Clarinet I Fourth Trio for Clarinets

Opus 8, No. 1
Clarinet Institute of Los Angeles
Jacques Bouffil


q = 78
                    


                       
5

 


                        
10

  

 
Allegro
   
14
 
         

              
20

       

   
    
28
   
       


34

              
  
     
       
41

  

     
48

          
 
      
(c) 1996 by Oliver Seely, Jr. and placed in the public domain in memory of my teacher, Ralph Sarber
2

     
 
54

      

  
                   
62

                       

69

 

                       

75

     
81

 
          

                
90

           

                      
97

    


104
              
         


111

                  
 


      
117

      
  
 3

 
125

               
  

               
132

       

 
  
139
 
      


147

         
     
 
           

     
153

  

 
                     
160

    


166
                    
        

     
172

           


181

                    


188

                       
  
4
196
 
       
      

  3 
                         

203
3 3 3 3 3 3 3 3

     
 
 
208

      

 

     
215

       
            
    

222
 
     
       
231
        
   
 II. 5

       
Allegretto
  
             

                
242

     

   
247
       
            


   
251

                           

        
        
256
  


           6    
261

          

   
        
265

         

   
269

            


276

       
  
   

283

             
          
6

                 
287




291
              
            

 
296

            
         


    
300

             

           
304

           

         
  
309

      


            
314

   


318

                
 III. 7
  
    
   
       
  
    
328

            

       
334

  
   

  
344

                   
 

         
351

   
    
  
    
       
358

   

                              
371

   
376

             
385
     
 
   
     
  
            
      
393

    
 
8

                        
399

      
      
403

         


    
   
408 Reprise

       

  

  
414

           


  
422

                 

  
 
431

        
   


  
438 
        
   
 IV. 9

       3     3    3   3     3
    
3

   3     3    3   3    

450

   


                              
454


3 3 3 3 3 3 3 3

                             

457


3 3 3 3 3 3 3 3 3 3 3 3


           
460

          
3 3 3 3    


465

                    


471 3 3
         
3 3 3 3 3

  
     
3   3 3    3  
3 
      
475

      
3 3 3
         

           

479 3 3 3
    
3

3 3 3 3


483

         
3 3

             
3 3 3

  
3 3
10
     
       
487

     

   3 3 3 3 3 3 3
3

          
491

            
3 3 3 3

                  
495

     

3 3 3 3

 
                
500

    
3 3 3 3 3

504
              3   
3  3   3  
    
3

3 3


508

                  
3 3

 
3 3 3 3 3 3

   
     
   3   3  3     
512 3
 
3 3

       

  3    3   3         3    
516 3

3

 

                         

519

 
3 3 3 3 3 3 3 3

               
523

     
 
 11
529
    3            3 
3

      
3 3

  3  
 
534 3

         
3 3

   3     3    3   3   3      3      3 
538


       3          3  
   3 
542 3

  3

      
              
546

    
 
3 3 3 3 3 3

                               

550


3 3 3 3 3 3 3 3 3 3 3 3


                     
553 3

     
3 3 3 3 3 3 3 3


557

       



  

      


563 3
            
3
        


    
568

           
3 3 3

      
3 3 3

12

 
572

       

3 3
3 3 3 3
    


3 
576
     
        
3
 
3
   
3 3 3 3


     3   3   
580

3
 
3

           
3
3

 
     3
584
3

  
3 3 3 3 3 3 3 3 3
3

   
                

587

    
3 3 3
3

    3  
    
  
592

   
3


 3     3    3  
  
597 3

      

     
         
601


3 3 3 3

  3        3   3     
603 3

 
Clarinet II Fourth Trio for Clarinets
Opus 8, No. 1
Clarinet Institute of Los Angeles
Jacques Bouffil
q = 78
               
  

  
6

          
           
    

 
             
10
  
    


Allegro
  
15

             
   


22

              
 

29

   
  
       
    

          
36

             
 

     
  
43

              

       
50
     
 
(c) 1996 by Oliver Seely, Jr. and placed in the public domain in memory of my teacher, Ralph Sarber
 Clarinet II
2

  
57

                       

    
63

            
      

 
70

                    


77

                
       


83

  
         
               
 
                     
88

 


                 
95

    

            
102

         
  

109
     
                
 

116

                   
 Clarinet II
3


123

                              


129
 
  
   

      
 
  
136

                     

143
 

                 
 

             
151

     

 
158
   

              
 
  
165
     
          
   


172

  
 

 
       
 


180

        
       
 

                  

188

    
 Clarinet II
4

 
 
193

      


200

         
           

   
        
207

  

       
215

        

                  
224

           


229
         


      
233

       

 Clarinet II
II. 5
Allegretto

         
            

  
241

 
    
    


245
          
 
       


250

          
     

254

             
  
 
 
258

                 



262

       
 
   
                
268

 
 
                         
273

      
278

 
     
 Clarinet II
6



284

                   
  


288

      

                  

     
292

      
     

         
296

     



301

              
 


305

         
     


310

                        
 

   
315

          
    


319

        
     
 Clarinet II

III. 7

    
          
  
330
                   
        

                       
335

 
                        
341

   


347
   
       


       
353

      
 


360

                

  
368

              


376

               

 
     
383

     
   
 Clarinet II
8

  
390

             


398

                  


406
   
Reprise
          
  

                      

414

    

                          
420

    

         

      
427

  


      
433

          
   

      
439

            
 Clarinet II
IV. 9


       
        
3 3


  
450 3 3 3

         

3 3 3


454
     
  
3 3 3 3
     
  
    3     3 
459

           


     3      3    3    3        
464 3 3

                                  

468


3 3 3 3 3 3 3 3 3 3 3 3

     
471 3 3 3 3
                     
3



476

                
3

    
3 
 3   3   3      3   3 
480

3

3 3

      

  3  3    
    
484

        
 
 Clarinet II
10

                      
489

      
3 3 3 3 3 3 3 3 


493

               
     
  3   3     3   3    
499

          

  
          
504 3

      
3

 

        
510 3

3 3
 
           


 
515 3

                             

3 3 3
3 3 3 3 3


519

                 

     
525

    
3
  
3
        

   3    3    3    3    3     
531


3

535
 3    3  


 
3 3

       

3 3


 Clarinet II
11


  
540
         
3

      
3 3 3


 
545 3 3 3

                      
3 3 3 3 3 3

 
3


549
     
           

       3      3     3     3 
555

     3
 

  
560
      
3 3
        
 
3 3 3 3
   
3 3

            

563
 
3
      
3
 
3 3
3 3 3 3


567

    
3 3 3 3 3
    
     

3
571

   
3 3 3 3 3
            
  
  3   3   3         3   3   3       
575 3 3

  

     
579

        

  
  
 Clarinet II
12

 

584

   
3
           3 3 3 3


                        
589


3 3 3 3

    3    3 
           3 
594 3
3 3 3
 

      3 
   
3
 
     3 
598 3
    
3 3
 

   
602 3 3
        
3 3

Clarinet III
Fourth Trio for Clarinets
Opus 8, No. 1

Clarinet Institute of Los Angeles

Jacques Bouffil
q = 78

     

       
        
6
   
  
      


10

                      
         


14 Allegro

                


   
21

                 
 
   
28

                    


   
35

           
 
 
                  
42

  
 
             
49

  

(c) 1996 by Oliver Seely, Jr. and placed in the public domain in memory of my teacher, Ralph Sarber
 Clarinet III

 
56

  
                        


62

      
               

 
68

                         



             
75

           

    
82
              


 5                 
90

 

96
                            
  

  
                         
101

          
107

               

      
114

           
 
 Clarinet III


122

                           


   
128

        
        



135

              
 

          
142

        
   

 
149
            
           

   
      
156

            
 

    
163
    
          
    


169

   


  
 
 
    
   
  
177

      
    

        
186

                   
 Clarinet III

   
193

   
          

   
200

     
           


207

   
3 3 3 3 3 3
  
                       

     
212

         


219

    
                         

      
225

   
     


232

             
    
 Clarinet III
II. 5
Allegretto

          
       


241

 
        
        

   
246

   

                 
250

     

  
255

         
     

 
258

             
       


262

     

    

268

       
        


274

              
 

         
279

   
      
6
 Clarinet III

      
283

               



287

  
                
       

291

    
  
      

   
296

   

                 
300

     

  
305

         
   


309

       
               
 

      
313

            
     


317

        
        


319

   
          
 Clarinet III

III. 7

  
          
   
 
331

               


337

                            

342
         
             

 
  
347

 

    
 


353

         
     
  

362

  
           

   
371

    
          
  
 
379
         
    


385

                
 Clarinet III


394

 
     
    


401

      
      



408

          
  
   


417

          


423

                           

 
                   
428

  



433

           
     


438

      
     
 
 Clarinet III
IV. 9


         


     


450 3

         
3 3 3

   


454
     
3 3 3 3
       
         

  
459

     
3 3

    


 3     3 
464

          
     

  3   3 
469

             
  

  3  3    3   3   3        

474 3

   

 
478 3

           
3 3 3

 

       3   3 
482
3
        
3 3 3
  
3

 

    3                
486 3

     
3 3 3 3  
 Clarinet III

10
        
       
490

 
3
 
 
       3 3 3 3 3 3 3
3

           
494

        

   
500

      
         
506
   
3
      
3
  
   
3
          
3 3 3


            
  
511 3

        
3 3 3 3
3


515 3 3 3 3 3 3

                            

3



520

                
     


526

3

           
3
        


                  
531
 
3 3
        
3 3 3 3 3
 

536
 3    3  
 3

          
3 3 3

   
 Clarinet III

11


541 3 3

     
 
          


546 3

     
3 3 3 3 3 3 3
   
           


550

       
          

  3   
556 3

          
3 3
   



561

    
3 3 3

                    


566

   
3 3 3 3 3 3 3
 
         
3
 
                               
 
570 33
3 3 3 3 3

 3 3

 3           

  
574
3
 3 3 3 3 3
  


578

        
3 3 3 3

 
    
  
  3      
   
582

    
   
3 3 3
3 3 3 3
 Clarinet III

12


586

       
3
     
    

            
591

    
  

598

           
3 3 3
3
   
     3 3
 


603


3
         
  