Download as pdf or txt
Download as pdf or txt
You are on page 1of 40

Armies of Deliverance: A New History

of the Civil War Elizabeth R. Varon


Visit to download the full and correct content document:
https://ebookmass.com/product/armies-of-deliverance-a-new-history-of-the-civil-war-e
lizabeth-r-varon/
More products digital (pdf, epub, mobi) instant
download maybe you interests ...

Armies of deliverance: a new history of the Civil War


Varon

https://ebookmass.com/product/armies-of-deliverance-a-new-
history-of-the-civil-war-varon/

Radical Parliamentarians and the English Civil War


David R Como

https://ebookmass.com/product/radical-parliamentarians-and-the-
english-civil-war-david-r-como/

Administering Colonialism and War: The Political Life


of Sir Andrew Clow of the Indian Civil Service Dr Colin
R. Alexander

https://ebookmass.com/product/administering-colonialism-and-war-
the-political-life-of-sir-andrew-clow-of-the-indian-civil-
service-dr-colin-r-alexander/

Diary of a Yankee Engineer: The Civil War Diary of John


Henry Westervelt Anita Palladino

https://ebookmass.com/product/diary-of-a-yankee-engineer-the-
civil-war-diary-of-john-henry-westervelt-anita-palladino/
Crisis, Collapse, Militarism and Civil War: The History
and Historiography of 18th Century Iran Michael
Axworthy (Editor)

https://ebookmass.com/product/crisis-collapse-militarism-and-
civil-war-the-history-and-historiography-of-18th-century-iran-
michael-axworthy-editor/

The Oxford History of Hinduism: Hindu Law: A New


History of Dharmasastra 1st Edition Patrick Olivelle

https://ebookmass.com/product/the-oxford-history-of-hinduism-
hindu-law-a-new-history-of-dharmasastra-1st-edition-patrick-
olivelle/

A history of the Peninsular War, Vol. 6 Charles Oman

https://ebookmass.com/product/a-history-of-the-peninsular-war-
vol-6-charles-oman/

Electronic Inspirations: Technologies of the Cold War


Musical Avant-Garde (The New Cultural History of Music
Series) Jennifer Iverson

https://ebookmass.com/product/electronic-inspirations-
technologies-of-the-cold-war-musical-avant-garde-the-new-
cultural-history-of-music-series-jennifer-iverson/

The New Roman Empire: A History of Byzantium Anthony


Kaldellis

https://ebookmass.com/product/the-new-roman-empire-a-history-of-
byzantium-anthony-kaldellis/
i

Armies of Deliverance
ii
iii

Armies
of Deliverance
A New History of the Civil War
zz
ELIZABETH R. VARON

1
iv

1
Oxford University Press is a department of the University of Oxford. It furthers
the University’s objective of excellence in research, scholarship, and education
by publishing worldwide. Oxford is a registered trade mark of Oxford University
Press in the UK and certain other countries.

Published in the United States of America by Oxford University Press


198 Madison Avenue, New York, NY 10016, United States of America.

© Oxford University Press 2019

All rights reserved. No part of this publication may be reproduced, stored in


a retrieval system, or transmitted, in any form or by any means, without the
prior permission in writing of Oxford University Press, or as expressly permitted
by law, by license, or under terms agreed with the appropriate reproduction
rights organization. Inquiries concerning reproduction outside the scope of the
above should be sent to the Rights Department, Oxford University Press, at the
address above.

You must not circulate this work in any other form


and you must impose this same condition on any acquirer.

Library of Congress Cataloging-​in-​Publication Data


Names: Varon, Elizabeth R., 1963–​author.
Title: Armies of deliverance : a new history of the Civil War /​Elizabeth R. Varon.
Other titles: New history of the Civil War
Description: New York : Oxford University Press, [2019] |
Includes bibliographical references and index.
Identifiers: LCCN 2018028897 (print) | LCCN 2018029572 (ebook) |
ISBN 9780190860615 (Updf ) | ISBN 9780190860622 (Epub) |
ISBN 9780190860608 (hbk. : alk. paper)
Subjects: LCSH: United States—​History—​Civil War, 1861–​1865. | Slavery—​United States—​
Public opinion. | Secession—​United States—​Public opinion.
Classification: LCC E468 (ebook) | LCC E468 .V37 2019 (print) | DDC 973.7—​dc23
LC record available at https://​lccn.loc.gov/​2018028897

1 3 5 7 9 8 6 4 2

Printed by Sheridan Books, Inc., United States of America


v

Contents

Acknowledgments  vii
Map x

Introduction: “We Are Fighting for Them” 1

PART ONE: Loyalism

1. March of Redemption: First Bull Run to Fort Donelson 23

2. Ripe for the Harvest: To Shiloh   48

3. Sacred Soil: Virginia in the Summer of 1862   78

4. The Perils of Occupation   119

PART TWO: Emancipation

5. Countdown to Jubilee: Lincoln’s Hundred Days   153

6. The Emancipation Proclamation   184

7. Fire in the Rear: To Chancellorsville   210

8. Under a Scorching Sun: The Summer of 1863   241


vi

vi Contents

PART THREE: Amnesty

9. Rallying Point: Lincoln’s Ten Percent Plan   285

10. Is This Hell? Fort Pillow to Atlanta   322

11. Campaign Season: The Election of 1864   356

12. Malice Toward None: The Union Triumphant   384

Conclusion: “Deliver Us from Such a Moses”:


Andrew Johnson and the Legacy of the Civil War   422

Notes 435
Index 489
vi

Acknowledgments

Of the many debts of gratitude I incurred in writing this book, none is


greater than my debt to the John L. Nau III Center for Civil War History at the
University of Virginia, and to the staff, colleagues, students, and interns who
make up the center’s uniquely supportive community. I am grateful, as always,
to my colleague and Nau Center founder and director Gary W. Gallagher.
He is a model of intellectual integrity and generosity, and it has been a priv-
ilege and joy to work with him. William Kurtz, the Nau Center’s managing
director and digital historian, has been a source of insight about nineteenth-
​century America and also about how our scholarship can engage with
the public. I have learned so much with and from our Civil War Seminar
participants—​students and former students including Frank Cirillo, Mikes
Caires, Tamika Nunley, Adrian Brettle, Willa Brown, Jack Furniss, Melissa
Gismondi, Jesse George-​ Nichol, Lauren Haumesser, Shira Lurie, Asaf
Almog, Clayton Butler, Stephanie Lawton, Brian Neumann, Katie Lantz,
Daniel Sunshine, Joshua Morrison, Brianna Kirk, and Stefan Lund—​and
I cherish them, as individuals and as a team. At the heart of our work is UVA’s
wonderful library system and its extensive collection of Civil War books,
manuscripts, and databases; I deeply appreciate the skill and helpfulness of
the library staff. And I deeply value the fellowship and scholarship of UVA
colleagues who work on early America and the nineteenth century, especially
Alan Taylor, Max Edelson, Justene Hill Edwards, Cynthia Nicoletti, Ervin
Jordan, Holly Shulman, Kirt Von Daacke, Carrie Janney, and Steve Cushman.
I am grateful to John L. Nau III for all he does to promote Civil War
scholarship. His remarkable archive of Civil War documents—including
thousands of unique, unpublished firsthand accounts by soldiers—​is a treas­
ure trove from which I drew much material for this book. The Nau Civil War
Collection’s curator, Sally Anne Schmidt, in Houston, Texas, was generous
with her time and expertise in navigating the collection.
vi

viii Acknowledgments

My friend Matt Gallman read the entire manuscript and offered invalu-
able advice for improving it. I very much appreciated the chance to workshop
parts of this book at Yale’s Gilder Lehrman Center for the Study of Slavery,
Resistance, and Abolition, and I thank David Blight for the invitation to
speak at its annual conference in the fall of 2017; I am also grateful to have
received feedback at the Harvard University conference, that same fall, in
honor of my treasured graduate school mentor Nancy Cott.
Oxford University Press has been wonderful throughout this process, and
my thanks go to Susan Ferber and Charles Cavaliere for their editorial steward-
ship, and mapmaker George Chakvetadze for his expert work. The anonymous
readers who vetted the manuscript for Oxford made many helpful suggestions.
I am fortunate to live in a family of writers, and I rely on all of them for
inspiration: my husband, best friend, and all-​time favorite historian, Will
Hitchcock; our kids, Ben and Emma, whose strong voices fill us with pride
and hope; my brother, Jeremy, with his fierce social conscience; my father,
Bension, whose productivity leaves us all in the dust; and my late mother,
Barbara, to whose standard we still aspire.
Nothing buoyed me more in the final stages of writing this book than the
experience of watching my nephew Arlo, a Brooklyn sixth-​grader, become a
Civil War buff. Like I did at his age, he has become fascinated by the voices of
the war. But he has been exposed by his teachers to a far wider range of those
voices, and a more nuanced treatment of the war, than I was. His newfound
passion for the study of the Civil War makes me optimistic for the future of our
field, and serves as a reminder that we should never underestimate the capacity
of young people to handle the complexity of history. This book is for Arlo.
E.R.V.
Charlottesville, Virginia
ix
x
xi
xi
xi

Armies of Deliverance
xvi
1

Introduction
“We Are Fighting for Them”

In July 1864, in the fourth summer of the Civil War, the popular Northern
journal Harper’s Weekly featured an article entitled “Fighting for Our Foes.”
The article invoked the “terrorism under which the people of the rebellious
States have long suffered”—​the extortion, intimidation, and violence per-
petrated by elite slaveholders against the Southern masses in order to keep
“their white fellow-​citizens ignorant and debased.” The Union army, Harper’s
pledged, would bring liberation to the South:

Many of these wretched victims are in arms against us. But we are
fighting for them. The war for the Union and the rights secured by
the Constitution is a war for their social and political salvation, and
our victory is their deliverance. . . . It is not against the people of those
States, it is against the leaders and the system which have deprived
them of their fair chances as American citizens, that this holy war is
waged. God send them and us a good deliverance!1

A modern reader might be tempted to ask: could Harper’s Weekly have been
sincere? Surely Northerners had learned, after so much blood had been shed
on so many battlefields, that the Southern masses were diehard Confederates,
not unwilling dupes of slaveholding aristocrats. Surely Northerners had given
up waiting for Southern Unionism to come to the fore. Surely Northerners
no longer cherished the naive hope of changing Southern hearts and minds.
Of all the ongoing debates over the Civil War, perhaps none has proven
so difficult to resolve as the issue of Northern war aims. What was the
North fighting for? Some modern scholars emphasize Northerners’ bedrock
2

2 Introduction

commitment to saving the Union, seeing that as the central point of con-
sensus among the majority of Republicans and Democrats. Other scholars
emphasize the growing power and momentum of antislavery Republicans,
and their role in establishing emancipation as the defining purpose and
achievement of the war. Each of these interpretations focuses on only part of
the broad Northern political spectrum. This book takes a different approach,
by asking how disparate Northerners, who disagreed about the fate of slavery
and the future shape of the Union, managed to form a powerful Unionist
coalition and to defeat disunionism. The answer lies in the political theme of
deliverance.2
Northerners imagined the Civil War as a war of deliverance, waged to
deliver the South from the clutches of a conspiracy and to deliver to it the
blessings of free society and of modern civilization. Northerners did not
expect white Southerners to rise up en masse and overthrow secession. But
they did fervently believe that as the Union army advanced across the South,
Southerners, especially from the non-​slaveholding majority, would increas-
ingly welcome liberation from Confederate falsehood and despotism.
This belief in deliverance was not a naive hope that faded, but instead a
deep commitment that grew stronger over the course of the war.3 That is be-
cause the idea resolved the tensions within the Union over war aims. A dis-
tinct politics of deliverance—​a set of appeals that fused “soft war” incentives
and “hard war” punishments, and sought to reconcile the liberation of white
Southerners with the emancipation of enslaved blacks—​unified a pro-​war
coalition in the Union and sustained its morale. “As the guns of Grant and
Sherman shake down their idols and clear the air,” the Harper’s essay prophe-
sied, “these men, deluded fellow-​citizens of ours, will see that in this country
whatever degrades labor injures every laboring man, and that equal rights be-
fore the law is the only foundation of permanent peace and union.” Grant and
Sherman, symbols of hard war, also stood at the head of powerful armies of
deliverance.4

Setting the Stage: The Secession Crisis in the North


The image of the Confederate people as the deluded dupes of scheming leaders
tapped a deep vein in antebellum politics: the charge that a “Slave Power con-
spiracy” of ambitious planter-​oligarchs and truckling Northern Democratic
politicians exercised unseemly control over national politics, subverting de-
mocracy and imposing their proslavery agenda on the majority of Americans,
North and South. Abolitionists warned of such a conspiracy as far back as
3

Introduction 3

the 1830s, as slaveholders coalesced around an aggressive campaign to expand


slavery and to defend it as a “positive good” and a state’s right. The fledgling
Republican party took up and popularized the conspiracy theme in the mid-​
1850s, pointing to a series of proslavery victories, such as the 1850 Fugitive
Slave Law, the 1854 Kansas-​Nebraska Act, and the 1857 Dred Scott decision,
as proof that the Slave Power was ever more aggressive in its designs and
aimed at nothing less than nationalizing slavery, both spreading it westward
and reintroducing it in the free states. Republican politicians appealed to the
Northern mainstream by emphasizing slavery’s harmful effects on whites—​
the economic backwardness, lack of opportunity, and absence of free speech
in the South—​rather than by emphasizing the themes of racial justice and
equality. The party’s prescription for restoring majority rule was to restrict
slavery’s westward expansion while at the same time spreading the free labor
gospel in the South, so that white Southerners would gradually, over time, see
fit to dismantle the institution. Secessionist usurpers, so Republicans charged,
diverted history from its natural course, using fraud and violence to block this
peaceful evolution toward freedom and sectional harmony.5
Abraham Lincoln led the Republican party to victory in the 1860 election, a
contest in which Republicans capitalized on the recent split of the Democratic
party into Northern and Southern wings. In the free states, Lincoln prevailed
over his Democratic opponent and fellow Illinoisan Stephen Douglas, win-
ning 54 percent of the popular vote to Douglas’s 25 percent; two outlier
candidates, Southern rights Democrat James C. Breckinridge of Kentucky
and pro-​compromise John Bell of Tennessee, placed a distant third and fourth.
In the slave states, Breckinridge and Bell were the main attractions and Lincoln
and Douglas the outliers, with Breckinridge garnering 45 percent of the pop-
ular vote to Bell’s 40 percent; Douglas was third with 13 percent and Lincoln
a very distant fourth with only 2 percent of the Southern vote. Republicans
claimed a mandate based on the fact that Lincoln won more electoral votes
(180) than all the other candidates combined. But Deep South states, which
had been priming the pump for secession for the previous decade, rejected
Lincoln’s victory, seceded from the Union, and formed the Confederacy in
the winter of 1860–​61; four Upper South states followed them that spring,
while the four slaveholding border states (Kentucky, Missouri, Maryland, and
Delaware) remained in the Union.6
As Lincoln took office, he faced the challenge of uniting Northerners
arrayed across a contentious political spectrum. On one end of that spectrum
were abolitionists and Radical Republicans who believed the federal govern-
ment should play an active role in dismantling slavery and in promoting black
4

4 Introduction

citizenship. On the other end were conservative Democrats who rejected ab-
olition and black citizenship and were content for slavery to persist indefi-
nitely. Across the middle of the spectrum were moderates of various political
stripes who, like Lincoln himself, believed in the superiority of the free labor
system and resented the power of slaveholders but had a relatively patient atti-
tude toward slavery’s demise, wishing for its gradual extinction instead of im-
mediate abolition. From the start, antipathy to elite slaveholding secessionists
was a strong source of Northern unity. Republicans had long scorned Slave
Power oligarchs; Northern Democrats, bitter at the fracturing of their
party, felt betrayed by the leadership class of Southern Democrats. As his-
torian Martha Hodes notes, Northerners imagined a “simplistically divided
Confederacy” and did not carefully differentiate among the various strata of
non-​elite whites. The ambiguous category of the “deceived masses” lumped
together the South’s landholding yeomen farmers and landless poor whites.7
Very quickly, in the first months of the Civil War, the Slave Power con-
spiracy idea took on a new cast and increased potency. Northerners began
to argue that the Confederacy was a “military despotism” that herded white
Southerners into its ranks, seized private property for the war machine, and
suppressed dissent. This was the theme of Lincoln’s first wartime message to
Congress, delivered on July 4, 1861, nearly three months after the Confederate
firing on Fort Sumter had initiated war. After “drugging the public mind of
their section for more than thirty years,” the leaders of the secession move-
ment had relied on “ingenious sophistry” (the false doctrine of state sover-
eignty) and on coercion (votes in which “the bayonets are all on one side
of the question”) to bring “many good men to a willingness to take up arms
against the government,” Lincoln insisted. A small band of conspirators had
seemingly cowed the South into submission. But how deep did support for
disunion really run? “It may well be questioned whether there is, to-​day, a
majority of the legally qualified voters of any State, except perhaps South
Carolina, in favor of disunion,” Lincoln speculated. “There is much reason
to believe that the Union men are the majority in many, if not in every one,
of the so-​called seceded States.” The Union fought to uphold the principle of
majority rule—​that ballots, not bullets, should settle disputes—​and did not
intend “any coercion, any conquest, or any subjugation, in any just sense of
those terms.”8
Claims that white Southerners were “ripe for their deliverance from the
most revolting despotism on the face of the earth,” as an influential newspaper,
the New York Herald, put it in May 1861, were standard fare in the Northern
press and among politicians in the early months of the war. Sometimes words
5

Introduction 5

such as “liberation,” “regeneration,” “redemption,” and “restoration” featured


in such rhetoric. But the core message remained the same. “The people of the
South are regarded as our brethren, deluded, deceived, betrayed, plundered of
their freedom of inquiry, of speech and of action; forced into opposition to
the Constitution and treason to the Union against their instincts, their sober
judgment and free volition, by bold bad men,” the New York Times editorial-
ized in June 1861, in a typical formulation.9
In Northern rhetoric, the treatment of anti-​Confederate Southerners
was a form of “terrorism.” While that word appears sporadically in ante-
bellum American political discourse, it became more prominent in 1861, as
Northerners accused secessionists of employing both force and intimidation
to get their way. An article entitled “Southern Terrorism” in the Milwaukee
Morning Sentinel, for example, quoted a U.S. army officer from the South
who had fled Virginia and who claimed to have seen citizens there “hung
for voting the Union ticket”: “He says there are thousands in Virginia, and
all through the South, who only wait to see Federal bayonets in order to
avow their loyalty.” Antislavery newspapers joined with mainstream papers
in publicizing the mistreatment of Southern Unionists as evidence of the
“terror which reigns in the rebel states.” The war was a “rebellion to extend
despotism—​despotism over white men’s minds as well as over black men’s
bodies,” the Liberator observed, in a May 31, 1861, article entitled “Slavery is
at the Bottom of It.” The border South, the New York Tribune opined in June,
was full of men who “will be ready to act when the hour of deliverance is
plainly at hand, but who dare not speak out at present.”10
In hindsight, Lincoln and other Northern political figures and writers
were clearly wrong about a Southern populace deceived and coerced into
supporting the secession movement. While evidence exists of the intimidation
and harassment of white Unionists, far greater evidence exists of the robust
support of white Southerners for secession on the eve of war. Unconditional
Unionism was in short supply among voters in the Deep South states during
the secession winter of 1860–​61; in the spring, the Lincoln administration’s
rejection of compromise proposals and willingness to use force against the
insurrection moved Upper South “conditional Unionists” off the fence and
into the Confederate camp.11
There were, nonetheless, clear military, political, diplomatic, and cultural
imperatives at work in Northerners’ emphasis on deliverance at the outset
of the war. The free states simply did not possess the military might or the
political will to conquer the Confederate South and impose a widespread
and lasting military occupation. The Union had considerable advantages in
Another random document with
no related content on Scribd:
[475] Eaton, p. 257.
[476] Subaltern, p. 101.
[477] Monroe to Jackson, Dec. 7, 1814; MSS. War Department
Records.
[478] Monroe to Jackson, Dec. 10, 1814; MSS. War
Department Records.
[479] Eaton, pp. 261, 282.
[480] Jackson to Monroe, Nov. 20, 1814; MSS. War
Department Archives.
[481] Jackson to Monroe, Dec. 2, 1814; MSS. War Department
Archives.
[482] Eaton, p. 290.
[483] Subaltern, p. 193.
[484] Eaton, p. 286; Latour, p. 53.
[485] General Orders of Aug. 6, 1814; Latour, Appendix, p. xvii.
[486] Notices, ii 177.
[487] Jackson to Monroe, Dec. 12, 1814; MSS. War
Department Archives.
[488] Eaton, p. 272.
[489] Eaton, p. 282.
[490] Sir Alexander Cochrane to J. W. Croker, Dec. 16, 1814;
Latour, Appendix, p. cxxxviii.
[491] James, ii. 349.
[492] Report of Captain Lockyer, Dec. 18, 1814; James, ii. 523.
[493] Letter of Dec. 16, 1814; Niles, vii. 316.
[494] General Orders, Dec. 16, 1814; Niles, vii. 316.
[495] General Orders, Dec. 16, 1814; Niles, vii. 317.
[496] Eaton, p. 290.
[497] Report of Major-General Keane, Dec. 26, 1814; James, ii.
529.
[498] Admiral Cochrane to Mr. Croker, Jan. 18, 1815; James, ii.
550.
[499] Latour, p. 77; Jackson’s Report of Dec. 27, 1814; Latour,
Appendix, p. xlv.
[500] James, ii. 355.
[501] Subaltern, p. 212.
[502] Latour, p. 66.
[503] Eaton, p. 293, note.
[504] Latour, p. 53.
[505] Subaltern, p. 215 (American edition, 1833).
[506] See Memoir of Latour in Cullum’s Campaigns of the War
of 1812–1815, p. 309.
[507] Latour, p. 88.
[508] Latour, p. 105.
[509] Latour, p. 105.
[510] Captain Henley’s Letter of Dec. 28, 1814; Niles, vii. 387.
[511] Latour, p. 104. Parton, i. 617. Commodore Patterson’s
Report of Dec. 28, 1814; Latour, Appendix, p. xliii.
[512] Patterson’s Report of Dec. 28, 1814; Latour, Appendix, p.
xliii.
[513] James, ii. 355.
[514] Latour’s Plan.
[515] James, ii. 355. Keane’s Report of Dec. 26, 1814; James,
ii. 529.
[516] Latour, pp. 96, 97. Parton, ii. 90.
[517] Report of Dec. 26, 1815; Latour, Appendix, p. xliv.
[518] Report of Dec. 27, 1814; Niles, vii. 357.
[519] Latour’s Plan of the Battle of December 23; Peddie’s
Sketch.
[520] James, ii. 362. Keane’s Report; James, ii. 530.
[521] Parton, ii. 100.
[522] Patterson to Secretary of Navy, Dec. 28, 1814; Latour,
Appendix, p. xliii.
[523] Report of Major-General Keane, Dec. 26, 1814; James, ii.
529.
[524] Keane’s Report of December 26, 1814; James, ii. 531.
[525] Subaltern, pp. 228, 229.
[526] James, ii. 363.
[527] Latour, p. 121.
[528] Patterson’s Report of Jan. 2, 1815; Latour, Appendix, p.
1, no. xxviii.
[529] Gleig’s Campaigns, p. 165.
[530] Report of J. D. Henley, Dec. 28, 1814; Niles, vii. 387.
[531] Journal of Major Forrest; Latour, Appendix, p. cxlvii.
[532] Subaltern, p. 235.
[533] Cochrane’s Report of Jan. 18, 1815; James, ii. 552.
[534] Latour, pp. 147, 148.
[535] Patterson’s Report of Jan. 2, 1815; Latour, Appendix, p.
1, no. xxviii.
[536] Campaigns, p. 166.
[537] Henley’s Report of December 28; Niles, vii. 387.
[538] Latour, p. 136. Patterson’s Report of Jan. 2, 1815; Latour,
Appendix, p. 1, no. xxviii.
[539] Journal of Major Forrest, Assistant-Quartermaster-
General; MSS. British Archives. Latour, Appendix, p. cxlvii.
[540] Subaltern, p. 249. Gleig’s Campaigns, p. 173.
[541] Patterson’s Report of Jan. 2, 1815; Latour, Appendix, p.
1, no. xxviii.
[542] James, ii. 369.
[543] Subaltern, p. 249 (American edition, 1833).
[544] Life of Codrington, i. 334.
[545] Latour, pp. 133, 134.
[546] Return of Casualties; James, ii. 543.
[547] Journal; Latour, Appendix, p. cxlvii.
[548] Life of Codrington, i. 336. Lambert’s Report of Jan. 28,
1815; Latour, Appendix, p. clxvi.
[549] Adair’s letters of Oct. 21, 1817; Letters of Adair and
Jackson, Lexington, 1817.
[550] Eaton, p. 359.
[551] Latour, p. 170.
[552] Adair to Jackson, March 20, 1815; Letters of Adair and
Jackson, 1817; Latour, Appendix, p. cxxxii.
[553] Journal of Major Forrest, Assistant-Quartermaster-
General; MSS. British Archives. Lambert’s Report, Jan. 10, 1815;
James, ii. 543.
[554] Life of Codrington, i. 336.
[555] Lambert’s Report of Jan. 10, 1815; Niles, viii. 177.
[556] James, ii. 373.
[557] Lambert’s Report; Niles, viii. 177.
[558] Niles, viii. 180.
[559] Jackson to Adair, July 23, 1817.
[560] Latour, pp. 147–152.
[561] Patterson’s Report of Jan. 13, 1815; Latour, Appendix, p.
ix.
[562] Journal of Major Forrest, Assistant-Quartermaster-
General; MSS. British Archives.
[563] Latour, p. 154.
[564] Lambert’s Report of Jan. 10, 1815; Latour, Appendix, p.
cxlix.
[565] Latour’s Plan.
[566] Return of Casualties; James, ii. 554.
[567] James, ii. 373.
[568] Latour’s Plan.
[569] Letter of Jan. 13, 1815; Niles, vii. 389.
[570] Thornton’s Report of Jan. 8, 1815; James, ii. 547.
[571] Letters of General Adair and General Jackson, 1817.
[572] Latour, p. 175.
[573] James, ii. 373.
[574] James, ii. 382.
[575] Report of General Lambert, Jan. 28, 1815; James, ii. 565.
[576] James, ii. 179.
[577] Jackson to the Secretary of War, Jan. 13, 1815; Niles, vii.
374.
[578] Latour, p. 185.
[579] Lambert’s Report of Jan. 28, 1815; Latour, Appendix, p.
clxvi.
[580] Report of Feb. 14, 1815; Latour, Appendix, p. clxxii.
[581] Notices, ii. 176.
[582] Jackson’s Report of Feb. 24, 1815; Latour, Appendix, p.
xcvii.

Transcriber’s Notes:

1. Obvious printers’, punctuation and spelling errors have been corrected


silently.

2. Where hyphenation is in doubt, it has been retained as in the original.

3. Some hyphenated and non-hyphenated versions of the same words have


been retained as in the original.
*** END OF THE PROJECT GUTENBERG EBOOK HISTORY OF
THE UNITED STATES OF AMERICA, VOLUME 8 (OF 9) ***

Updated editions will replace the previous one—the old editions will
be renamed.

Creating the works from print editions not protected by U.S.


copyright law means that no one owns a United States copyright in
these works, so the Foundation (and you!) can copy and distribute it
in the United States without permission and without paying copyright
royalties. Special rules, set forth in the General Terms of Use part of
this license, apply to copying and distributing Project Gutenberg™
electronic works to protect the PROJECT GUTENBERG™ concept
and trademark. Project Gutenberg is a registered trademark, and
may not be used if you charge for an eBook, except by following the
terms of the trademark license, including paying royalties for use of
the Project Gutenberg trademark. If you do not charge anything for
copies of this eBook, complying with the trademark license is very
easy. You may use this eBook for nearly any purpose such as
creation of derivative works, reports, performances and research.
Project Gutenberg eBooks may be modified and printed and given
away—you may do practically ANYTHING in the United States with
eBooks not protected by U.S. copyright law. Redistribution is subject
to the trademark license, especially commercial redistribution.

START: FULL LICENSE


THE FULL PROJECT GUTENBERG LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg™ mission of promoting the free


distribution of electronic works, by using or distributing this work (or
any other work associated in any way with the phrase “Project
Gutenberg”), you agree to comply with all the terms of the Full
Project Gutenberg™ License available with this file or online at
www.gutenberg.org/license.

Section 1. General Terms of Use and


Redistributing Project Gutenberg™
electronic works
1.A. By reading or using any part of this Project Gutenberg™
electronic work, you indicate that you have read, understand, agree
to and accept all the terms of this license and intellectual property
(trademark/copyright) agreement. If you do not agree to abide by all
the terms of this agreement, you must cease using and return or
destroy all copies of Project Gutenberg™ electronic works in your
possession. If you paid a fee for obtaining a copy of or access to a
Project Gutenberg™ electronic work and you do not agree to be
bound by the terms of this agreement, you may obtain a refund from
the person or entity to whom you paid the fee as set forth in
paragraph 1.E.8.

1.B. “Project Gutenberg” is a registered trademark. It may only be


used on or associated in any way with an electronic work by people
who agree to be bound by the terms of this agreement. There are a
few things that you can do with most Project Gutenberg™ electronic
works even without complying with the full terms of this agreement.
See paragraph 1.C below. There are a lot of things you can do with
Project Gutenberg™ electronic works if you follow the terms of this
agreement and help preserve free future access to Project
Gutenberg™ electronic works. See paragraph 1.E below.
1.C. The Project Gutenberg Literary Archive Foundation (“the
Foundation” or PGLAF), owns a compilation copyright in the
collection of Project Gutenberg™ electronic works. Nearly all the
individual works in the collection are in the public domain in the
United States. If an individual work is unprotected by copyright law in
the United States and you are located in the United States, we do
not claim a right to prevent you from copying, distributing,
performing, displaying or creating derivative works based on the
work as long as all references to Project Gutenberg are removed. Of
course, we hope that you will support the Project Gutenberg™
mission of promoting free access to electronic works by freely
sharing Project Gutenberg™ works in compliance with the terms of
this agreement for keeping the Project Gutenberg™ name
associated with the work. You can easily comply with the terms of
this agreement by keeping this work in the same format with its
attached full Project Gutenberg™ License when you share it without
charge with others.

1.D. The copyright laws of the place where you are located also
govern what you can do with this work. Copyright laws in most
countries are in a constant state of change. If you are outside the
United States, check the laws of your country in addition to the terms
of this agreement before downloading, copying, displaying,
performing, distributing or creating derivative works based on this
work or any other Project Gutenberg™ work. The Foundation makes
no representations concerning the copyright status of any work in
any country other than the United States.

1.E. Unless you have removed all references to Project Gutenberg:

1.E.1. The following sentence, with active links to, or other


immediate access to, the full Project Gutenberg™ License must
appear prominently whenever any copy of a Project Gutenberg™
work (any work on which the phrase “Project Gutenberg” appears, or
with which the phrase “Project Gutenberg” is associated) is
accessed, displayed, performed, viewed, copied or distributed:
This eBook is for the use of anyone anywhere in the United
States and most other parts of the world at no cost and with
almost no restrictions whatsoever. You may copy it, give it away
or re-use it under the terms of the Project Gutenberg License
included with this eBook or online at www.gutenberg.org. If you
are not located in the United States, you will have to check the
laws of the country where you are located before using this
eBook.

1.E.2. If an individual Project Gutenberg™ electronic work is derived


from texts not protected by U.S. copyright law (does not contain a
notice indicating that it is posted with permission of the copyright
holder), the work can be copied and distributed to anyone in the
United States without paying any fees or charges. If you are
redistributing or providing access to a work with the phrase “Project
Gutenberg” associated with or appearing on the work, you must
comply either with the requirements of paragraphs 1.E.1 through
1.E.7 or obtain permission for the use of the work and the Project
Gutenberg™ trademark as set forth in paragraphs 1.E.8 or 1.E.9.

1.E.3. If an individual Project Gutenberg™ electronic work is posted


with the permission of the copyright holder, your use and distribution
must comply with both paragraphs 1.E.1 through 1.E.7 and any
additional terms imposed by the copyright holder. Additional terms
will be linked to the Project Gutenberg™ License for all works posted
with the permission of the copyright holder found at the beginning of
this work.

1.E.4. Do not unlink or detach or remove the full Project


Gutenberg™ License terms from this work, or any files containing a
part of this work or any other work associated with Project
Gutenberg™.

1.E.5. Do not copy, display, perform, distribute or redistribute this


electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1.E.1 with
active links or immediate access to the full terms of the Project
Gutenberg™ License.
1.E.6. You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form,
including any word processing or hypertext form. However, if you
provide access to or distribute copies of a Project Gutenberg™ work
in a format other than “Plain Vanilla ASCII” or other format used in
the official version posted on the official Project Gutenberg™ website
(www.gutenberg.org), you must, at no additional cost, fee or expense
to the user, provide a copy, a means of exporting a copy, or a means
of obtaining a copy upon request, of the work in its original “Plain
Vanilla ASCII” or other form. Any alternate format must include the
full Project Gutenberg™ License as specified in paragraph 1.E.1.

1.E.7. Do not charge a fee for access to, viewing, displaying,


performing, copying or distributing any Project Gutenberg™ works
unless you comply with paragraph 1.E.8 or 1.E.9.

1.E.8. You may charge a reasonable fee for copies of or providing


access to or distributing Project Gutenberg™ electronic works
provided that:

• You pay a royalty fee of 20% of the gross profits you derive from
the use of Project Gutenberg™ works calculated using the
method you already use to calculate your applicable taxes. The
fee is owed to the owner of the Project Gutenberg™ trademark,
but he has agreed to donate royalties under this paragraph to
the Project Gutenberg Literary Archive Foundation. Royalty
payments must be paid within 60 days following each date on
which you prepare (or are legally required to prepare) your
periodic tax returns. Royalty payments should be clearly marked
as such and sent to the Project Gutenberg Literary Archive
Foundation at the address specified in Section 4, “Information
about donations to the Project Gutenberg Literary Archive
Foundation.”

• You provide a full refund of any money paid by a user who


notifies you in writing (or by e-mail) within 30 days of receipt that
s/he does not agree to the terms of the full Project Gutenberg™
License. You must require such a user to return or destroy all
copies of the works possessed in a physical medium and
discontinue all use of and all access to other copies of Project
Gutenberg™ works.

• You provide, in accordance with paragraph 1.F.3, a full refund of


any money paid for a work or a replacement copy, if a defect in
the electronic work is discovered and reported to you within 90
days of receipt of the work.

• You comply with all other terms of this agreement for free
distribution of Project Gutenberg™ works.

1.E.9. If you wish to charge a fee or distribute a Project Gutenberg™


electronic work or group of works on different terms than are set
forth in this agreement, you must obtain permission in writing from
the Project Gutenberg Literary Archive Foundation, the manager of
the Project Gutenberg™ trademark. Contact the Foundation as set
forth in Section 3 below.

1.F.

1.F.1. Project Gutenberg volunteers and employees expend


considerable effort to identify, do copyright research on, transcribe
and proofread works not protected by U.S. copyright law in creating
the Project Gutenberg™ collection. Despite these efforts, Project
Gutenberg™ electronic works, and the medium on which they may
be stored, may contain “Defects,” such as, but not limited to,
incomplete, inaccurate or corrupt data, transcription errors, a
copyright or other intellectual property infringement, a defective or
damaged disk or other medium, a computer virus, or computer
codes that damage or cannot be read by your equipment.

1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except


for the “Right of Replacement or Refund” described in paragraph
1.F.3, the Project Gutenberg Literary Archive Foundation, the owner
of the Project Gutenberg™ trademark, and any other party
distributing a Project Gutenberg™ electronic work under this
agreement, disclaim all liability to you for damages, costs and
expenses, including legal fees. YOU AGREE THAT YOU HAVE NO
REMEDIES FOR NEGLIGENCE, STRICT LIABILITY, BREACH OF
WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE
FOUNDATION, THE TRADEMARK OWNER, AND ANY
DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE LIABLE
TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL,
PUNITIVE OR INCIDENTAL DAMAGES EVEN IF YOU GIVE
NOTICE OF THE POSSIBILITY OF SUCH DAMAGE.

1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you


discover a defect in this electronic work within 90 days of receiving it,
you can receive a refund of the money (if any) you paid for it by
sending a written explanation to the person you received the work
from. If you received the work on a physical medium, you must
return the medium with your written explanation. The person or entity
that provided you with the defective work may elect to provide a
replacement copy in lieu of a refund. If you received the work
electronically, the person or entity providing it to you may choose to
give you a second opportunity to receive the work electronically in
lieu of a refund. If the second copy is also defective, you may
demand a refund in writing without further opportunities to fix the
problem.

1.F.4. Except for the limited right of replacement or refund set forth in
paragraph 1.F.3, this work is provided to you ‘AS-IS’, WITH NO
OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED,
INCLUDING BUT NOT LIMITED TO WARRANTIES OF
MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.

1.F.5. Some states do not allow disclaimers of certain implied


warranties or the exclusion or limitation of certain types of damages.
If any disclaimer or limitation set forth in this agreement violates the
law of the state applicable to this agreement, the agreement shall be
interpreted to make the maximum disclaimer or limitation permitted
by the applicable state law. The invalidity or unenforceability of any
provision of this agreement shall not void the remaining provisions.
1.F.6. INDEMNITY - You agree to indemnify and hold the
Foundation, the trademark owner, any agent or employee of the
Foundation, anyone providing copies of Project Gutenberg™
electronic works in accordance with this agreement, and any
volunteers associated with the production, promotion and distribution
of Project Gutenberg™ electronic works, harmless from all liability,
costs and expenses, including legal fees, that arise directly or
indirectly from any of the following which you do or cause to occur:
(a) distribution of this or any Project Gutenberg™ work, (b)
alteration, modification, or additions or deletions to any Project
Gutenberg™ work, and (c) any Defect you cause.

Section 2. Information about the Mission of


Project Gutenberg™
Project Gutenberg™ is synonymous with the free distribution of
electronic works in formats readable by the widest variety of
computers including obsolete, old, middle-aged and new computers.
It exists because of the efforts of hundreds of volunteers and
donations from people in all walks of life.

Volunteers and financial support to provide volunteers with the


assistance they need are critical to reaching Project Gutenberg™’s
goals and ensuring that the Project Gutenberg™ collection will
remain freely available for generations to come. In 2001, the Project
Gutenberg Literary Archive Foundation was created to provide a
secure and permanent future for Project Gutenberg™ and future
generations. To learn more about the Project Gutenberg Literary
Archive Foundation and how your efforts and donations can help,
see Sections 3 and 4 and the Foundation information page at
www.gutenberg.org.

Section 3. Information about the Project


Gutenberg Literary Archive Foundation
The Project Gutenberg Literary Archive Foundation is a non-profit
501(c)(3) educational corporation organized under the laws of the
state of Mississippi and granted tax exempt status by the Internal
Revenue Service. The Foundation’s EIN or federal tax identification
number is 64-6221541. Contributions to the Project Gutenberg
Literary Archive Foundation are tax deductible to the full extent
permitted by U.S. federal laws and your state’s laws.

The Foundation’s business office is located at 809 North 1500 West,


Salt Lake City, UT 84116, (801) 596-1887. Email contact links and up
to date contact information can be found at the Foundation’s website
and official page at www.gutenberg.org/contact

Section 4. Information about Donations to


the Project Gutenberg Literary Archive
Foundation
Project Gutenberg™ depends upon and cannot survive without
widespread public support and donations to carry out its mission of
increasing the number of public domain and licensed works that can
be freely distributed in machine-readable form accessible by the
widest array of equipment including outdated equipment. Many small
donations ($1 to $5,000) are particularly important to maintaining tax
exempt status with the IRS.

The Foundation is committed to complying with the laws regulating


charities and charitable donations in all 50 states of the United
States. Compliance requirements are not uniform and it takes a
considerable effort, much paperwork and many fees to meet and
keep up with these requirements. We do not solicit donations in
locations where we have not received written confirmation of
compliance. To SEND DONATIONS or determine the status of
compliance for any particular state visit www.gutenberg.org/donate.

While we cannot and do not solicit contributions from states where


we have not met the solicitation requirements, we know of no
prohibition against accepting unsolicited donations from donors in
such states who approach us with offers to donate.

International donations are gratefully accepted, but we cannot make


any statements concerning tax treatment of donations received from
outside the United States. U.S. laws alone swamp our small staff.

Please check the Project Gutenberg web pages for current donation
methods and addresses. Donations are accepted in a number of
other ways including checks, online payments and credit card
donations. To donate, please visit: www.gutenberg.org/donate.

Section 5. General Information About Project


Gutenberg™ electronic works
Professor Michael S. Hart was the originator of the Project
Gutenberg™ concept of a library of electronic works that could be
freely shared with anyone. For forty years, he produced and
distributed Project Gutenberg™ eBooks with only a loose network of
volunteer support.

Project Gutenberg™ eBooks are often created from several printed


editions, all of which are confirmed as not protected by copyright in
the U.S. unless a copyright notice is included. Thus, we do not
necessarily keep eBooks in compliance with any particular paper
edition.

Most people start at our website which has the main PG search
facility: www.gutenberg.org.

This website includes information about Project Gutenberg™,


including how to make donations to the Project Gutenberg Literary
Archive Foundation, how to help produce our new eBooks, and how
to subscribe to our email newsletter to hear about new eBooks.

You might also like