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Full download Desert Jewels: Cactus Flowers of the Southwest and Mexico John P. Schaefer file pdf all chapter on 2024
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desert jewels
desert
jewels
Cactus Flowers of the Southwest and Mexico
JOHN P. SCHAEFER
SEN TI NEL PE A K
An imprint of The University of Arizona Press
www.uapress.arizona.edu
We respectfully acknowledge the University of Arizona is on the land and territories of Indigenous peoples.
Today, Arizona is home to twenty-two federally recognized tribes, with Tucson being home to the O’odham
and the Yaqui. Committed to diversity and inclusion, the University strives to build sustainable relationships
with sovereign Native Nations and Indigenous communities through education offerings, partnerships, and
community service.
Publication of this book is made possible in part by financial support from the University of Arizona Libraries.
Printed in China
♾ This paper meets the requirements of ANSI/NISO Z39.48-1992 (Permanence of Paper).
For Helen S. Schaefer, whose infinite patience put up with a lot of field trips
Contents
Introduction ix
GENERA
Ariocarpus 3
Astrophytum 7
Carnegiea 13
Cochemiea 17
Coryphantha 21
Cylindropuntia 33
Echinocactus 39
Echinocereus 43
Escobaria 75
Ferocactus 81
Grusonia 89
Isolatocereus 93
Leuchtenbergia 95
Lophophora 97
Mammillaria 99
Mammilloydia 151
viii
Myrtillocactus153
Neolloydia157
Obregonia159
Opuntia161
Pachycereus173
Pelecyphora175
Peniocereus177
Sclerocactus183
Stenocactus185
Stenocereus191
Strombocactus195
Thelocactus197
Turbinicarpus205
Index209
introduction
On one occasion, when I was trying to photograph an Organ Pipe Cactus in bloom, I received
word that a large plant near the entrance to the Arizona-Sonora Desert Museum would bloom
that night. If I could get there just before dawn, there should be an ample number of flowers to
work with. Because I lived more than an hour away
from the museum, I set my alarm for 3:00 a.m. and
drove to the museum to arrive in ample time. Much to
my chagrin, not a single flower was to be seen—they
had blossomed and reclosed hours earlier. What had
happened, and what no one had thought about, was
that the plants were directly under some very bright
security lights; the plants burst into flower at dusk, the
lights came on automatically at dark, and the plants
assumed the sun had come up and dutifully closed!
Another lesson learned.
Photographing plants in bright sunlight also pres-
ents problems. The range of reflected light from the
shadow areas of the plant to highlights in the flowers
often exceed the ability of the camera to record essen-
tial details of the entire subject. Photographing in
open shade or shading the subject with a translucent
white photographic umbrella works well (see adjacent John Schaefer photographing a cactus flower.
photographs).
Desert plants are often in environments cluttered
with weeds, rocks, roots, and distracting objects. To
isolate the plant and flowers, I often surround it with
black construction paper. My backpack includes a
pair of thick leather gloves, packets of black paper,
tweezers and tongs, scissors, and Band-Aids (useful
for inadvertent encounters with spines, etc.). Most
of my photographs were taken with a macro lens,
though for tall cacti I used a telephoto lens. Mini-
mal processing of the digital files, either generated
by scanning transparency films or using digital data
from the camera, was done with Photoshop, with care
Shielding the plant in open shade with a trans-
being taken to maintain the color values of the orig- lucent umbrella reduces the harsh shadows
inal subject. generated by direct sunlight.
xii
Ariocarpus retusus
5
Ariocarpus retusus
Ariocarpus retusus
ASTROPHY TUM
I. OF VEGETABLE MANURES.