Professional Documents
Culture Documents
cico.12136
cico.12136
cico.12136
∗ Correspondence should be addressed to Jessica Shannon Cobb, UCLA School of Law, 385 Charles E Young
Dr. E, Los Angeles, CA 90095; cobb2018@ucla.lawnet.edu.
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PROTAGONIST-DRIVEN URBAN ETHNOGRAPHY
focusing on their difference from their communities of study. The researcher’s journey
into the field dominates the narrative and eclipses the lived experiences of the research
subjects.
We argue that a turn toward reflexive ethnography inadvertently shifted the ethno-
graphic objective away from theorizing social phenomena and toward describing the re-
searcher’s relationship to the field. Consequently, critiques of scholarship tend to take
the form of ad hominem attacks on the scholar and ethnographers are trapped between
two stereotypical subject positions—the stranger in a strange land and the native son.
We call for protagonist-driven urban ethnography, encouraging scholars to place the lived
experiences of research participants at the center of their research and writing.
SCHOLAR-CENTERED ETHNOGRAPHY
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CITY & COMMUNITY
PROTAGONIST-DRIVEN ETHNOGRAPHY
We see an exciting new possibility for ethnographic methods in what we call protagonist-
driven research. This research agenda acknowledges that reflexivity is a method, not an
objective. Considering one’s subjectivity as entering into dialogue with others in the field
is a means to achieve good data and to conceptualize that data, not an end in and of
itself.
In protagonist-driven research, the scholar sacrifices ego to achieve ethnographic im-
mersion. Moments of discomfort in the field—confusion, fear, resentment, etc.—are
interpreted not as juicy anecdotes to highlight for the reader but as signals that the re-
searcher must go deeper into the social world under study. The immersion process is also
conducted in community with a trusted network of scholars to reflect on realizations and
misunderstandings throughout the entire research process. Because we are all the pro-
tagonists of our own imagining, community support is needed to push scholars out of the
center and to bring the margins of the urban social world into view.
Protagonist-driven research begins with the development of relationships the scholar
hopes will help answer open-ended questions. Gradually, the scholar develops networks
of contacts and a web of local knowledge to develop a systematic sampling frame. Within
this frame, the scholar seeks to achieve both breadth and depth—forming an array of
relationships and asking more questions as their base of situated knowledge deepens.
The scholar’s goal is neither to become like the research subjects nor to maintain distance
from them; the goal is to understand those subjects to develop connections that become
themes that become concepts that become theories. In this way, urban ethnographers
can develop generalizable contributions while maintaining a locally grounded stance.
Finally, protagonist-driven writing makes the research subjects the focal point of the
final narrative. The researcher is responsible for developing the analytical frame, but
these lead characters are responsible for animating that frame. In this way, protagonist-
driven ethnographies take seriously Dorothy Smith’s (1987) and Rosalinda Gonzalez’s
(1987) argument that the social location of marginalized groups fosters awareness of and
skepticism toward the structures that produce their marginalization. Though the scholar
has an important role to play in describing the broader social context and theorizing
the dynamics they witness on the ground, these situated insights are best provided by the
people who actually live them. In place of scholars who claim difference, scholars who
can form strong connections to their research participants to fully articulate their stories
will hold the upper hand in a field that celebrates protagonist-centered research.
By adopting a protagonist-centered approach, we hope to see personal acclaim and
attacks fall away from the field of urban ethnography. Instead, we would like to see praise
and critique—among academics but also among the politicians, media, and urban resi-
dents with whom we now frequently interact—focus on substance: the empirical puzzle,
the theoretical contribution, and the methodological rigor of a project. This turn is the
next step needed to bring the ethnographic objective out of the musty stacks and into
the vibrancy of the urban environment.
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PROTAGONIST-DRIVEN URBAN ETHNOGRAPHY
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