BITTER

SWtrET

a o

NOtrL
COI,VARD

CHAPPELL

bolrtl
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BTTTER SVYEtrT :
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'Ihe Entire
Production by ItOiùL COilAttD.

'l'he
Jlalchioness of Slrtrvne (Sara,lr)
CHARACTBRS
('arl Linclen Puccy \1'ooo
JIanon (La Cler-ctte) Grioncn Mntlx-r
l)ollr' ('harnbcllail Ivv Sr. Ilnr,rnrr
Lolri Iferrn' I)ortorlry }lovo
'l'lrc l\-rt-r,r,\rr H.ltx
I I , r r r .i l r r g l r l ) r . r ' , , r r
lIrs. ]Iillick Il.ournr NBl.tox
Sir Arthur l'cnr,hru'ch
Er,erNp INnscort'r
La<lv l)er.on
Cr-tnponp I{n.q,Trru nr,y
'l'hc \4'rNlrinnp l)evrs
)Iarquis of Steclcr
\-inccnt Holr.ald Ronrnr Ar,c^ln
Lortl Iidgar .Ianrcs
I}lr-y }Irr-rox
Lorrl Sorr.cl Vrcron Ronsox
Jh'. \ralc Gru,r.r,u Nourx
lh'. llcthcl Pgrrn Grrsox
llr'. I)routir: JolrN G,rrtor-l
Itrcrranu ConNrsrr
\-ictoria
.IosÉ I,'Elnox
Ilamiet
(lloria llern I)n-lcr:
Il.ost,:ÉIr<;xrrr,r,
Ilorror
.Il rrc Hv.l S'r'rittxrtol-u
Iirr,r,),:x C:rHriy
l l l li c
(lussi JLrnv Pot;xls
Notrrr IJuu,,rHus
Lottr:
llrr,r,rs Srrr
Ii rctllr
llr.:rly llustluy \\:u rr;rr.r'
Ilnrrsi
ll,ru.rortrr Rocurrs
Lit:rrt. 'l'ratrisr:h
( l a p t a i r r , \ r r g r r sLt r r t t r : At rrrun.At,cxaxrrrirr
Aus'rrx TRtvon
of Shavnc' Ar-rx N^lrrriu.
Ïilî,.,,' .fo,rx Prx'n:4
Ilclcrr
N,rxcy IJnvrr,r,
.Iat'kic
llautunx lloouri
\-clrrorr(lraft
Enrc Laulrrs'ros
[,olrl ][cnlr' .Ia<lc
Prix rrt*x ll,tx xtr:,rnr^r
s
llt ltr:rrrr Scllick
IIur;u Cunxoo

SYNOPSIS OI.' ST]]JNI)II"Y.

ACT I.
st'r':xr': l. -L.r[r' shr*,rrc'sIlorrsc irr (]r''s'crr,r Sq..rc. l{}21).
Scr.;rr,: II. -Thc llillick's I{ousc in llelglar.e Srltrare,1g7J.
sc'r'rxuIlI. -Thc llallloonr of 'rirc ]Iillicks' rrouse in llclgr.tr,r.e
Srltrare,lgz5.
'I'hc
Sccrrer..l'
arrclCostrunestlesigneribv G. E. C-rlruuclr,,
Painterl b\- Ar,rcr .Iorrxs,r,oxn.

ACT II.
st'r':sr': l. -Ilclr s<:lrli.lis'cat'c in Vicrrna,18g0. Tinrc ..12o,ciock rroou.
IL -
Stt,;-r-'t.: (to. do. do. trt 2 a.nr.
'|'ltcSr.crrcstrtttl('<lsttttrtcstltlsiglictllr.1'l)r.<ll'cssor'lJItxs't,S'r.t.:ttxarrt[1lairrtctl

ACT III.
Sclx r.t l. -Lor.tl Sha.vrrc's llousc in Lontlorr, l8Uj.
St'r.;xr.: II. Sarrre trs .\ct I, Sccnc I.
l'lrt' St'crrcstlcsigrrcrl lx- G. I l . ( ' . r t , ' r ' r r t o r ' i. t r r d p u i r r t c t l b . r .^ \ r , r r . xJ o r I : s . f o r l . : .
Orchcstru rrrrdel tlrc dir.cctiorr o1'lUiGl\'\LD IIUIISTON.
 BITTER SWEtrT
o$ -Sè

MUSICAI_/ N LTIIIJERS
NO. ACT I., Sc:risri L PAGE

I O l r , : r r x < ;N t r r t n t ; t t " il'hat \\'or rrlt'r'[irl llt'l<xlr'" (l'lur- sonrt'tltittg t'ollntttir') I

' l ' l r r '(
! Soxc (/,n,rly ,\lturltu:) & ('ttout.s " rrll ol'Lil't' " .. ( l r t r t ' r o t t t a r t t ' ct o t t l t l n o t l i v c ) , . "l

Scrl.iri Il.
;i Soxc (L'arl) " Il'\'ou r:ttttltl ottlv t:otttc
rl'itltrnr:" .. (1'lrorrglrthclc Itr:n' bc bclutl') l2
.l I)ur,:'r (Suruh,atul Carl) " I ' l l s c t ' t , , t t r t g : t i t"t . . plcasc) .
(Nou' )Iiss Sarah i1'1't-ru l4

Scnxr Ill.

5 l)ot,r<n 20
(i Sosc (Suruh) & (lttotrt s " \\'lr:rt is lor t' " ( l ) l r r v s o t r t c t h i r r gg a 1 ' l i r l t r r t ' ) . . 22
( ' o x c t . : r r L ' r r rNr r - l l r r r . : r r 'l'hc ( ' l ' l t c r ' ' r ' t 'l l l g o r r c t t t t u ' ) . . :12
7 " L : r s t l ) i t t t t ' t '"

S l f r x . r r , t . :A, t : ' t ' I , l(icll\', tttitri,ttto)

(lt)crrr'n 42

ACT II.
0t,t:srxr; ( tlout ( l , i l i ' i r l l r c r r t o t ' r r i r r s.) . 70
'r't
(,)t'.rtlt r: t ( /,rrlt . " l , : i r l t tr o i I i 1 1 t ' l ' i r , , t t g lur t o l t t l t i t ( ( ' t l \ ( ' ()l . ' l tf

" , L l t i i . r ' t | r ' r O t t g l ti r r r r lt r r r r r l r l t ' ) IJI

S o s r ; ( . l l t t t t r t ttr l: l,,rr rr,t,

I)r r:r' 1.Srui t(' ( " l),;,r I.itilr ( t \ \ ' t . l r r r l t l r t r r t t t t i t :l r t r r l r i t i o r t. ) . lil)

\\'.rr.rz 93

0l'rrcr:rts' CrIont's (\\ e rvislr to orclcl rvinc) !,(i

.''l'olilr"' (\\'hcrr u't:'t'c tltototrghh' tvirtt:t[
Sosr; (Ca;rl. Sclelsi) . t ( t t o t t t s
antl dincd) 1Ott

l6 Welrz It9

17 l)excu or.' Pu-\'l'r'lt GIRLs t22

I ti Soxc (JIantiri) " l l o r r r t el r u i t , J [ e r c i (Lolsrltrt' j'él rtis pt't il t') , . 12.i

111 Soxc (.lIrli,oti) ôi (ttotrt's " liiss llt: " ('l'is tirrrt, tltirl lc \\'('l( llitrt('(l) t27

20 \Ver-'rz 130

ACT IIT.
2 1 Coxcrirt'r'r,rtrNurt ttltt "'I'a-Lir-trt-boolll'-" .. ( ' I a - r ' u - r ' i t - l r t . , c , t r t - t l t ' -.i.l r ' ) 133

2 2 S t . : r ' tt . t: ' ( l ' i t ' l o r i u , I I t t r r i r ' t , I i l l i r ' , ( | l r t r i t t , , l r tt t t

{ Ilrtttor) " . \ l r r s I t l r t ' t i r r r t ' i sp t L s l" ( ' \ l i t s .t l r t ' l i r r r t ' t s1 r i r s t 1 . , l:r9
( , ) r ' . r r l t ' r . :(' tl ' r r t t o t t ( . r' t . l t , ( ' u l r i c l i a ! l u t t l y t t r .
I i t r l r d t t t , S r ' 1 / i r ,t/t,t t d I ' o r d I I n r t ' r 1 , 1t r r l r ' ) " (irct'tt ('rtt'rttttititrs " (lilrrsti bttt s itt't tr r'l . . I l.-r

:ll S o s t ; ( . S , li ) " Zigctrrrcr'" .. ( ( J t t t ' t ' u 1 r t , ri tt t i t t r t l .. lil

2J l..rs.rr.r,:,Ac'L I I T " l'll see )'ou agâilt " .. r55

-\Ll nuxt'rt-tt

llr r " l , l t ' t ' r ' t r r o it tt t' r r li t t I l t t ( \ \ ' l r t ' r rl t \ ( r lI \ \ ( ' ' l ' r tt7
 BITTERSV/EET
_*

Ly'ricsand Music by NÔgT CowARD

Act I
Ngl OPENING NUI\{BER
"THAT wONDERFULltRt ooy"

30t?; C o p y r i g h tM
, C I I X X I X , b y C h a p p e l l& C q L t d . All Rigbts Re:eri'ed
O h a p p e l&
l C 9 I . t d . ,5 O ,N e * ' - B o n dS t r e e t ,L o n d o n , W l . &S v d n e v Tous drr,t'ts réserrcs
 I

I
I

sorne-thing 1
i

i
ù
r r 1T r-i t
I
I
)-+
{
{
$
i

s)n - co - j a z z s e n - s a -tions played by coon.-

80127
 sorne-thing

).oill

8012?
4

Nq2 SONG (Lady Shayne)and Chorus

'.THECALL
Çn ltne "

Lady Shayne
Your ro-mancecouldnot live the
iç e' ^

Piano

length of a d.y an- a - lyse- Be-trayyour lovewith

I:--

:----'

com-prom-ise too soon you

- ---------""/-'

re - al - ise That there is left

 \rery rhythmical

Hey -Hey-
CHARLESTOI{

Shed be morelightheart-ed- If she s t a r t - e d - to Charleston

.:- )>

>J
l:l-l a

>>
-

:>
I

L , r d yS .

chanced

danced chancedit - Perhapsher musclesarëdis-in-

BI,UES

- clined Perhapsshe has-rit. the rengthof

--.7--.

IF
tt
.T0l z7
 . ,:-:--'A -4 t: l t-
o
t
- , . to you but a name- A thingthatis - rit
2

, , L 4- I' :
lr 7
a ;
t:j\
I t:

a
/r-
' :tFr -
__-
?_
-; '/ '/
o dl oft Can nev-er touchthe heart of you It's noth-ingbut a

fire with- out

:rtrL27
L . rC y S .

1 1 E\

muchre - gret

p
------_\r
.

11H.\

that tirnes havr changed so is more speed-i - ly ranged so.

sligltt rit.

your\\rorld of srvift-ly turn-ing wheels. Life - must ex-treme-ly-

\I gti

rA- $r rèfie

:l(1127
 bey.

*'-.

,G

dî)n.:---<-:--
 Theremust be some-thing A rou

L , r d yS .
-
count up - on Tohelpyou to ac A mem-o- ry lvhen

Lady S.

Youth is gone-- Of rvhattvasonce;our heart!

\_-''

REFRAIN
Lady S.

IF
tb
3 012
 lrf

com - plete

L.rr'yS.

Broldly
Lrtdy S,

far be hind you _ The chainsthatbind you_ That love may

t- ---\ 2

:lot27
 1r

Lady S.

Ladv S.

cheat you And de youth must

--
an swer to the

Lady S.

Call
l?

ACT I-SCENE II
\'.t 3
-: SON'G(Cart)
..IF
YOU COULDONLY COITEWITH

Thoughtheremay be beau- ty

f-- -7
,'
t o l e a r i , r o us e - c r e t - l y
 1J

L
ù { RI_

\ Â r e ' w o u l d w a t c h t h e D a nausb ei t gent'ly f lorvs. L i t < ea s i l - v e r r i b - b o r r v i r r c i i n s r r e e

q<+- U
<> ïë---
-::>

b^
ù.

<t

C.\RI,
f---*a--'-- -
a s I s p e a ko f it long-ing qrorrs a-g:iln r x ) ' o r v nd e a r l a n d t o

C,{RI,

see I l y o u c o u l do n - l y c o m e w i t h r ' n e I 1 1 ' o u c o u l do n - l y c 0 m r ) \ v i 1 l l

a, _.eit7J=
if +
+
r
l
uL
"4
<t

C AR L

:rot2?
L4

N 94
-=;:==
DUtrT:-(Sarahand Carl)

" r'LL sEL lou .A.G,\IN"

Moderato

Carl

Piirno

Take a breath and then re - prise dif - ftent key.

'-:----

rtl?-?
 ife I knou'ingyou; All the plea-sure I have

/ln....-.-

That one may phrase, The changing light and changing shade,

30l??
 Hap-pinessthat must llel - odies that must Mem- o-ries that must

Ibr - got-tt:n

scaleswill

30L27
 ingthehoursrve've

\\ hy Trem - ble

years? whv

---
l-r--l-t-

mem-'ry ,\==---'
oays_
18

Tempodi Valse

you sprlng breaks

I11 sprlng breaks

through Time may lie hea|,- y Butwhat has

through be - tween But'whathas

is past for
 19

mem ry A-crossthe years come to

mem ry A-crossthe years come to

Thcimyu'orldmaygoa - wry, ln myheartu'ill ev - er lie Just the ech-o o1' a

J u s tt h c e c h - o

SAR.

good - bye. sigh, good

ri
CARL

sigh, good - bye. sigh, good b)"

,l
*+:

80L27
2tl

ACT I _SCE}.IE III

Ng5 POLKA

.--G

3{tt27
 .).,

ACT I. SCENE III

Nq6 S O N G ( S a r a h )a n dC H O R U S
..WHAT
IS LOVE?''

Piano (

Play some-thing gay for me Play I'or

Play some-thing gay for me Play for

I
I

SA fI.

p la y 1'or tlt t) free I am in a trarrce t o - Carit you s e e

play for m e rvhy S p r i n g h a s s oe n - c h a n t e d Why this shy

'T
(

I
I

t
Horv I want to dance night,
P a s s - i o nh a s b e e n g r a n t me

iI
II
\
3012?
..\ i't

heart beat lng Some in

-wake mel o dy pos
>''---T--- or dream ing Far and 'ty
Ev lov - er
>

inr me, -- In ITlY b r ai n t l r r i l l - i n ga n d ob s e s s- i n g mer.-

lorvs you _ Srvift clear- Flv - ins as the
and -. s'lval-lows do-

Horv can I Ieave ttt

Leave me no long 1()

p a i n?

3r07?,7
3{

your life For Time 1S fleet ing Some in

me not by Love for sa ken If I

- sist ent re peat

sleep, then me wak '---.---^----

I
t

:J()t?i
 ITEFRAIN

tell me - tell me u h;rt is love, T . .

t 5 rt
--=--l-ï- t-

r-r J-lr*=

l)art ol

-a-
-T ,
-
c
è a472 - ]J
tl-

{ o *lnpo

30t?7
 z6

cH0.

strange ma-grc

c Ho.

- that seem to e - cho round me and a - bove mewhat love, Iove,

cHo.

:/,012.1
 'è"1

No-thing strange

t h a t s e e r nt o

SARI

r n ew h a t i s love, luçe, luvc,

tell me, tell meuhat love Is it a

Tell ffic, m ew h a t i s love Is it a c o n-

tell me, tell me what is love lt a con-

tell me rvhat is love Is

8$127
 z8

SÀR.

-sum flanre- Part of the moon, Part of the sun'

+ +
CHO -sum flamnEÏ- Part of themoon, t of the sun,

-sum flame - of thc moon, part of the sun,

7_\

-sum f lame - Part of themoon, Part of the sun,

SÀ[t

When mo - mcnt ingi'

Part ol a d r e a m , b a r e- l y be-gun When is the mo - ment ol' break wak

Part of a d r e a m , b a r e- l y bc-gun When is the mo - ment of break lng wak

IH0.

Part of a d r e a m , b a r e -l y be-gun When is the mo- ment of break rvak

mo- ment of rvak - ing?

Part of a dream,bare- ly be-gun When is the break

:10t27
 change, no - thing iis th" ,"-",
Some

change, no - thing is the same,

Skies change, ls the same,

Skies
the same,

--1
1 e
-J- -ù--l .-Ê -
I
i t b r r :f:
I
çlj.--::- +

ls to blame

1s to blarne
<---_.\_

3$12'1
 30

round me and a bove, Tell me v'hat is love, love, love.-

Tell me u'hat is love.- love, love.-

-----.\-_

T e l l m e r v h a ti s roil;j-

-
/ - -
Tcll nre rçhat is Iove,

'l-ell
me uhat is lovc, love, love.-
->-
l ) -

scent tt-r round cho, round her,

seem tcr round her, cho, r o u n dh e r ,

f trUttd roundher,

seem to cho round her, cho, round her,

3ri1??
 31

S.{R.

Leave me no long- er to call Yatn

and- a her, Leave ine no long- er to call Yaln

and bove her, Leave me no long- er to call in- vain

and b ove h e r , L e a v em e n o Iong-er to call

and bove her, Leaveme no i o n g- e r to call vatn

SAR.

m e r v h a ti s love, love, love.

rl

Lt,ve, lor c.

Lovc,
^

L o v e , love.
/:\

Love, l o v e .
^

8o127
3i,

N97 CONCERTEDNUMBER
..THE LASl DANCE''

GIRLS

They'r'e all

----T-}---
 She might he rvith us- Eld -

S h em i g h t b e Eld - pêo - ple make

,--=-*-- --

chap - er-one

Nev - er lcave love a - lone f r i g h t - e n e d-

tright - ened, fright-ened

IF
(b
r?.7
 If You olease dr,n't flirt or

don't f li rt or- G en
\tease.

\\'e shall be scold - ed a lot for this. '*'on't rI1ISS just

GIRLS
ra Il.

be e d a lot for You worit MlSS just one

+'
i--.,..-.
hi ='
l--.-.. t
<)-l e
I
I

+'-:b J

8(.t127
 GIRLS
a temt|o

Think the
a temtoo

Think of the a1 ised

>

GIRt drpad - f ly, dread dreao - I ly Prom i s e d .-

rall.

{read - f'ly, dread - f'ly, dread - f'ly

eo12?
36
T r m p od i V a l s e
MEN

ry The tall

de - scend-ing the

GIBLS

trees in the park.

I(|1?,7
 might

p l e a s e! Wh at s () r t of a lark r please?
rall.

<: faIL

30 12?
RI . - F R . \ I \ -

'liqht
dlrttcc, -

--_
-

I
 it9

rss

UEN

(ALL)

UDN rv,,rltl

Just

rl /1

t2
lr0

-'------.--\\

,-=---_ _-=--.-....--\
z_-=_--_\

-'-----_----\_ -_--______ -----_----\-

4()127
 1 & 2

ten - der

so12?
4',à

N
-
98 FII\ALE ACT I

Piano

>>
t7 )>> r:>

he hol-lers let

301?7
 li-estp.rrt ol

GLORIA

HARRIET

-.€--
U. T.spells'iruiiurdsoOutgoesslÉ

SAti,
r:-- r t:,= t +-++-+_- -|--+
o. II.'L.peit-{or,ii*d- ï";n;:';:
EFF..!
oLo.

IIAR.
-
ô. tr'r.lpitti'oùl:i'raio
JANE

-- la +a ar r :- aa _tt
]? ? 1? -!
---/+__,--, C_--,'c_---, e --t ç---"
:iol2?
 \4

spellJbut"anrl so

SAR

he hol - lers let him go U. T. spellibut"antl so

GLO

and so
-<pells"out"

whdll

I \\F]

o. u . T. -spells''out
,-3--

: J () 1 2 7
 46

SARAE & VICTORIA

This is tlie lov

EFI'.&
HAR.

'T> -=

of the Par E e e- n i m e e - n i m i - n i m o

of the Par

li - est part of the Par

EFF.&
HAR.
lov - li - est part of the Par

lov - li - est part of the Par

IF
II
301
 {6

Catch a nlg- ger

he hol - lers let him go goes

This est part

GLO.

est part

part

estpart

:1o12?
 three of thern left

ly three of them left

ly three of them left

ly three of them left

ex-cit-ed to see Who is gourg to be Blind Man Who it's go-ing to be,
-?--

wete e-x-cit-ed to see is going to be Blind Man it's go-ing to be

-_?-- -1'

we're ex-cit-ed to see is going to be Blind Man Who ifs go-ing to be

 a strangepre-sen - ti - ment it's me

a tenpo

L \

> ' F 1 ' h t

atempoI r, 'l
 49
Bright Tempodi Yalse
SARAH
SAR.

Not too tight

VICCOEIA& GLORI.
vtc.&
oL0.
get a hand - ker- chief, and bind il round her eyes.
HONOR& HARRIET
Ë01{.&
HAR.
Justget a hand- ker- chief, and bind round her eyes.
JANE
J^ti I

Justget a hand - ker- chief, and bind it a round her eyes.

EFT'IE
3rF.
Just get a hand - ker - chief, and bind it a round her eyes.

sÀR.
Not too tight
VICTORIA & GI,ORIA
vIc.&
GLO.
Shemust-rit see a thing uo mat - ter how much she tries

HON.&
HAR.
Shemust-n't see a thing no mat - ter how much she tries

JANE

She must-n't see a thing no mat - ter horv much she tries

BFF.

She must-n't see a thing no mat - ter how much she tries
--=-----l----- >

,$LP,1
50

That's all right

She will cheat

HON.&
HAR.
She rvill cheat if

cheat if she can

She rvill cheat

bit Turn her dazed

That cor - ner's bit Turn her she's dazed

That cor - nerb raised biÈ-- round till she's dazed

'That cor - ner's raised bit Turn her round till she's dazed

otu- :
"f.r<

-------//t

3 û t2 7
bit -- Are you rea- dy now

Are you three. --

-=--
bit _ Are you rea - dy three.5-

--_
Are you rea- dy three.

Some-thing'sbeen
sp

sÀ8.

SAR:

Somefor-got-ten Somefor-got tten

:to t27
 Strange- ly

Some-one s e - c r e t- l y call
4v

S AR .

way._--
VIC.&
GI,L)
Oh for heav-ens sake start
rit.
Holi
TIAR.

Oh for heav-ens st art

rt't.

Oh for heav-ens sake start

rit.

Oh for heav-ens sake start

,JOI27
 ;)+

u ,c rlt110
=-
-;Ç - r-
VTC &
GLO. r9-*- tE
long with you \4'e can see noth - ing û'rong with
>

Here go long rvith you \['e can see noth - ing wrong with
rt lenpo

Here go a Iong with you- We can see noth - ing wrong with
a tempo l::>

long with ]orr \4/e can see noth - ing wrong with

want t o play.

\Ve want to play.

We want t o

='---
you- We want t o
Slow
>

; - l o1 ? 7
 6,Andante

Should hap - pi - ness for - And

break me Comewhat may Lead the way

30127
 611

CARL

you whis-per that

CA II I,

love me,Can it be true or is it just somefool-ish dream?

30127
 58

Dialogue

CARI,

CARI,

Now tho' your fears are sleep Look u'ell be fore the leap

CARI,

: l ( |1 ? 7
 It0

can be bet - ter learn When there is no re

\R

e'er fate has store l\{y heart is vours for

--
you,_

GLORIA

CARI,

: l ( )I 2 ?
The thingsyou say You quite for - get your-self

Just the most

vIgIA (Spokeu\ "_EffreO" qule1:"

 R r o a dl y

?@

s . tR .
I
':.{ RI,

Effie gain when - cv - er Spring

(Jane help me)
A

:.\ Il.
c.thr,
Al - u'ayi

: l ( )1 2 ?
62
IIOOTTTENQUAITTET
l T is t e r i o s o

throb - bing

f r

clear - ing
 6;J

feel - ings pret - ty

>

When in (rur se

I
I
L
rl
il
I lftl
(I

:l() 1 2
64

rQ.
right

e
t
- 7l
l < - -

I) semprc

:tt)L27
 65

she shoulrl

h e a r s h , .r:r r i e h t b c r a t h ecrr o s s with us. El - der-ly peo-plcmaketoo muchluss

-T-T-
she mieht be ratht:r cross El- der-ly peo-plemake
too rnuchfuss

3012?
ri ti

fright - cned -

Gen - tle and sh'eet pur my heart as se ty

30r27
 67

'I'hink
of the con-se-quen-ces,please
you have-rit ap-pallingthingfor you to

Think of have -dt

the con-se-qucn-ces.pleaseyou re - al - ised What ap-palling thingfor you to

so com- pro-mised, dread-fully,dread-fully,dread-fully com-pro - mised_-

so c o m- p r o - m i s e d , com-pro -
dread-fully,dread:fully,dread-frrlly mised

30t27
-hind

-hind you - The chainsthat bind you -

-------\
--=-\
 69 :
:
j

find )'ou - In joy 0r Tho' fate may cheat you

find you __ In joy or strife - Tho' fate may you

ç
:

And de - feat you -Youryouthmust an

L .

And you - Youryouthmust ân srvertothe Call of Lilc --

^
rtÊ1

There is

There is a -

IF
(b
30I27
7{)

Act II
N93 OPEI{ING CHORUS_SCEI{EI

\\'aiters

too bright Whenyouïe

I'iano

be at u'ork

ilrtl'3î
 7l

day This caf- è mere ly ca - ters For a of drun-ken sa - tyrs:

2nd

da! This ca - ters For a horde of drun-ken sa-tyrs;

CLNANI'RS

Why, oh whywe're rvait-ers no-body can say. oh

CLI]ANERS

Why, oh why *'dre wait-ers no-body can say. oh

dear, to see that clcaners lead a \\'orse Ev -'ry day we

'ry day we
to s e e t h a t c l e a n e r sl e a d a worse

ti
il
l2 t
?3

curse life More and more and more The mus cles of our braw-ny

curse- life More and more and more- The mus-cles of brarv-ny

arms like ir - on bands are, Scrubbingtill our hands a,Îe

arms like on hands are

CLEANI'RS

We scour and pol - ish our fin-gers ache. Each

WAITERS
CLEANERS

scour our fin-gers ache. Hum!-

I
3()I?7
 feel our backswould break
\4'AITERS
Cl:.:

we feel our backs would break

(lL!i.

keep our grow - ing fa

CLi<

We weep and keep our grow- ing lies as

Why we're here at no-bod-y can te11.

IF i

IL
3 ()tz7
 74

T ' L RS

it's clear to that clean ers lead

WTRS

Life in the morn - ing rit too bright \Yhenyou've had to hur - ry round.-*-

C I ,R S

night,

knorvyodvegot
 '/o

mere - ly sa - tyrs Why oh rvhy u'e're

------t-- --

day.- Ah

no-bod-y can

IF
IE
t27
i6

Ng10 QUARTET (Lotte, Freda,Hansi and Gussi)

" L A D I E So F T H E T o w N "

Ali
Thoughudreoft-en ac-cusedof
\\'e c;rn rrfl-en be - havein

Piano
I

tic -
ing-
L.H.I
L.H. I,'H. L.H I
+' 1'

\\'hen rve'reasked to de - cide ri ohf

Which can fre - quent - lv add l"y L.H.

L.H.
.t'

:tot27
 q7

Nisht
S'e know that des
Doy
If \\'e are told

J F
I ' r

_ y r v i l l nev A wed - ding

s o n r e- t h i n g o n Ex-change \À'e

ur mor - sense may

A nd if safe \\'e

l'
-\-

real ly not tht thing To

get s o r n ek i n d bank - e r To sup

sot27
?8

pen-dence f r € - I , l r e l t s
h
" -e-l rn - r -r .' may u'islt to

L.H.
r,.H.
+'
I +'
I

8012?
 29
REFRAIN
Steady (.&epeatfor Dazrce)

ALL

L a - dies OI torvn, La - dies of the torvn,

La- dies of ton'n, La - dies of the torvn,

meno mos80

Thouqh rvc'r'c a con fes - s i o n - a l air, \\'e har-c quite a )

[]rt
Though rve're cial - ly der a cloud Please for - gire for

#7 fl t7 t l t,/

.\LL

Ies- sion - al fiair, Sir,'l - ^l i .n ., .r b 'r rr n and down, strol - ling up It f',<i
laugh-ing a - loud. Sf rol - | i.o
""b
t'.
"r and d.rrvn, strol - ling up antl

A I,L

dorvn \\i' em - plov q u i t e It ll a - mlil blt: sys

dorvn D i s - a p - p r o v - d^ ll may s o m e- t i m e s *trh-mortt,'

br
I
, .
tI ,

f,o127
80

of a- chiev-ing re nown. T h o u g h the church lnci stste a - brrs- ts

But rve none of us drown. \\'e have knorvn in great la- ri - e
,.-\
lExlru <unpltl/ \\'hen rve meet the R,,y al Prin-r:cs

Iirr as lon;J irs it a- mus - es usr

NIcm - bers of the best so-ci- e - ty; shr.ruldrve
ril - thcr srveet how each one rvin-ces Un - -y lit-s

- t
I

I
1 Û - J =
T
I
---J: - -- --a-- -l
i

,\ LL

Ilrrueh t1. naugh - t1- la - di,': of tlrt

dorvn, ---'_-- \\'etl I be n'ealth - y la - dics of the
crown ! be-causc of la - dies of thc
.Çtltt-";

t I r
 8t

\9 1l SONG (Manon)
..IF LOVE
WERE ALL''

r1----\.
Piano

For a hum-ble

Otrecan be-trayone'strou-bles What

f r l r

'Jqtz7
u3

Night af-ter night- have to loclk bright- Whe-theryorlrewell or

:)>

Peo-plemust laugh their fill.- You must-n't till dawn comes creep

---...---

Tho' I nev-er real - ly grum-ble Life's a jum-ble dced

-z-.,-=-

And in my ef-forts to suc - ceed Iiehad to form-u-late a

r q r

30127
 83
REFR,AIN
Plaintively

be 1n do - ing what I cry-ing when I

X \.\

laugh-ingwhenI choose Heigh - o, If love were all- I should be

hÊ--.---.
2

I be - lieve the moreyou love a man, The more yougivelrcurtrust,

moreyou'rebound
to lose: though- when sha - dows fall- I think if

:,tllè7
84

MAN.

Some-bo- dy splen-didreal-ly af-fec-tion-ate and

Cares wuuld be knewthat he Want - ed to have me

But I be - lieve that be-gan The most Iie had

:----:

ta-lent to If love were all.

IF
rb
12
 85

Tho' life buf- fets me ob It se - rene - ly

---_-----

}IAN.

A1-tho' I ques-tionits

r i
t _
irei

__e

so127
ri6

Fre-quently

here can say_ To rvhat in deed- theyears are lelLd

/--

may of - ten treat

A l r t - t l e r n i- r a g e i n t h c blue _-._..=-._-.- De-ter- min- a - tion helpsme

F -

:'l()l?7
 REFRAIN
Plaintivell'

cry - ing when I

leugh-ingwhen I choose. Heigh - o, - If love were all - I shouldbe lone - ly.

I be-lieçe the morc you lovc a The morcyou give your trust, The moroyou'rebound to lose:

AI though- whensha- dows f a l l - Ithinkif oû Some-bo-dysplendidreal - lY

30t??

I
t
8B

Careswould be end-ed if

Want-ed to have me But I be-lieve that sincemylifebe-gan The

most I've had is ta-Ient to Heigh lf lovo were

b
 89

\? 12 DUET (Sari and Carl) and CHORUS

..DEAR
L I T T L E CAFÉ''

lloderato

Piano
l

c,rnr. \\b share a m u - t u - a l a m - bi ar

s.rnr Ciin you i m - a - g i n r : o u r s e n - sil \ \ - l : r : r rt t e - r ' e s ( r - cu I1

'-
r_
a ternp0

SÂRI llaseclon a hope-ful sup-pos- i - tion-Thatsoonour

CARL - \ r r r l a l l o u r d r r . a - r yd e - p r i - va - tions- Are just a

-tt
w
+lw ,

T -T-

clnl Thoughu-e ve - ry of ten rvon- der lrhe -ther Pov- er - ty rvill u'irr t h e
slru Though*'e'reve - ry of ten d r i - l e n f r a n - t i c , Peaceis ve - ry harcl t o

sol27
't (,

SÀRI JuSt a s l o n g a s \\'e re maln to - geth er

c-{RL All thesedread-ful days rvill seem ro - mall tin

Trou-blesseemto fade a sorû IIow - ey - er hard the bed one

W h e n u J v el c f t t h e m f a r be senr Fate need- n't be quite such a

lics T h e s a m e o l d d r e a m sb e- g i n , \4Ure al-rvaysscan-ningthe hor

rl rlr H e k n o w sh o r v t i r e d \ r e a r e . We'tltritctrourhope-ful lit - tle

zon- For when our ship comes in

have
on- On- to a luck v star.

3tt127
 91

ITEFRAIN

Srveet lit - tle and a lit - tle

I:
1,,

find our for - tune and our hap pi - ness there, \\'e shall thrive

and res plen dent {nd con - trive to re-

dent . _*- \\'e'11 have a meek

:tot P7
9'3

ù 3' fl t' a
l I r r r I r s r r r [
Æ--
'., g , i---l\=

zea - lous that the

Srll??
I
93

WALTZ
Gt rtr"r------1fr"rt tir* 1
3012?
96

N9 1.4 OFFICERS' CHORUS

ba -lar

> > > > >

> > > > >

wish der wine please ly from the Rhine please, the

t .
or der wine please press - ly from the Rhine please,

SOPRA\O

)ear ue real - ly don't much care oh!

CONlRALTO

year ue real - ly dont much care oht

Nou'that you're here think of and teàf-:-

Norv that you're here

b+ b-
9!{

h o p e u ' i t h -o u t as - slst ance to ver-com€ re - srst ance

hope u'ith-out rer-come re - sist ance

SOPR
AIiO

BABITONE

Horvcan we tell whe - ther yr-ru'd real

Horv can l'e whe-ther you'd real

3012?
 99

\4re sin- cere- ly real - ly not a thank-less task a - mus_ingus

not a thank-less

f r r i r r r
S O P RA N O

\[bnt you please a gree

\4bn't you please a gree

You could quick-ly break our hearts by ev- thing u'e ask re - fus-ing us
2ndTEN0R

You could quick-ly break our heartsby thing lve ask re - fus-ing us

aolzT
l(f0

el that lvould be La cant you see We're

BARITONE

Cru - el that rçould La can't you see-- \['e're

and gen-tle-men and true

o 1 -1i c - cr s gen-tlc-men true

Tho' rve're

chiv-al-rous everything we'rc

 101

ÎEN.

and drink a all our laugh \\ e should fle lvere

BAR.

gay and drink a laugh should f le were we

SOPRANO

T!;N. -.9_
,

surn-moned by \4rere they -.un-monedby the

C O , \ ] ' R L. \T O

BAIi.

sum-moned by sum-monedby the

TEN.

bu We're am - or - and
BÀSSES

BAR.

* glc We're and p a s - s i o n -a t e , but

> >
dignif ied stern fyouplay us falseyorfll quickly learn

dignified and stern Ifyou play us falseyou'Ilquickly learn

Do let our presence grieve you when wdve loved you lr'e s 1l leave you for we're

Do not our presence grit:ve you rvhenweïe loved you we shall leave you

CONTRALTO

of-fic-ers gen-tle-men
 10:l

of-fic-ers and g e n -t l e - m e n ble

\

of- fic-ers and g e n -t l e - m e n a- ble

\

of - fic- ers and gen- tle -men ble

\

of-fic-ers gen-tle-men

SOP.

s id-er - ate and chivalrous everything y0u

>
c0li.

Con chivalrous in everything you

TEN.

Con - sid-er-ate and chivalrous everything

BASS

Con - sid-er-ate and chivalrous everything

tili

and drink

Tho' you're gay and drink fle your

$'e're gay and drink fle all

laugh you should \Yere )ou sum - moned by

ter 1:ou should \\'ere ) ou sum - moned by

\\e should f Ie were we sum - moned by

laugh were sum - monedby

 105
\\'eretheysummon'd
by a bu gle call
.?' |\

c a lI
You're am- or - ous
\\'erether.summonïlbvabu sle call
, .- r .?."r \

am- or - ous anrl

call \\'e're am- or- ous

call We're am - ot - ous

pas-sion-ate, but dig- ni - fied and stern If ive play rou

>
coN.

pas-sion-ate, but dig- ni -fied and stern If u-e play tou

pas-sion-ate, but dig- ni-fied and stern If you play

>

but dig- ni-fied and stern If you play

\
I

30197
 l()ti

false quick- ly learn Do not let )our pres-ence

false quick - ly learn Do not let ' your pres-ence

falseyorill quick - ly learn Do not let our pres-ence

falseyoull quick- ly Do not let our pres- ence

grieve US rvhen you've loved us you rviil leave US lbr you're

grieve us when you've loved us you rvill leave US for ) ou'rè

grleve you rvhen \Te'!'e loved y ou l\.e shall leave you lbr \\ e're

grleve you rvhen rve've J ou \\e shall leave for lve're

)ou

\re
/:

3r)l:J:
 to7

o f - fi - cers and g e n -t l e - m e n that's

of - fi'- cers and gen- tle -men that's all

of - fi -cers gen-tle-men that's all yes we're of - fi -cers and

of- fi-cers g e n- t l e - m e n that's all yes l'e're of - fi - cers and

yes of - fi - cers and gen-ile-men that's

yes of - fi - cers an gen-tle-men that's

gen-tle-men of - fi - cers and gen- tle- men that's

g e n- t l e - m e n of- fi-cers and gen-tle-men thatrs all.-

.-,---g
:!o197
 SONG-(CaptainSchensi)and CHORUS
..TOKAY.'

Moderato

Piano

3|l,1')?
 109

When the thoughts

of

On thebanks of thu
 llo

C P T .S

Lift your l'oic - es the ralt Fill your glass-es

thcbrimand

REFRAIN

CPT.S

he g<-rld s u n- s h i n e
 ltt

Will bear

ln you, The hate Dc - siru

sun thatwillwalt you

 11?

CPTS
.

y o u ._

\4'e

cH0.

fr
r
fr
bor rolv mind ing what to mor - row has to say

C A P T A I NS C H I ] N S I

3 ( )1 2 ?
 I l:J

thing

kayl The gol - den s u n - s h i n eo f

3\R

The gol - den s u n - s h i n eo f

kayl The gol- den s u n - s h i n eo f

3\ s s
kay! The gol - den s u n - s h i n eo l

:J0lz?
tt4

kay!--

kay!

bear bur - den of Your cares

Will bear the bur - den of )our cilrcs

bear the bur - den oi your cares

bear the b u r - den of your cares

tl()l'lî
 116

- way. Here'sto the love in you, The hate FoU' De

Here's to the love ln you, The hate in you,

- wa)' Here's to the love IOlt, The hate in you, De

>

Here's to the Iove The hate fou' De

! r;.

Z-.---\

)ou.- you a long Lift - ing you

l"t l:ll
 il.6

high on thc rvings of song._

high o n thc wirrgs of

high on the wings of The dreams in yor, The flame in yor, The

C C

high r.rn the wings of song._ The drcams rotr, he flamc in you,

J. -.^\

Ah To k;ty ! To - kay! Sowhile for-

Ah, T(, kay! kay! So while for -

you. _ To kay ! So while for -

firc you. -- kay ! kay! SowbTlefor -

:totp?
 L17

- get - ful-ness we bor - rôw,Ncv - cr mind - ing what mor - row has to say.

ful-ncss we bor - rorv.Nev . ing what to - mor - fow has to say.

-get.,- ful-nesswu b o r - r o w , N e v- c r m i n d - i n g w h a t t o - m o r - r o w h a s to say. er

ful-ness we bor - rrlw Ncv - cr mind - ing'*'h;rt to - mor - row has to say.

^----\/--\

To kay!

kay I

----

mind-ingwhat t.) - mor row has to say

mind-ing whit to - m,rr row has to say kay !

 r18

Ihc on - ly call we all o kay, To kay, To

BAR.

T h eo n ly call rvc To kuy, To kay, To

,

TN]N.

T h eo n - l y call we all o b"y, kuy, To kay, To

B.{SS

Tht: on - ly no all o b"y. kay, To kay, To

s0P.
kay-

kay.
--'_----------

TEN.

/-"---------_-

BASS

kay.

,3it137
 il9

N9 16 WALTZ

Piano
f ltt tl"r, 16st ti,*, 1
:JOl27
I'.r'.1

..PRATER
\') 17 DANCE OF GIRLS.,

tlrightly

Piano

3r)1??
8O127
t24

't
t ff_r

:r(tl??
 lz6
N9 18 SONG(Munoo)
..BONN.E
N U I T , M E R C I! "

llanon
Lorsque

Pia n o

F n m ; r r- c h a n T l a r - m i près. J L , n - t e n- d i t s
Ji:t-ai. s.rqr.- de ture, Ilais que fai -

,
rnur m u - r a à côt e.
\r,
r\ rjLl-Dlle iesse, Lo rs <1ue
PAS
trop jeune p,.rurres - ter purc. 'je
Quand ma po- bli - gt':llorsq

\1.{N

vien-draun a - mant, Car tout le bon-heur re si-de Ia de dans. Lest pour-

suiv-aitspar has - ard, Une a v e n - t u r e d a n s l e s boÎtes des bou - le va r ds. Er jài

t(r127
 '.1
I ri

Soit t1u'ilsmbffrcntun
L o r s r l u 'j l r - r i v c i r c z

bônnc
bille

3-,_-

C'est
Et
 127

\c,, 19 SONG (NIanon)and Chorus

,.KISS
ME''

Piano

, 4 .

I ls tlme u];lt we w(.rc part

Par - mi les chan-sons lrt's t

-.
You and er brok- en heart ed
De t d mour Joz'es et ehag-rtlns er - 2's tent

a 15 good l'"'e. I .\l-ih,,,roL' ^r'r love has end ed

Tour (t tour Et presqut a - Itee con - trat'n te

itoL27
l?cr

scend I call to you with

t re t'n Qui nous se - ?are en

REFRAI\-

-- r'

me__--- Be fore you go

rne- Tes bat' ïels m'onl

- . - . _ -
me Through ev
I I'heure

i - =___*'*,/
 Thoughcftrudsare
tra aol - up

--___
me-...- Be ,f,re
nle _ A I heure

ll tras,ttînte
X "Z

\=*--___-/
- ler - Parqni les chansons -ler

:t(,1.è?
lJt)

\? 20 WALTZ

'Ietttpo
{i Valsc

I )ia n o

:t(J127
 , : >

fr=
li
 tsit

Act III
\q 21 CONCERTED NUMBER
.TA,RA-RA
- BOOII''

Brightly

Piano

-=--
boom-de-ay.

3rtI27
l:14

aggress-ive-ly

hob nob-ber-y boom - dc'-a1',

_-\

day, - And come ',vhat may scrub un

=='---\_
 135

mo- rals shrir,k

languid -lp-
pear-a rrcc

3()l:l?
 Iior our com - pla wfth Is fright- fully

Please do not think us

- With the sym - bo ls meek and We mere-ly spendour

3 ( )1 2 ?
 L37

\LL

elrn - est strip

c e t )- t u - r v rs to start

ec - ste-sies oI Ta - ra--ra boom-de-rr1' men-trl

 138

.{ t,l,

come lvhat may

'-,,..t
I
I
I
ir
\i't
t',
i

3(ll?1
 139

):_æ SEXTET- ( V i c t o r i a , H a r r i e t , E f f i e , G l o r i a ,J a n e a n d H o n o r l
. . A L A S !T H E T I M E I S P A S T "

Victoria

Harriet

Effie

Gloria

Jane

Honor

Pi ano

I l L .

las! the time past uhen ive _ :ggLl fro with pu- nl 'Jr Se

H.{R

the is past when \\'e could fro with im pu

EFF.

the time is past t h"n we could fro with im

( ;L O .

past uhen u'e could fro rvith im pu ty

i.\\E

IS p a s t w h e n \r-e could fro rvith pu nl ty, 5e

H0i\-.

is past n:hen \\'o could fro pu t r'

;1o127
 Ii,r

1,;
; t y , \ \ ' e s o m e - t i m e sl o o k a ghast. dol'n the lane of
I

f;;
our vlr t y , r v e s o m e - t i m e sl o o k a ghast. c i o r v nt h e l a n e o f

our v1r ty, we s o m e - t i m e sl o o k a ghast.- A do-rln

in our vir ty, \\'e some-times g hr i s t . A - dou.n the lane of

0ur i - ty, \\'e s o m r : - t i m e lso o k a ghast.- A - dorvn the of

Û Û b3
ul our we some"time-; look a g h as t . dorvn the of

VIC

m c m - o _ r ) las! the past. Ah then t lrorld rvas at our l'eet when

HAR

mem- o-fy las! the past.

f.t F
ë.
las! the timc is past

l n e n i -o - r ) las! the IS past. then theworld rvas at onr feet u'hen

r n e n r -o - r ) las!thetime past.

las! the time is

30l3:
 we were S'rveet and t$ en - ty \\'e nev - er- knew that u'hat we got, Though

Though

\\'e nev - er knew that u'hat we got, Though

tve were s*'eet and tu en - \\'e nev- er knew that what we got, Though

---:-----î--- ugh

not a was

not ir \\'ùs plen-ty.

not a \\'.rs plen-ty. \4'e gai - ly sought some lard" to c h e r -i s h , g u a r d a n d

not a lot, l'as plen-ty.

plen-ty.

a lot, was plen-ty

C

I
t
3 ot 2
 l -'r'?

TIC.

But all \tr'eknow of storm and strife our mar-ried life has shown us.

TiAR.

E} F.

o\Tn us.

GL O .

JA\E

H():\.

-X2'
_"__^___

-----

:-

time past u hen \\'e could fro lic with im pu nl ty, Se

the- time is past uhen ue could fro with im pu- Se

=-

1S past $ 1 \e could fro with im pu nl t, Jr .l

:-

1S past lhen ue could fro s'ith im pu nl ty, Sc

:-

past x'hen \r'e could fro rvith im pu ty, SE

1S pnst s'hen \\'e could fro u'ith im pu tY, Se

:tl)l'l?
 148
VIC.

- cure in our vir ty, \4'e some-timeslook a ghast C u r v nt h e l a n e o f

HAR.

- cure our t y , \ \ ' e s o m e - t i m e sl o o k a ghast. dorvn the lul:e c,i

EFF.

- cure our vir lvYe some-times look a

ghast.- A - down the lane of
GL O .

- cure \ \ ' e s o m e - t i m e sl o o k a ghast. dorvn the lane of

JAIiE

cure ln our ty, \\'e some-times look a g h a s t . - A - dou.n the lane ot'
HON.

- cure
t Û b=
our vlr ty, \ve s o m e - t i m e s ' i o o ka - g h a s t . A dorvn t e l a n e o 1 '

mem- o r.' las ! the time is past.

r) the time is past.

ry as! the +
1S past. A lack-a - d.ry

mern - o ry las! the time is past. A lack-a-day

JANX

mem- o ry A as! the time is past.

HON.

mem- o ry the time pqst.

30127
 C

t,
lack- a - day Ah thên the uorld u'as
^
Ë-{F
tù
A lack-a day- me. Ah then the rvorld rvas
A :--
EFF.

A lack-a - Ah then the rvorld u'as

GL Ô .

A lack-a - day Ah then the world u as

JASE

A lack-a - d"y- Ah then the l'orld \\'as

HOlri.

lack-a - day- me. Ah then the rr'orld rvasr'

Àplt ---------------
+)

a t o u r t è e t , A - l a s l t h e t i m ei s past.-
^

at our feet.A - las! the time is

/ - -
lutourleet,A - las!thctimeis
.Âll

a t o u r f e e t . A - l a s ! t h e t i m ei s p a s t .-
^

a t o u r f e e t , A - l a s !t h e t i m e i s p a s t .-
^

tt
: r t e r u rf i : e t ,A - l : r s !t h e t i m c i s n:r ql
4\
 l4-o

N e2 3 QUAR'tE'l (l'ernon Craft, Cedric Ballantyne,

Bertram Sellickand Lord Heriry Jade)
..GREEN
CARNATION,'
Moderato

; t f r Ê
p|rl

d r e a -r y

por- phy-ry

= f r 7
v
so127
li6

€>
care- I'ul - ly f il- let- ed souls!

. REFRAIN

I ' r e t - t y b o y s ,u ' i t - t y b o y s too, too \a - zy to fight stag

n:il

l l a u g h - t y b o y s , n a u g h - t yb o y s , to pur-sue sen sa - tion.

e -ty are al - rvay's o - pen'drvide world our ec- cen-tri- ci-tv

IO1??
 tl?

-dones. rrote of quaint va- ri e - ty we're cer- tain to pro-vide.

d r c s si n v e - r y d e c - o r - a tones Fad - ed boys, jad - ed boys, lvo - man

gift to a bull-dog na-tion In o r - d e r t o d i s - t i n - g u i s h u s f r o m l e s s e n - l i g h t - e n e dm i n d s W e

na- tron.

30127
148

'Thd
\\'e be - lieve in art. weiepoles a
Till ready

From thc fools rvho thrilled by'Greuze" \\'e likd'Beards-ley

green'Chart-reusd'

9rùt27
 l4tù
REFRAIIç

Prtt - ty boys. u ' i t - ty b o y s you may sneer At teg

Pret - ty boys, w i t - ty bo1's yearn ing for Per du

L-, f

Haugh - ty boys, naugh - ty boys, dear, dear, dear!

Haugh - ty boys, naugh - ty boys, 'ty
ev - pore

T
r

Srvoon- Our f i g - u r e s s l e e k a n d w i l - l o w - y O u r
Ilurst - We f e e l w e i e r a - t h e r ' G r e - c i a n ' a s O u r

n a - d i ne M"y wor - ry t h e m a - j o - r i -
di- cate O u r s e n s eo f m o r - a l v a l - u e s

3ut27
l.rt t

mat - rons rich and bil - l o w - y In vite us out to dine

ul ti - mate c o m - p l e - tion \\'e Shall real - ly have to wait

e l i n o u r p h o s - p h o - r c s- c e n t wrt. Fad - ed boys, jud - ed boys,,

t h e d a y o f j u d g - r n c n t c o m e sa long. Fad - ed boys, jad - ed boys,

T
--'

c o m ew h a t m a y Art is our in spi - ra-tion A n d a s r t r ea r e t h e r e a - s o n f o r t h e

each one craves S o m es o r t o f s o u l s t a r - va-tion But whenwerise re-luct-ant-ly but

"nine-ties" be - ing gay, We all wear a g'reen cal

gracefully from our graves, Well all wear a green car

r
I ^

:lrllzT
 161

NO
It
:
pt,l
T SoNG (sarl)
..ZIGEUNER,'

I O n c eu p - o n a time,
2 Bid my weep-ing ceasc,
lô2

tor - tur-lng her so. Then a grp sy

- fcss Lonc - li ness
Mu - sic of the
peace; Throughthe gen throb -bing of the strings.-

Called to 1er by Woo'd hcr w i t h a

catne,
Mu sic of the Come to me a
plain,

strong. All sum - tner Hcr si<lnseemedto

s0ng
- gain, vain. Soothe heart in And me to my

tr'em-blc liktr a liv - ing

hap -pi - nt,,ss bt., r.: - coll -

80r27
 REF'RAIN

Play to me be-neaththe

'-l I i il i Tl
r
P L.H,. alhtrgunrlo tl tciltnU

geu All I ask of lilè

\

SARI

Y o u rm e l - o - d i e s dor soar - 1rg.

:iolP?
 1.-rt

s..Lfi I

r n c r r i t b s o m u b J r- b a r -

L.H. 'tllnrgando (t teùpo

iiï T

S AR I

Nowyouholdme l n y o u r

S,\RI

'F
IE
:lo t:l?
 133

N925 FINALE- ACT III

..I'LL SEE YOU AGAIN''

P ia n o

30127
 shall love vou till

,ff.a. grandioco

3012? END OF OPERETF

l
 167
DUET:-(Sari and Carl)
..EVERMORE
AND A DAY''

Piano

Why are you u'eep-ing, dear? What sha-dowhaunt,edyou in

_----*-lt--\

por - tents and fears Your

0-a-

love should

3ttt27 ZZI
 dreams are in my keep-ing,dear. Ah, no!mysweet,
,-- /=-\
' - 1 t - \

now in our love'sse-cur- i We

Time's on the wing, .- my love, and is fleet.

,-È ',*-

30127 zz2
 t59
CARL
(Nice and lflou,t'ng)
--
)
_ - - -- -- - _ \ I:
t t - = =
CARL -Y - ---'------- j' \ ;
--)-
Peace en you; H er e m) arms I u'ill hr'1i1

CARI,

Fur - ther

SARI

Here in your arms )'ou lt'ill hold

't-
f-- .l_. -...

SARI

Fears re ced Fur-ther and fur-ther a way. Tho'the world may di

aotz? zz$
 IriO

to-ken thatcan-not be

CARL

the heart of our sto We have some-thing to

Tho' the world may di -

30127
 Iril

for - tune bc

Tho' the u'orlci may di - vide for - ti

Yet our to - ken that can- not be bro - ken or sto - len

- tido us, our love is t o - k e n t h a t c a n- n o t be bro - ken 0r'

---'-...-..-.--

There's a pas - sion- ate g10

- \\'a)'. -- There's a pas-sion-ate glo

_---

30127
 tri:a

In thl heart of our We have some-thing to

the hcart of 0ur . u r n . . - 1 ht , *

h a r" tp

S'e have something to guidc Ev - er-moreand a

\Àir have something tti

Ev - t'r-more antl J

,_-----\
---.

a)
E r ' - e r - m o r ea n d À day.--

d.rr', E v - e r - m o r ea n d

--
| P ruotto

. 3 ,t 1 ? ?
 Iri8

S,\RI

your armsJou

C\RI,

Fears ced Fears

l'ears ced Fur-ther and fur-ther a Fears

SARI

tur-thcr and fur-ther a way. _

-------_---\

CARL
- ced fur-ther and fur-ther a

80I27