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The Two Koreas and their Global Engagements: Culture, Language, Diaspora 1st Edition Andrew David Jackson (Editor) full chapter instant download
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The Two Koreas
and their Global
Engagements
Edited by
a n dr e w dav i d jac k son
The Two Koreas and their Global Engagements
Andrew David Jackson
Editor
© The Editor(s) (if applicable) and The Author(s), under exclusive license to Springer
Nature Switzerland AG 2022
This work is subject to copyright. All rights are solely and exclusively licensed by the
Publisher, whether the whole or part of the material is concerned, specifically the rights
of translation, reprinting, reuse of illustrations, recitation, broadcasting, reproduction on
microfilms or in any other physical way, and transmission or information storage and
retrieval, electronic adaptation, computer software, or by similar or dissimilar methodology
now known or hereafter developed.
The use of general descriptive names, registered names, trademarks, service marks, etc.
in this publication does not imply, even in the absence of a specific statement, that such
names are exempt from the relevant protective laws and regulations and therefore free for
general use.
The publisher, the authors and the editors are safe to assume that the advice and informa-
tion in this book are believed to be true and accurate at the date of publication. Neither
the publisher nor the authors or the editors give a warranty, expressed or implied, with
respect to the material contained herein or for any errors or omissions that may have been
made. The publisher remains neutral with regard to jurisdictional claims in published maps
and institutional affiliations.
This Palgrave Macmillan imprint is published by the registered company Springer Nature
Switzerland AG
The registered company address is: Gewerbestrasse 11, 6330 Cham, Switzerland
Dedicated to the Memory of
Pamela (Pam) Hibbs CBE, OBE, FRCN (1935–2021),
Healthcare Pioneer
Acknowledgments
vii
A Note on Romanization
ix
Contents
Part I Film
2 The Dictator’s Daughter and the Rising Sun: Scars
of Colonialism in South Korean Cinema During
the Park Geun-hye Era 35
Russell Edwards
3 Fighting “The Man”: The Production of Historical
Knowledge in Cho Kŭn-hyŏn’s 26 Years 59
Niall McMahon
4 Squaring the Circle: The Schoolgirl’s Diary and North
Korean Film in the Era of Marketization 83
Andrew David Jackson
Part II Music
5 Singing Through Impossible Modernization: Sopyonje
and National Cinema in the Era of Globalization 117
Seung-hwan Shin
xi
xii CONTENTS
Index 363
Notes on Contributors
xiii
xiv NOTES ON CONTRIBUTORS
c. Circa
C. Chinese
CE Common Era
cf. Latin “confer” (compare to)
J. Japanese
K. Korean
lit. Literally
n Footnote
n.d. Not Dated
Chronology
This chronology includes the kingdoms, dynasties, and leaders featured
in this book.
xvii
xviii ABBREVIATIONS
xix
xx LIST OF FIGURES
xxi
CHAPTER 1
A. D. Jackson (B)
Monash University, Melbourne, VIC, Australia
e-mail: andrew.david.jackson@monash.edu
free trade, and free ideas (Potter 2009, xv). Some theorists confidently
predicted the gradual withering away of the state in the face of a “jugger-
naut” of greater international integration fostered by globalization (Vaish
2010, 1; Kim 2000a, 5). However, the 2020 Global Pandemic—which
was partly fueled by unrestricted international travel—has shown these
predictions to have been premature, as states installed barriers to the free
movement of people.
Chang Yun-shik observes that a large amount of research into glob-
alization focuses on the processes through which the world is becoming
a more uniform, integrated system, but the studies that are most perti-
nent to this volume are those that analyze the individual experiences of
nations and regions under globalization (Chang 2009, 1). These include
the significant number of general studies about South Korea’s political
and economic development under globalization by Samuel Kim (2000b),
Lewis and Sesay (2002), Kim et al. (2008), and Chang et al. (2009). Most
of the focus in this research has been on the South Korean economy,
understandably because of the global impact of economic crises that
have occurred roughly once every decade (in 1996–1997, 2008, and
2020). Another group of scholars has emphasized the impact of global-
ization upon specific areas of national or regional societies, economies,
and cultures.2 Darrell William Davis and Emily Yueh-yu Yeh (2008),
SooJeong Ahn (2011), Chua Beng Huat (2012), and Michael Fuhr
(2016), for example, have investigated how globalization has combined
with greater regional integration to help the rapid domestic and interna-
tional expansion of South Korean cultural industries, in particular cinema
and popular music. Viniti Vaish’s 2010 investigation of the effect of glob-
alization processes upon language in Asia also includes a discussion of
the international spread of Korean and the increasing predominance of
English use in South Korea.
This current volume builds on the work of the latter group of scholars
by focusing on the impact of globalization upon Korean culture, society,
and language. The twenty-five years since the promulgation of Kim
Young Sam’s segyehwa policy have seen a significant rise in the perceived
value placed upon the internationalization of Korean culture. The global
promotion of Korean culture has continued to be a central and defining
part of South Korean government policy, demonstrating its value as a soft
power tool for the national interest (as we see below). This book also
includes a feature that is absent from other globalization studies in the
Korean context, which focus exclusively on South Korea (The Republic
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