3 3 3 3 3 0 0 0 0 0 0 0 0 0 0
1 1 1 3 3 3 0 0 0 0 0 0 0 0 0 1 1 1 3 3 0 0 0 0 0 0 0 0 0
0 0 0 2 2 2 0 0 0 0 0 0 0 0 0 0 0 0 2 2 0 0 0 0 0 0 0 0 0 0
2 2 2 0 0 0 0 0 0 0 0 0 0 0 0 0 2 2 2 0 0 0 0 0 2 2 2 2 2 2 2 0
3 3 3 0 0 0 2 2 2 2 2 2 2 2 3 3 3 0 0 0 0 2 2 2 2 2 2 2
3 3 3 3 3 3 3 3 0 0 0 0 0 0 0
     
 
      
C D5 Em C D5 G
           
re - demp - tion songs. These songs of free - dom,
                      
                               
    
                 
0 0 0 0 0 0 0 0 0 0 0 0 0 3 3 3 3
1 1 1 3 3 0 0 0 0 0 0 0 1 1 1 3 3 3 0 0 0 0
0 0 0 2 2 0 0 0 0 0 0 0 0 0 0 0 2 2 2 0 0 0 0 0 0 0 0
2 2 2 0 0 0 0 0 2 2 2 2 2 2 2 0 2 2 2 0 0 0 0 0 0 0 0 0 0 0 0
3 3 3 0 0 0 0 2 2 2 2 2 2 2 3 3 3 0 0 0 0 2 2 2 2
0 0 0 0 0 0 0 3 3 3 3
Outro
  
 
C D5 G C G/B
      
songs of free - dom.
         
                    
                    

3 3 3 3 3
3 3 3 0 0 0 0 0 0 1 1 1
0 0 0 2 2 2 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
2 2 X 0 0 0 0 0 0 0 0 0 0 0 0 2 2 2 0 0 0
3 3 X 0 0 0 2 2 2 2 2 3 3 3 2 2 2
3 3 3 3 3
Am Am6

             
     

 
 

 


           
                        
cresc. ff
2 2 2 2 2 2 2 2 2 2 2
1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1
2 2 2 2 2 2 0 2 2 2 0 2 2 2 2 2 2 2 2 2 2 2 2 2
2 2 2 2 2 2 0 2 X 2 2 0 X X X X X X X X X X X X X
0 0 0 0 0 0 0 0 0 0 X 0 X 0 0 0 0 0 0 0 0 0 0 0 0 0
0 0 0
5
from Grateful Dead - American Beauty
Ripple
Words by Robert Hunter
Music by Jerry Garcia
Gtr. 2: Capo VII
Intro
Moderately fast q = 126  __ =   
3
*G C
   
[C] [F]
   
Gtr. 2 (acous.)

                  
  
mf
let ring throughout
0 0 0 0 1 1 1 1

1 1 1 1 1 1 1 1
0 0 0 0 0 0 2 2 2 2 2 2 2 2 2
2 2 3 3 3 3
3 3
3
     
Gtr. 1 (acous.)
   

              
     

 
mf
let ring throughout
3 0 0

0 0 0 0 1 1 1
0 0 0 0 2 0 0 0 0
0 0 0 0 0 2 0 2
2 2 3 2
3 3 3
         
[C]
  
                  
  
1 1 1 1 1 1 1 1 1 1 0 0 0
1 1 1 1 1 1 1 1 1 1 1 1 1
2 2 2 2 2 2 2 2 2 2 0 0 0
3 3 3 3 3 3 2 2 2
3 3 3

        
                
   
0 0
1 1 1
0 0 2 0 0 2 0 0
0 2 0 2 0 0
2 2 3
3
Copyright © 1971 ICE NINE PUBLISHING CO., INC.

Copyright Renewed
All Rights Administered by UNIVERSAL MUSIC CORP.
C

[F]
               

                   
    
0 0 0 0 0 0 0 1 1 1 1 1 1 1 1
1 1 1 1 1 1 1 1 1 1 1 1 1 1 1
0 0 0 0 0 0 0 2 2 2 2 2 2 2 2
2 2 2 2 2 2 2 3 3 3
3 3 3 3
3 3
     
          
 
             

3 3 0
0 0 0 0 1 1 1 0
0
0 0
0  0
0
0 2 0 0
0 2
0
2 2
0
2
0 2
2
G D C G
[C] [G] [F] [C]
          
          
        

   
 
0 0 0 1 1 1 0 0 0 0 0
1 1 1 0 0 0 1 1 1 1 1 1 1 1
0 0 0 0 0 0 2 2 2 0 0 0 0 0
2 0 0 3 3 2
3 2 2 3 3
3 3

  
     
                  
     


2 0 3

0 0 0 1 3 3 0 0
0 0 2 2 2 2 0 2 0 0 0
0 0 0 0 2 0
2
3 3
Verse
G C
  
[C] [F]
   
        
       
1. If my words did glow with the gold of sun - shine,
         
             
           
0 0 0 0 0 0 0 1 1
1 1 1 1 1 1 1 1 1 1
0 0 0 0 0 0 0 0 2 2 0 2
0 2 3 3 3
3 0 3 3 3 3 3
3 3
             
  
   
   




   
      
   
3 3 3 3 3 3 3 3 0 0 0 0
0 0 0 0 0 0 0 0 0 0 1 1 1 1
0 0 0 0 0 0 0 0 0 0 0 0 0 0
0 0 0 0 0 2
2 2 3 3
3
2

  
         
     
  

and my tunes were played on the harp, un - strung.
           
                   
        


*T
1 1 1 1 1 1 1 1 1 1 1 1
1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1

2 X 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2
3 X 3 3 3 3 3 3 3 3
3 3 3 3 3 3
1
*T = Thumb on 6th string
               
                     
 
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
1 1 1 1 1 1 1 1 1 1 1 1 1 1 1
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
3 3 3 3
3 3
G C
[C] [F]

 
     
3
    
     
Would you hear my voice come through the mu - sic?
         
    
     

     

   
 
0 0 0 0 0 0 0 1
1 1 1 1 1 1 1 1 1
0 0 0 0 0 0 0 0 2
2 2 2 2 2 3 3
3 3 3
3 3 0 1
            
             
     
     
3 3 3 3 3 3 3 3 0 0 0
0 0 0 0 0 0 0 0 0 1 1 1
0 0 0 0 0 0 0 0 0 0 0 0
0 0 0 0 0
2 3
3 3 3 3 3
3
G D C
[C] [G] [F]
         
      

   
 
Would you hold it near, as it were your own?
        
                
      
  
P.M.
1 0 0 0 0 1 1 1 1
1 1 1 1 1 1 0 0 0 1 1 1 1
2 2 0 0 0 0 0 0 0 2 2 2 2
3 3 0 0 0 0 3 3
3 3 3
3 3 3
              
              
      
 
0 0 0 0 3 3 3 3 2 2 2 2 0
1 1 1 0 0 0 0 0 3 3 3 3 1
0 0 0 0 0 0 0 0 2 2 2 2 0 0
0 0 2
3 0 3
3 3
Verse
G G C
       
[C] [C] [F]
  
     

   

      
  
 
 
    
2. It’s a hand me down, the thoughts are bro - ken.
             
               
         
T
0 0 0 0 0 0 0 0 0 0 1 1 1
1 1 1 1 1 1 1 1 0 0 1 1 1
0 0 0 0 0 0 0 0 0 0 0 0 2 2 2
2 2 2
3 3 3 3 3
3 3 3 1

 
          
          
 


  

      
3 3 3 3 3 3 3 3 0 0 0
0 0 0 0 0 0 0 0 1 1 1
0 0 0 0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0 2 2 2
3 3
3 3 3 3 3
4
         
 
     
      
 



Per - haps they’re bet - ter left un -
               
          
     
     
  
     
T T T T T T
1 1 1 1 1 1 1 1 1 1 1 1 1 1 1
1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1
2 2 2 2 2 2 2 2 2 0 2 2 2 2 0 2 2 2 2
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
3 3
1 1 1 1 1 1
                    
                         
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
2 2
3 3 3 3 3
G C
 

 

    
[C] [F]

    


 
 
   
     
sung. I don’t know don’t real - ly care.
                
   
                 
      

0 0 0 0 0 0 0 0 0 0 0 0 0 1 1 1 1
1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1
0 0 0 0 0 0 0 0 0 0 0 0 0 0 2 2 2 2
2 2 2 2 3
3 3 3 3
3 3 3 0
                
                  
         
3 3 3 3 3 3 3 3 3 3 3 0 0 0 0
0 0 0 0 0 0 0 0 0 0 0 0 1 1 1 1
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
0 0 0 0
2 2 2 2 3
3 3 3 3 3 3 3
5
G D C
         

[C] [G] [F]

   
  
 
Let there be songs to fill the air.
               
                   
 

 
      
T T
1 1 1 1 0 0 0 0 3 3 3 0 1 1 1 0
1 1 1 1 1 1 1 1 0 0 0 0 1 1 1 0
2 2 2 2 0 0 0 0 0 0 0 0 2 2 2 0
3 3 3 3
3 3 2 2 3 3
3 3 3 1 1
                   
                     
     
  
0 0 0 0 0 0 3 3 3 3 3 2 2 2 2 0 0 0 0
1 1 1 1 1 0 0 0 0 0 0 3 3 3 3 0 1 1 1 1
0 0 0 0 0 0 0 0 0 0 0 0 2 2 2 2 0 0 0 0 0
0 0 2
3 2 0 3 3
3 3 3
Chorus
G Am
 
[C] [Dm]
   
    
   
Rip - ple in still
          
      
       
      
0 0 0 0 0 0 1 1 1
1 1 1 1 1 1 3 3 3 0
0 0 0 0 0 0 2 2 0
2 0 0 0 0 0
3 0 3 3 2 0 0 0
3
     
      
      
     
3 3 3
0 0 0 0
0 0 0 0 0
0 0 2 2
2 1 0 0
3 3 0 0
6
D G C

[G] [C] [F]
 
   
 
 
          
 
 
wa - ter, when there is no peb - ble tossed. No
       
          
            


   


1 0 0 1 1 0
0 0 0 1 1 1 1 1 0
0 0 0 0 0 0 0 2 2 0
0 0 0 0 0 0 0 0 2 3 3
2 2 2 3 3
3 3 3 3 3
  
    
    
0 0
1 1
0 0
0 0 2 2
0 0 2 3
3
Verse
A D G

[D] [G] [C]
          
3
        
   
wind to blow. 3. Reach out your hand, if your cup be
        
            
     
 

 
    
3 3 3 0 0 0 0 0 0
0 0 0 1 1 1 1 1 1 1
0 0 0 0 0 0 0 0 0 0 0
0 0 0 0 2
3 3 3
0 2 3 3
         

        


      
  
2 2 2 3 3 3 3 3

2 3 3 3 0 0 0 0 0
2 2 2 2 2 0 0 0 0 0
2 0 0
0 4 0 2
3 3 3
7
C
   

[F]

   
       
       
emp - ty. If your cup is full, may it be
        
                     

  
let ring  let ring 
1 1 1 1
1 1 1 1 1 1 1 1
2 0 2 2 2 2 2 2 0 2 2 0 2 2
3 3 3 3 3
0 3
           
           
    
0 0 0 0 0 0 0 0 0 0
1 1 1 1 1 1 1 1 1 1
0 0 0 0 0 0 0 0 0 0
2 2 2 2 2 2 2 2 2 2
3 3 3 3
3

[C]
           
            
a - gain. Let it be known, there is a

        

      
           


let ring
0 0 0 0 0
1 1 1 1 1 1 1
0 2 0 0 0 0 0 0 0
3 2 2 1 2 2 2
3
3 3
    

         

   
          
           
   
0 0 0 0 3 3 3 3 3 3 3
1 1 1 1 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0 0 0 0 0
2 2 2 2 0 0 0 0 0 0 0
3 0 2
3 3 3
8
C G D

[F] [C] [G]
 
             

foun - tain, that was not made
            
                     
  
  
let ring 
T
1 1 1 1 1 1 0 3 3 3
1 1 1 1 1 1 1 1 0 0 0
2 0 2 2 2 2 2 2 0 0 0 0 0
3 3 2 3 0 0
3 3 3 2
1 3
        
      


 
          
   
0 0 0 0 0 3 3 3 2 2 2
1 1 1 1 1 0 0 0 3 3 3
0 0 0 0 0 0 0 0 2 2 2
2 2 2 0 0 0 0 0
3 3
3 3 3 3
Verse
C G G
      

[F] [C] [C]

    
3
  

       
 
by the hands of man. 4. There is a road, no sim - ple
        
           

   
    
 
  

0 0 0 0 0 0 0 0 0
1 1 1 0 1 1 1 1 1
0 0 0 0 0 0 0 0 0
X 2 0 2
X 3 3 0 3 3
1 0 3 3 3 3
   
       
  
           
          
0 0 0 3 3 3
1 1 1 0 0 0 0 0 0
0 0 0 0 0 0 0 0 0 0
2 2 2 0 0 0 0 0
3 2 0 2
3 3 3 3
9
C
   
       
[F]
      

  
     
 
 
high - way, be - tween the dawn and the dark
          
                 

  
T T T
1 1 1 1 1 1 1
1 1 1 1 1 1 1 1 1 1
2 2 2 2 2 0 2 3 2 2
3 3 3 3
3 3
1 1 1
               
                  
   
0 0 0 0 0 0 0 0 0 0 0 0 0
1 1 1 1 1 1 1 1 1 1 1 1 1 1
0 0 0 0 0 0 0 0 0 0 0 0 0 0
2 2 2 2 2 2 2 2 2 2 2 2 2
3 3 3
3
  
 
        
[C]
  


   


       
  
  
of night. And if you go, no one may
  
      
            
             
       

T
1 0 0 0 0 0 0 0 0 0
1 1 1 1 1 1 1 1 1 1 1 1 1
2 2 0 0 0 0 0 0 0 0 0 0 0 0 0
3 3 3 3 2 2 2 2 2 2 1 2 2
3 0 3 3 3 3
3 3 1

 
       
        
 
      

        
   
0 0 0 0 0 3 3 3
1 1 1 1 1 0 0 3 3 3
0 0 0 0 0 0 0 0 0 0 0
2 2 2 2 2 0 0 0 0
3 2 0 2
3 3 3
10
C G D
        
[F] [C] [G]
         
  
 
 
fol - low. That path is for
     
       
     





  
     
       
 
   
T  T T 
1 1 1 0 0 0 3 3 3 3 3
1 1 1 1 1 1 1 1 1 0 0 0 0 0
2 2 0 0 2 2 2 2 2 0 0 0 0 0 0 0 0
3 3 3 3 3 3 3 3 2 2 2 0
3 3 3 0 3 3
1 1 1 1 3 3
             
           
         
0 0 0 0 0 0 0 3 3 3 2 2 2
1 1 1 1 1 1 1 0 0 0 3 3 3
0 0 0 0 0 0 0 0 0 0 2 2 2
2 2 2 2 2 2 2 0 0
3 3 3 3
3 3
C G
[F] [C]
     


    
your steps a - lone.
    

    
    

T
0
1 1 1 1
2 2 2 0
3 3 3 2 2
3 3 3 3 3 2
1 3
    
          
          
 
0 0 0 0 3 3 3 3
1 1 1 1 0 0 0 0 0
0 0 0 0 0 0 0 0 0
2 2 2 2 0 0 0
3 3 2 1
3 3
11
Chorus
Am D
   
  
[Dm] [G]
 
 
 
      
     
Rip - ple in still wa - ter, when there is
      
   
 
          
       

1 0
3 3 0 3
2 2 0 0 0
0 0 0 0
0 1 2 2 1 2 0
3
       
       



         

2 2 2 2 2 2
1 3 3 3 3 3 3
2 2 2 2 2 2
2 0 0 0 0
0 0 0 2 3 0
0
G C A D


 

[C] [F] [D] [G]
        
              
no peb - ble tossed, no wind to blow. 5. You who choose
    

  
       
          
T T
1 1 1
2 2 2 2 0
2 3 3 3 0
3 0 1 2 0
3 0 1 1 2 3

 
       

           
     
3
     
3 0 0 0 0 2 2 2
1 1 1 1 2 2 3 3 3
0 0 0 0 0 0 0 2 2 2
2 2 2 2 2 0 0 0
0 1 2 3 0 0
12
Verse
G C
       
  
  
[C] [F]
    
 
        
    
 

to lead must fol - low. But if
     
                   
         

w/ pick & finger let ring  let ring 
3 5 3 1
1 3 5 3 1 1
0 0 3 5 3 1 2
2 3 5 3 2 0 2 3
3 0 3

 
              
      
 
       
 
        

3 3 3 3 3 3 3 0 0 0 0 0 0 0
0 0 0 0 0 0 0 1 1 1 1 1 1 1
0 0 0 0 0 0 0 0 0 0 0 0 0 0
0 0 0 0 0 2 2 2 2 2 2 2
2 3 3 3 3
3 3 3
     
[C]
      

 
  
 
  
        


you fall, you fall a - lone. If you should stand,
    
                         
    
 
1 1 0 0
1 1 1 1 1 1 1 1 1 1 1 1
0 2 2 0 2 2 2 2 3 2 0 0 0
3 3 3 3 3 3 3 3 2 0 2
3 3
0 3
                 
                   
         

3 3 0 0 0 0 0 0 0 0 0 0 3 3
1 1 1 1 1 1 1 1 1 1 1 1 0 0 0
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
2 2 2 2 2 2 2 2 2 2 2 2 0 0 0
3 3 3
3
13
C
    
[F]

   

  
3
   
   
  
then who’s to guide you?
          
      
3
            
   
1 1 1 1 1 1
1 1 1 1 1 1 1
0 0 0 2 0 0 2 2 2
2 2 1 2 0 3 3 3 3 3 3
3 3 3 3
              
                
         
3 3 3 3 0 0 0 0 0 0
0 0 0 0 1 1 1 1 1 1
0 0 0 0 0 0 0 0 0 0
0 0 0 2 2 2 2 2 2
2 0 2 3 3
3 3
G D C G
  
   
[C] [G] [F] [C]
 
     

   

  

          
 
 
If I knew the way, I would take you home. La, n, da, da, da.
   
   
    
Female: (La, n, da, da, da.
         
      
3
       
    


      
   
T 
0 3 3 3 3 0 0 0
1 0 0 0 0 1 1 1 1 1
0 0 0 0 0 0 2 2 0 0 0
2 1 2 0 0 0 0 3 3 2 2 2 2
3 3 3 3 0 3
3 3 1 1 0

  
         
      
          














        
3 3 2 2 2 0 0 0 0 3 3 3 3 3 3
0 0 3 3 3 1 1 1 1 0 0 0 0 0 0
0 0 2 2 2 0 0 0 0 0 0 0 0 0 0
0 0 0 2 2 2 0 0 0 0 0 0
2 3 3 3 2 2 2 2 2 2
3 3 3 3 3 3 3 3
14
Outro
G C
    
 
     

 
[C] [F]
      
 
La, da, da, da, da. Da, da, da,

      
3
        

La, da, da, da, da. Da, da, da,
               
               
       
 
  
T T
0 0 0 0 0 1 1 1 1
1 1 1 1 1 1 1 1 1 1 1 1 1 1 1
0 0 0 0 0 0 0 2 2 0 2 0 3 2 2
2 2 2 2 2 2 2 2 2 3 3 3 3 3 3
3 3 3 3 3
3 1 1
 
    
                 
 
        
 
          

        

3 3 3 3 3 0 0 0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0 0 1 1 1 1 1 1 1 1 1 1
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0 2 2 2 2 2 2 2 2 2 2
2 2 3 3
3 3
 
    

    
[C]
 
  

        


          

da, da, da, da, da, da, da. La, n, da, da, da.

     
3
 
       
     
da, da, da, da, da, da, da. La, n, da, da, da.
                 
                    
    
  
T T T
let ring 
1 1 1 1 1 1 1 1 1 1 1 1 1 0 0 0
1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1
2 2 2 2 2 0 2 0 2 0 2 2 0 2 0 0 0
3 3 3 3 3 3 3 3 3 3 3 2
3 3 0 3
1 1 1 3
                      
                      
          
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 3 3 3 3
1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 0 0 0 0
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 0 0 0 0
3 3 3
3 3
15
C
   
 
 
[F]

 
  
     
La, da, da, da, da.
 
 
    
  
  
La, da, da, da, da.
            
            
          
       
T T T T
0 0 1 1 1 1 1 1 1
1 1 1 1 1 1 1 1 1
0 0 0 0 0 2 0 2 2 2 2 2 2 2 2
2 2 1 2 2 2 2 2 2 3 3 3 3 3 3 3
3 3 3 3
1 1 1 1
                    
                 
             
     
3 3 3 3 3 3 3 3 3 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0 0 1 1 1 1 1 1 1 1 1 0
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0 0 2 2 2 2 2 2 2 2 2 0
3 3
3 3 3 3
G D C G
 
 
 
 
      
[C] [G] [F] [C]
 
   

  
La, da, da. La, da, da, da, da.

    

    
    
La, da, da. La, da, da, da, da.)
 
 
   

 
              
           

T 
3 3 0
0 0 0 1
0 0 0 0 0 2 2 2 0 0
3 5 2 0 0 3 3 3 0 2
3 3 2 2 2 3 3 3 3
3 3 1 1 1
              
                

            

  
3 3 3 3 3 2 2 2 0 0 0 0 0 3
0 0 0 0 0 3 3 3 1 1 1 1 1 0
0 0 0 0 0 0 2 2 2 0 0 0 0 0 0
0 0 0 0 0 0 0 0 2 2 2 2 2 0
X 3 3 3 3 3 2
3 3 3
16
from Ben Harper - Diamonds on the Inside
She’s Only Happy in the Sun

Words and Music by Ben Harper and Dean Butterworth
Gtrs. 2 & 3: Capo V
Intro Verse
      
   
D D
            
 
1. I know you may not want to see
              
Rhy. Fig. 1
         
       
Gtr. 1 (acous.)
                   
mp

let ring throughout

2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2

3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 0 0
2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 0 0
0 0 0 0 0 0
     
Em7 G5
       
      

me on your way down
                 
       

   
 
           
       
3 3 3 3 3 3 3 3 3 3 3 3
3 3 3 3 3 3 3 3 3 3 3 3 3
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
2 2 2 2 2 2 2 2 2 0 0 0 0 0
2 0
0 0 0 0 0 0 3 3
 
A D
        
 
  
from the clouds.
      
End Rhy. Fig. 1
    
           
  
 
   

  

    

  
  
2 2 2 2 2 2 2 2 2 2 2 2 2 2 2
2 2 3 3 3 3 3 3 3 3 3 3 3 3 3 3
2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2
2 2 2 2 2 0 0 0 0
0 0 0
Copyright © 2002, 2003 Innocent Criminal and Mrs. Butterworth Music

All Rights for Innocent Criminal Administered by BMG Rights Management (US) LLC
All Rights for Mrs. Butterworth Music Administered by Songs Of Universal, Inc.

    
Em7
 
    
        
 
Would you hear me if I told you
G5 A
    
           
 
   
that my heart is with you now.
D D7

   

3
 
      
  
          
Gtr. 1
      

  
  

  
2 2 2 2 2 2 2 2
3 3 3 3 1 1 1 1 0 0
2 2 2 2 0 2 2 2 2 0 0
0 0 0 0
Chorus
   
G5 A
     

       
She’s on - ly hap - py in the sun.
 
Rhy. Fig. 3
 
   


       

     
   
3 3 3 3 3
3 3 3 3 3 2 2 2 2
0 0 0 0 0 0 0 2 2 2 2 X X
0 0 0 2 2 2 2 X X
0 0 0
3 3
Bm A G5
        
       


She’s on - ly hap -
             
        
   
  
                
         
3 3 3 3 3 3 3 3 2 0 0 3 3 3 3
4 4 4 4 4 4 4 4 2 0 0 0 0 0 0 0 0
4 4 4 4 4 4 4 4 4 0 0 2 0 0 0 0 0 0 0 0
2 2 2 2 0 0 0
3 3
2
A Cadd9 G5

             

 

      

- py in the sun.
    
End Rhy. Fig. 3

    
           
           

     
2 2 2 2 3 3
2 2 2 2 0 0 0 0 0 0 0 0
2 2 2 2 0 0 2 2 2 2 0 0 0
0 0 0 3 3 2 0 X
3
Verse
Gtr. 1: w/ Rhy. Fig. 1 (1 3/4 times)
   
 
D
  
     

  
2. Did you find what you were af -
3. Ev - ’ry time I hear you laugh -

Em7 G A
*[Bm7] [D] [E]
    

  
3
                 
33 3
- ter? The pain and the laugh - ter brought you to your
- ing I hear you laugh - ing, it makes me
         
Gtr. 2 (acous.)
   
           
 
 

  
 

   
mp   
w/ fingers
let ring throughout
3 2 0
3 3 3 5 3 3 0 0
4 4 2 2 2 2 2 1 1 1
4 4 4 2 2 4 4 0 0 0 2 2 2
2 2 2 2 4
0 0 0
        
Fill 1

    
             
   
Gtr. 2
 

    
 
2 2 2
3 3 3 3 3 3 3 5 3 3 3
4 4 4 4 4 4 2 2 2
4 4 4 4 4 4 0 0 0 0
2 2 2 4
3

D
[A]
  
                  

knees. But if the sun sets you free,
cry. Like the stor - y of life.
 
          
  
    
   

    
 
            
3 2 2 3 2 2 3 3 2 2 2 2
2 2 2 2 2 2 2 2 2 2 2 2 2 2 2
2 2 2 2 2 2 2 2 2 2 2 2 2 2 2
0 0 0 0 0 0 0 0 0 0 0 0 0

Em7
 
[Bm7]
         


   
sets you free,
of your life,
       
Gtr. 2

   
      

  
     
3 3 3 3 3 5
4 4 4 4 2 2 4 4 6
4 4 4 4 2 2 4 0
2 2 5 2 2 4
 
Gtr. 3 (acous.)
                    
       
 
mp
w/ fingers
let ring throughout
3 3 3 3 3 3 3 5
4 4 4 4 4 4
4 4 4 4 4 4 4
2 2 4
Fill 2

Gtr. 2
                   
     

3 3 3 3 3 3 5
4 4 4 4 4
4 4 4 4 4
2 4
4
G A
    
[D] [E]
     
  
3

      
you’ll be free in -
is hel - lo good -
  
  
   
   
     

       

 
2 2 2 2 2
3 3 3 3 3
2 2 2 2 2 2 0 1 1
0 0 0 0 0 0 2 2 2 2 2
2 2 2 2 2
0 0
      
              
   
     
2 2
3 3
2 2 2 2 0 1 1 1 1
0 2 2 2 2 2 0
2 2 2 2 0
0 0 0 0 0 0

D D7
[A] [A7]

     
3
        
- deed, in - deed.
- bye?

            
              
            
2 2 2 2 2 2 2 2
2 2 2 0 0 0 0 0 0 0 0 0 0 0
2 2 2 2 0 0 2 2 2 2 2 2 2 0
0 0 0 0 0 0 0 0 0 0 0 0 0

  



 

           
          
2 2 2 2 2 2
2 2 2 2 2 0
2 2 2 2 2 0 5 5 5 5 5 0
0 0 0 0 0 0 0 0 0 0 0 0
5
Chorus
Gtr. 1: w/ Rhy. Fig. 3 2nd time, Gtr. 2: w/ Fill 3
G A Bm
[D] [E] [F#m]
              

           
 
      
          

    

  
3 2 2
3 3 0 2 2
2 2 2 1 1 2 2
0 0 2 2 2 4 4
2 2 2
0 0 0

Riff A
   
           
            


P.M.
3 3 3 2 2 2 2
2 2 2
0 4 4 4 4 4
2 2 2 2 2 2 0
0
A G A
[E] [D] [E]
  
          
       
  
     
             
    
     
2 3 2
2 3 3 0
2 2 2 2 1 1
4 4 2 0 0 2 2 2
4 2 2 2 2
2 0 0 0 0
  
End Riff A

            
        
     

 
P.M.
2 2 2 0 3
2 2 1 2 2 2 1 1 1
4 4 2 0 2 2 2
0 2 2
0 0
Fill 3
 
Gtr. 2
             

   
  
2
2 2 2
2 2 2 2
4 4 4 4 2
4 4 4 4 2
2 2 0
6
1. 2.
Cadd9 G5
[Gadd9] [D5]
             

     

   
Gtr. 1
        
                  
   
       


3 3 3 3 3 3 3 3 3
0 0 0 0 0 0 0 0 0 0 0 0 0
2 2 2 2 0 0 0 0 0 0 0 0 0 0
3 3 2 0 X X X X X X X
3 3 3 3 3 3 3 3

         
Gtr. 2
      
        
   
   


3 2 3 2
1 0 1 0 3 3 3
0 0 0 0 2 2 2 2 2
2 0 2 0 0 0 0 0
2 0 0 0 0
             
      
Gtr. 3
      

 
 

     


0 2 0 3 2 0 2 3 2
3 3 3 3 3
0 0 2 2 2 2 2
2 0 0 0 0 0
2 2 0 0 0 0
3 2 0
Outro-Chorus
Gtr. 3: w/ Riff A
G A
 
[D] [E]
    

         
  
Gtr. 2
 
            
  
2 2
3 3 3 3 0 0 0 0
2 2 2 2 1 1 1 1
0 0 0 0 0 2 2 2 2 0
0
0 0 0
7
Bm A
[F#m] [E]

      


    
  
   
 

  

  

  

  

  
2 2 2 2 2 2
2 2 2 2 2 2
4 4 4 4 4 4
G A
   
[D] [E]

  
 
  
  
rit.

    
 
    
Gtr. 1
       
 

    
rit.
3 3 3 3
3 3 3 3 2 2 2
0 0 0 0 2 2 2
0 2 2 2
0 0 0
3 3
    
Gtr. 2

        

   rit.
3 2 2
3 3 0
2 1 1 1 1
0 0 2 2 2 2
2
0 0 0
Cadd9 G
[Gadd9] [D]
     

         
3
   
  


   
 

 



3
3 3

0 0
2 0
3 2
3

 
        
     
 

3 2
1 0 1 0 3 3
0 0 0 0 2
2 0 2 0 0
2
8
from Dave Van Ronk - Somebody Else, Not Me
Sportin’ Life
Words and Music by John Sebastian, Zal Yanovsky, Joe Butler and Steve Boon
Drop D tuning, capo II:
 __ =   
(low to high) D-A-D-G-B-E
Intro 3 
E E7

*[D] [D7]
3 3  
3
            
3
  
3
      
Gtr. 1 (acous.)
 
     

 
     
mf
w/ fingers
2 3 4 5 5 5 5 5 5 5 0 0 3 5 6

3 5 6 7 7 7 7 7 7 7 7 7 7 4 5
10 7 5 5 5
0 0 0 0 0 0
0 0 0 0 0 0
A7 A Am E C#7
[G7] [G] [Gm] [D] [B7]


3 3 3
                       
3
         
        
    
1/2
7 7 7 7 7 7 7 3 3 2
6 6 6 6 6 6 6 5 5 3 3 3 3 3 3 5 6 7
4 4 3 3 3 2 2 X
0 0 0 0 0 1
2
5 5 5 5 0
To Coda 2 
F#7 B7 E E7 A/E E B7
[E7] [A7] [D] [D7] [G/D] [D] [A7]
 
         
1. I got a
 
     
     
   
  
  
            
  

 
     
  
2 0 0 2 3 4 5 3
2 2 3 1 0 3 7 0
1 0 2 2 0 3 0 2 2
2 2 2 4 0 0 0 0
0 0
2 0 0
Copyright © 1965, 1983 by Alley Music Corp. and Trio Music Company
Copyright Renewed
All Rights for Trio Music Company Administered by BMG Rights Management (US) LLC
International Copyright Secured All Rights Reserved
 Verse
3rd time, Gtr. 1: w/ Fill 1
4th, 5th & 6th times, Gtr. 1: w/ Fill 2
E7
     
[D7]
 
   
3
 
   
1. let - ter from my home.
2. moth - er said to me,
3. fall, fall on her knees and pray.
4.-6. See additional lyrics


       
   
           
   



3 3
5 5
4 4 4
0 0 0 0 0
0 2 3 4 5
A Am E
 
[G] [Gm] [D]

       

        
Most of my friends, dead and gone.
“You’re so young and fool - ish, child, you can’t see.” I
These are the ve - ry, ve - ry words she’d
    
            



   
3 3 3 5 3 3
X 4 4 3 3 2
5 5 5 5 4
5 5 5 5
 
Fill 1 Fill 2
   
Gtr. 1 Gtr. 1
          
    
      
   
   
 
3 3 3 3
5 5 5 5 5 5 5 5 5
4 4 4 4 4 4 4 4
0 5 0
0 0
2
C#7 F#7 B7 E
[B7] [E7] [A7] [D]
 
               
  
It make you wor - ry, make you won - der ’bout times to
ain’t got no moth - er, my sis - ter and my broth - er turned their back on
say: “Change, re - ar - range, stop, stop your low down
      
     
        
     
 
2 0 0
3 0 2 3
2 2 0 1 0 2
4 1 1 2 2 2
2 0
0 2
1., 2.
To Coda 1 
E7 A/E E B7
    
[D7] [G/D] [D] [A7]

      
come. 2. My old
me. 3. She used to
ways.”


     
 
     
 
  
  
     
 


2 3 4 5 3
3 1 0 3 7 0 2
2 2 0 3 0 2 2
0 0 0 0
0 5
0 0
3.
Guitar Solo
E B7 E E7
[D] [A7] [D] [D7]

 
3 3 3

           
3
             
3 3 3
   

   
     
      
    
5 3 3 5 5 5 5 5 5 5 5 5 5 5 6 7 7 8 8 8 8 8 8 8 8 8 8
7 0 2 5 7 7 7 7 7 7 7 7 7 7 7 8 9 9 10 10 10 10 10 10 10 10 10
2
0 0 0 0 0 0 0
0
0 0 0 0 5
3
A7 A Am E C#7
[G7] [G] [Gm] [D] [B7]
   
3
   
3
      
3
          
3
      
       
   
 
 
7 5 7 5 5 3 5 3 7
6 6 6 3 3 3 5 7 7 8 10 10
7 7 4 4 3 8
5 5 5 5 5 5 0 9
5 5 5 0 9 2
D.S. al Coda 1
(take 1st & 2nd endings)
F#7 B7 E E7 A/E E B7
[E7] [A7] [D] [D7] [G/D] [D] [A7]

         
3
4. I’ve been a

                
3
       
           
 
        
  
0 2 3 4 5 3
5 3 3 2 2 3 1 0 3 7 0 2 2
4 4 0 0 2 2 0 3 0 7 2 2
2 2 4 0 0 0
2 0 0
2 0 0 6
 Coda 1 D.S.S. al Coda 2  Coda 2

E E

[D] [D]

3
           
  

  
   


  

5 2 3 4 10
7 0 3 5 6 1 7 7
0 2 1 7 7
0 0 0 0
0
0 0
Additional Lyrics
4. I’ve been a liar, a cheater too.

I spent my money on booze and you.
But this old night life, it is a mean life
And it’s killin’ me.
5. When I was young and feelin’ blue,

All them young women could see me through.
Makes you sad, makes you scared,
Makes you worry what time can do.
6. I’m gettin’ tired of runnin’ ’round.

I’m gonna get married, settle down.
This old night life, this sportin’ life
Is killin’ me.
4
from The Rolling Stones - Exile on Main Street
Sweet Virginia
Words and Music by Mick Jagger and Keith Richards
 __ =   
Gtr. 1: Capo II
Intro 3
Moderately q = 101 Gtr. 2 tacet

A E E/G# D A D A/C# A A/B A/C#
* (G) (D) (D/F#) (C) (G) (C) (G/B) (G) (G/A) (G/B)

  
Gtr. 2 (acous.)
      
p


10
        3  
Gtr. 1 (acous.)
   
3
      
  
  
       
 
     
    
    
mf
    
let ring throughout **T
3 3 2 2 3 3 3 3

0 0 0 0 0 3 3 3 0 0 0 0 0
0 0 0 0 0 2 2 2 0 0 0 0 0 0 0 0 0 0
0 0 0 0 2 0 0 0 2 0 0 0 2 2 0 0 0 0 0 0 0
0 3 3 2 0 2
3 3 2 3 3
Symbols above represent actual sounding chords.
D A/C# B A/F# A/G# A A/B A/C#

(C) (G/B) (A) (G/E) (G/F#) (G) (G/A) (G/B)
      
Gtr. 1
          

                  
        
   
  
 
     
T
3 3 3 3 3 3
1 1 1 0 2 2 0 0 0 0 0 0 0 0 0 0
0 0 0 0 0 0 2 2 2 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
2 2 2 2 2 0 0 0 2 2 2 2 0 0 0 0 0 0 0 0 0 0
3 3 3 3 2 0 0 0 0 2 2 2 2 2 2 0 2
0 2 3 3 3 3 3 3 3
D A/C# B A/G# A A/B A/C#
  
(C) (G/B) (A) (G/F#) (G) (G/A) (G/B)
 
 

  

Gtr. 2
  
 
mp
      
10 10 12 12 14 14 12

Gtr. 1
    
         
 
  
         
     
                
T
3 3 3 3 3
1 1 1 2 2 2 0 0 0 0 0
0 0 0 0 0 0 2 2 2 0 0 0 0 0 0 0 0 0 0
0 2 2 2 2 0 0 0 2 2 2 2 0 0 0 0 0 0 0 0 0 0 0 0 0
3 3 3 2 0 0 0 2 2 2 0 2
2 3 3 3 3
© 1972 (Renewed) ABKCO MUSIC, INC., 85 Fifth Avenue, New York, NY 10003
D A/C# B B/F# A/G# A A7 D
      

(C) (G/B) (A) (A/E) (G/F#) (G) (G7) (C)

  
  

      
   

f
let ring
hold bend
 
1 1 1

12 12 14
10 10 12 12 12 12 10 12 12 10
        
          
  
                     
  
     
T
3 3 1 0 0 0 0 0
1 1 2 2 0 0 0 0 1 1 1 1
0 0 0 0 0 0 2 2 2 0 0 0 0 0 0 0 0 0 0 0
0 2 2 2 2 0 2 2 2 0 0 0 0 0 0 2 0 2 0 0
3 3 3 2 0 0 3 3 3 0
0 0 2 3 3
A E E/G# A D A A/B A/C#
            
(G) (D) (D/F#) (G) (C) (G) (G/A) (G/B)
          

 
3 3
      
3

3
    
3
1 hold bend 1 1/2

3 3

12 12 12 5
12 12 12 12 12 10 12 10 5 6 7 7 5
5 4 2 2
4 2 3 4 4 2
4 3 2 0 0
2
     
3
                       

3
   
             
T
3 3 2 3 3
0 0 3 0 0 1 0
0 0 0 0 0 2 2 2 2 0 0 0 0 0 0 0 0 0 0 0
0 0 0 2 0 0 0 0 0 2 2 0 0 0 0 0
0 0 3 2 0 X 0 0 2 2
3 3 2 3 3 3
Verse
D B A A/B A/C#

(C) (A) (G) (G/A) (G/B)
                   

1. Wad - in’ through the waste, storm - y win - ter.
        
          

      
3
      


3
3 3
1
2 0 7 7 5 7 7 5 7 5 5
3 3 5 5 5 6 7 7 5
2 4 8 5 4 2
0 4
         
                           
           
    




 
              
        
3 3 3 3 3 3 3 3 3
1 1 1 1 1 1 1 2 2 2 2 2 2 2 0 0 0 0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0 2 2 2 2 2 2 2 0 0 0 0 0 0 0 0 0 0 0 0 0 0
0 2 2 2 2 2 2 0 2 2 2 2 2 2 2 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
3 3 3 3 3 3 3 0 0 0 0 0 0 0 0 X X X X X X X X 0 2
3 3 3 3 3 3 3 3 3
2
D A/C# B A/G# A A/B A/C#

(C) (G/B) (A) (G/F#) (G) (G/A) (G/B)
                   

And there’s not a friend help you through. Try -
              
   
          
   

 


  
3
let ring let ring let ring
2 0 7 9 7 5 7 5 9 7 5 5 2
3 3 0 7 7 5 5 5
2 2 2 8 8 8 4 6 6 6 6 9 9 7 7
0 7 7
     
3
              
                
         










          
T
3 3 3 3 3 3
1 1 1 1 1 2 2 2 2 2 2 0 0 0 0 0 0
0 0 0 0 0 0 0 0 2 2 2 2 2 2 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
0 2 2 2 2 2 0 0 0 2 2 2 2 2 2 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
3 3 3 3 2 0 0 0 0 0 0 2 2 2 2 2 2 2 0 2
2 3 3 3 3 3 3 3
D A/C# B A/G# A D
   
(C) (G/B) (A) (G/F#) (G) (C)

                    
3 3

3 3 3

- in’ to stop the wave be - hind your eye - balls, uh - huh.
            
   
    

       
let ring  let ring  let ring 
2 0 7 7 5 5 3 2
X 3 3 X
2 2 8 8 4 6 6 4 2
     
            
3 3
         
          

    
     
 
T
0 0 3 3 3 0
1 1 1 1 1 2 2 2 0 0 0 1
0 0 0 0 0 0 2 2 2 0 0 0 0 0 0 0 0 0 0 0 0
2 2 2 2 2 0 2 2 2 0 0 0 0 0 0 0 0 2 2 0 2 0 2 0
3 3 3 3 3 3 2 0 0 0 0 0 0 0 X X 2 3
0 2 3 3 3 0
3
A E E/G# A D A

(G) (D) (D/F#) (G) (C) (G)
     
   



      
Drop your reds, drop your greens and blues.

    
3
          
3 3
3
2
2 3 4 4 2
4 3 2 0 0
2
             
3
       
                    
 

 
 
             
T
3 3 2 2 2 2 2 2 3 3 3 3 3
0 0 3 3 3 3 3 3 0 0 1 0 0 0
0 0 0 0 0 0 0 2 2 2 2 2 2 0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 2 2 0 0 0 0 0 0
X X X X 3 2 0 X X 0 2 X
3 3 3 3 3 2 3 3 3 3 3
Verse
D B A/G# A A7

(C) (A) (G/F#) (G) (G7)
                 
2. Thank you for your wine, Cal - i - for - nia.
      
         
                

let ring 
2 0 9 7 7 5 5 5 X
3 3 7 7 8 5
2 2 4 8 8 6 6
0
     
Rhy. Fig. 1
           
                
     






            
T
3 3 3 1 1
1 1 1 1 1 1 1 2 2 2 3 0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0 2 2 2 2 0 0 0 0 0 0 0 0 0 0 0 0 0
0 2 2 2 0 0 2 0 2 2 2 2 0 0 0 0 0 0 0 0 0 0 0 0 0 0
3 3 3 3 3 3 3 0 0 0 0 0 0 0 X X X X
0 2 3 3 3 3 3 3 3 3
4
D B A
 

(C) (A) (G)
   
                
3
  

Thank you for your sweet and bit - ter fruit. Yes,
 
          
     
                 

let ring  let ring 
2 0 7 7 9 8 7 5
3 3 5 8 5 7 5
2 2 4 8 8 7 9 9 8 7 6
0
      
3
                
   
         
         






       
  
   
  
T
3 3 3 3 3 3
1 1 1 1 1 1 2 2 2 3 0 0 0 0 0 0
0 0 0 0 0 0 0 2 2 2 2 0 0 0 0 0 0 0 0 0 0 0 0 0
2 2 2 0 2 2 2 0 2 2 2 2 0 0 0 0 0 0 0 0 0 0 0 0 0 0
3 3 3 3 3 3 3 0 0 0 0 0 0 0 2 2 2 2 2 2 2 2 2
0 2 3 3 3 3 3 3 3 3 3
D B A D

(C) (A) (G) (C)

                

    
I got the des - sert in my toe - nail, uh - huh.

          

  
   
           

 

let ring let ring
1

2 0 7 7 5 7
3 3 10 9 10
2 2 4 8 8
0
   
                               
 
                             
             
0 0 0 3 3 3 0 0
1 1 1 1 1 1 1 0 2 2 2 2 2 2 2 2 0 0 0 1 1 1 1 1 1 1 1
0 0 0 0 0 0 0 0 2 2 2 2 2 2 2 2 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
0 2 2 2 2 2 2 2 0 2 2 2 2 2 2 2 2 0 0 0 0 0 0 0 0 2 2 2 2 2 0 0 2
3 3 3 3 3 3 3 0 0 0 0 0 0 0 0 0 2 2 2 2 3 3 3 3 3 3 3 3
0 3 3 3 3
5

A E A D A

(G) (D) (G) (C) (G) 3
      
  

            
And I hid the speed in - side my shoe. Well, come
 
      

2
2
0
End Rhy. Fig. 1
               
                               
                 
       
3 3 3 0 2 2 2 2 2 2 2 0 3 0 3
0 0 0 0 0 0 0 0 3 3 3 3 3 3 3 0 0 0 0 1 1 1 0 0
0 0 0 0 0 0 0 0 2 2 2 2 2 2 2 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 2 2 2 0 0 0 0 0 0 0 0
2 2 2 2 2 2 3 3 3 X X 0 2
3 3 3 3 3 3 3 3
Chorus
              
D B A/G# A
  
(C) (A) (G/F#) (G)
              
 
on, come on down, sweet Vir - gin - ia. Come
Rhy. Fig. 2A End Rhy. Fig. 2A
   
  
               
  
 

                     
                  
p
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 3 3
0 0 0 0 0 2 2 2 2 2 2 2 2 2 2 2 2 2 2
2 2 8 8 8 8 8 2 2 2 2 2 2 2 2 2 2 2 2 2 2
0 0 9 9 9 9 9 2 2 2 2 2 2 2 2 2 2 2 2 2 2
9 9 9 9 9 0 0 0 0 0 0 0 0 0 0 0 0 0 0
7 7 7 7 7
       
                               
                  
  
   
  


T
3 3 3 3 3 3 3
1 1 1 1 1 1 1 2 2 2 2 2 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0 2 2 2 2 2 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
0 2 2 2 0 2 2 0 2 2 2 2 2 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
3 3 3 3 3 3 3 0 0 0 0 0 0 X X X X X X X X
0 2 3 3 3 3 3 3 3 3
Gtrs. 1 & 2: w/ Rhy. Figs. 2 & 2A

D B A/G# A
           
(C) (A) (G/F#) (G)
              

 (Come 
on, hon - ey child, beg of you. Come
on down,)
6
D A/C# B A/G# A D
                 
(C) (G/B) (A) (G/F#) (G) (C)
   
3
       

 

   

on, come on down, you got it in ya. uh - huh.
                      
Gtr. 2
    

              
       
            
0 0 0 0 0 0 0 0 0 0 0 0 0 0 2 2 2 2 2 2 2 2
0 0 0 0 0 2 2 2 2 2 2 2 2 3 3 3 3 3 3 3 3
2 2 8 8 8 8 8 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2
0 0 9 9 9 9 9 2 2 2 2 2 2 2 2 0 0 0 0 0 0 0 0
9 9 9 9 9 0 0 0 0 0 0 0 0
7 7 7 7 7
   
Gtr. 1
                             
              
      
         
 
T
3 3 3
1 1 1 1 1 1 2 2 2 2 0 0 0 0 1 1 1 1
0 0 0 0 0 0 0 0 2 2 2 2 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
2 2 2 2 2 2 0 0 2 2 2 2 0 0 0 0 0 0 0 0 0 2 2 2 2 0 0 0 0
3 3 3 3 3 3 2 0 0 0 0 0 X X 2 3 3 3 3 3 3 2
0 2 3 3 3
     
   
A E E/G# A D A
  
(G) (D) (D/F#) (G) (C) (G)
      
       

Got to scrape my shit right off your shoes.

    
3
                 
3 3
3 3 3
2
2 3 4 4 2
4 3 2 0 0 2 0 2 4 2 4
2
                 
        
  















      













           
T
3 3 3 2 2 2 2 2 2 2 2 3 0 3 3 3 3
0 0 0 3 3 3 3 3 3 3 3 0 0 1 1 1 0 0 0 0 0
0 0 0 0 0 0 0 0 2 2 2 2 2 2 2 2 0 0 0 0 0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 2 2 2 0 0 0 0 0
X X X X X X X 3 3 3 0 X X X X
3 3 3 3 2 3 3 3 3 3 3
Sax Solo
D B A
 3     
(C) (A) (G)
        

  
Gtr. 2
    
  

      

hold bend
1 1
2 0 7 11 9 7 5 12
3 3 7 X X X 5 12 12
2 2 4 4 8 11 9 8 6
0
7
D B A
  
  
     
          
(C) (A) (G)
  

     
3 3 3 3
hold
bend 1 1 1/2
14
12 12 12 10 10 10 12 12 12 12 12 10
11 11 9 11 11
D B A D
        
 
(C) (A) (G) (C)
            
 

       
 
10 12 10 7 9 7 5 7 5 2 0
7 7 3
11 11 11 8 4 6 6
3 
A E A D B
  
(G) (D) (G) (C) (A)
           
3
Yeah! I want you to come
 
               
3 3 3
                    
3 3
3 3

1 1/2
4 4 4 4 2 4 2 2 2 2
4 2 3 4 4 2 2 4 4 2 2
4 3 2 0 2 4 4
Chorus
Gtr. 1: w/ Rhy. Fig. 2 (2 1/2 times) 2nd time, Gtr. 2: w/ Fill 1
D B A/G# A
  *               3     3    
(C) (A) (G/F#) (G)
             
3
 
    
  
on, come on down, sweet Vir - gin - ia, Hon - ey, I said I want you to come
  
 


 
        
   
     

(Come on, come on down. ’Gin - ia, yeah.

   
   
       

    
       
 


2 0 7 7 9 7 5
X 3 5 8 7 5
2 4 8 8 6 6 9 7 6 6 6
0
0
*Vocals ad lib. simile on repeat.
  
       
Fill 1
   
  
Gtr. 2

1 1 hold bend
12 12 12
12 12 12 12 12 10
8
         
D B A/G# A
 
(C) (A) (G/F#) (G)
         

on, hon - ey child, yeah, you.
        
3
 
              
   
 
Come on, hon - ey child, you.
      
  

           

  

2 0 7 7 7 5
 1
3 0 7 5 5 5 12
2 2 2 4 8 8
0
     
D B A/G#
      
(C) (A) (G/F#)
  3      
  
3
        
Ah! I want you to come on, hon - ey child, you got it in
       
    

      

  

Come on, hon - ey child. In
     

      
   



hold bend
 
1

12 12
12 12 12 12 10 10 10 10 9 10 12
  
Fill 2
    

Gtr. 2
      
1/4 1/4
8 8 0 0 0
     
Fill 3

Gtr. 2
       
                  
  
2 0 2 7 9 7 7 5 7 5 7 5
3 X X
2 2 4 8 8 8 6 6 6 7
0 7 0
0
9
   *    
A D A E E/G#
      

(G) (C) (G) (D) (D/F#)
          



 
     
 

 
ya, uh - huh. Got to scrape that shit right off your shoes.
 
      
 

  
ya, uh - huh.)


              
Gtr. 2 8va
     

1/2 hold bend
 
1/2
17 14 12 12 12 12
14 10 12 12 12 12 12 10
              
Gtr. 1
                                

          
         
T
3 3 3 3 3 3 2 2 2 2 2 2 2 2
0 0 0 1 1 1 1 1 1 1 0 0 0 3 3 3 3 3 3 3 3
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 2 2 2 2 2 2 2 2
0 0 0 0 0 0 0 0 2 2 2 2 2 2 2 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
X X X X 3 3 3 3 3 3 3 0 X X X X X
3 3 3 3 3 3 3 3 2
*Gang vocals
1. 2.
A D A D A
(G) (C) (G) (C) rit. (G)
   
       


             
  


One more time! Yeah! shoes.
         
8va
 
      



3/4 rit.

12 12 2
10 12 12 10 3
2
0
 
    
       
           
 
       
    

rit.

3 3 3
0 0 1 1 0 0 1
0 0 0 0 0 0 0 0 0 0 0 0 0 0
0 0 0 0 2 2 0 0 0 0 2 0 2 0 0 0
X X 3 3 2 0 X X 0 2 3 3 3 2 0 2
3 3 3 3 3 3
Fill 4
  
Gtr. 2
       
      
 

 
1/2 1/2
5 5
4 4 4 4 2 4 4 2
10
from Joni Mitchell - Hits
Urge for Going

Words and Music by Joni Mitchell
Capo III
Intro
Moderately q = 115
* Db(#11) C
(Bb(#11)) (A)
                           
Gtr. 1 (acous.)
       
mf
w/ thumb-pick & fingers
let ring throughout
0 0 0 0 0 0 0 0

6 6 6 6 6 5 5 5 5 5
7 7 7 7 6 6 6
8 8 7 7 7

Symbols above reflect actual sounding chords. Capoed fret is "0" in tab.
Db(#11) C
(Bb(#11)) (A)
                           
**Gtr. 1
       
0 0 0 0 0 0 0 0
6 6 6 6 6 5 5 5 5 5 5
7 7 7 7 6 6 6 6
8 8 8 7 7
**Two gtrs. arr. for one.
 Verse
C Gm7/C C
        
(A) (Em7/A) (A)

              
  
1. I a - woke to - day and found the frost perched on the town. It
ply the fire with kin - dlin’ now, I’ll pull the blank - ets up to my chin.
                   
            
            
0
5 5 5 3 5 3 3 0 3 3 3 5 5 5
6 6 4 4 6 6
7 7 7 5 5 5 5 0 7 7
0 0 0 0 0 0 0 0 0 0 0 0 0
© 1966 (Renewed) CRAZY CROW MUSIC

All Rights Administered by SONY/ATV TUNES, LLC, 424 Church St., Suite 1200, Nashville, TN 37219
Gm7/C C Gm7/C C
(Em7/A) (A) (Em7/A) (A)
         
   

 
           
hov - ered in a fro - zen sky, then it gob - bled sum - mer down.
I’ll lock the va - grant win - ter out and I’ll bolt my wand - ’rin’ in. I’d
                      
          
         
0 0
0 0 5 5 5 3 3 5 5 5
0 0 6 6 4 4 6 6
7 7 7 0 5 5 0 7 7
0 0 0 0 0 0 0 0 0 0
Pre-Chorus
F Eb F Eb
     
(D) (C) (D) (C)
 
       

   
       

When the sun turns trai - tor cold and all the trees are shiv - ’rin’ in a
like to call back sum - mer - time, and have her stay for just an - oth - er month
Riff A
           
                
      
            
2 2 2 0 2 2 2 0 0
3 1 3 3 3 1 1 1
2 2 0 0 0 0 2 2 2 0 0
0 0 2 2 2 0 0 0 2 2 0
0 0 3 3 0 0 3 3 3
Chorus
G G7 C Bb
      
(E) (E7) (A) (G)
   
            

   
  
nak - ed row I get the urge for go - in’, but I
or so. But she’s got the urge for go - in’ so I
End Riff A Riff B
        
    
        
 

   
     
        
   
0 0 0 0 3 3
0 0 3 3 0 2 2 2 0 0 0 0
0 1 1 1 1 2 2 0 0 0
0 2 2 2 2 2 2 2 0 0 0 0 0
2 2 2 2 2 0 0 2 2
0 3
Csus2 Csus4 C Bb F
       

(Asus2) (Asus4) (A) (G) (D)
                

nev - er seem to go. I get the urge for
guess she’ll have to go. She gets the urge for
     
                  
    
     



      
 
3 3 0 0 0 3 2 2
0 0 0 0 3 2 0 0 3
0 0 2 2 0 0 2 0
0 0 0 2 2 2 2 2 0 0 0
2 2 0 0 0 0 0 0 0
3 3
2
T o Coda 
C Bb F C Bb F
     
(A) (G) (D) (A) (G) (D)
           
            
   
go - in’ when the mead - ow grass is turn - in’ brown and sum - mer - time is
go - in’ when the mead - ow grass is turn - in’ brown and all her em - pi - re’s
       
                           
           
 
0 3 2 2 0 3 2
0 0 2 0 0 3 3 0 2 0 0 3 3
2 2 0 2 0 2 2 0 0 2 0
2 0 0 0 2 2 0 0 0
0 0 0 0 0 0 0 0
3 3
Csus2 C Bb6/D Csus2 C
 
(Asus2) (A) (G6/B) (Asus2) (A)
  
   
         
   
fall - in’ down and win - ter’s clos - in’ in. 2. I
End Riff B
   
          
    

 

 
  
   
 

         
0 0 0
0 0 2 0 2 0 0 0 2 2 0 2
2 2 2 0 2 2 2 2
2 2 2 0 2 2 2 2 2
0 0 0 0 2 0 0 0 0 0 0
Verse
C Gm7 C
                
(A) (Em7) (A)
      
 
    

   
   
had me a man in sum - mer - time, he had sum - mer - col - ’ed skin. And
war - ri - ors of win - ter they give a cold tri-umph - ant shout. And
  
       
    
   
                
 
    



0 0 0 0
2 0 3 3 3 2 2 2
2 2 0 0 0 0 2 2
2 2 2 0 0 0 0 0 0 0 0 2 2 2 2
0 0 0 2 2 2 0 0
0
Gm/C C Gm/C C
   
(Em/A) (A) (Em/A) (A)
   
            
     

not an - oth - er girl in town my dar - lin’s heart could win. But
all that stays is dy - in’, all that lives is get - tin’ out.
     
          
   
 
     



   
            
0 0 0 0 0
0 0 0 2 2 2 0 0 2 2
0 0 2 2 0 0 0 2 2
2 2 2 2 2 2 2 2 2 2 2 2 2 0
0 0 0 0 0 0 0 0 0 0
0 0
3
Pre-Chorus
Gtr. 1: w/ Riff A
    
F Eb F Eb
                        
(D) (C) (D) (C)
  
   

when the leaves fell on the ground, and bul - ly winds came a - round push them face down
See the geese in chev - ron flight flap - pin’ and a - rac - in’ on be -
Chorus
1st time, Gtr. 1: w/ Riff B
2nd time, Gtr. 1: w/ Riff B (1st 13 meas.)
G G7 C Bb
          

 
(E) (E7) (A) (G)
         
       
in the snow, he got the urge for go - in’ and I
fore the snow. They got the urge for go - in’ and they got
Csus2 Csus4 C Bb F
     
(Asus2) (Asus4) (A) (G) (D)
                 
  

had to let him go. He got the urge for
the wings so they can go. They get the urge for
C Bb F C Bb F
               
 
(A) (G) (D) (A) (G) (D)
 
          
  
go - ing when the mea - dow grass was turn - in’ brown and sum - mer - time was
go - in’ when the mea - dow grass is turn - in’ brown and sum - mer - time is
1.
Csus2 C Bb/D Csus2 C
    
(Asus2) (A) (G6/B) (Asus2) (A)
     
        
   
fall - in’ down and win - ter was clos - in’ in. 3. Now the
fall - in’ down and win - ter is clos - in’ in.
2.
Interlude
C Db(#11) C
(A) (Bb(#11)) (A)
                        
Gtr. 1
          
  
0 0 0 0 0 0 0
2 2 0 6 6 6 6 6 5 5 5
2 0 0 7 7 7 7 6 6
2 2 8 8 7
0 0 0
D.S. al Coda
 Coda
Csus2 C Bb/D Csus2
  
(Asus2) (A) (G/B) (Asus2)
 
    
          


4. I’ll fall - in’ down and win - ter’s clos - in’ in.
          
Gtr. 1
                     

         
0 0 0 0
5 5 5 0 0 0 0 2 0 0 2
6 6 2 2 2 0 0 2 2
7 2 2 0 0 2 2
0 0 0 0 2 0 0 0
4
C Bb F Csus2 Bb F
    

(A) (G) (D) (Asus2) (G) (D)
           
         
 
And I get the urge for go - in’ when the mea - dow grass is
        
                
          
             
0 3 2 0 3 2
2 2 2 0 3 0 0 0 0 3 3
2 2 0 2 0 2 2 0 2 0
2 2 2 0 0 0 2 2 0 0 0
0 0 0 0 0 0 0 0
3 3
Csus2 Bb F Csus2
      
(Asus2) (G) (D) (Asus2)
         
  
  
turn - in’ brown and sum - mer - time is fall - in’
    
             
   

 



 

 


          
0 3 2
0 0 0 0 3 0 0 0 0 0
2 2 0 0 2 0 2 2 2 2
2 2 0 0 0 2 2 2 2 2 2
0 0 0 0 0 0 0 0 0 0
3
Outro
Csus4 Db(#11)
(Asus4) (Bb(#11))
      
down.
                       
         
 
0 0 0 0 0 0 0 0
3 3 3 3 0 6 6 6 6 6
2 2 2 0 7 7 7 7
2 2 2 2 0 8 8
0 0
C Db(#11)
            
(A) (Bb(#11))
           
         
rit.
0 0 0 0 0 0 0 0
5 5 5 5 5 6 6 6 6 6
6 6 6 7 7 7
7 7 7 8 8 8
 
(A)
                   
      

 

0 0 0 0 0 0 0
5 5 5 5 5 5 5 5 5
6 6 6 6 6 6
7 7 7 7
0
5
from The Carter Family - RCA Country Legends
Wildwood Flower
Tune down 1 1/2 steps:
Words and Music by A.P. Carter
(low to high) C#-F#-B-E-G#-C#
Intro
Moderately h = 108


 
G7
 
*C
 
      
         
Gtr. 1 (acous.)
        
  
          
mf

let ring throughout

0 0 0 0 0 0 1 1

1 1 1 1 1 1 1 1 0 0 0 0 0
0 0 0 2 0 0 0 0 0
2 3 2 3 2 0 2 0
3 2
*Chord symbols reflect implied harmony.
   
      
C
                   
                 

0 0 0 0 0 0 0 0 0 0 0 0
1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 0
0 0 0 0 0 0 0 0 2 0
2 2 2 3 2 3 2
3 3
G7
 
C
 
              
 
 
              
  
1 1 0 0 0 0 0 0 0 0
0 0 0 0 0 1 1 1 1 1 1 1 1 3
0 0 0 0 0 0 0 0 0 0
0 2 0 2 2 2 0
2 3 3
  
F C
                    

       
   
   

0 0 0 1 1 1 0 0 0 0 0 0 0
1 1 1 1 0 1 1 1 1 1 1 1 1 1
0 0 0 2 2 0 0 0 0 0
0 2 2
3
To Coda 

 
   G7

C
             
         
    
  
 
0 0 0 0 1 1 0 0 0 0
1 1 1 1 0 0 0 1 1 1 1 1
0 0 0 0 0 0 0 0 0
0 2 2 0 2 0 2 2
2 3
Copyright © 1935 by Peer International Corporation

Copyright Renewed
Verse
4th time, Gtr. 1: w/ Fill 2
C G7
    
        
1. Oh, I’ll twine with my ming - led and wav - ing black

                         
                    
  
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 1 1
1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 0 0 0
0 0 0 0 0 0 0 0 0 0 0 0 0 0
2 2 2
3 3 3 0 2
3
2nd & 4th time, Gtr. 1: w/ Fill 2

C
     
    
hair, with the ros - es so red and the
                           
             
   
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 0
0 0 0 0 0 0 0 0 0
2 2 2 2 2
3 3 3 3
 
G7 C
     
   

lil - ies so fair. And the myr - tle so

                         
             
     
1 1 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
0 0 0 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1
0 0 0 0 0 0 0 0 0 0
2 2 2 2
0 2 3 3 3
3
 
Fill 1 Fill 2
         
Gtr. 1 Gtr. 1
           
    
0 0 0 0 0 0
1 1 1 0 0 1 1 1 0 0
0 0 0 0 0 0 0 0 0
2 0 3 2 0
2
 
F C
      
   

bright, with the em - er - ald hue, the pale and the
      
                  
    
 
                 
   
0 0 0 0 1 1 1 1 0 0 0 0 0 0 0 0 0 0
1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1
0 2 2 2 0 0 0 0 0 0 0 0 0 0
0 2 3 2 2
3 3 3
G7 C
       

lead - er and eyes look like blue.
 
                
               
     
0 0 0 0 0 0 1 1 0 0 0 0
1 1 1 1 1 1 0 0 0 0 1 1 1 1 1
0 0 0 0 0 0 0 0 0 0 0
2 2 2
3 0 2 3
3
1., 2., 3. 4.  Coda

    
 
D.S. al Coda
 
C
          
   

      
  



0 0 0 0 0 0 0 0 0 0 0
1 1 1 1 1 1 1 1 1 1 1
0 0 0 0 0 0
2 2 3 2 3 2
3 3 3
Additional Lyrics
2. I will dance, I will sing and my life shall be gay.

I will charm ev’ry heart, in his crown I will sway.
When I woke from dreaming, my idols was clay.
All portion of love had all flown away.
3. Oh, he taught me to love him and promised to love,

And to cherish me over all others above.
How my heart is now wond’ring, no misery can tell.
He’s left me no warning, no words of farewell.
4. Oh, he taught me to love him and called me his flower,

That’s blooming to cheer him through life’s dreary hour.
Oh, I long to see him and regret the dark hour.
He’s won and neglected this pale wildwood flower.

Acoustic Guitar - 25th Anniversary Songbook

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Acoustic Guitar - 25th Anniversary Songbook

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from Ani DiFranco - Up Up Up Up Up Up

*Banjo arr. for gtr.

Copyright © 1998 Righteous Babe Music

Gtr. 2: w/ Riff E 2nd time, Gtr. 1: w/ Riff E To Coda 

2nd time, Gtr. 1: w/ Fill 2

 (E) (G#m7#5) (A6sus2) (E) (G#m7#5) (A6sus2)

The Ballad of Love and Hate

no one here cares if you go or you stay,

End Rhy. Fig. 1

        

car - ry - ing with her the good things we know,

     

         

                    

7. Love takes a taxi, a young man drives

8. Hate gets home lucky to still be alive.

9. Love has been waiting, patient and kind,

C A9/C# D'4 B7/D# Em Eb+

Copyright © 1968, 1969 Sony/ATV Music Publishing LLC

black - bird fly

G C A9/C# D'4 B7/D# Em Eb+ D'4 A9/C#

C G/B A7'4 D7sus4 G

C G/B A7'4 D7sus4 G

Bron-Yr-Aur Music by Jimmy Page

© 1975 (Renewed) FLAMES OF ALBION MUSIC, INC.

C G/B Asus2 Am7 C G/B Asus2

Asus2 A6sus2 Asus2 A6sus2 Asus2 A6sus2 Asus2

*Tune down approx. 1 1/2 steps:

*Recording sounds approx. 1/4 step flat.

Copyright © 2015 by HAL LEONARD CORPORATION

bod - y in this world but you.

End Rhy. Fig. 1

Don’t Think Twice, It’s All Right

no use to sit and won - der why, babe,

Copyright © 1963 Warner Bros. Inc.

It - ’ll nev - er do some - how. When your roost -

2nd, 3rd & 4th times, Gtr. 1: w/ Fill 1

E/B B7 C#m E/B A

think twice, it’s all right.

Fill 1 End Fill 1

E/B B7 C#m E/B A

E/B G#m/B E/B A E/B

2. And it ain’t no use in turnin’ on your light, babe,

3. So it ain’t no use in callin’ out my name, gal,

4. So long, honey, babe.

Tune down 1 step:

Copyright © 2015 by HAL LEONARD CORPORATION

1. Freight train, freight train run so fast.

2nd, 3rd & 4th times, Gtr. 1: w/ Fill 1

know what route I’ve gone.

4. When I die, Lord, bury me deep

Esus4 E EsusÊ F#7 B7 E Esus4 E EsusÊ

A6[no3rd] E Esus4 E Esus4 E Esus2 A6[no3rd]

Rhy. Fig. 1 End Rhy. Fig. 1

pines. I re - mem - ber the

wind. 2. I start - ed out

Rhy. Fig. 2 End Rhy. Fig. 2

Gtr. 1: Capo VIII

End Rhy. Fig. 1