Professional Documents
Culture Documents
Private Life of Edward IV 1st Edition John Ashdown-Hill full chapter instant download
Private Life of Edward IV 1st Edition John Ashdown-Hill full chapter instant download
John Ashdown-Hill
Visit to download the full and correct content document:
https://ebookmass.com/product/private-life-of-edward-iv-1st-edition-john-ashdown-hill/
More products digital (pdf, epub, mobi) instant
download maybe you interests ...
https://ebookmass.com/product/naughty-wishes-part-iv-joey-w-hill/
https://ebookmass.com/product/private-capital-investing-the-
handbook-of-private-debt-and-private-equity-wiley-finance-1st-
edition-ippolito/
https://ebookmass.com/product/psicologia-dello-sviluppoconnect-
iv-edition-john-w-santrock/
https://ebookmass.com/product/a-conspiratorial-life-robert-welch-
the-john-birch-society-and-the-revolution-of-american-
conservatism-edward-h-miller/
Morgan & Mikhail’s Clinical Anesthesiology, Seventh
Edition John F. Butterworth Iv
https://ebookmass.com/product/morgan-mikhails-clinical-
anesthesiology-seventh-edition-john-f-butterworth-iv/
https://ebookmass.com/product/private-law-and-practical-reason-
essays-on-john-gardners-private-law-theory-oxford-private-law-
theory-haris-psarras-editor/
https://ebookmass.com/product/the-letters-of-barsanuphius-and-
john-desert-wisdom-for-everyday-life-john-chryssavgis-2/
https://ebookmass.com/product/the-greek-life-of-adam-and-eve-1st-
edition-john-r-levison/
https://ebookmass.com/product/life-remembering-john-
lennon-40-years-later-the-editors-of-life/
First published 2016
Amberley Publishing
The Hill, Stroud
Gloucestershire, GL5 4EP
www.amberley-books.com
Copyright © John Ashdown-Hill, 2016
The right of John Ashdown-Hill to be identified as the Author of this work
has been asserted in accordance with the Copyrights, Designs and Patents
Act 1988.
ISBN 9781445652450 (PRINT)
ISBN 9781445652467 (eBOOK)
All rights reserved. No part of this book may be reprinted or reproduced or
utilised in any form or by any electronic, mechanical or other means, now
known or hereafter invented, including photocopying and recording, or in
any information storage or retrieval system, without the permission in
writing from the Publishers.
British Library Cataloguing in Publication Data.
A catalogue record for this book is available from the British Library.
Typesetting and Origination by Amberley Publishing.
Printed in the UK.
εἰ μὲν φράσω τἀληθές, οὐχὶ σ’εὐφρανῶ,
εἰ δ’εὐφρανῶ τί σ’, οὐχὶ τἀληθὲς φράσω.
Ἀγάθων
Part 1: Growing Up
2: 1442–1458: Itinerary
3: 1442: Parents, Siblings, Godparents, and Other Family Connections
4: 1445: The Daughters of France
5: 1445–1459: From France to England – and Ireland
Picture Section
Edward IV’s Private Timeline
Appendix: The mtDNA sequence of the ‘princes in the Tower’, by Glen
Moran
Notes
Bibliography
Acknowledgements
LIST OF ILLUSTRATIONS
1. Edward IV’s mother, Cecily Neville, Duchess of York. Redrawn by
Geoffrey Wheeler after the Neville Book of Hours.
2. Edward IV’s father, Richard, Duke of York. Redrawn by the author
after BL MS Royal 15 E VI, fol. 3.
3. Edward IV’s eldest sister, Anne of York, Duchess of Exeter.
Nineteenth-century engraving of her funerary monument at
St George’s Chapel, Windsor.
4. Edward IV’s paternal aunt, Isabel of York, Countess of Essex, from her
funerary brass at Little Easton Church, Essex.
5. Edward IV’s middle sister, Elizabeth of York, Duchess of Suffolk,
from her alabaster tomb effigy at Wingfield Church, Suffolk.
6. Edward IV’s youngest surviving sister, Margaret of York, Duchess of
Burgundy: copy of her 1468 marriage portrait.
7. Jean II, King of France, great grandfather of both Charles VII and his
queen. Copy of a contemporary portrait.
8. Charles VII, ‘the Victorious’, King of France, father of the first
proposed brides of Edward, Earl of March. Nineteenth-century
engraving after a fifteenth-century portrait.
9. Marie of Anjou, cousin and consort of Charles VII, and mother of the
first proposed brides of Edward, Earl of March. Nineteenth–century
engraving after a fifteenth-century portrait.
10. Jeanne of France, daughter of Charles VII, and later Duchess de
Bourbon. Redrawn from her Book of Hours. Jeanne was the elder of
the young Edward’s potential French royal brides – the one favoured
by his father, the Duke of York.
11. Madeleine of France, sister of Jeanne and later Princess of Viana.
Redrawn from a contemporary portrait. Madeleine was the younger
potential French royal bride – the one favoured for that role by her
father, King Charles VII.
12. Edward IV as a young king, after the Rous Roll.
13. Eleanor Talbot? A facial reconstruction based on the CF2 skull found
at the Norwich Carmel, commissioned by the author from Caroline
Erolin, Medical and Forensic Artist, Centre for Anatomy and Human
Identification, University of Dundee, in 2015.
14. Eleanor’s sister, Elizabeth Talbot, Duchess of Norfolk. From her
dedicatory window at Long Melford Church, Suffolk.
15. Eleanor’s father, John Talbot, 1st Earl of Shrewsbury. Redrawn from
his wife’s Book of Hours, FitzWilliam MS 41-1950.f.2v.
16. Eleanor’s mother, Margaret Beauchamp, 1st Countess of Shrewsbury.
Redrawn from her Book of Hours, FitzWilliam MS 41-1950.f.2v.
17. Eleanor Beauchamp, Duchess of Somerset, the aunt of Eleanor Talbot,
and the mother of Henry Beaufort, Duke of Somerset. From an effigy
from the tomb of her father, at St Mary’s Church, Warwick.
18. Possible image of Edward IV’s male partner of 1463, the handsome
but rather irascible Henry Beaufort, Duke of Somerset. Redrawn from
a figure depicted in the Coventry Tapestry.
19. The arms of Thomas Wayte.
20. Funerary brass of Thomas Wayte, grandfather of Arthur Wayte /
Plantagenet, Viscount Lisle, from St Michael’s Church, Stoke Charity,
Hampshire. Brass rubbing by Dave Perry.
21. Mary of Gueldres, Queen of Scotland. Redrawn from a contemporary
image. She was proposed as the potential bride of Edward IV in 1462.
22. Bona of Savoy. Redrawn from a contemporary portrait. She was
proposed as Edward’s potential royal bride in 1464.
23. King Edward IV in about 1470, from the chancel arch of Barnard
Castle Church.
24. Elizabeth Widville, Lady Grey. Copy of a contemporary portrait.
25. Elizabeth Lambert, Mistress Shore. From her brass memorial at
Hinxworth Church, Herts.
26. William Shore, (annulled) first husband of Elizabeth Lambert. From
his alabaster funerary monument.
27. ‘Jane Shore’, a fantasy image of this imaginary character, engraved by
F. Bartolozzi R. A., and published in 1807.
28. Edward IV. Redrawn from an image produced in the 1470s.
29. Anne Mowbray, Duchess of York and Norfolk, daughter-in-law of
Edward IV and niece of Eleanor Talbot. Facial Reconstruction by Amy
Thompson, Centre for Anatomy and Human Identification, University
of Dundee.
30. Possibly the last woman visited by Edward IV, in September 1482: Our
Lady of Walsingham.
31. Edward V.
32. Images of Arthur Wayte / Plantagenet, left: redrawn from the 1534
Black Book of the Garter, and right: an engraving based on the 1534
painting, which was published by J. Anstis in 1724. The original image
appears to show a younger man than the later engraving.
33. The arms of Arthur Wayte / Plantagenet, Viscount Lisle. By kind
permission of the Society of Antiquaries of London.
34. Arms of Isabel Mylbery, illegitimate daughter of Edward IV.
35. ‘Richard of England’, a possible illegitimate son of Edward IV.
Redrawn from the contemporary portrait at Arras.
36. Elizabeth of York, the eldest daughter of Edward IV and Elizabeth
Widville. A nineteenth-century engraving based on a contemporary
portrait.
LIST OF MAPS
Movements of Edward, Earl of March, from September 1459 to August
1460
Edward IV’s movements from March to July 1461
Edward IV’s movements from August to December 1461
Edward IV’s movements from February 1461/2 to August 1462
Edward IV’s movements from July 1463 to March 1463/4
Edward IV’s movements from April 1464 to February 1464/5
Edward IV’s movements from September 1470 to March 1470/1
Edward IV’s movements from June to December 1475
Edward IV’s movements from June to October 1476
Edward IV’s last pilgrimage to the shrine of Our Lady of Walsingham,
September 1482
1
EDWARDUS QUARTUS1
Edward IV, who reigned, with one brief interruption, from 1461 until his
death in 1483, was the first Yorkist King of England. He ruled England for
twenty-two years during the second half of the fifteenth century. This was a
troubled era, forming the main part of what is generally known as ‘the Wars
of the Roses’. Edward was the longest-reigning Yorkist king. However, the
focus of this book is not upon his role as King of England. Instead it seeks
to concentrate upon his alleged intimate personal relationships, and also
upon the children he produced.
A good deal has been said about these points in the previous published
accounts of Edward IV’s reign as king. However, the present study
approaches the story of the king’s personal relationships in an entirely new
way, in that it seeks to focus primarily upon surviving contemporary
evidence. This means that it is based upon a specific search for sources
which were written during Edward IV’s own lifetime. Although
consideration has also been given to any later source material, account has
also been taken of the potential political context of the later writers, and of
the slant which this may have produced upon the claims they put forward.
Most particularly this applies to the material which Thomas More wrote
about Edward IV and his personal relationships in the sixteenth century,
more than a quarter of a century after Edward’s death. As earlier writers
have sometimes already noted,2 what emerges is the intriguing and
somewhat perturbing fact that, in a number of cases, the claims made by
Thomas More and other sources of the ‘Tudor’ period are not supported by
genuine contemporary evidence. Indeed, their later claims are sometime
contradicted by the surviving contemporary accounts.
Unfortunately, the picture which emerges from the surviving
contemporary evidence is not always 100 per cent clear. Thus, some of the
conclusions which are put forward in the present study have to be tentative.
No claim will be made here that the hypotheses in question have been
absolutely proved. However, it is important to emphasise that not a single
theory is offered in the present study unless it is based upon some surviving
evidence which has been clearly cited in the text.
Edward IV’s family connections are interesting. His father was Richard
of Cambridge, Duke of York. This made Edward a member of that branch
of the medieval English royal family which was known as the house of
York. Strangely, the statement that Edward IV was the son of Richard, Duke
of York, was questioned in certain quarters during the king’s own reign –
and is still questioned by some modern historians. Clear evidence relating
to this issue will be presented in chapters 3 and 4 (see below).
In terms of his siblings, Edward was the older brother of Elizabeth of
York (senior), Duchess of Suffolk; of Margaret of York, Duchess of
Burgundy; of George, Duke of Clarence; and of Richard, Duke of
Gloucester (later King Richard III). In respect of his offspring, Edward was
the father of the so-called ‘princes in the Tower’, and also the father of
Elizabeth of York (junior), who later became the wife of Henry VII, the
mother of Henry VIII and the ancestress of the present royal family. In fact,
since his demise in April 1483 right down to the present day, with only two
exceptions,3 every subsequent English monarch has been a direct
descendant of Edward IV.
While his private life has been more or less universally categorised as
extremely lascivious, the facts – and the contemporary evidence – relating
to this allegation have never really been documented or explored in detail.
The present study will therefore investigate all of Edward IV’s alleged
sexual relationships. One key piece of potential evidence in this respect is
where Edward IV spent his nights. For this reason the present work
includes, for the first time, a detailed itinerary for the king based upon the
surviving contemporary source material. The itinerary is divided between
chapters 2, 6, 8, 11, 15, 18, 21, 24 and 26 of the book, and it offers the most
complete record ever published of King Edward’s movements, both in
England and in the rest of Europe.
It is curious, given the number of his alleged liaisons, that while one of
his living descendants still wears the crown today, the number of distinct
and disparate lines of descent leading from Edward IV down to the present
appears to be comparatively limited. If the allegations concerning his vast
quantity of mistresses were authentic, one might have expected clear
records of a far greater number of illegitimate children fathered by
Edward IV – leading to numerous well-documented living lines of descent
from that king. The truth about Edward IV’s offspring will also therefore be
explored in the greatest possible detail.
Edward IV was one of the last three kings of the medieval English royal
family known today as ‘the Plantagenets’. This is a phenomenon somewhat
similar to that of the alleged medieval French royal surname ‘Capet’. The
name ‘Capet’ is applied by modern historians to all early medieval French
royalty. However, we know that it astonished King Louis XVI in the late
eighteenth century, when this ‘surname’ was applied to him and his
immediate family by the French Revolutionary authorities. This was
because although ‘Capet’ had been a kind of nickname used by Louis XVI’s
remote ancestor – the founder of the royal dynasty, King Hugh (c. 941–
996) – it had never, in fact, consistently been used as an inherited surname
by French royalty as a whole.
Likewise in England there is, in fact, no evidence that the appellation
‘Plantagenet’ was ever really used by most medieval English royalty. It is
said that Planta Genista (the broom plant) had been employed as a heraldic
emblem by the father of Henry II, King of England, namely Count Geoffrey
of Anjou. However, there is only later evidence that a heraldic badge
depicting a broom pod was used by some of his English descendants:
According to Brian Spencer in Pilgrim Souvenirs & Secular
Badges chapter on Secular badges, page 293 & 295, initially the
broom-pod was a French device, adopted in the French court as a
royal badge and livery collar by 1378. Richard II used it in c.1395
to mark his alliance with Charles VI’s daughter. The broom-pod
design carried on in use during the 15th century and when Richard,
Duke of York revived the use of the surname Plantagenet, then the
punning reference to the Plantatgenets [sic] was realised (if not
before), as the Latin name for the broom plant is ‘planta genista’.4
About a century after his demise the following view of the reign of
Edward IV (and its effect on his younger brother, Richard III) was
published:
Though the vices of King Edward seemed not to add virtues to the
condemned prince [Richard III], yet without question they do –
making all his estimated ill actions of another nature. He [Richard]
obtained his crown by fortune rather than by scheming … for
I think lust – or love if you prefer – could not more strongly have
prevailed with the most licentious creature, breaking the bonds of
friendship, discretion and politics. – and all to enjoy a woman
[Elizabeth Widville] … a widow & of his enemy, without bringing
him either alliance or riches – props most pertinent to his newly
enthroned royal house. In this respect he broke his alliance with his
chief friend, the Earl of Warwick, whom he had sent to France to
negotiate a marriage with the French king’s niece [sic – Bona of
Savoy], and who, having been deceived in this respect, then
became his greatest enemy. But even more serious was his
[Edward’s] abominable abuse of God, for he had previously been
betrothed (as his own mother constantly affirmed) to the Lady
Elizabeth Lucy … How soon the wrath of God followed his
religious inconstancy is clearly demonstrated by his being driven
from his throne into exile, the birth of his son in a sanctuary
(having no other safe place available in his father’s kingdom), and
the misery of all his supporters. In which misery, who more truly
followed him, who more faithfully aided him, than his now
disgraced brother?10
“The better sorts which are cultivated are the horse plum, a very
pleasant tasted fruit, of large size; the peach plum, red toward the sun,
with an agreeable tartness; the pear plum, so-called from its shape, which
is sweet, and of an excellent taste; the wheat plum, extremely sweet, oval,
and furrowed in the middle, not large; the green-gage plum, which is
generally preferred before all the rest.”
It is doubtful if Parkinson, Ray and Rea had the true Reine Claude,
however, for the Verdacchio, according to Gallesio,[46] one of the
best Italian authorities, is an obovate-shaped fruit while the Claudia
is a round one. Gallesio says the Claudia was cultivated in many
places about Genoa under the name Verdacchio rotondo; about
Rome and through Modenese, for a long time, as the Mammola; in
Piedmont as the Claudia; and in Tuscany as the Susina Regina. Now
(1839) he says, “it is known in all Italy under the name Claudia, and
has become so common as to be found in abundance in the gardens
and in the markets.”
The name Reine Claude, all writers agree, was given in honor of
Queen Claude, wife of Francis I, the fruit having been introduced into
France during the reign of that monarch which began in 1494 and
ended 1547, these dates fixing as accurately as possible the origin
of the name. Green Gage, the commonest synonym of either the
Reine Claude group or of the variety, comes from the fact that this
fruit was introduced into England by the Gage family. Phillips[47]
gives the following account of its introduction into England:
“The Gage family, in the last century, procured from the monastery of
the Chartreuse at Paris, a collection of fruit trees. When these trees
arrived at the Mansion of Hengrave Hall, the tickets were safely affixed to
all of them, excepting only to the Reine Claude, which had either not been
put on, or had been rubbed off in the package. The gardener, therefore,
being ignorant of the name, called it, when it first bore fruit, the Green
Gage.”
Because of the high esteem in which the plums of this group have
always been held in England the early English colonists probably
brought seeds or plants of the Reine Claudes to America. This
supposition is strengthened by the fact that Prince, in his efforts in
1790 to improve plums, chose the “Green Gage,” planting the pits of
twenty-five quarts of plums of this variety. McMahon, in his list of
thirty varieties of plums, published in 1806, gives the names of at
least seven varieties belonging to this group. The varieties of the
group first came into America, without doubt, under one of the Green
Gage names, but afterwards, probably in the early part of the
Nineteenth Century, importations from France brought several
varieties under Reine Claude names though the identity of the plums
under the two names seems to have been recognized in American
pomology from the first.
In appearance the trees of this group are low and the heads well
rounded. The bark is dark in color and cracks rather deeply. The
shoots are thick and do not lose their pubescence. The leaves are
large, broad, more or less wrinkled, coarsely crenate and sometimes
doubly serrated, a character not usually found in Domestica plums,
and bear from one to four glands. The fruit is spherical or ovoid,
green or yellow, sometimes with a faint blush, stems short and
pubescent, suture shallow, bloom thin, texture firm, quality of the
best, flesh sweet, tender, juicy, stone free or clinging.
The leading varieties of the Reine Claude plums are: Reine
Claude, Bavay, Spaulding, Yellow Gage, Washington, McLaughlin,
Hand, Peters, Imperial Gage, Jefferson and Bryanston.
The Prunes.—In western America plum-growers usually speak of
any plum that can be cured, without removing the pit, into a firm,
long-keeping product as a prune. Such a classification throws all
plums with a large percentage of solids, especially of sugar, into this
group. But in Europe the term is used to designate a distinct
pomological group.[48] Since we have a number of varieties of plums
long known as prunes and to which no other term can be nearly so
well applied, it seems wise to follow the established European
custom of using the term as a group name as well as for a
commercial product which is made for most part from these plums.
The prune, as an article of commerce, all writers agree, originated
in Hungary in the Sixteenth Century and was at that time a very
important trading commodity with Germany, France and southern
Europe. If, as Koch surmises (see page 17), the prunes originated in
Turkestan or farther east—and the statements of other botanists and
writers tend to show that his view is correct—the spread of the
varieties of this group westward is readily explained. In the
migrations of the Huns, from western Asia to eastern Europe, in the
first thousand years of the Christian era, some Magyar or Hun intent
on cultivating the soil brought with him the prune-making plums
which, finding a congenial home, became the foundation of the
prune industry of Hungary in the Sixteenth Century. In subsequent
commercial intercourse with western Europe the latter region was
enriched by these prune-making plums from Hungary.
In America this group is now by far the most important one
commercially, though prunes were not introduced into this country
until comparatively recent years. The early lists of plums do not
include any of the prunes and even as late as 1806 McMahon only
mentions in the thirty varieties given by him but one, “the Prune
Plum.” William Prince in 1828 speaks only of the “monstrous
prune,”[49] but in such a way as to lead one to believe that neither it,
nor any other prune, was then cultivated in America.[50] In 1831
William Robert Prince in his Pomological Manual describes from this
group only the German Prune and the “Agen Date,” or Agen. Indeed,
it was not until the beginning of the prune industry in California,
about 1870, that the varieties of this group began to be at all popular
though an attempt was made by the United States Patent Office to
start the prune industry on the Atlantic seaboard by the distribution of
cions of two prunes in 1854.[51]
The growth of the prune industry on the Pacific Coast is one of the
most remarkable industrial phenomena of American agriculture.
About 1856, Louis Pellier, a sailor, brought to San Jose, California,
cions of the Agen from Agen, France. Some time afterward a larger
plum, the Pond, was also imported from France, supposedly from
Agen, and to distinguish the two, the first was called Petite Prune, by
which name it is now very commonly known in the far west. The first
cured prunes from this region were exhibited at the California State
Fair in 1863; commercial orchards began to be planted about 1870,
and the first shipments of cured prunes were probably made in 1875.
[52] In 1880 the output per annum was about 200,000 pounds; in
1900 the yearly capacity was estimated to be about 130,000,000
pounds, valued by the producers at $450,000.[53]
The typical varieties of this group are the Italian, German, Agen,
Tragedy, Tennant, Sugar, Giant, Pacific and the Ungarish.
The distinguishing characters of the group are to be found in the
fruit, which is usually large, oval, with one side straighter than the
other, usually much compressed with a shallow suture, blue or
purple, with a heavy bloom, flesh greenish-yellow or golden, firm,
quality good, stone free. The trees are various but are usually large,
upright and spreading with elliptical leaves having much pubescence
on the under surface.
The Perdrigon Plums.—The Perdrigons constitute an old but
comparatively unimportant group of plums.[54] The name comes
from an old time geographical division of Italy.[55] The Perdrigon
plums, especially the varieties having this name, have been grown
extensively for two centuries about Brignoles, France, where they
are cured and sold as Brignoles prunes. Since they are much grown
in what was formerly the province of Touraine, France, they are
sometimes called Touraine plums. The early pomological writers, as
the Princes, Kenrick, Coxe, and even Downing, described White,
Red, Violet, Early and Norman Perdrigon plums, but these are not
now listed in either the pomologies or the nurserymen’s catalogs of
this country though the group is represented by Goliath, Late
Orleans and Royal Tours. These plums might almost be included
with the Imperatrice group, differing only in the smaller and rounder
fruits.
The Yellow Egg Plums.[56]—There are but few varieties belonging
to this group, but these are very distinct, and include some of the
largest and handsomest plums. The origin of varieties of this group
can be traced back over three centuries and it is somewhat
remarkable that the size and beauty of the Yellow Egg Plums have
not tempted growers during this time to produce a greater number of
similar varieties. Rea,[57] in 1676, described the Yellow Egg under
“Magnum Bonum or the Dutch Plum” as “a very great oval-formed
yellowish plum, and, according to the name, is good as well as
great.” The Imperial, which afterward became the Red Magnum
Bonum, is mentioned by Parkinson[58] in 1629 as “Large, long,
reddish, waterish and late.” Earlier names in France, how early
cannot be said, were Prune d’Oeuf, yellow, white, red and violet, or
the Mogul with these several colors, and the Imperiale with the three
or four colors. Later the name d’Aubert was applied to the Yellow
Egg. Though this fruit was first known in England as the Imperiall,
and later as the Magnum Bonum, it has been grown for at least two
centuries in that country as the Yellow Egg, and under this name
came to America in the latter part of the Eighteenth Century. Koch[59]
places these plums in the Date-plum family. The varieties of this
group now grown and more or less well-known are Yellow Egg, Red
Magnum Bonum, Golden Drop and Monroe.
The characters which readily distinguish the Yellow Egg group are,
—the large size of the fruit, possibly surpassing all other plums in
size, the long-oval shape, more or less necked, yellow or purple
color and the yellow flesh. The plums are produced on tall, upright-
spreading trees.
The Imperatrice Plums.—This is a poorly defined assemblage of
varieties, of which dark blue color, heavy bloom, medium size and
oval shape are the chief characters. It is impossible to trace the
origin of the group or to refer varieties to it with accuracy. The
Imperatrice, of which Ickworth is an offspring, seems to have been
one of the first of the blue plums to receive general recognition, and
can as well as any other variety give name to the type. This group
contains by far the greatest number of varieties of any of the
divisions as here outlined, chiefly because the color, the size, and
the shape are all popular with growers and consumers. This has not
always been the case, for in the old pomologies, blue plums are
comparatively few in number, Parkinson, for instance, giving in his
list of sixty in 1629 not more than a half-dozen Domesticas that are
blue.
Among the varieties that fall into this group are:—Ickworth,
Diamond, Arch Duke, Monarch, Englebert, Shipper, Arctic, Smith
Orleans and Quackenboss.
About the only characters that will hold for this large and variable
group are those of the fruits as given above, though to these may be
added for most of the varieties included in the division, thick skin and
firm flesh, clinging stones and poor quality. The trees vary much but
are usually hardy, thrifty and productive, making the members of the
group prime favorites with commercial fruit-growers.
The Lombard Plums.—Just as the blue plums have been thrown in
the last named group, so we may roughly classify a number of red or
reddish or mottled varieties in one group. If the oldest name
applicable to this group were given it should be called after the
Diaper plums, well-known and much cultivated French sorts of two
and three centuries ago. Since they are no longer cultivated, and as
the Lombard seems to be a direct offspring of them and is fairly
typical of the division, the name chosen is as applicable as any.
These plums differ but little from those of the preceding group,
except in color and in having a more obovate shape, a more marked
suture, smaller size and possibly even greater hardiness and
productiveness, and if anything, even poorer quality, though to this
last statement there are several marked exceptions. In this group are
no doubt many varieties which are crosses between some of the old
red plums and varieties of the other groups given.
The following sorts may be named as belonging here:—Lombard,
Bradshaw, Victoria, Pond, Duane, Autumn Compote, Belle,
Middleburg and Field.