Professional Documents
Culture Documents
Full download What to Believe? John D. Caputo file pdf all chapter on 2024
Full download What to Believe? John D. Caputo file pdf all chapter on 2024
Full download What to Believe? John D. Caputo file pdf all chapter on 2024
Caputo
Visit to download the full and correct content document:
https://ebookmass.com/product/what-to-believe-john-d-caputo/
More products digital (pdf, epub, mobi) instant
download maybe you interests ...
https://ebookmass.com/product/what-to-believe-now-applying-
epistemology-contemporary-issues-1st-edition-ebook-pdf-version/
https://ebookmass.com/product/just-make-believe-maggie-robinson/
https://ebookmass.com/product/just-make-believe-maggie-
robinson-2/
https://ebookmass.com/product/just-make-believe-maggie-
robinson-3/
You Won't Believe Me Cyn Balog
https://ebookmass.com/product/you-wont-believe-me-cyn-balog/
https://ebookmass.com/product/jihad-what-everyone-needs-to-know-
what-everyone-needs-to-know-what-everyone-needs-to-knowrg-asma-
afsaruddin/
https://ebookmass.com/product/gender-what-everyone-needs-to-know-
erickson-schroth/
https://ebookmass.com/product/generative-artificial-intelligence-
what-everyone-needs-to-know-what-everyone-needs-to-knowrg-1st-
edition-kaplan/
https://ebookmass.com/product/sanctions-what-everyone-needs-to-
know-bruce-w-jentleson/
WHAT TO BELIEVE?
WHAT TO BELIEVE?
JOHN D. CAPUTO
•
CONTENTS
Acknowledgments ix
This Is How the World Began xi
First Week
Second Week
Q viii Q
ACKNOWLEDGMENTS
like the traffic outside the church doors. But it never occurred
to any of us to object that anything was out of order. Ad Deum,
qui laetificat juventutem meam , “to God who gives joy to my
youth.” Which God did. We were Catholic. Were we ever! Just
about everybody I knew was Catholic—the whole world, my
whole world. We were not merely Christian, a pale, bleached-
out word that included Protestants, but Catholic, the one, holy,
catholic, and apostolic Church, the Church, nineteen hundred
and fifty years old and counting, an “apostolic succession” that
stretched in a straight and unbroken line from St. Peter to
southwest Philadelphia!
This is how the world began. Full of candles and incense,
black cassocks and white surplices, priests and nuns, Gothic
fonts and May processions, a dark picture of Jesus’s Agony in the
Garden in the living room, going to confession on Saturday
afternoon and Mass on Sunday morning, in our best clothes,
followed by a large midday Italian meal and a lazy afternoon,
all the stores being closed. That was the 1940s, the world of
pre–Vatican II Catholicism, a spiritual world that, however
considerable the changes in the material world around it, had
remained unchanged for the last four hundred years. It was as
frozen as the Latin language in which it was cast, ever since
the Council of Trent (1545–1563) created what we all just called
the Church, Holy Mother, the Church. I had never heard of Trent.
1545? 1945? What difference does it make? I just thought it was
the eternal truth that had dropped from the sky, beginning
with the day Jesus ordained Peter as his first pope. If I missed
Mass on Sunday, which I never did, I would burn in hell for
all eternity. Not a cruel and unusual punishment for a misspent
Q xii Q
THIS IS HOW THE WORLD BEGAN
Q xiii Q
THIS IS HOW THE WORLD BEGAN
Q xiv Q
THIS IS HOW THE WORLD BEGAN
bowels, our bones, our very being. The end is in the beginning,
not as a destiny or deterministic fate, but as a set of possibilities
whose outcomes can come as a surprise. Beginnings are like a
keyboard on which we are invited to pick out a tune.
So the word radical in what follows does not signify a rene-
gade attack, a bitter apostate railing against a cruel childhood—
not a bit. Mine was a happily innocent and secure childhood, in
a stable family. Sorry, no fearsome father or cold mother to
report. I was grateful that I was not born a heretic like my Prot-
estant neighbors (in the minority in our very Catholic blue-
collar neighborhood). It was not at all a bad world to grow up in.
Radical means rethought, restaged, reimagined, reinvented, all
in an effort to get at what is really going on. So highlight this, it is
a maxim to bear in mind: a radicalization is always the radical-
ization of something, something that was passed on to us, trans-
mitted, something already up and running by the time we
arrived on the scene, which is pretty much what tradition means.
The radicalization of a religious tradition means to unearth
what we can really believe in that tradition even if we no longer
believe the official line they were selling us. There are, accord-
ingly, as many radical theologies as there are traditions to radi-
calize. Radicals are traditionalists, and traditionalists have to be
radicals if they want to take the process of transmission seri-
ously, instead of using it as an alibi to cling to the past.
I am by training and inclination a lifelong academic, and I
respect scholarly debate. So do not mistake what follows as a
breezy twelve-step program in achieving wholeness! This
might even leave you in pieces. But keep reading; do not let
“academic” scare you off. As someone who has spent a lot of
Q xv Q
THIS IS HOW THE WORLD BEGAN
Q xvi Q
THIS IS HOW THE WORLD BEGAN
Q xvii Q
FIRST WEEK
Another random document with
no related content on Scribd:
“But why? You know I like you, George,” in a sudden rush of
compunction at the hurt, sullen look on George’s face; “do tell me,
why did you want to know where it was from?”
George hesitated a moment, then his story came out in a rush.
“Well, at home they all were talking about your letters, and my
brother Curt said that he bet they were from that fellow in Carlinville
that he saw you with one day. And he dared me to look at the
envelope and see what the postmark was. He said he’d let me drive
the bay colt if I would.”
“Well, you tell your brother Curt that he ought to be ashamed of
himself to set you at such tricks. You needn’t stay in this afternoon,
George. But next time, remember, keep your hands off what doesn’t
belong to you.”
CONSTRUCTIVE TREATMENT
COMMENTS
When Miss Murray came to the third grade she found bad
conditions as to attention. A street car line went by the school and
every time a car passed the children all looked up from their books
until it had gone out of sight.
Miss Murray at once put up sash- Watching Street
curtains, thick enough effectively to shut cars
out the sight of the street cars. She found the upper sashes nailed
shut, as the former teacher had opened the lower sashes only. She
had these unnailed, and the shades hung at the window sill instead of
from the top of the window. This enabled her to shut out the sight
and sound of the street cars pretty effectively. After several months,
the children forgot to look out of the window even when they could
see the cars; the habit of attention to work had been fixed through
the elimination of the lures to curiosity.
ILLUSTRATION 2 (HIGH SCHOOL)
Give Bert an opportunity to talk out all of his thought about the
piano. Wait until he has told all, and you have planned a substitute
for piano-wrecking before informing him of the gravity of his
misconduct. Possibly that item can be passed over lightly.
Get answers to these questions: “Are you particularly interested in
pianos or do you take an interest in all kinds of mechanisms? What
are you planning to do for a living? What would you do if I found you
a place in a piano store, or in a machine shop, for spare time work?
Would you stiffen up your studies? Would your parents be willing for
me to make an arrangement of this sort? How will you pay for having
a piano man go over our instrument and see that everything is in
order?”
COMMENTS
This boy has broken out of the usual beat of pupil activities. The
great question is, will his teachers be equal to their opportunity?
Curiosity is hunger for experience; it lives at the basis of all
knowledge. It is a capital stock for educators; it can not be wasted
without impoverishing both the pupil and society.
In dealing with Bert, motive counts for nearly everything. He must
not be made to suffer for his mistake of judgment in such a way as to
imperil his future interest in school or in his favorite inquiries.
Lavia Smiley came into the eighth grade with a consuming passion
for color sensations. She had made collection after collection of
colors in all sorts of substances—cloth, paper, stone, soil, metals of
various sorts. She could give the names of all of them and could
imitate them in pigment mixtures with remarkable exactness, for a
girl of her age and very limited experience.
One day, in the nature study class, Lavia’s Breaking
teacher, Miss Westfeldt, had given a lesson Necklace
on shells, and among other interesting things had shown the class a
necklace of iridescent shells which her missionary brother had sent
her from Micronesia. The lovely bluish-whitish-greenish-pinkish
shimmer of the shells riveted Lavia’s attention like a magnet.
“O, please, Miss Westfeldt, let me take them,” said Lavia.
“No, Lavia,” answered Miss Westfeldt, “they are too delicate to
handle, but I’ll hold them here in the sunlight where you can see
them well. Aren’t they beautiful!”
“O, I never saw any thing so pretty!” was the reply.
The lesson ended, the necklace was laid back in the cotton in
which it had taken its long journey over sea and land. Miss Westfeldt
placed the box on the desk, intending to take it home with her when
she went to lunch, but just as the morning session was closing, a
telegram was handed her requiring an immediate answer. In her
haste to attend to this intrusive matter, and yet not forfeit her lunch,
the box with its precious necklace was forgotten.
The first bell was ringing when Miss Westfeldt returned.
She made haste to be in her place, as the children entered the
room, and not until they were seated did she think of the shell-
necklace. She opened the box. Ten were broken.
“O, what has happened to my beautiful shells!” she cried out, in
dismay. “How were they broken?”
No one answered, but Lavia was crying. Miss Westfeldt
immediately suspected that she was the guilty party, but she only
said:
“I am very, very sorry that this has happened, but never mind
about it just now. I am sure the one who broke them will come and
tell me about it.”
Lavia continued to weep and after the other children were busy
with their study Miss Westfeldt stepped quietly up to her and,
bending over her and speaking in a tone so low the other children
could not hear, said:
“Lavia, dear, what is the matter?”
“O, Miss Westfeldt, I broke your shells,” whispered Lavia, and then
burst into another freshet of tears.
“I am so sorry,” was the low reply. “After school tonight come and
tell me all about it.”
School closed. Lavia remained; and when all the other children
had gone, Miss Westfeldt sat down beside her, put her arm around
the child, her hand resting lightly on Lavia’s shoulder, and said, still
in a low tone:
“Now, Lavia, tell me how it all happened.”
“O, Miss Westfeldt,” began Lavia; “I wanted so bad to see if I could
paint the shells. I just ate a little bit of lunch and hurried back quick
before the children got here, and made this little painting of the
shells. Then I started to put them back in the box carefully; and I
heard somebody open the entry door as if they were coming in, and I
jumped and dropped the shells, and when I picked them up they
were all broken. I am awfully sorry, Miss Westfeldt. I’ll give you my
painting,” and the lips quivered again.
Miss Westfeldt looked at the painting. It confirmed Lavia’s story.
The different colors were crude, but remarkably good for a thirteen-
year-old girl. They indicated artistic promise. The teacher sat for a
moment with an absorbed expression on her face, then said:
“Lavia, you have grieved me very much today by breaking these
shells; now, will you do something to make me happy again? I did
not know this morning why you wanted to take the shells. If I place
the box on your desk where you can study the color effects and try to
paint them, will you promise me that you will try never again to
meddle with things that you have no right to touch?”
“O, yes, Miss Westfeldt, I will, indeed I will! And can I really have
them on my desk?”
“Yes, Lavia, and I will keep your painting as a pledge of your
promise. If you will ask me, after your lessons are learned, I have
some other beautiful things also, that you may paint. I am pleased
that you told me all the truth.”
Lavia kept her promise. The spirit of initiative in coöperation won.
CONSTRUCTIVE TREATMENT
Open your record book so that the pupil can see how her average
was obtained. Say to her, “Suppose you put the marks for your daily
recitations on the board and find out the average. Now average this
with your test work.
“Don’t you see, now why your mark was—?”
At the beginning of the recitation period, pass your book around
the class, saying: “There may be some who would like to know on
what basis their average was obtained. I work on the scale of —. Let
us figure out a few of the marks. Then, taking a good mark as an
example, show the pupils exactly how it was obtained.
Occasionally ask members of the class to exchange papers and
mark each other’s papers. Go over them again yourself, giving your
own mark. Ask those who marked tests to compare their marks with
yours.
A teacher’s record book should not be regarded as her private
property. Play so fair with your pupils that they will not want to look
in your book without permission. Have an understanding with them
that they are always privileged to ask to look at their marks. There is
little doubt, then they will show no undue curiosity.
COMMENTS
All good things perverted to evil purposes are worse than those which are
naturally bad.—Dickens.
CASES ARISING OUT OF THE EXPRESSIVE
INSTINCTS
CONSTRUCTIVE TREATMENT
COMMENTS