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The Venetian Bride: Bloodlines and Blood
Feuds in Venice and Its Empire
 The Venetian Bride:
Bloodlines and Blood
Feuds in Venice and
Its Empire
PAT R IC IA F O RT I N I B R OW N

1
 1
Great Clarendon Street, Oxford, OX2 6DP,
United Kingdom
Oxford University Press is a department of the University of Oxford.
It furthers the University’s objective of excellence in research, scholarship,
and education by publishing worldwide. Oxford is a registered trade mark of
Oxford University Press in the UK and in certain other countries
© Patricia Fortini Brown 2021
The moral rights of the author have been asserted
First Edition published in 2021
Impression: 1
All rights reserved. No part of this publication may be reproduced, stored in
a retrieval system, or transmitted, in any form or by any means, without the
prior permission in writing of Oxford University Press, or as expressly permitted
by law, by licence or under terms agreed with the appropriate reprographics
rights organization. Enquiries concerning reproduction outside the scope of the
above should be sent to the Rights Department, Oxford University Press, at the
address above
You must not circulate this work in any other form
and you must impose this same condition on any acquirer
Published in the United States of America by Oxford University Press
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Library of Congress Control Number: 2020949094
ISBN 978–0–19–289457–1
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Links to third party websites are provided by Oxford in good faith and
for information only. Oxford disclaims any responsibility for the materials
contained in any third party website referenced in this work.
This book is dedicated to Paul, John, and Anton—my own bloodline
 Contents

Acknowledgements ix
List of Illustrations xi
Note on citations and abbreviations xvii
Preface xxi

PA RT O N E : B I RT H R IG H T S

1. A Future Bride 3
2. A Bitter Bequest 19
3. Recovery 48
4. Restitution 66
5. Honour and Disgrace 87

PA RT T WO : A M E L D E D B L O O D L I N E

6. The Venetian Bride 113

7. Exile 136
8. The Capitano Grande 163
9. The Return 188
10. The Sacrifice 222

PA RT T H R E E : L I N E AG E S

11. Wars and Peace 251

12. Suitable Alliances 279
13. The Cardinal 290
14. Retrenchment 307
15. The Legacy 320
Epilogue 353
viii Contents

Appendices 355
I. Francesco Sansovino, Vita delle illustre signora Contessa Giulia
Bemba della Torre 355
II. Family Trees 363
A. Bembo 363
B. Della Torre I: sixteenth century 364
C. Della Torre II: seventeenth–eighteenth centuries 365
D. Colloredo 366
E. Savorgnan 367

Bibliography 369
Index 395
 Acknowledgements

One incurs many debts for a book that took sixteen years to bring to fruition.
Acknowledging them all is a daunting task, and I ask forgiveness from those
whom I have inadvertently left out. First, I would like to thank Princeton
University for generous institutional support over the years. The chair of the
Department of Art & Archaeology, Michael Koortbojian, and the office staff—
Maureen Killeen, The late Susan Lehre (before her retirement), Stacey Bonette,
Diane Schulte, and Julie Angarone—were most helpful in a myriad of ways.
I benefited greatly from grants from the University Committee on Research in the
Humanities and Social Sciences, as well as from the Ione May Spears Fund of
the Department of Art & Archaeology for research travel and photography. The
Department’s Barr Ferree Publication Fund afforded crucial support for repro-
duction fees and the acquisition of photographs. Support from the Program in
Hellenic Studies, and its director, Dimitri Gondicas, allowed me to teach a course
on Renaissance Crete, with a class trip that allowed me to familiarize myself with
the island. In the final phases of manuscript preparation, Luciano Vanni, my tal-
ented graduate research assistant, offered much-­needed assistance in acquiring
images and permissions.
My research over the years was greatly facilitated by the staffs of the Marquand
and Firestone libraries at Princeton; in Venice at the Archivio di Stato, Archivio
Storico del Patriarcato di Venezia, Biblioteca del Museo Correr, Biblioteca
Nazionale Marciana, the Fondazione Giorgio Cini, and the Istituto Ellenico; in
Udine at Archivio di Stato, Biblioteca Civica Vincenzo Joppi, and Biblioteche
Storiche Diocesane; in Trento and in Trieste at the Archivio di Stato; and at the
Biblioteca Seminario Vescovile in Ceneda (Vittorio Veneto).
For practical help, advice, and various kinds of assistance, I would like to thank
Bernard Aikema, Christopher Apostle, Benjamin Arbel, Lilian Armstrong, Joško
Belamarić, Mauro Bondioli, Giulio Bono, Linda Borean, Donatella Calabi,
Lorenzo Calvelli, Federica Caneparo, Giovanni Caniato, Stan Chojnacki, Paula
Clarke, Leslie Contarini, Gigi Corazzol, Michela Dal Borgo, Giada Damen, Blake
de Maria, Alex Eliopoulos, Peter Fergusson, Joanne Ferraro, Mary Frank, Edviljo
Gardina, Paolo Giovannini, Edoardo Giuffrida, Olga Gratziou, Amy Gross, Jim
Grubb, Jasenka Gudelj, Johanna Heinrichs, Charles Hope, Kristin Huffman,
Frederick Ilchman, Eleni Kanaki, Elizabeth Kassler-­Taub, Michelle Komie, Bianca
Lanfranchi, the late Patsy and George Labalme, Laura Lepskchy, Margherita
Losaccco, Piero Lucchi, Chryssa Maltezou, Rosella Mamoli, Vittorio Mandelli,
Lia Markey, Georgios Markou, John Martin, Stefania Mason, Gabriele Matino,
x Acknowledgements

Christine Morley, Reinhold Mueller, Jacki Musacchio, Daniela Omenetto, Susan

Nalezyty, Andrea Nanetti, Alessandra Negrin, Giulio Ongaro, Luciana Osti,
Gerassimos Pagratis, Nikolas Patsavos, Katja Piazza, Debra Pincus, Dennis
Romano, Susannah Rutherglen, Claudia Salmini, Alessandra Sambo Alessandra
Schiavon, Richard Schofield, the late Allison Sherman, Emily Spratt, Alan Stahl,
Dr. Lucia Stefanelli, Helena Szépe, Giorgio Tagliaferro, Francesca Tamburlini, the
late Dottoressa Maria Francesca Tiepolo, Francesca Toffolo, Irina Tolstoy, Eurigio
Tonetti, Fra Apollonio Tottoli, Maria Vasilaki, Despoina Vlassi, Tim Wardell, and
Marino Zorzi. I am also grateful for the gracious hospitality of Giuliana, Chiara,
and Federica at the Hotel Suite Inn in Udine.
I am particularly indebted to Melissa Conn, director of the Venice Office of
Save Venice and the Rosand Library & Study Center, for favours too numerous to
cite. Special thanks go to Tracy Cooper, my intrepid travel companion to sites in
the Veneto and the Friuli, for her insights throughout the process; to my sister
Barbara Medwadowski for helping me explore Crete; to Monique O’Connell for
sharing the manuscript of her book, Men of Empire, in advance of publication; to
Nubar Gianighian for organizing a visit to the Castello di San Martino in Ceneda,
where we were welcomed by Nice Vecchione and Don Adriano Dall’Asta; to
Pallina Pavanini for help with transcriptions and for offering important perspec-
tives on a draft of the first chapter of the book; to Ed Muir for vetting the second
chapter; and to Gillian Malpass, Deborah Howard, and Sarah Blake McHam for
their friendship, encouragement, and always welcome advice.
Finally, I am especially grateful to Michelle Lovric, who read a draft of the
entire manuscript before I submitted it to a press and offered invaluable criticisms
and suggestions for improvement; to the anonymous reviewers for Oxford
University Press, who gave me further constructive feedback; and, finally, to my
editors at Oxford University Press, Cathryn Steele and Katie Bishop, for their
ongoing enthusiasm, support, and encouragement.
 List of Illustrations

1.1. Valerio Belli, Pietro Bembo (obverse), bronze medal, dia. 3.45 cm, ca. 1532.
Washington, National Gallery of Art. Samuel H. Kress Collection, inv.
1957.14.79.a.6
1.2. Venice, Ca’ Bembo on Campiello Santa Maria Nova. Photo: Tony Hisgett.
< https://commons.wikimedia.org/wiki/File:Campiello_S._Maria_Nova_
(7263292432).jpg> (15 February 2021).  9
2.1. Abraham Ortelius, Patria del Friuli, engraving with hand colour,
35.5 × 48 cm, 1573. From Theatrum Orbis Terrarum Abrahami Ortelii
Antverp. Geographi Regii. Antwerp, Plantin Press, 1601.
Photo: www.sanderusmaps.com. 20
2.2. Joseph Heintz il Giovane, attrib., View of Udine, oil on canvas, 146 × 233 cm,
c. 1650–60. Udine, Civici Musei, Galleria d’Arte Antica, inv. 65.
Photo: Fototeca. Civici Musei di Udine. 21
2.3. Earthquake in Udine after the Cruel Carnival of 1511, from MCVe, MS
Correr 963, ‘Udine saccheggiata l’anno 1511, c. 29’, eighteenth century.
By permission of Museo Civico Correr, Venice. 42
3.1. Castello di Villalta from the southwest. Photo: Alessandro Steffan.
Reflexbook.net.49
3.2. Castello di Villalta in 1480. BCUd, MS 208, Fondo Joppi. Biblioteca Civica
‘Vincenzo Joppi’ di Udine. 50
3.3. Castello di Colloredo di Monte Albano. Archivio fotografico della
Soprintendenza Archeologia, Belle Arti e Paesaggio del Friuli
Venezia Giulia, inv. ts 5749. 58
4.1. Joseph Heintz il Giovane, attrib., View of Udine (detail of Figure 2.2).
Photo: Fototeca. Civic Musei di Udine. 67
4.2. Udine, Loggia del Lionello, 1448–55, with later repairs and modifications
up to 1868. Photo: Udine2812. <https://commons.wikimedia.org/wiki/
File:Loggia_del_Lionello_(Udine).jpg> (15 February 2021). 76
4.3. Udine, Piazza Contarena (now Piazza della Libertà). Photo: Sailko.
< https://commons.wikimedia.org/wiki/ File:Udine,_piazza_della_
libert%C3%A0_00.JPG> (15 February 2021). 78
5.1. Ceneda (Vittorio Veneto), Castello di San Martino. Photo: author. 87
5.2. Ceneda (Vittorio Veneto), Municipal loggia, 1537–­8. Now Museo
della Battaglia. Photo: author. 88
5.3. Paris Bordone, attrib. Count Girolamo Della Torre, oil on canvas,
126.4 × 95.5 cm, c. 1535–45. Private collection. Photo: Courtesy
of New Orleans Auction Galleries. 89
xii List of Illustrations

5.4. ‘Corte del Palazzo Ducale di Venetia’ (The courtyard of the Ducal Palace of Venice),
from Cesare Vecellio, Habiti antichi, et moderni di tutto il mondo,
Venice: Giovanni Bernardo Sessa, 1598, c. 101. Amsterdam, Rijksmuseum,
obj. no. BI-­1938-­0066-­148. 100
5.5. View of tomb of Alvise II Della Torre, ca. 1549–50. Venice, Chiesa di Santa
Maria Gloriosa dei Frari. Photo: Matteo da Fina. Courtesy of Save Venice, Inc. 104
5.6. Andrea Schiavone (attrib.), Tomb of Alvise II Della Torre, oil on panel,
320 × 380 cm, ca. 1549–50. Venice, Chiesa di Santa Maria Gloriosa dei Frari.
Photo: Matteo da Fina. Courtesy of Save Venice, Inc. 105
5.7. Andrea Schiavone (attrib.), Murder of Alvise II Della Torre and Giambattista
Colloredo, detail of Figure 5.6. Photo: Matteo da Fina. Courtesy of
Save Venice, Inc. 105
5.8. Andrea Riccio, The Death of Della Torre, Bronze, height 37 cm, 1516–20.
Paris, Museé du Louvre, OA9155 (orig. San Fermo Maggiore, Verona).
Photo: (C) RMN-­Grand Palais (Musée du Louvre) / Stéphane Maréchalle. 106
6.1. Titian (possibly after), Portrait of a Lady, oil on canvas, 63.5 × 51.8 cm,
1530–60. The Art Institute of Chicago, Max and Leola Epstein
Collection, 1954.301. 114
6.2. ‘Ordinario (Everyday clothing worn by the entire Venetian nobility)’, from
Cesare Vecellio, De gli habiti antichi, et moderni, 1598, c. 106. Amsterdam,
Rijksmuseum, obj. no. BI-­1938-­0066-­81. 115
6.3. Course of the River Brenta,, from Giovanni Francesco Costa, Le Delizie del
fiume Brenta nei palazzi e casini situati sopra le sue sponde dalla sua
sboccatura nella laguna di Venezia infino alla città di Padova, I, 1750.
Paris, Bibliothèque Nationale de France. © BnF. 118
6.4. ‘Spose non sposate’ (Brides before their weddings in our time) and ‘Spose
sposate’ (Brides outside the house after they have married), from Cesare
Vecellio, De gli habiti antichi, et moderni. Venice: Giovanni Bernardo Sessa,
1598, cc. 125, 126. Amsterdam, Rijksmuseum, obj. nos. BI-­1938-­0066-­95
and BI-­1938-­0066-­96. 122
7.1. Carpaccio, Departure of the Betrothed Pair (detail), oil on canvas, c. 1495.
Venice, Museo Nazionale Gallerie dell’Accademia, cat. 575. © Gallerie
dell’Accademia di Venezia, ‘Ministero dei beni e delle attività culturali
e del turismo’. Photo: Matteo Da Fina, Save Venice Inc. 139
7.2. Candia, from Bernhard von Breydenbach, Peregrinationes in Terram Sanctam,
Mainz, 1486 (1st ed.); 1502 (2nd ed.). Woodcut by Erhard Reeuwich.
The National Library of Israel, Eran Laor Cartographic Collection,
Shapell Family Digitization Project and The Hebrew University of
Jerusalem, Department of Geography—Historic Cities Research Project.  144
7.3. Eucharius Rösslin, Libro nel qual si tratta del parto de lhuomo, Venice, 1538,
frontispiece. Library of Congress, Rare Book and Special Collections Division,
shelfmark RG91.R715. 151
 List of Illustrations xiii

8.1. MCVe, Mariegola 56, Accademia degli Uniti, 1551, cover. Venice,
Biblioteca del Museo Civico Correr. 165
8.2. MCVe, Mariegola 56, Accademia degli Uniti, 1551, frontispiece.
Venice, Biblioteca del Museo Civico Correr. 166
8.3. ‘Bravo [armed retainer] of Venice and other cities of Italy’, from Cesare
Vecellio, De gli habiti antichi, et moderni. Venice: Giovanni Bernardo Sessa,
1598, c. 165. Amsterdam, Rijksmuseum, obj. no. BI-­1938-­0066-­127. 168
8.4. Maneas Klontzas, View of Candia (detail), drawing, early seventeenth
century. By ­permission of Malcolm Weiner. Photo: Historical Museum
of Crete, Heraklion.  171
8.5. Bembo Fountain, 1552–4. Candia (Heraklion). Photo: author. 174
9.1. Venice, Ca’ Morosini (now Hotel Ca’ Sagredo) on the Grand Canal in
Cannaregio. Photo: Didier Descouens – Own work, CC BY-SA 4.0, <https://
commons.wikimedia.org/w/index.php?curid=15794062> (15 February 2021). 190
9.2. Scodella (Broth Bowl) on a High Foot: Birthing Chamber Scene, Maiolica
(tin-­glazed earthenware), h. 10.8 cm, diam. 14.4 cm, 1545–60.
Princeton University Art Museum, Museum purchase, y1941–28. 193
9.3. German or Polish artist, Bona Sforza as a widow, oil on canvas, 210.5 × 111 cm,
seventeenth century. The Royal Castle in Warsaw—Museum, inv. no. ZKW/60.
Photo: Andrzej Ring, Lech Sandzewicz. 202
9.4. Giovanni Merlo, Vero e real disegno della inclita cita di Venetia (detail), 1676.
Chicago, Newberry Library, Novacco 4F 288. Newberry Digital Collections. 215
10.1. Ceneda (Vittorio Veneto). Marble fountain in the cathedral square,
1555. Photo: author. 224
10.2. Ceneda (Vittorio Veneto). Aerial view of Castello di San Martino.
Photo: Reflexbook.net. 225
10.3. Girolamo Romanino (attr.), Banquet of Bartolomeo Colleoni in honour
of Christian I of Denmark in 1467 (detail), fresco, 1520s. Castello di Malpaga.
Photo: Giorces. <https://commons.wikimedia.org/wiki/ File:Malpaga28.JPG>
(15 February 2021). 230
10.4. Giovanni da Udine, Allegorical frescoes (detail), Studiolo, Castello di
Colloredo di Monte Albano. Archivio fotografico della Soprintendenza
Archeologia, Belle Arti e Paesaggio del Friuli, inv. Ud_R 867-­11. 232
10.5. Commission of Lorenzo Bembo, capitano of Paphos, from Doge Nicolo
Priuli, 1558. Houghton Library, Harvard University, MS Typ 330. 234
10.6. Cornelis Cort, Birth of the Virgin, engraving after Federico Zuccaro,
32.7 × 20.5 cm, 1568. Amsterdam, Rijksmuseum, RP-­P-­1888-­A-­12476. 239
10.7. Master of Ceneda, Coronation of the Virgin, tempera on panel, 283 × 303 cm,
1450. Venice, Museo Nazionale Gallerie dell’Accademia, cat. 1. © Gallerie
dell’Accademia di Venezia, ‘Ministero dei beni e delle attività culturali
e del turismo’. Photo: Matteo Da Fina, Save Venice Inc. 242
xiv List of Illustrations

10.8. Frontispiece of Francesco Sansovino, Vita della illustre Signora Contessa Giulia
Bemba della Torre (Venice: Domenico & Gio Battista Guerra, fratelli, 1565).
Shelfmark: Misc. 1215.007. Venice, Biblioteca Nazionale Marciana. 244
11.1. ‘Lutto’ (Mourning clothes outside Venice), from Cesare Vecellio, De gli
habiti antichi, et moderni. Venice: Giovanni Bernardo Sessa, 1598, c. 166.
Amsterdam, Rijksmuseum, obj. no. BI-­1938-­0066-­128. 252
11.2. Commission of Lorenzo Bembo, Provveditore Generale of the Kingdom of
Cyprus, from Doge Girolamo Priuli, 1565. Trinity College, Cambridge, MS
R.4.30, James no. 659. © Master and Fellows of Trinity College, Cambridge. 263
11.3. Girolamo Romanino (attr.), Hunting scene (detail), fresco, 1520s.
Comune of Bergamo, Castello di Malpaga. Photo: Giorces.
<https://commons.wikimedia.org/wiki/ File:Malpaga27.JPG>
(15 February 2021). 271
11.4. Domenico Zenoi, Entry of Henri III, King of France and Poland, into Venice,
etching, 19.7 × 27.1 cm, 1574. New York, Metropolitan Museum of Art.
Acc. No. 59.570.432. The Elisha Whittelsey Collection, The Elisha Whittelsey
Fund, 1959. 273
12.1. ‘Spose del Friuli’ (Brides of Friuli and places nearby), from Cesare Vecellio,
De gli habiti antichi, et moderni, 1598, c. 217. Amsterdam, Rijksmuseum, obj.
No. BI-­1938-­0066-­149. 280
12.2. Castello di Valvasone. Photo: Ufficio Turismo di Valvasone. 281
12.3. Castello di Valvasone. Frescoes, fourteenth century. Photo: Ufficio Turismo di
Valvasone.281
12.4. Treviso, Ca’ da Noal. Photo: Appo92 <https://commons.wikimedia.org/
wiki/File:CaDaNoal1.JPG> (15 February 2021). 284
12.5. Castello di Villalta from the east. Photo: Reflexbook.net. 286
13.1. Bartolomeo Carducci [Bartholome Carducho], Portrait of Cardinal
Michael Turrianus (Posthumous Portrait of Cardinal Michele Della Torre),
oil on canvas, 140 × 155 cm, 1608. GASK—The Gallery of the
Central Bohemian Region, Kutná Hora. Photo: Oto Palán.291
13.2. Frontispiece, Adriano Grandi, Canzone nella morte dell’Illustrissimo
Reverendissimo Cardinale di Ceneda, Monsignor Michele della Torre,
Verona: Appresso Girolamo Discepoli, 1586. Shelf mark MISC 2525.008.
Venice, Biblioteca Nazionale Marciana. 297
14.1. Palazzo Torriani of 1540, ink drawing made after 1589. Facade on Borgo
Strazzamantello. ASUd, Archivio Della Porta, B. 12-­3. Photo: author.
By permission of the Archivio di Stato di Udine. 308
14.2. Palazzo Torriani compound in 1589. ASUd, Archivio Della Porta, B. 12-­3.
Photo: author. By permission of the Archivio di Stato di Udine. 309
14.3. Loggia in Palazzo Torriani compound in 1589. ASUd, Archivio Della Porta,
B. 12-­3. Photo: author. By permission of the Archivio di Stato di Udine. 309
 List of Illustrations xv

14.4. Veronese and workshop, Coronation of Hebe, oil on canvas, 387 × 387 cm,
1580s. Boston, Isabella Stewart Gardner Museum, acc. no. P25c26. 312
15.1. Andrea Vicentino, Madonna of the Rosary, with Pope Pius V, St. Dominic,
and the Queen of Cyprus, c. 1600. Church of St. Kvirin Museum. Krk, Croatia. 323
15.2. Portrait of Bishop Giovanni Della Torre. Oil on canvas, 1606. Musei Civici
di Padova. Inv. 1479. Photo: Ghiraldini Giuliano. By kind permission of the
Comune di Padova—Assessorato alla Cultura.  326
15.3. Lucio, Sigismondo, and Girolamo, sons of Carlo II Della Torre. BCUd,
Fondo Principale, MS 541, cc. 25, 26, 27. Biblioteca Civica ‘Vincenzo
Joppi’ di Udine. 334
15.4. Villa Pedrina, Azzo Decimo (Pordenone). Photo: Reflexbook.net. 337
15.5. Palazzo Torriani before 1717. Street facade of the main palace (lower left)
and three views of the facades facing the interior courtyard. BCUd, Fondo
Principale, MS 541, c. 29r. Biblioteca Civica ‘Vincenzo Joppi’ di Udine. 340
15.6. Column of infamy in Piazza del Fisco and Demolition of Palazzo Torriani
in 1717. BCUd, Fondo Principale, MS 541, c. 30r. Biblioteca Civica
‘Vincenzo Joppi’ di Udine. 340
15.7. Della Torre and Villalta coats of arms, with a banderole inscribed with
‘Tranquilité’. Entry portal, Castello di Villalta. Photo: Tracy E. Cooper. 344
 Note on Citations and Abbreviations

Printed sources are referred to in the notes by author and year of publication (anonymous
works by short title and year). The bibliography at the end of the book, divided into pri-
mary and secondary texts, gives full references. The following abbreviations are used in
the notes.

Archives and Libraries

ASDUd Archivio Storico Diocesano, Udine

ASTr Archivio di Stato, Trento
ASTS Archivio di Stato, Trieste
ASUd Archivio di Stato, Udine
AT Archivio Torriani-­Della Torre
ADT Archivio Della Torre
ADP Archivio Della Porta
ASVe Archivio di Stato, Venice
AC Avogaria di Comun
Barbaro, Genealogie Miscellanea codici, Storia Veneta, bb. 17–23
(I–VII), Marco Barbaro, Genealogie patrizie
CCX Capi del Consiglio di Dieci
Coll. Collegio
CX Consiglio di Dieci
X Savi Dieci Savi alle Decime in Rialto
LPF Luogotenente alla Patria del Friuli
MC Maggior Consiglio
NA Notarile, Atti
NT Notarile, Testamenti
SAV-­MC Segretario alle Voci, Elezioni in Maggior Consiglio
SAV-­Sen. Segretario alle Voci, Elezioni in Senato
Sen. Senato
ASVic Archivio di Stato, Vicenza
BCUd Biblioteca Communale ‘V. Joppi’, Udine
MCVe Biblioteca del Museo Civico Correr, Venice
Barbaro, Genealogie MS Cicogna 2498–2504 (I–VII). Marco
Barbaro, Genealogie e origine di famiglie venete patrizie
xviii Note on Citations and Abbreviations

Publications

Bembo/TraviPietro Bembo, Lettere, ed. Ernesto Travi, 4 vols., Bologna, 1987–93.

Cardinals The Cardinals of the Holy Roman Church: http://cardinals.
fiu.edu/cardinals.htm
CSP/5 Calendar of State Papers Relating To English Affairs in the
Archives of Venice, Volume 5, 1534–1554. Edited by Rawdon
Brown. London: Her Majesty’s Stationery Office 1873. British
History Online, accessed 4 June 2020, http://www.british-
history.ac.uk/cal-­state-­papers/venice/vol5.
CSP/8 Calendar of State Papers Foreign: Elizabeth, Volume 8,
1566–1568. Edited by Allan James Crosby. London: Her
Majesty’s Stationery Office 1871. British History Online,
accessed 4 June 2020, http://www.british-­history.ac.uk/cal-
state-­papers/foreign/vol8.
Cicogna, Ins. Ven. Cicogna, Emmanuele A. Delle inscrizioni veneziane, 6 vols
in 7. Venice, 1824–53.
DBI Dizionario Biografico degli Italiani. 92 vols. Rome: Istituto
dell’ Enciclopedia Italiana, 1960–[online: http://www.trec-
cani.it/enciclopedia/]
DU Leonardo and Gregorio Amaseo, with Giovanni Antonio
Azio, Diarii udinesi dell’1508 al 1541, ed. Antonio Ceruti,
Monumenti storici, 3rd ser., vol. 2, CronAChe e diarii, vol. I,
Venice: R. Deputazione Veneta di Storia Patria, 1884.
DU, GA Portion of diary by Gregorio Amaseo (225–492: 1511–41)
DU, GAH Appendix to diary by Gregorio Amaseo, Historia della crudel
zobia grassa et altri nefarii excessi et horrende calamità interve-
nute in la città di Udine et patria del Friuli del 1511 (497–544)
DA, LA Portion of diary by Leonardo Amaseo (1–191: Feb. 1508–10)
Moroni, Dizionario Moroni, Gaetano. Dizionario di erudizione storico-­ecclesiastica
da S. Pietro sino ai nostri giorni. 103 vols. Venice, 1840–61.
Pastor Pastor, Ludwig Freiherr von. The History of the Popes from
the Close of the Middle Ages, 40 vols. London, 1891–1953.
Relazioni/Legnago Relazioni dei Rettori Veneti in Terraferma. VIII. Provveditorato
di Legnago, Milan, 1977.
Relazioni/Friuli Relazioni dei Rettori Veneti in Terraferma. I. Patria del Friuli,
Milan, 1973.
Sanudo, Diarii Sanudo, Marin. I diarii. Edited by Rinaldo Fulin et al, 58
vols in 59. Venice, 1879–1903.
Vasari, LivesVasari, Giorgio. Lives of the Most Eminent Painters,
Sculptors and Architects. Translated by Gaston du C. De
Vere. 10 vols. London, 1912–15.
Vasari, Vite Vasari, Giorgio, Le vite de’ più eccellenti pittori, scultori ed
architettori (1568). Edited by Gaetano Milanesi. 9 vols.
Florence, 1878–85.
 Note on Citations and Abbreviations xix

Other abbreviations

b./bb. Busta/Buste
c./cc. Carta/carte (leaf/leaves)
fasc. Fascicolo
fu son or daughter of
MS/MSS Manuscripts/s
n. Note
q. quondam (son or daughter of)
r./rr. Registro/Registri
s. v. Sub voce
v./vols. Volumes/volumes

Names

The names of Girolamo and Hieronimo were used interchangeably in this period. Gian
Matteo Bembo might be called Zuan Matteo, Zan Matteo, Giammatteo, or Giovanni
Matteo. The first version is used in this book for consistency. Likewise, Luigi might be
referred to in the primary sources as Alvise, or Ludovico or Lodovico; or Jacopo as
Giacomo; or Marco Antonio as Marcantonio; and so on. In general, a specific individual
will be referred to with the same spelling throughout the book when possible. When the
same name is repeated through the generations, the first so-­named and his/her successors
will be designated as Carlo I, Carlo II, Carlo III, and so on.
The Della Torre surname, generally used throughout the book, also appears in docu-
ments of the period with several spellings, including Dalla Torre, a Turre, a Torre, a Turri,
Turriani, Torriani, and even delatore.
Patronymics: In primary documents, a living father is typically (but not always) desig-
nated by fu; a deceased father by q. (i.e., Gian Matteo Bembo fu Alvise; or Gian Matteo
Bembo q. Alvise). The original spelling is retained in the book.

Dates

The Venetian year began on 1 March. Thus, dates in original documents that were cited as
more Veneto have been changed to normal usage. The Venetian dating system was not used
in the Friuli, where the year began on 1 January.

Translations

Unless otherwise noted, all translations are by the author.

Another random document with
no related content on Scribd:
838. CIL. 6, 4233; 5188; 5190; 5884; 8679; 8743 — Cod. th. 14, 9, 2.

839. Cod. th. 15, 1, 14. 16, 10, 15 ( = C. I. 1, 11, 3); 10, 18 etc. Circa la
sorveglianza del praefectus urbi sui monumenti pubblici, cfr. Vigneaux,
o. c. 323 sgg.

840. Cod. th. 6, 21, 1; cfr. Liban. 1, pp. 27; 51-52, ed. Reiske.

841. Cfr. anche Symm. 1, 79.

842. Cfr. Dio Cass. 53, 30.

843. CIL. 6, 9888.

844. Cod. th. 15, 1, 19.

845. Cassiod. Variae, 9, 21, 9.

846. Philostr. V. S. 2, 12, 4; 30, 1-2.

847. Traiano e Adriano dànno al sofista Polemone e ai suoi successori la

facoltà di viaggiare in franchigia, il diritto di portare la praetexta, il
privilegio del ιερασθαι (Phil. 1, 25, 5. 2, 25, 5); Marco Aurelio dà al
sofista Adriano, oltre a doni ricchissimi, mensa quotidiana a spese dello
Stato, un posto riservato in pubblico, il privilegio del ιερασθαι e tutti gli
onori, cui può ambirsi da un libero (Philostr. 2, 10, 7). Cfr. su ciò anche
Weber, o. c. 21 sgg.

848. Philostr. V. S. 2, 25, 5.

849. Philostr. V. S. 2, 20, 2; 30, 1.

850. H. A. Hadr. 16. 11.

851. CIL. 6, 1704 e Mommsen, in N. Memorie dell’Istit. di corr. arch., 1865,

pp. 328-329.

852. Hirschfeld, o. c. p. 334.

853. Mommsen, in N. Memorie, 1865, p. 329, in Harnack u. Gebhardt, o. c.

1903(9) 3, p. 112.

854. Zonar. 14, 6, 31-32 (= P. II 63 b).

855. Cfr. Symm. 1, 79 — Cassiod. Variae, 9, 21.

856. Cfr. Const. Omnem 10.

857. Cod. th. 14, 9, 3 (= C. I. 11, 19, 1-2) — Const. Omnem 7. L’esecutore di
questa clausola non può, in Costantinopoli, essere altri che il praefectus
urbi, così come, nelle città di provincia, i governatori del luogo.

858. Cod. th. 16, 1, 53. 14, 9, 3 — Ioann. Lyd. De magistr. 3, 29.

859. Symmach. Ep. 10, 5 — Zonar. 14, 6, 31-32 (= P. II 63 b).

860. Symmach. 1, 79 — Cassiod. 9, 21.

861. Cod. th. 6, 21, 1 (= C. I. 12, 5. 1).

862. August. Confess. 3, 13, 1.

863. Cod. th. 14, 9, 2; cfr. Mommsen, in Harnack u. G. Texte u. Unters.

1903, 3, 111.

864. Cod. th. 13, 3, 6 — Const. Omnem 7.

865. Cod. th. 13, 3, 1; 11.

866. Cfr. Cod. th. 13, 3, 7 (= C. I. 10, 53, 9).

867. Cod. th. 13, 3, 1 (= C. I. 10, 53, 6) 4, 1; 2 (= C. I. 10, 66, 1); 3 (= C. I. 10,
66, 2).

868. Cod. th. 13, 4, 1. Circa il destinatario, cfr. il commento del

Gothofredus al Cod. th.

869. Cfr. Weber, (o. c. 7-8; 15), che tuttavia non ha sempre inteso
rettamente le fonti consultate e riferite — Petit, o. c. 30; 33 sgg.; 39; 41;
70 — Hertzberg, o. c. III, 312 sgg.

870. Rostovzew et Prou, o. c. 91.

871. Così pensarono il Rostowzew et Prou, o. c. 94; 100 e lo stesso

Rostowzew, R. Bleitesserae, pp. 59; 86.

872. Cfr. Rostowzew, o. c. 59; 86.

873. Eph. epigr. 3, 156 — CIL. 3 suppl. 7060.

874. Cagnat, in Année épigr. 1896, N. 32 — Rostowzew, o. c. 92, n. 2.

875. Rostowzew et Prou, o. c. 94-95; 97 — Rostowzew, o. c. 86.

876. Cfr. Savigny, o. c. I, 546-547.

877. [Tac.] De orator. 40.

 Nota del Trascrittore

Ortografia e punteggiatura originali sono state

mantenute, correggendo senza annotazione minimi
errori tipografici.
Le correzioni indicate a pag. 431 (Errata-corrige) sono
state riportate nel testo.
Copertina creata dal trascrittore e posta nel pubblico
dominio.
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