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Full download Helltown: The Untold Story of a Serial Killer on Cape Cod Casey Sherman file pdf all chapter on 2024
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This file represents the final manuscript being distributed for pre-
publication review. Typographical and layout errors are not intended
to be present in the final book file at release. It is not intended for
sale and should not be purchased from any site or vendor. If this file
did reach you through a vendor or through a purchase, please notify
the publisher.
Also by Casey Sherman
A Rose for Mary: The Hunt for the Real Boston Strangler
Search for the Strangler: My Hunt for Boston’s Most Notorious Killer
Black Irish
Black Dragon
The Finest Hours: The True Story of the U.S. Coast Guard’s Most
Daring Sea Rescue
Animal: The Bloody Rise and Fall of the Mob’s Most Feared Assassin
The Ice Bucket Challenge: Pete Frates and the Fight against ALS
Front Cover
Title Page
Copyright
Prologue
Chapter One
Chapter Two
Chapter Three
Chapter Four
Chapter Five
Chapter Six
Chapter Seven
Chapter Eight
Chapter Nine
Chapter Ten
Chapter Eleven
Chapter Twelve
Chapter Thirteen
Chapter Fourteen
Chapter Fifteen
Chapter Sixteen
Chapter Seventeen
Chapter Eighteen
Chapter Nineteen
Chapter Twenty
Chapter Twenty-One
Chapter Twenty-Two
Chapter Twenty-Three
Chapter Twenty-Four
Chapter Twenty-Five
Chapter Twenty-Six
Chapter Twenty-Seven
Chapter Twenty-Eight
Chapter Twenty-Nine
Chapter Thirty
Chapter Thirty-One
Chapter Thirty-Two
Chapter Thirty-Three
Chapter Thirty-Four
Chapter Thirty-Five
Chapter Thirty-Six
Chapter Thirty-Seven
Chapter Thirty-Eight
Chapter Thirty-Nine
Chapter Forty
Chapter Forty-One
Chapter Forty-Two
Chapter Forty-Three
Chapter Forty-Four
Chapter Forty-Five
Chapter Forty-Six
Chapter Forty-Seven
Chapter Forty-Eight
Chapter Forty-Nine
Author’s Note
Reading Group Guide
References
Notes
Back Cover
In Memory of the Dead—Christine Gallant, Sydney Monzon, Susan
Perry, Patricia Walsh, Mary Anne Wysocki, and so on.
Prologue
The prisoner closed his dark eyes and inhaled, taking the warm air
of midspring deep into his lungs. He blocked out all the noises
around him and, for a brief moment, imagined himself back in
Provincetown, sitting at the far edge of MacMillan Pier, staring out at
the seemingly endless horizon of Cape Cod Bay where the Pilgrims
had first set foot in the New World in 1620. He could almost hear the
squawk of seagulls dive-bombing for squid and the echo of waves
slapping against the old wooden pylons while his bare feet dangled
carefree over the side. For the past four years, he had held on to the
belief that he would return there one day.
Along with that belief had come a promise, a wager he had made
with himself. He would try desperately to swallow any sudden urges
to kill again.
Tony Costa opened his eyes and rubbed his spectacles with his
denim shirtsleeve. Before him stood not the shifting sands and
rolling dunes of Race Point. Instead, he gazed wearily at the twenty-
foot-high walls of concrete that surrounded him and the prison
guards with cocked, loaded rifles perched atop eight observation
towers that offered them a clear view of the crowded yard below.
The bell sounded, and the prisoner soon fell into a long line with
his fellow inmates. The new guys, those freshly convicted of serious
offenses such as armed robbery, rape, and murder, stared at him
and whispered among themselves. All were hardened criminals, but
none were like him. They had not done what he had done.
Since the killing of self-professed Boston Strangler Albert DeSalvo,
who was stabbed nineteen times in the prison infirmary six months
earlier, the prisoner had become the most notorious resident at the
Massachusetts state penitentiary at Walpole. Much had been written
about all the gruesome crimes that had been attributed to him, but
in his mind, no one had told the story the right way—from his point
of view, from the killer’s perspective.
Costa dawdled for a moment, allowing himself to get pushed to the
back of the line. One by one, the inmates escaped the light of late
afternoon and disappeared into the catacombs inside the prison that
eventually led them back to their narrow, steel-encrusted cells. Costa
craned his neck to allow the sun to touch his nose one last time
before the natural light was replaced by the flickering fluorescent
bulbs inside the jail that had plagued him with constant headaches
since the moment he had arrived there four years earlier.
He returned to his cramped first floor cell with its double bunk,
exposed metal toilet, and small writing desk and sat himself in front
of an old borrowed typewriter, the machine he had used to write
nearly four hundred pages over the past several months. Finally
satisfied with the narrative structure of his uniquely twisted story,
Costa landed on a title for his manuscript.
He struck the keys with his fingers, typing the word Resurrection in
bold letters. On the next page, he wrote, “Truth demands courage,
and rather than live a life of illusion, together we persistently sought
the spiritual truth of life. And our search is only beginning.”1
He stared down at the thin piece of white writing paper with a grin
of satisfaction. He was sure that the book would become a runaway
bestseller. He wanted to be remembered not as a killer of young
women but as a writer and a thinker who had helped to define the
Age of Aquarius for a whole generation of readers. In his mind, this
book would also cement his legacy as one of Cape Cod’s great
novelists, mentioned in the same breath as Norman Mailer and Kurt
Vonnegut Jr. Tony Costa then typed his name on the title page,
yanked the leather belt from his prison-issued denims, and
contemplated his next move.
Chapter One
Edie Vonnegut was nervous about bringing the boy home to meet
her father, who was holed up in his writer’s shed off the back of their
Cape Cod farmhouse on Scudder Lane.1 Seventeen-year-old Edie
had learned to traipse lightly around her father, Kurt, especially when
he was working.
“Wait here,” Edie told her date, a handsome young ice hockey
player from nearby Hyannis. “He said that he wants to meet you. I’ll
be back in a sec.”
Edie left the boy standing at the edge of Coggins’ Pond at the back
of the property as she tiptoed toward the wooden door and knocked.
“What?” an exasperated Vonnegut asked. “What now?”
Edie pushed open the door, paused for a moment to calm her
nerves, and stepped inside. Standing at the threshold atop a wooden
plank that held Thoreau’s quote, Beware of All Enterprises That
Require New Clothes, the daughter saw her father’s lanky frame
hunched over his Smith Corona typewriter with its space bar
indented by his thumb from years of use and self-abuse. His head
wore a halo of gray cigarette smoke, and underneath, Edie could see
the grimace on his worn and wrinkled face. It was a look that
terrified her siblings and on numerous occasions had sent their
mother, Jane, to the laundry room, where she would lock herself
inside to cry alone for hours.
The boy heard a rumble of chatter coming from the studio,
followed by the slamming of the door as Edie marched out with her
arms flailing and her long, brown hair blowing in the Cape Cod
breeze. She turned once to flip her father the middle finger and then
stomped toward the main house, leaving the boy to fend for himself
at the edge of Coggins’ Pond.
The boy jogged up the hill just as Vonnegut exploded out of his
study and intercepted him on the beaten path back to the house.
“I’m going to say one thing, so let me be perfectly clear,” the writer
barked. “Don’t you fuck my daughter. Don’t you dare fuck her!”
Vonnegut’s words startled the boy. He had only come over to take
Edie for ice cream and a movie, and now he was being subjected to
a bizarre, sexual interrogation from the girl’s domineering dad.
Scared and confused, the boy simply nodded and picked up his
pace toward the main house.
Vonnegut watched him go and hoped that his words would sink in.
The writer then retreated back to his studio and continued the
daunting work of editing his latest novel, a book that he intended to
call Slaughterhouse-Five.
Locked away in his study, Vonnegut reached for another Pall Mall
and struck a match. After taking the smoke into his lungs, his mind
returned to his daughter. She had been a real sweet kid, but now
that she was older, she’d become a bitchy little flibbertigibbet.
He felt that he had a right to be overly protective of the teenager.
She was beautiful after all. Edie was gifted with a svelte, athletic
figure that had turned every boy’s head at Barnstable High School.
She wore her skirts short and her hair long, parted in the middle
with brown curls cascading over her shoulders. Vonnegut knew he
did not need to worry much about the boy he had just encountered
in the backyard. The kid seemed polite enough. Instead, he fretted
over a new crowd that Edie was hanging out with down the road in
Provincetown. That group seemed aimless, uninspired, and hungry
for only drugs and sex. Hippies were taking over the tip of Cape Cod,
and Kurt Vonnegut Jr. feared that his precocious daughter could get
washed away with the tide.
***