Score

Dois Corações
Dobrado Pedro Salgado
Adap. Argemiro Correia

Marcha  = 120
                               
Trompete B  1  

    
Trompete B  2                            

        
                 
 
 
Horn in F

          
             
  

Trombone

             
              

Tuba

     
      
 
7

Tpt. B  1

  

                    

  


   
Tpt. B  2


         
      
             

Hn.

        
        
                     

Tbn.

                     
   
        

Tuba

©Edição de Argemiro Correia

Fortaleza, março de 2024
 2 Dois Corações


              
13

Tpt. B  1

   


Tpt. B  2       

        
 


                  
        
Hn.

               
Tbn.
                        

                 
    
       
Tuba

         
 
19

Tpt. B  1

   
 
               

   
Tpt. B  2


                
          
Hn.

             
Tbn.
                    

             
       
      
Tuba
 Dois Corações 3

  
 
                    


25

Tpt. B  1

    
Tpt. B  2        

                  
          
Hn.


              
                        

Tbn.

              
 
          

Tuba

        
                  
 

31

Tpt. B  1


Tpt. B  2           

                   
      
Hn.

             
Tbn.
                        

               
    
  


   
Tuba
 4 Dois Corações


    1.  
       

  
       
37 2.

 
Tpt. B  1

                 
Tpt. B  2   


               
    
    
Hn.

            
                 
Tbn.


   
              
      
Tuba

        
     
 
43

Tpt. B  1

        
Tpt. B  2        

      

                 

Hn.

                 
           

Tbn.

    
    
                
Tuba


 Dois Corações 5

        
 

49

Tpt. B  1

        
 
Tpt. B  2


     
Hn.
             
                         
             


Tbn.

            
             
   
Tuba

             
    
56 1. 2.
D.S. al Coda
Tpt. B  1
  
             
Tpt. B  2   
 

       
  
          
Hn.

            
     
    

Tbn.

   
    
          
Tuba
 
       

 6 Dois Corações

                   
          
63

Tpt. B  1

                      
 
   
Tpt. B  2


          
      

Hn.

             
    


Tbn.


      
     


   
Tuba

                                  
  
70

Tpt. B  1



                      
  

 
Tpt. B  2

 
           
 
Hn.

           
Tbn.
  
 

 

           

Tuba
 Dois Corações 7

    1.          2.          
         
77 Fine Trio
Tpt. B  1

                      
        
Tpt. B  2
        
 
  
                   

        
Hn.

  

  


                 
 
    

Tbn.

     
                  
      

Tuba


  
                  
 
84 con sord.


Tpt. B  1



Tpt. B  2              

  
               

Hn.

 
                        
          

Tbn.

                         
         

Tuba
 8 Dois Corações

             
           

90

Tpt. B  1

 
         
Tpt. B  2    

  
Hn.
        

                     
       
Tbn.  
 

                  
 
      
Tuba

         
          
senza sord.

  
96

Tpt. B  1


   
     
Tpt. B  2   


      
           

Hn.

                  
              

Tbn.


 
                    
        
 

Tuba
 Dois Corações 9

          

102

Tpt. B  1

          
Tpt. B  2 

                
3

Hn.

 
                
Tbn.    

          
      
  

   
Tuba

      
 

106

Tpt. B  1

 
      

Tpt. B  2

       
     
 
Hn.

      
Tbn.
               

         
Tuba  
       
 
 10 Dois Corações

  
        

110

Tpt. B  1

        
Tpt. B  2    

   
Hn.         
       
Tbn.
                

           
    

 
 
   
Tuba

  1. 
  
    
   
114 2.
D.C. al Fine
Tpt. B  1

       
Tpt. B  2      
        
     
   

Hn.

        
   
         

Tbn.

         
          
  
Tuba
Trompete B  1
Dois Corações
Dobrado Pedro Salgado

Marcha  = 120
Adap. Argemiro Correia

 
                        
 


              
 
6


  
          
12

     
        
18

   
   

   
        


24


    
      
   

 
         
30

       1.
    
 

     


36

          
      
41 2.

 
   
     

45

       

  

49 1.

      
   
58 2.

 
D.S. al Coda

©Edição de Argemiro Correia

Fortaleza, março de 2024
 
                          
2 Dois Corações

 
62

                             

    
68


                          

   
74 1.

            Fine   
        
      
80 2. Trio con sord.

  

               
       

87

         
  

            

93

          
       
senza sord.

 
98


    
       

103

         
  
108

   

1. 
  
     


113 2.
D.C. al Fine
Trompete B  2
Dois Corações
Dobrado Pedro Salgado
Adap. Argemiro Correia

 
                    
 
  
          
                
5



 

                
10


 

     
   
  
   
15

 
  
         
 

20

         
 
25


    
      
30

     1.
       
  
35

                 
 
40 2.


  
          
 
45

    
          
50 1. 2.


D.S. al Coda

©Edição de Argemiro Correia

Fortaleza, março de 2024
 
                         
2 Dois Corações

 
62


            
                      
68

   

                        

74 1.

   

            Fine
              

Trio

   
80 2.

      

 
      
     
86

 
      
        
92

 
   
     
 
98


      
      
103

      
    
108

         
     
113 1. 2.
D.C. al Fine
Horn in F
Dois Corações
Dobrado Pedro Salgado
Adap. Argemiro Correia

 
    
    
         
 

 
  
               

     
6

        

                 
12

           

    

 

     
     
18

     

          
    
24

          

                 
30

       
   1.
                    
  
36 2.

   
      
   
     
42

      

   
        
47

          

       
52

 
    
    
       
57 1. 2.


D.S. al Coda

©Edição de Argemiro Correia

Fortaleza, março de 2024
  
        
2 Dois Corações

 


   
62

 


      
   
68

 

 
    
       
 

74 1.

 

   Fine
      
              
80 2. Trio

    
 

           
86

  

     
    
92

     


       
    
98




                 
103 3

 

 
           
   
 
108

       
       

113 1. 2.
D.C. al Fine

  

Trombone
Dois Corações
Dobrado Pedro Salgado

                
Adap. Argemiro Correia

     
 

  
  
 
       
      
                
6


               
                        
12

             
                        
18

              
                        
24



             
                        

30

   
 
  
   1.  
    2.   

              

36

             
    
     
42


               

        
47


            
 
   

   

  
52

1. 
 
      2.   
 

     
57

D.S. al Coda

©Edição de Argemiro Correia

Fortaleza, março de 2024
             
 
Dois Corações

 
2


62

 
     
   
  

68

             
    
74 1.

    
                         
 
Fine Trio


80 2.

    

                        
            
86

                         
92

      
                
  
98

            
                  
103

            
               
108

    1. 2. 
            
D.C. al Fine

      
113


Tuba
Dois Corações
Dobrado Pedro Salgado
Adap. Argemiro Correia

           
       
   

   
         
                  
6



              
     
12

     

                       
   
18

  

                  
    
24

    
 
           
  
      
30

 
 
  1.
 
               
  
  
36 2.

     
    
      
     
42

      

           
         
47

    

                    
   
52

    

    
  
         
57 1. 2.

D.S. al Coda

©Edição de Argemiro Correia

Fortaleza, março de 2024
   
              
2 Dois Corações

 
62

 
 

     

     
68

          
       
1.


74

 

   Fine Trio 

                     
  
80 2.

   
 

          
                  

 
86

 

                      
 
92

       

             
          
   
98

 


      
                
 
103

  

                   
    
108

   

             
     
1. 2.


113 D.C. al Fine

     
  
Tuba B 
Dois Corações
Dobrado Pedro Salgado
Adap. Argemiro Correia

             
     
   

   
     
                   
 

6

 

                       
        
12

 

                      
       
18

 

             
       
24

  


            
       
30

   
   1.
 
                     
36 2.

    

          
     
42

      

          
   
      
47



                    
  
52

    
       
        
57 1. 2.


D.S. al Coda

©Edição de Argemiro Correia

Fortaleza, março de 2024
   
              
2 Dois Corações


62

 
 

      

     
68

                  

74 1.

 


            Fine
              
       
80 2. Trio

   
 

         
       

     
   
86

   

     
    

      
         
92

                    
       
98

 


             
        
 
103

  

              
         
108

 

         
     
        
113 1. 2.
D.C. al Fine

   

 
Euphonium Bb
Dois Corações
Dobrado Pedro Salgado
Adap. Argemiro Correia

                 
      
 

       
                       
6


            
           
     
12

  
 
                           

18

               
           
24


                  
            
30

          1.    
          
    
36 2.

 
     
           
       
42


   
                 
    
47


     
     
52

           
         
57 1. 2.

D.S. al Coda

©Edição de Argemiro Correia

Fortaleza, março de 2024
      
          
2 Dois Corações

 
62



       
  
 


  
68

                 
  
74 1.

           Fine
         
       
80 2. Trio

     
 
   
           
86

    
            
92

    
      
    
98


      
              
103


             
   
  
108

      
      
D.C. al Fine

   

 
113 1. 2.



Euphonium Bb
Dois Corações
Dobrado Pedro Salgado

               
Adap. Argemiro Correia

      
 
    
  
                
      
6

  

                         
12

     
             
            
 
18

  
     
                 
24

   

              
         
30

     
  2.   
              1.   
  
      
36


             
            
42




                   
 
47


    
     
52

   
   2. 
  
  
       

57 1.

D.S. al Coda

©Edição de Argemiro Correia

Fortaleza, março de 2024
        
Dois Corações
    
   
2
62

 
     
    
 
68

    
        
    
74 1.


   Fine Trio     
                 
     
80 2.

    

   
          
86

        
       
92

  
           

98


                   

103

       
3

 
         
 
108

    
   
    
D.C. al Fine

   
 
113 1. 2.