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PRÁCTICA DE PIANO

ESTUDIOS Y OBRAS VARIAS

 Allemande Beethoven
 Los cinco dedos Op.777. nº 1 al 10 Czerny
 El pianista virtuoso. nº 1-2 Hanon
 12 Estudios fáciles Op.157. nº 4-5-8 Köhler
 30 Estudios progresivos. nº 2 Heller
 25 estudios fáciles Op.100. nº 1-6 Burgmüller
 Cuaderno Anna Magdalena. nº 4-7-14-21 Bach
 Albúm para la juventud Op.68. nº 7 Schumann
 Minueto en Sol Mayor K1 Mozart
Allemande

         

Ludwig van Beethoven


   
 = 88 3 2
5
3
2
1

                   



3 1 2 1
5 5

      
      

5
5 2 3
2

                      
  

            
   
9 5 4 4
1

   

  












 

3 1 1 1

  
5 3 2 3

     
4


5 5

      

5 4
13 3
1 3 1 2

  
         

1 5 1 3 2 4 1
2
4

  
    
1. 2.
17 3 3
1

     
5 5
Los cinco dedos. Czerny.
24 ejercicios sobre las 5 notas. Op. 777.
Nº 1

                 


 

Allegretto
5 4 5
1 2 1 2 1

                      


 

      
1 1 1 1

                                 
2 3 2 5
4 5 4


10 5 5 5
4 3 1

                 


      

       
1 1 1


1 1

  
4 2


5 4 5 3


4


20
2 3 1

     
        
      
1 1 1 1
3 2 3 2
5 4 5 4

   
Nº 2

                                        

Allegretto
5 2
1 3

 
          

   
1 1

                                        
3 2
5


5

  
9 5 5 2
2 1

           


 

   
Los cinco dedos. Czerny.
24 ejercicios sobre las 5 notas. Op. 777.
Nº 3

                
           
      

Allegro
5 4 5 2
1 2


 
  
 
   
  
 
 
          
cresc.

 

 1
       1 1

          
1

     
5 3 5 2 5 3
5 3

     
10 5
3 2 1

                 
  

  
Nº 4

              
    
Allegro
5
1 3 2 1

                         
                       

1 3 1 1 1
5 5 4/3 5

         
            

7 2
1 2 1

                                   

 
1 2 1    1 3 1      
5 5 5

         
    
13
1 1 2 1

                 
           



Los cinco dedos. Czerny.
24 ejercicios sobre las 5 notas. Op. 777.

Nº 5

                           
 
Allegro vivace

       
3
1

                                      

3 1      2 1

               

      
5 5 5

       
      
8 5
4 5
3

                                           
2 1 3 1
5

      
5

                    
   
15 2

                                   
 dimin.

  2      

                                   
 
5


22

                              
 cresc. 

 

    
     
29

           
Los cinco dedos. Czerny.
24 ejercicios sobre las 5 notas. Op. 777.

Nº 6

   4                   
  

     

Allegro 5 2 5
5 5
1 3 1 3 2 4 2

      
                   
 

  1
1
2
1 1
2 1 2 3
1 3 1 2 3

                   
4 4 5

 4    
  
5 5


5

   
2 5 5
7 5 5 5
2 1 3 1 3 2 4

          



            


2 1 3 1 2 1

         
4

  


5


5

   
4 3 4 3 5
13 2 2 2 5
1 1 3
2 1

             
                      
  cresc.

5 1
2 3
5 1 4 3 2
 
4 5 1

      
4 3

       
5

    
18

        

  
1 1
2 1 2
3
5
Los cinco dedos. Czerny.
24 ejercicios sobre las 5 notas. Op. 777.

Nº 7

                             
 
 
Allegretto 5 5
1 2 1
1

     


    

            


1 1
3 2


5 5

  
2 4 4
7 3 3

     


   
 cresc.

                      
1 1 1 1


3 3 3 3
5 5


5 5


3 2
13 1

  
    


1 1
3 2
5
Los cinco dedos. Czerny.
24 ejercicios sobre las 5 notas. Op. 777.

                  
Nº 8

              
  
4 5
3 2

        
                 
 cresc. 

          
                    
3 1 2 1 3 1


5 5 5 1
5 3

    
3 5 5 2
7 1 3 2 1 2 3

         
                 
dim.   

            
    
2 1 1


5 5 3

    
5 3 3
13 2 1 2 1

       
    
           
 dim. 

1 1 2 1 3 1
3 5 3 5 5
5
Los cinco dedos. Czerny.
24 ejercicios sobre las 5 notas. Op. 777.

 
Nº 9

               
     
      
2 3 4 3 2 4
1 3

               
                  

1 1 1
4

             
2 5 5

  
3 3

 
    
     
     
5
9 1 2

                   
      
  
          
cresc.

1 1 1
2 3 5

 
3

            
   
     
18

   
                               
 cresc.

 
                  
      
   
5 3
1
26 2

            
        
      

Los cinco dedos. Czerny.
24 ejercicios sobre las 5 notas. Op. 777.

Nº 10

                               
Allegretto


 
5 3 5 4 5
5 4 4 2
3 3 1 2 3
1 1

        


 
   

                             
   
1 1 1
2 3 2

 
4 5 4


4
2 2 2 3
6 3
1

    


       

                           


1 1 1 1
3 2 3 2
5 5 5


5
4 3 4
12 2

 
       

                             
1 1 3


3 2 5
5 4


5 5 5
5 3 4 3 3
3 3 1 4 4 2 4
17 1 2

      


   

                 
1 1
2 3


4 5


2 4
2 3
22


     

1 1 1
3 2 3
5
El pianista virtuoso. C. L. Hanon Nº 1.
     

 = 60-110

                    
     
                                       
5 4 3 2
 1 2 3 4 5 4 3 2 3 4 1 2


1 2

      
1 2 3 1 2 3

      
3 2 3 2 4 5 4

     
4

     
5 4 5 4
6

       
           

                          
    
11

                       
       


                       
  
15 5 5


4 4

                        


  
1 2 1 2

            


    
20

                


      

25

      
              
                                        
  
*

* Repetir varias veces y solo la última vez tocar la blanca final. Velocidad, negra a 60 y subir poco a poco hasta 110
    
El pianista virtuoso. C. L. Hanon Nº 2.
 
 = 60-110

           
 
         
         
                      
1 2 5


    
1 2 5 4 3 4 3 2

   

    



1 2 3 2 3 4 1

  
5 3 5 3

 
  
6

  
       
 

                        
  
12 5

                       
2 1 2 3 2 3 4

   
1 3 5 4 3 4 3 2

 
   



 
  
16
5 2

   
           
   
1 3

   
 

22

          
   
             
       

   

27

             
           
        
*


12 Estudios Fáciles Op. 157. Louis Köhler.

  
Nº 4.

             
      
    
3 4 5
1 2 3 1 2 1 3 1 1

   
    
     


2 1 3 2 1


1 2 5

 
4 3

     
5

       
4

 
5

  
1 1

   
   
          

     
1 1 5

           
 

7

    
       

  
       
       

9

   
   
     
 

      
       
   
12

   
     
        


  
    
    

15 1 5

 
1 1 2

       
         
 1 3 1 5 1 3 1 3
5
5
               
12 Estudios Fáciles Op. 157. Louis Köhler. Nº 5.
     

  

 
             
 
5


5 1
1


      
  

                  
 
       
         
1 2 1 1

     
3 4 5 5

 
5
5

    


5 1

     
            
 
                     
   
1 5 2

          
    
3


5


10 3 5


 
   
 
  
                  
     
 
                 
              
  
 
 

14 1 5 1



 
  
          
          
   

 
   
              
1

    
        
5
5 5


18

 
             
         

  
    
   
 
   
 
     


21 1 5
1

     
           
       
     
    
   
1
5


24 5
5

    
     
1 
12 Estudios Fáciles Op. 157. Louis Köhler.
Nº 8.

       

             
 
3 5 4 5
2 3 2 2

    
1 1 2 1 2 4 1

         

  
 4 2 1 2 3 1 2 3
5 4 2 1
5

         
         
   
3 2 4 1
2 2 3 1 2


                
 
    
 3 2 1 1 2
1

    
5

  
         
  
5

      
             
    
3 2

   
       
    
         
7


                

       

      
  
           
9 4 4 2
2 1 1
2 2

  
                    
 
2 1
2 4 4
    
     
              
11

  
    
           
     

    
 
             
  
 
13 5 1 4
1 4 5

        
          
 
1 1

5 1 1  5

      
              

15
5 1 4 1 1 5

   
                 
1
 1 3 1
1 5 5

2
30 Estudios Progresivos. Heller.
Nº 2.

     
  = 86          
     
                
Allegretto scherzando

        
5 4
2 3 2
3 2 1
2

                
           

  


          

         
  
6 5 1
3

 
1 2 1 2 2 1 1 3

      
2

 
 

            

    
2 1
5 2 1
2

 

               
  

  
   
 
12

   
1 2 1

          

             
    
1

    
2


   
       
4

         
      
         
 
18

     
      
          
             
 
     
                 
2 3 5

    
           

24 2 1

     
  
            


         

     
     
                     
          
3 1
30 1 2 1 2 1
1 1 1

  
       

       


Rinf.

  

   
    
         
   
 
36 1
1 2 1

      
  
       

 

 
  
   
  
5

 
42 1
1 2 3

 
   
     

2
Estudio Op. 100 Nº 1. "El Candor". F. Burgmüller.
       
       
 
 = 152 5
5 3 2 5 5
3 2 1 1 3 2 1 2 1 3 4 3 1 2 1 3

     
  
 dolce

1 1 1

             
3 2 3

              
5 5 5

  
5 5 5 4 3 2 4 3 5 1 3 4 5 1

  
    
 

cresc.

             
1 1 1 1
2 3 3 2

    
5 5 5

 
9 5 4
3 2 1 2

                  
     
 

       
         
5 3 2 1 5 4 3 2 1 3 1 2 3

       
4 4
1.
13 5 5 4 3 1 2
3 2 1 3 2 1 1 2 5 4 1 2 5 4 3

 
  
  
   dolce e poco

      
a poco riten.

 
                 
5 2 1 3 2 1

   
4 2

   
5 5

      
5 1
2. 5
17 5 5
3 2 1 2 3 3 2 1 3 2 1 2 3 3 2 1

         
cresc.  

     
a tempo


  
1 1

   
2 3


5 5
21 5
3 5
2 1 1

  
 
         
dim. e poco a poco riten. 

2 1 5 1
5 3 5 3 5
Burgmüller
Estudio Op. 100 Nº 6 "El Progreso"

 

   
              
           
 = 132 5 3
3
1

           
1 1 5 3 4 2 1 1 2


                 
    
 cresc.

1 3 1 3 2 4 1 3 1 3 1 2 1 2 1
5 5

  
5

       
 
        
                 
5
5 2 1 1

   
2 1

   
 
             
         
   
 cresc.  Fine

2 1 2 1

   
1

    
5 4

          
     
          
4

  
2 4 4
2

  
9 2

  
2
1 1 1 2 2 3

     
1

     
         
 

1 2 1 4 1 3 1 2 1 4 3 1
3 1 5 2 2 3 1
5

 
             D.C. alFine

     
    
14 3 4 5 5 2
2

        
   
cresc. 
rit.

2 4 1 2 4 1 2 3 2 1
Cuaderno de Anna Magdalena Bach. J. s. Bach.
4. Marcha.

    
                 
3 3
1 4 1 2 3 1 2 1

              
  
4 1 2 1 2 1  1   


5

               
                

7 3 5 5
5 1 4 3 4 1 2 3 2

         
    
 
4
  2
 
5 4
5 1 4
5

                             
   
13
3 2 1 1 2 1 1 2

 
                  

                             
  
18 5 4 5
3 3 2 3 2 1
1 1 4 3 1 5 2 2 2 2 3 1 3 1 2 3

                  
  3 1 2

 
     
   
5
23
4 2 4 1 2

     

       1
5
Cuaderno de Anna Magdalena Bach. J. s. Bach.
7. Polonesa.

 

                               
1 2 3
2 2 1 2 2 1 2 1 3 2 1

                       

2
     4 3 2

                              
     

7
5 4 5 4 4 5 1 3 3 3 1 3 1

                
 
4 1 2 4 1 3 5 1 3
2

             
       
14


1 2 3
3 3 2 3 2

     
   
1 5
Cuaderno de Anna Magdalena Bach. J. s. Bach.
14. Musette.

               

              
5 5
3 2 5 3

    
                    
  1   
3   3
5

             
               
   
9 5 1 5 5
3 2 5 5 3 3

         
                   

               
       
         
17 5
3 3 1 3 2 5

                       
       3

          
        
25 5
3

             
    3
Cuaderno de Anna Magdalena Bach. J. s. Bach.
21. Minueto.


          
 
                
4 5 3 1 3 5 2 1 5 1. 2.

     


                    

1 3 5 4 2 4 5 1 2 3 1 2 1 1 1 2
1 3 2 4

        
                
10 5 4 5
4 3 4 1 4 2 3 3

            
        
       
1 5 4 3 1 2 4 5 1 4 3 2 1 4 1


                      
19 3
1 4 3 5 4 3

   
  
                   
1 1  1
1 3 2 4
1 2 1 2 5 4 1 2 1
5

 
       
28
4 2


        
   2 1 2

3 4 3
Álbum para la juventud. Op.68. Robert Schumann.
7. Cancioncita de caza.

    
   
           
 
           
          
2 1 3 4 5 5
1

 
2 1 3


1 3 1 2 2 3 2 1

  
       
 
                       
        
5 2 5 2 1 2 1
 4 2 1 2 1 1

            
*  *

      
                 
        
8 4 4
2 1 2

              
   
                 
       
  

     

 
                  
2
3  * 

  
              
4 3

    
3

   
15 1 2 2 2 1
1

     
1 3 3 4

         

            
             

           
       
*

 
                       
      
21 3

  
1

   
                      

  
        
 5 2 1 2 1 4 1 1 1 1

 
3


4 2 3

 
    


    
   

27

  
         
     
 
 5 2 1 2 1
Minueto en Sol Mayor. K1. W. A. Mozart

                         
          
3

                          
   

                 
           
      
 
11 Trio

            Fine
                
3

       
      

              
21

       
                


  
                 
      
29

     
                
   

D.C. al Fine

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