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Qualification Specification

MUSIC PERFORMANCE
GRADES

BRASS
Syllabus (Section 3)
2017–2022
second edition – valid for exams from 6 September 2021

This syllabus is specific to Brass and is part of the main


Qualification Specification: Music Performance Grades. The
remainder of that specification provides other relevant
information for those preparing for Performance Grades
exams and applies to all subjects (instruments). It can be
found at www.abrsm.org/performancegrades and should
be read when preparing for an exam. 8 March 2023
Qualification Specification: Music Performance
Contents

3. Brass Performance Grades syllabus 2


Introducing the qualification 2
Performance Grades: requirements and information 2
• Instruments2
• Performance as a whole 3
• Selecting repertoire 4
• Preparing for the exam 6
Horn repertoire lists 8
Trumpet, B - Cornet, E - Soprano Cornet, Flugelhorn repertoire lists 16
E - Horn repertoire lists 24
Trombone repertoire lists 32
Bass Trombone repertoire lists 40
Baritone and Euphonium repertoire lists 43
Tuba repertoire lists 51
Changes in this edition
This second edition, first published July 2021, includes several significant changes and updates to
the exam requirements and information. There are no changes to the repertoire lists.
• We have confirmed that the repertoire lists will remain valid until at least the end of 2022
• We have provided additional guidance for the performance as a whole component of the exam
• We have made a change to the own-choice piece requirements to allow unpublished repertoire,
including candidates’ own compositions
• We have changed our policy on the use of the same piece(s) in more than one exam; this is
now allowed
• We have introduced a new Adapted Instruments policy; instruments adapted for beginners can
be used in exams at any grade, as long as all the exam requirements can be met.
A range of updates have also been made to the text to further clarify the existing requirements and
information, based on queries and feedback received since the Performance Grades qualification
was launched in summer 2020.
The overarching Qualification Specification: Music Performance Grades document, which has other
important and relevant information for those preparing for Performance Grades, has also been
significantly updated.
This August 2022 version has been issued to reflect changes to accompaniment requirements;
we now permit recorded accompaniment in Performance Grade exams [Section 3]
From 8 March 2023, Performance Grade candidates should provide their programme information
online when uploading their video. It is no longer necessary to show a written programme form
to camera. All other recording requirements remain the same [Section 3: Preparing for the Exam]

© 2020 by The Associated Board of the Royal Schools of Music


All the syllabus information in this document, including repertoire lists, is the copyright of ABRSM.
No syllabus listing may be reproduced or published without the permission of ABRSM. Updated in 2023.
3. Brass Performance Grades syllabus
Introducing the qualification
Performance Grades, introduced by ABRSM in 2020, run alongside and provide an alternative
pathway to our long-standing Practical Grades. They allow learners to focus on and showcase
their performance skills if that is their preference. The suite of qualifications has been designed
to allow learners to play to their strengths and interests and still have their level of achievement
formally recognised with a regulated qualification that attracts UCAS points (in the UK) at Grades
6 to 8. Performance Grades are accessible exams given their sole focus on performance, without
the assessment of any supporting tests. Instead they encourage the selection of appropriate
repertoire to be delivered in a sustained performance, even at the earliest levels.
Musicians learn to play an instrument to explore and perform repertoire, which is why pieces, and
the way they can be combined to create a convincing and sustained performance, are the focus
of the exam. For Performance Grades, candidates are asked to present four pieces at each grade.
ABRSM Performance Grades draw on the same repertoire set for our Practical Grades. This
syllabus repertoire is organised into lists, which explore different traditions and styles, dating
from the Renaissance period to the present day. Choosing repertoire from different lists gives
candidates the opportunity to perform a balanced selection and demonstrate a range of skills.
Since Performance Grades focus on performance alone, the choice of repertoire is important, and
attention should be given to the way pieces are contrasted, the order in which they are presented,
and the different moods and characters they inhabit. This will enable candidates to demonstrate
their ability to deliver a coherent and convincing performance event, not just a series of individual
pieces. Credit for this is given through the performance as a whole assessment criteria that are
applied.

Performance Grades: requirements and information


The syllabus repertoire is valid until at least 31 December 2022*.
This section provides a summary of the most important points that teachers and candidates
need to know when taking ABRSM Performance Grades for brass. Further details, as well as
administrative information about the exams, are given in ABRSM’s Exam Regulations (available
at www.abrsm.org/examregulations) which should be read before booking an exam.

Instruments
The Performance Grades syllabus requirements have been designed for the standard instruments
covered. ABRSM recognise that many learners start their musical journey by using an instrument
specially adapted for younger/smaller players. We welcome the use of these instruments in our
graded exams in accordance with the details set out in our Adapted Instruments Policy, available
at www.abrsm.org/policies.
Other information about certain instruments covered by this syllabus is as follows.
Horn: The accompanied pieces set on the repertoire lists are published in F editions unless
otherwise indicated. For pieces not published in F, candidates may use manuscript transpositions
of their part if necessary.
Some List C pieces are published with transposition suggestions but in the exam they should be
played in the written keys only.

2 * See www.abrsm.org/syllabusupdates for information on when new syllabus repertoire will be introduced.
Performance Grades 3. Brass Performance Grades syllabus

Trumpet, B - Cornet, E - Cornet, Flugelhorn: These instruments share the same repertoire lists. All
the pieces set are published for instruments in B - unless otherwise indicated. Some pieces may
be played on a trumpet in C, D, E - or E where the syllabus indicates a published edition for these
tunings (or where other suitable editions are available). Similarly, own-choice pieces for trumpet
may be played on the most appropriately pitched instrument.
E - Soprano Cornet: Piano accompaniments should be suitably transposed where necessary. At
Grades 1 and 2, E - Soprano Cornet candidates may choose their List A and/or B pieces from the
Grades 1 and 2 lists set for E - Horn.
E - Horn: All the accompanied pieces set on the repertoire lists are published in E - editions. Pieces
that are also published with a part in F are indicated in the lists.
Trombone: The repertoire lists show the clefs that pieces are published in ( ) and/or & ). If
necessary, candidates may use manuscript transpositions into treble or bass clef.
Baritone and Euphonium: These instruments share the same repertoire lists. The lists show the
clefs that pieces are published in ( ) and/or & ). If necessary, candidates may use manuscript
transpositions into treble or bass clef.
A three-valved instrument may be used at all grades. Candidates may adapt passages containing
notes that require a 4th valve (where an ossia is not published).
Tuba: An E -, F, B - or C tuba may be used. Candidates may adapt passages or transpose parts and/
or accompaniments as necessary for their instrument (NB many of the pieces set on the repertoire
lists are biased towards E - tuba).
A three-valved instrument may be used at all grades. Candidates may adapt passages containing
notes that require a 4th valve (where an ossia is not published).
The repertoire lists show publication details, including clefs and where piano accompaniments are
published separately. In addition, for pieces marked ‡ , further information about the publications
(including where parts/accompaniments are issued in different keys) is available at: www.abrsm.
org/clarifications.

Performance as a whole
Performance skills are at the heart of Performance Grades, and go beyond the preparation of
individual pieces. Designing programmes that play to learners’ strengths as performers, and
then delivering them with a real sense of musical intent and communication, is central to musical
development. This also builds stamina, and embeds the technical control required to play a
whole programme through, including managing the transitions from one piece to another. Finding
ways to put across the mood and character, and really get inside the style of different types of
repertoire, as well as arranging pieces into coherent and compelling programmes will in turn
increase learners’ knowledge and understanding of music more broadly.
For full details of how the performance as a whole component of the exam is assessed, see
Section 4 of the Qualification Specification: Music Performance Grades.

3
Performance Grades 3. Brass Performance Grades syllabus

Selecting repertoire
Number of pieces: Candidates present four pieces in one continuous performance. They choose
at least one piece from each of the three lists (A, B and C). The fourth piece can be from the
repertoire lists or a piece of the candidate’s choice. The pieces can be performed in any order.
See further programming requirements within this ‘Selecting repertoire’ section before finalising
choices.
Own-choice piece: The following options and restrictions apply to the own-choice piece selection:
• The piece should be broadly the same standard, or above, as repertoire set for the grade being
taken (prior approval from ABRSM cannot be given).
• The piece may be chosen from any of the repertoire lists set for the grade, as long as all other
requirements within this ‘Selecting repertoire’ section are also met, including the minimum
duration. Performing all four pieces from the lists gives no advantage.
• The piece may be a candidate’s own composition or arrangement (see ‘Own composition’).
• The piece must exist in a legible and fully-notated score using standard music notation (e.g.
not in tab, not a lead sheet if candidate is playing a harmonic instrument etc.) and must be
performed as notated in that score.
In cases where there is a concern about the standard of an own-choice piece presented, ABRSM
reserves the right to request a copy from the Applicant where we cannot readily access one
ourselves. This may delay the issuing of the exam result.
• At Grades 6 to 8, the piece may be performed on a related instrument (see ‘Related instrument
option’).
• The piece may be a duet at any grade.
• The piece may be an unaccompanied piece, as long as there are no more than two unaccom-
panied pieces in the programme.
• The piece must not last less than the following timings for each grade (unless the overall
programme time would be exceeded; see ‘Programme times’):

Grade
1 2 3 4 5 6 7 8
Minimum duration (mm:ss) 00:25 00:30 00:35 00:45 01:00 01:30 02:00 03:00
The duration for each grade is the minimum time required in order to demonstrate the breadth
and depth of skills required, including stamina.
The other programming requirements described in this ‘Selecting repertoire’ section must also
be met.
Programme times: The overall performance, including transitions between pieces and the
inclusion of one longer break if taken (see ‘Break’), should not exceed the maximum programme
time set for the grade, as shown in the following table. The programme time is the duration from
the first note of the performance to the last. The examiner may stop listening to the recording if
the candidate’s performance goes over the maximum programme time.

Grade
1 2 3 4 5 6 7 8
Maximum programme time
6 7 8 10 12 15 20 25
(minutes)

4
Performance Grades 3. Brass Performance Grades syllabus

Break: Candidates may take one break during their performance if they wish. The break must not
exceed the time allowed for the grade as shown in the following table. The exam recording must
not be paused or stopped during the break.

Grades
1 to 5 6 to 8
Maximum break time (minutes) 1 2

Accompaniment: A piano or brass (where the duet option is taken; see ‘Duets’) accompani­ment
is required for all pieces, except those that are published as studies or unaccompanied works (all
List A and B pieces require a piano accompaniment; all List C pieces are unaccompanied).
Candidates provide their own accompaniment, which may be live or recorded. An accompanist
may be the candidate’s teacher. If necessary, an accompanist may simplify any part of the
accompaniment, as long as the result is musical. Recorded accompaniments may be commercially-
available tracks or recordings made specifically for the candidate’s exam. Full guidance on the
use of recorded accompaniments in exams is available at www.abrsm.org/performancegrades.
Duets: Candidates may perform a duet (or piece with a brass accompaniment) for one of their
pieces. (See ‘Accompaniment’.)
Unaccompanied pieces: Candidates may choose to perform up to two unaccompanied pieces.
Pieces that are published with an accompaniment must not be performed unaccompanied.
Composers: Up to two pieces by the same composer may be performed. Where two or more
pieces/movements by a composer are required by the syllabus (i.e. under one list number and
indicated with an ‘and’), these are considered as one ‘piece’.
Own composition: ABRSM welcomes the inclusion of candidates’ own compositions, or
arrangements, to be performed as their own-choice piece. We will not judge or provide feedback
on the structure or quality of the composition, only the performance of it. However, as with any
other own-choice piece, the technical demand of the composition must be broadly the same as
repertoire set for the grade being taken.
Repertoire lists: Every effort has been made to feature a broad range of repertoire to suit and
appeal to candidates of different ages, backgrounds and interests. Certain pieces may not be
suitable for every candidate for technical reasons or because of wider context (historical, cultural,
subject matter, lyrics if an arrangement of a song, etc.). Pieces should be considered carefully for
their appropriateness to each individual, which may need consultation between teachers and
parents/carers. Teachers and parents/carers should also exercise caution when allowing younger
candidates to research pieces online: www.nspcc.org.uk/onlinesafety.
The repertoire lists are the same as for ABRSM Practical Grades. Candidates intending on taking
both qualifications at the same grade may find their musical development benefits from preparing
different pieces for each.
Exam music & editions: Wherever the syllabus includes an arrangement or transcription
(appearing as ‘arr.’ or ‘trans.’ in the repertoire lists), the edition listed in the syllabus must be
used. For all other pieces, editions are listed for guidance only and candidates may use any edition
of their choice. This includes editions that are downloaded. Information on sourcing exam music
is given on page 7.

5
Performance Grades 3. Brass Performance Grades syllabus

Repeats: In most cases, da capo and dal segno indications must be followed but other repeats
may be included, or not, at candidates’ discretion (in order to achieve a musically satisfying
performance). If the syllabus specifies that a repeat should be included, this instruction must be
followed. If the syllabus indicates that a da capo/dal segno should be omitted, candidates have the
option to include or not. The maximum programme time should also be taken into consideration
when deciding whether to include repeats (see ‘Programme times’).
Cadenzas & tuttis: Unless the syllabus specifies differently, the inclusion of cadenzas, and/or
orchestral tuttis in full, is left to candidates’ discretion in order to achieve a stylistically appropriate
and musically satisfying performance. The maximum programme time should also be taken into
consideration when deciding whether to include cadenzas or tuttis (see ‘Programme times’).
Related instrument option: At Grades 6 to 8, candidates may choose to play their own-choice
piece on a related instrument. The related instruments accepted are shown in the following table.
The piece chosen should be composed for the instrument used. No extra marks are awarded for
playing a related instrument.

Main instrument Related instrument(s)


Trumpet Cornet, Flugelhorn
B - Cornet Trumpet, Flugelhorn
E - Cornet Trumpet, Flugelhorn
Flugelhorn Cornet, Trumpet
Trombone Bass Trombone
Bass Trombone Trombone
Baritone Euphonium
Euphonium Baritone
Tuba Sousaphone, Euphonium

Trumpet, B - Cornet, E - Cornet and Flugelhorn: Candidates at all grades may perform one of their
three pieces chosen from the repertoire lists on one of the other three instruments. This means
that up to two pieces may be played on a related instrument at Grades 6 to 8.

Preparing for the exam


Programme form & pre-performance procedures: Candidates should provide their programme
information online when uploading their video. The piece information required should be given
in the order the pieces will be performed.
Candidates should show the opening of their own-choice piece and announce themselves and
their pieces before beginning their performance. Candidates taking a Grade 6, 7 or 8 must
additionally show a form of photographic identification to the camera. This is because these
qualifications can be used either as a prerequisite for higher grades and diplomas, or as part of
a university application.

6
Performance Grades 3. Brass Performance Grades syllabus

If preferred, a Responsible Adult present may show the music to camera (but not the ID,
where applicable) and make the introductory announcement, as this does not form part of the
performance. The assessment of the performance begins on the first note of music played.
More information on all of the above is given in the Guidance for Music Performance Grades
available at www.abrsm.org/performancegrades.
Interpreting the score: Printed editorial suggestions such as fingering, phrasing, metronome
marks, realisation of ornaments, etc. do not need to be strictly observed. Whether the piece
contains musical indications or not, candidates are encouraged to interpret the score in a
musical and stylistic way. For pieces in a jazz style, candidates may add slight embellishment,
as stylistically appropriate, but not include extensive improvisation. Examiners’ marking will be
determined by how candidates’ decisions contribute to the musical outcome of each individual
piece and to the performance as a whole.
Performing from memory: There is no requirement to perform from memory although candidates
are encouraged to do so, if they believe it will enhance their performance. No extra marks are
directly awarded for performing from memory.
Ossias: Where an ossia (alternative musical line or note) occurs in the music, candidates may
choose either option unless the repertoire list specifies differently.
Tuning: Tuning should be completed before the exam recording is started. Once the performance
of the programme has begun, candidates are responsible for any tuning adjustments that may
be needed (all grades).
Page-turns: Candidates need to manage any page-turns appropriately to avoid any adverse
effect on the performance as a whole, which examiners will be assessing. Candidates (and
accompanists) may use an extra copy of the music or a photocopy of a section of the piece (but
see ‘Copyright’) to help with page-turns. They may also use a page-turner (prior permission is
not required; the turner may be the teacher).
Copyright: Performing from unauthorised photocopies (or other kinds of copies) or illegal
downloads of copyright music is not allowed. In the UK, copies may be used in certain limited
circumstances – for full details, see the MPA’s Code of Fair Practice at www.mpaonline.org.uk/
mpa-guidelines. In all other cases, application should be made to the copyright holder before
any copy is made. Care should also be taken when making arrangements, as permission will be
required in the case of copyright music.
Candidates and Applicants are expected to act within the law with regard to copyright. ABRSM
may withhold the exam result where we have evidence that this is not the case.
Sourcing exam music: Exam music is available from music retailers and online, including at the
ABRSM music shop: www.abrsm.org/shop. Every effort has been made to make sure that the
publications listed will be available for the duration of the syllabus. We advise candidates to
get their music well before the exam in case items are not kept in stock by retailers. Non-exam
related questions about the music (e.g. editorial, availability) should be addressed to the relevant
publisher: contact details are listed at www.abrsm.org/publishers.

7
The accompanied
published in F, pieces are
candidates maypublished in F editions
use manuscript unless of
transpositions otherwise indicated.
their parts For those pieces not
if necessary.
published
published inin F,
F, candidates
candidates may
may use
use manuscript
manuscript transpositions
transpositions of
of their
their parts
parts if
if necessary.
necessary.
Some
Some List
List C
C pieces are published with transposition suggestions but in the exam they should be played
Some
in the List C pieces
written pieces
keys
are
are published
only. published with
with transposition
transposition suggestions
suggestions but
but in
in the
the exam
exam they
they should
should be
be played
played
in
inHorn
the
the written
written keys
keys
Performance Grades
only.
only. Performance Grades 2013–2022
Horn 2013–2022
Horn
Horn GRADE
GRADE
GRADE 1
1
1
Horn GRADE 1
THREE
FOURPIECES:
THREE PIECES: atone chosen
least by the
one chosen bycandidate from
the candidate each
from ofofthe
each thethree Lists,A,
three Lists, A,BB and
and C,C:
and a fourth of the
THREE PIECES:
PIECES: one
candidate one chosen
chosen byby the
the candidate
candidate from
from each
each of
of the
the three
three Lists,
Lists, A,
’s own choice; for further programming requirements, see pages 4–6 A, B
B and
and C:
C:
LIST A
LIST A
LIST
1 A
Beethoven Theme from Ninth Symphony. Winners Galore, arr. Lawrance (Brass Wind: & brass edition; F piano
1 Beethoven Theme from Ninth Symphony. Winners Galore, arr. Lawrance (Brass Wind: && brass edition; F piano
A 1 accomp.
Beethoven Theme
published from Ninth Symphony. Winners Galore, arr. Lawrance (Brass Wind: brass edition; F piano
separately)
accomp. published separately)
2 accomp. published separately)
Arthur Campbell Chorale. No. 3 from Horn Solos, Book 1, arr. Campbell (Faber)
& /?
2 Arthur Campbell Chorale. No. 3 from Horn Solos, Book 1, arr. Campbell (Faber)
/?
3 Arthur
2 Campbell
Tom Davoren Chorale. No.¸3Shining
Romanza from Horn Solos,
Brass, BookBook 1, arr. Campbell
1 (ABRSM: (Faber)
brass edition; F piano accomp. published
3 Tom Davoren Romanza
3 Tom Davoren Romanza ¸ Shining Brass, Book 1 (ABRSM: &
˝
¸
˝ Shining Brass, Book 1 (ABRSM: & /? brass
brass
edition; F piano accomp. published
edition; F piano accomp. published
4 Philip Sparke A Knight’s Tale ˝ separately)
˛
5 Haydn German Dance. Time Pieces for Horn, Vol. 1, arr. Harris and Skirrow (ABRSM: F/E bb edition)
4 Philip Sparke A Knight’s Tale ˛ separately)
4 Philip Sparke A Knight’s Tale ˛ separately)
5 Haydn German Dance. Time Pieces for Horn, Vol. 1, arr. Harris and Skirrow (ABRSM: F/E b edition)
6 Haydn
5 German
Henry VIII with Time
Dance.
Pastime GoodPieces for Horn, Vol. 1, arr. Harris and Skirrow (ABRSM: F/E edition)
Company
6 Henry VIII Pastime with Good Company ¸ ¸ 10 Easy Tunes for Horn, arr. Humphries (Fentone F 486-401)
7 Henry VIII
6 Susato Pastime with Good Company ˝
La Mourisque ¸ 10 Easy Tunes for Horn, arr. Humphries (Fentone F 486-401)
˝
˛
7 Susato La Mourisque ˝ 10 Easy Tunes for Horn, arr. Humphries (Fentone F 486-401)
˛
8 Trad. English Song of the Western Men ˛
7 Susato La Mourisque
8 Trad. English Song of the Western Men ¸ ¸ Boosey Brass Method, Horn in F, Repertoire Book B (Boosey & Hawkes)
˝
8
9 Trad. English Song of
Japanese Koinobori the Western Men ¸ Boosey Brass Method, Horn in F, Repertoire Book B (Boosey & Hawkes)
˝
˛
9 Trad. Japanese Koinobori ˝ Boosey Brass Method, Horn in F, Repertoire Book B (Boosey & Hawkes)
˛
9 Trad. Japanese Koinobori ˛
LIST B
LIST B
LIST B No. 3 from For Children, Vol. 1. Time Pieces for Horn, Vol. 1, arr. Harris and Skirrow (ABRSM: F/E b edn)
1 Bartók No. 3 from For Children, Vol. 1. Time Pieces for Horn, Vol. 1, arr. Harris and Skirrow (ABRSM: F/E bb edn)
1 Bartók
B from For Children, Time PiecesNest
for Horn,
2 Bartók
1 No. 3Mordred’s
Lizzie Davis Vol.21.from
Castle: No. Hornets (BrassVol. 1, arr. Harris and Skirrow (ABRSM: F/E edn)
Wind)
2 Lizzie Davis Mordred’s Castle: No. 2 from Hornets Nest (Brass Wind)
3 Lizzie
2 Davis Mordred’s
Tom Davoren Waltz for Castle:
E. No. 2 from Hornets Nest (Brass ?Wind)
3 Tom Davoren Waltz for E. ¸ ¸ Shining Brass, Book 1 (ABRSM: & /? brass edition; F piano accomp. published separately)
&
4 Tom Davoren
3 David Waltz
A. Stowell for E. ˝
Strollin’ ¸ Shining Brass, Book 1 (ABRSM: & /? brass edition; F piano accomp. published separately)
˝
˛
4 David A. Stowell Strollin’ ˛ ˝ Shining Brass, Book 1 (ABRSM: / brass edition; F piano accomp. published separately)
5 David
4 A. Stowell
Peter Graham Strollin’
Moscow ˛
or Paris: No. 1 or No. 2 from Cityscapes for Horn in F (Gramercy Music)
5 Peter Graham Moscow or Paris: No. 1 or No. 2 from Cityscapes for Horn in F (Gramercy Music)
6 Peter Graham
5 Christopher or Paris:
MoscowEchoes
Gunning orNo. or No.No.
Sad1Café. 4 or Cityscapes
2 from No. 7 fromfor
TheHorn in Easy
Really F (Gramercy Music)
Horn Book (Faber)
6 Christopher Gunning Echoes or Sad Café. No. 4 or No. 7 from The Really Easy Horn Book (Faber)
7 Christopher
6 Gunning Boosey
Ian Lowes Nightfall. or Sad
EchoesBrass No. 4inor
Café. Horn
Method, F, No. 7 from Book
Repertoire The Really Easy&
B (Boosey Horn Book (Faber)
Hawkes)
7 Ian Lowes Nightfall. Boosey Brass Method, Horn in F, Repertoire Book B (Boosey & Hawkes)
8 Ian
7 Lowes
Rendall andNightfall. Boosey Song.
Thomas Birdie Brass Method,
WinnersHorn in F,arr.
Galore, Repertoire
LawranceBook B (Boosey
(Brass Wind:& Hawkes)
& brass edition; F piano accomp.
8 Rendall and Thomas Birdie Song. Winners Galore, arr. Lawrance (Brass Wind: && brass edition; F piano accomp.
Rendall and
8 published Thomas Birdie Song. Winners Galore, arr. Lawrance (Brass Wind: brass edition; F piano accomp.
separately)
published separately)
published
9 Pam separately)
Wedgwood Hot Chilli or Cheeky Cherry: from Really Easy Jazzin’ About for French Horn (Faber)
9 Pam Wedgwood Hot Chilli or Cheeky Cherry: from Really Easy Jazzin’ About for French Horn (Faber)
9 Pam Wedgwood Hot Chilli or Cheeky Cherry: from Really Easy Jazzin’ About for French Horn (Faber)
LIST C
LIST C
C LIST
1 C Davis Tiny Minuet: from Polished Brass (Brass Wind: & brass edition)
Lizzie
1 Lizzie Davis Tiny Minuet: from Polished Brass (Brass Wind: && brass edition)
2 LizzieMcKenzie
1 Jock Davis Tiny PopMinuet: No.Polished
from
or Sizhu: Brass
1 or No. (Brass
2 from Wind:
Dance to thebrass
Beatedition)
of the World (Con Moto: & brass edition)
2 Jock McKenzie Pop or Sizhu: No. 1 or No. 2 from Dance to the Beat of the World (Con Moto: && brass edition)
/?
Jock McKenzie
2 Peter
3 Meechan Pop One,orTwo,
Sizhu: No. 1¸ or No. 2 from Dance to the Beat of the
Three! World (Con Moto: brass edition)
/?
3 Peter Meechan One, Two, Three! ˝ ¸ Shining Brass, Book 1 (ABRSM: & brass edition)
4 Peter
3 PhilipMeechan One, Two,
Sparke Puppet’s Three! ˛
Dance ¸ Shining Brass, Book 1 (ABRSM: &
˝ ? brass edition)
˝ Shining Brass, Book 1 (ABRSM: & / brass edition)
˛
4 Philip Sparke Puppet’s Dance
PhilipMiller
4 John
5 SparkeHungarian Hoe-down˛or Supersonic Samurai: No. 3 or No. 14 from Simple Studies for Beginner
Puppet’s Dance
5 John Miller Hungarian Hoe-down or Supersonic Samurai: No. 3 or No. 14 from Simple Studies for Beginner
5 John
Brass Miller
(Faber: Hungarian Hoe-down or Supersonic Samurai: No. 3 or No. 14 from Simple Studies for Beginner
& brass edition)
&
Brass (Faber: & brass edition)
Brass (Faber:
6 Mark brassAedition)
Nightingale Small Step or Fiesta Siesta: No. 1 or No. 2 from Easy Jazzy ’Tudes (Warwick Music: && brass edn)
6 Mark Nightingale A Small Step or Fiesta Siesta: No. 1 or No. 2 from Easy Jazzy ’Tudes (Warwick Music: & brass edn)
6 Mark
7 PhilipNightingale
Sparke Modal A Small StepororMarching
Melody Fiesta Siesta:
Home: 1 or 3No.
No. No. or 2No.
from Easy Skilful
7 from Jazzy ’Tudes for HornMusic:
(Warwick
Studies (Anglo brass
Musicedn)
7 Philip Sparke Modal Melody or Marching Home: No. 3 or No. 7 from Skilful Studies for Horn (Anglo Music
7 Philip Sparke Modal Melody or Marching Home: No. 3 or No. 7 from Skilful Studies for Horn (Anglo Music
AMP 099-401)
AMP 099-401)
AMP 099-401)
AURAL
AURAL TESTS FOR THE GRADE: see pp. 90 and 91
AURAL TESTS
TESTS FOR
FOR THE
THE GRADE:
GRADE: see
see pp.
pp. 90
90 and
and 91
91
SCALES
SCALES AND ARPEGGIOS: from memory, to be played both slurred and tongued in the following keys:
SCALES ANDAND ARPEGGIOS:
ARPEGGIOS: from
from memory,
memory, toto be
be played
played both
both slurred
slurred and
and tongued
tongued in
in the
the following
following keys:
keys:
C
C major; A minor (one octave, starting an octave above lowest tonic)
C major;
major; A A minor
minor (one
(one octave,
octave, starting
starting an
an octave
octave above
above lowest
lowest tonic)
tonic)
Scales: in the above keys (minor in natural or harmonic or melodic form at candidate’s choice)
Scales:
Scales: in
in the
the above
above keys
keys (minor
(minor in natural or
in natural harmonic or
or harmonic or melodic
melodic form
form at
at candidate’s
candidate’s choice)
choice)
Arpeggios:
Arpeggios: the common chords of the above keys for the range indicated
Arpeggios: the
the common
common chords
chords of
of the
the above
above keys
keys for
for the
the range
range indicated
indicated
SIGHT-READING:
SIGHT-READING: aa short piece in simple time within the keys, notes and overall range of the scale require-
SIGHT-READING:
ments set for this a short
grade.
piece
shortSome in
in simple
simple time
pieceaccidentals,
time within
within
dotted and
the
the keys,
keys,
tied
notes
notes
notes may
and
and
be
overall
overall range
range
included.
of the
the scale
ofalso
See scale
p. 11.
require-
require-
ments
ments set for this grade. Some accidentals, dotted and tied notes may be included. See also p.
set for this grade. Some accidentals, dotted and tied notes may be included. See also p. 11.
11.
13
13
13

8
Performance Grades Horn 2013–2022
Horn
Horn GRADE
GRADE 2
2
Horn GRADE
GRADE 2 2
THREE
FOURPIECES:
THREE PIECES: atone
PIECES: one chosen
least
chosen by
by the
one chosen bycandidate
the from
the candidate
candidate from each
from of
ofofthe
each
each thethree
the three Lists, A,
A,BB
Lists,A,
three Lists, and
Band
andC,C:
and a fourth of the
C:
THREE PIECES: one chosen by the candidate from each of the three Lists, A, B and C:
candidate’s own choice; for further programming requirements, see pages 4–6
LIST
LIST A
A
LIST
1 A
Arbeau Pavane (from Orchésographie). No. 11 from Horn Solos, Book 1, arr. Campbell (Faber)
1 Arbeau Pavane (from Orchésographie). No. 11 from Horn Solos, Book 1, arr. Campbell (Faber)
A 1 Arbeau Pavane (from Orchésographie). No. 11 from Horn Solos, Book 1, arr. Campbell (Faber)
2 Brahms
2 Brahms St St Anthony
Anthony Chorale (from Variations
Chorale (from Variations onon aa Theme
Theme byby Haydn,
Haydn, Op. 56a). Time
Op. 56a). Time Pieces
Pieces for
for Horn,
Horn, Vol.
Vol. 1,
1, arr.
arr.
Brahmsand
2 Harris StSkirrow
Anthony ChoraleF/E
(ABRSM: b
Harris and Skirrow (ABRSM: F/E bb edition)
(from Variations
edition) on a Theme by Haydn, Op. 56a). Time Pieces for Horn, Vol. 1, arr.
Harris and Skirrow (ABRSM: F/E edition) &
3 Mozart
3 Mozart Aria (from The
Aria (from The Marriage
Marriage of
of Figaro)
Figaro) ¸ Winners Galore,
˝ Winners
¸ Galore, arr.
arr. Lawrance (Brass Wind:
Lawrance (Brass Wind: & brass
brass edition;
edition; F
F piano
piano
3 Aria (from The
MozartWelsh Marriage of Figaro) ˝ ¸ Winners Galore, arr. Lawrance (Brass Wind: & brass edition; F piano
4 Trad.
4 Trad. Welsh Calon
Calon Lân
Lân ˝ accomp.
˛
˛ accomp. published
published separately)
separately)?
/? brass
4 Trad. Welsh Calon Lân ˛ accomp. published separately)
5 Philip
5 Philip Sparke
Sparke MyMy Lady’s
Lady’s Pavan ¸ Shining
¸ Shining Brass,
Brass, Book
Book 1 (ABRSM: && /
1 (ABRSM: brass edition;
edition; F
F piano
piano accomp.
accomp. published
Brass, Book 1 (ABRSM: & /? brass edition; F piano accomp. published
Pavan ˝ published
Philip Sparke
5 David My Lady’s Pavan ¸ Shining
˝
6 David A.
6 A. Stowell
Stowell A A Walk
Walk in
in the Rain ˛
the Rain ˝ separately)
˛
˛
separately)
6 David A. Stowell A Walk in the Rain separately)
7 Trad.
7 Trad. Welsh
Welsh David
David ofof the
the White Rock. No.
White Rock. No. 3 3 from
from Going
Going Solo
Solo –– Horn,
Horn, arr.
arr. Bissill
Bissill and
and Campbell
Campbell (Faber)
(Faber)
7 Trad. Welsh DavidofofHarlech. No. 3 fromarr.
the White Rock. Scores Going Solo – (Brass
Horn, arr. Bissill and Campbell (Faber)
8 Trad.
8 Trad. Welsh Men of Harlech. Winner
Welsh Men Winner Scores All,All, arr. Lawrance Wind: &&& brass
Lawrance (Brass Wind: brass edition;
edition; FF piano
piano accomp.
accomp.
Trad. Welsh
8 published Men
separately)of Harlech. Winner Scores All, arr. Lawrance (Brass Wind: brass edition; F piano accomp.
published separately)
9 published
Peter separately)
Warlock Basse-Dance. Boosey Brass Method, Horn in F, Repertoire Book B (Boosey & Hawkes)
9 Peter Warlock Basse-Dance. Boosey Brass Method, Horn in F, Repertoire Book B (Boosey & Hawkes)
9 Peter Warlock Basse-Dance. Boosey Brass Method, Horn in F, Repertoire Book B (Boosey & Hawkes)
LIST
LIST B
B
LIST B Davis Dark Rider: No. 4 from Hornets Nest (Brass Wind)
B 1 Lizzie
1 Lizzie Davis Dark Rider: No. 4 from Hornets Nest (Brass Wind) ?
/? brass
2 Lizzie
1 Davis Dark Rider:with No. 4 from¸ Hornets Nest (Brass Wind)
Tom
Tom Davoren
Davoren Hangin’
Hangin’ with Monti Shining
Shining Brass,
Brass, Book
Book 1 (ABRSM: &&/
1 (ABRSM: brass edition;
edition; F
F piano
piano accomp.
accomp. published
Brass, Book 1 (ABRSM: &/? brass edition; F piano accomp. published
2 Monti ¸ published
2
3 Tom Davoren
Philip Sparke Hangin’ with
Tennessee RagMonti ˝ ¸ Shining
˝
˛ separately)
3 Philip Sparke Tennessee Rag ˝ separately)
˛
3 PhilipGraham
Sparke Tennessee Rag ˛ orseparately)
4 Peter
4 Seville or
Peter Graham Seville or Kyoto:
Kyoto: No.
No. 33 or No.
No. 4 from Cityscapes
4 from Cityscapes for
for Horn
Horn inin F (Gramercy Music)
F (Gramercy Music)
5 Peter
4 Chris Graham
Norton A ASeville or Kyoto:
Dab Hand.
Hand. No. 3
Boosey or No.
Brass 4 from
Method, Cityscapes
Horn in F, for Horn Book
F, Repertoire
Repertoire in F (Gramercy
B (Boosey
(Boosey && Music)
Hawkes)
5 Chris Norton Dab Boosey Brass Method, Horn in Book B Hawkes)
5 Chris Norton
Trad. Spiritual
6 Trad. A Dab
Spiritual Nobody Hand.
Nobody Knows. Boosey Brass
No. 1
Knows. No. Method,
1 from
from Going Horn
Going Solo in F,
Solo –– Horn,Repertoire
Horn, arr. Book
arr. Bissill
Bissill andB (Boosey
and Campbell & Hawkes)
Campbell (Faber)
(Faber)
6
6 Trad. Spiritual Nobody Knows. No. 1 from Going Solo – Horn, arr. Bissill and Campbell (Faber)
7 Walton Song at Dusk (from Duets for Children). Time Pieces for Horn, Vol. 1, arr. Harris and Skirrow
7 Walton Song at Dusk (from Duets for Children). Time Pieces for Horn, Vol. 1, arr. Harris and Skirrow (ABRSM:
(ABRSM:
b edition)
F/E bb edition)
Walton
7 F/E Song at Dusk (from Duets for Children). Time Pieces for Horn, Vol. 1, arr. Harris and Skirrow (ABRSM:
F/E edition)
Pam Wedgwood
8 Pam Wedgwood Easy Easy Tiger or Keep
Tiger or Keep Truckin’:
Truckin’: from Really Easy
from Really Easy Jazzin’
Jazzin’ About
About for
for French
French Horn
Horn (Faber)
(Faber)
8
9 Pam
8 John Wedgwood Easy Tigerin
Williams Somewhere
Somewhere orMy
Keep Truckin’:
Memory from
(from Really
Home Easy Jazzin’
Alone). Winner About forAll,
Scores French
arr. Horn (Faber)
Lawrance Wind: &&
(Brass Wind:
9 John Williams in My Memory (from Home Alone). Winner Scores All, arr. Lawrance (Brass
John edition;
9 brass WilliamsF Somewhere
piano accomp. in My Memory
published (from
separately) Home Alone). Winner Scores All, arr. Lawrance (Brass Wind: &
brass edition; F piano accomp. published separately)
brass edition; F piano accomp. published separately)
LIST
LIST C
C
C LIST C Davis Tarantella: from Polished Brass (Brass Wind: & brass edition)
1 Lizzie
1 Lizzie Davis Tarantella: from Polished Brass (Brass Wind: && brass edition)
2 Lizzie
1 Davis Tarantella: from Polished Brass Wind: brass
(Brass 20 edition)
2 Jock
Jock McKenzie Calypso or
McKenzie Calypso or Czardas:
Czardas: No. 11 or
No. 11 or No. from Dance
No. 20 from Dance to to the
the Beat
Beat of
of the
the World
World (Con Moto: && brass
(Con Moto: brass
Jock McKenzie Calypso or Czardas: No. 11 or No. 20 from Dance to the Beat of the World (Con Moto: & brass
2 edition)
edition)
edition)
3 Peter
Peter Meechan & /?
3 Meechan Haunted
Haunted House
House ¸ ¸ Shining Brass, Book 1 (ABRSM: & ? brass edition)
3 Peter Meechan Haunted House ˝ ¸ Shining Brass, Book 1 (ABRSM: & /? brass edition)
˝
˛
4 David
4 David A.
A. Stowell
Stowell High
High Street
Street ˝ Shining Brass, Book 1 (ABRSM: / brass edition)
˛
˛
4 David A. Stowell High Street
5 John
5 John Miller
Miller Sabre Dance or
Sabre Dance or Scottish
Scottish Warrior:
Warrior: No. 16 or
No. 16 or No.
No. 21 from Simple
21 from Simple Studies
Studies for
for Beginner
Beginner Brass (Faber: &&
Brass (Faber:
John Miller Sabre Dance or Scottish Warrior: No. 16 or No. 21 from Simple Studies for Beginner Brass (Faber: &
5 brass
brass edition)
edition)
brass edition)
6 Mark
6 Mark Nightingale
Nightingale Ready,
Ready, Aim, Fire! or
Aim, Fire! or The
The Nuthatch:
Nuthatch: No. 4 or
No. 4 or No.
No. 6 from Easy
6 from Easy Jazzy
Jazzy ’Tudes
’Tudes (Warwick Music: &&
(Warwick Music:
Mark Nightingale Ready, Aim, Fire! or The Nuthatch: No. 4 or No. 6 from Easy Jazzy ’Tudes (Warwick Music: &
6 brass
brass edition)
edition)
brass edition)
7 Philip
7 Philip Sparke
Sparke The
The Big Apple or
Big Apple or Tom’s
Tom’s Tune:
Tune: No. 11 or
No. 11 or No.
No. 13 from Skilful
13 from Skilful Studies
Studies for
for Horn (Anglo Music
Horn (Anglo Music AMP
AMP
7 Philip
099-401)Sparke The Big Apple or Tom’s Tune: No. 11 or No. 13 from Skilful Studies for Horn (Anglo Music AMP
099-401)
099-401)
AURAL
AURAL TESTS
TESTS FOR
FOR THE
THE GRADE:
GRADE: see
see pp.
pp. 90
90 and
and 91
91
AURAL TESTS FOR THE GRADE: see pp. 90 and 91
SCALES
SCALES AND AND ARPEGGIOS:
ARPEGGIOS: fromfrom memory,
memory, toto be
be played
played both
both slurred
slurred and
and tongued
tongued inin the
the following
following keys:
keys:
SCALES AND ARPEGGIOS: from memory, to be played both slurred and tongued in the following keys:
Bbb,, C
C majors;
majors; B, D minors (one octave, starting an octave above lowest tonic)
Bb, C majors; B, D minors (one octave, starting an octave above lowest tonic)
B B, D minors (one octave, starting an octave above lowest tonic)
Scales: in
Scales: in the
the above
above keys
keys (minors
(minors in
in natural or harmonic
natural or harmonic oror melodic
melodic form
form atat candidate’s
candidate’s choice)
choice)
Scales: in the above keys (minors in natural or harmonic or melodic form at candidate’s choice)
Arpeggios: the
Arpeggios: the common
common chords
chords of
of the
the above
above keys
keys for
for the
the range
range indicated
indicated
Arpeggios: the common chords of the above keys for the range indicated
SIGHT-READING:
SIGHT-READING: aa shortshort piece
piece in
in simple
simple time
time within
within the
the keys,
keys, notes
notes and
and overall
overall range
range of
of the
the scale
scale
SIGHT-READING:upa toshort
requirements piece in simple time within the keys, notes and
and overall range be
of the scale
requirements set
set up to and
and including
including this
this grade.
grade. Some
Some accidentals,
accidentals, dotted
dotted and tied
tied notes
notes may
may be included.
included.
requirements
See also
also p. 11.set up to and including this grade. Some accidentals, dotted and tied notes may be included.
p. 11.
See
See also p. 11.

9
14
14
14
Performance Grades Horn 2013–2022
Horn
Horn GRADE
GRADE 3
3
Horn GRADE
GRADE 3 3
THREE
FOURPIECES:
THREE PIECES: atone chosen
least by the
one chosen bycandidate from
the candidate each
from ofofthe
each thethree Lists,A,
three Lists, A,BB and
and C,C:
and a fourth of the
THREE PIECES:
PIECES: one
candidate one chosen
chosen byby the
the candidate
candidate from
from each
each of
of the
the three
three Lists,
Lists, A,
’s own choice; for further programming requirements, see pages 4–6 A, B
B and
and C:
C:
LIST A
LIST A
LIST A Davoren Rondo Olympia ¸ Shining Brass, Book 1 (ABRSM: & /?
1 Tom
1 Tom Davoren Rondo Olympia ˝ Shining Brass, Book 1 (ABRSM: & /? brass edition; F piano accomp. published
? brass edition; F piano accomp. published
1 Tom Davoren Rondo Olympia ¸
A 2 Lucy Pankhurst Sicilienne ¸ Shining Brass, Book 1 (ABRSM: & / brass edition; F piano accomp. published
˝
˛ separately)
2 Lucy Pankhurst Sicilienne ˝ separately)
˛
2 Lucy Pankhurst Sicilienne Hero ˛ separately)
3 Handel
3 Handel See,
See, the
the Conqu’ring
Conqu’ring Hero Comes
Comes (from(from Judas
Judas Maccabaeus)
Maccabaeus) ¸ Time Pieces for Horn, Vol. 1, arr. Harris
¸ Time Pieces for Horn, Vol. 1, arr. Harris
3 Handel See,Soldiers’
the Conqu’ring HeroAlbum
Comes (from Judas Maccabaeus) ˝
¸ Time
˝ Horn, Vol. 1, bbarr.
Pieces for(ABRSM: Harris
4 Schumann Soldiers’ March (from Album for for the
the Young,
˛
4 Schumann March (from Young, Op.Op. 68)
68) ˝ and
˛ and Skirrow
Skirrow (ABRSM: F/E F/E b edition)
edition)
5 Schumann Soldiers’
4 Mendelssohn O for March
the (from
Wings of aAlbum
Dove. for10theEasy
Young,
Tunes Op. 68)
for Horn, arr. and Skirrow(Fentone
˛ Humphries (ABRSM: F F/E edition)
486-401)
5 Mendelssohn O for the Wings of a Dove. 10 Easy Tunes for Horn, arr. Humphries (Fentone F 486-401)
5 MendelssohnHumoresque
O for the WingsC.of No.
a Dove. 10 EasySolo
Tunes for Horn, arr. Humphries (Fentone F 486-401)
6 Tchaikovsky
6 Tchaikovsky Humoresque in in C. No. 9 9 from
from Going
Going Solo –– Horn,
Horn, arr.
arr. Bissill
Bissill and
and Campbell
Campbell (Faber)
(Faber)
Tchaikovsky Reverie.
6 Tchaikovsky Humoresque in C. No.All,
9 from Going Solo (Brass
– Horn, arr. Bissill
& brassand Campbell (Faber)
7 Tchaikovsky Reverie. Winner Scores All, arr. Lawrance (Brass Wind: && brass edition; F
7 Winner Scores arr. Lawrance Wind: edition; F piano
piano accomp.
accomp. published
published
Tchaikovsky Reverie. Winner Scores All, arr. Lawrance (Brass Wind: brass edition; F piano accomp. published
7 separately)
separately)
b
¸ Skilful Solos for F or E bb Horn, arr. Sparke (Anglo Music AMP 192-
separately)
8 Trad.
8 Trad. English Greensleeves. No.
English Greensleeves. No. 8
8 from
from ¸ Skilful Solos for F or E Horn, arr. Sparke (Anglo Music AMP 192-
from ˝ Solosb for F or E Horn, arr. Sparke (Anglo Music AMP 192-
F/E b edition)
8 Trad. English Greensleeves. No.No. 8 from ¸ Skilful
˝
No. 4
˛
9 Vivaldi
9 Vivaldi Spring. ˝ 400:
400: F/E
No. 4 from ˛ 400: F/E b edition)
Spring. 4 from ˛ edition)
9 Vivaldi Spring.
LIST B
LIST B
LIST B West Side
Side Story).
Story). Winner
Winner Scores
Scores All,
All, arr.
arr. Lawrance
Lawrance (Brass Wind: && brass
B
1 Bernstein
1 Bernstein America (from
America (from West (Brass Wind: brass edition;
edition; F
F piano
piano
Bernstein
1 accomp. America
published (from West Side Story). Winner Scores All, arr. Lawrance (Brass Wind: & brass edition; F piano
separately)
accomp. published separately)
accomp. published
Richard Bissill
2 Richard separately)
Bissill Waltz
Waltz to
to Take
Take Away. No. 5
Away. No. 5 from
from Going
Going Solo
Solo –– Horn,
Horn, arr.
arr. Bissill
Bissill and
and Campbell
Campbell (Faber)
(Faber)
2
2 Richard Bissill
Lizzie Davis
3 Lizzie Davis EnWaltz to Take
Cor: No.
No. Away.
7 from
from No. 5Nest
Hornets from GoingWind)
(Brass Solo – Horn, arr. Bissill and Campbell (Faber)
3 En Cor: 7 Hornets Nest (Brass Wind) ?
/? brass
LizzieFrith
3 John DavisBroken
En Cor: No. 7 from Hornets Brass,
¸ Shining Nest (Brass
Book 1Wind)
(ABRSM: & /
4 Dreams brass edition;
edition; F
F piano
piano accomp.
accomp. published
Brass, Book 1 (ABRSM: & /? brass edition; F piano accomp. published
¸ Shining Brass, Book 1 (ABRSM: &
4 John Frith Broken Dreams ˝ published
4 John Frith Broken Dreams ¸ Shining
˝
˛
5 Peter
5 Peter Meechan
Meechan Purple
Purple Shade
Shade ˛ ˝ separately)
separately)
5 Peter Meechan Purple Shade ˛ separately)
6 Peter
6 Peter Graham
Graham New New York (grace note
York (grace note optional)
optional) oror Vienna:
Vienna: No.
No. 5 5 or
or No.
No. 6 from Cityscapes
6 from Cityscapes for
for Horn
Horn in in F
F (Gramercy
(Gramercy
6 Peter
Music)Graham New York (grace note optional) or Vienna: No. 5 or No. 6 from Cityscapes for Horn in F (Gramercy
Music)
7 Music)
Paul Harris Hunt the Horn. Time Pieces for Horn, Vol. 1, arr. Harris and Skirrow (ABRSM: F/E bb edition)
7 Paul Harris Hunt the Horn. Time Pieces for Horn, Vol. 1, arr. Harris and Skirrow (ABRSM: F/E b edition)
7 Paul Harris Hunt thetoHorn. Time Pieces for Horn, Vol. 1, arr. Harris and Skirrow (ABRSM: F/E edition)
8 Sidney
8 Sidney Ramin
Ramin Music
Music to Watch
Watch Girls
Girls By
By ¸
¸ Jazzed Up Too for F Horn, arr. Ramskill (Brass Wind)
8
9 Sidney
Rodgers Ramin
and Music
Hart to Watch
Blue Moon Girls By ˝
¸ Jazzed Up Too for F Horn, arr. Ramskill (Brass Wind)
˝
˛
9 Rodgers and Hart Blue Moon ˝
˛ Jazzed Up Too for F Horn, arr. Ramskill (Brass Wind)
9 Rodgers and Hart Blue Moon ˛
LIST C
LIST C
LIST C
C 1 Concone
1 Concone Study
Study No. 1 or
No. 1 or No. 3. Concone
No. 3. Concone Studies
Studies for
for Horn
Horn inin F,
F, arr.
arr. Ashworth (Emerson E299a)
Ashworth (Emerson E299a)
Concone Study
1 Lizzie or No. 3. Concone
No. 1Wonder: Studies for (Brass
Horn in F, arr.& brass
Ashworth (Emerson E299a)
2 Lizzie Davis
2 Davis Horn
Horn of from Polished
of Wonder: from Polished Brass
Brass (Brass Wind:
Wind: && brass edition)
edition)
3 Lizzie Davis
2 Timothy HornHow’s
Jackson of Wonder:
Tricks? ¸ Polished Brass (Brass Wind: brass
from edition)
? brass edition)
/?
3 Timothy Jackson How’s Tricks? ˝ ¸ Shining Brass, Book 1 (ABRSM: & /
3 Timothy Jackson How’s Tricks? ¸ Shining Brass, Book 1 (ABRSM: &
˝
˛ ? brass edition)
4 Peter
4 Peter Meechan
Meechan Summer
Summer Sound
Sound ˛ ˝ Shining Brass, Book 1 (ABRSM: & / brass edition)
˛
4 Peter Meechan Summer Sound &
5 Jock McKenzie Halling: No. 28 from Dance to the Beat of the World (Con Moto:
5 Jock McKenzie Halling: No. 28 from Dance to the Beat of the World (Con Moto: & brass
brass edition)
edition)
5 Jock McKenzie Halling: No. 28 from Dance to the Beat of the World (Con Moto: & brass
& edition)
6 Mark
6 Mark Nightingale
Nightingale Ermie’s
Ermie’s Blues:
Blues: No.
No. 10 from Easy
10 from Easy Jazzy
Jazzy ’Tudes (Warwick Music:
’Tudes (Warwick Music: && brass
brass edition)
edition)
7 Mark Nightingale
6 Philip Sparke Ermie’s
or Blues: No. 10 from Easy Jazzy
or ’Tudes (Warwick
SkilfulMusic:
Studies brass
for edition) Music AMP
Horn
7 Philip Sparke Rondino or Classical Theme: No. 22 or No. 24 from Skilful Studies for Horn (Anglo
Rondino Classical Theme: No. 22 No. 24 from (Anglo Music AMP
Philip Sparke Rondino or Classical Theme: No. 22 or No. 24 from Skilful Studies for Horn (Anglo Music AMP
7 099-401)
099-401)
099-401)
AURAL
AURAL TESTS FOR THE GRADE: see pp. 90 and 92
AURAL TESTS
TESTS FOR
FOR THE
THE GRADE:
GRADE: see
see pp.
pp. 90
90 and
and 92
92
SCALES
SCALES AND ARPEGGIOS: from memory, to be played both slurred and tongued in the following keys:
SCALES ANDAND ARPEGGIOS:
ARPEGGIOS: fromfrom memory,
memory, to to be
be played
played both
both slurred
slurred and
and tongued
tongued in
in the
the following
following keys:
keys:
C, E
C, E minors
E minors (one
minors (one octave,
(one octave, starting
octave, starting an
starting an octave
an octave above
octave above lowest
above lowest tonic)
lowest tonic)
tonic)
C,
G,
G, A
A majors;
majors; G
G minor
minor (a
(a twelfth,
twelfth, starting
starting below
below stave)
stave)
G, A majors; G minor (a twelfth, starting below stave)
Scales: in
Scales: in
Scales:
the
in the above
the above keys
above keys (minors
keys (minors
(minors inin harmonic or
harmonic
in harmonic or melodic
or melodic form
melodic form at
form at candidate’s
at candidate’s choice)
candidate’s choice)
choice)
Chromatic Scale:
Chromatic Scale: starting
Scale: starting on
starting on
on CC (one
C (one octave)
(one octave)
octave)
Chromatic
Arpeggios:
Arpeggios: the
the common
common chords
chords of
of the
the above
above keys
keys for
for the
the ranges
ranges indicated
indicated
Arpeggios: the common chords of the above keys for the ranges indicated
SIGHT-READING:
SIGHT-READING: aa short
short piece
piece in
in simple time within the keys, notes and
and overall range
range of the
the scale
SIGHT-READING:
requirements set upa to
short
and piece in simple
includingsimple
this
time
grade.
within
time See
within
also
the
the
p.
keys,
keys, notes
11. notes and overall
overall range of
of the scale
scale
requirements set up to and including this grade. See also p. 11.
requirements set up to and including this grade. See also p. 11.

10
15
15
15
Performance Grades Horn 2013–2022
Horn
Horn GRADE
GRADE 4
4
Horn GRADE
GRADE 4 4
THREE
FOURPIECES:
THREE PIECES: atone chosen
least by the
one chosen bycandidate from
the candidate each
from ofofthe
each thethree Lists,A,
three Lists, A,BB and
and C,C:
and a fourth of the
THREE PIECES:
PIECES: one
candidate one chosen
chosen byby the
the candidate
candidate from
from each
each of
of the
the three
three Lists,
Lists, A,
’s own choice; for further programming requirements, see pages 4–6 A, B
B and
and C:
C:
LIST A
LIST A
LIST
1 A Theme from L’Arlésienne. No. 11 from Going Solo – Horn, arr. Bissill and Campbell (Faber)
Bizet
1 Bizet Theme from L’Arlésienne. No. 11 from Going Solo – Horn, arr. Bissill ? brassand Campbell (Faber)
/?
A 2 Bizet
1 Theme from
Tom Davoren L’Arlésienne.
Beaufort Allegro No. 11 from
Shining Going
Brass, Solo2 –(ABRSM:
Book Horn, arr.& /Bissill and Campbell
edition; (Faber)
F piano accomp. published
2 Tom Davoren Beaufort Allegro ¸ ¸ Shining Brass, Book 2 (ABRSM: &
˝ & ? brass edition; F piano accomp. published
2 Tom Davoren Beaufort Allegro ˝
3 John Frith Jiggedy Jig ¸ Shining Brass, Book 2 (ABRSM: / brass edition; F piano accomp. published
˛ separately)
3 John Frith Jiggedy Jig ˝ separately)
˛
3
4 John
GriegFrith Jiggedy
Solveig’s Song ˛ separately)
Jig(from Peer Gynt). Great Winners, arr. Lawrance (Brass Wind: & brass edition; F piano
4 Grieg Solveig’s Song (from Peer Gynt). Great Winners, arr. Lawrance (Brass Wind: && brass edition; F piano
4 Grieg Solveig’s Song (from
accomp. published separately) Peer Gynt). Great Winners, arr. Lawrance (Brass Wind: brass edition; F piano
accomp. published separately)
5 accomp. publishedEvening
Humperdinck separately)
Prayer (from Hänsel und Gretel). Time Pieces for Horn, Vol. 2, arr. Harris and Skirrow
5 Humperdinckb Evening Prayer (from Hänsel und Gretel). Time Pieces for Horn, Vol. 2, arr. Harris and Skirrow
(ABRSM: F/E bb edition)
5 Humperdinck
(ABRSM: Evening Prayer (from Hänsel und Gretel). Time Pieces for Horn, Vol. 2, arr. Harris and Skirrow
F/E edition)
6 (ABRSM: F/E Nocturne
Mendelssohn edition) (from A Midsummer Night’s Dream). No. 17 from Horn Solos, Book 1, arr. Campbell
6 Mendelssohn Nocturne (from A Midsummer Night’s Dream). No. 17 from ¸ ¸ Horn Solos, Book 1, arr. Campbell
˝
6
7 Mendelssohn
Weber Nocturne
Huntsmen’s Chorus(from A Midsummer
(from Night’s Dream). No. 17
Der Freischütz). 19 from ˛ ¸ Horn
˝ Solos, Book 1, arr. Campbell
(Faber)
˝ (Faber)
F or E bb Horn, arr. Sparke
7 Weber Huntsmen’s Chorus (from Der Freischütz). No. 19 from ˛
7
8 Weber Huntsmen’s
Mozart Adagio. Chorus (from Der Freischütz). No. 19 from
No. 15 from ¸ Skilful Solos˛ for
(Faber)
¸ Skilful Solos for F or E b Horn, arr. Sparke
8 Mozart Adagio. No. 15 from ˝ b edition)
(Anglo Music AMP 192-400: F/E b edition)
8
9 Mozart Marche militaire (grace notes optional ). No. 15
SchubertAdagio. 16 from ˛
¸ Skilful
˝
˝ (Anglo
Solos
Musicfor AMP
F or E192-400:
Horn, arr.
F/ESparke
Schubert Marche militaire (grace notes optional ). No. 16 from ˛ (Anglo Music AMP 192-400: F/E b edition)
9 Schubert Marche militaire (grace notes optional ). No. 16 from ˛
9
LIST B
LIST B
LIST
1 B
Richard Bissill Hymn of the High Plains. No. 7 from Going Solo – Horn, arr. Bissill and Campbell (Faber)
B 1 Richard Bissill Hymn of the High Plains. No. 7 from Going Solo – Horn, arr. Bissill and Campbell (Faber)
No.AL7 from Going Solo – Horn, arr. Bissill and Campbell (Faber)
2 Richard
1 Bissill
Jean-Michel HymnBerceuse,
Damase of the High
Op.Plains.
19 (Leduc 20897)
2 Jean-Michel Damase Berceuse, Op. 19 (Leduc AL 20897)
3 Jean-Michel
2 Lizzie Davis Damase Berceuse,
Taco Taco! Op. 19 No.
or Zarabanda: 6 orAL
(Leduc No. 20897)
8 from Hornets Nest (Brass Wind)
3 Lizzie Davis Taco Taco! or Zarabanda: No. 6 or No. 8 from Hornets Nest (Brass Wind)
LizzieGoodwin
3 Ron
4 Davis Taco 633Taco! or Zarabanda:
Squadron. No. 6 orarr.
Great Winners, 8 from Hornets
No.Lawrance Nest (Brass
(Brass Wind: & brassWind)
edition; F piano accomp.
4 Ron Goodwin 633 Squadron. Great Winners, arr. Lawrance (Brass Wind: && brass edition; F piano accomp.
Ron Goodwin
4 published 633 Squadron. Great Winners, arr. Lawrance (Brass Wind: brass edition; F piano accomp.
separately)
published separately)
5 published separately)
Peter Graham Buenos Aires: No. 7 from Cityscapes for Horn in F (Gramercy Music)
Music)E31: F/E b edition)
5 Peter Graham Buenos Aires: No. 7 from Cityscapes for Horn in F (Gramercy Music)
(Emerson E31: F/E bb edition)
6 Peter
5 Ronald Graham
HanmerBuenosAriosoAires: No. 73rd
or Finale: from Cityscapes
or 4th for Horn
movt from in for
Suite F (Gramercy
Horn (Emerson
& /?
6 Ronald Hanmer Arioso or Finale: 3rd or 4th movt from Suite for Horn
7 Ronald
6 Peter HanmerWay
Meechan Arioso or Finale:
Down
7 Peter Meechan Way Down South ˝
South ¸3rd or 4thBrass,
Shining movt Book
from2Suite for Horn
(ABRSM: ? (Emerson
brass E31:
edition; F/E edition)
F piano accomp. published
Shining Brass, Book 2 (ABRSM: && /? brass edition; F piano accomp. published
8 Peter
7 DavidMeechan
A. StowellWay Down South ¸ ¸ Shining
˝ Brass, Book 2 (ABRSM: / brass edition; F piano accomp. published
˝ separately)
Open Plains ˛
8 David A. Stowell Open Plains ˛ separately)
David A.Ramskill
8 Robert
9 Stowell InOpen
the Plains separately)
Fast Lane.˛ Jazzed Up Too for F Horn, arr. Ramskill (Brass Wind)
9 Robert Ramskill In the Fast Lane. Jazzed Up Too for F Horn, arr. Ramskill (Brass Wind)
9 Robert Ramskill In the Fast Lane. Jazzed Up Too for F Horn, arr. Ramskill (Brass Wind)
LIST C
LIST C
C LIST
1 C
Concone Study No. 5. Concone Studies for Horn in F, arr. Ashworth (Emerson E299a)
1 Concone Study No. 5. Concone Studies for Horn in F, arr. Ashworth (Emerson E299a)
2 Concone
1 Lizzie Study
Davis WipeNo.Out: Concone
5. from Studies
Polished for Horn
Brass (BrassinWind:
F, arr.&Ashworth (Emerson E299a)
brass edition)
2 Lizzie Davis Wipe Out: from Polished Brass (Brass Wind: && brass edition)
3 Lizzie
2 Davis Wipe
Tom Davoren Out:
Quiet from Polished Brass (Brass Wind: brass edition)
Moment
3 Tom Davoren Quiet Moment ¸ ? brass edition)
/?
¸ Shining Brass, Book 2 (ABRSM: &
˝ /
4 Tom Davoren
3 Timothy Quiet
Jackson Moment ˛
Circulation ¸ Shining Brass, Book 2 (ABRSM: &
˝ ? brass edition)
˝ Shining Brass, Book 2 (ABRSM: & / brass edition)
4 Timothy Jackson Circulation ˛ ˛
4 Timothy Jackson Circulation
5 Jock McKenzie Tarantella: from Music Makes the World Go Around (Con Moto: && brass edition)
5 Jock McKenzie Tarantella: from Music Makes the World Go Around (Con Moto: & brass edition)
6 Jock McKenzie
5 John Miller TheTarantella:
Upward Slurfrom Music Makes the
or Articulation: No.World Go Around
2 or No. 4 from(Con Moto: Brass
Progressive brassStudies
edition)
(Faber: & brass
6 John Miller The Upward Slur or Articulation: No. 2 or No. 4 from Progressive Brass Studies (Faber: && brass
John Miller The Upward Slur or Articulation: No. 2 or No. 4 from Progressive Brass Studies (Faber: brass
6 edition)
edition)
7 edition)
Philip Sparke Penny Parade or One-part Invention: No. 34 or No. 36 from Skilful Studies for Horn (Anglo
7 Philip Sparke Penny Parade or One-part Invention: No. 34 or No. 36 from Skilful Studies for Horn (Anglo
7 Philip Sparke
Music AMP Penny Parade or One-part Invention: No. 34 or No. 36 from Skilful Studies for Horn (Anglo
099-401)
Music AMP 099-401)
Music AMP 099-401)
AURAL
AURAL TESTS FOR THE GRADE: see pp. 90 and 92
AURAL TESTS
TESTS FOR
FOR THE
THE GRADE:
GRADE: see
see pp.
pp. 90
90 and
and 92
92
SCALES
SCALES AND
AND ARPEGGIOS: from memory, to be played both slurred and tongued in the following keys:
AND ARPEGGIOS:
bb major;
SCALES ARPEGGIOS: from from memory,
memory, toto be
be played
played both
both slurred
slurred and
and tongued
tongued in
in the
the following
following keys:
keys:
B A, B minors (a twelfth)
B
B
E, b major;
major;
F
A, B minors
A, FB minor
majors; minors(two(a twelfth)
(a twelfth)
octaves)
E,
E, F F majors;
majors; FF minor
minor (two
(two octaves)
octaves)
Scales: in the above keys (minors in harmonic or melodic form at candidate’s choice)
Scales:
Scales: in the above keys (minors
in the above keys (minors in harmonic or
in harmonic or melodic
melodic form
form at
at candidate’s
candidate’s choice)
choice)
Chromatic
Chromatic Scale: starting on A (a twelfth)
Chromatic Scale:
Scale: starting
starting on
on AA (a
(a twelfth)
twelfth)
Arpeggios:
Arpeggios: the common chords of the above keys for the ranges indicated
Arpeggios: thethe common
common chords
chords ofof the
the above
above keys
keys for
for the
the ranges
ranges indicated
indicated
Dominant
Dominant Seventh: in the key of C (one octave)
Dominant Seventh:
Seventh: in in the
the key
key of
of CC (one
(one octave)
octave)
SIGHT-READING:
SIGHT-READING: aa short piece in simple or compound time within the keys, notes and overall range of
SIGHT-READING:
the scale a short
short
requirements set
piece
piece
up to
in
in
and
simple
simple or
or compound
compound
including this
time
time
grade. See
within
within
also p.
the
the
11.
keys,
keys, notes
notes and
and overall
overall range
range of
of
the
the scale
scale requirements
requirements set
set up
up to
to and
and including
including this
this grade.
grade. See
See also
also p.
p. 11.
11.

11
16
16
16
Performance Grades Horn 2013–2022
Horn
Horn GRADE
GRADE 5
5
Horn GRADE
GRADE 5 5
THREE
FOURPIECES:
PIECES: atone chosen
least by the
one chosen bycandidate from
the candidate each
from ofofthe
each thethree Lists,A,
three Lists, A,BBand
andC,C:
and a fourth of the
THREE
THREE PIECES:
PIECES: one
one chosen
chosen byby the
the candidate
candidate from
from each
each of
of the
the three
three Lists,
Lists, A,
A, B
B and
and C:
C:
candidate
LIST A ’s own choice; for further programming requirements, see pages 4–6
LIST A
LIST
1 A
Beethoven Scherzo and Trio (from Septet, Op. 20) ¸ Time Pieces for Horn, Vol. 2, arr. Harris and Skirrow
1 Beethoven Scherzo and Trio (from Septet, Op. 20) ˝ b edition)
¸ Time Pieces for Horn, Vol. 2, arr. Harris and Skirrow
˝ (ABRSM: F/E b edition)
2 Beethoven
A 1 Saint-Saëns Scherzo
Romance, andOp.
Trio
36(from Septet, Op. 20) ˛ ¸ Time
˝ Pieces F/E
(ABRSM: for Horn, Vol. 2, arr. Harris and Skirrow
2 Saint-Saëns Romance, Op. 36
3 Saint-Saëns
2 Romance,
Cherubini Sonata No. 1.Op.Cherubini
36
˛
˛ (ABRSM:
2 Sonatas (Concert Etudes) (G.F/E b edition)
Schirmer GS33559)
3 Cherubini Sonata No. 1. Cherubini 2 Sonatas (Concert Etudes) (G. Schirmer GS33559)
4 CherubiniEnSonata
3 Debussy No. 1. Cherubini 2 Sonatas
bateau. (Concert
No. 11 from ¸ Etudes) (G. Schirmer GS33559)
4 Debussy En bateau. No. 11 from ˝ ¸ Horn Solos, Book 2, arr. Campbell (Faber)
5 Debussy Mirth
4 Handel En bateau.
admit me of thy crew. No. 12 11 from ˛¸ Horn Solos, Book 2, arr. Campbell (Faber)
˝
˝ Horn Solos, Book 2, arr. Campbell (Faber)
Book˛2 (ABRSM: && /?
5 Handel Mirth admit me of thy crew. No. 12 from ˛
6 Handel
5 John Mirth
Frith admit me of thy¸crew.
Canzona
6 John Frith Canzona
No.
Shining 12 from
Brass, ? brass edition; F piano accomp. published
¸ Shining Brass, Book 2 (ABRSM: & /? brass edition; F piano accomp. published
˝
7 John
6 DavidFrith Canzona
A. Stowell Jam Bouree ˛ ¸ Shining
˝ Brass, Book 2 (ABRSM: / brass edition; F piano accomp. published
separately)
7 David A. Stowell Jam Bouree ˛ ˝ separately)
8 David A. Stowell Jam
7 Ippolitov-Ivanov Bouree
Cortège (from separately)Sketches). Undercover Hits for Horn in F, arr. Gout (Brass Wind)
˛ Caucasian
b edition) Hits
8 Ippolitov-Ivanov Cortège (from Caucasian Sketches). Undercover for Horn in F, arr. Gout (Brass Wind)
9 Paradies Sicilienne, arr. Denwood (Emerson E474: F/E bb edition)
Ippolitov-Ivanov
8 Paradies
9 Cortège
Sicilienne, (from Caucasian
arr. Denwood (EmersonSketches).
E474: F/EUndercover Hits for Horn in F, arr. Gout (Brass Wind)
9 Paradies Sicilienne, arr. Denwood (Emerson E474: F/E edition)
LIST B
LIST B
LIST
1 B
Bernstein Psalm 23 (from Chichester Psalms). Time Pieces for Horn, Vol. 2, arr. Harris and Skirrow (ABRSM:
B b edition)
1 Bernstein Psalm 23 (from Chichester Psalms). Time Pieces for Horn, Vol. 2, arr. Harris and Skirrow (ABRSM:
F/E bb edition)
Bernstein
1 F/E Psalm 23 (from Chichester Psalms). Time Pieces for Horn, Vol. 2, arr. Harris and Skirrow (ABRSM:
F/E edition)
2 Richard Bissill Calling All Cars (handstopping optional). Hornscape for Horn in F, arr. Bissill (Brass Wind)
& /?
2 Richard Bissill Calling All Cars (handstopping optional). Hornscape for Horn in F, arr. Bissill (Brass Wind)
/?
3 Richard
2 Tom DavorenBissill Lindy
Calling All Cars (handstopping
Hop! optional).
¸ Shining Hornscape
Brass, Book for Horn
2 (ABRSM: in F, arr.
brass Bissill
edition; F (Brass Wind)
piano accomp.
3 Tom Davoren Lindy Hop!
3 Tom Davoren Lindy Hop! ¸ Shining Brass, Book 2 (ABRSM: &
˝
Shining Brass, Book 2 (ABRSM: & /? brass edition; F piano accomp.
brass edition; F piano accomp.
4 Lucy Pankhurst Gone, Not Forgotten ˛ ˛
¸
˝
˝
published separately)
4 Lucy Pankhurst Gone, Not Forgotten ˛ published separately)
5 Lucy
4 Pankhurst
W. Lloyd WebberGone,
SummerNot Pastures
Forgotten published
(Stainer & Bell separately)
H377)
5 W. Lloyd Webber Summer Pastures (Stainer & Bell H377)
6 W. Lloyd
5 Jim Parker Webber
Mapp Summer
and Lucia.Pastures (Stainer
The Music & Parker
of Jim Bell H377)
for Horn in F (Brass Wind)
7 from Super Solos for F or E b Horn
6 Jim Parker Mapp and Lucia. The Music of Jim Parker for Horn in F (Brass Wind)
7 Philip Sparke March of the Toyb Soldiers or Song of Farewell: No. 3 or No. 7 from Super Solos for F or E bb Horn
Jim Parker
6 Philip
7 SparkeMapp the ToyThe
andofLucia.
March Music of
Soldiers or Jim
SongParker for HornNo.
of Farewell: in F3(Brass
or No.Wind)
Philip Sparke
7 (Anglo Music AMP March Toyb Soldiers
of theF/E
265-400: edition) or Song of Farewell: No. 3 or No. 7 from Super Solos for F or E Horn
(Anglo Music AMP 265-400: F/E b edition)
8 (Anglo Music AMP
John Williams 265-400:
Raiders F/E(from
March Raiders of the Lost Ark). Great Winners, arr. Lawrance (Brass Wind: & brass
edition)
8 John Williams Raiders March (from Raiders of the Lost Ark). Great Winners, arr. Lawrance (Brass Wind: && brass
8 John Williams
edition; Raiders published
F piano accomp. March (from Raiders of the Lost Ark). Great Winners, arr. Lawrance (Brass Wind: brass
separately)
edition; F piano accomp. published separately)
edition;
9 Guy F piano accomp.
Woolfenden published
War Dance or separately)
Moonlight Rumba: from Horn Dances (Brass Wind)
9 Guy Woolfenden War Dance or Moonlight Rumba: from Horn Dances (Brass Wind)
9 Guy Woolfenden War Dance or Moonlight Rumba: from Horn Dances (Brass Wind)
LIST C
LIST C
C LIST
1 C
Concone Study No. 11 or No. 18. Concone Studies for Horn in F, arr. Ashworth (Emerson E299a)
1 Concone Study No. 11 or No. 18. Concone Studies for Horn in F, arr. Ashworth (Emerson E299a)
& brass
Concone
1 Lizzie
2 Study
Davis No. 11 orfrom
Hornpipe: 18. Concone
No. Polished Brass Studies for Horn
(Brass Wind: in F,edition)
arr. Ashworth (Emerson E299a)
2 Lizzie Davis Hornpipe: from Polished Brass (Brass Wind: && brass edition)
3 Lizzie
2 Davis Study
Kopprasch Hornpipe: from
No. 8 or No.Polished
10: fromBrass (Brass Wind:
60 Selected brass
Studies for edition)
French Horn, Book 1 (Carl Fischer or Hofmeister
3 Kopprasch Study No. 8 or No. 10: from 60 Selected Studies for French Horn, Book 1 (Carl Fischer or Hofmeister
Kopprasch Study No. 8 or No. 10: from 60 Selected Studies for French Horn, Book 1 (Carl Fischer or Hofmeister
3 FH6014)
FH6014)
Jock McKenzie Fling: from Music Makes the World Go Around (Con Moto: & brass edition)
4 FH6014)
4 Jock McKenzie Fling: from Music Makes the World Go Around (Con Moto: && brass edition)
/?
Jock McKenzie
4 Peter
5 Air from Music Makes the World
Meechan Fling: ¸ Go Around (Con Moto: brass edition)
/?
5 Peter Meechan Air ¸ Shining Brass, Book 2 (ABRSM: &
˝ brass edition)
6 Peter
5 DavidMeechan
A. StowellAir
Flennon Study (either version) ˛ ¸ Shining Brass, Book 2 (ABRSM: &
˝ ? brass edition)
˝ Shining Brass, Book 2 (ABRSM: & / brass edition)
6 David A. Stowell Flennon Study (either version) ˛
7 DavidMiller
6 John A. Stowell Flennon
Prairie Song orStudy (either
March: 5 or No.˛6 from Progressive Brass Studies (Faber: && brass edition)
No. version)
7 John Miller Prairie Song or March: No. 5 or No. 6 from Progressive Brass Studies (Faber: & brass edition)
7 John Miller Prairie Song or March: No. 5 or No. 6 from Progressive Brass Studies (Faber: brass edition)
AURAL TESTS FOR THE GRADE: see pp. 90 and 93
AURAL
AURAL TESTSTESTS FORFOR THE
THE GRADE:
GRADE: seesee pp.
pp. 90
90 and
and 93
93
SCALES AND ARPEGGIOS: from memory, to be played both slurred and tongued in the following keys:
SCALES AND ARPEGGIOS: from from memory,
memory, toto be
be played
played both
both slurred
slurred and
and tongued
tongued in
in the
the following
following keys:
B bb major
SCALES AND (a ARPEGGIOS:
twelfth) keys:
B b b
major
major (a
(a twelfth) #
D, Eb, G majors; D, E, F # minors (two octaves)
B twelfth)
D,
D, E Ebin
,, G majors;
Gthe
majors; D, E,
E, F # minors
minorsin(two octaves)
Scales: aboveD,keys F(minors (two octaves)
harmonic or melodic form at candidate’s choice)
Scales: in the above keys (minors in harmonic or melodic form at candidate’s choice)
Chromatic Scale: starting on F (two octaves) or melodic form at candidate’s choice)
Scales: in the above keys (minors in harmonic
Chromatic
Chromatic Scale: starting on F (two octaves)
Arpeggios: Scale: startingchords
the common on F (two octaves)
of the above keys for the ranges indicated
Arpeggios:
Arpeggios: the common chords of the above keys
keys for
for the
the ranges
ranges indicated
Dominant Seventh: in the key of C (twoabove
the common chords of the octaves) indicated
Dominant Seventh: in the key of C (two
Dominant Seventh: in the key of C (two octaves) octaves)
SIGHT-READING: see p. 11.
SIGHT-READING:
SIGHT-READING: see see p.
p. 11.
11.

12 17
17
17
Performance Grades Horn 2013–2022
Horn
Horn GRADE
GRADE
GRADE 6 6
6
Horn GRADE 6
PREREQUISITE
PREREQUISITEFOR
PREREQUISITE FOR ENTRY:
FOR ENTRY: ABRSM
ENTRY: ABRSM
ABRSM Grade
Grade
Grade 5 (or
5
5 above)
(or in Music
above) Theory,
in Music Practical
Theory, Musicianship
Practical or a Practical
Musicianship or any
PREREQUISITE
Grades
solo Jazz solo JazzFOR
subject. ENTRY:For
instrument.
For ABRSM
alternatives, see Gradesee
alternatives, 5 (or
(or above)
above) in
in Music
Music Theory,
Theory, Practical
www.abrsm.org/prerequisite.
www.abrsm.org/prerequisite. Practical Musicianship
Musicianship or or any
any
solo
solo Jazz
Jazz subject.
subject. For
For alternatives,
alternatives, see
see www.abrsm.org/prerequisite.
www.abrsm.org/prerequisite.
THREE
FOURPIECES:
THREE PIECES: atone chosen
least by the
one chosen bycandidate from
the candidate each
from ofofthe
each thethree Lists,A,
three Lists, A,BB and
and C,C:
and a fourth of the
THREE PIECES:
PIECES: one
candidate one chosen
chosen byby the
the candidate
candidate from
from each
each of
of the
the three
three Lists,
Lists, A,
’s own choice; for further programming requirements, see pages 4–6 A, B
B and
and C:
C:
LIST
LIST A
A
LIST
1 A
Richard Bissill My Lady Fair
1 Richard
A 1
2 Richard
John
Bissill
Bissill
Frith
My
My Lady
Allegro Lady Fair
Fair
Appassionato ¸¸¸ Principal Horn (ABRSM)
2 John Frith Allegro Appassionato ˝˝ Principal Horn (ABRSM)
2
3 John Frith
Timothy AllegroThe
Jackson Appassionato
Old Lancashire Hornpipe ˛˝˛ Principal Horn (ABRSM)
3
3 Timothy
Timothy Jackson
Jackson2ndThe
The Old Lancashire
Oldfrom
Lancashire Hornpipe
HornpipeNo. ˛ 2 in D (Boosey & Hawkes: F/D edition)
4 Haydn Adagio: movt Horn Concerto &
4
4
5
Haydn
Haydn
J. B.
Adagio:
Adagio:
Loeillet
2nd
2nd movt
Allegro movt from
from Horn
(observing Horn Concerto
Concerto
repeat): 2nd movt
No.
No.
from
2
2 in D
D (Boosey
inSonata
(Boosey
for & Hawkes:
Hawkes:
Horn, arr.
F/D
F/D edition)
Civil edition)
(Broadbent & Dunn 10220)
5 J.
5
6 J. B.
B. Loeillet
MozartLoeillet Allegro
Allegro
Allegro or (observing repeat):
(observing
Rondo–Allegro: repeat):
1st
2nd
2nd
or 2nd
movt
movt
movt
from
from from
Sonata
Sonata
Horn
for
for Horn, arr.
arr. Civil
Horn, No.
Concerto Civil
1 in
(Broadbent
(Broadbent
D, K.
&
& Dunn
412/514Dunn 10220)
10220)
(Bärenreiter
6 Mozart
Mozart
6 BA Allegro
Allegro or
or Rondo–Allegro: or
Rondo–Allegro: 1st or 2nd movt from Horn Concerto No. 1 in D, K. 412/514 (Bärenreiter
1st 2nd movt from Horn Concerto No. 1 in D, K. 412/514 (Bärenreiter
BA 5314-90:
5314-90: F/D
F/D edition)
edition)
7 BA 5314-90:
Mozart F/D edition)
Andante: 2nd movt from Horn Concerto No. 2 in E bb, K. 417 (Bärenreiter BA 5311-90: F/E bb edition)
7
7
8
Mozart
Mozart
R.
Andante:
Andante:
Strauss Andante
2nd
2nd
for
movt
movt
Horn,
from
from
Op.
Horn
Horn
posth.
Concerto
Concerto
(Boosey &
No.
No. 2
2 in
Hawkes) E b,, K.
in E K. 417 (Bärenreiter BA
417 (Bärenreiter BA 5311-90: F/E b edition)
5311-90: F/E edition)
8 R.
8 R. Strauss
Strauss Andante
Andante for Horn, Op. posth. (Boosey &
& Hawkes)
9 R. Strauss Andante: for
2ndHorn,
movt Op.
fromposth.
Horn (Boosey
Concerto Hawkes)
No. 1 in E bb, Op. 11 (Universal UE 34725)
9 R.
9 R. Strauss
Strauss Andante:
Andante: 2nd2nd movt
movt from
from Horn
Horn Concerto
Concerto No. No. 11 in
in E E b,, Op.
Op. 11 (Universal UE
11 (Universal UE 34725)
34725)
LIST
LIST B
B
LIST
1 B
Richard Bissill Ghost
Ghost Rider. Hornscape for
Rider. Hornscape for Horn in
in F, arr.
arr. Bissill (Brass
(Brass Wind)
B 1
1 Richard
Richard Bissill
Bissill Ghost Rider. Hornscape for Horn
Horn in F,
F, arr. Bissill
Bissill (Brass Wind)
Wind)
2 Bozza
Bozza En
2 Bozza En Irlande
En Irlande (Leduc
Irlande (Leduc AL 20930)
AL 20930)
(Leduc AL 20930)
2
3 Dunhill Presto non troppo: No. 6 from Cornucopia, Op. 95 (Boosey & Hawkes)
3 Dunhill Presto
3 Dunhill Presto non
non troppo:
troppo: No.
No. 66 from Cornucopia, Op.
from Cornucopia, Op. 9595 (Boosey
(Boosey && Hawkes)
Hawkes)
4 John
4
4 John Frith
John Frith Time
Frith Time Passing
Time Passing
Passing
¸
¸ Principal Horn (ABRSM)
˝
¸ Principal Horn (ABRSM)
5 Timothy Jackson Loch Lomond ˝
˛
Timothy Jackson
5 Timothy Jackson Loch Lomond ˛
Loch Lomond ˝ Principal Horn (ABRSM)
5 ˛
6 Hindemith
6
6 Hindemith Ruhig
Hindemith Ruhig bewegt:
Ruhig bewegt: 2nd
bewegt: 2nd movt
2nd movt from
movt from Horn
from Horn Sonata
Horn Sonata (1939)
Sonata (1939) (Schott ED
(1939) (Schott
(Schott ED 3642)
ED 3642)
3642)
7
7 Richard
Richard Kershaw
Kershaw Night
Night Ride
Ride (Broadbent
(Broadbent &
& Dunn
Dunn 13101)
13101)
8 Richard
7 Jim Kershaw
Parker The Nightof
House Ride (Broadbent
Eliott. The & Dunn
Music of Jim13101)
Parker for Horn in F (Brass Wind)
8 Jim
8 Jim Parker
Parker The
The House
House of
of Eliott.
Eliott. The
The Music
Music of Jim
Jim Parker
ofDances
Parker for Horn
Horn in
forWind) in F (Brass Wind)
F (Brass Wind)
9
9 Guy
Guy Woolfenden
Woolfenden Spanish
Spanish Dance:
Dance: from
from Horn
Horn Dances (Brass
(Brass Wind)
9 Guy Woolfenden Spanish Dance: from Horn Dances (Brass Wind)
LIST
LIST C
C
C LIST
1 J. C Bach Bourrée I and II: 5th and 6th movts from Suite No. 3. J. S. Bach 6 Suites for Horn Solo, arr. Orval
S.
1 J.
J. S.
S. Bach Bourrée
BachMarc
1 (Editions Bourrée II and II: 5th and
II: 5th
and 256) and 6th
6th movts
movts from
from Suite
Suite No.
No. 3.3. J.
J. S.
S. Bach
Bach 6
6 Suites
Suites for
for Horn
Horn Solo,
Solo, arr.
arr. Orval
Orval
Marc Reift EMR
2
(Editions Marc Reift
(EditionsBissill
Richard Reift
On
EMR
EMR
Your
256)
256) ¸
Uppers
2 Richard
Richard
2 John Bissill
Bissill On
On Your
Your Uppers
Uppers ˝ ¸ Principal Horn (ABRSM)
¸ Principal Horn (ABRSM)
3 Frith Tarantella ˝
˛
3 John Frith Tarantella ˝ Principal Horn (ABRSM)
˛
3 John Frith Tarantella ˛
4 Concone Study
Concone Study
4 Concone No.
Study No.
No. 17 17 or
17 or No.
or No. 25. Concone
25.
No. 25. Concone Studies
Studies for
for Horn
Horn in
in F,
F, arr.
arr. Ashworth (Emerson E299a)
Ashworth (Emerson E299a)
4
5 Kopprasch Study No. 13 or No. 21: Concone
from 60Studies for
Selected Horn
Studies in
for F, arr.
French Ashworth
Horn, (Emerson
Book 1 (Carl E299a)
Fischer or Hofmeister
5 Kopprasch Study No. 13 or No. 21: from 60 Selected Studies for French Horn, Book 1
Kopprasch
5 FH6014) Study No. 13 or No. 21: from 60 Selected Studies for French Horn, Book (Carl Fischer
1 (Carl or Hofmeister
Fischer or Hofmeister
FH6014)
FH6014) Schuller Allegro vivace: No. 4 from Studies for Unaccompanied Horn (OUP)
6
6 Gunther
Gunther Schuller Allegro vivace: No. 4 from Studies for Unaccompanied Horn (OUP)
6
7 Gunther
Lowell E. Schuller
Shaw No. Allegro
1: from vivace: No. 4 from
Just Desserts Studies
– Frippery for (The
Style Unaccompanied Horn (OUP)
Hornists’ Nest)
7 Lowell
7 Lowell E.
E. Shaw
Shaw No.No. 1: from Just
1: from Just Desserts
Desserts –– Frippery
Frippery Style (The Hornists’
Style (The Hornists’ Nest)
Nest)
AURAL
AURAL TESTS FOR THE GRADE: see pp. 90 and 93
AURAL TESTS
TESTS FOR
FOR THE
THE GRADE:
GRADE: see
see pp.
pp. 90
90 and
and 93
93
SCALES
SCALES AND
AND ARPEGGIOS:
ARPEGGIOS: from from memory,
memory, to to be played both slurred and tongued in the following keys:
SCALES bb, FAND
##, A bARPEGGIOS: ##, Efrom
bb, G, memory, to be
be played
played both
both slurred
slurred and
and tongued
tongued in
in the
the following
following keys:
keys:
C, D
D b,, F
C, D F #,, A b majors;
A b majors;
majors; CC
C #,, E
E b,, G,
G, AA minors
A minors
minors (two(two octaves)
(two octaves)
octaves)
C,
Scales:
Scales: in
in the
the above
above keys
keys (minors
(minors in in both harmonic and
both harmonic and melodic
melodic forms)
forms)
Scales:
Chromatic
in the above
Scales:
keys
starting
(minors
on E, F,
in
F ##both
and
harmonic
G (two
and melodic
octaves)
forms)
Chromatic Scales:
Chromatic Scales: starting
starting onon E, E, F, F # and
F, F and G G (two
(two octaves)
octaves)
Arpeggios:
Arpeggios: the the common
common chords
chords of of the
the above
above keys
keys for
for the
the range
range indicated
indicated
Arpeggios: the common chords of the above keys for the range indicated
Dominant Seventh:
Dominant Seventh:
Seventh: in in the
in the key
the key
key ofof
of DD (two
D (two octaves)
(two octaves)
octaves)
Dominant
Diminished
Diminished Seventh:Seventh: starting
starting on on GG (two
(two octaves)
octaves)
Diminished Seventh: starting on G (two octaves)
SIGHT-READING:
SIGHT-READING: see p. 11.
SIGHT-READING: see
see p.
p. 11.
11.
TRANSPOSITION:
TRANSPOSITION: candidates
candidates will
will be asked to transpose
transpose down a tone aa short piece
piece approximately
TRANSPOSITION:
equivalent to candidates
aa Grade 4 will be
sight-reading
asked
asked to
betest. to transpose down
down aa tone
tone a short
short piece approximately
approximately
equivalent to Grade 4 sight-reading test.
equivalent to a Grade 4 sight-reading test.

13
18
18
18
Performance Grades Horn 2013–2022
Horn
Horn GRADE
GRADE
GRADE 7 7
7
Horn GRADE 7
PREREQUISITE
PREREQUISITEFOR
PREREQUISITE FOR ENTRY:
FOR ENTRY: ABRSM
ENTRY: ABRSM
ABRSM Grade
Grade
Grade 5
5 (or
5 (or above)
above) in Music
in Music Theory,
Theory, Practical
Practical Musicianship
Musicianship or any
or a Practical
PREREQUISITE
Grades
solo Jazz solo JazzFOR
subject. ENTRY:For
instrument.
For ABRSM
alternatives, see Gradesee
alternatives, 5 (or
(or above)
above) in
in Music
Music Theory,
Theory, Practical
www.abrsm.org/prerequisite.
www.abrsm.org/prerequisite. Practical Musicianship
Musicianship or or any
any
solo Jazz subject. For alternatives, see www.abrsm.org/prerequisite.
solo Jazz subject. For alternatives, see www.abrsm.org/prerequisite.
THREE
FOURPIECES:
THREE PIECES: atone chosen
least by the
one chosen bycandidate from
the candidate each
from ofofthe
each thethree Lists,A,
three Lists, A,BB andC,C:
and and a fourth of the
THREE PIECES:
PIECES: one
candidate one chosen
chosen byby the
the candidate
candidate from
from each
each of
of the
the three
three Lists,
Lists, A,
’s own choice; for further programming requirements, see pages 4–6 A, B
B and
and C:
C:
LIST A
LIST A
LIST
1 A
Beethoven Allegro moderato: 1st movt from Horn Sonata in F, Op. 17 (Boosey & Hawkes or Henle HN 498)
1 Beethoven Allegro moderato: 1st movt from Horn Sonata in F, Op. 17 (Boosey & Hawkes or Henle HN 498)
2 Beethoven
A 1 Richard BissillAllegro
The moderato: 1st movt
Drawing Room. from Horn
Hornscape Sonata
for Horn in in F, Op.
F, arr. 17 (Boosey
Bissill & Hawkes or Henle HN 498)
(Brass Wind)
2 Richard Bissill The Drawing Room. Hornscape for Horn in F, arr. Bissill (Brass Wind)
3 Richard Bissill
2 Glazunov TheOp.
Rêverie, Drawing Room.BEL
24 (Belaieff Hornscape
343) for Horn in F, arr. Bissill (Brass Wind)
3 Glazunov Rêverie, Op. 24 (Belaieff BEL 343)
4 Glazunov
3 Gliere Rêverie, Op.
Intermezzo, Op.24 No. 11. BEL
35(Belaieff 343)
Gliere Four Pieces for Horn and Piano, Op. 35 (Hans Pizka)
E b, 35
4 Gliere Intermezzo, Op. 35 No. 11. Gliere Four Pieces for Horn and Piano, Op. 35 (Hans Pizka)
Allegro or Allegro: 1st or 3rd movt from Horn Concerto No. 3 in E bb, K. 447 (Bärenreiter BA 5312-90:
5 Gliere
4 Mozart Intermezzo, Op. 35 1st
Allegro or Allegro: 3rdGliere
No.or11. movt Four
fromPieces
Hornfor Horn andNo.
Concerto Piano,
3 in Op. (Hans
K. 447 Pizka) BA 5312-90:
(Bärenreiter
bb edition)
5 Mozart
Mozart
5 F/E Allegro or Allegro: 1st or 3rd movt from Horn Concerto No. 3 in E , K. 447 (Bärenreiter BA 5312-90:
F/E b edition)
6 F/E
Mozart Rondo–Allegro vivace: 3rd movt from Horn Concerto No. 4 in E bb, K. 495 (Bärenreiter BA 5313-90:
edition)
6 Mozart Rondo–Allegro vivace: 3rd movt from Horn Concerto No. 4 in E b, K. 495 (Bärenreiter BA 5313-90:
b edition)
F/E bb edition)
Mozart
6 F/E Rondo–Allegro vivace: 3rd movt from Horn Concerto No. 4 in E , K. 495 (Bärenreiter BA 5313-90:
F/E edition)
7 Reinecke Notturno, Op. 112 (Schott COR 9)
7 Reinecke Notturno, Op. 112 (Schott COR 9)
8 Reinecke
7 F. Strauss Notturno, Fig. KCOR
Op. 112at(Schott
3rd movt (starting 9) Horn Concerto in C minor, Op. 8 (G. Schirmer GS33556)
): from
8 F. Strauss 3rd movt (starting at Fig. K ): from Horn Concerto in C minor, Op. 8 (G. Schirmer GS33556)
9 F. Strauss 3rd
8 movt (starting
Nocturno, at Fig. K ):UE
Op. 7 (Universal from Horn Concerto in C minor, Op. 8 (G. Schirmer GS33556)
1368)
9 F. Strauss Nocturno, Op. 7 (Universal UE 1368)
9 F. Strauss Nocturno, Op. 7 (Universal UE 1368)
LIST B
LIST B
M.BArnold Andantino grazioso: 2nd movt from Horn Concerto No. 2, Op. 58 (Paterson PAT62001: F/E bb edition)
LIST
1
B 2nd movt from Horn Concerto No. 2, Op. 58 (Paterson PAT62001: F/E b edition)
in B b (Schott
1 M. Arnold Andantino grazioso:
2 Arnold Cooke Rondo in B bb (Schott ED 10231)
2 M.
1 Arnold
Arnold Andantino
Cooke Rondograzioso: 2nd EDmovt from Horn Concerto No. 2, Op. 58 (Paterson PAT62001: F/E edition)
10231)
3 Jean-Michel Damase Pavane variée ED
2 Arnold Cooke Rondo in B (Schott 10231)
(Lemoine)
3 Jean-Michel Damase Pavane variée (Lemoine)
4 Jean-Michel
3 John Damase Pavane
Frith Jousting. Principalvariée
Horn(Lemoine)
(ABRSM)
4 John Frith Jousting. Principal Horn (ABRSM)
5 John FrithGhidoni
4 Armando Principal
Jousting.Poésie Horn(observing
et Gaîté (ABRSM)cadenza) (Leduc AL 29207 )
5 Armando Ghidoni Poésie et Gaîté (observing cadenza) (Leduc AL 29207 )
6 Armando
5 Ghidoni
Christopher Gibbs Poésie et Gaîté
Meditation cadenza) (Leduc AL 29207 )
(observingPP479)
(Phylloscopus
6 Christopher Gibbs Meditation (Phylloscopus PP479)
7 Christopher
6 Jan Koetsier Gibbs Meditation
Romanza, (Phylloscopus
Op. 59 No. PP479)
2 (Editions Marc Reift EMR 240)
7 Jan Koetsier Romanza, Op. 59 No. 2 (Editions Marc Reift EMR 240)
8 Jan Koetsier
7 Prokofiev Romanza,
Morning Op.(from
Dance 59 No.Romeo
2 (Editions Marc Reift
and Juliet). EMR 240)
Hornscape for Horn in F, arr. Bissill (Brass Wind )
8 Prokofiev Morning Dance (from Romeo and Juliet). Hornscape for Horn in F, arr. Bissill (Brass Wind )
9 Prokofiev
8 Morning
Guy Woolfenden Dance
Sword Romeo
(fromfrom
Dance: andDances
Horn Juliet).(Brass
Hornscape
Wind )for Horn in F, arr. Bissill (Brass Wind )
9 Guy Woolfenden Sword Dance: from Horn Dances (Brass Wind )
9 Guy Woolfenden Sword Dance: from Horn Dances (Brass Wind )
LIST C
LIST C
C LIST
1 C Bach Gigue: 7th movt from Suite No. 2. J. S. Bach 6 Suites for Horn Solo, arr. Orval (Editions Marc Reift
J. S.
1 J. S. Bach Gigue: 7th movt from Suite No. 2. J. S. Bach 6 Suites for Horn Solo, arr. Orval (Editions Marc Reift
1 J.
EMR 256) Gigue: 7th movt from Suite No. 2. J. S. Bach 6 Suites for Horn Solo, arr. Orval (Editions Marc Reift
S. Bach
EMR 256)
EMR Frith
2 John 256) Olympic Spirit. Principal Horn (ABRSM)
2 John Frith Olympic Spirit. Principal Horn (ABRSM)
3 John
2 B. Frith Olympic
Hummel Intermezzo: 2ndPrincipal
Spirit. movt fromHorn (ABRSM)
Suite for Solo Horn in F, Op. 64 (Zimmermann ZM21270)
3 B. Hummel Intermezzo: 2nd movt from Suite for Solo Horn in F, Op. 64 (Zimmermann ZM21270)
4 B.
3 Hummel Study
Kopprasch Intermezzo:
No. 16 2nd movt
or No. 33: from Suite for Solo
60 Selected Horn
Studies for in F, Op.
French 64 (Zimmermann
Horn, ZM21270)
Book 1 (Carl Fischer or Hofmeister
4 Kopprasch Study No. 16 or No. 33: from 60 Selected Studies for French Horn, Book 1 (Carl Fischer or Hofmeister
FH6014) Study No. 16 or No. 33: from 60 Selected Studies for French Horn, Book 1 (Carl Fischer or Hofmeister
4 Kopprasch
FH6014)
FH6014)
5 de Pré No. 2: from 20 Études pour le cor grave (Billaudot GB2127)
5 de Pré No. 2: from 20 Études pour le cor grave (Billaudot GB2127)
6 de Pré No.
5 Gunther Schuller 20 Études
2: fromAllegro pour le cor
moderato: No.grave StudiesGB2127)
(Billaudot
2 from for Unaccompanied Horn (OUP )
6 Gunther Schuller Allegro moderato: No. 2 from Studies for Unaccompanied Horn (OUP )
7 Gunther
6 Lowell E.Schuller
Shaw No. Allegro moderato:
4 or No. 2 from –Studies
No.Desserts
6: from Just for Style
Frippery Unaccompanied Horn
(The Hornists’ (OUP )
Nest)
7 Lowell E. Shaw No. 4 or No. 6: from Just Desserts – Frippery Style (The Hornists’ Nest)
7 Lowell E. Shaw No. 4 or No. 6: from Just Desserts – Frippery Style (The Hornists’ Nest)
AURAL
AURAL TESTS FOR THE GRADE: see pp. 90 and 94
AURAL TESTS
TESTS FOR
FOR THE
THE GRADE:
GRADE: see
see pp.
pp. 90
90 and
and 94
94
SCALES
SCALES AND
AND ARPEGGIOS: from memory, to be played slurred, legato-tongued and staccato in the follow-
SCALES
ing keys: AND ARPEGGIOS:
ARPEGGIOS: fromfrom memory,
memory, to to be
be played
played slurred,
slurred, legato-tongued
legato-tongued and
and staccato
staccato in
in the
the follow-
follow-
ing keys:
B bb majors
ing keys:
All keys, major and minor (two octaves; A and and minors both lower and upper two octaves)
All
All keys,
keys, major
major and
and minor
minor (two
(two octaves;
octaves; A A and
and BB b majors
majors and
and minors
minors both
both lower
lower and
and upper
upper two
two octaves)
octaves)
Scales:
Scales: in
in the
the above
above keys
keys (minors
(minors in
in both
both harmonic
harmonic and
and melodic
melodic forms)
forms)
Scales: in the above keys (minors in both harmonic and melodic forms)
Chromatic
Chromatic Scales: starting on any note (two octaves)
Chromatic Scales:
Scales: starting
starting on
on any
any note
note (two
(two octaves)
octaves)
Arpeggios:
Arpeggios: the common chords of the above keys for the range indicated
Arpeggios: the
the common
common chords
chords of
of the
the above keys
keys for
bb and
above for the
the range
range indicated
indicated
Dominant Sevenths: in the keys of B, C, D D (two octaves)
Dominant Sevenths: in the keys of B, C, D bb and D (two octaves)
Dominant Sevenths: in the keys of B, C, D and D (two octaves)
Diminished Sevenths: starting on C and A b (two octaves)
Diminished
Diminished Sevenths:
Sevenths: starting
starting on
on CC and
and A A b (two
(two octaves)
octaves)
SIGHT-READING:
SIGHT-READING: see p. 11.
SIGHT-READING: see
see p.
p. 11.
11.
TRANSPOSITION:
TRANSPOSITION: candidates
candidates will
will be asked to transpose down aa tone a short piece approximately
TRANSPOSITION:
equivalent to a candidates
Grade 5 will be
sight-reading
asked
asked to
betest. to transpose
transpose down
down a tone
tone aa short
short piece
piece approximately
approximately
14 equivalent
equivalent to
to aa Grade
Grade 5
5 sight-reading
sight-reading test.
test.
19
19
19
Performance Grades Horn 2013–2022
Horn
Horn GRADE
GRADE
GRADE 8 8
8
Horn GRADE 8
PREREQUISITE
PREREQUISITEFOR
PREREQUISITE FOR ENTRY:
FOR ENTRY: ABRSM
ENTRY: ABRSMGrade
ABRSM Grade
Grade 5 (or
5 above)
5 (or
(or in Music
above)
above) in Theory,
in Music
Music Practical
Theory,
Theory, Musicianship
Practical
Practical or a Practical
Musicianship
Musicianship or
or any
any
PREREQUISITE
solo JazzFOR
Grades subject.
solo ENTRY:For
instrument. ABRSM Gradesee
alternatives, 5 (or above) in Music Theory, Practical Musicianship or any
www.abrsm.org/prerequisite.
solo Jazz
Jazz subject. For
For alternatives,
alternatives, see
see www.abrsm.org/prerequisite.
www.abrsm.org/prerequisite.
solo Jazz subject. For alternatives, see www.abrsm.org/prerequisite.
THREE
FOURPIECES:
THREE PIECES: atone
PIECES: one chosen
least by
by the
one chosen
chosen bycandidate
the from
the candidate
candidate from each
from of
ofofthe
each
each thethree
the three Lists, A,
A,BB
Lists,A,
three Lists, and
andC,C:
Band and a fourth of the
C:
THREE PIECES: one chosen by the candidate from each of the three Lists, A, B and C:
candidate’s own choice; for further programming requirements, see pages 4–6
LIST
LIST A A
LISTJ. AS. line for
for Horn
Horn in
in D).
D). Absolutely
Absolutely Horn,
1
1 J. S. Bach
Bach Quoniam
Quoniam tu
tu solus
solus sanctus
sanctus (from
(from Mass
Mass in
in B
B minor)
minor) (solo
(solo line Horn, arr.
arr.
A 1 J. S. Bach
Bissill Quoniam tu solus sanctus (from Mass in B minor) (solo line for Horn in D). Absolutely Horn, arr.
(Brass Wind)
Bissill (Brass Wind)
Bissill (BrassPoco
Wind)
2
2 Beethoven
Beethoven Poco adagio, adagio, quasi andante and
quasi andante and Rondo–Allegretto
Rondo–Allegretto moderato:
moderato: 2nd2nd and
and 3rd
3rd movtsmovts from
from Horn
Horn
2 Beethoven Poco adagio, quasi andante and Rondo–Allegretto moderato: 2nd and 3rd movts from Horn
Sonata
Sonata in F, Op. 17
in F, Op. (Boosey &
17 (Boosey & Hawkes or Henle
Hawkes or Henle HN
HN 498)
498)
3 Sonata in F, Op.
Donizetti Concerto 17
Concerto for (Boosey &
for Horn Hawkes or
Horn (complete), Henle
(complete), arr. HN
arr. Leloir498)
Leloir (Billaudot GB1907 ))
(Billaudot GB1907
3 Donizetti
3 Donizetti Concerto for Horn (complete), arr. Leloir (Billaudot GB1907 )
4
4 John
John Frith
Frith The Pearl. Principal
The Pearl. Principal Horn
Horn (ABRSM)
(ABRSM)
4
5 John Frith The Pearl.
Gliere Principal Horn (ABRSM) Op. 91 (Hans Pizka or Sikorski–Boosey & Hawkes)
5 Gliere Andante:
Andante: 2nd 2nd movt
movt from
from Horn
Horn Concerto,
Concerto, Op. 91 (Hans Pizka or Sikorski–Boosey & Hawkes)
b
E bb edition)
5 Gliere Andante: 2nd movt from Horn Concerto, Op. 91 (Hans Pizka or Sikorski–Boosey & Hawkes)
6
6 Hutschenruijter
Hutschenruijter Romanze,
Romanze, Op. Op. 12 (Compusic COMP305:
12 (Compusic COMP305: E edition)
6
7 Hutschenruijter
Mozart Allegro
Allegro or Romanze, Op.
or Rondo–Allegro: 12
Rondo–Allegro: 1st(Compusic
or 3rd
1st or COMP305:
3rd movt
movt E edition)
from Horn
Horn Concerto No.
No. 22 in E bb,, K.
in E K. 417
417 (Bärenreiter BA
(Bärenreiter BA
or Rondo–Allegro: 1st or 3rd movt from Horn Concerto No. 2 in E b, K. 417 (Bärenreiter BA
7 Mozart from Concerto
7 Mozart
5311-90: bb edition)
Allegro
F/E
5311-90: F/E b edition)
8 5311-90:
Saint-SaënsF/E edition) de Concert, Op. 94 (cutting Figs 3–4 and 10–11) (Durand)
8 Saint-Saëns Morceau
Morceau de Concert, Op. 94 (cutting Figs 3–4 and 10–11) (Durand)
8 Saint-Saëns Morceau de 1st Concert,from
Op. 94 (cutting 3–4 bband
Figs in 10–11) (Durand) E bb edition)
9 Steup
Steup Allegro
Allegro brillante:
brillante: 1st movt
movt from Sonata
Sonata No.
No. 11
11 in E (Compusic COMP309:
E (Compusic
in E b Horn
9 COMP309: E b edition)
9
10 Steup Allegro
R. Strauss
Strauss Allegro brillante:
Allegro 1st movt from1st
or Rondo–Allegro:
Rondo–Allegro: Sonata3rdNo.
or 3rd 11 from
movt (Compusic COMP309:
Concerto No. 11Ein E bb, Op. 11 (Universal UE
Eedition)
R. Strauss Allegro or Rondo–Allegro: 1st or 3rd movt from Horn Concerto No. 1 in E b, Op. 11 (Universal UE
10 R. or 1st or movt from Horn Concerto No. in , Op. 11 (Universal UE
10 34725)
34725)
34725)
LIST
LIST B
B
LIST B Abbott Alla Caccia (Weinberger)
B 1 Alan
1 Alan Abbott Alla Caccia (Weinberger)
Alan Abbott Alla
1 Richard Caccia (Weinberger)
2 Richard Bissill
2 Bissill By Jupiter! Principal
By Jupiter! Principal Horn
Horn (ABRSM)
(ABRSM)
b
E b,, Op.
3 Richard
2 Bissill By Jupiter! Principal
1stHorn
movt(ABRSM)
York Bowen
Bowen Moderato espressivo: from Horn
Horn Sonata
Sonata in
in E Op. 101 (Emerson E165)
101 (Emerson
1st movt from Horn Sonata in E b, Op. 101 (Emerson E165)
3 York Moderato espressivo: 1st movt from E165)
3
4 York
BozzaBowen
En Moderato
forêt, Op. 40 espressivo:
(Leduc AL 19955)
4 Bozza En forêt, Op. 40 (Leduc AL 19955)
Bozza En forêt, Op.
4 Büsser 40 (Leduc AL 19955)
5
5 Büsser Cantecor,
Cantecor, Op.
Op. 77 (Leduc AL
77 (Leduc AL 23101)
23101)
Büsser Cantecor,
5 John Op. 77 (Leduc AL 23101) (Emerson E538)
6 John Frith
6 Frith Vivo:
Vivo: 3rd
3rd movt
movt from
from Horn
Horn Sonata
Sonata (Emerson E538)
6 John Frith Vivo:
Hindemith Lebhaft:
7 Hindemith 3rd movt
Lebhaft: 3rd from
3rd movt
movt fromHorn Sonata
from Horn
Horn (Emerson
Sonata E538)
(1939) ED 3642)
(Schott ED 3642)
7 Sonata (1939) (Schott
Hindemith
7 Jan Lebhaft: 3rd movt from Horn SonataMarc
(1939) (Schott ED 3642)
8 Jan Koetsier Scherzo Brillante, Op. 96 (Editions Marc Reift EMR
8 Koetsier Scherzo Brillante, Op. 96 (Editions Reift EMR 267
267 ))
Jan Koetsier Scherzo
8 Trygve Brillante, Op. 96 (Editions Marc Reift24
EMR 267 )
9 Trygve Madsen
9 Madsen Allegro:
Allegro: 1st
1st movt
movt from
from Horn
Horn Sonata,
Sonata, Op.
Op. 24 (Musikk-Huset)
(Musikk-Huset)
Trygve MadsenHunter’s
9 Gilbert Allegro: 1st movt from Horn Sonata, Op. 24 (Musikk-Huset)
10 Gilbert Vinter
10 Vinter Hunter’s Moon (Boosey &
Moon (Boosey & Hawkes)
Hawkes)
10 Gilbert Vinter Hunter’s Moon (Boosey & Hawkes)
LIST
LIST C
C
C LIST C
1 Jeffrey
1 Jeffrey Agrell
Agrell Romp
Romp for for solo
solo horn (special effects
horn (special effects optional (Editions Marc
optional )) (Editions Marc Reift
Reift EMR
EMR 2040)
2040)
Jeffrey
1 J. Agrell Romp for solo horn (special effects optional ) (Editions Marc Reift EMR 2040)
2 J. S.
2 S. Bach
Bach Gigue:
Gigue: 7th
7th movt
movt from
from Suite
Suite No. 3. J.
No. 3. J. S.
S. Bach
Bach 6 6 Suites
Suites for
for Horn
Horn Solo,
Solo, arr.
arr. Orval (Editions Marc
Orval (Editions Marc Reift
Reift
J. S. Bach
2 EMR Gigue: 7th movt from Suite No. 3. J. S. Bach 6 Suites for Horn Solo, arr. Orval (Editions Marc Reift
EMR 256)
256)
3 EMR 256)
Derek Bourgeois Presto: No. 8 from Fantasy Pieces for Horn (Brass Wind)
3 Derek Bourgeois Presto: No. 8 from Fantasy Pieces for Horn (Brass Wind)
4 Derek
3 Bourgeois
B. Hummel
Hummel FinalePresto: Fantasy Pieces
No. 8 fromoptional):
flutter-tonguing for Horn Suite Wind)
from(Brass
4 B. Finale (( flutter-tonguing optional): 4th4th movt
movt from Suite for Solo
for Solo Horn
Horn in in F,
F, Op.
Op. 64
64 (Zimmermann
(Zimmermann
B. Hummel Finale ( flutter-tonguing optional): 4th movt from Suite for Solo Horn in F, Op. 64 (Zimmermann
4 ZM21270)
ZM21270)
ZM21270) Study No. 14: from 60 Selected Studies for French Horn, Book 1 (Carl Fischer or Hofmeister FH6014)
5 Kopprasch
5 Kopprasch Study No. 14: from 60 Selected Studies for French Horn, Book 1 (Carl Fischer or Hofmeister FH6014)
Kopprasch Study
5 Bernhard No. 14: from 60 Selected Studies for2962)
French Horn, Book 1 (Carl Fischer or Hofmeister FH6014)
6 Bernhard Krol
6 Krol Laudatio
Laudatio for for solo
solo horn (Simrock EE
horn (Simrock EE 2962)
7 Bernhard
6 de Pré
Pré No.
No.Krol Laudatio
13: from
from for solo
20 Études
Études horn
pour le cor(Simrock
cor EE 2962)GB2127)
grave (Billaudot
(Billaudot
7 de 13: 20 pour le grave GB2127)
de Pré No.
7 Lowell 13: from12:20 ÉtudesJustpour le cor grave GB2127)
(Billaudot (The
8 Lowell E.
8 E. Shaw
Shaw No. from Just Desserts
No. 12: from Desserts –– Frippery
Frippery Style
Style (The Hornists’
Hornists’ Nest)
Nest)
8 Lowell E. Shaw No. 12: from Just Desserts – Frippery Style (The Hornists’ Nest)
AURAL
AURAL TESTS
TESTS FOR
FOR THE
THE GRADE:
GRADE: see
see pp.
pp. 90
90 and
and 95
95
AURAL TESTS FOR THE GRADE: see pp. 90 and 95

15
20
20
20
set for E b Horn (see pp. 34–35).
set
set for E b Horn
for E Horn (see
(see pp.
pp. 34–35).
34–35).
Related instrument option: Candidates for any of the above four instruments (Trumpet, B bb Cornet, E bb
Related instrument option:
Related instrument option: Candidates
Candidates for
for any
any of
of the
the above
above four
four instruments
instruments (Trumpet,
(Trumpet, B B b Cornet, Eb
Cornet, E
Soprano Cornet, Flugelhorn) have the option of playing one piece on one of the other three instruments
Soprano
Soprano Cornet,
Cornet, Flugelhorn)
Flugelhorn) have
have the
the option
option of playing one
of playing one piece on one
piece on one of
of the
the other
other three
three instruments
instruments
Trumpet, B Cornet, 
(there
(there is no
is
Performance
(there is no Grades - to
no advantage
advantage
advantage
to be
be gained over
to be gained
over other candidates
gained over other
candidates in
Trumpet, Bin
other candidates
Performance
taking
taking this
takingEthis
- Cornet,
in
option).
option).
- Soprano
this
Grades
All
All other
Cornet,
option).
2017–2022
All Flugelhorn
other requirements
other requirements
2017–2022
requirements
must be performed using the instrument on which the candidate has entered.
E Soprano Cornet, Flugelhorn
must
must-be
be performed
performed using
using the
the instrument
instrument onon which
which the
the candidate
candidate has
has entered.
entered.

Trumpet,
Trumpet, Cornet ,, Flugelhorn
GRADE 1 Cornet
GRADE 1
Trumpet, Cornet , Flugelhorn
Flugelhorn GRADE
GRADE 1
1
THREE
FOURPIECES:
THREE PIECES: atone
least one chosen
chosen bycandidate
by the the candidate
fromfrom each
each ofofthe
thethree Lists,A,
three Lists, A,BBand
andC,C:
and a fourth of the
THREE PIECES:
PIECES: one
candidate one chosen
chosen byby the
the candidate
candidate from
from each
each of
of the
the three
three Lists,
Lists, A,
’s own choice; for further programming requirements, see pages 4–6 A, B
B and
and C:
C:
LIST
LIST A
A
LIST A Davoren Romanza ? brass edition; B b piano accomp. published
1
1 Tom
Tom Davoren
1 Tom Davoren Romanza
Romanza ¸ Shining
Shining Brass,
Brass, Book
Book 1
1 (ABRSM: /?
(ABRSM: && /? brass edition; B b piano accomp. published
¸ Shining Brass, Book 1 (ABRSM: & / brass edition; B b piano accomp. published
¸
˝
A 2 Philip Sparke A Knight’s Tale ˛ ˝ separately)
˝ separately)
2 Philip Sparke A ˛
2
3 Philip
Christopher A Knight’s
SparkeGunning
Knight’s Tale
Tale ˛No.
Pigalle. separately)
9 from The Really Easy Trumpet Book (Faber)
3
3 Christopher
Christopher Gunning
Gunning Pigalle.
Pigalle. No.
No. 99 from
from The
The Really
Really Easy
Easy Trumpet
Trumpet Book
Book (Faber)
(Faber)
Handel Minuet
4 Handel
4 Minuet (from Water Music).
(from Water Music). Time
Time Pieces
Pieces for
for Trumpet,
Trumpet, Vol.
Vol. 1,
1, arr.
arr. Harris
Harris and
and Wallace
Wallace (ABRSM)
(ABRSM)
4
5 Handel
James RaeMinuet (from
Fanfare for Water
the Music).
Wimbledon Time Pieces
Common for
ManTrumpet, Vol.
(trumpet 1):1, arr.
from Harris andDebut
Trumpet Wallace (ABRSM)
(Universal UE 21618:
5 James Rae
James accomp.
5 piano Fanfare
Rae Fanfare for the Wimbledon
for separately,
published the Wimbledon
UE
Common
Common
21619 ) Man (trumpet 1): from Trumpet Debut (Universal UE
Man (trumpet 1): from Trumpet Debut (Universal UE 21618:
21618:
piano
piano accomp.
accomp. published
published separately,
separately, UE
UE 21619
21619 )
)
Susato Ronde.
6 Susato
6 Ronde. No.No. 7
7 from
from First
First Book
Book ofof Trumpet
Trumpet Solos,
Solos, arr.
arr. Wallace
Wallace and
and Miller
Miller (Faber)
(Faber)
7 Susato
6 Ronde. No.
Trad. American
American 7 from
Shaker First Book
Melody of Trumpet
(arr.). bySolos,
Grade by arr.Trumpet
Grade, WallaceGrade
and Miller (Faber)
1 (Boosey
(Boosey & Hawkes)
Hawkes)
7
7 Trad.
Trad. American Shaker
Shaker Melody
Melody (arr.).
(arr.). Grade
Grade Grade,
by Magic Trumpet
Trumpet Grade
Grade,Trumpet, Grade 1
1 (Boosey &
&&Hawkes)
8 Trad. English The Barley Break, arr. Hare. The
The arr. Hare (Boosey Hawkes) or
8 Trad. English
Trad. English
8 Grade by Grade,
The
The Barley
Barley
Trumpet
Break,
Break,
Grade 1
arr. Hare.
arr. Hare.
(Boosey & The Magic Trumpet, arr. Hare (Boosey & Hawkes)
Hawkes)
Magic Trumpet, arr. Hare (Boosey & Hawkes) or or
Grade by Grade, Trumpet Grade 1 (Boosey & Hawkes)
Grade by Grade,
Trad. Spiritual
9 Trad. Trumpet
Spiritual All
All Night,Grade
Night, All 1 (Boosey
All Day.
Day. Easy & Hawkes)
Easy Winners,
Winners, arr.
arr. Lawrance
Lawrance (Brass &
Wind: & brass
(Brass Wind: brass edition; B bb piano
edition; B piano accomp.
9 Trad. Spiritual
9 published All Night, All Day. Easy Winners, arr. Lawrance (Brass Wind: & brass edition; B b piano accomp.
separately) accomp.
published
published separately)
separately)
LIST
LIST B
B
LIST
1 L. B
Bernstein One Hand, One Heart (from West Side Story), arr. Lawrance. Easy Winners, arr. Lawrance (Brass
B 1 L.
1 L. Bernstein One
One Hand, One Heart
Heart (from West Side
Side Story), arr.
arr. Lawrance. Easy
Easy Winners, arr. Lawrance (Brass
Bernstein
Wind: & brass edition; B
bb piano
Hand,
& brass edition; Oneaccomp. (from West
published Story),
separately) or GradeLawrance.
by Grade, Trumpet Winners,
Grade arr.
1 Lawrance
(Boosey & (Brass
Hawkes)
Wind:
Wind: B b piano accomp. published separately) or Grade by Grade, Trumpet Grade
& brass edition; B piano accomp. published separately) or Grade by Grade, Trumpet Grade 1 (Boosey & Hawkes)1 (Boosey & Hawkes)
2
2 Keith
Keith Ramon
Ramon Cole
Cole Granite
Granite (arr.).
(arr.). Grade
Grade by
by Grade,
Grade, Trumpet
Trumpet Grade
Grade 1
1 (Boosey
(Boosey &
& Hawkes)
Hawkes)
2 KeithDavoren
3 Tom
3 Ramon Cole Granite
Davoren Waltz
Waltz for
for E.
(arr.). Grade
¸ Shining
Shining Brass,
by Grade,
Brass, Book
Book 1
Trumpet Grade
(ABRSM: &&& /
1 (ABRSM: /? 1 (Boosey
? brass edition; bb piano accomp. published
&BHawkes)
3
4
Tom Davoren
Tom
David A. Waltz
Stowell for
Strollin’
E. ¸
E. ˝
˝ Shining
¸
˛ Brass,
separately) Book 1 (ABRSM: /? brass
brass edition; B b piano
edition; B piano accomp.
accomp. published
published
4 David A. Stowell Strollin’ ˝
˛ separately)
5 DavidGraham
4 Peter A. Stowell Strollin’
Moscow or
˛ separately)
Paris: No. 1 or No. 2 from Cityscapes for B bb Instrument (Gramercy Music: && /? ? edition)
5 Peter Graham
6 Peter
5 GrahamGraham Moscow or
Lyons Moscow
On Parade. or Paris:
Parade. Paris: No. 1
No.No. 1 or
5 from
from
No.
orThe 2
2 from
No.Really
from Cityscapes
Cityscapes
Easy Trumpetfor B b (Faber)
for B
Book
Instrument (Gramercy Music:
Instrument (Gramercy Music: & //? edition)
edition)
6 Graham Lyons On No. 5 The
No. 5 from The Really
Really Easy Trumpet
Easy Trumpet Book
Book (Faber)
7 Graham
6
7 James Rae
James RaeLyons
CatsOn
Cats
Parade.or Cucumber
on Patrol
on Patrol or Cucumber Dance
Dance (trumpet
(trumpet 1): from
1): from (Faber)
Trumpet
Trumpet Debut (Universal
Debut UE 21618:
(Universal UE 21618: piano
piano
7 James
accomp.Rae Cats on
published Patrol or
separately, UECucumber
21619 )) Dance (trumpet 1): from Trumpet Debut (Universal UE 21618: piano
accomp. published
accomp.American separately,
published When
separately, UE
UE 21619
21619The) Magic Trumpet, arr. Hare (Boosey & Hawkes)
8 Trad. the Saints. The
8 Trad. American
9 Trad.
8 American When
Pam Wedgwood
Wedgwood When the
the Saints.
Hot Chilli:
Chilli: Saints. The Magic
Really
from Really Magic Trumpet,
Trumpet,
Easy Jazzin’
Jazzin’ About
arr.
arr.forHare
Hare (Boosey
(Boosey
Trumpet
&
& Hawkes)
(Faber)Hawkes)
9 Pam Wedgwood Hot Chilli: from Really Easy
9 Pam Hot from Easy Jazzin’ About
About for
for Trumpet
Trumpet (Faber)
(Faber)
LIST
LIST C
C
LIST C Blakeson Flingaling: No. 2 from Smooth Groove for Trumpet etc. (Brass Wind)
C 1 Don
1
1 Don
Don Blakeson
Blakeson Flingaling:
Flingaling: No.
No. 2 from Smooth
from Smooth
2 Polished Brass
Groove
Groove for
for Trumpet
Trumpet
Wind:
etc.
& brass (Brass Wind)
etc. (Brass Wind)
2
2 Lizzie
Lizzie Davis
Davis Tiny
Tiny Minuet:
Minuet: from
from Polished Brass (Brass
(Brass Wind: & brass edition)
edition)
2 Lizzie Davis Tiny Step
Minuet: fromorPolished Brass (Brass Wind: & brass edition)
3 Edward Gregson by Step Little Minuet: No. 1 or No. 3 from 20 Supplementary Tunes for Beginner Brass
3 Edward
3 Edward Gregson
Gregson
Wind:
(Brass Wind:
Step
Step
& brass
by
edition)Step or
by Step or Little
Little Minuet:
Minuet: No.
No. 11 or
or No.
No. 3 from 20
3 from 20 Supplementary
Supplementary Tunes
Tunes for
for Beginner
Beginner Brass
Brass
(Brass & brass edition)
(Brass Wind: & brass edition)
4 Jock McKenzie
4 Jock McKenzie Sizhu or Bakisimba:
Sizhu or Bakisimba: No.
No. 2 or No.
2 or No. 4
4 from Dance to
from Dance to the
the Beat
Beat of
of the
the World
World (Con Moto: && brass
(Con Moto: brass edition)
edition)
or Bakisimba: No. 2 or No. 4 from Dance to the Beat &
5
5
Jock McKenzie
4 Peter
Peter Meechan
Meechan
Sizhu
One,
One, Two, Three! ¸ ? of the World (Con Moto: brass edition)
& ? brass edition)
5
6 Peter
Philip Meechan
Sparke One, Two,
Puppet’s Two, Three!
Three! ˝
Dance
¸ Shining Brass, Book 1 (ABRSM: &
¸ Shining Brass, Book 1 (ABRSM: & /
˝
˛ / ? brass edition)
6 Philip Sparke Puppet’s ˝ Shining Brass, Book 1 (ABRSM: / brass edition)
˛
7 Philip Sparke
6 Philip Puppet’sorDance
Sparke Lullaby Dance
Marching
˛
Home: No. 6 or No. 7 from Skilful Studies for Trumpet, Cornet, Flugel Horn
7 Philip
7 Philip Sparke
Sparke Lullaby
Lullaby or
or Marching
Marching Home:
Home: No. 6 or
No. 6 or No.
No. 7 from Skilful
7 from Skilful Studies
Studies for
for Trumpet,
Trumpet, Cornet,
Cornet, Flugel
Flugel Horn
Horn
or
or Tenor
Tenor Horn
Horn (Anglo
(Anglo Music
Music AMP
AMP 098-401)
098-401)
or Tenor Horn (Anglo Music AMP 098-401)
22
22
22

16
Performance Grades Trumpet, B - Cornet, E - Soprano Cornet, Flugelhorn 2017–2022
Trumpet,
Trumpet, Cornet, Flugelhorn GRADE 2
GRADE 2 Cornet,
Trumpet, Cornet, Flugelhorn
Flugelhorn GRADE
GRADE 2
2
THREE
FOURPIECES:
THREE PIECES: atone
PIECES: one chosen
least
chosen by
by the
one chosen bycandidate
the from
the candidate
candidate from each
from of
ofofthe
each
each thethree
the three Lists, A,
A,BB
Lists,A,
three Lists, and
Band
andC,C:
and a fourth of the
C:
THREE PIECES: one chosen by the candidate from each of the three Lists, A, B and C:
candidate’s own choice; for further programming requirements, see pages 4–6
LIST
LIST A
A
LIST
1 A Bach O Jesulein süss (O Sweet Child Jesus). No. 16 from First Book of Trumpet Solos, arr. Wallace and
J. S.
1 J. S. Bach O Jesulein süss (O Sweet Child Jesus). No. 16 from First Book of Trumpet Solos, arr. Wallace and
A 1 J. S. Bach
Miller O Jesulein süss (O Sweet Child Jesus). No. 16 from First Book of Trumpet Solos, arr. Wallace and
(Faber)
Miller (Faber)
2 Miller (Faber)Gunning Shepherd’s Delight. No. 12 from The Really Easy Trumpet Book (Faber)
Christopher
2 Christopher Gunning Shepherd’s Delight. No. 12 from The Really Easy Trumpet Book (Faber)
2 Christopher Gunning Shepherd’s Delight. No. 12 from TheMagicReally Easy Trumpet Book (Faber)& Hawkes)
3 Nicholas
3 Nicholas Hare
Hare Variations
Variations onon ‘Goe
‘Goe from
from My Window’. The
My Window’. The Magic Trumpet,
Trumpet, arr.
arr. Hare
Hare (Boosey
(Boosey & Hawkes)
3 NicholasCome,
Hare Variations My Window’. The
on ‘Goe frombracketed Magic Trumpet, arr. Hare 1, & Hawkes)
(BooseyHarris
4 Purcell
4 Purcell Come, ye ye Sons
Sons of
of Art (ignoring bracketed notes).
Art (ignoring notes). Time
Time Pieces
Pieces for
for Trumpet,
Trumpet, Vol.
Vol. 1, arr.
arr. Harris and
and Wallace
Wallace
4 Purcell
(ABRSM) Come, ye Sons of Art (ignoring bracketed notes). Time Pieces for Trumpet, Vol. 1, arr. Harris and Wallace
(ABRSM) ?
// ? brass b
B b piano
(ABRSM) ¸ Shining Brass, Book 1 (ABRSM: &
5 Philip
5 Philip Sparke
Sparke MyMy Lady’s
Lady’s Pavan brass edition;
edition; B piano accomp.
Book 1 (ABRSM: &/ ? brass edition; B b piano accomp.
Pavan ¸ Shining Brass, Book 1 (ABRSM: &
˝ accomp.
5 Philip A.
Sparke MyALady’s Pavan ¸ Shining
˝ Brass,
˝ published separately)
˛
6 David
6 David A. Stowell
Stowell A Walk
Walk inin the
the Rain
Rain ˛ published separately)
& brass edition; B b piano accomp.
7 Trad. Irish Football Crazy. Winner Scores All, arr. Lawrance (Brass Wind: && brass edition; B bb piano accomp.
6
7 David
Trad. A. Stowell
Irish A Walk
Football in the
Crazy. ˛ published
RainScores
Winner All, arr. separately)
Lawrance (Brass Wind:
Trad. Irish
7 published Football Crazy. Winner Scores All, arr. Lawrance (Brass Wind: brass edition; B piano accomp.
separately)
published separately)
b
B b piano
published separately) &
8 Verdi
8 Verdi Anvil Chorus
Anvil (from Il
Chorus (from Il trovatore).
trovatore). Easy
Easy Winners,
Winners, arr.
arr. Lawrance (Brass Wind:
Lawrance (Brass Wind: & brass
brass edition;
edition; B
(from Il trovatore). Easy Winners, arr. Lawrance (Brass Wind: & brass edition; B b piano
piano
Verdi Anvil Chorus
8 accomp.
accomp. published
published separately)
separately)
9 accomp. published
Warlock separately)
Basse-Dance (arr.). Grade by Grade, Trumpet Grade 2 (Boosey & Hawkes)
9 Warlock Basse-Dance (arr.). Grade by Grade, Trumpet Grade 2 (Boosey & Hawkes)
9 Warlock Basse-Dance (arr.). Grade by Grade, Trumpet Grade 2 (Boosey & Hawkes)
LIST
LIST B
B
LIST B b
1 Andersson and Ulvaeus
Ulvaeus Thank
Thank You
You for
for the
the Music.
Music. EasyEasy Winners,
Winners, arr.
arr. Lawrance
Lawrance (Brass Wind: && brass
(Brass Wind: brass edition; Bb
edition; B
Thank You for the Music. Easy Winners, arr. Lawrance (Brass Wind: & brass edition; B b
B 1 Andersson and
Andersson
1 piano and
accomp. Ulvaeusseparately)
published
piano accomp. published separately)
piano accomp. published separately)
2 Carol
2 Carol Barratt
Barratt Hampton Swing. Grade
Hampton Swing. Grade byby Grade,
Grade, Trumpet
Trumpet Grade
Grade 2 (Boosey &
2 (Boosey & Hawkes)
Hawkes)
Carol Barratt
2 Bartók Hampton Swing. Grade by Grade, TrumpetTrumpet,
Grade 2 (Boosey & Hawkes)
3
3 Bartók Play (from For
Play (from For Children,
Children, Vol. 1). Time
Vol. 1). Time Pieces
Pieces for
for Trumpet, Vol.
Vol. 1,
1, ?arr.
arr. Harris
Harris and
and Wallace
Wallace (ABRSM)
(ABRSM)
3 Bartók Play (from For Children, Vol. 1). Time
Shining Pieces
Brass, for
BookTrumpet,
1 Vol. 1,
& ?
arr. Harris
brass and B
edition; bb piano(ABRSM)
Wallace accomp.
4 Tom
4 Tom Davoren
Davoren Hangin’
Hangin’ with
with Monti
Monti ¸ ¸
˝ Shining Brass, Book 1 (ABRSM:
(ABRSM: &
&
/
/ ? brass edition; B b piano accomp.
4 Tom Davoren Hangin’ with Monti ˛ ¸ Shining
˝ Brass, Book 1 (ABRSM: / brass edition; B piano accomp.
5 Philip
5 Philip Sparke
Sparke Tennessee
Tennessee RagRag ˝ published
˛ published separately)
separately)
5 Philip Gilkyson
Sparke Tennessee Rag ˛ published separately) &
6 Terry
6 Terry Gilkyson The The Bare
Bare Necessities (from The
Necessities (from The Jungle
Jungle Book).
Book). Winner
Winner Scores
Scores All,
All, arr.
arr. Lawrance (Brass Wind:
Lawrance (Brass Wind: &
6 Terry
brass Gilkysonbb piano
The Bare Necessities (from The Jungle Book). Winner Scores All, arr. Lawrance (Brass Wind: &
brass edition; B b piano accomp.
edition; B accomp. published
published separately)
separately)
b Instrument (Gramercy Music: &&/ ?
7 brass
Peteredition; B bb Instrument (Gramercy Music: &/ ?
Graham piano accomp.
B Seville published
or Kyoto:
Kyoto: No. 3 separately)
or
3 or No. 44 from Cityscapes for
from Cityscapes for B edition)
(Gramercy Music: / ? edition)
7 Peter Graham Seville or No. No. edition)
7 Peter Graham Seville or Kyoto: No. 3 orNo.No.7 4from
from Cityscapes for Trumpet
B Instrument
8 Christopher Gunning Steam Special. No. 7 from The Really Easy Trumpet Book
8 Christopher Gunning Steam Special. The Really Easy Book (Faber)
(Faber)
Christopher Gunning
8 Pam Steam Special. No. 7 from The ReallyJazzin’
Easy Trumpet Book (Faber)
9 Pam Wedgwood
9 Wedgwood Easy Tiger or
Easy Tiger or Buttercup: from Really
Buttercup: from Really Easy
Easy Jazzin’ About
About forfor Trumpet
Trumpet (Faber)
(Faber)
9 Pam Wedgwood Easy Tiger or Buttercup: from Really Easy Jazzin’ About for Trumpet (Faber)
LIST
LIST C
C
C LIST C Blakeson Popcorn or Senorita Rita: No. 9 or No. 10 from Smooth Groove for Trumpet etc. (Brass Wind)
1 Don
1 Don Blakeson Popcorn or Senorita Rita: No. 9 or No. 10 from Smooth Groove for Trumpet etc. (Brass Wind)
2 Don
1 Popcorn or
BlakesonGeared Senorita Rita: or No. 10 from
No. 9from Smooth Groove for&Trumpet etc. (Brass Wind)
2 Lizzie
Lizzie Davis
Davis Geared UpUp or
or Jumping
Jumping Jack Rap: from Polished
Jack Rap: Polished Brass (Brass Wind:
Brass (Brass Wind: && brass
brass edition)
edition)
LizzieGale
2 Dave DavisThe
Geared Up orWell
Jumping
or Rap: fromP.Polished
JackHopping: or Brass (Brass
JazzFXWind:
for brass edition)
Trumpet etc.
3
3 Dave Gale The Ending’s Well or Puddle Hopping: P. 2 or P. 3 from JazzFX for Trumpet etc. (Brass
Ending’s Puddle 2 P. 3 from (Brass Wind)
Wind)
Dave Gale The Calypso
3 Jock Ending’s Well or Puddle Hopping: or P. 3 fromtoJazzFX
P. 2from for Trumpet etc. (Brass Wind)
&
McKenzie Calypso or
4 Jock McKenzie
4 or Club
Club Mix:
Mix: No. 11 or
No. 11 or No. 19 from Dance
No. 19 Dance to the
the Beat
Beat of
of the
the World
World (Con Moto: & brass
(Con Moto: brass
Jock McKenzie Calypso or Club Mix: No. 11 or No. 19 from Dance to the Beat of the World (Con Moto: & brass
4 edition)
edition)
edition)
// ?
Peter Meechan
5 Peter Meechan Haunted
Haunted House
House ¸
5
House ˝
¸ Shining Brass, Book 1 (ABRSM: & ? brass edition)
5 Peter Meechan Haunted ¸ Shining Brass, Book 1 (ABRSM: &
˝
˛ ? brass edition)
6 David
6 David A.
A. Stowell
Stowell High
High Street
Street ˝ Shining Brass, Book 1 (ABRSM: &/ brass edition)
˛
˛ Soldier’s Song: No. 8 or No. 19 from Skilful Studies for Trumpet, Cornet,
7 David A.
6 Philip Stowell
Sparke High Street
Norwegian Mood or
7 Philip Sparke Norwegian Mood or Soldier’s Song: No. 8 or No. 19 from Skilful Studies for Trumpet, Cornet,
Philip Horn
7 Flugel Sparke Tenor Mood or Soldier’s
Norwegian(Anglo Song: No. 8 or No. 19 from Skilful Studies for Trumpet, Cornet,
Flugel Horn or
or Tenor Horn
Horn (Anglo Music
Music AMP
AMP 098-401)
098-401)
Flugel Horn or Tenor Horn (Anglo Music AMP 098-401)
AURAL
AURAL TESTS
TESTS FOR
FOR THE
THE GRADE:
GRADE: see
see pp.
pp. 90
90 and
and 91
91
AURAL TESTS FOR THE GRADE: see pp. 90 and 91
SCALES
SCALES AND AND ARPEGGIOS:
ARPEGGIOS: from
from memory,
memory, toto be
be played
played both
both slurred
slurred and
and tongued
tongued inin the
the following
following keys:
keys:
SCALES AND ARPEGGIOS: from memory, to be played both slurred and tongued in the following keys:
bb, D majors;
B A, D minors (one octave)
Bb, D majors; A, D minors (one octave)
B , D majors; A, D minors (one octave)
Scales:
Scales: in
in the
the above
above keys
keys (minors
(minors in natural or
in natural harmonic or
or harmonic or melodic
melodic form
form atat candidate’s
candidate’s choice)
choice)
Scales: in the above keys (minors in natural or harmonic or melodic form at candidate’s choice)
Arpeggios: the common chords of the above keys for the range indicated
Arpeggios: the common chords of the above keys for the range indicated
Arpeggios: the common chords of the above keys for the range indicated
SIGHT-READING:
SIGHT-READING: aa short short piece
piece in
in simple
simple time
time within
within the
the keys,
keys, notes
notes and
and overall
overall range
range of
of the
the scale
scale
SIGHT-READING:
requirements set a toshort
up and piece in simple
including this timeSome
grade. within the keys, dotted
accidentals, notes and
and tied
overall range
notes may of included.
be the scale
requirements set up to and including this grade. Some accidentals, dotted and tied notes may be included.
requirements
See set up to and including this grade. Some accidentals, dotted and tied notes may be included.
See also
also p.
p. 11.
11.
See also p. 11.

24 17
24
24
Performance Grades Trumpet, B - Cornet, E - Soprano Cornet, Flugelhorn 2017–2022
Trumpet,
Trumpet, Cornet, Flugelhorn GRADE 3
GRADE 3 Cornet,
Trumpet, Cornet, Flugelhorn
Flugelhorn GRADE
GRADE 3
3
THREE
FOURPIECES:
THREE PIECES: atone chosen
least by the
one chosen bycandidate from
the candidate each
from ofofthe
each thethree Lists,A,
three Lists, A,BB and
and C,C:
and a fourth of the
THREE PIECES:
PIECES: one
candidate one chosen
chosen byby the
the candidate
candidate from
from each
each of
of the
the three
three Lists,
Lists, A,
’s own choice; for further programming requirements, see pages 4–6 A, B
B and
and C:
C:
LIST A
LIST A
LIST
1 A
J. Clarke Trumpet Tune. Time Pieces for Trumpet, Vol. 2, arr. Harris and Wallace (ABRSM)
&/ ? B bb piano accomp. published
1 J. Clarke Trumpet Tune. Time
Time Pieces for
for Trumpet, Vol.
Vol.12, arr.
arr. Harris and Wallace (ABRSM)
A 2 J.
1 TomClarke Trumpet
Davoren Rondo Tune.
Olympia Pieces
¸ Shining Trumpet,
Brass, Book 2,
(ABRSM:Harris and
? Wallace
brass (ABRSM)
edition;
2
3
Tom Davoren
Tom Davoren
2 Lucy Rondo Olympia
PankhurstRondo Olympia ˝
Sicilienne ¸ Shining
˝
˛ Brass, Book 1 (ABRSM: &// ? brass
¸ Shining Brass, Book 1 (ABRSM: &
separately) brass edition; B b piano accomp. published
edition; B piano accomp. published
Lucy ˝ separately)
˛
3
3
4 Lucy Pankhurst
Elgar Pankhurst Sicilienne
Pomp andSicilienne ˛ separately)
Circumstance (Theme from March No. 4). The Magic Trumpet, arr. Hare (Boosey & Hawkes)
B bTrumpet,
4 Elgar Pomp and Circumstance (Theme from March No.
No.& 4). The Magic Trumpet, arr.
arr. Hare (Boosey &
& Hawkes)
4
5 Elgar Pomp and Circumstance (Theme
Fauré Pavane. Easy Winners, arr. Lawrance from March
(Brass Wind: brassThe
4). Magic
edition; piano accomp. Hare (Boosey Hawkes)
& brass edition; B b piano accomp. published separately)
published separately)
& brass edition; B b piano accomp. published separately)
5
5 Fauré
Fauré Pavane.
Pavane. Easy
Easy Winners,
Winners, arr.
arr. Lawrance
Lawrance (Brass
(Brass Wind:
Wind:
6 James Land of My Fathers. No. 3 from Songs & Ballads of the British Isles for Trumpet, arr. Lawson (Warwick
6
6 James
James Land
Music) Land of
of My Fathers. No.
My Fathers. No. 33 from
from Songs
Songs && Ballads
Ballads of
of the
the British
British Isles
Isles for
for Trumpet,
Trumpet, arr.
arr. Lawson
Lawson (Warwick
(Warwick
Music)
Music) Der Vogelfänger bin ich ja (from The Magic Flute). Onstage Brass for Trumpet, arr. Calland (Stainer &
7 Mozart
7
7 Mozart
Mozart Der The Magic Flute). Onstage Brass for Trumpet, arr. Calland
Der Vogelfänger bin ich ja (from The Magic Flute). Onstage Brass for Trumpet, arr. Calland (Stainer
Vogelfänger bin ich ja (from (Stainer &&
Bell H430)
8
Bell
Bell H430)
H430) b
Tchaikovsky Reverie. Winner Scores All, arr. Lawrance (Brass Wind: && brass edition; B b piano accomp. published
Reverie. Winner
Winner Scores
Scores All,
All, arr.
arr. Lawrance (Brass Wind:
Wind: & brass
brass edition; B b piano accomp. published
8
8 Tchaikovsky
Tchaikovsky Reverie. Lawrance (Brass edition; B piano accomp. published
separately)
separately)
separately)
9 Vivaldi Spring. No. 4 from Skilful Solos for Trumpet, Cornet or Flugel Horn, arr. Sparke (Anglo Music AMP 191-400)
9
9 Vivaldi Spring. No.
Vivaldi Spring. No. 44 from
from Skilful
Skilful Solos
Solos for
for Trumpet,
Trumpet, Cornet
Cornet oror Flugel
Flugel Horn,
Horn, arr.
arr. Sparke (Anglo Music
Sparke (Anglo Music AMP
AMP 191-400)
191-400)
LIST B
LIST B
LIST
1 Bernstein America (from West Side Story). Winner Scores All, arr. Lawrance (Brass Wind: && brass edition; B bb
L. B
Bb
B 1 L.
L. Bernstein
Bernstein
1 piano America
America (from
(from West
West Side
Side Story).
Story). Winner
Winner Scores
Scores All,
All, arr.
arr. Lawrance (Brass Wind:
Lawrance (Brass Wind: & brass
brass edition;
edition; B
accomp. published separately)
piano accomp.
piano accomp. published separately)
separately)
2 Alan Bullard published
Sentimental Serenade: No. 5 from Circus Skills for Trumpet (Spartan Press SP1160 )
&/ ? b piano
Alan Bullard Sentimental
2 Alan Sentimental Serenade: No. No. 55 from Circus Skills
from Circus Skills for
for Trumpet
Trumpet (Spartan
(Spartan Press SP1160 ))
brass edition; BPress SP1160
/ ? brass edition; B b piano accomp. published
2
3 John Bullard
Frith Broken DreamsSerenade: Shining Brass, Book 1 (ABRSM: accomp. published
3 John Frith
3 John Frith Broken Dreams ¸
Broken Dreams ¸ Shining Brass, Book 1 (ABRSM: &
˝
Shining Brass, Book 1 (ABRSM: &/ ? brass edition; B b piano accomp. published
4 Peter Meechan Purple Shade ˛ ¸
˝
˛ separately)
˝
optional ) or Vienna: No. 5 or No. 6 from Cityscapes for B bb Instrument
4 Peter Meechan Purple Shade separately)
separately)
5 Peter Graham
4 Peter Meechan NewPurple
York (grace˛note
Shade
B b Instrument
5 Peter
Peter Graham
Graham New?York (grace note
(grace note optional
optional )) or
or Vienna:
Vienna: No.
No. 55 or
or No.
No. 6 from Cityscapes
6 from Cityscapes for
for B Instrument
5 (Gramercy &/ ?York
Music:New edition)
(Gramercy Music: &/ ? edition)
Music: &/ edition)
6 (Gramercy
Rob Hudson Down Home Blues: from Easy Blue Trumpet (Universal UE 21263)
6 Rob Hudson Down Home Blues: from Easy
Easy Blue Trumpet (Universal UE 21263)
7 Rob
6 Hudson
Joplin Down
Augustan ClubHome Blues:
Waltz. Timefrom
Pieces for Blue Trumpet
Trumpet, Vol. (Universal
2, arr. HarrisUEand21263)
Wallace (ABRSM)
7 Joplin Augustan Club Waltz. Time Pieces for Trumpet, Vol. 2, arr. Harris and Wallace (ABRSM)
8 Andrew Lloyd Webber The Music of the Night (from Phantom of the Opera).Wallace
7 Joplin Augustan Club Waltz. Time Pieces for Trumpet, Vol. 2, arr. Harris and Winner(ABRSM)
Scores All, arr. Lawrance
8 Andrew Lloyd
AndrewWind:
8 (Brass Lloyd Webber
Webber
& brass
The bb pianoofaccomp.
Music
TheBMusic
edition;
of the Night
the Night (from Phantom
Phantom of the Opera). Winner
(fromseparately)
published
of the Opera). Winner Scores
Scores All,
All, arr.
arr. Lawrance
Lawrance
& brass edition; B b piano accomp. published separately)
& brass edition; B piano accomp. published separately)
James Bond Theme. Easy Winners, arr. Lawrance (Brass Wind: && brass edition; B bb piano accomp.
(Brass Wind:
(Brass Wind:
9 Monty Norman
9 Monty Norman
Monty Norman
9 published James Bond Theme. Easy Winners, arr. Lawrance (Brass Wind: & brass edition; B b piano accomp.
James
separately)
Bond Theme. Easy Winners, arr. Lawrance (Brass Wind: brass edition; B piano accomp.
published separately)
published separately)
LIST C
LIST C
C LIST
1 DonC Blakeson Red Chilli Sauce or Jam on Toast: No. 18 or No. 20 from Smooth Groove for Trumpet etc. (Brass
1 Don
1 Don Blakeson
Wind Blakeson
)
Red
Red Chilli Sauce or
Chilli Sauce or Jam
Jam on
on Toast:
Toast: No. 18 or
No. 18 or No.
No. 20 from Smooth
20 from Smooth Groove
Groove for
for Trumpet
Trumpet etc.
etc. (Brass
(Brass
Wind ))
2 Wind
Lizzie Davis Karaoke Kick Start (in G) or Tap Dance (in G minor): P. 7 from Polished Brass (Brass Wind: &&
2 Lizzie Davis Karaoke Kick Start (in G) or Tap Dance (in G minor): P. 7 from Polished Brass
Davis Karaoke Kick Start (in G) or Tap Dance (in G minor): P. 7 from Polished Brass (Brass Wind: &
Lizzieedition)
2 brass (Brass Wind:
brass edition)
3 brass
Dave edition)
Gale Mellowdrama: P. 2 from JazzFX for Trumpet etc. (Brass Wind )
3 Dave
3 Dave Gale Mellowdrama: P.
P. 2
2 from JazzFX for Trumpet etc. (Brass Wind ))
Gale Mellowdrama: ¸ JazzFX for Trumpet etc. (Brass Wind
from
/?
4 Timothy Jackson How’s Tricks?
/?
4 Timothy Jackson How’s ¸ Shining Brass, Book 1 (ABRSM: &
5 Timothy
4 How’s Tricks?
JacksonSummer
Peter Meechan Tricks?
Sound ˛
˝
¸ Shining Brass, Book 1 (ABRSM: &
˝
brass edition)
? brass edition)
5 Peter Meechan Summer Sound ˝ Shining Brass, Book 1 (ABRSM: &/ brass edition)
˛
5 Peter Meechan Summer Sound ˛
6 Jock McKenzie Bossa Nova: No. 33 from Dance to the Beat of the World (Con Moto: && brass edition)
6 Jock
Jock McKenzie Bossa
Bossa Nova: No. 33
33 from Dance
Dance to the
the Beat of
of the World (Con Moto:
(Con brass edition)
& brass edition)
6 Philip
7 McKenzie
Sparke Rondino Nova:
or MyNo. fromNo.
Country: 22 ortoNo. Beat
26 from theSkilful
WorldStudies Moto:
for Trumpet, Cornet, Flugel Horn or
7 Philip Sparke Rondino or My Country: No. 22 or No. 26 from Skilful Studies for Trumpet, Cornet, Flugel Horn or
PhilipHorn
7 Tenor Sparke Music or
Rondino
(Anglo AMPMy 098-401
Country:) No. 22 or No. 26 from Skilful Studies for Trumpet, Cornet, Flugel Horn or
Tenor Horn (Anglo Music AMP 098-401
Tenor Horn (Anglo Music AMP 098-401 ) )

AURAL
AURAL TESTS FOR THE GRADE: see pp. 90 and 92
AURAL TESTS
TESTS FOR
FOR THE
THE GRADE:
GRADE: see
see pp.
pp. 90
90 and
and 92
92
SCALES
SCALES AND
AND ARPEGGIOS: from memory, to be played both slurred and tongued in the following keys:
SCALES AND ARPEGGIOS:
bb, E majors; ARPEGGIOS: from
from memory,
memory, toto be
be played
played both
both slurred
slurred and
and tongued
tongued in
in the
the following
following keys:
keys:
E C, E minors (one octave)
E
E
A
b ,
, E
E majors;
majors; C,
C, E
E minors
minors (one
(one octave)
octave)
A major
A major (a
major (a twelfth)
(a twelfth)
twelfth)
Scales:
Scales: in
Scales:
in the
the above
in the above keys
above keys (minors
keys (minors in
(minors in harmonic or
in harmonic
harmonic or melodic
or melodic form
melodic form at
form at candidate’s
at candidate’s choice)
candidate’s choice)
choice)
Chromatic Scale:
Chromatic Scale: starting
Scale: starting on
starting on C
on C (one
C (one octave)
(one octave)
octave)
Chromatic
Arpeggios:
Arpeggios: the the common
common chords
chords of
of the
the above
above keys
keys for
for the
the ranges
ranges indicated
indicated
Arpeggios: the common chords of the above keys for the ranges indicated
SIGHT-READING:
SIGHT-READING: aa short
short piece
piece in
in simple time within the keys, notes and
and overall range
range of the
the scale
SIGHT-READING:
requirements set upa to
short
and piece in simple
includingsimple
this
time
grade.
within
time See
within
also
the
the
p.
keys,
keys, notes
11. notes and overall
overall range of
of the scale
scale
requirements set up to and including this grade. See also p. 11.
requirements set up to and including this grade. See also p. 11.

18
25
25
25
Performance Grades Trumpet, B - Cornet, E - Soprano Cornet, Flugelhorn 2017–2022
Trumpet,
Trumpet, Cornet, Flugelhorn GRADE 4
GRADE 4Cornet,
Trumpet, Cornet, Flugelhorn
Flugelhorn GRADE
GRADE 4
4
THREE
FOURPIECES:
THREE PIECES: atone
PIECES: one chosen
least
chosen by
by the
one chosen bycandidate
the from
the candidate
candidate from each
from of
ofofthe
each
each thethree
the three Lists, A,
A,BB
Lists,A,
three Lists, and
Band
andC,C:
and a fourth of the
C:
THREE PIECES: one chosen by the candidate from each of the three Lists, A, B and C:
candidate
LIST A ’s own choice; for further programming requirements, see pages 4–6
LIST A
LIST
1 A Charpentier Prelude. Time Pieces for Trumpet, Vol. 3, arr. Harris and Wallace (ABRSM )
M.-A.
&/ ? B b piano )accomp. published
1 M.-A. Charpentier Prelude. Time Pieces for Trumpet, Vol. 3, arr. Harris and Wallace (ABRSM )
/? brass edition; B bb piano accomp. published
A 2 M.-A.Davoren
1 Tom Charpentier Prelude.
Beaufort Time
Allegro Pieces forBrass,
¸ Shining Trumpet,
BookVol. 3, arr. Harris
2 (ABRSM: and Wallace
brass edition; (ABRSM
2 Tom Davoren Beaufort Allegro ¸ ˝ Shining Brass, Book 2 (ABRSM: &
¸ Shining & ?
Brass, Book 2 (ABRSM: / brass edition; B piano accomp. published
3 Tom
2 John Davoren Beaufort
Frith Jiggedy Jig Allegro ˛ ˝ separately)
˝ separately)
˛
3 John Frith Jiggedy Jig ˛ separately)
3
4 John FrithSoldiers’
Gounod JiggedyMarch
Jig (from Faust). Onstage Brass for Trumpet, arr. Calland (Stainer & Bell H430 )
B b piano
4 Gounod Soldiers’ March (from Faust). Onstage Brass for Trumpet, arr. Calland (Stainer & Bell H430 )
Grieg Solveig’s Song (from Peer Gynt). Great Winners, arr. Lawrance (Brass Wind: && brass edition; B bb piano
4
5 Gounod
Grieg Soldiers’
Solveig’s March
Song (from Peer Faust).
(from Onstage
Gynt). Great Brass for
Winners, arr.Trumpet,
Lawrance arr. Calland
(Brass & brass
(Stainer
Wind: &edition;
Bell H430 )
5
5 Grieg Solveig’s
accomp. publishedSong (from Peer Gynt). Great Winners, arr. Lawrance (Brass Wind: brass edition; B piano
separately)
accomp. published separately)
6 accomp. published
Handel separately)
March (from Overture to Occasional Oratorio). No. 4 from Old English Trumpet Tunes, Book 1, arr.
6 Handel March (from Overture to Occasional Oratorio). No. 4 from Old English Trumpet Tunes, Book 1, arr.
6 Handel (OUP
Lawton March) (from Overture to Occasional Oratorio). No. 4 from Old English Trumpet Tunes, Book 1, arr.
Lawton (OUP )
7 Lawton
Mozart (OUP )
Adagio. No. 15 from Skilful Solos for Trumpet, Cornet or Flugel Horn, arr. Sparke (Anglo Music AMP 191-
7 Mozart Adagio. No. 15 from Skilful Solos for Trumpet, Cornet or Flugel Horn, arr. Sparke (Anglo Music AMP 191-
7 Mozart Adagio. No. 15 from Skilful Solos for Trumpet, Cornet or Flugel Horn, arr. Sparke (Anglo Music AMP 191-
400)
400)
8 400) The Arethusa. No. 4 from Songs & Ballads of the British Isles for Trumpet, arr. Lawson (Warwick Music)
Sheild
8 Sheild The Arethusa. No. 4 from Songs & Ballads of the British Isles for Trumpet, arr. Lawson (Warwick Music)
8
9 Sheild The Arethusa.
Tchaikovsky No. 4 from
Mélodie antique Songs &
française Ballads
(Old of the
French British No.
Song). Isles18
forfrom
Trumpet, arr. Lawson
First Book (Warwick
of Trumpet Music)
Solos, arr.
9 Tchaikovsky Mélodie antique française (Old French Song). No. 18 from First Book of Trumpet Solos, arr.
9 Tchaikovsky
Wallace Mélodie
and Miller antique française (Old French Song). No. 18 from First Book of Trumpet Solos, arr.
(Faber)
Wallace and Miller (Faber)
Wallace and Miller (Faber)
LIST B
LIST B
LIST
1 B Bullard Trick Cyclist or Russian Galop: No. 6 or No. 8 from Circus Skills for Trumpet (Spartan Press
Alan
B 1 Alan Bullard Trick Cyclist or Russian Galop: No. 6 or No. 8 from Circus Skills for Trumpet (Spartan Press
Alan Bullard Trick Cyclist or Russian Galop: No. 6 or No. 8 from Circus Skills for Trumpet (Spartan Press
1 SP1160)
SP1160)
SP1160) Humoresque. Time Pieces for Trumpet, Vol. 3, arr. Harris and Wallace (ABRSM )
2 Dvořák
2 Dvořák Humoresque. Time Pieces for Trumpet, Vol. 3, arr. Harris and ? brass B b piano
Wallace (ABRSM )
3 Dvořák
2 John Frith Bragtime Time Pieces
Humoresque.
3 John Frith Bragtime
for Trumpet,
¸ Shining
˝
Vol. 3,
Brass, Book 2 (ABRSM: ? Wallace
¸ Shining Brass, Book 2 (ABRSM: &/ ? brass edition; B bb piano accomp. published
arr. Harris&/and (ABRSM
edition; ) accomp. published
4 John
3 DavidFrith Bragtime
A. Stowell Open Plains ˛ ¸ Shining
˝ Brass, Book 2 (ABRSM: &/ brass edition; B piano accomp. published
separately)
4 David A. Stowell Open Plains ˛ ˝ separately)
5 David
4 A. Stowell
Rob Hudson LowOpen
DownPlains separately)
Blues:˛from Easy Blue Trumpet (Universal UE 21263)
5 Rob Hudson Low Down Blues: from Easy Blue Trumpet (Universal UE 21263)
6 Rob Hudson
5 Schönberg andLow DownCastle
Boublil Blues:on
from Easy Blue
a Cloud (from Trumpet UE 21263)
(Universal Winning
Les Misérables). Matrix for Trumpet, arr. Lawrance
6 Schönberg and Boublil Castle on a Cloud (from Les Misérables). Winning Matrix for Trumpet, arr. Lawrance
Schönberg
6 (Brass & brass
Wind:and Boublil Castle
edition; onaccomp.
piano a Cloud (from Les
published Misérables). Winning Matrix for Trumpet, arr. Lawrance
separately)
(Brass Wind: && brass edition; piano accomp. published separately)
(Brass Wind:
7 Howard Shorebrass edition; (from
In Dreams piano accomp.
The Lordpublished separately)
of the Rings:
7 Howard Shore In Dreams (from The Lord of the Rings: ¸¸ Ultimate Movie Instrumental Solos for Trumpet, arr.
Howard
7 The Shoreof In
Fellowship Ring) (from The Lord of the Rings: ¸Ó Ultimate
theDreams Ultimate
Movie Instrumental Solos for Trumpet, arr.
The Fellowship of the Ring) Galliford,Movie Instrumental
Neuburg Solos for Trumpet,
and Edmondson arr.
(Alfred 40117:
The Fellowship
8 John the Ring)Theme (from Harry Potter and ÓÏÓ Galliford, Neuburg and Edmondson (Alfred 40117:
WilliamsofHedwig’s
8 John Williams Hedwig’s Theme (from Harry Potter and ÏÏ˛ Galliford, Neuburg
piano accomp. and Edmondson
printable (Alfred
from companion 40117:
CD)
8 John Theme (from Harry Potter and ˛ piano accomp. printable from companion CD)
Williams Hedwig’s Stone)
the Sorcerer’s/Philosopher’s
the Sorcerer’s/Philosopher’s Stone)
the Sorcerer’s/Philosopher’s
9 Pam Wedgwood Walk Tall Stone)
or Hot on the Line: No. 1 or No. ˛ 3piano accomp. printable from companion CD)
from Jazzin’ About for Trumpet (Faber)
9 Pam Wedgwood Walk Tall or Hot on the Line: No. 1 or No. 3 from Jazzin’ About for Trumpet (Faber)
9 Pam Wedgwood Walk Tall or Hot on the Line: No. 1 or No. 3 from Jazzin’ About for Trumpet (Faber)
LIST C
LIST C
C LIST
1 C
Arban Allegretto in F: No. 30, P. 33 from Cornet Method (Boosey & Hawkes)
1 Arban Allegretto in F: No. 30, P. 33 from Cornet Method (Boosey & Hawkes)
2 Arban
1 Don Allegretto
Blakeson in F: No.
Western 30,orP.Big
Skies from Cornet
33 Band Swing:Method
No. 29(Boosey & from
or No. 33 Hawkes)
Smooth Groove for Trumpet etc. (Brass
2 Don Blakeson Western Skies or Big Band Swing: No. 29 or No. 33 from Smooth Groove for Trumpet etc. (Brass
Don Blakeson Western Skies or Big Band Swing: No. 29 or No. 33 from Smooth Groove for Trumpet etc. (Brass
2 Wind)
Wind)
Wind) Bourgeois Lento moderato or Allegro: No. 2 or No. 3 from Ace of Trumpets (Brass Wind)
3 Derek
3 Derek Bourgeois Lento moderato or Allegro: No. 2 or No. 3 from Ace of Trumpets (Brass Wind)
DerekDavoren
3 Tom
4 Bourgeois Lento
Quiet moderato or Allegro: No. 2 or No. 3 from ?
Moment Ace of Trumpets (Brass Wind)
4 Tom Davoren Quiet Moment ¸ ¸ Shining Brass, Book 2 (ABRSM: &
˝ / ? brass edition)
5 Tom
4 PeterDavoren
MeechanQuiet Moment ˛
Reflections ¸ Shining Brass, Book 2 (ABRSM: &
˝ / ? brass edition)
5 Peter Meechan Reflections ˝ Shining Brass, Book 2 (ABRSM: &/ brass edition)
˛
Peter Gale
5 Dave
6 Meechan ReflectionsP. 5 ˛from JazzFX for Trumpet etc. (Brass Wind )
Aye Carumba!:
6 Dave Gale Aye Carumba!: P. 5 from JazzFX for Trumpet etc. (Brass Wind )
7 Dave Gale
6 Philip AyeShepherd’s
Sparke Carumba!: Song
P. 5 from JazzFX for Dance:
or Hungarian TrumpetNo.
etc. 33
(Brass Wind
or No. 38)from Skilful Studies for Trumpet, Cornet,
7 Philip Sparke Shepherd’s Song or Hungarian Dance: No. 33 or No. 38 from Skilful Studies for Trumpet, Cornet,
Philip Horn
7 Flugel Sparke Shepherd’s
or Tenor Song or
Horn (Anglo Hungarian
Music Dance: No. 33 or No. 38 from Skilful Studies for Trumpet, Cornet,
AMP 098-401)
Flugel Horn or Tenor Horn (Anglo Music AMP 098-401)
Flugel Horn or Tenor Horn (Anglo Music AMP 098-401)
AURAL
AURAL TESTS TESTS FOR
FOR THETHE GRADE:
GRADE: see see pp.
pp. 90
90 and
and 92
92
AURAL TESTS FOR THE GRADE: see pp. 90 and 92
SCALES
SCALES AND AND ARPEGGIOS:
ARPEGGIOS: from from memory,
memory, to to be
be played
played both
both slurred
slurred and
and tongued
tongued inin the
the following
following keys:
keys:
SCALES
F major; AND
F ARPEGGIOS:
minor (one from memory, to be played both slurred and tongued in the following keys:
octave)
F major; F minor (one octave)
F bmajor; b F minor
A bb,, B
B bb majors;
A (one octave)
majors; A,
A, B
B minors
minors (a (a twelfth)
twelfth)
A , Bin majors; A, Bkeys
minors (a twelfth)
Scales:
Scales: in the above keys (minors in
the above (minors harmonic or
in harmonic or melodic
melodic form
form at
at candidate’s
candidate’s choice)
choice)
Scales:
Chromatic in the above
Scale: keys (minors
starting on B bb (aintwelfth)
harmonic or melodic form at candidate’s choice)
Chromatic Scale: starting on B b (a twelfth)
Chromatic Scale:
Arpeggios: starting on B of (a twelfth)
Arpeggios: the the common
common chords
chords of the the above
above keys
keys for
for the
the ranges
ranges indicated
indicated
Arpeggios: the common chords of the above keys for the ranges indicated
SIGHT-READING:
SIGHT-READING: aa short short piece
piece inin simple
simple or
or compound
compound timetime within
within the
the keys,
keys, notes
notes and
and overall
overall range
range of
of
SIGHT-READING:
the scale a short
requirements set piece
up to in
and simple or compound
including this grade.time
See within
also p. the
11. keys, notes and overall range of
the scale requirements set up to and including this grade. See also p. 11.
the scale requirements set up to and including this grade. See also p. 11.

26 19
26
26
Performance Grades Trumpet, B - Cornet, E - Soprano Cornet, Flugelhorn 2017–2022
Trumpet,
Trumpet, Cornet, Flugelhorn GRADE 5
GRADE 5 Cornet,
Trumpet, Cornet, Flugelhorn
Flugelhorn GRADE
GRADE 5
5
THREE
FOURPIECES:
THREE PIECES: atone chosen
least by the
one chosen bycandidate from
the candidate each
from ofofthe
each thethree Lists,A,
three Lists, A,BB and
and C,C:
and a fourth of the
THREE PIECES:
PIECES: one
candidate one chosen
chosen byby the
the candidate
candidate from
from each
each of
of the
the three
three Lists,
Lists, A,
’s own choice; for further programming requirements, see pages 4–6 A, B
B and
and C:
C:
LIST
LIST A
A
LIST A Chanson bohème. Great Winners, arr. Lawrance (Brass Wind: & brass edition; B b piano accomp. published
1 Bizet b
B b piano
&
A
1 Bizet bohème. Great
Bizet Chanson bohème.
Chanson
1 separately) Great Winners,
Winners, arr.
arr. Lawrance (Brass Wind:
Lawrance (Brass Wind: & brass
brass edition;
edition; B piano accomp.
accomp. published
published
separately)
separately)
2 J. Clarke The Prince of Denmark’s March. No.
No. 9 from Old English Trumpet Tunes, Book 1, arr. Lawton (OUP)
2
2 J.
J. Clarke
Clarke The The Prince
The Girl
Prince of Denmark’s
ofthe
Denmark’s March.
March. No. 9
Winning 9 from
from
Matrix
Old
OldforEnglish
English
Trumpet,
Trumpet
Trumpet
arr.
Tunes,
Tunes, Book
Lawrance Book 1,
1, arr.
arr.
Wind:
Lawton
Lawton (OUP)
(OUP)
& brass
3 Debussy with Flaxen Hair. Winning Matrix for Trumpet, arr. Lawrance (Brass Wind: & brass edition;
3
3 Debussy
Debussy The
The Girl
Girl with
with the
the Flaxen
Flaxen Hair.
Hair. Winning Matrix for Trumpet, arr. Lawrance (Brass
(Brass Wind: & brass edition;
edition;
piano
piano accomp.
accomp. published
published separately)
separately)
4 piano
John accomp.
Frith published
Caber Danceseparately)
¸ Shining Brass, Book 2 (ABRSM: & / ?
? brass edition; B bb piano accomp. published
4 John Frith
Frith Caber
Caber Dance
Dance ¸ Shining Brass, Book 2 (ABRSM: &/ ? brass edition; B b piano accomp. published
˝ &
4 John ¸ Shining
˝ Brass, Book 2 (ABRSM: / brass edition; B piano accomp. published
5 David A. Stowell Jam Bouree ˝ separately)
˛
˛
5
5 David
David A.
A. Stowell
Stowell Jam
Jam Bouree
Bouree ˛ separately)
separately)
6 Gibbons Coranto (ending at Fig. D). No. 2 from Gibbons Keyboard Suite for Trumpet, arr. Cruft (Stainer & Bell
6
6 Gibbons
Gibbons
2588: B
Coranto
bb/CCoranto
edition) (ending at Fig. D). No. 2
(ending at Fig. D). No. 2 from
from Gibbons
Gibbons Keyboard
Keyboard Suite
Suite for
for Trumpet,
Trumpet, arr.
arr. Cruft (Stainer &
Cruft (Stainer & Bell
Bell
7
2588:
2588:
Hummel
B
B b /C
/C edition)
edition)
Romanze. Time Pieces for Trumpet, Vol. 3, arr. Harris and Wallace (ABRSM)
7 Hummel
Hummel Romanze. Time Pieces for Trumpet, Vol. 3,
3, arr. Harris
Harris and Wallace
Wallace (ABRSM)
7
8 Schubert Ave Maria. Time
Romanze. Pieces
Trumpet
Trumpet in
in
for Trumpet,
Church,
Church, arr.
arr.
Vol.
Denwood arr.(Emerson and
E283) (ABRSM)
8
8
9
Schubert
Schubert
Verdi
Ave
Ave Maria.
Triumphal Maria.
March Trumpet
(from in Church,
Aida). arr. Denwood
Onstage Denwood
Brass for
(Emerson
(Emerson
Trumpet,
E283)
E283)
arr. Calland (Stainer & Bell H430)
9
9 Verdi Aida). Onstage Brass for Trumpet,
Verdi Triumphal March (from Aida). Onstage Brass for Trumpet, arr. Calland (Stainer
Triumphal March (from arr. Calland (Stainer && Bell
Bell H430)
H430)
LIST
LIST B
B
LIST B Davoren Lindy Hop! /?? brass edition; B b piano accomp. published
1 Tom ¸ Shining Brass, Book 2 (ABRSM: & b
B 1 Tom Davoren Lindy
2 PeterDavoren
1 Tom MeechanLindy
Hop!
FinalHop!
˝
˝ Shin
Thought ¸
˛ ing Brass, Book 2 (ABRSM: &// ? brass
¸ Shining Brass, Book 2 (ABRSM: &
separately) brass edition; B b piano
edition; B piano accomp.
accomp. published
published
2 Peter Meechan Final ˝
˛ separately)
2
3 Peter
Barry Meechan
Gray Final Thought
Thought
Thunderbirds. ˛ separately)
Great Winners, arr. Lawrance (Brass Wind: && brass edition; B bb piano accomp. published
3
3 Barry Gray Thunderbirds. Great Winners,
Barry Gray
separately)
Thunderbirds. Great Winners, arr.
arr. Lawrance (Brass Wind:
Lawrance (Brass Wind: & brass
brass edition;
edition; B B b piano
piano accomp.
accomp. published
published
separately)
separately)
4
4 Joplin
Joplin Solace:
Solace: A
A Mexican
Mexican Serenade.
Serenade. Concert
Concert Repertoire
Repertoire for
for Trumpet,
Trumpet, arr.
arr. Calland
Calland (Faber)
(Faber)
4 Joplin Solace: A Mexican Serenade. this Concert Repertoire for Trumpet, arr. Calland (Faber)
5
5
5
Bryan
Bryan Kelly
Bryan Kelly Miss
Kelly Miss Slight
Miss Slight (Spinster
Slight (Spinster of
(Spinster this Parish):
of this
of Parish): No.
Parish): No. 4
No. 4 from Whodunnit
4 from
from Whodunnit ––– Suite
Whodunnit Suite for
Suite for Trumpet
for Trumpet (Stainer &
Trumpet (Stainer
(Stainer & Bell
& Bell
Bell
H442)
H442)
6 H442)
McCabe P. B. Blues: No. 3 from Dances for Trumpet (Novello NOV120530)
6
6 McCabe P.
McCabe P. B.
B. Blues:
Blues: No.
No. 33 from Dances for
from Dances for Trumpet
Trumpet (Novello NOV120530)
(Novello NOV120530)
&
7
7
7
Prokofiev
Prokofiev March
Prokofiev March (from The
March (from
(from The Love
The Love for
Love for Three
for Three Oranges).
Three Oranges). Winning
Oranges). Winning Matrix
Winning Matrix for
Matrix for Trumpet,
for Trumpet, arr.
Trumpet, arr. Lawrance
arr. Lawrance (Brass Wind:
Lawrance (Brass
(Brass Wind: &&
Wind:
brass
brass edition;
edition; piano accomp. published separately)
8 Pam edition; piano
brass Wedgwood accomp.
pianoTequila published
accomp.Sunrise
publishedor
separately)
separately)
Ragamuffin: No. 6 or No. 8 from Jazzin’ About for Trumpet (Faber)
8
8 Pam
Pam Wedgwood
Wedgwood Tequila
Tequila Sunrise or
or Ragamuffin:
SunriseTheme)Ragamuffin: No.
No. 6 6 or No.
No. 8
or March8 from
from Jazzin’
Jazzin’ About for
for Trumpet
AboutTheme). Trumpet (Faber)
(Faber)
9
9 John
John Williams
Williams Star
Star Wars
Wars (Main
(Main Theme) or
or The
The Imperial
Imperial March (Darth
(Darth Vader’s
Vader’s Theme).
9 John
Star Williams
Wars: A Star
Musical Wars (Main
Journey for Theme)
Trumpet, or
arr. The Imperial
Galliford, March
Neuburg and (Darth Vader’s
Edmondson Theme).
(Alfred 32113: piano accomp.
Star
Star Wars: A Musical
Wars:separately, Journey
A Musical32122
Journey for Trumpet,
forUltimate
Trumpet, arr. Galliford,
arr. Galliford, Neuburg
Neuburg and
and Edmondson
Edmondson (Alfred
(Alfred 32113:
32113: piano accomp.
pianoand
accomp.
published
published separately, 32122 )) or
or Ultimate Movie
Movie Instrumental
Instrumental Solos
Solos for
for Trumpet,
Trumpet, arr.
arr. Galliford,
Galliford, Neuburg
Neuburg and
published separately,
Edmondson (Alfred 32122 )piano
40117: or Ultimate
accomp. Movie Instrumental
printable from Solos forCD)
companion Trumpet, arr. Galliford, Neuburg and
Edmondson (Alfred 40117:
Edmondson (Alfred 40117: piano
piano accomp.
accomp. printable
printable from
from companion
companion CD)CD)
LIST
LIST C
C
C LIST
1 C
Arban Andante con spirito in bb: No. 9, P. 106 from Cornet Method (Boosey & Hawkes)
1 Arban Andante
Andante con spirito in EE b:: No.
E No. 9, P.
P. 106 from Cornet Method (Boosey & Hawkes)
1 Arban
Derek Bourgeois
2 Derek Bourgeois con spirito
Allegro orin
or Moderato 9,
con 106
moto:fromNo.Cornet
5 or Method
or No.
No. 10 from
from Ace &
(Boosey
Ace
Hawkes) (Brass Wind)
of Trumpets
of
2
2
3 Derek Bourgeois
Concone, arr.
Allegro
Allegro
Reinhardt or Moderato
Moderato
Moderato
con
con
(bars
moto:
moto:
1–40
No.
No.
only) or
5
5 or No.
Moderato
10
10 from Ace
(omitting of Trumpets
Trumpets
DC). No. 4
(Brass Wind)
or No. Wind)
4 (Brass 6 from Selection
Selection
3 Concone,
3 Concone, arr.
arr. Reinhardt
Reinhardt Moderato
Moderato (bars 1–40 only) or DC).
(bars 1–40 only) or Moderato (omitting DC). No. 4 or
Moderato (omitting No. or No.
No. 6
6 from
from Selection
of
of Concone
Concone Studies
Studies for
for Trumpet
Trumpet (Presser)
(Presser)
4 of Concone
Dave Gale Studies
Silver for Trumpet
Lining: P. 8(Presser)
from JazzFX for for Trumpet etc.
etc. (Brass Wind)
Wind)
4 Dave
5 Dave
4 Gale
Peter Gale
Silver Lining:
Lining: P.
SilverAir P. 8 from JazzFX
8 from JazzFX for Trumpet
Trumpet etc. (Brass
(Brass Wind)
// ?
Meechan ¸
5 Peter Meechan
Peter Meechan
5 David Air
AirFlennon Study (either version) ˝ ¸ Shining Brass, Book 2 (ABRSM: &
˝ Shining Brass, Book 2 (ABRSM: &
¸ ? brass edition)
? brass edition)
6 A. Stowell ˛
6 David A. Stowell Flennon Study (either version) ˛ Shining Brass, Book 2 (ABRSM: &/ brass edition)
˝
6
7 David
Philip A. Stowell
Sparke Flennon
Party Piece: Study
No. 40 (either
from version)
Skilful ˛
Studies for Trumpet, Cornet, Flugel Horn or Tenor Horn (Anglo
7 Philip
7 Sparke
Philip AMP
Music Sparke Party
Party Piece:
098-401) Piece: No.
No. 40 from Skilful
40 from Skilful Studies
Studies for
for Trumpet,
Trumpet, Cornet,
Cornet, Flugel
Flugel Horn
Horn or
or Tenor
Tenor Horn
Horn (Anglo
(Anglo
Music AMP 098-401)
Music AMP 098-401)
AURAL
AURAL TESTS FOR THE GRADE: see pp. 90 and 93
AURAL TESTS
TESTS FOR
FOR THE
THE GRADE:
GRADE: see
see pp.
pp. 90
90 and
and 93
93
SCALES
SCALES AND
AND ARPEGGIOS:
ARPEGGIOS: from
from memory, to be played both slurred and tongued in the following keys:
SCALES
bb, D bb AND ARPEGGIOS: from memory,
bb, C ## minors memory, to to be
be played
played both
both slurred
slurred and
and tongued
tongued in
in the
the following
following keys:
keys:
B majors; B (a twelfth)
B
B , D majors; B , C #
b, Dbb majors; B b, C minors (a twelfth)
minors (a twelfth)
G, A b majors; G minor (two octaves)
G,
G, A A b majors;
majors; GG minor
minor (two (two octaves)
octaves)
Scales: in the above keys (minors in harmonic or melodic form at candidate’s choice)
Scales:
Scales: in the above keys (minors in
in the above keys (minors harmonic or
in harmonic or melodic
melodic form
form at
at candidate’s
candidate’s choice)
choice)
Chromatic
Chromatic Scale:
Scale: starting
starting on
on C
C (a
(a twelfth)
twelfth)
Chromatic Scale: starting on C (a twelfth)
Arpeggios:
Arpeggios: the common chords of the above keys for the ranges indicated
Arpeggios: the the common
common chordschords ofof the
the above
above keys
keys for
for the
the ranges
ranges indicated
indicated
Dominant
Dominant Seventh: in the key of C (two octaves)
Dominant Seventh:
Seventh: inin the
the key
key of
of CC (two
(two octaves)
octaves)
SIGHT-READING:
SIGHT-READING: see p. 11.
SIGHT-READING: see
see p.
p. 11.
11.
20
27
27
27
Performance Grades Trumpet, B - Cornet, E - Soprano Cornet, Flugelhorn 2017–2022
Trumpet,
Trumpet, Cornet, Flugelhorn GRADE 6
GRADE 6 Cornet,
Trumpet, Cornet, Flugelhorn
Flugelhorn GRADE
GRADE 6
6
PREREQUISITE
PREREQUISITEFOR FOR ENTRY: ABRSMGrade
ENTRY: ABRSM Grade 5 (or
5 (or above)
above) in Music
in Music Theory,
Theory, Practical
Practical Musicianship
Musicianship or any
or a Practical
PREREQUISITE FOR ENTRY: ABRSM Grade 5 (or above) in Music Theory, Practical Musicianship or any
PREREQUISITE
solo solo JazzFOR
Jazz subject.
Grades For ENTRY:For ABRSM
alternatives,
instrument. Gradesee5 (or above) in Music Theory, Practical Musicianship or any
see www.abrsm.org/prerequisite.
alternatives, www.abrsm.org/prerequisite.
solo Jazz subject. For alternatives, see www.abrsm.org/prerequisite.
solo Jazz subject. For alternatives, see www.abrsm.org/prerequisite.
THREE PIECES:
FOURPIECES:
one
PIECES: atone
chosen
least
by the
one chosen
candidate
bycandidate
from
the candidate
each
from
ofofthe
each
three
thethree
Lists,A,
three Lists,
A, B and C:
THREE chosen by the from each of the Lists, A,BBand
andC,C:
and a fourth of the
THREE
LIST A PIECES:
candidate’s ownone chosen
choice; by the
for further candidate from
programming each of see
requirements, thepages
three4–6
Lists, A, B and C:
LIST A
LIST
1 A
Albrechtsberger Larghetto: 3rd movt from Concertino (Brass Wind)
1 Albrechtsberger Larghetto: 3rd movt from Concertino (Brass Wind)
1 J.
A 2 S. Bach Esurientes
Albrechtsberger implevit
Larghetto: bonis
3rd from Magnificat).
movt(from Baroque
Concertino (Brass Around the Clock for Trumpet, arr. Blackadder
Wind)
2 J. S. Bach Esurientes implevit bonis (from Magnificat). Baroque Around the Clock for Trumpet, arr. Blackadder
2 and
J. S. Gout
Bach(Brass Wind)implevit bonis (from Magnificat). Baroque Around the Clock for Trumpet, arr. Blackadder
Esurientes
and Gout (Brass Wind)
3 Fiala
and Gout Largo Wind) cadenza): 1st movt from Divertimento in D (Faber)
(observing
(Brass
(Faber)arr. Cruft (Stainer & Bell 2588: B b/C
3 Fiala Largo (observing cadenza): 1st movt from Divertimento in D (Faber)
4 Gibbons The King’s Juell. No. 4 from Gibbons Keyboard Suite for Trumpet, arr. Cruft (Stainer & Bell 2588: B bb/C
3 Gibbons
4 Fiala Largo The King’s Juell.
(observing No. 41st
cadenza): from
movtGibbons
from Keyboard Suite for
Divertimento Trumpet,
in D
edition) The King’s Juell. No. 4 from Gibbons Keyboard Suite for Trumpet, arr. Cruft (Stainer & Bell 2588: B /C
4 Gibbons
edition) Allegro: 2nd movt from Sonata (in A b), Op. 1 No. 11. No. 2 from Handel Two Sonatas, trans. Varasdy
edition)
5 Handel Allegro: 2nd movt from Sonata (in A bb), Op. 1 No. 11. No. 2 from Handel Two Sonatas, trans. Varasdy
5 Handel
and Orbán
5 Handel Musica
(Editio2nd
Allegro: Budapest
movt Z.13933)
from Sonata (in A ), Op. 1 No. 11. No. 2 from Handel Two Sonatas, trans. Varasdy
Z.13933)Concerto in E bb, Hob. VIIe/1 (Henle HN 456 or Universal HM 223:
and Orbán (Editio Musica Budapest Z.13933)
6 Haydn
and Orbán Andante: Musica
2nd Budapest
movt
(EditioZeneműkiadó
(EMB from Trumpet
Z.13933)
b/E b edition)
6 Haydn
Andante: 2nd movt from Trumpet Concerto in E b, Hob. VIIe/1 (Henle HN 456 or Universal HM 223:
Andante: 2nd movt from Trumpet Concerto in E , Hob. VIIe/1 (Henle HN 456 or Universal HM 223:
B bb/E bb edition)
Haydn
6 B
/E edition) Allegretto grazioso only. Mendelssohn Songs without Words Nos 9 and 30, arr. Round (Wright &
Mendelssohn
7 B
7 Mendelssohn Allegretto grazioso only. Mendelssohn Songs without Words Nos 9 and 30, arr. Round (Wright &
7 Round
Mendelssohn
) Allegretto grazioso only. Mendelssohn Songs without Words Nos 9 and 30, arr. Round (Wright &
Round )
Mozart) Alleluia (from Exultate Jubilate). Trumpet in Church, arr. Denwood (Emerson E283)
8 Round
8 Mozart Alleluia (from Exultate Jubilate). Trumpet in Church, arr. Denwood (Emerson E283)
8 Stanley
9 Mozart Alleluia
Trumpet(from Exultate
Voluntary, Op.Jubilate). No. 11 from
6 No. 5. Trumpet Old English
in Church, Trumpet(Emerson
arr. Denwood Tunes, Book 1, arr. Lawton (OUP )
E283)
9 Stanley Trumpet Voluntary, Op. 6 No. 5. No. 11 from Old English Trumpet Tunes, Book 1, arr. Lawton (OUP )
9 Stanley
LIST B Trumpet Voluntary, Op. 6 No. 5. No. 11 from Old English Trumpet Tunes, Book 1, arr. Lawton (OUP )
LIST B
LIST
1 B Anderson A Trumpeter’s Lullaby (Alfred 41061)
Leroy
B 1 Leroy Anderson A Trumpeter’s Lullaby (Alfred 41061)
1 Gershwin
2 Leroy AndersonThemeA(from Rhapsody
Trumpeter’s in Blue).
Lullaby Concert
(Alfred Repertoire for Trumpet, arr. Calland (Faber)
41061)
B b/C edition)
2 Gershwin Theme (from Rhapsody in Blue). Concert Repertoire for Trumpet, arr. Calland (Faber)
3 Hubeau Sarabande: 1st movt from Sonata for Trumpet (Durand: B bb/C edition)
2 Hubeau
3 GershwinSarabande: Rhapsody
1st movt
Theme (from frominSonata
Blue). for
Concert Repertoire
Trumpet for Trumpet,
(Durand: arr. Calland (Faber)
3 Bryan
4 Hubeau Kelly Colonel 1st
Sarabande: Glib (Retired)
movt or The for
from Sonata Chase: or No. 6 from
No. 3(Durand:
Trumpet B /C Whodunnit
edition) – Suite for Trumpet (Stainer
4 Bryan Kelly Colonel Glib (Retired) or The Chase: No. 3 or No. 6 from Whodunnit – Suite for Trumpet (Stainer
4 & Bell Kelly
Bryan H442)Colonel Glib (Retired) or The Chase: No. 3 or No. 6 from Whodunnit – Suite for Trumpet (Stainer
& Bell H442)
5 Siobhan Lamb Saturday’s Child. Spectrum for Trumpet (ABRSM )
& Bell H442)
5 Siobhan Lamb Saturday’s Child. Spectrum for Trumpet (ABRSM )
5 Leoncavallo
6 Siobhan Lamb Mattinata, WilsonSpectrum
arr.Child.
Saturday’s (Winwood forMusic)
Trumpet (ABRSM )
6 Leoncavallo Mattinata, arr. Wilson (Winwood Music)
6 McCabe
7 Leoncavallo Jigaudon: No. 7arr.
Mattinata, from Dances
Wilson for Trumpet
(Winwood (Novello NOV120530 )
Music)
7 McCabe Jigaudon: No. 7 from Dances for Trumpet (Novello NOV120530 )
7 Jock
8 McKenzie
McCabe A Cambrian
Jigaudon: No. 7 from Spiritual for Trumpetupper
Dances (observing line in
(Novello ossias) or Gossamer:
NOV120530 ) from Soprano Supreme (Con
E b edition)A Cambrian Spiritual (observing upper line in ossias) or Gossamer: from Soprano Supreme (Con
8 Jock McKenzie A Cambrian Spiritual (observing upper line in ossias) or Gossamer: from Soprano Supreme (Con
Moto: E bb edition)
8 Moto:
Jock McKenzie
Andrew
9 Moto: edition) Summer Samba or The Last One Tonight: from Bebop to Rock for Trumpet (Spartan Press
E Wilson
9 Andrew Wilson Summer Samba or The Last One Tonight: from Bebop to Rock for Trumpet (Spartan Press
9 SP1299)
Andrew Wilson Summer Samba or The Last One Tonight: from Bebop to Rock for Trumpet (Spartan Press
SP1299)
SP1299)
LIST C
Allegro moderato in A minor or Andantino in B b: No. 18, P. 28 or No. 9, P. 117 from Cornet Method
LIST C
LIST C
1 Arban Allegro moderato in A minor or Andantino in B bb: No. 18, P. 28 or No. 9, P. 117 from Cornet Method
C 1 Arban
& Hawkes)
Arban Allegro
1 (Boosey moderato in A minor or Andantino in B : No. 18, P. 28 or No. 9, P. 117 from Cornet Method
(Boosey & Hawkes)
2 Derek & Hawkes)Allegro molto vivace or Allegro vivace: No. 12 or No. 16 from Ace of Trumpets (Brass Wind)
(BooseyBourgeois
2 Derek Bourgeois Allegro molto vivace or Allegro vivace: No. 12 or No. 16 from Ace of Trumpets (Brass Wind)
2 Concone,
3 arr. Reinhardt
Derek Bourgeois Allegro Andante or Moderato.
molto vivace No. 9 orNo.
or Allegro vivace: No.1212orfrom
No.Selection
16 fromofAce Concone Studies(Brass
of Trumpets for Trumpet
Wind)
3 Concone, arr. Reinhardt Andante or Moderato. No. 9 or No. 12 from Selection of Concone Studies for Trumpet
Concone, arr. Reinhardt Andante or Moderato. No. 9 or No. 12 from Selection of Concone Studies for Trumpet
3 (Presser)
(Presser)
4 Mark Nightingale Late for the Bus or Guacamole: No. 10 or No. 11 from Strictly Trumpety Tudes (Warwick
(Presser)
4 Mark Nightingale Late for the Bus or Guacamole: No. 10 or No. 11 from Strictly Trumpety Tudes (Warwick
4 Music)
Mark Nightingale Late for the Bus or Guacamole: No. 10 or No. 11 from Strictly Trumpety Tudes (Warwick
Music)
Music)Sparke Baroque Melody: No. 4 from Super Studies for Trumpet, Cornet, Flugel Horn or Tenor Horn (Anglo
5 Philip
5 Philip Sparke Baroque Melody: No. 4 from Super Studies for Trumpet, Cornet, Flugel Horn or Tenor Horn (Anglo
5 Music
Philip AMP 114-401
Sparke ) Melody: No. 4 from Super Studies for Trumpet, Cornet, Flugel Horn or Tenor Horn (Anglo
Baroque
Music AMP 114-401 )
Benjamin
6 Music AMPFrank Vaughan
114-401 ) Ar Ben y Bryn (On Top of the Hill) or Yr Ogof (The Cave): from Ar y Mynydd
6 Benjamin Frank Vaughan Ar Ben y Bryn (On Top of the Hill) orb Yr Ogof (The Cave): from Ar y Mynydd
Prydferth Cymreig (On the Beautiful Welsh Mountain) for Cornet in B bb (Stainer & Bell H494 )
6 Prydferth
BenjaminCymreig (On the Beautiful
Frank Vaughan Ar Ben Welsh
y BrynMountain)
(On Top for Cornet
of the in or
Hill) B Yr (Stainer & BellCave):
Ogof (The H494 )from Ar y Mynydd
Allen Vizzutti
7 Prydferth Cymreig or Bulgarian
(On the Beautiful
Tarantella WelshBounce:
Mountain)
fromfor20 Dances
Cornet in Bfor (Stainer
Trumpet & Haske
(DeBell H494
) )
7 Allen Vizzutti Tarantella or Bulgarian Bounce: from 20 Dances for Trumpet (De Haske )
7 Allen Vizzutti Tarantella or Bulgarian Bounce: from 20 Dances for Trumpet (De Haske )
AURAL TESTS FOR THE GRADE: see pp. 90 and 93
AURAL TESTS FOR THE GRADE: see pp. 90 and 93
AURAL TESTS FOR THE GRADE: see pp. 90 and 93

21
28
28
28
Performance Grades Trumpet, B - Cornet, E - Soprano Cornet, Flugelhorn 2017–2022
Trumpet,
Trumpet, Cornet, Flugelhorn
GRADE 7 Cornet,
GRADE 7
Trumpet, Cornet, Flugelhorn
Flugelhorn GRADE
GRADE 7
7
PREREQUISITE
PREREQUISITEFOR FOR ENTRY: ABRSMGrade
ENTRY: ABRSM Grade 5 (or
5 (or above)
above) in Music
in Music Theory,
Theory, Practical
Practical Musicianship
Musicianship or any
or a Practical
PREREQUISITE
PREREQUISITE FOR ENTRY: ABRSM Grade 5
5 (or above)
above) in
in Music
Music Theory,
Theory, Practical
Practical Musicianship
Musicianship or or any
Grades
solo solo JazzFOR
Jazz subject. ENTRY:For
instrument.
For ABRSM Gradesee
alternatives,
alternatives, (or
www.abrsm.org/prerequisite.
see www.abrsm.org/prerequisite. any
solo Jazz subject. For alternatives, see www.abrsm.org/prerequisite.
solo Jazz subject. For alternatives, see www.abrsm.org/prerequisite.
THREE
FOURPIECES:
PIECES: atone chosen
least by the
one chosen bycandidate from
the candidate each
from ofofthe
each thethree Lists,A,
three Lists, A,BBand
andC,C:
and a fourth of the
THREE
THREE PIECES:
PIECES: one
one chosen
chosen byby the
the candidate
candidate from
from each
each of
of the
the three
three Lists,
Lists, A,
A, B
B and
and C:
C:
candidate
LIST A ’s own choice; for further programming requirements, see pages 4–6
LIST A
LIST
1 A
Albrechtsberger Moderato: 1st movt (observing cadenza) from Concertino (Brass Wind )
1 Albrechtsberger Moderato:
Moderato: 1st movt (observing cadenza)
cadenza) from Concertino (Brass Wind
Wind ))(OUP )
2 Albrechtsberger
A 1 Boyce Trumpet Voluntary. 1st
No.movt (observing
13 from Old English fromTunes,
Trumpet Concertino
Book 1, (Brass
arr. Lawton
2 Boyce Trumpet Voluntary. No.
No.for13 from
13 Cornet Old English
from Old(observing Trumpet
English Trumpet Tunes,
Tunes, Book
Book 1, arr. Lawton
arr. Lawton (OUP(OUP ))
3 BoyceCode
2 Percy Trumpet Voluntary.
Zanette (Caprice) cadenza) (Boosey &1,Hawkes)
3 Percy
3 Code
Code Zanette
Percy Allegro: Zanette (Caprice)
(Caprice) for
for Cornet
Cornet (observing
(observing cadenza) (Boosey &
cadenza) (Boosey & Hawkes)
Hawkes)
4 Fiala 2nd movt from Divertimento in D (Faber)
4 Fiala
4
5 Fiala Allegro:
Handel Allegro: 2nd movt
Adagio2nd
andmovt
from Divertimento
from(observing
Allegro Divertimento in
in D
D (Faber)
(Faber) b
va in bb. 21–26): 1st and 2nd movts from Sonata (in B b), Op. 1 No. 5.
8va
5 Handel Adagio and Allegro (observing 8va in bb. 21–26): 1st and 2nd movts from Sonata (in B b), Op. 1 No. 5.
Handel
5 No. 1 from Handel Two Sonatas, trans. Varasdy and21–26):
Adagio and Allegro (observing 8 in bb. 1st andMusica
Orbán (Editio 2nd movts fromZ.13933)
Budapest Sonata (in B ), Op. 1 No. 5.
No.
No. 1 1 from Handel
fromAllegro Two
Handelcon Sonatas,
Twoanima:
Sonatas, trans.
trans. Varasdy
Varasdy and
and Orbán
Orbán (Editio Musica
Musica Budapest Z.13933)
6 Hansen 3rd movt from Sonata (EMB
for Cornet, Op. 18Budapest
(EditioZeneműkiadó
(Hansen Z.13933)
Z.13933)WH13213 )
B bb/E b edition ))or Boosey & Hawkes:
6 Hansen
6 Hansen Allegro con
con anima:
AllegroAndante:
anima: 3rd movt from Sonata for
for Cornet, Op. 18
18 (Hansen WH13213
WH13213
7 J. N. Hummel 2nd3rd
movt movt
fromfrom SonataConcerto
Trumpet Cornet, Op. Mayhew:
(Kevin (Hansen
b
7 J. bN.
J.
7 B N. Hummel Andante: 2nd movt from Trumpet Concerto (Kevin Mayhew: B b/E b edition
Hummel Andante: 2nd movt from Trumpet Concerto (Kevin Mayhew: B /E edition oror Boosey
Boosey &
& Hawkes:
Hawkes:
B bb edition)
edition)
B edition)
8 Purcell Hark the Echoing Air (from The Fairy Queen). Baroque Around the Clock for Trumpet, arr. Blackadder
8 Purcell
8 Purcell
and
Hark the
GoutHark the
(Brass
Echoing
Echoing Air
Wind) (from The
Air (from The Fairy
Fairy Queen).
Queen). Baroque
Baroque Around
Around the
the Clock
Clock for
for Trumpet,
Trumpet, arr.
arr. Blackadder
Blackadder
and Gout
Gout (Brass
andWright (Brass Wind)
Wind) 2nd movt from Cornet Concerto (Studio Music)
9 D. Canzonetta:
9 D. Wright Canzonetta: 2nd movt from Cornet Concerto
9 D. Wright Canzonetta: 2nd movt from Cornet Concerto (Studio Music) (Studio Music)
LIST B
LIST B
LIST
1 B
Aroutiounian Aria or Scherzo: No. 1 or No. 2 from Aria et Scherzo (Leduc AL27205)
B 1 Aroutiounian
1 Aroutiounian Aria or
or Scherzo: No. 1 or
1 No.
No. 2
2 from
orTrumpet Aria
Aria et
et Scherzo (Leduc AL27205)
Scherzo (Leduc AL27205)
2 Guy Barker JWAria Scherzo:
Shuffle. No. for
Spectrum from
(ABRSM)
2 Guy
Guy
2 L. Barker JW
Barker JW Shuffle.
Shuffle. Spectrum
Spectrum for Trumpet
for Trumpet (ABRSM)
(ABRSM)
3 Bernstein Rondo for Lifey for Trumpet (Boosey & Hawkes)
3 L. Bernstein
3 L. Bernstein Rondo
Rondo for
for Lifey
Lifey for Trumpet
Trumpet (Boosey
(Boosey && Hawkes)
Hawkes)
4 Britten The Spider and the Flyfor
(from Johnson over Jordan Suite). Concert Repertoire for Trumpet, arr. Calland
Britten The Spider and the Fly (from Johnson over Jordan Suite). Concert Repertoire for Trumpet, arr. Calland
4 Britten
4 (Faber) The Spider and the Fly (from Johnson over Jordan Suite). Concert Repertoire for Trumpet, arr. Calland
Hubeau Intermède (fluttertonguing optional ): 2nd movt from Sonata for Trumpet (Durand: B bb/C edition)
(Faber)
5 (Faber)
B b/C
Moto: E bbTrumpet
Hubeau Intermède
5 Hubeau (fluttertonguing optional ):
Intermède (fluttertonguing ): 2nd
2nd movt
movt from
from Sonata
Sonata for
for Trumpet (Durand:
(Durand: B /C edition)
5
6 Jock McKenzie Too Hot to Handle!:optional
from Soprano Supreme (Con edition) edition)
6 Jock
Jock McKenzie
6 Round
7 McKenzie Too
Too Hot
The Carnival Hot to
to Handle!:
Handle!:
of Venice
from
from
(Air and
Soprano
Soprano Supreme
Variations) Supreme (Con Moto:
(Wright(Con
& Round E b edition)
Moto:)E edition)
7 Round The
Round The
7 Jonathan Carnival of Venice
Carnival Nichola
of Venicefor(Air
(Air and Variations)
and Variations) (Wright
(Wright & Round
& Round )
)
8 Warburton Trumpet or Flugelhorn (Warwick Music)
8 Jonathan Warburton Nichola for
for Trumpet or
ortoFlugelhorn (Warwick Music)
Music)Press SP1299)
9 Jonathan
8 Warburton
Andrew Wilson BluesNichola
Boulevard: Trumpet
from Bebop Flugelhorn (Warwick
Rock for Trumpet (Spartan
9 Andrew
9 Andrew Wilson
Wilson Blues
Blues Boulevard: from Bebop
Boulevard: from Bebop to
to Rock
Rock for
for Trumpet (Spartan Press
Trumpet (Spartan Press SP1299)
SP1299)
LIST C
LIST C
C LIST
1 C
Arban Moderato in F: No. 6 from 14 Studies for Cornet (Boosey & Hawkes). Also available in Arban Cornet
1 Arban
Arban Moderato
1 Method Moderato in
in F:
F: No.
(Boosey & Hawkes)No. 6 from 14
6 from 14 Studies
Studies for
for Cornet (Boosey &
Cornet (Boosey & Hawkes).
Hawkes). Also Also available
available in
in Arban
Arban Cornet
Cornet
Study in A bb or Study in A. No. 17 or No. 19 from The Well-Tempered Player (Winwood
Method
Method (Boosey & Hawkes)
2 J. S. Bach, arr. &
(Boosey Hawkes)
Piper
2 J. S. Bach, arr. Piper Study in A b or Study in A. No. 17 or No. 19 from The Well-Tempered Player (Winwood
J. S.
2 Music)Bach, arr. Piper Study in A or Study in A. No. 17 or No. 19 from The Well-Tempered Player (Winwood
Music)
Music) Bourgeois Presto: No. 3 from Fantasy Pieces for Trumpet (Brass Wind )
3 Derek
3 Derek Bourgeois
DerekMcKenzie
3 Jock Presto:
BourgeoisKlezmer No.
Presto: or
No. 3
3 from Fantasy
Fantasy
fromfrom Pieces
Piecesoffor
for Trumpet
Trumpet (Brass Wind
(Brass& brass ))
Windedition)
4 Samba: Rhythms Life (Con Moto: & brass edition)
4 Jock McKenzie Klezmer or
or Samba: from Rhythms
from Rhythms of
of Life
Life (Con Moto: & brass
5 Jock
4 MarkMcKenzie
NightingaleKlezmer
The Chase Samba:
or Incoming Tied: No. or No.Moto:
18 (Con 19 from edition)
Strictly Trumpety Tudes (Warwick Music)
5 Mark Nightingale The Chase or Incoming
orSuper Tied: No.
No. 1818 or No.
No. 19
orCornet, from Strictly
Strictly Trumpety Tudes (Warwick Music)
6 Mark
5 PhilipNightingale
Sparke Air: The Chase
No. 11 from Incoming
Studies Tied:
for Trumpet, 19Flugel
fromHorn or Trumpety Tudes
Tenor Horn Music Music)
(Warwick
(Anglo AMP
6 Philip
6 Philip
114-401
Sparke
Sparke
) Air: No. 11 from Super Studies for Trumpet, Cornet, Flugel Horn or Tenor Horn (Anglo Music AMP
Air: No. 11 from Super Studies for Trumpet, Cornet, Flugel Horn or Tenor Horn (Anglo Music AMP
114-401 )
7 114-401 )
Allen Vizzutti Funk (ignoring lower notes in bb. 17, 30 & 31): from 20 Dances for Trumpet (De Haske)
7 Allen
7 Allen Vizzutti
Vizzutti Funk (ignoring lower
Funk (ignoring lower notes
notes in
in bb.
bb. 17,
17, 30
30 & & 31): from 20
31): from 20 Dances
Dances forfor Trumpet (De Haske)
Trumpet (De Haske)
AURAL TESTS FOR THE GRADE: see pp. 90 and 94
AURAL
AURAL TESTS
TESTS FOR
FOR THE
THE GRADE:
GRADE: see
see pp.
pp. 90
90 and
and 94
94

22
30
30
30
Performance Grades Trumpet, B - Cornet, E - Soprano Cornet, Flugelhorn 2017–2022
Trumpet,
GRADE 8 Cornet,
Trumpet, Cornet, Flugelhorn GRADE 8
Trumpet, Cornet, Flugelhorn
Flugelhorn GRADE
GRADE 8
8
PREREQUISITE
PREREQUISITEFOR
PREREQUISITE FOR ENTRY:
FOR ENTRY: ABRSM
ENTRY: ABRSM Grade
ABRSMGrade
Grade 5
5 (or
5 (or above)
above)
(or in
in Music
in Music
above) Theory,
Theory,
Music Practical
Practical
Theory, Musicianship
Musicianship
Practical or
or any
or a Practical
Musicianship any
PREREQUISITE
Grades
solo Jazz solo JazzFOR ENTRY:For
instrument. ABRSM Gradesee
alternatives, 5 (or above) in Music Theory, Practical Musicianship or any
www.abrsm.org/prerequisite.
solo Jazz subject.
subject. For
For alternatives,
alternatives, see
see www.abrsm.org/prerequisite.
www.abrsm.org/prerequisite.
solo Jazz subject. For alternatives, see www.abrsm.org/prerequisite.
THREE
FOURPIECES:
THREE PIECES: atone
PIECES: one chosen
least
chosen by
by the
one chosen bycandidate
the from
the candidate
candidate from each
from of
ofofthe
each
each thethree
the three Lists, A,
A,BB
Lists,A,
three Lists, and
Band
andC,C:
and a fourth of the
C:
THREE PIECES: one chosen by the candidate from each of the three Lists, A, B and C:
candidate’s own choice; for further programming requirements, see pages 4–6
LIST
LIST A
A
LIST
1 H.AL. Clarke The Bride of the Waves for Trumpet or Cornet, arr. Brandenburg (Alfred TS0013)
1 H. L. Clarke The Bride of the Waves for Trumpet or Cornet, arr. Brandenburg (Alfred TS0013)
A 1 H. L. Clarke The Bride of thefor Waves for(Boosey
Trumpet or Cornet, arr. Brandenburg (Alfred TS0013)
2 Percy
2 Percy Code Code Zelda
Zelda (Caprice) Cornet (Boosey &
(Caprice) for Cornet & Hawkes)
Hawkes)
bb edition b edition)
B b/C
Percy CodeAlbumblatt
2 Glazunov Zelda (Caprice) for Cornet (Boosey & or
Hawkes)
3 Glazunov Albumblatt (Belaieff BEL 508: B b edition or Editions Marc
3 (Belaieff BEL 508: B Editions Marc Reift
Reift EMR
EMR 643:
643: B
Marc Reift EMR 643: B b/C edition)
/C edition)
3 Glazunov Albumblatt (Belaieff BEL 508: B edition or Editionsbb/C
4 Goedicke
4 Goedicke ConcertConcert Etude,
Etude, Op.
Op. 49 (The Brass
49 (The Brass Press
Press TP146
TP146aa:: B B b/C edition)
edition)
b
Eb,, Hob.
4 Goedicke Concert Etude, Op. 49 (The Brass Press TP146 : B /C edition)
5 Haydn
5 Allegro or
Haydn Allegro or Finale–Allegro:
Finale–Allegro: 1st 1st or
or 3rd
3rd movt
movt from
from Trumpet
Trumpet Concerto
Concerto in in E Hob. VIIe/1 (Henle HN
VIIe/1 (Henle HN 456
a
b bb edition)1st or 3rd movt from Trumpet Concerto in Eb, Hob. VIIe/1 (Henle HN 456
456
B bb/E
5 Haydn Allegro or223:
Finale–Allegro:
or Universal
or Universal HM HM 223: B /E b edition)
or Universal HM 223: B con /E edition)or Rondo–Allegro: 1st or 3rd movt from Trumpet Concerto (Kevin Mayhew:
6 J.
6 J. N.N. Hummel
Hummel Allegro
Allegro con spirito
spirito or Rondo–Allegro: 1st or 3rd movt from Trumpet Concerto (Kevin Mayhew:
J. bbN. b con spiritoBorbb Rondo–Allegro:
/E bb edition
6 B Hummel Allegro & 1st or 3rd movt from Trumpet Concerto (Kevin Mayhew:
B b/E or Boosey
edition or Boosey & Hawkes:
Hawkes: B b edition)
edition)
B /E edition or Boosey & Hawkes: B edition) trans. Ostrander (Edition Musicus EM561)
7 Mahler
7 Mahler Posthorn
Posthorn Solo
Solo from
from Third
Third Symphony,
Symphony, trans. Ostrander (Edition Musicus EM561)
7 Mahler Posthorn Solo from Third Symphony, trans. Ostrander (Edition Musicus EM561)
8 Neruda
8 Neruda Allegro (observing cadenza)
Allegro (observing cadenza) oror Vivace (observing cadenza):
Vivace (observing 1st or
cadenza): 1st or 3rd
3rd movt
movt from
from Trumpet
Trumpet Concerto
Concerto in
in
8 E bb (Musica
Neruda Allegro
Rara (observing
MR 1817 cadenza)
or Brass or Vivace
Wind: B bb/E(observing
bb edition) cadenza): 1st or 3rd movt from Trumpet Concerto in
E b (Musica Rara MR 1817 or Brass Wind: B b/E b edition)
9 E (Musica Rara
Tchaikovsky MRSuite.
Ballet 1817 orRussian
Brass Wind: B /E
Roulette for edition) arr. Archibald (Brass Wind )
Trumpet,
9 Tchaikovsky Ballet Suite. Russian Roulette for Trumpet, arr. Archibald (Brass Wind )
9 Tchaikovsky Ballet Suite. Russian Roulettemovt
for Trumpet, arr. Archibald (Brass Wind )
10 D.
10 D. Wright
Wright Allegro (observing cadenza):
Allegro (observing cadenza): 1st
1st movt from from Cornet
Cornet Concerto (Studio Music)
Concerto (Studio Music)
10 D. Wright Allegro (observing cadenza): 1st movt from Cornet Concerto (Studio Music)
LIST
LIST B
B
LIST B
B 1 Abreu
1 Abreu Tico
Tico Tico
Tico for
for Trumpet
Trumpet or or Cornet,
Cornet, arr.
arr. Iveson (observing cadenza)
Iveson (observing (Brass Wind
cadenza) (Brass Wind ))
Abreu Tico Tico
1 Kenny for Trumpet or Cornet,Cornet
arr. Iveson (observing cadenza) (Brass Wind )
2 Kenny Baker
2 Baker Virtuosity
Virtuosity for
for Trumpet
Trumpet or (observing cadenzas)
or Cornet (observing (Studio Music)
cadenzas) (Studio Music)
Kenny Baker
2 Eric Virtuosity forfor
Trumpet or Cornet (observing cadenzas) Music)
(Studio &
3 Eric Ball
3 Ball Woodland
Woodland SongSong for Flugelhorn
Flugelhorn or
or Cornet (observing cadenza)
Cornet (observing cadenza) (G (G & MM Brand
Brand ))
b/C edition)
B bb/C
4 Eric
3 BaratBall Woodland
Andante Song for
et Scherzo
Scherzo Flugelhorn
(Leduc or BCornet
AL21324: (observing cadenza) (G & M Brand )
4 Barat Andante et (Leduc AL21324: edition)
4 Barat Andante et Scherzo (Leduc AL21324: B /C edition)
5 L.
5 L. Bernstein
Bernstein Red,
Red, White
White and Blues. No.
and Blues. No. 6
6 from
from Contemporary
Contemporary Music
Music for
for Trumpet (Boosey &
Trumpet (Boosey & Hawkes)
Hawkes)
L. Bernstein
5 George Red,Grandfather’s
White and Blues. No. 6 from Contemporary Music & for Trumpet (Boosey & Hawkes)
6 Doughty
6 George Doughty Grandfather’s Clock (Air and Variations)
Clock (Air and (Wright & Round
Variations) (Wright Round ))
7 George Doughty
6 Edward Gregson Grandfather’s
In Memoriam Clock
– (Air
Dmitri and Variations)
Shostakovich (Wright
(ending 3 bars&after
Round ) 39 ): 2nd movt from Trumpet
Fig.
7 Edward Gregson In Memoriam – Dmitri Shostakovich (ending 3 bars after Fig. 39 ): 2nd movt from Trumpet
7 Edward
ConcertoGregson
(Novello In Memoriam
NOV120579 – Dmitri Shostakovich (ending 3 bars after Fig. 39 ): 2nd movt from Trumpet
Concerto (Novello NOV120579 ))
Concerto NOV120579
(NovelloLento )
8 Joseph Horovitz
8 Joseph Horovitz Lento moderato: 2nd
moderato: 2nd movt
movt from
from Trumpet
Trumpet Concerto (Novello NOV890051)
Concerto (Novello NOV890051)
b edition)
B bb/C
Joseph Horovitz Lento
8 Hubeau moderato:Sonata
2nd movt Trumpet
from Trumpet Concerto (Novello NOV890051)
9
9 Hubeau Spiritual:
Spiritual: 3rd
3rd movt
movt from
from Sonata for (Durand: B
for Trumpet (Durand: /C edition)
b
E b edition)
Hubeau
9 Jock Spiritual: 3rd movt fromDancing
Sonata for Trumpet (Durand: B /C edition)
10 Jock McKenzie Old Feet in New Dancing Shoes: from Soprano Supreme (Con Moto: E
10 McKenzie Old Feet in New Shoes: from Soprano Supreme (Con Moto:
10 Jock McKenzie Old Feet in New Dancing Shoes: from Soprano Supreme (Con Moto: E b edition)
edition)
LIST
LIST C
C
b Allegro in G minor: No. 9 or No. 10 from 14 Studies for Cornet (Boosey & Hawkes).
Bbb or
C LIST C
1 Arban
1 Arban Allegro
Allegro inin B or Allegro in G minor: No. 9 or No. 10 from 14 Studies for Cornet (Boosey & Hawkes).
1 Arban
Also Allegro in B orCornet
Allegro in G minor: 9 or No. 10 from 14 Studies for Cornet (Boosey & Hawkes).
No.Hawkes)
Also available in Arban Cornet Method
available in Arban (Boosey &
Method (Boosey & Hawkes)
Also available inPiper
Arban Study
CornetinMethod (Boosey
or & Hawkes)
2 J. S. Bach, arr.
2 J. S. Bach, arr. Piper Study in D minor or Study in
D minor Study E. No.
in E. No. 6 or No.
6 or No. 9
9 from
from The
The Well-Tempered
Well-Tempered Player
Player (Winwood
(Winwood
J. S. Bach, arr. Piper Study in D minor or Study in E. No. 6 or No. 9 from The Well-Tempered Player (Winwood
2 Music)
Music)
Music)
Derek Bourgeois
3 Derek Bourgeois SlowSlow Waltz
Waltz oror Allegro:
Allegro: No.
No. 4 or No.
4 or No. 88 from Fantasy Pieces
from Fantasy Pieces for
for Trumpet
Trumpet (Brass Wind ))
(Brass Wind
3
3 Derek Bourgeois Slow for Waltz or Trumpet
Allegro: No. 4 or No. 8 from Fantasy Pieces for Trumpet (Brass Wind ) Music
4 P.
4 P. M.
M. Davies
Davies Sonatina
Sonatina for SoloSolo Trumpet (complete) (fluttertonguing optional
(complete) (fluttertonguing ). No.
optional ). No. 4
4 from
from Contemporary
Contemporary Music
P. M. Davies(Boosey
4 for for Solo Trumpet (complete) (fluttertonguing optional ). No. 4 from Contemporary Music
SonatinaHawkes)
for Trumpet
Trumpet (Boosey & & Hawkes)
for Trumpet (Boosey & Hawkes) &
5 Jock
5 Jock McKenzie
McKenzie Krivo Horo or
Krivo Horo or Rock: from Rhythms
Rock: from Rhythms of
of Life (Con Moto:
Life (Con Moto: && brass
brass edition)
edition)
6 Jock McKenzie
5 Philip Krivo Horo
Sparke Georgia’s
Georgia’s or Rock:
Gigue Threes, Rhythms
from Fives
or Threes, andofSevens:
Life (Con
Sevens: No.Moto:
18 or brass26edition)
or No.
No. Super Studies
from Super Studies for
for Trumpet,
Trumpet,
6 Philip Sparke Gigue or Fives and No. 18 26 from
6 Philip
Cornet, Sparke Georgia’s Gigue or Threes, Fives and Sevens: No. 18 or No. 26 from Super Studies for Trumpet,
Cornet, Flugel
Flugel Horn
Horn oror Tenor
Tenor Horn (Anglo Music
Horn (Anglo Music AMP
AMP 114-401)
114-401)
Cornet, Flugel Horn or TenorYHorn (Anglo Music AMP 114-401)
7 Benjamin
7 Benjamin Frank
Frank Vaughan
Vaughan Y Ddraig
Ddraig Goch
Goch (The
(The Red
Red Dragon): from Ar
Dragon): from Ar yy Mynydd
Mynydd Prydferth
Prydferth Cymreig
Cymreig (On
(On the
the
b (The Red
B bb (Stainer
BenjaminWelsh
7 Beautiful Frank Vaughan for Y Ddraig in Goch Dragon): from Ar y Mynydd Prydferth Cymreig (On the
Beautiful Welsh Mountain)
Mountain) for Cornet
Cornet in B (Stainer && Bell
Bell H494)
H494)
Beautiful Welsh
Allen Vizzutti
8 Allen Mountain)
Vizzutti Polka:
Polka: from for
from 20 Cornet
20 Dances in B
Dances for (Stainer
for Trumpet
Trumpet (De& Bell H494)
Haske)
(De Haske)
8
8 Allen Vizzutti Polka: from 20 Dances for Trumpet (De Haske)
AURAL
AURAL TESTS
TESTS FOR
FOR THE
THE GRADE:
GRADE: see
see pp.
pp. 90
90 and
and 95
95
AURAL TESTS FOR THE GRADE: see pp. 90 and 95

23
32
32
32
This
ments syllabus2021
for E Horn is valid for 2013–2020. Details of any planned changes to the E Horn require-
ments from
from 2021 will
will be
be posted
posted inin advance
advance at
at www.abrsm.org/eflathorn.
www.abrsm.org/eflathorn.
ments
All the from 2021 will pieces
accompanied be posted
are in advancein
published bb editions. Those pieces that are additionally issued with a
at Ewww.abrsm.org/eflathorn.
All the accompanied pieces are published in E b editions. Those pieces that are additionally issued with a
All
partthe
in accompanied
F are indicatedpieces
are indicated theare
in the published
repertoire in E editions. Those pieces that are additionally issued with a
lists.
part in F in repertoire lists.
E - Horn
part in F are indicated in the repertoire lists. Performance Grades 2013–2022
bb Horn
Performance GradesE - Horn 2013–2022
E
E b Horn GRADE 1
Horn 1GRADE
EGRADE GRADE 1
1
THREE
FOURPIECES:
THREE PIECES: atone
PIECES: one chosen
least
chosen by
by the
one chosen bycandidate
the from
the candidate
candidate from each
from of
ofofthe
each
each thethree
the three Lists, A,
A,BB
Lists,A,
three Lists, and
Band
andC,C:
and a fourth of the
C:
THREE PIECES: one chosen by the candidate from each of the three Lists, A, B and C:
candidate
LIST A ’s own choice; for further programming requirements, see pages 4–6
LIST A
LIST
1 A
Czerny Rise and Shine! ¸
1 Czerny Rise and Shine! ˝ b
¸ Bravo! E b Tenor Horn, arr. Barratt (Boosey & Hawkes)
A 2 Czerny Minuet
1 Haydn Rise and Shine! ˛ ¸ Bravo! E b Tenor Horn, arr. Barratt (Boosey & Hawkes)
˝
˝ Bravo! E Tenor Horn, arr. Barratt (Boosey?& Hawkes)
/? brass edition; E b piano accomp. published
2 Haydn Minuet ˛
¸ Shining Brass, Book 1 (ABRSM: & /? brass edition; E bb piano accomp. published
3 Haydn
2 MinuetRomanza ˛
Tom Davoren ¸ Shining Brass, Book 1 (ABRSM: &
3 Tom Davoren Romanza ˝
4 Tom
3 PhilipDavoren
Sparke ARomanza
Knight’s Tale ˛ ¸ Shining
˝ Brass, Book 1 (ABRSM: & / brass edition; E piano accomp. published
separately)
brass edition; E b piano
4 Philip Sparke A Knight’s Tale ˛ ˝ separately)
¸ Winners Galore, arr. Lawrance (Brass Wind: & brass edition; E bb piano
5 Philip
4 Grieg Sparke
MorningA (from
Knight’s
PeerTale
Gynt) ¸ Winners Galore, arr. Lawrance (Brass Wind: &
˛ separately)
5 Grieg Morning (from Peer Gynt) ˝
5 Grieg Morning (from Peer Gynt)
6 Trad. Cornish Cornish Floral Dance ˛ ¸ Winners
˝ accomp.Galore,
published Lawrance (Brass Wind: & brass edition; E piano
arr.separately)
6 Trad. Cornish Cornish Floral Dance ˛ accomp. published separately)
˛
˝
7 Trad. Cornish
6 Handel MinuetCornish
in C. No.Floral Dance
4 from accomp.
The Really published
Easy Tenor Hornseparately)
Book, arr. Pearson (Faber)
7 Handel Minuet in C. No. 4 from The Really Easy Tenor Horn Book,barr. Pearson (Faber)
¸ Boosey Brass Method, E bb Brass Band Instruments, Repertoire Book B
8 Handel
7 Trad. Minuet
English No. Western
in C.of the
Song 4 from The ReallyBoosey
Men Easy Tenor
BrassHorn
Method,Book,
E arr. Pearson
Brass Band (Faber)
Instruments, Repertoire Book B
8 Trad. English Song of the Western Men ¸ ˝
9 Trad. English
8 JapaneseSong of the Western Men ˛
Koinobori ¸ Boosey
˝ Brass
(Boosey Method, E Brass Band Instruments, Repertoire Book B
& Hawkes)
9 Trad. Japanese Koinobori ˝ (Boosey & Hawkes)
˛
9 Trad. Japanese Koinobori ˛ (Boosey & Hawkes)
LIST B
LIST B
B Barratt Serenade. Bravo! E b Tenor Horn, arr. Barratt (Boosey & Hawkes)
1 Carol Barratt Serenade. Bravo! E bb Tenor Horn, arr. Barratt (Boosey & Hawkes)
LIST
1 Carol
B
2 Carol Barratt
1 Bernstein Hand, OneBravo!
OneSerenade. HeartE(from
TenorWest
Horn, arr.
Side BarrattEasy
Story). (Boosey
Winners, arr. Lawrance (Brass Wind: & brass
& Hawkes)
2 Bernsteinb One Hand, One Heart (from West Side Story). Easy Winners, arr. Lawrance (Brass Wind: && brass
edition; E b piano
2 Bernstein One Hand,
accomp.One (from West Side Story). Easy Winners, arr. Lawrance (Brass Wind: brass
Heartseparately)
published
edition; E b piano accomp. published separately)
Brass, Book 1 (ABRSM: & /? ? brass edition; E b piano accomp. published
¸ Shining Brass, Book 1 (ABRSM: & /? brass edition; E bb piano accomp. published
3 edition; E pianoWaltz
Tom Davoren accomp.
for published
E. Shining separately)
3 Tom Davoren Waltz for E. ¸ ˝
4 Tom
3 DavidDavoren
A. StowellWaltz ¸ Shining
for E. ˛
Strollin’ ˝ Brass, Book 1 (ABRSM: & / brass edition; E piano accomp. published
separately)
No. 1 or No. 2 from Cityscapes for E bb Instrument (Gramercy Music: && /?
4 David A. Stowell Strollin’ ˛ separately)
˛
˝
for E b Instrument (Gramercy Music: & /?
5 DavidGraham
4 Peter A. Stowell or Paris:separately)
Strollin’
Moscow edition)
? edition)
E b Brass
5 Peter Graham Moscow or Paris: No. 1 or No. 2 from Cityscapes
¸ Boosey Brass Method, E bb Brass Band Instruments, Repertoire Book B
6 Peter
5 Graham
Ian Lowes Moscow or Paris: No.¸1Boosey
Nightfall or No.Brass
2 from Cityscapes
Method, for EBand
Instrument (Gramercy
Instruments, Music:
Repertoire Book/B edition)
6 Ian Lowes Nightfall ˝
7 Ian
6 ChrisLowes
Norton Nightfall
With Calm Purpose ˛ ¸ Boosey
˝ Brass
(Boosey Method, E Brass Band Instruments, Repertoire Book B
& Hawkes)
7 Chris Norton With Calm Purpose ˛ ˝ (Boosey & Hawkes)
8 Chris Norton
7 Leslie PearsonWith Calm
Russian Purpose
Dance ˛ (Boosey
or Lament. No.&1Hawkes)
or No. 3 from The Really Easy Tenor Horn Book, arr. Pearson
8 Leslie Pearson Russian Dance or Lament. No. 1 or No. 3 from The Really Easy Tenor Horn Book, arr. Pearson
Leslie Pearson Russian Dance or Lament. No. 1 or No. 3 from The Really Easy Tenor Horn Book, arr. Pearson
8 (Faber)
(Faber) and Thomas Birdie Song. Winners Galore, arr. Lawrance (Brass Wind: & brass edition; E b piano accomp.
(Faber)
9 Rendall and Thomas Birdie Song. Winners Galore, arr. Lawrance (Brass Wind: && brass edition; E bb piano accomp.
9 Rendall
9 Rendall
publishedand Thomas Birdie Song. Winners Galore, arr. Lawrance (Brass Wind: brass edition; E piano accomp.
separately)
published separately)
published separately)
LIST C
LIST C
C Blakeson Flingaling: No. 2 from Smooth Groove for Horn in E b (Brass Wind)
1 Don Blakeson Flingaling: No. 2 from Smooth Groove for Horn in E bb (Brass Wind)
C LIST
1 Don
2 Don Blakeson
1 Lizzie Flingaling:
Davis Tiny Minuet: No. from Smooth
from2 Polished BrassGroove
(Brass for
Wind: & brass
Horn in E edition)
(Brass Wind)
2 Lizzie Davis Tiny Minuet: from Polished Brass (Brass Wind: && brass edition)
/?
3 LizzieMeechan
2 Peter Davis Tiny Minuet:
One, Two, from
Three!Polished Brass (Brass Wind: brass edition)
3 Peter Meechan One, Two, Three! ¸
/?
¸ Shining Brass, Book 1 (ABRSM: &
˝ brass edition)
4 Peter Meechan
3 Philip One, Two,
Sparke Puppet’s Three! ˛
Dance ¸ Shining Brass, Book 1 (ABRSM: &
˝ ? brass edition)
˝ Shining Brass, Book 1 (ABRSM: & / brass edition)
˛
4 Philip Sparke Puppet’s Dance
5 John Miller Hungarian Hoe-down or See-saw: No. 3 or No. 8 from Simple Studies for Beginner Brass (Faber: &&
4 Philip Sparke Puppet’s Dance ˛
5 John Miller Hungarian Hoe-down or See-saw: No. 3 or No. 8 from Simple Studies for Beginner Brass (Faber: &
Miller Hungarian Hoe-down or See-saw: No. 3 or No. 8 from Simple Studies for Beginner Brass (Faber:
John edition)
5 brass
brass edition)
Nightingale A Small Step or Fiesta Siesta: No. 1 or No. 2 from Easy Jazzy ’Tudes (Warwick Music: & brass
brass edition)
6 Mark
6 Mark Nightingale A Small Step or Fiesta Siesta: No. 1 or No. 2 from Easy Jazzy ’Tudes (Warwick Music: && brass
Mark Nightingale A Small Step or Fiesta Siesta: No. 1 or No. 2 from Easy Jazzy ’Tudes (Warwick Music: brass
6 edition)
edition)
7 edition)
Philip Sparke Morning Minuet or Leila’s Lament: No. 1 or No. 2 from Skilful Studies for Trumpet, Cornet, Flugel
7 Philip Sparke Morning Minuet or Leila’s Lament: No. 1 or No. 2 from Skilful Studies for Trumpet, Cornet, Flugel
PhiliporSparke
7 Horn Morning
Tenor Horn Music or
Minuet
(Anglo AMPLeila’s Lament: No. 1 or No. 2 from Skilful Studies for Trumpet, Cornet, Flugel
098-401)
Horn or Tenor Horn (Anglo Music AMP 098-401)
Horn or Tenor Horn (Anglo Music AMP 098-401)
AURAL
AURAL TESTS
TESTS FOR
FOR THE
THE GRADE:
GRADE: seesee pp.
pp. 90
90 and
and 91
91
AURAL TESTS FOR THE GRADE: see pp. 90 and 91
SCALES
SCALES ANDAND ARPEGGIOS:
ARPEGGIOS: fromfrom memory,
memory, toto be
be played
played both
both slurred
slurred and
and tongued
tongued inin the
the following
following keys:
keys:
SCALES
C major;ANDA ARPEGGIOS:
minor (one from memory, to be played both slurred and tongued in the following keys:
octave)
C major; A minor (one octave)
C major;the
Scales: A minor keys
(one octave)in natural or harmonic or melodic form at candidate’s choice)
Scales: in
in the above
above keys (minor
(minor in natural or harmonic or melodic form at candidate’s choice)
Scales: in
Arpeggios: the above keys (minor inthenatural orkeys
harmonic or melodic form at candidate’s choice)
Arpeggios: the
the common
common chords
chords of
of the above
above keys for
for the
the range
range indicated
indicated
Arpeggios: the common chords of the above keys for the range indicated
SIGHT-READING:
SIGHT-READING: aa shortshort piece
piece in
in simple
simple time
time within
within the
the keys,
keys, notes
notes and
and overall
overall range
range of
of the
the scale
scale require-
require-
SIGHT-READING:
ments a short pieceaccidentals,
in simple time within the keys, notes and overall range of the scale require-
ments set
set for
for this
this grade.
grade. Some
Some accidentals, dotted
dotted and
and tied
tied notes
notes may
may be
be included.
included. See
See also
also p.
p. 11.
11.
ments set for this grade. Some accidentals, dotted and tied notes may be included. See also p. 11.

34
34
34

24
E bb Horn
Performance GradesE - Horn 2013–2022
GRADE 2
E b Horn
Horn 2GRADE
EGRADE GRADE 2
2
THREE
FOURPIECES:
PIECES: atone chosen by the
bycandidate from each ofofthe
thethree Lists,A,
A, B andC,C:
THREE PIECES: least
one one chosen
chosen by the the candidate
candidate fromfrom each
each of the three Lists, A,BBand
three Lists, and and a fourth of the
C:
THREEA PIECES:
candidate
LIST ’s ownone chosen
choice; by the
for further candidate from
programming each of see
requirements, thepages
three4–6
Lists, A, B and C:
LIST A
LIST
1 A
F. Couperin Le Petit Rien. No. 7 from The Really Easy Tenor Horn Book, arr. Pearson (Faber)
1 F. Couperin Le Petit Rien. No. 7 from The Really Easy Tenor Horn Book, arr. Pearson (Faber) b
2 Hook The Lass of Richmond Hill. Easy Winners, arr. Lawrance (Brass Wind: & brass edition; E bb piano accomp.
2 Hook
A 1 F. Couperin
The Lass Rien. No.
of Richmond
Le Petit Easy
7 from
Hill. TheWinners, arr. Tenor
Really Easy Lawrance Book,Wind:
Horn(Brass & brass(Faber)
arr. Pearson edition; E piano accomp.
published
2 Hook Lass of Richmond Hill. Easy Winners, arr. Lawrance (Brass Wind: & brass edition; E piano accomp.
separately)
The
/?
? brass edition; E b piano accomp.
published separately)
¸ Shining Brass, Book 1 (ABRSM: & /? brass edition; E b piano accomp.
3 Philip Sparke
published separately)
My Lady’s Pavan ¸ Shining Brass, Book 1 (ABRSM: &
& / brass edition; E b piano accomp.
3 Philip Sparke My Lady’s Pavan ˝
David A.
4 Philip
3 Stowell
Sparke MyALady’s in the Rain ˛
Walk Pavan ˝ published
¸ Shining separately)
Brass, Book 1 (ABRSM:
4 David A. Stowell A Walk in the Rain ˛ ˝ published separately)
Trad. A.
5 David
4 O Stowell
Waly, Waly. No. in
A Walk 2 from Going˛Solo
the Rain –Tenor Horn,
published arr. Wallace and Pearson (Faber)
separately)
5 Trad. O Waly, Waly. No. 2 from Going Solo –Tenor Horn, arr. Wallace and Pearson (Faber)
5 Trad. Irish
6 TheWaly.
O Waly, No. Boy
Minstrel 2 from repeat)
Going Solo
(observing ¸ Winner
–Tenor Scores
Horn, arr. All, arr.
Wallace andLawrance (Brass Wind: & brass edition;
Pearson (Faber)
¸ Winner Scores All, arr. Lawrance (Brass Wind: & brass edition;
6 Trad. Irish The Minstrel Boy (observing repeat) ˝ b piano
WelshThe
7 Trad. Irish
6 MenMinstrel Boy (observing repeat) ˛
of Harlech ˝ E b
¸ Winner accomp.
Scores All, published
arr. Lawrance (Brass Wind: & brass edition;
separately)
Time. Bravo! E b Tenor Horn,˛ E barr.
7 Trad. Welsh Men of Harlech ˝ E piano accomp. published separately)
˛
8 Trad. Latvian Harvest Time. Bravo! E bb Tenor Horn,barr. Barratt (Boosey & Hawkes)
7 Trad. Latvian
8 Welsh MenHarvest
of Harlech Barratt
piano accomp.
(Boosey & Hawkes)
published separately)
9 Peter Warlock Basse-Dance. Boosey Brass Method, E bb Brass Band Instruments, Repertoire Book B (Boosey &
8 Peter
9 Trad. Warlock
Latvian Harvest Time. Boosey
Basse-Dance. Bravo!Brass Method,
E Tenor E arr.
Horn, Brass Band(Boosey
Barratt Instruments, Repertoire Book B (Boosey &
& Hawkes)
9 Hawkes)
Peter Warlock Basse-Dance. Boosey Brass Method, E Brass Band Instruments, Repertoire Book B (Boosey &
Hawkes)
Hawkes)
LIST B
LIST B
B Barratt Hampton Swing. Bravo! E b Tenor Horn, arr. Barratt (Boosey & Hawkes)
1 Carol Barratt Hampton Swing. Bravo! E bb Tenor Horn, arr. Barratt (Boosey & Hawkes)
LIST
1 Carol
Wind: & brass edition; E b piano
B
2 Lionel Bart Where is Love? (from Oliver). Easy Winners, arr. Lawrance (Brass Wind: & brass edition; E bb piano
1 Lionel
2 Bart Where
Carol Barratt is Love?
Hampton Swing. Oliver).
(fromBravo! Easy Winners,
E Tenor Horn, arr.arr. Lawrance
Barratt & Hawkes)
(Brass
(Boosey
accomp.Bart
2 Lionel published
Where is Love? (from Oliver). Easy Winners, arr. Lawrance (Brass Wind: & brass edition; E piano
separately)
with Monti ¸ Shining Brass, Book 1 (ABRSM: && /? ? brass edition; E b piano accomp.
accomp. published separately)
¸ Shining Brass, Book 1 (ABRSM: /? brass edition; E b piano accomp.
3 Tom Davoren
accomp. published separately)
Hangin’
& / brass edition; E b piano accomp.
3 Tom Davoren Hangin’ with Monti ˝
PhilipDavoren
4 Tom
3 Sparke Tennessee
Hangin’ withRagMonti ˛ ˝ published
¸ Shining separately)
Brass, Book
˛ published separately)
1 (ABRSM:
4 Philip Sparke Tennessee Rag ˝
Terry Gilkyson
5 Philip
4 Sparke Tennessee
The Bare Rag
Necessities published
˛ (from Jungle Book). Winner Scores All, arr. Lawrance (Brass Wind: &
The separately)
5 Terry Gilkysonb The Bare Necessities (from The Jungle Book). Winner Scores All, arr. Lawrance (Brass Wind: &
5 brass
Terryedition;
GilkysonE b piano accomp.
The Bare published(from
Necessities The Jungle Book). Winner Scores All, arr. Lawrance (Brass Wind: &
separately)
No. 4 from Cityscapes for E bb Instrument (Gramercy Music: && /?
brass edition; E b piano accomp. published separately)
E b Instrument (Gramercy Music: /?
Peteredition;
6 brass Graham E Seville or Kyoto:
piano accomp. No. 3 or
published separately) edition)
b Brass /? edition)
6 Peter Graham Seville or Kyoto: No. 3 or No. 4 from Cityscapes for edition)
7 Geoffrey Kinder Saudades de Lisboa. Boosey Brass Method, E bb Brass Band Instruments, Repertoire Book B
Geoffrey
7 Peter
6 Kinder
Graham or Kyoto:
Saudades
Seville No. 3 or Boosey
de Lisboa. No. 4 Brass
from Method,
CityscapesE for Band Instruments,
E Instrument (Gramercy Music: &Book
Repertoire B
Geoffrey
7 (Boosey &Kinder
Hawkes)Saudades de Lisboa. Boosey Brass Method, E Brass Band Instruments, Repertoire Book B
(Boosey & Hawkes)
8 Leslie
(BooseyPearson
& Hawkes) Moto perpetuo or Seven-Up. No. 5 or No. 9 from The Really Easy Tenor Horn Book, arr. Pearson
8 Leslie Pearson Moto perpetuo or Seven-Up. No. 5 or No. 9 from The Really Easy Tenor Horn Book, arr. Pearson
Leslie Pearson Moto perpetuo or Seven-Up. No. 5 or No. 9 from The Really Easy Tenor Horn Book, arr. Pearson
8 (Faber)
(Faber)
9 John Wallace The Grinnermarch. No. 4 from Going Solo – Tenor Horn, arr. Wallace and Pearson (Faber)
(Faber)
9 John Wallace The Grinnermarch. No. 4 from Going Solo – Tenor Horn, arr. Wallace and Pearson (Faber)
9
LIST C Wallace The Grinnermarch. No. 4 from Going Solo – Tenor Horn, arr. Wallace and Pearson (Faber)
John
LIST C
C Blakeson Senorita Rita or Sink It: No. 10 or No. 12 from Smooth Groove for Horn in E b (Brass Wind)
1 Don Blakeson Senorita Rita or Sink It: No. 10 or No. 12 from Smooth Groove for Horn in E bb (Brass Wind)
C LIST
1 Don
1 Lizzie
2 Davis Jumping
Don Blakeson Jack
Senorita RitaRap: fromIt:Polished
or Sink No. 10 Brass
or No.(Brass Wind:
12 from & brass
Smooth edition)
Groove for Horn in E (Brass Wind)
2 Lizzie Davis Jumping Jack Rap: from Polished Brass (Brass Wind: & brass edition)
2 Peter
3 LizzieMeechan
Davis Jumping
Haunted
JackHouse
3 Peter Meechan Haunted House ˝
Rap: from
¸ ?
Polished Brass (Brass Wind: & &brass edition)
¸ Shining Brass, Book 1 (ABRSM: & /? brass edition)
DavidMeechan
4 Peter
3 A. StowellHaunted House ˛
High Street ¸ Shining Brass, Book 1 (ABRSM: & /? brass edition)
˝
4 David A. Stowell High Street ˝ Shining Brass, Book 1 (ABRSM: / brass edition)
˛
4 John
5 DavidMiller
A. Stowell
SabreHigh
Dance or Bulgarian
Street ˛ Dance: No. 16 or No. 19 from Simple Studies for Beginner Brass (Faber: &
5 John Miller Sabre Dance or Bulgarian Dance: No. 16 or No. 19 from Simple Studies for Beginner Brass (Faber: &
5 brass Miller Sabre Dance or Bulgarian Dance: No. 16 or No. 19 from Simple Studies for Beginner Brass (Faber: &
John edition)
brass edition)
6 Mark Nightingale The Nuthatch or The Stinger: No. 6 or No. 9 from Easy Jazzy ’Tudes (Warwick Music: & brass
brass edition)
6 Mark Nightingale The Nuthatch or The Stinger: No. 6 or No. 9 from Easy Jazzy ’Tudes (Warwick Music: & brass
Mark Nightingale The Nuthatch or The Stinger: No. 6 or No. 9 from Easy Jazzy ’Tudes (Warwick Music: & brass
6 edition)
edition)
edition)Sparke Three-legged Race or Shalom!: No. 10 or No. 14 from Skilful Studies for Trumpet, Cornet, Flugel
7 Philip
7 Philip Sparke Three-legged Race or Shalom!: No. 10 or No. 14 from Skilful Studies for Trumpet, Cornet, Flugel
7 Horn
PhiliporSparke
Tenor Horn (Anglo Music
Three-legged RaceAMP 098-401)No. 10 or No. 14 from Skilful Studies for Trumpet, Cornet, Flugel
or Shalom!:
Horn or Tenor Horn (Anglo Music AMP 098-401)
Horn or Tenor Horn (Anglo Music AMP 098-401)
AURAL TESTS FOR THE GRADE: see pp. 90 and 91
AURAL TESTS FOR THE GRADE: see pp. 90 and 91
AURAL TESTS FOR THE GRADE: see pp. 90 and 91
SCALES AND ARPEGGIOS: from memory, to be played both slurred and tongued in the following keys:
SCALES AND ARPEGGIOS: from memory, to be played both slurred and tongued in the following keys:
B bb, D majors;
SCALES AND ARPEGGIOS:
A, D minorsfrom (onememory,
octave) to be played both slurred and tongued in the following keys:
B b, D majors; A, D minors (one octave)
B , Din
Scales: majors; A, Dkeys
the above minors (onein
(minors octave)
natural or harmonic or melodic form at candidate’s choice)
Scales: in the above keys (minors in natural or harmonic or melodic form at candidate’s choice)
Scales: in the
Arpeggios: theabove
common keys chords
(minorsofinthe aboveorkeys
natural for the or
harmonic melodic
range form at candidate’s choice)
indicated
Arpeggios: the common chords of the above keys for the range indicated
Arpeggios: the common chords of the above keys for the range indicated
SIGHT-READING: a short piece in simple time within the keys, notes and overall range of the scale
SIGHT-READING: a short piece in simple time within the keys, notes and overall range of the scale
SIGHT-READING:
requirements set upa toshort piece in simple
and including timeSome
this grade. within the keys, dotted
accidentals, notes and tied
overall range
notes of included.
may be the scale
requirements set up to and including this grade. Some accidentals, dotted and tied notes may be included.
requirements
See also p. 11.set up to and including this grade. Some accidentals, dotted and tied notes may be included.
See also p. 11.
See also p. 11.

35 25
35
35
bb Horn
Performance GradesE - Horn 2013–2022
E
E b Horn GRADE 3
Horn 3GRADE
EGRADE GRADE 3
3
THREE
FOURPIECES:
THREE PIECES: atone
PIECES: one chosen
least
chosen by
by the
one chosen bycandidate
the from
the candidate
candidate from each
from of
ofofthe
each
each thethree
the three Lists, A,
A,BB
Lists,A,
three Lists, and
Band
andC,C:
and a fourth of the
C:
THREE PIECES: one chosen by the candidate from each of the three Lists, A, B and C:
candidate
LIST A ’s own choice; for further programming requirements, see pages 4–6
LIST A
A Davoren Rondo Olympia Shining Brass, Book 1 (ABRSM: & /? ? brass edition; E b piano accomp. published
¸ Shining Brass, Book 1 (ABRSM: & /? brass edition; E bb piano accomp. published
LIST
1 Tom
1 Tom Davoren Rondo Olympia ¸ ˝
A 2 1 Tom Davoren Rondo Olympia ˛
Lucy Pankhurst Sicilienne ¸ Shining Brass, Book 1 (ABRSM: & / brass edition; E piano accomp. published
˝ separately)
Lawrance (Brass Wind: & brass edition; E b piano accomp. published separately)
2 Lucy Pankhurst Sicilienne ˝ separately)
˛
3 Gluck Che farò. Great Winners, arr. Lawrance (Brass Wind: && brass edition; E bb piano accomp. published separately)
Lucy Pankhurst
2 Gluck
3 Great Winners,˛arr.separately)
Che farò. Sicilienne
4 Gluck
3 HandelChe See,farò. Great Winners,
the Conqu’ring Heroarr.Comes
Lawrance
(from (Brass
JudasWind: brass edition;
Maccabaeus). TimeEPieces
pianoforaccomp. published
Horn, Vol. 1, arr.separately)
Harris
E b/F edition)
4 Handel See, the Conqu’ring Hero Comes (from Judas Maccabaeus). Time Pieces for Horn, Vol. 1, arr. Harris
and Skirrow (ABRSM: E bb/F edition)
Handel
4 and See,(ABRSM:
Skirrow the Conqu’ring Hero Comes (from Judas Maccabaeus). Time Pieces for Horn, Vol. 1, arr. Harris
and Skirrow
5 Leslie Basse EDance.
(ABRSM:
Pearson /F edition)
No. 7 from
5 Leslie Pearson Basse Dance. No. 7 from ¸ ˝ Going Solo – Tenor Horn, arr. Wallace and Pearson (Faber)
¸
6 Leslie Pearson
5 Schubert Basse Dance. No. 3
The Trout. 7 from ˝ ¸ Going Solo – Tenor Horn, arr. Wallace and Pearson (Faber)
˛
˝ Going Solo – Tenor Horn, arr. Wallace and Pearson (Faber)
Solos for F or E b Horn, arr. Sparke (Anglo Music AMP 192-400:
6 Schubert The Trout. No. 3 from ˛
¸ Skilful Solos for F or E bb Horn, arr. Sparke (Anglo Music AMP 192-400:
7 Schubert
6 The Promenade.
Philip Sparke Trout. No.No. 3 from¸ Skilful
7 from ˛
E b/F Solos
7 Philip Sparke Promenade. No. 7 from ˝
˝ E b/F edition)
8 Philip
7 Spring.Promenade. No. 7
VivaldiSparke 4 from ˛ ¸ Skilful
˝ for F or E Horn, arr. Sparke (Anglo Music AMP 192-400:
edition)
8 Vivaldi Spring. No. 4 from ˛ b/F edition)
(Brass Wind: & brass edition; E b piano accomp. published
9 Tchaikovsky Reverie. Winner Scores All, arr. Lawrance (Brass Wind: && brass edition; E bb piano accomp. published
9 Vivaldi
8 Spring.
Tchaikovsky Reverie. Winner No.Scores All,˛arr.E Lawrance
4 from
Tchaikovsky Reverie. Winner Scores All, arr. Lawrance (Brass Wind: brass edition; E piano accomp. published
9 separately)
separately)
separately)
LIST B
LIST B
B Bilk Stranger on the Shore. Stranger on the A Train for E b Horn, arr. Iveson (Brass Wind )
1 Acker Bilk Stranger on the Shore. Stranger on the A Train for E bb Horn, arr. Iveson (Brass Wind
LIST
1 Acker
B b piano
)
2 Cy Coben Piano Roll Blues. Winner Scores All, arr. Lawrance (Brass Wind: && brass edition; E bb piano accomp.
2 Acker
1 Bilk Piano
Cy Coben Stranger
Rollon WinnerStranger
the Shore.
Blues. on arr.
Scores All, the ALawrance
Train for(Brass
E Horn,
Wind:arr.& Iveson (Brass E
brass edition; Wind ) accomp.
Piano Roll Blues. Winner Scores All, arr. Lawrance (Brass Wind: brass edition; E piano accomp.
Cy Cobenseparately)
2 published
/?? brass edition; E b piano accomp. published
published separately)
¸ Shining Brass, Book 1 (ABRSM: & /? brass edition; E bb piano accomp. published
published
3 John Frithseparately)
Broken Dreams ¸ Shining Brass, Book 1 (ABRSM: &
3 John Frith Broken Dreams ˝
4 John Frith
3 Peter MeechanBroken Dreams
Purple Shade ˛ ¸ Shining
˝ Brass, Book 1 (ABRSM: & / brass edition; E piano accomp. published
separately)
Party Pieces for Horn in E b (Spartan Press SP165)
4 Peter Meechan Purple Shade ˛ ˝ separately)
5 Mark Goddard Swingin’: No. 1 from Party Pieces for Horn in E bb (Spartan Press SP165)
5 Peter
4 Meechan Swingin’:
Mark Goddard No. 1˛from
Purple Shade separately)
SP165) for E b Instrument
6 Peter Graham New?York (grace note optional ) or Vienna: No. 5 or No. 6 from Cityscapes for E bb Instrument
6 Mark
5 Peter Goddard
Graham New Swingin’: No. 1 note
York (grace Party Pieces
fromoptional for HornNo.
) or Vienna: in E5 or(Spartan PressCityscapes
No. 6 from
Peter Graham
6 (Gramercy & /?
Music:New York (grace note optional ) or Vienna: No. 5 or No. 6 from Cityscapes for E Instrument
edition)
(Gramercy Music: & /? edition)
&
/ edition)All Jazzed Up for E b Horn, arr. Wilson-Smith (Brass Wind )
7 H. Mancini Pink Panther. All Jazzed Up for E bb Horn, arr. Wilson-Smith (Brass Wind )
H. ManciniMusic:
7 (Gramercy Pink Panther.
8 H.
7 Mancini
Leslie Pearson Pink Strip.AllNo.
Panther.
Sunset Jazzed Up for
8 from E Horn,
Going arr. Wilson-Smith
Solo – Tenor (Brass Wind
Horn, arr. Wallace )
and Pearson (Faber)
8 Leslie Pearson Sunset Strip. No. 8 from Going Solo – Tenor Horn, arr. Wallace and Pearson (Faber) b piano accomp.
9 Tom Springfield Georgy Girl. Great Winners, arr. Lawrance (Brass Wind: && brass edition; E bb piano accomp.
9 LeslieSpringfield
8 Tom Pearson SunsetGeorgy Girl. No.
Strip. 8 from
Great Going arr.
Winners, SoloLawrance
– Tenor Horn,
(Brassarr.
Wind: & brass
Wallace andedition;
PearsonE (Faber)
Tom Springfield
9 published Georgy Girl. Great Winners, arr. Lawrance (Brass Wind: brass edition; E piano accomp.
separately)
published separately)
published separately)
LIST C
LIST C
C Blakeson Metal Roses or Threepenny Piece: No. 23 or No. 25 from Smooth Groove for Horn in E b (Brass
1 Don Blakeson Metal Roses or Threepenny Piece: No. 23 or No. 25 from Smooth Groove for Horn in E bb (Brass
C LIST
1 Don
Don Blakeson Metal Roses or Threepenny Piece: No. 23 or No. 25 from Smooth Groove for Horn in E (Brass
1 Wind)
Wind)
Lizzie Davis Tap Dance (in G minor): P. 7 from Polished Brass (Brass Wind: & brass edition)
2 Wind)
2 Lizzie Davis Tap Dance (in G minor): P. 7 from Polished Brass (Brass Wind: && brass edition)
3 Lizzie
2 Timothy Davis Tap Dance
Jackson How’s (in G minor): P. 7 from Polished Brass (Brass?Wind: brass edition)
Tricks?
3 Timothy Jackson How’s Tricks? ¸ ¸ Shining Brass, Book 1 (ABRSM: &
˝ /? brass edition)
4 Timothy
3 JacksonSummer
Peter Meechan How’s Tricks?
Sound ˛ ¸ Shining Brass, Book 1 (ABRSM: &
˝ /? brass edition)
4 Peter Meechan Summer Sound ˛ ˝ Shining Brass, Book 1 (ABRSM: & / brass edition)
5 Peter
4 Meechan
John Miller Summer
Rubic or The˛Easy Easy Winners: No. 27 or No. 31 from Simple Studies for Beginner Brass
RumbaSound
5 John Miller Rubic Rumba or The Easy Easy Winners: No. 27 or No. 31 from Simple Studies for Beginner Brass
& brassRubic
John Miller
5 (Faber: Rumba or The Easy Easy Winners: No. 27 or No. 31 from Simple Studies for Beginner Brass
edition)
(Faber: && brass edition)
6 (Faber:
Mark Nightingale Ermie’s Blues or Skipping: No. 10 or No. 11 from Easy Jazzy ’Tudes (Warwick Music: && brass
brass edition)
6 Mark Nightingale Ermie’s Blues or Skipping: No. 10 or No. 11 from Easy Jazzy ’Tudes (Warwick Music: & brass
Mark Nightingale Ermie’s Blues or Skipping: No. 10 or No. 11 from Easy Jazzy ’Tudes (Warwick Music: brass
6 edition)
edition)
edition)Sparke Classical Theme or Romance in C minor: No. 24 or No. 25 from Skilful Studies for Trumpet,
7 Philip
7 Philip Sparke Classical Theme or Romance in C minor: No. 24 or No. 25 from Skilful Studies for Trumpet,
Philip Sparke
7 Cornet, Classical
Flugel Horn or Tenor Hornor(Anglo
Theme Romance inAMP
Music C minor: No. 24 or No. 25 from Skilful Studies for Trumpet,
098-401)
Cornet, Flugel Horn or Tenor Horn (Anglo Music AMP 098-401)
Cornet, Flugel Horn or Tenor Horn (Anglo Music AMP 098-401)
AURAL
AURAL TESTS
TESTS FOR
FOR THE
THE GRADE:
GRADE: see
see pp.
pp. 90
90 and
and 92
92
AURAL TESTS FOR THE GRADE: see pp. 90 and 92
SCALES
SCALES AND AND ARPEGGIOS:
ARPEGGIOS: fromfrom memory,
memory, to to be
be played
played both
both slurred
slurred and
and tongued
tongued in
in the
the following
following keys:
keys:
E bb, E majors;
SCALES AND ARPEGGIOS:
C, E minors from
(one memory,
octave) to be played both slurred and tongued in the following keys:
E b, E majors; C, E minors (one octave)
E
A , E majors; C, E minors (one octave)
A major
major (a
(a twelfth)
twelfth)
A major (a twelfth)
Scales:
Scales: in the above keys
in the above keys (minors
(minors in harmonic or
in harmonic or melodic
melodic form
form atat candidate’s
candidate’s choice)
choice)
Scales:
Chromaticin the above
Scale: keys (minors
starting on C in harmonic
(one octave) or melodic form at candidate’s choice)
Chromatic Scale: starting on C (one octave)
Chromatic
Arpeggios: Scale: starting on C (one octave) keys for the ranges indicated
Arpeggios: the
the common
common chords
chords of
of the
the above
above keys for the ranges indicated
Arpeggios: the common chords of the above keys for the ranges indicated
SIGHT-READING:
SIGHT-READING: aa short short piece
piece in
in simple
simple time
time within
within the
the keys,
keys, notes
notes and
and overall
overall range
range of
of the
the scale
scale
SIGHT-READING:upa to
requirements short piece in simplegrade.
time within the11.
keys, notes and overall range of the scale
requirements set set up to and
and including
including this
this grade. See
See also
also p.
p. 11.
requirements set up to and including this grade. See also p. 11.

26 36
36
36
bb Horn GRADE 4
Performance GradesE - Horn 2013–2022
E
E b Horn
Horn 4GRADE
EGRADE GRADE 4
4
THREE PIECES: one chosen by the candidate from each of the three Lists, A, B and C:
THREE
FOURPIECES:
PIECES: atone
least one chosen
chosen bycandidate
by the the candidate
fromfrom each
each ofofthe
thethree Lists,A,
three Lists, A,BBand
andC,C:
and a fourth of the
THREE
LIST A PIECES:
candidate one chosen by the candidate from each of the three Lists, A, B and C:
’s own choice; for further programming requirements, see pages 4–6
Andante sostenuto. Time Pieces for Horn, Vol. 2, arr. Harris and Skirrow (ABRSM: E bb/F edition)
LIST A
1 Concone
LIST A
E bb/B bb edition)
1 Concone Andante sostenuto. Time Pieces for Horn, Vol. 2, arr. Harris and Skirrow (ABRSM: E b/F edition)
A 1 De Curtis Andante
2 Concone Return tosostenuto.
Sorrento, arr.
TimeRoberts
Pieces for(lower
Horn, line in2,
Vol. bb.arr.
42–3)
Harris(Winwood Music:
and Skirrow (ABRSM: E /F edition)
& /? brass b
2 De Curtis Return to Sorrento, arr. Roberts (lower line in bb. 42–3) (Winwood Music: E b/B b edition)
2 John
3 De Frith Return
Curtis Jiggedyto ¸ Shining
JigSorrento, arr. Brass, (lower
Roberts Book 2line(ABRSM:
in bb. 42–3)
& ? edition;
(Winwood E b
Music: piano
E accomp.
/B published
edition)
& /? brass edition; E b piano accomp. published
3 John Frith Jiggedy Jig ˝
¸ Shining Brass, Book 2 (ABRSM: / brass edition; E piano accomp. published
3 Lucy
4 Pankhurst
John Frith Jiggedy JigSong ˛
Folk ˝ separately)
¸ Shining Brass, Book 2 (ABRSM:
4 Lucy Pankhurst Folk Song ˛ ˝ separately) b
5 Grieg Norwegian Dance No. 2. Undercover Hits for Horn in E bb, arr. Gout (Brass Wind)
4 GriegPankhurst
5 Lucy NorwegianFolk DanceSongNo. Undercover Hits for Horn in E , arr. Gout (Brass Wind)
˛ 2.separately)
& brass edition; E b piano
6 Grieg Solveig’s Song (from Peer Gynt). Great Winners, arr. Lawrance (Brass Wind: & brass edition; E bb piano
6 Grieg Norwegian
5 Solveig’s Song (from
Dance No.Peer
2. Gynt). Great
Undercover Winners,
Hits for Horn arr.inLawrance
E , arr. Gout(Brass Wind:
(Brass Wind)
6 accomp. publishedSong
Grieg Solveig’s separately)
(from Peer Gynt). Great Winners, arr. Lawrance (Brass Wind: & brass edition; E piano
are the feet. Music for the Minster, arr. Green (Warwick Music: E b/F edition)
accomp. published separately)
7 Handel How beautiful are the feet. Music for the Minster, arr. Green (Warwick Music: E bb/F edition)
7 Handel How beautiful
accomp. published separately)
7 Leslie Pearson
8 Handel Pastoralare
How beautiful Echoes.
the feet.No. Music
9 fromfor Going Solo – Tenor
the Minster, Horn,(Warwick
arr. Green arr. Wallace and Pearson
Music: (Faber)
E /F edition)
E bb Horn,
8 Leslie Pearson Pastoral Echoes. No. 9 from Going Solo – Tenor Horn, arr. Wallace and Pearson (Faber)
8 Schubert
9 Marche
Leslie Pearson militaire
Pastoral (grace notes
Echoes. No. 9 optional
from Going). No.Solo16 from Skilful
– Tenor Horn, Solos for F or and
arr. Wallace Pearson arr.(Faber)
Sparke (Anglo
E b/F edition)
(grace notes optional ). No. 16 from Skilful Solos for F or E b Horn, arr. Sparke (Anglo
9 Schubert Marche militaire (grace notes optional ). No. 16 from Skilful Solos for F or E Horn, arr. Sparke (Anglo
Music AMP 192-400: E bb/F edition)
9 Music AMPMarche
Schubert 192-400:militaire
Music
LIST B AMP 192-400: E /F edition)
B Ahbez Nature Boy. Latino for Horn in E b, arr. Ramskill (Brass Wind)
LIST B
1 Eden Ahbez Nature Boy. Latino for Horn in E bb, arr. Ramskill (Brass Wind)
1 Eden
LIST
Wind) Press SP742: E bb/F edition)
B 2
1 Colin CowlesNature
Eden Ahbez The Hornbeam
Boy. Latino Tree:
for No.
Horn7 in E , Sound
from Your Horn!
arr. Ramskill (Brass (Spartan
2 Colin Cowles The Hornbeam Tree: No. 7 from Sound Your Horn! (Spartan Press SP742: Eb b/F edition)
& brass
3 Alberto Dominguez Frenesì. Great Winners, arr. Lawrance (Brass Wind: & brass edition; E bb piano accomp.
Alberto
3 Colin
2 Dominguez
Cowles Frenesì. Great
The Hornbeam Tree: Winners,
No. 7 from arr.Sound
Lawrance Horn! Wind:
Your(Brass (Spartan Pressedition;
SP742:EE piano accomp.
/F edition)
3 published separately) Frenesì. Great Winners, arr. Lawrance (Brass Wind: & brass edition; E piano accomp.
Alberto Dominguez
published separately) ?
¸ Shining Brass, Book 2 (ABRSM: & /? brass edition; E b piano accomp.
˝ Shining Brass, Book 2 (ABRSM: & /? brass edition; E b piano accomp.
4 John Frithseparately)
published Bragtime
& / brass edition; E b piano accomp.
4 John Frith Bragtime ¸
4 Peter
5 Meechan
John Frith Way Down South ˛
Bragtime ˝ published
¸ Shining separately)
Brass, Book 2 (ABRSM:
or No. 4 from Party Pieces for Horn in E b (Spartan Press SP165)
5 Peter Meechan Way Down South ˝ ˛ published separately)
6 Mark Goddard Hornpipe or Daydreams: No. 3 or No. 4 bfrom Party Pieces for Horn in E&bb (Spartan
5 Mark Goddard
6 Peter Way Downor
Meechan Hornpipe Daydreams:
South No. 3separately)
˛ published
? edition)Press SP165)
7 Peter Graham Buenos Aires: No. 7 from Cityscapes for E bb Instrument (Gramercy Music: & /?
6 Peter Goddard
7 Mark Graham Buenos
Hornpipe Aires: No. 7 from Cityscapes
or Daydreams: No. 3 or No. for E Instrument
4 from (Gramercy
Party Pieces Music:
for Horn in E /(Spartan Press SP165)
b Music: /? edition)
edition)
8 Stephen Sondheim Send in the Clowns. A Little Light Music
7 Peter Graham Buenos Aires: No. 7 from Cityscapes for E Instrument (Gramercy for Horn in E b, arr. Iveson & (Brass Wind)
8 Stephen Sondheim Send in the Clowns. A Little Light Music for b Horn,
Horn in E b, arr. Iveson (Brass Wind)
Sparke At the Circus. No. 14 from Skilful Solos for F or E bb Horn, arr. Sparke (Anglo Music AMP 192-400:
Philip Sparke
9 Stephen
8 SondheimAt theSend
Circus.
in theNo.Clowns.
14 from Skilful
A LittleSolos
LightforMusic
F or Efor Horn in arr.E Sparke MusicWind)
(Anglo(Brass
, arr. Iveson AMP 192-400:
b/F edition)
9 Philip
E bb/F edition)
9 EPhilip Sparke At the Circus. No. 14 from Skilful Solos for F or E Horn, arr. Sparke (Anglo Music AMP 192-400:
E C
LIST /F edition)
C Blakeson Western Skies: No. 29 from Smooth Groove for Horn in E bb (Brass Wind)
LIST C
C 1 Don
LIST
1 Don Blakeson Western Skies: No. 29 from Smooth Groove for Horn in E b (Brass Wind)
& brass
1 Lizzie
2 Davis Irish
Don Blakeson Jig: from
Western Polished
Skies: No. 29Brass
from(Brass
Smooth Wind:
Groove edition)
for Horn in E (Brass Wind)
2 Lizzie Davis Irish Jig: from Polished Brass (Brass Wind: & brass edition)
2 Tom
3 LizzieDavoren Quiet
Davis Irish Jig:Moment
from Polished
¸ Brass (Brass Wind: & brass edition) ?
˝ Shining Brass, Book 2 (ABRSM: & /? brass edition)
3 Tom Davoren Quiet Moment ¸
3 Peter
4 MeechanQuiet
Tom Davoren Moment ˛
Reflections ¸ Shining Brass, Book 2 (ABRSM: &
˝ /? brass edition)
4 Peter Meechan Reflections ˝ Shining Brass, Book 2 (ABRSM: & / brass edition)
˛
Sigmund
5 Peter
4 Meechan No. 11 or No.˛15: from 40 Progressive Etudes for Trumpet or Cornet (Carl Fischer)
HeringReflections
5 Sigmund Hering No. 11 or No. 15: from 40 Progressive Etudes for Trumpet or Cornet (Carl Fischer)
5 Mark
6 SigmundNightingale
Hering No. Blues11 for Big-Ears
or No. or The
15: from Pink Pig: No.
40 Progressive 15 or
Etudes forNo. 19 from
Trumpet Easy Jazzy
or Cornet (Carl’Tudes
Fischer) (Warwick Music:
6 &Mark Nightingale Blues for Big-Ears or The Pink Pig: No. 15 or No. 19 from Easy Jazzy ’Tudes (Warwick Music:
brassNightingale
6 &Mark edition) Blues for Big-Ears or The Pink Pig: No. 15 or No. 19 from Easy Jazzy ’Tudes (Warwick Music:
brass edition)
7 &Philip edition) Shepherd’s Song or One-part Invention: No. 33 or No. 36 from Skilful Studies for Trumpet,
brass Sparke
7 Philip Sparke Shepherd’s Song or One-part Invention: No. 33 or No. 36 from Skilful Studies for Trumpet,
7 Cornet, Flugel Horn
Philip Sparke or TenorSong
Shepherd’s Horn or(Anglo MusicInvention:
One-part AMP 098-401) No. 33 or No. 36 from Skilful Studies for Trumpet,
Cornet, Flugel Horn or Tenor Horn (Anglo Music AMP 098-401)
Cornet, Flugel Horn or Tenor Horn (Anglo Music AMP 098-401)
AURAL TESTS FOR THE GRADE: see pp. 90 and 92
AURAL TESTS FOR THE GRADE: see pp. 90 and 92
AURAL TESTS FOR THE GRADE: see pp. 90 and 92
SCALES AND ARPEGGIOS: from memory, to be played both slurred and tongued in the following keys:
SCALES AND ARPEGGIOS: from memory, to be played both slurred and tongued in the following keys:
SCALES
F major; AND ARPEGGIOS:
F minor from memory, to be played both slurred and tongued in the following keys:
(one octave)
F bmajor;
, B bb majors;
F minor (one octave)
F bmajor;
A F minor
A, B(one octave)
minors (a twelfth)
A b, B b majors; A, B minors (a twelfth)
A , Binmajors;
Scales: A, Bkeys
the above minors (a twelfth)
(minors in harmonic or melodic form at candidate’s choice)
Scales: in the above keys (minors in harmonic or melodic form at candidate’s choice)
Chromatic Scale: starting on B bb (aintwelfth)
Scales: in the above keys (minors harmonic or melodic form at candidate’s choice)
Chromatic Scale: starting on B b (a twelfth)
Chromatic Scale: starting on B (a twelfth)
Arpeggios: the common chords of the above keys for the ranges indicated
Arpeggios: the common chords of the above keys for the ranges indicated
Arpeggios: the common chords of the above keys for the ranges indicated
SIGHT-READING: a short piece in simple or compound time within the keys, notes and overall range of
SIGHT-READING: a short piece in simple or compound time within the keys, notes and overall range of
SIGHT-READING:
the scale requirementsa short
set piece
up to in simple
and or compound
including this grade.time
See within
also p.the
11. keys, notes and overall range of
the scale requirements set up to and including this grade. See also p. 11.
the scale requirements set up to and including this grade. See also p. 11.

37 27
37
37
bb Horn
Performance GradesE - Horn 2013–2022
E
E b Horn GRADE 5
Horn 5GRADE
EGRADE GRADE 5
5
THREE
FOURPIECES:
THREE PIECES: atone
PIECES: chosen
least
one by
by the
one chosen
chosen bycandidate
the from
the candidate
candidate from each
from of
ofofthe
each
each thethree
the three Lists, A,
A,BB
Lists,A,
three Lists, and
Band
andC,C:
and a fourth of the
C:
THREEA PIECES:
candidate
LIST ’s ownone chosen
choice; by the
for further candidate from
programming each of see
requirements, thepages
three4–6
Lists, A, B and C:
LIST A
LIST
1 A
S. Adams The Holy City, arr. Sparke (Studio Music)
1 S. Adams The Holy City, arr. Sparke (Studio Music)
A 1 S. Adams The
2 Beethoven Holy City,
Romance (Op.arr. Sparke
40). MelodyMusic)
Slow(Studio Books No. 2, arr. Wright (G & M Brand )
2 Beethoven Romance (Op. 40). Slow Melody Books No. 2, arr. Wright (G & M Brand )
3 Beethoven
2 Elgar Salut Romance
d’amour. (Op. SH,Slow
40).
Classic Melody(Brass
arr. Green Books Wind
No. 2,) arr. Wright (G & M Brand )
& /?
? brass edition; E b piano accomp. published
3 Elgar Salut d’amour. Classic SH, arr. Green (Brass Wind )
¸ Shining Brass, Book 2 (ABRSM: & /? brass edition; E b piano accomp. published
4 Elgar
3 SalutCaber
John Frith d’amour.
DanceClassic SH, arr. Green
¸ Shining BookWind
(Brass
Brass, )
2 (ABRSM:
& / brass edition; E b piano accomp. published
4 John Frith Caber Dance ˝
5 John Frith
4 David Caber Jam
A. Stowell Dance
Bouree ˛ ¸ Shining
˝ Brass,
separately) Book 2 (ABRSM:
(Op. 53 No. 2). Music for the Minster, arr. Green (Warwick Music: E b/F
5 David A. Stowell Jam Bouree ˛ ˝ separately)
6 Mendelssohn Song without Words (Op. 53 No. 2). Music for the Minster, arr. Green (Warwick Music: E bb/F
6 David A. Stowell
5 Mendelssohn Jam
Song ˛ separately)
BoureeWords
without
Mendelssohn Song without Words (Op. 53 No. 2). Music for the Minster, arr. Green (Warwick Music: E /F
6 edition)
edition)
edition)Pearson Valivid. No. 11 from Going Solo – Tenor Horn, arr. Wallace and Pearson (Faber)
7 Leslie
7 Leslie Pearson Valivid. No. 11 from Going Solo – Tenor Horn, arr. Wallace and Pearson (Faber) b
8 Leslie Pearson
7 Saint-Saëns No.36.
Valivid. Op.
Romance, 11 from
TimeGoing
PiecesSolo – TenorVol.
for Horn, Horn, arr.Harris
2, arr. Wallace
andand Pearson
Skirrow (Faber) E b/F edition)
(ABRSM:
E b/F edition)
E b/F edition)
8 Saint-Saëns Romance, Op. 36. Time Pieces for Horn, Vol. 2, arr. Harris and Skirrow (ABRSM:
9 Saint-Saëns The Swan (from The Carnival of the Animals), arr. Hanmer (Studio Music: E bb/F edition)
9 Saint-Saëns Romance,
8 Op. 36.TheTime
The Swan (from Piecesoffor
Carnival theHorn, Vol. 2,arr.
Animals), arr.Hanmer
Harris and Skirrow
(Studio (ABRSM:
Music: E /F edition)
9 Saint-Saëns
LIST B The Swan (from The Carnival of the Animals), arr. Hanmer (Studio Music: E /F edition)
LIST B
LIST
1 B Cowles Horn at Dawn: No. 8 from Sound Your Horn! (Spartan Press SP742: E bb/F edition)
Colin
Press SP742: E b/F edition)
in E b (Spartan
B 1 Colin Cowles Horn at Dawn: No. 8 from Sound Your Horn! (Spartan
2 Mark Goddard Ragamuffin: No. 7 from Party Pieces for Horn in E bb (Spartan?Press SP165) b
2 Colin
1 Cowles Horn
Mark Goddard at Dawn:No.
Ragamuffin: No.78from SoundPieces
fromParty YourforHorn!
Horn(Spartan Press SP742:
Press E /F edition)
SP165)
& /?Press
¸ Shining Brass, Book 2 (ABRSM: & /? brass edition; E b piano accomp.
3 Mark
2 Peter Goddard
Meechan Ragamuffin:
Final ThoughtNo. 7 from¸ Party
ShiningPieces for Book
Brass, Horn2in(ABRSM:
E (Spartan brassSP165)
edition; E piano accomp.
Book 2 (ABRSM: & / brass edition; E b piano accomp.
3 Peter Meechan Final Thought ˝
Peter Pankhurst
3 Lucy
4 Meechan Final
Gone,Thought
Not Forgotten ˛ ¸ Shining
˝ Brass,
published separately)
4 Lucy Pankhurst Gone, Not Forgotten ˝ ˛ published separately)
5 Lucy
4 LesliePankhurst Gone, Not Forgotten
Pearson Tenor-hornpipe. No. 13 published
˛ from Goingseparately)
Solo – Tenor Horn, arr. Wallace and Pearson (Faber)
5 Leslie Pearson Tenor-hornpipe. No. 13 from Going b, arr.Solo – Tenor Horn, arr. Wallace and Pearson (Faber)
6 Robert Ramskill Mambo. Latino for Horn in E bb, arr. Ramskill (Brass Wind)
6 Leslie Pearson
5 Robert Mambo. Latino No.
RamskillTenor-hornpipe. 13 from
for Horn Going
in E Solo – Tenor
Ramskill Horn,Wind)
(Brass arr. Wallace and Pearson (Faber)
Light Music for Horn in E b, arr.
7 Sherwin and Maschwitz A Nightingale Sang in Berkeley Square. A Little Light Music for Horn in E bb, arr.
7 Robert
6 SherwinRamskill Mambo.
and Maschwitz Latino for Horn
A Nightingale Sang inin
E Berkeley
, arr. Ramskill (Brass
Square. Wind)
A Little
Sherwin
7 Iveson and Wind
(Brass Maschwitz
) A Nightingale Sang in Berkeley Square. A Little Light Music for Horn in E , arr.
) of the Toy Soldiers: No. 3 from Super Solos for F or E b Horn (Anglo Music AMP 265-400:
Iveson (Brass Wind )
Sparke March of the Toy Soldiers: No. 3 from Super Solos for F or E bb Horn (Anglo Music AMP 265-400:
Iveson (Brass
8 Philip SparkeWind
March
E bb/F edition)
8 Philip
8 Philip Sparke March of the Toy Soldiers: No. 3 from Super Solos for F or E Horn (Anglo Music AMP 265-400:
E b/F edition)
Take the A Train. Stranger on the A Train for E b Horn, arr. Iveson (Brass Wind)
9 Billy Strayhorn Take the A Train. Stranger on the A Train for E bb Horn, arr. Iveson (Brass Wind)
9 E /F Strayhorn
Billy edition)
9
LIST C Strayhorn Take the A Train. Stranger on the A Train for E Horn, arr. Iveson (Brass Wind)
Billy
LIST C
Andante con spirito in E b: No. 9, P. 106 from Cornet Method (Boosey & Hawkes)
1 Arban Andante con spirito in E bb: No. 9, P. 106 from Cornet Method (Boosey & Hawkes)
C LIST
1 C
Arban
2 Arban Davis
1 Lizzie Andante conor
Heads spirito
Tails:in E : No.
from 9, P.Brass
Polished (BrassCornet
106 from & brass(Boosey
Wind:Method edition)& Hawkes)
2 Lizzie Davis Heads or Tails: from Polished Brass (Brass Wind: & brass edition)
3 Lizzie
2 SigmundDavis Heads
Hering or29
No. Tails: from
or No. 30:Polished
from 40Brass
Progressive Etudes&for
(Brass Wind: brass edition)
Trumpet or Cornet (Carl Fischer)
3 Sigmund Hering No. 29 or No. 30: from 40 Progressive Etudes for Trumpet or Cornet (Carl Fischer)
/?
Sigmund
3 Peter
4 No. 29 or No. 30: from 40 Progressive
HeringAir
Meechan ¸ Etudes for Trumpet or Cornet (Carl Fischer)
/?
4 Peter Meechan Air ¸ Shining Brass, Book 2 (ABRSM: &
˝ brass edition)
Peter Meechan
4 David
5 A. StowellAir
Flennon Study (either version) ˛ ¸ Shining Brass, Book 2 (ABRSM: &
˝ ? brass edition)
5 David A. Stowell Flennon Study (either version) ˛ ˝ Shining Brass, Book 2 (ABRSM: & / brass edition)
6 David
5 A. Stowell Flennon
Mark Nightingale HillbillyStudy version)
(eitherFruit
or Passion ˛ No. 16 or No. 18 from Easy Jazzy ’Tudes (Warwick Music: &
Samba:
6 Mark Nightingale Hillbilly or Passion Fruit Samba: No. 16 or No. 18 from Easy Jazzy ’Tudes (Warwick Music: &
Nightingale Hillbilly or Passion Fruit Samba: No. 16 or No. 18 from Easy Jazzy ’Tudes (Warwick Music: &
Markedition)
6 brass
brass edition)
brass edition)
7 Philip Sparke Party Piece: No. 40 from Skilful Studies for Trumpet, Cornet, Flugel Horn or Tenor Horn (Anglo
7 Philip Sparke Party Piece: No. 40 from Skilful Studies for Trumpet, Cornet, Flugel Horn or Tenor Horn (Anglo
Philip AMP
7 Music Sparke Party Piece: No. 40 from Skilful Studies for Trumpet, Cornet, Flugel Horn or Tenor Horn (Anglo
098-401)
Music AMP 098-401)
Music AMP 098-401)
AURAL
AURAL TESTS TESTS FOR
FOR THETHE GRADE:
GRADE: seesee pp.
pp. 90
90 and
and 93
93
AURAL TESTS FOR THE GRADE: see pp. 90 and 93
SCALES
SCALES AND AND ARPEGGIOS:
ARPEGGIOS: from from memory,
memory, toto be
be played
played both
both slurred
slurred and
and tongued
tongued in
in the
the following
following keys:
keys:
B bb, D bb AND
SCALES majors; B bb, C ## minors
ARPEGGIOS: from
(a memory,
twelfth) to be played both slurred and tongued in the following keys:
B b, D b majors; B b, C # minors (a twelfth)
B
G, , Dbb majors;
majors; Bminor
, C minorsoctaves)
(a twelfth)
G, A A b majors; G G minor (two (two octaves)
G, A inmajors; G minor (two octaves)
Scales:
Scales: in the above keys (minors in
the above keys (minors harmonic or
in harmonic or melodic
melodic form
form at
at candidate’s
candidate’s choice)
choice)
Scales:
Chromatic in the above
Scale: keys (minors
starting on C (a in harmonic or melodic form at candidate’s choice)
twelfth)
Chromatic Scale: starting on C (a twelfth)
Chromatic
Arpeggios: Scale: starting on C (a twelfth)
Arpeggios: the the common
common chordschords ofof the
the above
above keys
keys for
for the
the ranges
ranges indicated
indicated
Arpeggios:
Dominant the common
Seventh: in the chords
key ofof
C the
(twoabove keys for the ranges indicated
octaves)
Dominant Seventh: in the key of C (two octaves)
Dominant Seventh: in the key of C (two octaves)
SIGHT-READING:
SIGHT-READING: see see p.p. 11.
11.
SIGHT-READING: see p. 11.

28 38
38
38
bb Horn GRADE 6
Performance GradesE - Horn 2013–2022
E
E b Horn
Horn 6GRADE
EGRADE GRADE 6
6
PREREQUISITE
PREREQUISITEFOR FOR ENTRY: ABRSMGrade
ENTRY: ABRSM Grade 5 (or
5 (or above)
above) in Music
in Music Theory,
Theory, Practical
Practical Musicianship
Musicianship or any
or a Practical
PREREQUISITE FOR ENTRY: ABRSM Grade 5 (or above) in Music Theory, Practical Musicianship or any
PREREQUISITE
solo Jazz subject.
Grades solo FOR
JazzFor ENTRY:For ABRSM
alternatives,
instrument. Gradesee5 (or above) in Music Theory, Practical Musicianship or any
see www.abrsm.org/prerequisite.
alternatives, www.abrsm.org/prerequisite.
solo Jazz subject. For alternatives, see www.abrsm.org/prerequisite.
solo Jazz subject. For alternatives, see www.abrsm.org/prerequisite.
THREE PIECES: one chosen by the candidate from each of the three Lists, A, B and C:
THREE
FOURPIECES:
PIECES: atone
least one chosen
chosen by thebycandidate
the candidate
fromfrom each
each ofofthe
thethree Lists,A,
three Lists, A,BBand
andC,C:
and a fourth of the
THREE
LIST A PIECES:
candidate’s ownone chosen
choice; by the
for further candidate from
programming each of see
requirements, thepages
three4–6
Lists, A, B and C:
LIST A
LIST
1 A
Albinoni Allegro finale: from Concerto, Op. 7 No. 3. Classic SH, arr. Green (Brass Wind )
1 Albinoni Allegro finale: from Concerto, Op. 7 No. 3. Classic b Horn,SH, arr. Green (Brass Wind )
Mio for E bb Horn, arr. Bissill (Brass Wind)
A 1 Boyce 1stAllegro
2 Albinoni movt from Symphony
finale: No. 4. O
from Concerto, Op.Solo Mio 3.
7 No. for EClassic arr.
SH, Bissill
arr. Green(Brass
(BrassWind)
Wind )
2 Boyce 1st movt from Symphony No. 4. O Solo b
3 Elgar Chanson de matin, Op. 15 No.
2 Boyce 1st movt from Symphony No. 4. O Solo 2. E b Solo Book, arr. Wallace
Mio for E Horn, arr.(Warwick Music)
Bissill (Brass
3 Elgar Chanson de matin, Op. 15 No. 2. E b Solo Book, arr. Wallace (Warwick Music)b
Wind)
3 Fauré
4 Pie Jesu (from
Elgar Chanson Requiem).
de matin, Op. 15 Music
No. 2.forEtheSolo
Minster,
Book,arr.
arr.Green (Warwick
Wallace (Warwick Music: E b/F edition)
Music)
b (Gramercy & /?
4 Fauré Pie Jesu (from Requiem). Music for the Minster, arr. Green (Warwick Music: E b/F edition)
5 arr. Peter Graham Swedish Hymn. Gramercy Solo Album E bb (Gramercy Music: & /?
4 arr. Peter
5 Fauré PieGraham
Jesu (fromSwedish Hymn.
Requiem). MusicGramercy Solo Album
for the Minster, arr.EGreen (Warwick Music:
Music: E edition)
/F edition)
5 Handel
6 arr. PeterLa réjouissance
Graham andHymn.
Swedish (from Music
La paix Gramercy Solo for the Royal
Album Fireworks).
E (Gramercy Time
Music: ? edition)
& /Pieces for Horn, Vol. 2, arr.
edition)
6 Handel La réjouissance and La b/Fpaix
paix (from Music for the Royal Fireworks). Time Pieces for Horn, Vol. 2, arr.
6 Harris
Handeland LaSkirrow (ABRSM:
réjouissance b
andELa edition)
Harris and Skirrow (ABRSM: E b/F edition)
(from Music for the Royal Fireworks). Time Pieces for Horn, Vol. 2, arr.
7 Handel
Harris andLascia ch’io
Skirrow pianga E
(ABRSM: (from Rinaldo), arr. Fretwell (observing higher notes in ossia) (Con Moto)
/F edition)
7 Handel Lascia ch’io pianga (from Rinaldo), arr. Fretwell (observing higher notes in ossia) (Con Moto)
7 Mozart
8 Handel The Queen
Lascia ch’io of the Night’s
pianga (from Aria (fromarr.
Rinaldo), TheFretwell
Magic Flute), arr. higher
(observing Golland (Kirklees
notes Music)
in ossia) (Con Moto)
or E bb Horn (Anglo Music
8 Mozart The Queen of the Night’s Aria (from The Magic Flute), arr. Golland (Kirklees Music)
8 Philip
9 MozartSparke Little of
The Queen Overture or Moto
the Night’s AriaPerpetuo:
(from TheNo. 1 orFlute),
Magic No. 6 arr.
from Super Solos
Golland for F Music)
(Kirklees
b/F edition)
9 Philip Sparke Little
Overture or Moto Perpetuo: No. 1 or No. 6 from Super Solos for F or E b Horn (Anglo Music
Overture or Moto Perpetuo: No. 1 or No. 6 from Super Solos for F or E Horn (Anglo Music
AMP 265-400: E bb/F edition)
9 AMP
Philip265-400:
Sparke ELittle
AMP
LIST B 265-400: E /F edition)
Bissill Ghost Rider. Hornscape for Horn in E b, arr. Bissill (Brass Wind )
LIST B
1 Richard Bissill Ghost Rider. Hornscape for Horn in E bb, arr. Bissill (Brass Wind )
LIST
1 B
Richard
B Horn)in E b, arr. Iveson (Brass Wind)
2 Hoagy Carmichael Stardust (not observing ossia). A Little Light Music for Horn in E bb, arr. Iveson (Brass Wind)
Hoagy Carmichael
2 Richard
1 Bissill Ghost Stardust
Rider. (not observing
Hornscape forossia).
Horn inAELittle
, arr.Light Music
Bissill (BrassforWind
2 Colin
3 HoagyCowles
CarmichaelThe Hornets’
Stardust Nest alternative
(ignoringossia).
(not observing ending):
A Little LightNo.
Music9 from Sound
for Horn in Your Horn!
E , arr. (BrassPress
(Spartan
Iveson Wind)
E bb/F edition)
3 Colin Cowles The Hornets’ Nest (ignoring alternative ending): No. 9 from Sound Your Horn! (Spartan Press
3 SP742:
Colin Cowles The Hornets’ Nest (ignoring alternative ending): No. 9 from Sound Your Horn! (Spartan Press
Rumba: No. 1 from Star Turn for Horn in E b (Spartan Press SP366)
SP742: E b/F edition)
4 Gareth Glyn Rumba: No. 1 from Star Turn for Horn in E bbb(Spartan Press SP366)
4 Gareth
SP742: EGlyn/F edition)
& /? edition)
5 Peter Graham A Time for Peace. Gramercy Solo Album E bb (GramercybMusic: & /?
4 Peter
5 GarethGraham A TimeNo.
Glyn Rumba: for1Peace.
from StarGramercy Solo
Turn for Album
Horn in EE (Spartan Music:
(GramercyPress SP366)
5 Hindemith
6 Peter Graham Ruhig bewegt:
A Time 1st movtGramercy
for Peace. from Sonata for Alto
Solo Album E Horn in E bMusic:
(Gramercy (1943)& / ? edition)
(Schott ED 4635)
edition)
6 Hindemith Ruhig bewegt: 1st movt from Sonata for Alto Horn in E b (1943) (Schott b ED 4635)
7 Bryan Kelly Scherzo: 4th movt from Concert Suite for Horn (G &
6 Hindemith Ruhig bewegt: 1st movt from Sonata for Alto Horn in E (1943) (Schott M Brand:
7 Bryan Kelly Scherzo: 4th movt from Concert Suite for Hornb (G & M Brand: E b/F edition)
E b /F edition)
ED 4635)
8 H. Mancini Moon River. Let’s Face the Music for Horn in E bb, arr.
7 H. Mancini
8 Bryan Kelly Moon River.
Scherzo: Let’s Face
4th movt fromthe Music Suite
Concert for Horn in E ,(G
for Horn arr.&Iveson (BrassE Wind
M Brand: )
/F edition)
E b Horn 265-400: E b/F edition)
Iveson (Brass Wind )
9 Philip Sparke Chicago Blues: No. 5 from Super Solos for F or E bb Horn (Anglo Music AMP 265-400: E bb/F edition)
8 Philip
9 H. SparkeMoon
Mancini Chicago
River.Blues:
Let’sNo.
Face5the
from Super
Music for Solos
Hornforin FEor, arr. (BrassMusic
Iveson(Anglo WindAMP )
9
LIST C Sparke Chicago Blues: No. 5 from Super Solos for F or E Horn (Anglo Music AMP 265-400: E /F edition)
Philip
Andantino in B b: No. 9, P. 117 from Cornet Method (Boosey & Hawkes)
LIST C
1 Arban Andantino in B bb: No. 9, P. 117 from Cornet Method (Boosey & Hawkes)
C LIST
1 C
Arban
1 J.
2 S. Bach,
Arban arr. Piper
Andantino in BStudy
: No.No.
9, P.20117
in A minor:
from from
Cornet The Well-Tempered
Method Player (Winwood Music)
(Boosey & Hawkes)
2 J. S. Bach, arr. Piper Study No. 20 in A minor: from The Well-Tempered Player (Winwood Music)
2 Alwyn
3 Green
J. S. Bach, arr.Study
PiperNo. 5: P.No.
Study 29 20
fromin Tenor Horn
A minor: Eurhythmics
from (Warwick Music)
The Well-Tempered Player (Winwood Music)
3 Alwyn Green Study No. 5: P. 29 from Tenor Horn Eurhythmics (Warwick Music)
3 Sigmund
4 Alwyn GreenHering No.
Study 355:
No. orP.No.
29 36:
fromfrom 40 Horn
Tenor Progressive Etudes (Warwick
Eurhythmics for Trumpet or Cornet (Carl Fischer)
Music)
4 Sigmund Hering No. 35 or No. 36: from 40 Progressive Etudes for Trumpet or Cornet (Carl Fischer)
4 Jock
5 McKenzie
Sigmund No. 35 ororNo.
HeringHornpipe Mazurka:
36: from from Rhythms ofEtudes
40 Progressive Life (Con Moto: & brass
for Trumpet edition)
or Cornet (Carl Fischer)
5 Jock McKenzie Hornpipe or Mazurka: from Rhythms of Life (Con Moto: & brass edition)
6 Mark Nightingale On the Off-beat or Transposition Blues: No.
5 Jock McKenzie Hornpipe or Mazurka: from Rhythms of Life (Con Moto: brass 23 or &
No. 27 from Easy Jazzy ’Tudes (Warwick
edition)
6 Mark Nightingale On the Off-beat or Transposition Blues: No. 23 or No. 27 from Easy Jazzy ’Tudes (Warwick
& brass edition)
6 Music:
Mark Nightingale On the Off-beat or Transposition Blues: No. 23 or No. 27 from Easy Jazzy ’Tudes (Warwick
Music: & brass edition)
& brass edition)
Philip Sparke
7 Music: Baroque Melody: No. 4 from Super Studies for Trumpet, Cornet, Flugel Horn or Tenor Horn (Anglo
7 Philip Sparke Baroque Melody: No. 4 from Super Studies for Trumpet, Cornet, Flugel Horn or Tenor Horn (Anglo
7 Music
Philip AMP
Sparke 114-401)
Baroque Melody: No. 4 from Super Studies for Trumpet, Cornet, Flugel Horn or Tenor Horn (Anglo
Music AMP 114-401)
Music AMP 114-401)
AURAL TESTS FOR THE GRADE: see pp. 90 and 93
AURAL TESTS FOR THE GRADE: see pp. 90 and 93
AURAL TESTS FOR THE GRADE: see pp. 90 and 93
SCALES AND ARPEGGIOS: from memory, to be played both slurred and tongued in the following keys:
SCALES AND ARPEGGIOS: from memory, to be played both slurred and tongued in the following keys:
SCALES
D major;AND ARPEGGIOS:
C minor (a twelfth)from memory, to be played both slurred and tongued in the following keys:
D#major; C minor (a #, twelfth)
F A, B bb majors;
D#,major; C minorG(a# A, B bb minors (two octaves)
twelfth)
F #, A, B b majors; G #, A, B b minors (two octaves)
F , A,inBthe
Scales: majors;
aboveGkeys, A,(minors
B minors (twoharmonic
in both octaves) and melodic forms)
Scales: in the above keys (minors in both harmonic and melodic forms)
Scales: in the above keys (minors # in b
Chromatic Scales: starting on F #, G, A b and A (two and
both harmonic melodic forms)
octaves)
Chromatic Scales: starting on F #, G, A b and A (two octaves)
Chromatic Scales: starting on F , G, A and A (two octaves)
Arpeggios: the common chords of the above keys for the ranges indicated
Arpeggios: the common chords of the above keys for the ranges indicated
Arpeggios: the common
Dominant Seventh: in thechords
key ofof D the
(twoabove keys for the ranges indicated
octaves)
Dominant Seventh: in the key of D (two octaves)
Dominant Seventh: in the key of D (two
Diminished Seventh: starting on G (two octaves) octaves)
Diminished Seventh: starting on G (two octaves)
Diminished Seventh: starting on G (two octaves)
SIGHT-READING: see p. 11.
SIGHT-READING: see p. 11.
SIGHT-READING: see p. 11.

29
39
39
39
Performance GradesE - Horn 2013–2022
E
E bb Horn
Horn GRADE 7
Horn 7GRADE
EGRADE GRADE 7
7
PREREQUISITEFOR
PREREQUISITE
PREREQUISITE FOR ENTRY:
FOR ENTRY: ABRSM
ENTRY: ABRSM
ABRSM Grade
Grade
Grade 5 (or
5
5 above)
(or in Music
above) Theory,
in Music Practical
Theory, Musicianship
Practical or a Practical
Musicianship or any
PREREQUISITE
Grades solo JazzFOR ENTRY:For
instrument. ABRSM Gradesee
alternatives, 5 (or
(or above)
above) in
in Music
Music Theory,
Theory, Practical
www.abrsm.org/prerequisite. Practical Musicianship
Musicianship or or any
any
solo
solo Jazz
Jazz subject.
subject. For
For alternatives,
alternatives, see
see www.abrsm.org/prerequisite.
www.abrsm.org/prerequisite.
solo Jazz subject. For alternatives, see www.abrsm.org/prerequisite.
THREE
FOURPIECES:
THREE PIECES: atone
least one chosen
chosen bycandidate
by the the candidate
fromfrom each
each ofofthe
thethree Lists,A,
three Lists, A,BBand
andC,C:
and a fourth of the
THREE PIECES:
PIECES: one
candidate one chosen
chosen byby the
the candidate
candidate from
from each
each of
of the
the three
three Lists,
Lists, A,
’s own choice; for further programming requirements, see pages 4–6 A, B
B and
and C:
C:
LIST
LIST A
A
LIST
1 A
Albinoni Adagio. O Solo Mio for E b Horn, arr. Bissill (Brass Wind )
Adagio. O Solo bb Horn, arr. Bissill (Brass Wind )
A 1
2
Albinoni Adagio.
1 Albinoni
Anon. Song of the O Solo Mio
Seashore,
for
for E
Mio arr. ECatherall
Horn, arr. Bissill (Brass
(observing Wind
cadenza, & )upper line in ossias). The Gordon Higgin-
2 Anon.
2 Anon. Song of the
Song of the Seashore,
Seashore, arr. Catherall cadenza, &
(observing cadenza,
arr. Catherall (observing & upper
upper line
line in in ossias).
ossias). The
The Gordon
Gordon Higgin-
Higgin-
bottom Collection
bottom Collection (Kirklees
Collection (Kirklees Music)
Music)
(Kirklees Music)
bottom
J. N.
3 J. N. Audoire
Audoire An An Irish
Irish Melody
Melody (ending
(ending at at b.
b. 133).
133). No.No. 33 from
from Solos
Solos for
for E b
E b Instruments (Salvationist
(Salvationist Publishing)
3
3 J. N. Audoire An Irish Melody (ending at b. 133). No. 3 from Solos for E b Instruments
Instruments (Salvationist Publishing)
Publishing)
4
4 Richard
Richard Bissill
Bissill The
The Drawing
Drawing Room
Room ¸ Hornscape for Horn in E bb, arr. Bissill (Brass Wind)
¸
4
5 Richard
Ennio Bissill
Morricone The Drawing
Gabriel’s Room
Oboe ¸ Hornscape for Horn in E b, arr. Bissill (Brass Wind)
˝
˝
˛
Ennio ˝
˛ Hornscape for Horn in E , arr. Bissill (Brass Wind)
5 Ennio Morricone
Morricone
5 Boccherini
6
Gabriel’s
Gabriel’s Oboe
Rondo–Allegro: Oboe
3rd movt
˛
from Concertino for E bb or F Horn, arr. Müller (Obrasso Verlag: E bb/F
6 Boccherini
Boccherini Rondo–Allegro:
6 edition) Rondo–Allegro: 3rd 3rd movt
movt from
from Concertino
Concertino for for EE b or
or FF Horn,
Horn, arr. arr. Müller (Obrasso Verlag:
Müller (Obrasso Verlag: EE b/F
/F
edition)
7 edition)
Mozart Rondo–Allegro vivace: 3rd movt from Horn Concerto No. 4 in E b, K. 495 (Bärenreiter BA 5313-90:
b
7 Mozart Rondo–Allegro
Rondo–Allegro vivace:
bb/F edition)
Mozart
7 E vivace: 3rd
3rd movt
movt from
from Horn
Horn Concerto
Concerto No. No. 4 4 in
in E E b,, K.
K. 495 (Bärenreiter BA
495 (Bärenreiter BA 5313-90:
5313-90:
E
E b/F
/F edition)
edition) bb/F edition)
8 Ravel Pavane pour une infante défunte, arr. Wilson (Winwood Music: E
8
8 Ravel
Philip
9 Philip
Pavane
Pavane pour
Ravel Sparke pour une infante
uneFinale:
Scherzo infante
No.
défunte,
défunte, arr. Wilson
fromarr.
10 from Wilson
Super
(Winwood Music:
Solos(Winwood
for F E bbMusic:
F or E E b/F
E
Horn (Anglo
(Anglo/F edition)
edition)
Music AMP
AMP 265-400: E E bb/F edition)
edition)
9 Philip Sparke
9 Sparke Scherzo
Scherzo Finale:
Finale: No.
No. 1010 from Super
Super Solos
Solos for or E b Horn
for F or Horn (Anglo Music 265-400: E b/F
Music AMP 265-400: /F edition)
LIST
LIST B
B
LIST B Bloom Give Me the Simple Life. O Solo Mio for E b Horn, arr. Bissill (Brass Wind)
1 Rube O bb Horn, arr. Bissill (Brass Wind)
B 1
1
2
Rube
Rube
Derek
Bloom
Bloom Give Me
Me the
GiveAllegro
Bourgeois
Simple
Simple Life.
the moderato Life. O Solo
Solo Mio
Mio1st
or Variations:
Variations:
for
fororE
E 2nd Horn,
movtarr.from
Bissill (Brassfor
Sonata Wind)
Tenor Horn,
Horn, Op. 304 304
2 Derek Bourgeois
Derek Wind)
2 (Brass or
Bourgeois Allegro moderato or Variations: 1st or 2nd movt
Allegro moderato 1st or 2nd movt fromfrom Sonata
Sonata for for Tenor
Tenor Horn, Op. Op. 304
(Brass Wind)
3 MartinWind)
(Brass
3 Martin Ellerby Elegy:
Ellerby Elegy: 2nd
2nd movt
movt fromfrom Tenor
Tenor Horn
Horn Concerto
Concerto (Studio Music)
(Studio Music)
3
4 Martin
Ronald Ellerby
HanmerElegy: 2ndbrillante:
Allegro movt from fromTenor
AriosoHorn
and Concerto
Caprice for E bb Horn
for(Studio Music)
(observing upper line in ossia) (G &M
4 Ronald
Ronald Hanmer
4 Brand) Hanmer Allegro
Allegro brillante: from Arioso
brillante: from Arioso and
and Caprice
Caprice for E E b Horn (observing upper
Horn (observing upper line
line in
in ossia) (G &
ossia) (G &MM
Brand)
Brand) and Kern Smoke Gets in Your Eyes. Let’s Face the Music for Horn in E b, arr. Iveson (Brass Wind)
5 Harbach b
5 Harbach and
6 Harbach
5 Hugh Nash
Kern
Kern Smoke
andDemelza
Nash Smoke Gets in
in Your
GetsMusic)
(Kirklees Eyes. Let’s
Your Eyes. Let’s Face
Face the
the Music
Music forfor Horn
Horn in E b,, arr.
in E arr. Iveson (Brass Wind)
Iveson (Brass Wind)
6 Hugh Demelza (Kirklees Music)
6
7 Hugh Nash
Prokofiev Demelza
Morning (Kirklees
Dance (from Music)
Romeo and Juliet). Hornscape for Horn in E b, arr. Bissill (Brass Wind)
b
7
7
8
Prokofiev
Prokofiev
Philip
Morning
Morning
Sparke
Dance
Dance
Capriccio for
(from
(from Romeo
Romeoorand
E bb Cornet and
E
Juliet). Hornscape
bb Juliet).
Horn (G Hornscape
&M
for
for )Horn
Brand Horn inin EE b,, arr.
arr. Bissill (Brass Wind)
Bissill (Brass Wind)
8
8 Philip
Philip Sparke
Sparke Capriccio
Capriccio for
fortoE b Cornet
E HisCornet or E b Horn
E
or(observing (G &
(G
Horn lower &noteM
M Brand
Brand ))
bb Instruments
9 Ray Steadman-Allen Glory Name in bb. 85–6 ). No. 6 from Solos for E
9 Ray
Ray Steadman-Allen
Steadman-Allen
9 (Salvationist Glory
Glory to
Publishing) to His
His Name (observing lower
Name (observing lower note
note in
in bb.
bb. 85–6 ). No.
85–6 ). No. 6 6 from
from Solos
Solos for E b Instruments
for E Instruments
(Salvationist Publishing)
(Salvationist Publishing)
LIST
LIST C
C
LIST C
C 1 Arban Moderato: No. 6 from 14 Studies for Cornet (Boosey & Hawkes). Also available in Arban Cornet Method
1 Arban
Arban Moderato:
1 (Boosey Moderato:
& Hawkes)
No.
No. 6 from 14
6 from 14 Studies
Studies for
for Cornet (Boosey &
Cornet (Boosey & Hawkes).
Hawkes). Also Also available
available in
in Arban
Arban Cornet
Cornet Method
Method
(Boosey & Hawkes)
2 (Boosey
J. S. & Hawkes)
Bach, arr. Piper Study No. 11 in F or No. 21 in B bb: from The Well-Tempered Player (Winwood Music)
2 J.
J. S.
S. Bach, arr.
arr. Piper
Piper Study
Bach,Cantabile.
2 Bergonzi Study No. 11 in FF or
or No. 21
21 in
in B b:: from The Well-Tempered
The(Fentone
Well-Tempered Player (Winwood Music)
Player (Winwood Music)
3
3 Bergonzi Cantabile. No. 49No.
No. 49 from1150
from 50inClassical
No.Studies
Classical Studies
Bfor
for
from
Trumpet
Trumpet (Fentone F 555-401)
F 555-401)
3
4 Bergonzi
Alwyn Cantabile.
Green Study No.
No. 49
20: from
P. 57 50
from Classical
Tenor Studies
Horn for Trumpet
Eurhythmics (Fentone
(Warwick F 555-401)
Music)
4 Alwyn Green Study No. 20: P.
P. 57 from Tenor
Tenor Horn
Horn Eurhythmics
Eurhythmics (Warwick Music)
4
5 Alwyn
Sigmund Green
HeringStudy
No.No.
3920:
or No.5740:
from
from 40 Progressive Etudes for TrumpetMusic)
(Warwick or
or Cornet (Carl Fischer)
5 Sigmund
5 Sigmund Hering No.
HeringKlezmer 39 or
No. 39 or
or
No.
No. 40:
40: from
from 40
40 Progressive
Progressive
Rhythms of Life
Etudes
Etudes for
for Trumpet
Trumpet
Moto: & brassor
Cornet (Carl Fischer)
Cornet (Carl Fischer)
6
6 Jock
Jock McKenzie
McKenzie Klezmer or Samba:
Samba: from
from Rhythms of Life (Con
(Con Moto: & brass edition)
edition)
6 Jock McKenzie Klezmer or Samba: from Rhythms of Life (Con Moto: & brass edition)
Philip Sparke
7 Philip Sparke Air or Leapfrog:
Air or Leapfrog: No.
No. 11 or No.
11 or No. 19
19 from Super Studies
from Super Studies for
for Trumpet,
Trumpet, Cornet,
Cornet, Flugel
Flugel Horn
Horn or Tenor
Tenor
7
7 Philip
Horn Air or
SparkeMusic
(Anglo AMPLeapfrog:
114-401)No. 11 or No. 19 from Super Studies for Trumpet, Cornet, Flugel Horn or or Tenor
Horn (Anglo Music
Horn (Anglo Music AMP
AMP 114-401)
114-401)
AURAL
AURAL TESTS FOR THE GRADE: see pp. 90 and 94
AURAL TESTS
TESTS FOR
FOR THE
THE GRADE:
GRADE: see
see pp.
pp. 90
90 and
and 94
94

30
40
40
40
bb Horn
Performance GradesE - Horn 2013–2022
E
E b Horn GRADE 8
Horn 8GRADE
EGRADE GRADE 8
8
PREREQUISITE
PREREQUISITEFOR
PREREQUISITE FOR ENTRY:
FOR ENTRY: ABRSM
ENTRY: ABRSM
ABRSMGrade Grade
Grade 5
5 (or
5 (or above)
above)
(or in
in Music
in Music
above) Theory,
Theory,
Music Practical
Practical
Theory, Musicianship
Musicianship
Practical or
or any
or a Practical
Musicianship any
PREREQUISITE
Grades
solo Jazz solo JazzFOR ENTRY:For
instrument. ABRSM Gradesee
alternatives, 5 (or above) in Music Theory, Practical Musicianship or any
www.abrsm.org/prerequisite.
solo Jazz subject.
subject. For
For alternatives,
alternatives, see
see www.abrsm.org/prerequisite.
www.abrsm.org/prerequisite.
solo Jazz subject. For alternatives, see www.abrsm.org/prerequisite.
THREE
FOURPIECES:
THREE PIECES: atone
PIECES: one chosen
least
chosen by
by the
one chosen thebycandidate from
the candidate
candidate from each
from of
ofofthe
each
each thethree
the three Lists, A,
A,BB
Lists,A,
three Lists, and
Band
andC,C:
and a fourth of the
C:
THREE PIECES:
candidate
LIST A ’s ownone chosen
choice; by the
for further candidate from
programming each of see
requirements, thepages
three4–6
Lists, A, B and C:
LIST A
Concerto for Horn in E b, arr. Newsome (complete) (Studio Music)
1 Bellini Concerto for Horn in E bb, arr. Newsome (complete) (Studio Music)
LIST
1 A
Bellini
2 Bellini
A 1 Haydn Concerto
Gypsy Rondo for Horn in E , arr. Newsome (complete) (Studio Music)
2 Haydn Gypsy Rondo ¸ ¸ It’s a Classic, arr. Green (Brass Wind )
˝
2
3 Haydn Gypsy Rondo ˛
Monti Czardas ¸ It’s a Classic, arr. Green (Brass Wind )
˝
˝ It’s a Classic, arr. Green (Brass Wind )
˛ on a Welsh Theme for E b Horn (G & M Brand)
3 Monti Czardas ˛
Peter Kneale Variations on a Welsh Theme for E bb Horn (G & M Brand)
3
4 MontiKneale
Peter CzardasVariations
Solos for E b Instruments (Salvationist
4
Erik Leidzen The Old Rustic Bridge (observing cadenza). No. 1 from Solos for E bb Instruments (Salvationist
4
5 Peter Kneale Variations
Erik Leidzen on a Welsh
The Old Rustic BridgeTheme for cadenza).
(observing E Horn (GNo. &1Mfrom
Brand)
5
5 Erik Leidzen The Old Rustic Bridge (observing cadenza). No. 1 from Solos for E Instruments (Salvationist
Publishing)
Publishing)
6 Publishing)
Mendelssohn Andante: 2nd movt from Violin Concerto, arr. Hopkinson (Kirklees Music: movt published
6 Mendelssohn Andante: 2nd movt from Violin Concerto, arr. Hopkinson (Kirklees Music: movt published
6 Mendelssohn Andante: 2nd movt from Violin Concerto, arr. Hopkinson (Kirklees Music: movt published
individually)
Allegro or Allegro: 1st or 3rd movt from Horn Quintet in E b, K. 407, trans. Bissill for Horn and
individually)
Mozart Allegro or Allegro: 1st or 3rd movt from Horn Quintet in E bb, K. 407, trans. Bissill for Horn and
7 individually)
Mozart
7
7 Mozart Allegro
Piano (Brass or)Allegro: 1st or 3rd movt from Horn Quintet in E , K. 407, trans. Bissill for Horn and
Wind
Wind ) Hornpipe for E bb Horn (observing cadenza) (Studio Music)
Piano (Brass Wind )
8 Piano
arr. (Brass Handel’s
Reader
arr. Reader Handel’s Hornpipe for E b Horn (observing cadenza) (Studio Music)
Music) (Obrasso Verlag: E bb/F edition)
8
8
9 arr. ReaderIntroduction,
F. Strauss Handel’s Hornpipe
Theme and for EVariations (omittingcadenza)
Horn (observing bb. 1–33(Studio
and 106–152)
(Obrasso Verlag: E b/F edition)
2 in E b (Boosey
9 F. Strauss Introduction, Theme and Variations (omitting bb. 1–33 and 106–152)
R. Strauss Rondo–Allegro molto: 3rd movt from Horn Concerto No. 2 in E bb (Boosey & Hawkes)
9
10 F. Strauss
R. Strauss Introduction,
Rondo–Allegro Theme
molto:and
3rdVariations
movt from (omitting bb. 1–33 and
Horn Concerto No. 106–152) (Obrasso Verlag: E /F edition)
& Hawkes)
10
10 R. Strauss Rondo–Allegro molto: 3rd movt from Horn Concerto No. 2 in E (Boosey & Hawkes)
LIST B
LIST B
LIST
1 B Ball September Fantasy (Wright & Round )
Eric
B 1 Eric Ball September Fantasy (Wright & Round)
2 Eric Ball
1 Derek September
Bourgeois Fantasy
Allegro (Wright
giocoso & Round
(observing ) line in ossia): 3rd movt from Sonata for Tenor Horn,
upper
2 Derek Bourgeois Allegro giocoso (observing upper line in ossia): 3rd movt from Sonata for Tenor Horn,
Derek
2 Op. 304Bourgeois Allegro
(Brass Wind ) giocoso (observing upper line in ossia): 3rd movt from Sonata for Tenor Horn,
Op. 304 (Brass Wind )
3 Op.
Robert (Brass Wind
304Collinson )
Fantasy for Tenor Horn (horn tacet in bb. 88–94 ) (Kirklees Music)
for E bbfor
3 Robert Collinson Fantasy for Tenor Horn (horn tacet in bb. 88–94 ) (Kirklees Music)
4 Robert
3 Alan Collinson
Fernie Fantasy
Caprice Tenor
Horn Horn (horn
(observing tacet (Obrasso
cadenza) in bb. 88–94 ) (Kirklees Music)
Verlag)
4 Alan Fernie Caprice for E b Horn (observing cadenza) (Obrasso Verlag) bb (1943) (Schott ED 4635)
5 Alan
4 Fernie Lebhaft:
Hindemith Caprice 2nd
for EmovtHorn Sonata cadenza)
(observing
from in EVerlag)
(Obrasso
for Alto Horn
5 Hindemith Lebhaft: 2nd movt from Sonata for Alto Horn in E b (1943) (Schott ED 4635)
6 HindemithThe
5 Newsome Lebhaft: 2nd(Studio
Carousel movt from Sonata for Alto Horn in E (1943) (Schott ED 4635)
Music)
6 Newsome The Carousel (Studio Music)
7 Newsome
6 Satie The
Jack in theCarousel (Studio
Box. Classic SH,Music)
arr. Green (Brass Wind)
Wind) Music: E b/F edition)
7 Satie Jack in the Box. Classic SH, arr. Green (Brass Wind)
8 Otto M. Schwarz Cape Horn (cutting bb. 80–100) (Mitropa Music: E bb/F edition)
8 Satie M.
7 Otto Jack Cape Classic
in the Box.
Schwarz SH, arr.bb.
Horn (cutting Green (Brass(Mitropa
80–100)
9 Otto M.
8 Bram Schwarz
Wiggins Cape Horn
Rhapsody (cutting
for Tenor bb. 80–100)
Horn Music) Music: E /F edition)
(Kirklees(Mitropa
E b/BMusic)
b edition)
9 Bram Wiggins Rhapsody for Tenor Horn (Kirklees Music)
10 Philip Wilby Concert Gallop (Winwood Music: E bb/B bb edition)
10 Bram Wiggins
9 Philip Rhapsody
Wilby Concert for Tenor
Gallop Horn
(Winwood (Kirklees
Music:
10 Philip Wilby Concert Gallop (Winwood Music: E /B edition)
LIST C
LIST C
C LIST
1 C
Arban Allegro moderato or Allegro: No. 1 or No. 9 from 14 Studies for Cornet (Boosey & Hawkes). Also
1 Arban Allegro moderato or Allegro: No. 1 or No. 9 from 14 Studies for Cornet (Boosey & Hawkes). Also
1 Arban
availableAllegro
in Arbanmoderato or Allegro:
Cornet Method or No. 9 from 14 Studies for Cornet (Boosey & Hawkes). Also
No.&1Hawkes)
(Boosey
available in Arban Cornet Method (Boosey & Hawkes)
available
2 J. in arr.
S. Bach, Arban Cornet
Piper Method
Study No. (Boosey
5 in D or&No.
Hawkes)
15 in G: from The Well-Tempered Player (Winwood Music)
2 J. S. Bach, arr. Piper Study No. 5 in D or No. 15 in G: from The Well-Tempered Player (Winwood Music)
J. S. Bach,Allegro.
2 Bergonzi
3 arr. PiperNo.
Study No. 5 in D or No. 15 in G: from The Well-Tempered Player (Winwood Music)
50 from
3 Bergonzi Allegro. No. 50 from ¸ ¸ 50 Classical Studies for Trumpet (Fentone F 555-401)
˝
Bergonzi Allegro.
3 Kreutzer
4 Allegro. No. 4450 from ˛¸ 50 Classical Studies for Trumpet (Fentone F 555-401)
˝
4 Kreutzer Allegro. No. 44 from ˛ ˝ 50 Classical Studies for Trumpet (Fentone F 555-401)
5 Kreutzer
4 No. 44vivace:
Allegro. Allegro
Derek Bourgeois from ˛No. 6 from Fantasy Pieces for Trumpet (Brass Wind )
5 Derek Bourgeois Allegro vivace: No. 6 from Fantasy Pieces for Trumpet (Brass Wind )
6 Derek Green
5 Alwyn Bourgeois Allegro
Study vivace:
No. 12: P. 36 No.
from6 Tenor Fantasy
from Horn Pieces for Trumpet
Eurhythmics (Warwick(Brass Wind )
Music)
6 Alwyn Green Study No. 12: P. 36 from Tenor Horn Eurhythmics (Warwick Music)
7 AlwynMcKenzie
6 Jock Green Study No.
Krivo 12: P.
Horo or 36 from
Rock: Tenor
from Horn Eurhythmics
Rhythms Moto: & brass
of Life (Con (Warwick Music)
edition)
7 Jock McKenzie Krivo Horo or Rock: from Rhythms of Life (Con Moto: && brass edition)
8 Jock McKenzie
7 Philip Sparke SwissKrivo Horo or Rock:
Mountain Air or from
Threes,Rhythms of Life
Fives and (Con Moto:
Sevens: No. 21 brass
or No.edition)
26 from Super Studies for
8 Philip Sparke Swiss Mountain Air or Threes, Fives and Sevens: No. 21 or No. 26 from Super Studies for
Philip Sparke
8 Trumpet, Cornet,Swiss Mountain
Flugel Air orHorn
Horn or Tenor Threes, Fives
(Anglo and AMP
Music Sevens: No. 21 or No. 26 from Super Studies for
114-401)
Trumpet, Cornet, Flugel Horn or Tenor Horn (Anglo Music AMP 114-401)
Trumpet, Cornet, Flugel Horn or Tenor Horn (Anglo Music AMP 114-401)
AURAL
AURAL TESTS
TESTS FOR
FOR THE
THE GRADE:
GRADE: see
see pp.
pp. 90
90 and
and 95
95
AURAL TESTS FOR THE GRADE: see pp. 90 and 95

31
42
42
42
The repertoire lists indicate the clefs in which the pieces are published (?
? and/or && ). If necessary,
The
The repertoire
repertoire
candidates may
lists indicate
indicate the
listsmanuscript
use the clefs
clefs in
in which
which
transpositions into
the
the pieces
pieces
treble or
are published ((? and/or
published
are clef.
bass and/or & ).
). If
If necessary,
necessary,
candidates may use manuscript transpositions into treble or bass
candidates may use manuscript transpositions into treble or bass clef. clef.
Examiners
Examiners will ask candidates whether they are bass- or treble-clef readers.
Examiners will
will ask
Trombone ask candidates
candidates whether
whether they
they are
are bass-
bass- or
or treble-clef readers.
Performance
treble-clef readers. Grades 2017–2022
Performance Grades Trombone 2017–2022
Trombone
Trombone GRADE 1
GRADE 1 GRADE
Trombone GRADE 1
1
THREE
FOURPIECES:
THREE PIECES: atone chosen
least by the
one chosen bycandidate from
the candidate each
from ofofthe
each thethree Lists,A,
three Lists, A,BB and
and C,C:
and a fourth of the
THREE PIECES:
PIECES: one
one chosen
chosen byby the
the candidate
candidate from
from each
each of
of the
the three
three Lists,
Lists, A,
candidate’s own choice; for further programming requirements, see pages 4–6 A, B
B and
and C:
C:
LIST
LIST A
A
LIST
1 A
Anon. Agincourt Song. Time Pieces
Song. Time Pieces for
for Trombone,
Trombone, Vol.
Vol. 1,
1, arr.
arr. Harris
Harris and
and Miller (ABRSM: ?
Miller (ABRSM: ?// && edition)
1 Anon. Agincourt ?/ & edition)?
SP1213: ? trombone/
A 1 Anon. Agincourt Song. TimeHill.
PiecesCornish
for Trombone, Vol. 1,Tanner
arr. Harris and Miller (ABRSM: edition)
2 Anon. Going Up Camborne Hill. Cornish Pastiche, arr. Tanner (Spartan Press SP1215 or SP1213:
2 Anon. Going Up Camborne Pastiche, arr. (Spartan Press SP1215 or
b Camborne Hill. Cornish Pastiche, arr. Tanner (Spartan Press SP1215 or SP1213: ? trombone/
trombone/
B b & brass
2 Anon. Going Up
tuba &
tuba edition or B
edition or brass edition)
tuba edition or B b & brass edition)
edition)
3
3 Arbeau
Arbeau Bouffons.
Bouffons. No.
No. 66 from
from ¸ Tons
Tons of
of Tunes
Tunes from
from the
the Classics
Classics for
for Bassoon/Trombone/Euphonium,
Bassoon/Trombone/Euphonium,
No. 6 from ¸˝¸ Tons ?/ & edition; piano
Music: ?
3 Arbeau Bouffons. of Tunes from the Classics for Bassoon/Trombone/Euphonium,
4
4 Mozart Rondo
Mozart Rondo alla
alla Turca
Turca ˝ arr. Adam and Hannickel (Curnow Music:
arr.
arr. Adam
Adam and
and Hannickel
Hannickel (Curnow
(Curnow
Music: ?/ & edition; piano
/ & edition; piano
4 Mozart
(observingRondo alla
repeat). Turca No. 8 from ˝
˛˛ accomp. published separately)
(observing repeat). No. 8 from ˛ accomp. published separately) ?
?/ & brass b
B b piano
(observing repeat). No.¸ 8Shining
from Brass,
accomp.
Bookpublished
1 (ABRSM: separately)
5 Tom
Tom Davoren
Davoren Romanza ¸ Shining Brass, Book 1 (ABRSM: ?/ & brass edition;
edition; B piano accomp.
accomp. published
Brass, Book 1 (ABRSM: / & brass edition; B b piano accomp. published
5 Romanza published
5 Tom Davoren A Romanza Tale ˝ ¸ Shining
˝
˝ separately)
Philip ˛
6
6 Philip Sparke
Sparke A Knight’s
Knight’s Tale ˛ separately)
6 Philip Sparke A Knight’s Tale ˛ separately)
Hansel and
and Gretel)
Gretel) ¸ Winner
Winner Scores
Scores All,
All, arr.
arr. Lawrance
7
7 Humperdinck Evening
Humperdinck Evening Prayer
Prayer (from
(from Hansel
? (Brass Wind:
Lawrance (Brass Wind:
Evening Prayer (from Hansel and Gretel) ¸˝¸ Winner ? trombone b
B bb piano
7 Humperdinck Scores All, arr. Lawrance
& (Brass Wind:
(observing repeats)
(observing repeats) ˝ ? trombone edition or && brass
edition or brass edition;
edition; B piano
8 (observing
Susato La repeats)
Morisque ˛˝˛ accomp.
trombone editionseparately)
published or brass edition; B piano
8
8
9
Susato La Morisque
Susato
Trad. La Morisque
Russian Song of the Volga Boatmen. The Magic ˛ accomp.
accomp.
Trombone,
published separately)
published
arr. Hare separately)
(Boosey & Hawkes: ?
? / & edition)
9 Trad. Russian Song of the Volga Boatmen. The Magic Trombone, arr. Hare (Boosey & Hawkes: ?/ && edition)
9 Trad. Russian Song of the Volga Boatmen. The Magic Trombone, arr. Hare (Boosey & Hawkes: / edition)
LIST
LIST B
B
LIST B trills)
B 1 Gordon
1 Gordon Carr
Carr Henry
Henry thethe Hippo
Hippo (omitting
(omitting
? trills) or
or Bernie
Bernie the
the Bison:
Bison: No. 5 or
No. 5 or No.
No. 13 from All
13 from All God’s
God’s Creatures
Creatures
1 Gordon Carr Henry (Emerson
for Trombone/Baritone
Trombone/Baritone the HippoE529: ?// && edition)
(omitting trills) or Bernie the Bison: No. 5 or No. 13 from All God’s Creatures
for (Emerson E529: ? &
edition) ? b
for Trombone/Baritone
2 Tom
2 Tom Davoren
Davoren Waltz
(Emerson
Waltz for
for E.
E. ¸
E529: Brass,
Shining Book 1 (ABRSM: ?/ & brass
/ edition)
¸ Shining Brass, Book 1 (ABRSM: ?/ & brass edition;
edition; BB b piano
piano accomp.
accomp. published
Brass, Book 1 (ABRSM: / & brass edition; B b piano accomp. published
published
2 Tom Davoren Waltz for E. ˝ ¸ Shining
˝
˝ separately)
˛
3 David
3 David A.A. Stowell
Stowell Strollin’
Strollin’ ˛ separately)
3 David A. Stowell
Peter Graham
4 Peter Graham Moscow Strollin’
Moscow or ˛ separately)
or Paris:
Paris: No.
No. 1 or No.
1 or No. 2 2 from Cityscapes for
from Cityscapes for B b
B b Instrument
Instrument (Gramercy Music: ?
(Gramercy Music: ?// && edition)
edition)
for B b Instrument (Gramercy Music: ?/ & edition)
4
4
5 Peter
Andrew Graham
Lloyd Webber or Paris: Dreams
Moscow Joseph’s No. 1 or (from
No. 2 from
Joseph Cityscapes
and the
5 Andrew Lloyd Webber Joseph’s Dreams (from Joseph and the ¸¸ Winner Scores All, arr. Lawrance (Brass Wind:
5 Andrew Lloyd Webber Joseph’s Dreams (from Joseph and the Ó¸ Winner ? Scores All, arr. Lawrance (Brass Wind:
Amazing
Amazing Technicolor
Technicolor Dreamcoat) ? trombone b
Ó Winner B b piano
Dreamcoat) Scoresedition
All, arr. Lawrance
& (Brass Wind:
? trombone edition oror && brass
brass edition;
edition; B
or brass edition; B b piano
Amazing Technicolor Dreamcoat) piano
6 Hans
6 Hans Zimmer
Zimmer andand Trevor
Trevor Morris
Morris I’ve
I’ve Got
Got My My Eye
Eye On You ÏÓÏ accomp.
On You trombone editionseparately)
published
6 Hans Zimmer and Trevor Morris I’ve Got My Eye On You Ï
˛ accomp. published separately)
(from Pirates
(from Pirates of
of the
the Caribbean)
Caribbean) ˛ accomp. published separately)
˛
(from Pirates of the Caribbean)
7 Philip
7 Philip?
Sparke
Sparke Nice
Nice to
to See
See You Again. No.
You Again. No. 1 1 from
from Skilful
Skilful Solos
Solos for
for Trombone,
Trombone, arr.
arr. Sparke (Anglo Music
Sparke (Anglo Music AMP
AMP 193-193-
Philip
7 400: ?/Sparke Nice to See You Again. No. 1 from Skilful Solos for Trombone, arr. Sparke (Anglo Music AMP 193-
& edition)
400: ?/ && edition)
8 400:
Edward edition) Trolls: No. 1 from Nordic Sketchbook for Trombone (Warwick Music: ?
/ Watson ? edition)
?/?
8 Edward Watson Trolls: No. 1 from Nordic Sketchbook for Trombone (Warwick Music: edition)
8 Edward Watson Trolls: It No. 1 from Nordic Easy
Sketchbook for Trombone (Warwick Music: & edition)
9 Pam
9 Pam Wedgwood
Wedgwood Wrap Wrap It Up: from Really
Up: from Really Easy Jazzin’
Jazzin’ About
About for
for Trombone (Faber: ?
Trombone (Faber: ? / && edition)
edition)
9 Pam Wedgwood Wrap It Up: from Really Easy Jazzin’ About for Trombone (Faber: / edition)
LIST
LIST C
C
LIST C Bourgeois Andante: No. 1 from Splinters of Bone, Op. 130 (Brass Wind: ?
C 1 Derek Bourgeois Andante: No. 1 from Splinters of Bone, Op. 130 (Brass Wind: ?
1 Derek or & editions)
? or && editions)
2 DerekHerbie
1 Allan Bourgeois
JonesAndante:
Round: No.
No. 14 from Splinters
4 from 10 Easy of Bone,for
Easy Studies
Studies Op. 130 (Brass
Trombone Wind:
(Forton MusicorFM430
FM430 FM431: ?
editions)
or FM431: ? or
Herbie Jones Round: No. 4 from 10 Easy Studies for Trombone (Forton Music FM430 or FM431: ? or
2 Allan Herbie Jones Round: No. from 10 for Trombone (Forton Music or or
2 Allan
& editions)
& editions)
& editions) ?
Moto: ? or
&
3 Jock
3 Jock McKenzie
McKenzie Pop:
Pop: No.
No. 1 from Dance
1 from Dance toto the
the Beat
Beat of
of the
the World (Con Moto:
World (Con or & brass
brass editions)
to the Beat of the World (Con Moto: ? or & brass editions)
editions)
3 Jock McKenzie Pop: No. 1 from Dance
4 Peter
Peter Meechan ¸ Shining Brass, Book 1 (ABRSM: ?
4 Meechan One,
One, Two,
Two, Three!
Three! ¸
Peter Meechan
4 Philip One, Two, Three! ˛ ˝
¸ Shining Brass, Book 1 (ABRSM: ?/ &
˝
? / & brass edition)
brass edition)
5 Sparke Puppet’s Dance
5 Philip Sparke Puppet’s Dance ˝ Shining Brass, Book 1 (ABRSM: / & brass edition)
˛
˛ 7 from Skilful Studies for Trombone (Anglo Music AMP 100-401: ?
6 Philip
Philip Sparke 7 from Skilful Studies for Trombone (Anglo Music AMP 100-401: ?// &
5 Sparke Puppet’s
MarchingDance
Home: No.No. &
Philip Sparke Marching Home: No. 7 from Skilful Studies for Trombone (Anglo Music AMP 100-401: ?/ &
6 Philip Sparke Marching Home:
6 edition)
edition)
edition) Taylor A Short March for Short Arms or The Long and the Short of It: No. 1 or No. 2 from Simple
7 Adrian
7 Adrian Taylor A Short March for Short Arms ? or The Long and the Short of It: No. 1 or No. 2 from Simple
(Warwick Music: ? or
Adrian on
7 Studies Taylor A Short Arms or The
March for ShortMusic: & Long and the Short of It: No. 1 or No. 2 from Simple
Studies on Trombone
Trombone Technique
Technique (Warwick or & editions)
Studies on Trombone Technique (Warwick Music: ? or & editions)
editions)

AURAL
AURAL TESTS FOR THE GRADE: see pp. 90 and 91
AURAL TESTS
TESTS FOR
FOR THE
THE GRADE:
GRADE: see
see pp.
pp. 90
90 and
and 91
91

44
44
44

32
Performance Grades Trombone 2017–2022
Trombone
Trombone GRADE
GRADE 2
2
Trombone
GRADE 2 GRADE 2
THREE
THREE PIECES: one chosen by
by the candidate from each of
ofofthe three Lists, A,
A,BB and C:
FOURPIECES:
PIECES: atone chosen
least the
one chosen bycandidate from
the candidate each
from each the
thethree Lists,A,
three Lists, Band
andC,C:
and a fourth of the
THREE PIECES: one chosen by the candidate from each of the three Lists, A, B and C:
candidate ’s own choice; for further programming requirements, see pages 4–6
LIST
LIST A
A ?
LIST
1
1 A
Anon.
Anon. The
The Pool
Pool of Pilate. Cornish
of Pilate. Cornish Pastiche,
Pastiche, arr.
arr. Tanner (Spartan Press
Tanner (Spartan Press SP1215
SP1215 or SP1213: ? trombone/tuba
or SP1213: trombone/tuba
A 1 Anon. The
edition or B bPool Pilate. Cornish Pastiche, arr. Tanner (Spartan Press SP1215 or SP1213: ? trombone/tuba
edition or B b & brass edition)
& brass
of edition)
b & brass edition)
2 edition
2 J.
J. S. or BMinuet.
S. Bach
Bach Minuet. No.
No. 13
13 from
from ¸ Tons
Tons of of Tunes
Tunes from
from the
the Classics
Classics for
for Bassoon/Trombone/Euphonium,
Bassoon/Trombone/Euphonium, arr. arr. Adam
Adam
Music:for?
¸
˝
2
3 J. S.
Bizet Bach Minuet.
Farandole. No. 13
No. 25
25 from
from ˛
˝
¸ Tons
and of Tunes from
Hannickel the Classics
(Curnow ?Bassoon/Trombone/Euphonium,
/& edition; piano accomp. published
arr.separately)
Adam
3 Bizet Farandole. ˝ and Hannickel (Curnow Music: ? /& edition; piano accomp. published separately)
˛
?
4
4 Bizet
3 T.
T. Farandole.
Morley
Morley Now
Now is theNo.
is the 25 from
month
month of ˛ and Hannickel
of maying
maying ¸ (Curnow
Time Pieces Music: Vol.
for Trombone, /& edition; piano accomp.
1, arr. Harris published
and Miller (ABRSM:
¸ Time Pieces for Trombone, Vol. 1, arr. Harris and Miller (ABRSM: ? /&
? /&
separately)
˝
˝
4
5 T. Morley
Purcell Now
Fairest is
Islethe month
(from Kingof
5 Purcell Fairest Isle (from King Arthur) ˛ maying
Arthur) ˛
¸ Time Pieces
edition) for Trombone, Vol. 1, arr. Harris and Miller (ABRSM: /&
˝ edition)
6
6 Purcell Fairest
5 Mozart
Mozart Andante
Andante Isle (from King
grazioso
grazioso (from
(from Arthur)
Piano
Piano
˛ edition)
Sonata
Sonata No.
No. 12
12 in
in A).
A). The
The Magic
Magic Trombone,
Trombone, arr.
arr. Hare
Hare (Boosey
(Boosey &
& Hawkes:
Hawkes:
6 ?
? /&& edition)
Mozart Andante grazioso (from Piano Sonata No. 12 in A). The Magic Trombone, arr. Hare (Boosey & Hawkes:
edition)
?/ ? /& brass edition; B b piano accomp.
7 /& edition)
7 David
David A.
A. Stowell
Stowell A A Walk
Walk in in the Rain. Shining
the Rain. Shining Brass,
Brass, Book
Book 1 (ABRSM: ?
1 (ABRSM: ?/
& brass edition; B b piano accomp.
David
7 publishedA. Stowell
separately)
published separately) A Walk in the Rain. Shining Brass, Book 1 (ABRSM: /& brass edition; B b piano accomp.
published separately)
8 Tchaikovsky
8 Dance
Dance of of the Mirlitons ¸¸ Winner Scores All, arr. Lawrance (Brass Wind: ?
the Mirlitons
Scores All, arr. Lawrance (Brass Wind: ?
Tchaikovsky trombone edition
Dance of the Mirlitons ˝¸˝ Winner ? trombone edition or
or
B barr.
8 Tchaikovsky
(from The
(from The Nutcracker)
˛˝˛ & brass edition; B bb piano accomp. published separately)
Nutcracker) & brass Scores
Winner edition;All, Lawrance
piano accomp.(Brass Wind:
published trombone edition or
separately)
9 (from
Trad. The
Welsh Nutcracker)
Men of
9 Trad. Welsh Men of Harlech Harlech & brass edition; B piano accomp. published separately)
Trad. ˛
9
LIST
LIST BB Welsh Men of Harlech
? /&
(ABRSM: ?
LIST B Spiritual Go Down Moses Time
B 1 Anon.
1 Anon. Spiritual Go Down Moses ¸
¸
˝ Time Pieces
Pieces for
for Trombone,
Trombone, Vol.
Vol. 1,
1, arr.
arr. Harris
Harris and
and Miller
Miller (ABRSM: ?/
&
1
2 Anon.
Bartók Spiritual
Play (fromGo Down
For Moses
Children, Vol. 1) ˝
˛
¸ Time Pieces
edition) for Trombone, Vol. 1, arr. Harris and Miller (ABRSM: /&
2 Bartók Play (from For Children, Vol. 1) ˝ edition)
˛
?
3 Bartók
2
3 Tom Play (from
Tom Davoren
Davoren For Children,
Hangin’
Hangin’ with Vol. ¸
with Monti
Monti 1)Shining Brass, Book 1 (ABRSM: ? /& brass edition; B b piano accomp.
¸ Shining Brass, Book 1 (ABRSM: ? /& brass edition; B b piano accomp.
˛ edition)
Book 1 (ABRSM: /& brass edition; B b piano accomp.
˝
˝
4
4 Tom Davoren
3 Philip
Philip Sparke Hangin’ with
Sparke Tennessee
Tennessee RagMonti ˛
Rag ˛ Shining
¸
˝
Brass,
published
published separately)
separately)
5
5 Philip Gilkyson
4 Terry
Terry Sparke Tennessee
Gilkyson Bare Rag
The Bare
The Necessities published
Necessities˛(from
(from The separately)
The Jungle
Jungle Book) ¸ Winner
Book) Winner Scores
Scores All,
All, arr.
arr. Lawrance
Lawrance (Brass Wind:
(Brass Wind:
¸ ? bb piano
6 Terry
5
6 Andrew
Andrew Gilkyson
Lloyd The Bare
Lloyd Webber
Webber Necessities
Love
Love Changes(from
Changes Everything
Everything ? trombone
The Jungle Book) ˝¸˝ Winner Scoresedition
trombone All, arr.
edition or & brass edition;
or Lawrance
& brass edition; BWind:
(BrassB piano
AndrewAspects
Lloydof ?
˛˝˛ accomp.
trombone or & brass edition; B b piano
editionseparately)
6 (from
(from Aspects ofWebber
Love) Love Changes Everything
Love) accomp. published
published
? separately)
7 (from
Peter Aspects
Graham of Love)
Kyoto: No. 4 from Cityscapes for B bb Instrument (Gramercy
˛ accomp.Music: ?
published / &
separately)
edition)
7 Peter Graham Kyoto: No. 4 from Cityscapes for B Instrument (Gramercy Music: ? /& edition)?
8 Peter Graham
7 Edward WatsonKyoto:
Watson A No.
A Little 4 from
Carol: Cityscapes
No. 5
5 from for B b Instrument
from Nordic
Nordic Sketchbook (Gramercy
Sketchbook for
for Trombone
Trombone Music:
(Warwick edition)? edition)
/& Music:
Music:
8 Edward Little Carol: No. (Warwick ? edition)
8
9 Pam Wedgwood Easy Tiger or The Joker (observing repeats): from Really Easy Jazzin’Music:
Edward
Pam
9 ? Watson
Wedgwood A Little
Easy Carol:
Tiger or No.
The 5 from
Joker Nordic
(observing Sketchbook
repeats): for
from Trombone
Really (Warwick
Easy Jazzin’ About foredition)
About for Trombone
Trombone (Faber:
(Faber:
9 ?
Pam
/
/
& edition)
Wedgwood Easy Tiger or The Joker (observing repeats): from Really Easy Jazzin’ About for Trombone (Faber:
& edition)
? /& edition)
LIST
LIST C
C ? or & editions)
C LIST
1
1 C Bourgeois
Derek
Derek Bourgeois Moderato:
Moderato: No. No. 8 from Splinters
8 from Splinters of
of Bone,
Bone, Op.
Op. 130
130 (Brass Wind: ?
(Brass Wind: ? or
& editions)
?
1
2 Derek
Dave Bourgeois
Gale Swinging Moderato:
Janos or No.
The 8 from Splinters
Ending’s Well: of
P. Bone,
2 from Op. 130
JazzFX (Brass
for Wind:
Trombone
2 Dave Gale Swinging Janos or The Ending’s Well: P. 2 from JazzFX for Trombone (Brass or & Wind:
(Brass Wind: ? or
editions) & editions)
& editions)
2
3 Dave
Allan Gale
HerbieSwinging
Jones Janos
March: or The
No. 7 Ending’s
from 10 Well:
Easy P. 2
Studiesfrom
for JazzFX
Trombone for Trombone
(Forton (Brass
Music FM430Wind:
or ? or
FM431: ?
? or
or & editions)
&
3 Allan Herbie Jones March: No. 7 from 10 Easy Studies for Trombone (Forton Music FM430 or FM431: &
Allan Herbie
3 editions) Jones March: No. 7 from 10 Easy Studies for Trombone (Forton Music FM430 or FM431: ? or
or &
editions) ?
4 editions)
Jock
4 Jock McKenzie Calypso
McKenzie Calypso or or Merengue:
Merengue: No.No. 11 or No.
11 or No. 15
15 from Dance to
from Dance to the
the Beat
Beat of
of the
the World
World (Con Moto: ? or
(Con Moto: or &&
Jock
4 brass McKenzie
editions) Calypso or Merengue: No. 11 or No. 15 from Dance to the Beat of the World (Con Moto: ? or &
brass editions)
brass
Philipeditions)
5 Philip
5 Sparke
Sparke ? Simple Scherzo or
Simple Scherzo or The
The Big
Big Apple:
Apple: No.
No. 99 or
or No.
No. 11 from Skilful
11 from Skilful Studies
Studies for
for Trombone (Anglo Music
Trombone (Anglo Music
5 Philip Sparke ?
AMP 100-401:
AMP 100-401: /
/
& edition)
Simple Scherzo or The Big Apple: No. 9 or No. 11 from Skilful Studies for Trombone (Anglo Music
& edition)
6 AMP
David100-401:
A. Stowell? & edition)
Stowell/ High
High Shining Brass,
Street. Shining Brass, Book
Book 11 (ABRSM: ?
(ABRSM: ?// & brass
& brass edition)
edition)
6 David A. Street. ?/ &No.
7
7 David A.
6 Adrian
Adrian Stowell
Taylor
Taylor High Street.
Slurring
Slurring the Shining
the Natural
Natural WayBrass,
Way or
or The
TheBook 1 (ABRSM:
Glissando
Glissando Maker:
Maker: brass
No. 5 edition)
5 or
or No.
No. 7 from Simple
7 from Simple Studies
Studies on
on
?
Music: ?
Adrian
7 Trombone Taylor Slurring
Technique the Natural
(Warwick Music: Way
or & editions)
or The Glissando Maker: No. 5 or No. 7 from Simple Studies on
Trombone Technique (Warwick or & editions)
Trombone Technique (Warwick Music: ? or & editions)
AURAL
AURAL TESTS
TESTS FOR
FOR THE
THE GRADE:
GRADE: see
see pp.
pp. 90
90 and
and 91
91
AURAL TESTS FOR THE GRADE: see pp. 90 and 91

46 33
46
46
Performance Grades Trombone 2017–2022
Trombone
Trombone GRADE
GRADE 3
3
Trombone
GRADE 3 GRADE 3
THREE PIECES: one chosen by the candidate from each of the three Lists, A, B and C:
THREE
FOURPIECES:
PIECES: atone
least one chosen
chosen bycandidate
by the the candidate
fromfrom each
each ofofthe
thethree Lists,A,
three Lists, A,BBand
andC,C:
and a fourth of the
THREE PIECES: one chosen by the candidate from each of the three Lists, A, B and C:
candidate
LIST A ’s own choice; for further programming requirements, see pages 4–6
LIST A
LIST
1 A
Anon. Cold Blows the Wind Today Sweetheart or I Love My Love. Cornish Pastiche, arr. Tanner (Spartan Press
1 Anon. Cold Blows the ? trombone/tuba
Wind Today Sweetheartbor I Love My Love. Cornish Pastiche, arr. Tanner (Spartan Press
SP1215 or SP1213: ? trombone/tuba edition or B bb && brass edition)
A Anon. Cold
1 SP1215 Blows the
or SP1213: Wind Today edition or B or
Sweetheart & brass
I Love My Love. Cornish Pastiche, arr. Tanner (Spartan Press
edition)
2 SP1215 or SP1213: ?
Für Elise.trombone/tuba
No. 32 from edition B brass edition)
Beethoven ¸ Tons or
of Tunes from the Classics for Bassoon/Trombone/Euphonium, arr. Adam and
Classics?for
2 Beethoven Für Elise. No. 32 from ˝ ¸ Tons of Tunes from the Classics for Bassoon/Trombone/Euphonium, arr. Adam and
˝ Hannickel (Curnow Music: ?
Beethoven
2 Mouret
3 Für Elise. No. 27
Rondeau. 32 from ˛¸ Tons
˝ of Tunes
Hannickel from theMusic:
(Curnow /&& Bassoon/Trombone/Euphonium, arr. Adam and
edition; piano accomp. published separately)
Music: ?? B b piano
3 Mouret Rondeau. No. 27 from ˛ /& edition; piano accomp. published separately)
4 Mouret
3 Tom Rondeau.
Davoren No. 27 fromShining
Rondo Olympia. ˛ Hannickel (Curnow
Brass, Book 1 (ABRSM: ?
4 Tom Davoren Rondo Olympia. Shining Brass, Book 1 (ABRSM: ? /&& brass edition; B bb piano accomp. published
//&edition; piano accomp.
brass edition; published
accomp.separately)
published
Tom Davoren Rondo Olympia. Shining Brass, Book 1 (ABRSM: / brass edition; B piano accomp. published
4 separately)
Rondino. Slide Show for Trombone, arr. Mowat (Brass Wind: ? or && editions)
separately)
5 Haydn Rondino. Slide Show for Trombone, arr. Mowat (Brass Wind: ?
separately)
5 Haydn
Mowat (Brass Wind: ? or & editions)
or editions)
6 Haydn
5 HumphriesRondino. Slide (from
Sarabande Show for
SixTrombone,
Solos for aarr.
Violin ¸ Time Pieces for Trombone, Vol. 1, arr. Harris and Miller
6 Humphries Sarabande (from Six Solos for a Violin ¸˝ Time Pieces for Trombone, Vol. 1, arr. Harris and Miller
and Base) Sarabande (from Six Solos for a Violin Pieces ?
6 Humphries
˝¸ Time
and Base) To a Wild Rose (from Woodland Sketches) ˛˝˛ (ABRSM: ?
and Base) (ABRSM: for/&&Trombone,
edition) Vol. 1, arr. Harris and Miller
MacDowell To a Wild Rose (from Woodland Sketches) ˛ (ABRSM: ?
7 MacDowell /& edition)
? / edition)
Lawrance (Brass Wind: trombone edition or && brass edition; B bb
7
Tchaikovsky Reverie. Winner Scores All, arr. Lawrance (Brass Wind: ?
7
8 MacDowell
Tchaikovsky To a Wild Rose
Reverie. (from
Winner Woodland
Scores All, arr. Sketches)
Winner Scores All, arr. Lawrance (Brass Wind: ? trombone edition or & brass edition; B b
8 trombone edition or brass edition; B
8 Tchaikovsky
piano accomp. Reverie.
published separately)
piano accomp. published separately)
9 piano accomp.
Vivaldi Largopublished separately)
(from Winter). No. 12 from Skilful Solos for Trombone, arr. Sparke (Anglo Music AMP 193-400:
9 ?
Vivaldi Largo (from Winter). No. 12 from Skilful Solos for Trombone, arr. Sparke (Anglo Music AMP 193-400:
9 ? /&& edition)
Vivaldi Largo (from Winter). No. 12 from Skilful Solos for Trombone, arr. Sparke (Anglo Music AMP 193-400:
?/ edition)
/& edition)
LIST B
B Batt Bright Eyes. A Little Light Music for Trombone, arr. Iveson (Brass Wind: ? or & editions)
LIST B
1 Mike Batt Bright Eyes. A Little Light Music for Trombone, arr. Iveson (Brass Wind: ?
LIST
1 Mike
Scores?All,
B or && editions)
2 Mike
1 Cy Batt Bright
Coben A Little Light Music for Trombone, arr. Iveson¸ (Brass
Eyes.Blues
Piano Roll WinnerWind: editions)
or arr. Lawrance (Brass
2 Cy Coben Piano Roll Blues ¸ Winner ? Scores All, arr. Lawrance (Brass
3 Cy
2 Coben
Andrew Piano
Lloyd Close Every Door to Me (from Joseph and ˝¸˝ Winner
Roll Blues
Webber Wind: ? Scores All, arr.
trombone edition or && brass
Lawrance (Brass
edition;
3 Andrew Lloyd Webber Close Every Door to Me (from Joseph and ˛˝ Wind:
3 Andrew Lloyd
the Amazing Close Every Door to Me (from Joseph and ˛ Wind:
Webber Dreamcoat)
Technicolor ? trombone
B bb piano
trombone edition or & brass edition;
edition orseparately)
accomp. published brass edition;
B b piano accomp.
? ˛ brass B b piano
the Amazing Technicolor Dreamcoat) published separately)
¸ Shining Brass, Book 1 (ABRSM: ? /&
¸ Shining Brass, Book 1 (ABRSM: ? /& brass edition; B bb piano accomp. published
4 the
JohnAmazing Technicolor
Frith Broken Dreamcoat)
Dreams B piano accomp.
edition; published separately)
accomp. published
4 John Frith Broken Dreams ˝
5 John Frith
4 Peter MeechanBroken Dreams
Purple Shade ˛ ¸ Shining
˝ Brass, Book 1 (ABRSM: /& brass edition; B piano accomp. published
separately)
optional ) or Vienna: No. 5 or No. 6 from Cityscapes for B b Instrument
5 Peter Meechan Purple Shade ˛ ˝ separately)
(grace note optional ) or Vienna: No. 5 or No. 6 from Cityscapes for B bb Instrument
6 Meechan New
5 Peter Graham Purple Shade
York separately)
(grace˛note
6 Peter Graham New ? /&York
Peter Graham
6 (Gramercy ?
Music:New York (grace note optional ) or Vienna: No. 5 or No. 6 from Cityscapes for B Instrument
edition)
(Gramercy Music: ? /& edition)
&
Parson’s Nose. Slide Show for Trombone, arr. Mowat (Brass Wind: ? or && editions)
7 Christopher Mowat The Parson’s Nose. Slide Show for Trombone, arr. Mowat (Brass Wind: ?
7 (Gramercy
ChristopherMusic:
Mowat/ Theedition)
Christopher
7 Philip
8 SparkeMowat
CouldTheYou Parson’s Slide9 Show
Nose. No.
Repeat That? for Trombone,
from Skilful Solos forarr. Mowat (Brass
Trombone, Wind:
arr. Sparke ? or
(Anglo
editions)
or &Music
editions)
AMP
? /& edition)
8 Philip Sparke Could You Repeat That? No. 9 from Skilful Solos for Trombone, arr. Sparke (Anglo Music AMP
193-400: ?
Philip Sparke
8 193-400: Could You Repeat That? No. 9 from Skilful Solos for Trombone, arr. Sparke (Anglo Music AMP
? /& edition)
/&
Springtime in Feunen: No. 3 from Nordic Sketchbook for Trombone (Warwick Music: ?
edition)
9 193-400:
Edward Watson
9 Edward Watson Springtime in Feunen: No. 3 from Nordic Sketchbook for Trombone (Warwick Music: ? edition) ? edition)
9 Edward Watson Springtime in Feunen: No. 3 from Nordic Sketchbook for Trombone (Warwick Music: edition)
LIST C
C Bourgeois Moderato con moto: No. 13 from Splinters of Bone, Op. 130 (Brass Wind: ?
LIST C
(Brass Wind: ?
C LIST
1 Derek or && editions)
? or Wind: ? or & editions)
1 Derek Bourgeois Moderato con moto: No. 13 from Splinters of Bone, Op. 130 or editions)
2 DerekGale
1 Dave Bourgeois Moderato
Rico Town or Spycon
P.I: moto: No.JazzFX
P. 4 from for Splinters
13 from Tromboneof(Brass
Bone, Wind:
Op. 130? or & editions)
(Brass
2 Dave Gale Rico Town or Spy P.I: P. 4 from JazzFX for Trombone (Brass Wind: ?
3 Dave
2 Gale Rico Funk:
Jock McKenzie or Spy
Town No. 29 P.I:
from fromtoJazzFX
P. 4Dance forofTrombone
the Beat (Con Wind:
the World(Brass ?
Moto: ? or &
&
&
editions)
editions)
or brass editions)
brass ?
3 Jock McKenzie Funk: No. 29 from Dance to the Beat of the World (Con ? /&Moto: or && brass editions)
4 Peter Meechan Summer Sound. Shining Brass, Book 1 (ABRSM: ?
Jock McKenzie
3 Peter
4 Meechan Funk:
Summer No.Sound. Dance toBrass,
29 fromShining the Beat
Bookof1the World (Con
(ABRSM: Moto: or brass editions)
edition)
5 Peter
4 Meechan Summer
Mark Nightingale Sound.Stroll
The Software Shining Brass,Cake-Walk:
or J-Peg Book 1 (ABRSM: ? /&& brass edition)
No.brass
No. 3 or / edition)
6 from Jazz@Etudes for Trombone
5 Mark Nightingale? The Software Stroll or J-Peg Cake-Walk: No. 3 or No. 6 from Jazz@Etudes for Trombone
(Warwick Music: ?
Mark Nightingale
5 (Warwick Music: orThe& editions)
Software Stroll or J-Peg Cake-Walk: No. 3 or No. 6 from Jazz@Etudes for Trombone
? or & editions)
or &
No. 22 from Skilful Studies for Trombone (Anglo Music AMP 100-401: ? /&& edition)
editions)
6 Philip Sparke Rondino: No. 22 from Skilful Studies for Trombone (Anglo Music AMP 100-401: ?
(Warwick
6 Philip Music:Rondino:
Sparke
7 Philip Sparke
6 Adrian Taylor Rondino:
The BoxingNo.Match
22 from or ASkilful
Longer Studies
Marchfor for
Trombone
Longer Arms:Music
(Anglo AMP
No. 18 100-401:
or No. ?/
20 from
edition)
/&Simple
edition)
Studies
7 Adrian Taylor The Boxing Match or A ? Longer March for Longer Arms: No. 18 or No. 20 from Simple Studies
Adrian
7 on Taylor
Trombone The Boxing
Technique Match
(Warwick or A ?
Music: or && editions)
Longer March for Longer Arms: No. 18 or No. 20 from Simple Studies
on Trombone Technique (Warwick Music: ? or & editions)
on Trombone Technique (Warwick Music: or editions)
AURAL TESTS FOR THE GRADE: see pp. 90 and 92
AURAL TESTS FOR THE GRADE: see pp. 90 and 92
AURAL TESTS FOR THE GRADE: see pp. 90 and 92

34 48
48
48
Performance Grades Trombone 2017–2022
Trombone
Trombone GRADE 4
GRADE 4 GRADE
Trombone GRADE 4
4
THREE
FOURPIECES:
THREE PIECES: atone chosen
least by the
one chosen bycandidate from
the candidate each
from ofofthe
each thethree Lists,A,
three Lists, A,BB and
and C,C:
and a fourth of the
THREE PIECES:
PIECES: one
one chosen
chosen byby the
the candidate
candidate from
from each
each of
of the
the three
three Lists,
Lists, A,
candidate’s own choice; for further programming requirements, see pages 4–6 A, B
B and
and C:
C:
LIST
LIST A
A
LIST
1 A
Anon. Sweet Nightingale or Tom
Nightingale or Tom Bawcock’s
Bawcock’s Eve. Cornish Pastiche,
Eve. Cornish Pastiche, arr.
arr. Tanner
Tanner (Spartan Press SP1215
(Spartan Press SP1215 or
or
1 Anon. Sweet
? trombone/tuba b&
SP1213: ? B bb && brass
A 1 Anon.
SP1213: Sweet Nightingale or Tom Bawcock’s Eve. Cornish Pastiche, arr. Tanner (Spartan Press SP1215 or
? trombone/tuba edition or B
edition or brass edition)
edition)
edition) for Trombone, Vol. 2, arr. Harris and Miller (ABRSM: ?
Pieces for Trombone, Vol. 2, arr. Harris and Miller (ABRSM: ?/
SP1213: trombone/tuba edition or B40). brass &
2 Boismortier
2 Boismortier Rigaudon
Rigaudon (from Op. 40). Time
(from Op. Time Pieces
2 Boismortier Rigaudon (from Op. 40). Time Pieces for Trombone, Vol. 2, arr. Harris and Miller (ABRSM: ?/&
/&
edition)
edition)
edition)
3
3 M.-A. Charpentier
M.-A. Charpentier Prelude
Prelude
? orto
to Te
Te Deum (observing lower
Deum (observing lower line
line in
in ossia).
ossia). Savoir
Savoir Faire
Faire for
for Trombone/Euphonium,
Trombone/Euphonium,
(Brass Wind: ?
3 M.-A.
arr. CharpentierWind:Prelude to& Te Deum (observing lower line in ossia). Savoir Faire for Trombone/Euphonium,
arr. Mowat
Mowat (Brass ? or && editions)
editions) ?
Shining Brass, Book 2 (ABRSM: ?/& brass b
B b piano
arr. Mowat (Brass Wind: or editions)
4 Tom
Tom Davoren
Davoren Beaufort
Beaufort Allegro
Allegro ¸ ¸ Shining Brass, Book 2 (ABRSM: ?/& brass edition;
edition; B piano accomp.
accomp. published
Brass, Book 2 (ABRSM: /& brass edition; B b piano accomp. published
4 published
4 Tom Davoren Beaufort Allegro ˝ ¸ Shining
˝
˝ separately)
John ˛
5
5 John Frith
Frith Jiggedy
Jiggedy Jig
Jig ˛ separately) ?
Grieg Solveig’s Song (from Peer Gynt). Great Winners, arr. Lawrance (Brass Wind: ?
5
6 John Frith
Grieg Jiggedy
Solveig’s Jig (from Peer ˛Gynt).
Song separately)
Great Winners, arr. Lawrance (Brass Wind: trombone edition or && brass
edition or brass
Gynt). Great Winners, arr. Lawrance (Brass Wind: ? trombone edition or & brass
6 trombone
6 Grieg B
edition; bb piano accomp.
Solveig’s Song (from Peer separately)
published
edition; B b piano accomp. published separately) ?
edition; B pianoOld accomp. published separately) Trombone, arr. Wills (Faber: ?/& edition)
7
7 Molloy
Molloy Love’s
Love’s Old Sweet Song. The
Sweet Song. The Victorian
Victorian Trombone, arr. Wills (Faber: ?/&& edition) ?/& edition)
193-400:??
7 Molloy Love’s OldNo. SweetfromSong. TheSolos Victorian Trombone, arr. Wills (Faber:Music
/ edition)
8
8 Mozart Adagio. No. 15
Mozart Adagio. 15 from Skilful
Skilful Solos for
for Trombone,
Trombone, arr.
arr. Sparke (Anglo Music AMP
Sparke (Anglo AMP 193-400: ?/ & edition)
8 Mozart Adagio. No. 15 from Skilful
Capriol Solos for Trombone,
Suite). Slide Show arr.
for Sparke (Anglo
Trombone, arr. Music AMP
Mowat 193-400:
Wind: ? /&&edition)
9
9 Warlock Basse Dance (from
Warlock Basse Dance (from Capriol Suite). Slide Show for Trombone, arr. Mowat (Brass Wind: ? or(Brass or && editions)
editions)
9 Warlock Basse Dance (from Capriol Suite). Slide Show for Trombone, arr. Mowat (Brass Wind: or editions)
LIST
LIST B
B
LIST B ? or & editions)
B 1 Barber
1 Barber Sure
Sure on
on this
this Shining Night. Across
Shining Night. Across the
the Pond
Pond 0202 for
for Trombone,
Trombone, arr.
arr. McMillen
McMillen
?
(Brass Wind: ?
(Brass Wind: ? or & editions)
Barber Sure
1 Alberto on this Shining ¸ Great Across
Night. the arr.
Winners, PondLawrance
02 for Trombone, Wind: ?
arr. McMillen
trombone (Brass Wind:
edition or & editions)
& brass
2 Dominguez Frenesì
2 Alberto Dominguez Frenesì ˝ (Brass
¸ Great Winners, arr. Lawrance (Brass Wind: ? trombone edition or &
or brass edition;
edition;
2 Alberto Dominguez
Ron Goodwin
3 Ron Goodwin 633 Frenesì
633 Squadron
Squadron ˛ ¸
˝
˛ B b
˝ B b piano
Great Winners,
piano accomp.arr. Lawrance
accomp. published (Brass
published separately)Wind:
separately) trombone edition or & brass edition;
3 b ?
(ABRSM: ?
3 Ron Goodwin 633 Squadron ˛ B piano accomp. published separately) /&& edition)
4 Paul
4 Paul Harris
Harris Rag
Rag and
and Bone Rag. Time
Bone Rag. Time Pieces
Pieces for
for Trombone,
Trombone, Vol.
Vol. 2,
2, arr.
arr. Harris
Harris and
and Miller
Miller (ABRSM: ?/ edition)
4 Paul Harris Rag andDown Bone Rag. Time PiecesBrass,
Shining for Trombone, Vol. 2, arr.?
Book 2 (ABRSM: ?/ Harris
& brassand bb piano accomp.
MillerB (ABRSM:
edition; /& edition)
published
5 Peter
5 Peter Meechan
Meechan Way Way Down SouthSouth ¸ ¸ Shining Brass, Book 2 (ABRSM: ?/&
˝ brass edition; B b piano accomp. published
5
6 Peter
David Meechan
A. StowellWay
Open Down South ˛
Plains ¸ Shining
˝ Brass, Book 2 (ABRSM: /& brass edition; B piano accomp. published
separately)
6 David A. Stowell Open Plains ˝ separately)
˛
?
7 Stephen Sondheim Send in the Clowns. A Little Light Music for Trombone, arr. Iveson (Brass Wind: ?
7 David A. Sondheim
6 Stephen Stowell Open SendPlains
in the ˛ separately)
Clowns. A Little Light Music for Trombone, arr. Iveson (Brass Wind: or &&
Stephen Sondheim Send in the Clowns. A Little Light Music for Trombone, arr. Iveson (Brass Wind: ? or &
or
7 editions)
editions)
editions)
8 Philip
8 Philip Sparke
Sparke AtAt the Circus or
the Circus or Thinking
Thinking of You. No.
of You. No. 14 or No.
14 or No. 17
17 from
from Skilful
Skilful Solos
Solos for
for Trombone,
Trombone, arr.
arr. Sparke
Sparke
At the Circus?
193-400: ?
Philip Sparke
8 (Anglo or/&Thinking of You. No. 14 or No. 17 from Skilful Solos for Trombone, arr. Sparke
(Anglo Music
Music AMP
AMP 193-400: ? /&& edition)
edition)
(Anglo Music
John Williams
9 John AMP
Williams Hedwig’s193-400:
Hedwig’s Theme / edition)
Theme (from Harry Potter
(from Harry Potter and
and the
the Sorcerer’s/Philosopher’s
Sorcerer’s/Philosopher’s Stone).
Stone). Ultimate
Ultimate Movie
Movie
9 ? edition;
40123: ?
9 John Williams Hedwig’s
Instrumental Theme (from Harry Potter and the Sorcerer’s/Philosopher’s Stone). Ultimate Movie
Instrumental Solos
Solos for
for Trombone,
Trombone, arr.
arr. Galliford,
Galliford, Neuburg
Neuburg and
and Edmondson (Alfred 40123:
Edmondson (Alfred ? edition; piano
piano accomp.
accomp.
Instrumental
printable Solos for Trombone, arr. Galliford, Neuburg and Edmondson (Alfred 40123: edition; piano accomp.
printable from
from companion
companion CD)CD)
printable from companion CD)
LIST
LIST C
C
LIST C Bourgeois Allegro vivace: No. 10 from Splinters of Bone, Op. 130 (Brass Wind: ?
C 1 Derek Bourgeois Allegro vivace: No. 10 from Splinters of Bone, Op. 130 (Brass Wind: ?
1 Derek or && editions)
? or editions)
? or & editions)
& editions)
Wind: ?
Derek Bourgeois
1 Dave Allegro vivace: No. 10 from Splinters of Bone, Op. 130for(Brass Wind: or Wind:
2
2 Dave Gale
Gale Aye Carumba! or
Aye Carumba! or Prairie
Prairie Contrary:
Contrary: P. 5 or
P. 5 or P.
P. 6 from JazzFX
6 from JazzFX for Trombone
Trombone
?
(Brass
(Brass ? or & editions)
2
3 Dave
Jock Gale Aye
McKenzie Carumba! or
Tarantella: Prairie
from Contrary:
Music Makes P.
the 5 or
WorldP. 6
Gofrom
AroundJazzFX
(Confor
Moto: ?
Trombone
or (Brass Wind:
& editions) or & editions)
3 Jock McKenzie Tarantella: from Music Makes the World Go Around ? (Con Moto: ? or & editions)
&

(ABRSM: ?
3 Jock McKenzie Tarantella: from Music Makes the World Go Around Moto: or editions)
& (Conedition)
4 Peter
4 Peter Meechan Reflections. Shining
Meechan Reflections. Shining Brass,
Brass, Book
Book 22 (ABRSM: /& brass
/
(ABRSM: ?/& brass
brass edition) ? or & editions)
Music: ?
4 Peter Nightingale Shining Brass,
Meechan Reflections. Samba: Book 2 Jazz@Etudes edition)
5 Mark
5 Mark Nightingale Shutdown
Shutdown Samba: No. No. 17 from Jazz@Etudes for
17 from for Trombone
Trombone (Warwick Music:
Music: ? or & editions)
(Warwick
? or & editions)
6 MarkQuick
5 Bob Nightingale
HarvestShutdown
Home: fromSamba:
from Reel No. 17 from
Technique forJazz@Etudes for Trombone
Trombone (Warwick
(Warwick Music: ? edition)
(Warwick
edition)
6 Bob Quick Harvest Home: Reel Technique for Trombone Music: ? edition) ? & edition)
100-401: ?/
6 Bob Quick Harvest Home: from Reel Technique for Trombone (Warwick Music:
7 Philip
7 Philip Sparke
Sparke Ursa
Ursa Major:
Major: No.
No. 37 from Skilful
37 from Skilful Studies
Studies for
for Trombone (Anglo Music
Trombone (Anglo Music AMP
AMP 100-401:
7 Philip Sparke Ursa Major: No. 37 from Skilful Studies for Trombone (Anglo Music AMP 100-401: ?/& edition)
/& edition)

AURAL
AURAL TESTS FOR THE GRADE: see pp. 90 and 92
AURAL TESTS
TESTS FOR
FOR THE
THE GRADE:
GRADE: see
see pp.
pp. 90
90 and
and 92
92

35
50
50
50
Performance Grades Trombone 2017–2022
Trombone
Trombone GRADE 5
GRADE 5 GRADE
Trombone GRADE 5
5
THREE
FOURPIECES:
THREE PIECES: atone chosen
least by the
one chosen bycandidate from
the candidate each
from ofofthe
each thethree Lists,A,
three Lists, A,BB and
and C,C:
and a fourth of the
THREE PIECES:
PIECES: one
candidate one chosen
chosen byby the
the candidate
candidate from
from each
each of
of the
the three
three Lists,
Lists, A,
’s own choice; for further programming requirements, see pages 4–6 A, B
B and
and C:
C:
LIST A
LIST
LIST A
A Bach Quia fecit mihi magna (from Magnificat, BWV 243) (omitting trill ). Trombone Essentials, arr. Yeo
1 J. S.
A 1 J.
1 J. S. Bach
Bach Quia
(G.S.SchirmerQuia fecit ? edition)
fecit mihi
mihi magna (from Magnificat,
magna (from Magnificat, BWV
BWV 243) (omitting trill
243) (omitting ). Trombone
trill ). Trombone Essentials,
Essentials, arr.
arr. Yeo
Yeo
GS83390: ?
GS83390: ? edition)
2 (G.
Schirmer GS83390:
(G. Schirmer edition) ? brass edition; B b piano accomp. published
¸ Shining Brass, Book 2 (ABRSM: ?/&
John Frith Canzona b
2 John
2 John Frith
Frith Canzona
Canzona ¸ Shining
¸
˝ Shining Brass,
˝ Brass, Book
Book 2 (ABRSM: ?/
2 (ABRSM: /&& brass
brass edition; B b piano
edition; B piano accomp.
accomp. published
published
3 David A. Stowell Jam Bouree ˛ ˝ separately)
3
3 David
David A.A. Stowell
Stowell Jam Bouree ˛ separately)
˛
separately)
4 Gounod Marche Jam Bouree
funèbre d’une marionnette. Savoir Faire for Trombone/Euphonium, arr. Mowat (Brass Wind:
4
4 ? or & editions)
Gounod
Gounod Marche
Marche funèbre
funèbre d’une
d’une marionnette. Savoir
marionnette. Savoir Faire
Faire for
for Trombone/Euphonium,
Trombone/Euphonium, arr. arr. Mowat (Brass Wind:
Mowat (Brass Wind:
?
? or & editions)
&
or editions)
5 Handel The Conquering Hero (from Judas Maccabaeus). Get a Handel on It for Trombone, arr. Mowat (Brass
5
5 Handel?
Handel
Wind:
The
The
? or
Conquering
Conquering Hero
& editions) (from Judas
Hero (from Judas Maccabaeus).
Maccabaeus). GetGet aa Handel
Handel onon ItIt for
for Trombone,
Trombone, arr.
arr. Mowat
Mowat (Brass
(Brass
Wind:
Wind: ? or
or & editions)
& editions)
6 Mozart Agnus Dei (from Litaniae Lauretanae, K.109). Time Pieces for Trombone, Vol. 2, arr. Harris and Miller
6
6 Mozart
Mozart ?/& edition)
Agnus
(ABRSM:Agnus
Dei (from Litaniae
Dei (from Litaniae Lauretanae, K.109). Time
Lauretanae, K.109). Time Pieces
Pieces for
for Trombone,
Trombone, Vol.Vol. 2,
2, arr.
arr. Harris
Harris and
and Miller
Miller
?
?/
7
(ABRSM:
(ABRSM:Rondo
Purcell /&& edition)
(from Abdelazar) (observing repeats). Slide Show for Trombone, arr. Mowat (Brass Wind: ?
edition) ? or &&
7
7 Purcell
Purcell Rondo
editions) (from Abdelazar)
Rondo (from (observing repeats).
Abdelazar) (observing repeats). Slide
Slide Show
Show for
for Trombone,
Trombone, arr.arr. Mowat Wind: ? or
(Brass Wind:
Mowat (Brass or &
Purcell When I am Laid in Earth (from Dido and Aeneas). The Baroque Trombone, arr. Wills (Faber: ?
editions)
editions)
8 ? edition)
8
8
9
Purcell
Purcell When II am
Sullivan When
Rataplan!
Laid
Laid in
am(from in Earth
Earth
Cox
(from Dido
Box). Dido
and (from
and
and Aeneas).
Aeneas).
The Victorian
The
The Baroque
Trombone, Baroque Trombone,?arr.
arr. WillsTrombone,
(Faber: ? arr. Wills (Faber: ? edition)
Wills (Faber:
/&& edition) edition)
9
9 Sullivan
Sullivan Rataplan! (from Cox
Rataplan! (from Cox and
and Box).
Box). The
The Victorian
Victorian Trombone,
Trombone, arr.
arr. Wills (Faber: ?/
Wills (Faber: /& edition)
edition)
LIST B
LIST B
LIST B Davoren Lindy Hop! ? brass edition; B b piano accomp. published
1 Tom ¸ Shining Brass, Book 2 (ABRSM: ?/& b
B 1 Tom
Tom Davoren
1 Peter
2 Davoren Lindy Hop!
MeechanLindy Final Hop!
Thought ˛ ¸ Shining
¸
˝
˝ Shining Brass,
Brass, Book
separately) Book 2 (ABRSM: ?/
2 (ABRSM: /&& brass
brass edition;
edition; BB b piano
piano accomp.
accomp. published
published
2 Peter Meechan Final Thought ˝ separately)
˛
2 Peter Meechan Final Thought ˛ separately)
3 Francl Tempo di marcia (from Malá suita). Time Pieces for Trombone, Vol. 2, arr. Harris and Miller (ABRSM:
3 ?
3 Francl
Francl
?
Tempo
Tempo di
/&& edition) di marcia (from Malá
marcia (from Malá suita).
suita). Time
Time Pieces
Pieces for
for Trombone,
Trombone, Vol.
Vol. 2,
2, arr.
arr. Harris
Harris and
and Miller
Miller (ABRSM:
(ABRSM:
?/ edition)Let’s Call the Whole Thing Off. Slide Show for Trombone, arr. Mowat (Brass Wind: ?
/& edition)
4 Gershwin ? or
? or
& editions)
& editions)
Off.theSlide Wind: ?
4 Gershwin
Gershwin
4 Percy Let’s Call
Let’s Hit the
Callthe Whole
theRoad
Whole Thing
Thing Off. Slide Show
Show for Trombone,
forTrombone, arr.
Trombone,arr. Mowat
Mowat (Brass
arr.McMillen (Brass Wind:
Wind: oror& editions)
5 Mayfield Jack. Across Pond 02 for (Brass ?
?
& editions)
& editions)
5
5 Percy
Percy Mayfield
Mayfield Hit
Hit the
the Road
Road Jack.
Jack. Across
Across the
the Pond
Pond 02
02 for
for Trombone,
Trombone,
6 Jean-François Michel Galop: from Preludio, Siciliana & Galop (Editions BIM TB90: ?
arr.
arr. McMillen
McMillen ?
(Brass
(Brass Wind:
Wind:
edition)
or
or & editions)
6
6 Jean-François
Jean-François Michel
Michel Galop:
Galop: from
from Preludio,
Preludio, Siciliana
Siciliana &
& Galop
Galop (Editions
(Editions BIM
BIM TB90:
TB90: ? edition)
edition)
7 Warren and Gordon Chattanooga Choo Choo. The Sunny Side of the Street for Trombone, arr. Iveson (Brass
7 Warren?
7 Warren and
and Gordon Chattanooga Choo Choo. The Sunny Side of the Street for Trombone, arr. Iveson (Brass
editions) Chattanooga Choo Choo. The Sunny Side of the Street for Trombone, arr. Iveson (Brass
or &&Gordon
Wind: ?
Wind: ? or
8 Wind: or & editions)
John Williams editions)
Raiders March (from Raiders of the Lost Ark). Great Winners, arr. Lawrance (Brass Wind:
8 ?
8 John
John
?
Williams
Williams
trombone
Raiders
Raiders
edition
March
March
or && brass
(from
(from
edition; B bbRaiders
Raiders ofof the
the Lost
piano accomp. Lost Ark). Great
Great Winners,
Ark). separately)
published Winners, arr.
arr. Lawrance
or UltimateLawrance (Brass Wind:
(Brass Wind:Solos
Movie Instrumental
? trombone
trombone edition
edition or & brass
brass edition;
edition; B
B b piano
piano accomp.
accomp. published
published ?
separately)
separately) or Ultimate
Ultimate Movie
Movie Instrumental
Instrumental Solos
or
for Trombone, arr. Galliford, Neuburg and Edmondson (Alfred 40123: ? or
edition; piano accomp. printable fromSolos
for
for Trombone,
Trombone,
companion CD)
arr.
arr. Galliford,
Galliford, Neuburg
Neuburg and
and Edmondson
Edmondson (Alfred 40123: ? edition;
(Alfred 40123: edition; piano
piano accomp.
accomp. printable
printable from
from
companion
companion CD)
CD) The Imperial March (Darth Vader’s Theme) (from Star Wars). Ultimate Movie Instrumental
9 John Williams
9 John
9 John Williams
Williams
Solos for Trombone,
The Imperial
Thearr.
Imperial March
March
Galliford,
(Darth
(Darth
Neuburg
Vader’s Theme)
andVader’s
EdmondsonTheme) (from
(from
(Alfred Star?
Star
40123: ?
Wars).
Wars). Ultimate Movie
edition; Ultimate
piano accomp.
Instrumental
Movieprintable
Instrumental
from
Solos
Solos for
for Trombone,
Trombone, arr.
arr. Galliford,
Galliford, Neuburg
Neuburg and
and Edmondson
Edmondson (Alfred
(Alfred 40123:
40123: ? edition;
edition; piano
piano accomp.
accomp. printable
printable from
from
companion CD)
companion
companion CD) CD)
LIST C
LIST C
LIST C Bourgeois Allegro maestoso: No. 1 from Hear Today and Bone Tomorrow (Brass Wind: ?
Wind: ?
C 1 Derek or && editions)
? or
1 Derek
1
2
Bourgeois
DerekMcKenzie
Jock
Allegro
BourgeoisTakai
Allegro maestoso:
maestoso:
or Ragtime:
No. 1
1 from
No.Music
from from Hear
Makes
Today
Hearthe
Today
World
and
and Bone Tomorrow
GoBone Tomorrow
Around (Brass?
(Brass
(Con Moto: ?Wind: or & editions)
or && editions) editions)
2
2 Jock
Jock McKenzie
McKenzie Takai
Takai or
or Ragtime:
Ragtime: from
from Music
Music Makes
Makes the
the World
World Go
Go Around
Around (Con
(Con Moto:
Moto: ? or
or editions)
& editions)
3 Peter Meechan Air
3 Peter Meechan Air ¸
˝
?
¸ Shining Brass, Book 2 (ABRSM: ?/& brass edition)
&
4 Peter
3 DavidMeechan
A. StowellAirFlennon Study (either version) ¸ ˝
˛
˝ Shining Brass,
Shining Brass, Book
Book 2 (ABRSM: ?/
2 (ABRSM: brass edition)
/& brass edition)
Jazz@Etudes for Trombone (Warwick Music: ?
4 David A.
A. Stowell
Stowell Flennon Study (either version)
version) ˛
˛
5 David
4 Mark Nightingale Flennon Study
Junk Email (either
Blues: No. 18 from ? or && editions)
5
6
Mark Nightingale
MarkQuick
5 Bob Nightingale Junk Email
Junk Email
The Foxhunter:
Blues:
Blues:
from
No.
ReelNo.
18 from Jazz@Etudes
18 fromforJazz@Etudes
Technique
for Trombone
for Trombone
Trombone (Warwick
(Warwick
(Warwick
Music: Music: ? or
? edition)
Music:
? edition) or & editions)
editions)
6
6 Bob
Bob Quick
Quick The
The Foxhunter:
Foxhunter: from
from Reel
Reel Technique
Technique for
for Trombone
Trombone (Warwick
(Warwick Music:
Music: ? edition)
7 Adrian Taylor Articulation (Intermediate) or The Glissando (Advanced): No. 7, P. 27 or No. 10, P. 30 from
7 Adrian
7 Adrian Taylor Articulation
Melodic Taylor Articulation (Intermediate)
(Intermediate) or
or The
The ? or & editions)
Glissando
Glissando (Advanced):
(Advanced): No.
No. 7,
7, P. 27 or
P. 27 or No.
No. 10,
10, P.
P. 30
30 from
from
Studies on Trombone Technique (Warwick Music: ?
Melodic
Melodic Studies
Studies on
on Trombone
Trombone Technique Music: ? or
(Warwick Music:
Technique (Warwick or && editions)
editions)
AURAL
AURAL TESTS FOR THE GRADE: see pp. 90 and 93
AURAL TESTS
TESTS FOR
FOR THE
THE GRADE:
GRADE: see
see pp.
pp. 90
90 and
and 93
93

36
52
52
52
Performance Grades Trombone 2017–2022
Trombone
Trombone GRADE 6
GRADE 6 GRADE
Trombone GRADE 6
6
PREREQUISITE
PREREQUISITEFOR FOR ENTRY: ABRSMGrade
ENTRY: ABRSM Grade 5 (or
5 (or above)
above) in Music
in Music Theory,
Theory, Practical
Practical Musicianship
Musicianship or any
or a Practical
PREREQUISITE FOR ENTRY: ABRSM Grade 5 (or above) in Music Theory, Practical Musicianship or any
PREREQUISITE
solo Jazz subject.
Grades solo FOR
JazzFor ENTRY:For ABRSM
alternatives,
instrument. Gradesee5 (or above) in Music Theory, Practical Musicianship or any
see www.abrsm.org/prerequisite.
alternatives, www.abrsm.org/prerequisite.
solo Jazz subject. For alternatives, see www.abrsm.org/prerequisite.
solo Jazz subject. For alternatives, see www.abrsm.org/prerequisite.
THREE PIECES: one chosen by the candidate from each of the three Lists, A, B and C:
THREE
FOURPIECES:
PIECES: atone
least one chosen
chosen by thebycandidate
the candidate
fromfrom each
each ofofthe
thethree Lists,A,
three Lists, A,BBand
andC,C:
and a fourth of the
THREE
LIST A PIECES:
candidate’s ownone chosen
choice; by the
for further candidate from
programming each of see
requirements, thepages
three4–6
Lists, A, B and C:
LIST A
LIST
1 A Bach Arioso (from Concerto in F minor). No. 7 from Solos for the Trombone Player, arr. Smith (G. Schirmer
J. S.
1 J. S. Bach ?Arioso (from Concerto in F minor). No. 7 from Solos for the Trombone Player, arr. Smith (G. Schirmer
J. S. Bach ?Arioso
A 1 GS33009: edition)
(from Concerto in F minor). No. 7 from Solos for the Trombone Player, arr. Smith (G. Schirmer
GS33009: ? edition)
edition) (from French Suite No. 1) (observing repeats). Bach for Trombone, arr. Mowat (Brass
J. S. Bach Sarabande
2 GS33009:
? or Sarabande
2 J. S. Bach (from French Suite No. 1) (observing repeats). Bach for Trombone, arr. Mowat (Brass
Wind: ?
2 Wind:
J. S. Bach & editions) (from French Suite No. 1) (observing repeats). Bach for Trombone, arr. Mowat (Brass
Sarabande
du Toreador. Savoir Faire for Trombone/Euphonium, arr. Mowat (Brass Wind: ?
& editions)
? or
(Brass Wind: ?
3 Bizet or & editions)
Wind: Chanson or && editions)
3 Bizet Chanson du Toreador. Savoir Faire for Trombone/Euphonium, arr. Mowat ? edition; ? or editions)
4 Gossec Tambourin. Repertoire Classics for Trombone, arr. Raph (Carl Fischer: ?
3 Gossec
4 Tambourin.
Bizet Chanson RepertoireSavoir
du Toreador. Classics for for
Faire Trombone, arr. Raph (Carl arr.
Trombone/Euphonium, Fischer:
Mowat (Brass Wind: or & editions)
piano accomp. printable
from companion
4 Gossec ? edition; piano accomp.
CD) Repertoire Classics for Trombone, arr. Raph (Carl Fischer: edition; piano accomp. printable
Tambourin.
printable
from companion CD) ?
5 Handel Ombra mai fu (from Serse). Get a Handel on It for Trombone, arr. Mowat (Brass Wind: ?
5 Handel OmbraCD)
from companion mai fu (from Serse). Get a Handel on It for Trombone, arr. Mowat (Brass Wind: or && editions)
5 B.
6 Marcello
Handel Ombra maiand
Largo Allegro:
fu (from 1st and
Serse). 4th
Get movts from
a Handel on It Sonata No. 1.arr.
for Trombone, Trombone Essentials,
Mowat (Brass Wind: ? Yeo
arr.
or editions)
or & editions)
6 B. Marcello Largo and?Allegro: 1st and 4th movts from Sonata No. 1. Trombone Essentials, arr. Yeo
6 (G.
B. Marcello Largo and?Allegro:
Schirmer GS83390: edition) 1st and 4th movts from Sonata No. 1. Trombone Essentials, arr. Yeo
(G. Schirmer GS83390: ? edition)
Rimsky-Korsakov
7 (G. Schirmer GS83390: Andante cantabile: 2nd movt (observing cadenza) from Trombone Concerto (Brass Wind:
edition)
7 ?
Rimsky-Korsakov Andante cantabile: 2nd movt (observing cadenza) from Trombone Concerto (Brass Wind: ?
7 ?
/ edition). Also available as No. 11 from Solos for the Trombone Player, arr. Smith (G. Schirmer GS33009: ?
/&& edition). Also Andante
Rimsky-Korsakov available as No. 11 from
cantabile: 2ndSolos
movtfor(observing
the Trombone Player,from
cadenza) arr. Trombone
Smith (G. Schirmer
Concerto GS33009:
(Brass Wind:
? /& edition). Also available as No. 11 from Solos for the Trombone Player, arr. Smith (G. Schirmer GS33009: ?
edition)
edition)Sparke Little Overture: No. 1 from Super Solos for Trombone (Anglo Music AMP 266-400: ?
edition)
266-400: ?
8 Philip /&& edition)
8 Philip Sparke Little Overture: No. 1 fromb Super Solos for Trombone (Anglo Music AMP ?
edition)?/& edition)
/ edition)
8 VivaldiSparke
9 Philip Largo Little
(fromOverture:
Cello Concerto in E b).
No. 1 from TheSolos
Super Baroque Trombone,
for Trombone arr. Wills
(Anglo Music AMP ?
(Faber: 266-400:
9 Vivaldi Largo (from Cello Concerto in E b). The Baroque Trombone, arr. Wills (Faber: ? edition)
9 Vivaldi
LIST B Largo (from Cello Concerto in E ). The Baroque Trombone, arr. Wills (Faber: edition)
LIST B
LIST B Floyd Trees on the Mountain. Across the Pond 02 for Trombone, arr. McMillen (Brass Wind: ? or &&
1 Carlisle Floyd Trees on the Mountain. Across the Pond 02 for Trombone, arr. McMillen (Brass Wind: ?
1 Carlisle
B
Carlisle Floyd Trees on the Mountain. Across the Pond 02 for Trombone, arr. McMillen (Brass Wind: ? or &
or
1 editions)
editions) ?
2 J. A. Greenwood The Acrobat (Wright & Round: ?
2 J. A. Greenwood The Acrobat (Wright & Round: /& edition)
editions) &
?/ arr. Iveson (Brass Wind: ?
edition)
2 H.
3 J. A.Mancini MoonThe
Greenwood River. Let’s (Wright
Acrobat Face the Music
& Round: /& edition)
for Trombone/Euphonium, ? or & editions)
3 H. Mancini Moon River. Let’s Face the Music for Trombone/Euphonium, arr. Iveson (Brass ? or & Wind: ? or & editions)
3 Moss
4 Moon The
The Joker.
H. Mancini Sunny
River. Side
Let’s of the Music
Face Street for
forTrombone, arr. Iveson (Brass
Trombone/Euphonium, arr. Iveson
4 Moss The Joker. The Sunny Side of the Street for Trombone, arr. Iveson (Brass Wind: ? ? or & Wind:
Wind: (Brass editions) or & editions)
4 Christopher
5 Moss MowatThe
The Joker. Bone Side Slide
Idyll.
Sunny of theShow
Streetfor
forTrombone,
Trombone,arr.arr.Mowat (Brass Wind:
Iveson (Brass ? or
Wind: ?
editions)
or &&& editions)
editions)
5 Christopher Mowat Bone Idyll. Slide Show for Trombone, arr. Mowat (Brass Wind: ? or editions) ? or & editions)
Jazzed Up Too for Trombone, arr. Parker (Brass Wind: ?
5 Jim
6 Parker Fantango
Christopher or Bone
Mowat Bone Shaker.
Idyll. Jazzed
Slide Show forUp Too for Trombone,
Trombone, arr. Mowatarr. Parker
(Brass (Brass or
Wind: & editions)
Wind:
6 Jim Parker Fantango or Bone Shaker. ? edition) or & editions)
Jazzed Up Too for Trombone, arr. Parker (Brass Wind: ? or & editions)
6 Pryor
7 Cakewalk
Jim Parker Contest
Fantango (Virgo:
or Bone ?
Shaker.
from Super Solos for Trombone (Anglo Music AMP 266-400: ?/&& edition)
7 Pryor Cakewalk Contest (Virgo: ? edition)
8 Philip Sparke Chicago Blues: No. 5 from Super Solos for Trombone (Anglo Music AMP 266-400: ?
7 Philip Sparke
8 Pryor Chicago
Cakewalk ContestBlues: No. 5
(Virgo: edition)
8 Peter
9 PhilipThorne
Sparke Fast Blues: No.or
and Rhythmic
Chicago SteadySuper
5 from Blues: or Trombone
1stfor
Solos from Shades
2nd movt(Anglo Music of Indigo
AMP ?/
(Warwick
266-400:
edition)
/&Music:
edition)
?
9 Peter Thorne Fast and Rhythmic or Steady Blues: 1st or 2nd movt from Shades of Indigo (Warwick Music:
? edition)
9 Peter Thorne Fast and Rhythmic or Steady Blues: 1st or 2nd movt from Shades of Indigo (Warwick Music:
? edition)
LIST edition)
C
LIST C
C LIST
1 C
Bordogni, trans. Rochut Allegro or Andante cantabile. No. 5 or No. 13 from Melodious Etudes for Trombone,
1 Bordogni, trans. Rochut ? edition)
Allegro or Andante cantabile. No. 5 or No. 13 from Melodious Etudes for Trombone,
Book 1 (Carl Fischer: ?
1 Book 1 (Carltrans.
Bordogni, Fischer:
Rochut Allegro or Andante cantabile. No. 5 or No. 13 from Melodious Etudes for Trombone,
molto: No. 3 from Hear Today and Bone Tomorrow (Brass Wind: ? or && editions)
? edition)
2 Derek Bourgeois Allegro molto: No. 3 from Hear Today and Bone Tomorrow (Brass Wind: ?
Derek
2 Book 1 Bourgeois
(Carl Fischer:Allegro
edition)
for?Trombone
or editions)
2 Mark
3 DerekNightingale Hard Drive
Bourgeois Allegro or Broadband
molto: No. 3 from Bossa: andorBone
No. 16
Hear Today 19 from Jazz@Etudes
No. Tomorrow (Brass Wind: or & editions)
(Warwick
?
3 Mark Nightingale Hard Drive or Broadband Bossa: No. 16 or No. 19 from Jazz@Etudes for Trombone (Warwick
3 Music: ? or && editions)
Mark Nightingale Hard Drive or Broadband Bossa: No. 16 or No. 19 from Jazz@Etudes for Trombone (Warwick
Music: ? or editions)
Bob Quick
4 Music: or &Marathon ?
editions) Polka: from Reel Technique for Trombone (Warwick Music: ? edition)
4 Bob Quick Marathon Polka: from Reel Technique for Trombone (Warwick Music: ? edition)
4 Adrian
5 Bob Quick Taylor Articulation
Marathon Polka:(Advanced) or Dynamic
from Reel Technique for Shapes
Trombone (Advanced): 28 or No. 14, P. 34 from
No. 8, P.edition)
(Warwick Music:
5 Adrian Taylor Articulation (Advanced) or Dynamic Shapes ? or & (Advanced): No. 8, P. 28 or No. 14, P. 34 from
5 Melodic Studies on
Adrian Taylor Trombone Technique
Articulation (Warwick
(Advanced) or Dynamic ?
Music:Shapes
Melodic Studies on Trombone Technique (Warwick Music: ? or editions) &
editions)
(Advanced): No. 8, P. 28 or No. 14, P. 34 from
6 Vobaron Allegro
Melodic Studies (No. 20 from
on Trombone 40 Etudes).
Technique (WarwickP. 55
Music: or & editions)
from Vobaron Studies for Trombone (Bärenreiter Praha H 2674:
6 ?
Vobaron Allegro (No. 20 from 40 Etudes). P. 55 from Vobaron ? edition)
Studies for Trombone (Bärenreiter Praha H 2674:
6 ? edition) Allegro
Vobaron or No. 63 from20Posaunen-Etüden
(No. from 40 Etudes).1 (DVfM 31075:
P. 55 from ? edition)
Vobaron Studies for Trombone (Bärenreiter Praha H 2674:
7 ? (De Haske: ? edition)
? edition)
edition) or No. 63 from Posaunen-Etüden 1 (DVfM 31075:
7 Allen Vizzutti Cancan. No. 2 from Melodic Studies for Trombone (De Haske: ?
Allen Vizzutti
edition) or No.Cancan. No. 2 from Melodic1 Studies
63 from Posaunen-Etüden (DVfM for Trombone
31075:
7 Allen Vizzutti Cancan. No. 2 from Melodic Studies for Trombone (De Haske: ? edition)
edition)

AURAL TESTS FOR THE GRADE: see pp. 90 and 93


AURAL TESTS FOR THE GRADE: see pp. 90 and 93
AURAL TESTS FOR THE GRADE: see pp. 90 and 93

37
54
54
54
Performance Grades Trombone 2017–2022
Trombone
Trombone GRADE 7
GRADE 7 GRADE
Trombone GRADE 7
7
PREREQUISITE
PREREQUISITEFOR FOR ENTRY: ABRSMGrade
ENTRY: ABRSM Grade 5 (or
5 (or above)
above) in Music
in Music Theory,
Theory, Practical
Practical Musicianship
Musicianship or any
or a Practical
PREREQUISITE
PREREQUISITE FOR ENTRY: ABRSM Grade 5
5 (or above)
above) in
in Music
Music Theory,
Theory, Practical
Practical Musicianship
Musicianship or or any
solo solo JazzFOR
Jazz subject.
Grades For ENTRY:For ABRSM
alternatives,
instrument. Gradesee (or
see www.abrsm.org/prerequisite.
alternatives, www.abrsm.org/prerequisite. any
solo
solo Jazz
Jazz subject.
subject. For
For alternatives,
alternatives, see
see www.abrsm.org/prerequisite.
www.abrsm.org/prerequisite.
THREE
FOURPIECES:
PIECES: atone chosen
least by the
one chosen bycandidate from
the candidate each
from ofofthe
each thethree Lists,A,
three Lists, A,BBand
andC,C:
and a fourth of the
THREE
THREE PIECES:
PIECES: one
one chosen
chosen byby the
the candidate
candidate from
from each
each of
of the
the three
three Lists,
Lists, A,
A, B
B and
and C:
C:
candidate
LIST A ’s own choice; for further programming requirements, see pages 4–6
A Bach Prelude in A b (from 48 Preludes and Fugues, Book 1). Bach for Trombone, arr. Mowat (Brass Wind: ?
LIST A
LIST
Bach Prelude in A bb (from 48 Preludes and Fugues, Book 1). Bach for Trombone, arr. Mowat (Brass Wind: ?
1 J. S.
Bach Prelude in A (from 48 Preludes and Fugues, Book 1). Bach for Trombone, arr. Mowat (Brass Wind: ?
1 J. S.
& editions)
A 1 J.
or S.
Ave Maria, arr. Mortimer (Editions Marc Reift EMR 2027l : ?/&& edition)
or & editions)
& editions)
Bruckner Ave Maria, arr. Mortimer (Editions Marc Reift EMR 2027l : ?
2 or
Bruckner
: ?/movts,
2 /& edition)
2
3 Bruckner Ave Maria,
Corelli Preludio arr. Mortimer
and Allemanda, (Editions Marc
or Sarabanda andReift EMR
Gigue: 1st2027
and l2nd edition)
or 3rd and 4th movts from
3 Corelli Preludio and Allemanda, or Sarabanda and Gigue: 1st and ? 2nd movts, or 3rd and 4th movts from
3 Corelli in
Sonata Preludio
G minor, and Mortimer or
Allemanda,
arr. Marcand
Sarabanda
(Editions Gigue:
Reift EMR 1st
2070 l: ?
and /&& edition)
2nd movts, or 3rd and 4th movts from
Sonata in G minor, arr. Mortimer (Editions Marc Reift EMR 2070l : ?/& edition) ?
Gluck Che farò (from Orfeo ed Euridice). The Baroque Trombone, arr. Wills (Faber: ?
4 Sonata Che
Gluck in G farò
minor, arr. Orfeo
(from Mortimer Marc
(EditionsThe
ed Euridice). Reift EMR
Baroque 2070larr.
Trombone, : /Willsedition)
(Faber: edition)
(Faber: ? edition)
4 edition)
4
5 Gluck Che
Handel Ariafarò TheOrfeo
(from
(from WateredMusic)
Euridice). The Baroque
¸ GetTrombone,
a Handelarr. Wills
on It for Trombone, arr. Mowat (Brass Wind:
5 Handel Aria (from The Water Music) ˝ ? or
¸ Get a Handel on It for Trombone, arr. Mowat (Brass Wind:
5
6
6
Aria (from
Handel Sound The Water
an Alarm (from Music)
Judas Maccabaeus) ˛
Handel Sound an Alarm (from Judas Maccabaeus) ˛
˝ ?
¸ Get & editions)
a Handel
˝ ? or & editions)
on It for Trombone, arr. Mowat (Brass Wind:
6
7 Handel
L. Mozart Sound an Alarm
Allegro: (from
1st movt fromJudas Maccabaeus)
Serenade ˛
for Trombone,or &arr. Clack (Winwood Music 0212: B /&& edition)
editions)
7 L. Mozart Allegro: 1st movt from Serenade for Trombone, arr. Clack (Winwood Music 0212: B B/ edition)? &
/& Wind:
Ravel Pavane pour une infante défunte. Savoir Faire for Trombone/Euphonium, arr. Mowat (Brass Wind: ?
7
8 L. Mozart
Ravel Allegro:
Pavane pour 1st
unemovt from
infante SerenadeSavoir
défunte. for Trombone, arr. Clack (Winwoodarr.
Faire for Trombone/Euphonium, Music
Mowat0212:
(Brass edition) or
Pavane pour une infante défunte. Savoir Faire for Trombone/Euphonium, arr. Mowat (Brass Wind: ? or &
8 or &
8 Ravel
editions)
editions) ?
Rossini Tarantella. Repertoire Classics for Trombone, arr. Raph (Carl Fischer: ?
9 editions) Tarantella. Repertoire Classics for Trombone, arr. Raph (Carl Fischer: edition; piano accomp. printable
Rossini
9 ? edition; piano accomp. printable
9 Rossini CD) Repertoire Classics for Trombone, arr. Raph (Carl Fischer: edition; piano accomp. printable
Tarantella.
from companion
from companion CD)
from companion CD)
LIST B
Andante sostenuto: 2nd movt from Sonatine for Trombone (Leduc AL21930: ?
LIST B
LIST
1 B
Castérède ? edition)
B 1 Castérède Andante sostenuto: 2nd movt from Sonatine for Trombone (Leduc AL21930: ? edition)
? or & editions)
2 CastérèdeHoe-Down.
1 Copland Andante sostenuto:
Across the2nd
Pondmovt from
02 for Sonatine
Trombone, arr.for Trombone
McMillen (Brass(Leduc
2 Copland Hoe-Down. Across the Pond 02 for Trombone, arr. McMillen (Brass Wind: ? or && editions)?
Wind:AL21930: edition)
Copland and
2 Harbach
3 Hoe-Down.
Kern Smoke Across the in
Gets Pond 02Eyes.
Your for Trombone, arr.
Let’s Face theMcMillen
Music for(Brass Wind: or editions)
Trombone/Euphonium, arr. Iveson (Brass
?
3 Harbach and Kern Smoke Gets in Your Eyes. Let’s Face the Music for Trombone/Euphonium, arr. Iveson (Brass
Wind: ?
Harbach
3 Wind: & editions)
and
or Kern Smoke Gets in Your Eyes. Let’s Face the Music for Trombone/Euphonium, arr. Iveson (Brass
? or
Bluejohn (observing cut at F2) (Peter Kneale Music: ?
& editions)
or & editions)
Music: ?
4 Wind:
Peter Kneale / & edition)
Music: ?/& edition)
?/& edition)
4 Peter Kneale Bluejohn (observing cut at F2) (Peter Kneale /& edition)
5 Roy Newsome Tenor Trombone Rag (Studio Music: ?
PeterNewsome
4 Roy
5 Kneale Bluejohn cut at
(observingRag
Tenor Trombone F2) (Peter
(Studio Music: Kneale
?
arr. Parker (Brass Wind: ?
/&& edition)
Wind: ?
6 Roy
5 Newsome
Jim Parker Tenor
Dances Trombone
with Up Too Music:
Rag (Studio
Bears. Jazzed / edition)
for Trombone, or & editions)
6 Jim Parker Dances with Bears. Jazzed Up Too for Trombone, arr. Parker (Brass ? ? or & editions)
Jim Parker
6 Peter
7 ThorneDances
Quickwith Bears.
Swing: Jazzed from
3rd movt Up Too for Trombone,
Shades of Indigo arr.
(Warwick (Brass ?
ParkerMusic: edition)or & editions)
Wind:
7 Peter Thorne Quick Swing: 3rd movt from Shades of Indigo (Warwick ? edition)Music: ? edition)
Music: edition)
8 Norman Warren Quiet Hills for Trombone (Emerson E503: ?
8 Peter
7 NormanThorne
WarrenQuick Swing:
Quiet Hills3rd
for movt from Shades
Trombone (Emersonof Indigo
E503: (Warwick
? edition)
Trombone (Schott ED 21132: ? edition)
9 Jiggs Whigham Hills (no improvisation): 2nd movt from Suite for Trombone (Schott ED 21132: ?
9 Norman
8 WarrenHills
Jiggs Whigham Quiet
(noHills for Trombone
improvisation): 2nd (Emerson
movt from E503:
Suite foredition)
9 Jiggs Whigham Hills (no improvisation): 2nd movt from Suite for Trombone (Schott ED 21132: ? edition)
edition)
LIST C
LIST C
C LIST
1 C
Bordogni, trans. Rochut Andantino con moto. No. 9 from Melodious Etudes for Trombone, Book 1 (Carl Fischer:
1 ?
Bordogni, trans. Rochut Andantino con moto. No. 9 from Melodious Etudes for Trombone, Book 1 (Carl Fischer:
1 ? edition) trans. Rochut Andantino con moto. No. 9 from Melodious Etudes for Trombone, Book 1 (Carl Fischer:
Bordogni,
? edition)
Bourgeois Allegro moderato: No. 6 from Hear Today and Bone Tomorrow (Brass Wind: ?
Wind: ?
edition)
2 Derek or && editions)
Wind: ? or & editions)
? edition)
2 Derek Bourgeois Allegro moderato: No. 6 from Hear Today and Bone Tomorrow (Brass or editions)
3 Derek Bourgeois
2 Bertrand Moren Wild Allegro moderato:
Dances. No. 18No. 6 from
from Hear
Melodic Todayfor
Studies and Bone Tomorrow
Trombone ?
(Brass
(De Haske:
3 Bertrand Moren Wild Dances. No. 18 from Melodic Studies for Trombone (De Haske: ? edition)
4 Bertrand
3 Moren Wild
Mark Nightingale Stomp orNo.
ScartDances. 18 from
Burn, Burn,Melodic
Burn:Studies
No. 23fororTrombone (De Haske:
No. 25 from edition)
Jazz@Etudes for Trombone (Warwick
? or & editions)
4 Mark Nightingale Scart Stomp or Burn, Burn, Burn: No. 23 or No. 25 from Jazz@Etudes for Trombone (Warwick
Music: ?
Mark Nightingale
4 Music: Scart Stomp or Burn, Burn, Burn: No. 23 or No. 25 from Jazz@Etudes for Trombone (Warwick
? or && editions)
5 Music: or editions)
Philip Sparke Threasy Does It or Leapfrog: No. 8 or No. 19 from Super Studies for Trombone (Anglo Music AMP
?/& edition)
5 Philip Sparke Threasy Does It or Leapfrog: No. 8 or No. 19 from Super Studies for Trombone (Anglo Music AMP
116-401: ?
Philip Sparke
5 116-401: Threasy Does It or Leapfrog: No. 8 or No. 19 from Super Studies for Trombone (Anglo Music AMP
?/ & edition)
/& edition)
116-401:Taylor
6 Adrian Legato Tonguing (Advanced): No. 4, P. 24 from Melodic Studies on Trombone Technique (Warwick
6 Adrian?Taylor Legato Tonguing (Advanced): No. 4, P. 24 from Melodic Studies on Trombone Technique (Warwick
Adrian?Taylor
6 Music: or && editions)
Legato Tonguing (Advanced): No. 4, P. 24 from Melodic Studies on Trombone Technique (Warwick
Music: ? or & editions)
7 Music:
Vobaron or editions)
Allegro brillante (No. 10 from 32 Etudes). P. 11 from Vobaron Studies for Trombone (Bärenreiter Praha
7 Vobaron?Allegro brillante (No. 10 from 32 Etudes). P. 11 from Vobaron ? edition)
Studies for Trombone (Bärenreiter Praha
H 2674: ? edition) or No. 51 from Posaunen-Etüden 1 (DVfM 31075: ?
Vobaron
7 H 2674: Allegro
edition)brillante
or No. 51(No.
from10 from 32 Etudes).
Posaunen-Etüden P. 11 from
1 (DVfM Vobaron
31075: Studies for Trombone (Bärenreiter Praha
H 2674: edition) or No. 51 from Posaunen-Etüden 1 (DVfM 31075: ? edition)
? edition)

AURAL TESTS FOR THE GRADE: see pp. 90 and 94


AURAL
AURAL TESTS
TESTS FOR
FOR THE
THE GRADE:
GRADE: see
see pp.
pp. 90
90 and
and 94
94

38
56
56
56
Performance Grades Trombone 2017–2022
Trombone
GRADE 8 GRADE
Trombone GRADE 8
Trombone GRADE 8
8
PREREQUISITE
PREREQUISITEFOR
PREREQUISITE FOR ENTRY:
FOR ENTRY: ABRSM
ENTRY: ABRSM
ABRSM Grade
Grade
Grade 5 (or
5
5 above)
(or in Music
above) Theory,
in Music Practical
Theory, Musicianship
Practical or a Practical
Musicianship or any
PREREQUISITE
Grades
solo Jazz solo JazzFOR
subject. ENTRY:For
instrument.
For ABRSM
alternatives, see Gradesee
alternatives, 5 (or
(or above)
above) in
in Music
Music Theory,
Theory, Practical
www.abrsm.org/prerequisite.
www.abrsm.org/prerequisite. Practical Musicianship
Musicianship or or any
any
solo Jazz subject. For alternatives, see www.abrsm.org/prerequisite.
solo Jazz subject. For alternatives, see www.abrsm.org/prerequisite.
THREE
FOURPIECES:
THREE PIECES: atone chosen
least by the
one chosen bycandidate from
the candidate each
from ofofthe
each thethree Lists,A,
three Lists, A,BB and
and C,C:
and a fourth of the
THREE PIECES:
PIECES: one
candidate one chosen
chosen byby the
the candidate
candidate from
from each
each of
of the
the three
three Lists,
Lists, A,
’s own choice; for further programming requirements, see pages 4–6 A, B
B and
and C:
C:
LIST
LIST A
A
LIST
1 A
Arrieu Introduction, Scherzo et Choral (Billaudot: ?
? edition)
1 Arrieu
1 Arrieu Introduction,
Introduction, Scherzo
Scherzo etet Choral (Billaudot: ? edition)
Choral (Billaudot: edition)
A 2 Ferdinand David Marcia funebre (Andante) or Allegro maestoso: 2nd or 3rd movt from Trombone
2 Ferdinand David
2 Ferdinand David Marcia
Marcia funebre
funebre (Andante)
(Andante) or or Allegro
Allegro maestoso:
maestoso:?2nd 2nd or or 3rd
3rd movt
movt from
from Trombone
Trombone
?
Concertino, Op. 4 (Editions Marc
Marc ReiftReift EMR
Reift EMR 2064
2064aaa or
EMR 2064 Brass
Brass Wind:
Wind: ?
?/
/&& edition or IMC 2008: ? edition)
? edition)
Concertino, Op.Op. 44 (Editions
(Editions Marc or Brass Wind: & edition
edition or IMC
IMC 2008:
2008:
Concertino,
Guilmant Morceau
3 Guilmant
3 Morceau symphonique
symphonique (Concert(Concert Piece), or
Piece), Op.
Op. 88
88 (starting /
(starting atat Allegro or
Allegro moderato,
moderato, b. 39 ))edition)
b. 39 Marc
(Editions Marc
(Editions
3 Guilmant
Reift EMR Morceau
2006 or symphonique
Brass Wind: ?
? /&&(Concert
edition). Piece),
Also Op. 88as(starting
available No. 15 at Allegro
from Solos moderato,
for the b. 39 ) Player,
Trombone (Editions Marc
arr.
Reift
Reift EMR
EMR 2006
2006 or
or Brass
Brass Wind:
?
Wind: ?/ / & edition).
edition). Also
Also available
available as
as No.
No. 15
15 from
from Solos
Solos for
for the
the Trombone
Trombone Player,
Player, arr.
arr.
Smith
Smith (G. Schirmer
Schirmer GS33009:
GS33009: ? edition)
? edition)
Smith (G. Schirmer
(G.Adagio GS33009: edition)
4 Handel
4 Handel
4 Adagio?
and
and Allegro
Allegro (from
(from FluteFlute Sonata,
Sonata, HWV 363b). Get
HWV 363b). Get aa Handel
Handel on on It
It for
for Trombone,
Trombone, arr.
arr. Mowat
Mowat
Handel Adagio
Wind: ?
(Brass Wind:
(Brass
and
? or & editions) (from Flute Sonata, HWV 363b). Get a Handel on It for Trombone, arr. Mowat
Allegro
or & editions)
(Brass Wind: or & editions)
at Allegro gioioso ma maestoso) (Warwick B
Music: B or &
5 Holst Concertante (starting & editions; piano accomp. arr.
5 Holst
Holst Concertante
5 Roberts) (starting at
Concertante (starting at Allegro
Allegro gioioso
gioioso ma
ma maestoso)
maestoso) (Warwick Music: B or
(Warwick Music: or & editions;
editions; piano
piano accomp.
accomp. arr.
arr.
Roberts)
Roberts) ?
6 A.
A. Jørgensen Romance, Op. 21 (Hansen WH29516:
(Hansen WH29516: ? edition)
? edition)
6
7 A. Jørgensen
6 B. Jørgensen Romance,
Romance,
Marcello Sonata
Sonata No. 5
Op. 21
5Op. B bb(Hansen
(in21 WH29516: edition) Marc Reift
Reift EMR
EMR 20462046ll:: ?
?//&& edition)
edition)
7
7 B.
B. Marcello
Marcello Sonata No.
No. 5 (in
(in B
B b ))) (complete),
(complete),
(complete),
arr. Mortimer
arr.
arr.
Mortimer
Mortimer
(Editions Marc
(Editions
(Editions Marc Reift EMR 2046 ? ?
/& edition)
l:2638:
8 E.
E. Reiche Rondo: 3rd movt from Trombone Concerto No. 2 in A (observing repeats)
repeats) (IMC 2638: ? edition).
? edition).
8 E. Reiche
8 AlsoReiche Rondo:
Rondo:
available as No.
3rd
3rd
12
movt
movt
from
from
from
Solos for
Trombone
Trombone
the Trombone
Concerto
Concerto
Player,
No.
No.
arr.
2
2 in
in
Smith
A
A (observing
(observing
(G. Schirmer repeats)
GS33009:
(IMC
?
(IMC
? 2638:
edition) edition).
Also
Also available as
available as No. 12 from Solos
No. Concertante for
12 from Solos for the Trombone
the Trombone Player,
Player, arr. Smith
arr. Smith (G.
(G.? Schirmer
Schirmer GS33009: ? edition)
GS33009: edition)
9 S. Rousseau Pièce (observing cadenza)
(observing cadenza) (Obrasso Verlag:
(Obrasso Verlag: ?
?/
/ & edition)
&
9 S.
S. Rousseau
Rousseau
9 Weber
10 Romance
Pièce Concertante
Pièce(Brass Wind: ?
Concertante ?/(observing
& edition orcadenza)
Editions(Obrasso
Marc ReiftVerlag:
Reift EMR 236:/& edition)
236: ?
edition)
? edition)
Wind: ?/ EMR 236: ? edition)
&
10 Weber
10 Weber Romance (Brass Wind:
Romance (Brass /& edition or Editions
edition or Editions Marc
Marc Reift EMR edition)
LIST
LIST B
B
LIST
1 B
Castérède Allegro vivo: 1st movt from Sonatine for Trombone (Leduc AL21930: ?
? edition)
B 1 Castérède Allegro vivo: 1st
1st movt from Sonatine for Trombone (Leduc AL21930: ? edition)
1
2 Castérède
Brian Allegro
Chapple vivo:giocoso:
Allegro movt1st from Sonatine
movt from A
A
for
Bit
Bit
Trombone
of
of a
a Blow
Blow
(Leduc
for
for Trombone
Trombone
AL21930:
(Bosworth BOE100793: ?
edition)
BOE100793: ?
?/
/&& edition)
2 Brian
2 Tony
3
Chapple
BrianCliff
Chapple Allegro
Allegro
Pastels and
giocoso:
giocoso:
any one
1st movt
1st movt
other movt:
from
from
from AFour
Bit ofSketches
a Blow for
for Trombone (Bosworth
Trombone (Studio
(Bosworth
Music: ?
BOE100793:
? / /& edition)
& edition) edition)
3
3 Tony
Tony Cliff
Cliff Pastels
Pastels and
and any
any one
one other
other movt:
movt: from
from Four
Four Sketches
Sketches for
for Trombone
Trombone (Studio
(Studio Music:
Music: ? /
/
& edition)
& edition)
4 Larsson Preludium
4 Larsson Preludium (Allegro
(Allegro pomposo):
pomposo): 1st 1st movt
movt from
from Concertino
Concertino for for Trombone,
Trombone, Op.Op. 45
45 No.
No. 77 (Gehrmans
(Gehrmans
4 Larsson
MusikförlagPreludium
CG5139U: ?
(Allegro
? pomposo): 1st movt from Concertino for Trombone, Op. 45 No. 7 (Gehrmans
edition)
Musikförlag
Musikförlag CG5139U:
CG5139U: ? edition)
edition)and Romance (observing cadenza) or Bacchanale: 1st and 2nd movts, or 3rd
5 Jean-François Michel Prélude and cadenza) or
5 Jean-François
5 Jean-François
movt from
Michel
Michel
Prélude,
Prélude
Prélude
Romance & and Romance
Romance
Bacchanale
(observing
(observing
(Editions BIM cadenza)
TB86: ?
? or Bacchanale:
edition) 1st and
Bacchanale: 1st and 2nd movts, or
2nd movts, or 3rd
3rd
movt
movt from
from Prélude,
Prélude, Romance
Romance &
& Bacchanale
Bacchanale (Editions
(Editions BIM
BIM ? TB86:
TB86: ? edition)
edition)
6 Florentin Morel
6 Florentin Morel Pièce
Pièce in
in FF minor
minor (Billaudot CC2460 :: ?
(Billaudot CC2460 ? edition)
edition)
7 FlorentinPlog
6 Anthony MorelDivergent
Pièce in Roads
F minor (Billaudot
(Editions BIM
BIM TB88: :?
CC2460 ? edition)
edition)
? edition)
7
8
Anthony
Anthony
7 Pryor Plog
Plog Divergent
ThoughtsDivergent
of Love
Roads
Roads
(ending
(Editions
(Editions
before BIMatTB88:
Coda, TB88:
b. 189 ) (Carl Fischer: ?
edition) ? edition). Also available in Arthur Pryor
8 Pryor
8 Pryor
Solos for
Thoughts
Thoughts
Trombone
of
of Love
Love
(Carl
(ending
(ending
Fischer: ?
?
before
before Coda,
Coda, at
edition) at b.
b. 189
189 )) (Carl Fischer: ? edition).
(Carl Fischer: edition). Also
Also available
available in
in Arthur
Arthur Pryor
Pryor
Solos
Solos for
for Trombone
Trombone (Carl
(Carl Fischer:
Fischer: ? edition)
edition)
9 Jiggs Whigham
9 Jiggs Whigham Steve and Fast
Steve and Fast Swing:
Swing: 4th and 5th
4th and 5th movts
movts fromfrom Suite
Suite for
for Trombone
Trombone (Schott ED 21132:
(Schott ED 21132:
?
9 Jiggs
? Whigham Steve and Fast Swing: 4th and 5th movts from Suite for Trombone (Schott ED 21132:
edition)
? edition)
edition) ? edition)
10 Rob Wiffin Shout! (last 3 notes vb) (Studio Music: ?/&
8vb
Music: ?/
&
10 Rob
10 Rob Wiffin
Wiffin Shout! (last 3
Shout! (last 3 notes
notes 8 (Studio Music:
8vb)) (Studio /& edition)
edition)
LIST
LIST C
C
C LIST
J. CS. Allemande or 4. P. 17 or P. 18 from J. S. Bach Suites for Cello, arr. Lafosse
1
1 J.
1 J. S. Bach
Bach
Bach Allemande or Courante from
or Courante
? from Suite No.
from Suite
Suite No. 4. P.
No. 4. P. 17 or P.
17 or P. 18
18 from
from J.
J. S.
S. Bach
Bach Suites
Suites for
for Cello,
Cello, arr.
arr. Lafosse
Lafosse
forS.Trombone
for Trombone Allemande
(Leduc
Courante
AL20326:
(Leduc AL20326: ? edition)
?
edition)
2 for Trombone
Belcke (Leduc
Allegro con AL20326:
spirito. No. edition)
35 from Posaunen-Etüden 1 (DVfM 31075: ?
? edition)
2
2 Belcke
Belcke Allegro
Allegro con
con spirito.
spirito. No.
No. 3535 from
from Posaunen-Etüden
Posaunen-Etüden 1
1 (DVfM
(DVfM 31075:
31075: ? edition)
edition)
3 Bordogni, trans. Rochut Allegro or Allegro moderato. No. 44 or No. 55 from Melodious Etudes for Trombone,
3 Bordogni,
3 Bordogni,
Book 1 (Carl
trans.
trans. Rochut
?
Rochut
Fischer: ? Allegro or
Allegro
edition) or Allegro moderato. No.
Allegro moderato. No. 44 or No.
44 or No. 55
55 from
from Melodious
Melodious Etudes
Etudes for
for Trombone,
Trombone,
Book 1 (Carl Fischer: ? edition)
4
Book 1 (Carl
Derek Bourgeois
4 Derek Fischer:
Bourgeois Moderato edition)
Moderato con con moto:
moto: No.
No. 88 from Hear Today
from Hear Today and
and Bone
Bone Tomorrow
Tomorrow (Brass Wind: ?
(Brass Wind: ? or
?
or &&
4 Derek
editions) Bourgeois Moderato con moto: No. 8 from Hear Today and Bone Tomorrow (Brass Wind: or &
editions)
editions) ?
5 Douglas Court Reflections. No. 8 from Melodic Studies for Trombone (De Haske: ? edition)
5
5
6
Douglas
Douglas
Englund
Court
Court Reflections.
Reflections.
Panorama (Fennica
No.
No. 88 from
Gehrman:from??
Melodic
Melodic Studies
Studies for
edition) for Trombone Haske: ? edition)
(De Haske:
Trombone (De edition)
6 Englund Panorama (Fennica Gehrman:
Gehrman: ? edition)
7 Englund
6 Philip Panorama
Sparke (Fennica
Georgia’s Gigue or Threes,edition)
or Threes, Fives and
and Sevens:
Sevens: No.No. 18 or No.
18 or No. 2626 from Super Studies for
from Super for Trombone
7 Philip
7 Philip
(Anglo
Sparke
Sparke
Music
Georgia’s
Georgia’s
AMP 116-401:
Gigue
?
Gigue
? Threes, Fives and Sevens: No. 18 or No. 26 from Super Studies
/&&oredition)
Fives Studies for Trombone
Trombone
(Anglo
(Anglo Music
Music AMP
AMP 116-401:
116-401: ?// & edition)
edition)
8 Adrian Taylor The Complete Technique: No. 20 from Melodic Studies on Trombone Technique (Warwick Music:
8
8 ?Adrian
Adrian
?
Taylor
Taylor The
or && editions) The Complete
Complete Technique:
Technique: No. No. 20 from Melodic
20 from Melodic Studies
Studies on
on Trombone
Trombone Technique (Warwick Music:
Technique (Warwick Music:
? or editions)
or & editions)
AURAL
AURAL TESTS FOR THE GRADE: see pp. 90 and 95
AURAL TESTS
TESTS FOR
FOR THE
THE GRADE:
GRADE: see
see pp.
pp. 90
90 and
and 95
95

39
58
58
58
BASS
BASS TROMBONE (Grades 6 to 8 only)
BASS TROMBONE
TROMBONE (Grades
(Grades 6
6 to
to 8
8 only)
only)
This
This syllabus for Bass Trombone is valid for 2010–2020. Details of any planned changes to the Bass Trom-
This syllabus
bone syllabus for
for Bass
requirementsBass Trombone
Trombone
from 2021
is valid
is be
will valid for
for 2010–2020.
posted 2010–2020.
in advance
Details
Details
at
of
of any
any planned
planned changes
changes to
www.abrsm.org/basstrombone. to the
the Bass
Bass Trom-
Trom-
Bass Trombone
bone
bone requirements
requirements
Performance
from 2021 will be posted in advance at Performance Grades
www.abrsm.org/basstrombone.
Grades from 2021 will be posted in advance at www.abrsm.org/basstrombone. 2010–2022
Bass Trombone 2010–2022
Bass
Bass Trombone
Trombone GRADE
GRADE 6
GRADE
Bass 6
Trombone GRADE 6
6
PREREQUISITE
PREREQUISITEFOR
PREREQUISITE FOR ENTRY:
FOR ENTRY: ABRSM
ENTRY: ABRSM
ABRSM Grade
Grade
Grade 5 (or
5
5 above)
(or in Music
above) Theory,
in Music Practical
Theory, Musicianship
Practical or a Practical
Musicianship or any
PREREQUISITE
Grades
solo Jazz solo JazzFOR
subject. ENTRY:For
instrument.
For ABRSM
alternatives, see Gradesee
alternatives, 5 (or
(or above)
above) in
in Music
Music Theory,
Theory, Practical
www.abrsm.org/prerequisite.
www.abrsm.org/prerequisite. Practical Musicianship
Musicianship or or any
any
solo Jazz subject. For alternatives, see www.abrsm.org/prerequisite.
solo Jazz subject. For alternatives, see www.abrsm.org/prerequisite.
THREE
FOURPIECES:
THREE PIECES: atone chosen
least by the
one chosen bycandidate from
the candidate each
from ofofthe
each thethree Lists,A,
three Lists, A,BB, and
and C, C:
and a fourth of the
THREE PIECES:
PIECES: one
one chosen
chosen byby the
the candidate
candidate from
from each
each of
of the
the three
three Lists,
Lists, A,
candidate’s own choice; for further programming requirements, see pages 4–6 A, B,
B, and
and C:
C:
LIST
LIST A
A
LIST
1 A
Beethoven Danse villageoise, arr. Goudenhooft (simplified version) (Billaudot GB4482)
1 Beethoven Danse villageoise, arr. Goudenhooft (simplified version) (Billaudot GB4482)
A 1 Beethoven Danse villageoise, arr. Goudenhooft (simplified version) Bass
(Billaudot GB4482)
2 Dukas
2 Dukas Theme from The
Theme from The Sorcerer’s
Sorcerer’s Apprentice.
Apprentice. Power
Power Bass
Bass –– Solos
Solos for
for Bass Trombone,
Trombone, arr.
arr. Green (Brass Wind)
Green (Brass Wind)
from The Sorcerer’s
Dukas Theme (either
2 Handel Apprentice. Power BassF,– Op.
Solos for Bass Trombone, arr. Green (Brass Wind)
3 Largo (either version):
3 Handel Largo version): 3rd
3rd movt
movt from
from Sonata
Sonata in in F, Op. 11 No.
No. 12,
12, trans.
trans. Yeo
Yeo for
for Bass
Bass Trombone
Trombone (IMC
(IMC
3 Handel
3308) Largo (either version): 3rd movt from Sonata in F, Op. 1 No. 12, trans. Yeo for Bass Trombone (IMC
3308)
4 3308)
Jacob V.I.P.: No. 1 from Cameos for Bass Trombone (Emerson E110a)
4 Jacob V.I.P.: No. 1 from Cameos for Bass Trombone (Emerson E110a)
b arr. Sturzenegger
(in A b),
4 J. V.I.P.: No. 1 from Cameos
JacobLoeillet for BassSonata
TromboneA(Emerson E110a)
5 J. B.
5 B. Loeillet Cantabile:
Cantabile: 1st
1st movt
movt from
from Sonata (in ), arr. Sturzenegger forfor Bass
Bass Trombone (Editions Marc
Trombone (Editions
Cantabile: 1st movt from Sonata (in A b), arr. Sturzenegger for Bass Trombone (Editions Marc
Marc
J. B. Loeillet
5 Reift
Reift EMR
EMR 307N)
307N)
Reift EMR 307N)
6 Patrick
6 Patrick McCarty
McCarty Andantino:
Andantino: 2nd
2nd movt
movt from
from Sonata
Sonata for
for Bass
Bass Trombone (Ensemble Publications)
Trombone (Ensemble Publications)
6 Patrick McCarty Andantino: 2nd movt from Sonata for Bass Trombone (Ensemble Publications)
LIST
LIST B
B
LIST B
B 1 Jean-Michel
1 Jean-Michel Defaye
Defaye Danse
Danse profane:
profane: No.
No. 2 from Deux
2 from Deux Danses
Danses for
for Bass
Bass Trombone (Leduc AL25465)
Trombone (Leduc AL25465)
Jean-Michel Defaye
1 Tom Danse profane: No. 2 from Deux Danses for Music)
Bass Trombone (Leduc AL25465)
2 Tom Dossett
2 Dossett Scene
Scene 5: from Scenes
5: from Scenes for
for Bass
Bass Trombone
Trombone (Warwick
(Warwick Music)
3 Tom Dossett
2 Tom Dossett Sweet
Scene Lullaby Scenes
5: from for forTrombone
Bass Bass Trombone (Warwick
(Warwick Music) Music)
3 Tom Dossett Sweet Lullaby for Bass Trombone (Warwick Music)
4 Tom
3 Dossett
Robert Eaves Sweet Lullaby and
Introduction for Bass Trombone
Burlesque (Warwick
for Bass
Bass Music)
Trombone 3 bars
(starting 3 bars before
before Fig.
Fig. 2)
2) (G &M
(G & M Brand)
4 Robert Eaves Introduction and Burlesque for Trombone (starting Brand)
4 Robert Eaves Introduction and Burlesque for Bass Trombone (starting 3 bars before Fig. 2) (G & M Brand)
5 Jonathan Warburton Almost Swing! for Bass Trombone (Warwick Music)
5 Jonathan Warburton Almost Swing! for Bass Trombone (Warwick Music)
Jonathan Warburton
5 Guy Almost Swing! for Bass Trombone (Warwick Music)
6 Guy Woolfenden
6 Woolfenden Moving
Moving On
On for
for Bass
Bass Trombone (Warwick Music)
Trombone (Warwick Music)
6 Guy Woolfenden Moving On for Bass Trombone (Warwick Music)
LIST
LIST C
C
C LIST C
1 Bordogni,
1 Bordogni, trans.
trans. Ostrander
Ostrander Andante
Andante cantabile:
cantabile: No.
No. 3 from Melodious
3 from Melodious Etudes
Etudes for
for Bass
Bass Trombone (Carl Fischer)
Trombone (Carl Fischer)
2 Bordogni,
1 trans. Ostrander Andante cantabile: 3 from Melodious
No. from Etudes for Bass Trombone (Carl Fischer)
2 Andy
Andy Derrick
Derrick Pomp Piece or
Pomp Piece or An
An Air:
Air: No.
No. 11 or
or No. 2 from Bass
No. 2 Bass Bone
Bone Bonanza (Warwick Music)
Bonanza (Warwick Music)
2 Andy Derrick Pomp Piece or An Air: No. 1 or No. 2 from Bass Bone Bonanza (Warwick Music)
3 Michael
3 Michael Eversden
Eversden Allegro
Allegro giocoso:
giocoso: No.
No. 2 from 50
2 from 50 Studies
Studies for
for Bass
Bass Trombone (Warwick Music)
Trombone (Warwick Music)
Michael Eversden Allegro
3 Grigoriev giocoso: No. 2 from 50 Studies for (IMC
Bass Trombone (Warwick Music)
4
4 Grigoriev Maestoso:
Maestoso: No.
No. 6 from 24
6 from 24 Studies
Studies for
for Bass
Bass Trombone
Trombone (IMC 3094)
3094)
5 Grigoriev
4 Guy Maestoso:
Warrack Grade No.
6 6 from
Study. 24 Studies
Studies for forTrombone
Bass Bass Trombone
(ABRSM)(IMC 3094)
5 Guy Warrack Grade 6 Study. Studies for Bass Trombone (ABRSM)
6 Guy
5 Warrack arr.
Weissenborn, Grade 6 Study.
Lake Studies
Allegretto: No.for2Bass
fromTrombone (ABRSM)
12 Studies
Studies for Bass
Bass Trombone
Trombone (Neuschel Music)
(Neuschel Music)
6 Weissenborn, arr. Lake Allegretto: No. 2 from 12 for
6 Weissenborn, arr. Lake Allegretto: No. 2 from 12 Studies for Bass Trombone (Neuschel Music)
AURAL
AURAL TESTS FOR THE GRADE: see pp. 90 and 93
AURAL TESTS
TESTS FOR
FOR THE
THE GRADE:
GRADE: see
see pp.
pp. 90
90 and
and 93
93
SCALES
SCALES AND
AND ARPEGGIOS:
ARPEGGIOS: from memory, to be played both tongued and with legato tonguing in the
SCALES
fol lowing AND
keys: ARPEGGIOS: from from memory,
memory, to to be
be played
played both
both tongued
tongued andand with
with legato
legato tonguing
tonguing in
in the
the
fol lowing keys:
A bb major (a twelfth)
following keys:
A b major (a
(a twelfth)
A
C, D, D, E bb majors;
major C ##,, D,
twelfth)
majors; D, E bb minors
minors (two octaves)
octaves)
C,
C, D, E E b majors; C C #, D, E E b minors (two
(two octaves)
Scales: in
Scales: in the
the above
above keys
keys (minors
(minors in both harmonic
in both and melodic forms)
harmonic and forms)
harmonic and melodic
D bb (two
Scales: in the above keys (minors in both melodic forms)
Chromatic Scales:Scales: starting
starting on on CC and
and D (two octaves)
octaves)
Chromatic Scales: starting on C and D b (two octaves)
Chromatic
Arpeggios: the
Arpeggios: the common chordschords of thethe above keys
keys for the
the ranges indicated
indicated
Arpeggios: the common common chords of of the above
above keys for
for the ranges
ranges indicated
Dominant Seventh:
Dominant Seventh: inin the
the key
key ofof A
A (two
(two octaves)
octaves)
Dominant Seventh: in the key of A (two octaves)
Diminished Seventh:
Diminished Seventh: starting on on C (two
(two octaves)
Diminished Seventh: starting starting on C C (two octaves)
octaves)
SIGHT-READING:
SIGHT-READING: see p. 11.
SIGHT-READING: see
see p.
p. 11.
11.

60
60
60

40
Performance Grades Bass Trombone 2010–2022
Bass
Bass Trombone
Trombone GRADE
GRADE 7
GRADE
Bass 7
Trombone GRADE 7
7
PREREQUISITE
PREREQUISITEFOR FOR ENTRY: ABRSMGrade
ENTRY: ABRSM Grade 5 (or
5 (or above)
above) in Music
in Music Theory,
Theory, Practical
Practical Musicianship
Musicianship or any
or a Practical
PREREQUISITE FOR ENTRY: ABRSM Grade 5 (or above) in Music Theory, Practical Musicianship or any
PREREQUISITE
solo Jazz subject.
Grades solo FOR
JazzFor ENTRY:For ABRSM
alternatives,
instrument. Gradesee5 (or above) in Music Theory, Practical Musicianship or any
see www.abrsm.org/prerequisite.
alternatives, www.abrsm.org/prerequisite.
solo Jazz subject. For alternatives, see www.abrsm.org/prerequisite.
solo Jazz subject. For alternatives, see www.abrsm.org/prerequisite.
THREE PIECES: one chosen by the candidate from each of the three Lists, A, B and C:
THREE
FOURPIECES:
PIECES: atone
least one chosen
chosen by thebycandidate
the candidate
fromfrom each
each ofofthe
thethree Lists,A,
three Lists, A,BBand
andC,C:
and a fourth of the
THREE
LIST A PIECES:
candidate’s ownone chosen
choice; by the
for further candidate from
programming each of see
requirements, thepages
three4–6
Lists, A, B and C:
LIST A
1
LIST A Bach Badinerie (observing 1st repeat), arr. Mortimer for Bass Trombone (Editions Marc Reift EMR 510N)
J. S.
1 J. S. Bach Badinerie (observing 1st repeat), arr. Mortimer for Bass Trombone (Editions Marc Reift EMR 510N)
A 1 S. S.
2 J. Leduc
Bach Andante
Badinerie(low B may be1st
(observing adapted),
repeat), arr. Goudenhooft
Mortimer for Bass for Bass Trombone
Trombone MarcGB4139
(Billaudot
(Editions Reift EMR) 510N)
B bb), arr.
2 S. Leduc Andante (low B may be adapted), arr. Goudenhooft for Bass Trombone (Billaudot GB4139 )
2 B. Leduc
3 S. Marcello
Andante and Allegro
Largo (low B may be(lower line in
adapted), arr.ossias): 3rd and 4th
Goudenhooft movtsTrombone
for Bass from Sonata No. 5 (in
(Billaudot GB4139 )
3 B. Marcello Largo and Allegro (lower line in ossias): 3rd and 4th movts from Sonata No. 5 (in B b), arr.
3 Mortimer
B. MarcelloforLargo
Bass Trombone
and Allegro(Editions Marc
(lower line Reift EMR
in ossias): 3rd2046N)
and 4th movts from Sonata No. 5 (in B ), arr.
Mortimer for Bass Trombone (Editions Marc Reift EMR 2046N)
Saint-SaënsforL’éléphant.
4 Mortimer Bass Trombone Power Bass – Solos
(Editions Marcfor BassEMR
Reift Trombone,
2046N) arr. Green (Brass Wind)
4 Saint-Saëns L’éléphant. Power Bass – Solos for Bass Trombone, arr. Green (Brass Wind)
4 Senaillé Allegro
5 Saint-Saëns spiritoso:Power
L’éléphant. Andante
from Bass andforAllegro
– Solos spiritoso, arr.
Bass Trombone, arr.for Bass
Green Wind) (Editions Marc Reift EMR
Trombone
(Brass
5 Senaillé Allegro spiritoso: from Andante and Allegro spiritoso, arr. for Bass Trombone (Editions Marc Reift EMR
5 293A)
Senaillé Allegro spiritoso: from Andante and Allegro spiritoso, arr. for Bass Trombone (Editions Marc Reift EMR
Vivaldi Allegro: 2nd movt from Sonata No. 1 in B b, arr. Mortimer for Bass Trombone (Editions Marc Reift
293A)
6 Vivaldi Allegro: 2nd movt from Sonata No. 1 in B bb, arr. Mortimer for Bass Trombone (Editions Marc Reift
6 293A)
EMR 323N)
6 Vivaldi Allegro: 2nd movt from Sonata No. 1 in B , arr. Mortimer for Bass Trombone (Editions Marc Reift
EMR 323N)
EMR
LIST B 323N)
LIST B
1 Tom
LIST B Dossett Furiant for Bass Trombone (Warwick Music)
B 1 Tom Dossett Furiant for Bass Trombone (Warwick Music)
1 Tom Dossett Caprice:
2 from
Furiant for Trilogy
Bass for Bass
Trombone Trombone
(Warwick (Warwick Music)
Music)
2 Tom Dossett Caprice: from Trilogy for Bass Trombone (Warwick Music)
2 Pierre
3 GabayeCaprice:
Tom Dossett Tubabillage Trilogy AL22765)
from (Leduc for Bass Trombone (Warwick Music)
3 Pierre Gabaye Tubabillage (Leduc AL22765)
3 Semler-Collery
4 Andantino cantabile
Pierre Gabaye Tubabillage or Allegretto con spirito: from Deux pièces brèves (Eschig)
(Leduc AL22765)
4 Semler-Collery Andantino cantabile or Allegretto con spirito: from Deux pièces brèves (Eschig)
4 Robert
5 SpillmanAndantino
Semler-Collery Andante: cantabile
No. 1 from orTwo Songs (Edition
Allegretto Musicus)
con spirito: from Deux pièces brèves (Eschig)
5 Robert Spillman Andante: No. 1 from Two Songs (Edition Musicus)
5 Gareth
6 Robert Wood Toccata
Spillman for Bass
Andante: No.Trombone
1 from Two(Warwick Music)Musicus)
Songs (Edition
6 Gareth Wood Toccata for Bass Trombone (Warwick Music)
6 Gareth
LIST C Wood Toccata for Bass Trombone (Warwick Music)
LIST C
C 1 Bordogni,
LIST C trans. Ostrander Andantino con moto: No. 22 from Melodious Etudes for Bass Trombone (Carl Fischer)
1 Bordogni, trans. Ostrander Andantino con moto: No. 22 from Melodious Etudes for Bass Trombone (Carl Fischer)
1 Philip
2 Cranmer
Bordogni, trans. Grade 7 Study.
Ostrander Studiescon
Andantino for Bass
moto:Trombone (ABRSM)
No. 22 from Melodious Etudes for Bass Trombone (Carl Fischer)
2 Philip Cranmer Grade 7 Study. Studies for Bass Trombone (ABRSM)
2 Andy
3 PhilipDerrick
CranmerShow Piece:
Grade from Bass
No. 6 Studies
7 Study. Bone Trombone
for Bass Bonanza (Warwick
(ABRSM)Music)
3 Andy Derrick Show Piece: No. 6 from Bass Bone Bonanza (Warwick Music)
3 Michael
4 Eversden
Andy Derrick Piece:orNo.
ShowPresto Allegro:
6 fromNo. 5 or
Bass 6 from 50
No.Bonanza
Bone Studies Music)
(Warwick for Bass Trombone (Warwick Music)
4 Michael Eversden Presto or Allegro: No. 5 or No. 6 from 50 Studies for Bass Trombone (Warwick Music)
4 Grigoriev
5 Veloce: No.
Michael Eversden 9 from
Presto 24 Studies
or Allegro: No.for Bass
5 or No.Trombone (IMC
6 from 50 3094)
Studies for Bass Trombone (Warwick Music)
5 Grigoriev Veloce: No. 9 from 24 Studies for Bass Trombone (IMC 3094)
5 Weissenborn,
6 arr. Lake
Grigoriev Veloce: No. 9 Allegretto grazioso
from 24 Studies B may be adapted):
(low Trombone
for Bass (IMC 3094) No. 5 from 12 Studies for Bass Trombone
6 Weissenborn, arr. Lake Allegretto grazioso (low B may be adapted): No. 5 from 12 Studies for Bass Trombone
6 (Neuschel Music)
Weissenborn, arr. Lake Allegretto grazioso (low B may be adapted): No. 5 from 12 Studies for Bass Trombone
(Neuschel Music)
(Neuschel Music)
AURAL TESTS FOR THE GRADE: see pp. 90 and 94
AURAL TESTS FOR THE GRADE: see pp. 90 and 94
AURAL TESTS FOR THE GRADE: see pp. 90 and 94
SCALES AND ARPEGGIOS: from memory, to be played tongued, with legato tonguing and staccato in the
SCALES AND ARPEGGIOS: from memory, to be played tongued, with legato tonguing and staccato in the
SCALES AND
following keys:ARPEGGIOS: from memory, to be played tongued, with legato tonguing and staccato in the
following keys:
C, D bb, D,
following E b, E, F majors; C, C #, D, E b, E, F minors (two octaves)
keys:
C, D b, D, E bb, E, F majors; C, C ##, D, E bb, E, F minors (two octaves)
C,
AllDother
, D, keys,
E , E,major
F majors;
and C, C , D,
minor (a Etwelfth)
, E, F minors (two octaves)
All other keys, major and minor (a twelfth)
All other
Scales: in thekeys, major
above keysand minorin(aboth
(minors twelfth)
harmonic and melodic forms)
Scales: in the above keys (minors in both harmonic and melodic forms)
Scales: in the abovestarting
keys (minors
on any in bothC–E b (two octaves)
harmonic and melodic forms)
Chromatic Scales: starting on any note C–E bb (two octaves)
Chromatic Scales: note
Chromatic Scales:
Arpeggios: starting
the common on any
chords ofnote C–E (two
the above octaves)
keys for the ranges indicated
Arpeggios: the common chords of the above keys for the ranges indicated
Arpeggios:Sevenths:
Dominant the common chords
in the of Fthe
keys of andabove keysoctaves)
G (two for the ranges indicated
Dominant Sevenths: in the keys of F and G (two octaves)
Dominant Sevenths:
Sevenths:instarting andDGb (two
the keysonofCFand (two octaves)
Diminished Sevenths: starting on C and D bb (two octaves)
Diminished octaves)
Diminished Sevenths: starting on C and D (two octaves)
SIGHT-READING: see p. 11.
SIGHT-READING: see p. 11.
SIGHT-READING: see p. 11.

61 41
61
61
Performance Grades Bass Trombone 2010–2022
Bass
Bass Trombone
Trombone GRADE
GRADE 8
GRADE
Bass 8
Trombone GRADE 8
8
PREREQUISITE
PREREQUISITEFOR FOR ENTRY: ABRSMGrade
ENTRY: ABRSM Grade 5 (or
5 (or above)
above) in Music
in Music Theory,
Theory, Practical
Practical Musicianship
Musicianship or any
or a Practical
PREREQUISITE FOR ENTRY: ABRSM Grade 5 (or above) in Music Theory, Practical Musicianship or any
PREREQUISITE
Grades
solo solo JazzFOR
Jazz subject. ENTRY:For
instrument.
For ABRSM
alternatives, Gradesee
alternatives, 5 (or above) in Music Theory, Practical Musicianship or any
www.abrsm.org/prerequisite.
see www.abrsm.org/prerequisite.
solo Jazz subject. For alternatives, see www.abrsm.org/prerequisite.
solo Jazz subject. For alternatives, see www.abrsm.org/prerequisite.
THREE
FOURPIECES:
PIECES: atone chosen
least by the
one chosen bycandidate from
the candidate each
from ofofthe
each thethree Lists,A,
three Lists, A, B andC,C:
THREE PIECES: one chosen by the candidate from each of the three Lists, A,BBand
and and a fourth of the
C:
THREEA PIECES:
candidate
LIST ’s ownone chosen
choice; by the
for further candidate from
programming each of see
requirements, thepages
three4–6
Lists, A, B and C:
LIST A
LIST
1 A
Bruch Theme from Kol Nidrei ¸ Power Bass – Solos for Bass Trombone, arr. Green
1 Bruch Theme from Kol Nidrei ¸ Power Bass – Solos for Bass Trombone, arr. Green
˝
A 1
2 Bruch Theme
Saint-Saëns Kol Nidrei
from appassionato
Allegro (low B may be adapted) ˛ ¸ Power
˝ (BrassBass – Solos for Bass Trombone, arr. Green
Wind)
2 Saint-Saëns Allegro appassionato (low B may be adapted) ˛ ˝ (Brass Wind)
3 Saint-Saëns
2 Harold East Allegro
2nd movt:appassionato (low B
from Sonatina formay be Trombone
Bass adapted) ˛ (Ricordi)
(Brass Wind)
3 Harold East 2nd movt: from Sonatina for Bass Trombone (Ricordi)
4 Harold
3 Guilmant East 2nd movt:
Morceau from Sonatina
symphonique, Op.for Bass Trombone
88 (starting (Ricordi)
at Allegro moderato, b. 39) (Editions Marc Reift EMR 2007)
4 Guilmant Morceau symphonique, Op. 88 (starting at Allegro moderato, b. 39) (Editions Marc Reift EMR 2007)
5 Guilmant
4 Morceau
Vivaldi Andante andsymphonique, Op. and
Allegro, or Largo Allegro:at1st
88 (starting Allegro moderato,
and 2nd movts,b.or39) and 4th Marc
3rd(Editions movtsReift
from EMR 2007)
Sonata
5 Vivaldi Andante and Allegro, or Largo and Allegro: 1st and 2nd movts, or 3rd and 4th movts from Sonata
5 Vivaldi
No. 2 in Andante and Allegro,
F, arr. Mortimer or Largo
for Bass and Allegro:
Trombone and Reift
1stMarc
(Editions 2nd movts, or 3rd and 4th movts from Sonata
EMR 324N)
No. 2 in F, arr. Mortimer for Bass Trombone (Editions Marc Reift EMR 324N)
6 No.
Weber2 inRomance
F, arr. Mortimer
for Bassfor Bass Trombone
Trombone (Editions Marc Reift EMR 324N)
(Brass Wind)
6 Weber Romance for Bass Trombone (Brass Wind)
6 Weber
LIST B Romance for Bass Trombone (Brass Wind)
LIST B
LIST
1 B Boutry Tubaroque (Leduc AL21635)
Roger
B 1 Roger Boutry Tubaroque (Leduc AL21635)
2 Roger Boutry
1 Stephen Tubaroque
Dodgson AL21635)
(Leduc4th
Alla Polacca: movt from Concerto for Bass Trombone (Neuschel Music)
2 Stephen Dodgson Alla Polacca: 4th movt from Concerto for Bass Trombone (Neuschel Music)
3 Stephen
2 Dodgson
Tom Dossett Alla Song
Carousel Polacca:
for 4th
Bassmovt from Concerto
Trombone (Warwickfor Bass Trombone (Neuschel Music)
Music)
3 Tom Dossett Carousel Song for Bass Trombone (Warwick Music)
3 Tom Dossett Gaillarde
4 Carousel Song for Bass
(observing Trombone
cadenza): Trilogy forMusic)
from (Warwick Bass Trombone (Warwick Music)
4 Tom Dossett Gaillarde (observing cadenza): from Trilogy for Bass Trombone (Warwick Music)
5 TomKoetsier
4 Jan Dossett Allegro
Gaillarde
Maestoso forcadenza):
(observing from Trilogy
Bass Trombone Op. 58forNo.
Bass
2 Trombone (Warwick
(Editions Marc Music)
Reift EMR 216)
5 Jan Koetsier Allegro Maestoso for Bass Trombone Op. 58 No. 2 (Editions Marc Reift EMR 216)
6 Jan Koetsier
5 Richard Lieb Allegro Maestoso
Concertino Bassofor Bass Trombone
(observing cadenza)Op. No. 2 (Editions Marc Reift EMR 216)
58Fischer)
(Carl
6 Richard Lieb Concertino Basso (observing cadenza) (Carl Fischer)
6 Richard
LIST C Lieb Concertino Basso (observing cadenza) (Carl Fischer)
LIST C
C LIST
1 C
Bordogni, trans. Ostrander Allegretto: No. 19 from Melodious Etudes for Bass Trombone (Carl Fischer)
1 Bordogni, trans. Ostrander Allegretto: No. 19 from Melodious Etudes for Bass Trombone (Carl Fischer)
2 Bordogni,
1 Michael trans. Ostrander
Eversden Allegretto:
Allegro (low Bs may beNo. 19 from
adapted) andMelodious Etudes
Con animo: for36
No. Bass
andTrombone (Carl50
No. 37 from Fischer)
Studies for Bass
2 Michael Eversden Allegro (low Bs may be adapted) and Con animo: No. 36 and No. 37 from 50 Studies for Bass
Michael Eversden
2 Trombone Music) (low Bs may be adapted) and Con animo: No. 36 and No. 37 from 50 Studies for Bass
(Warwick Allegro
Trombone (Warwick Music)
Trombone (Warwick
3 Grigoriev Music)
Allegretto and Allegretto: No. 14 and No. 18 from 24 Studies for Bass Trombone (IMC 3094)
3 Grigoriev Allegretto and Allegretto: No. 14 and No. 18 from 24 Studies for Bass Trombone (IMC 3094)
4 Grigoriev
3 Allegretto and
Malcolm Macdonald GradeAllegretto:
8 Study. No. 14 and
Studies No. 18
for Bass from 24(ABRSM)
Trombone Studies for Bass Trombone (IMC 3094)
4 Malcolm Macdonald Grade 8 Study. Studies for Bass Trombone (ABRSM)
5 MalcolmNaulais
4 Jérôme Macdonald
Bien Grade
rythmé8or Gigue:Studies
Study. No. 12fororBass
No. Trombone (ABRSM)
20 from Etudes variées sur la virtuosité, le style et le rythme
5 Jérôme Naulais Bien rythmé or Gigue: No. 12 or No. 20 from Etudes variées sur la virtuosité, le style et le rythme
Jérôme
5 for Bass Naulais
Trombone,BienVol.
rythmé or Gigue:
1 (Billaudot No. 12 or No. 20 from Etudes variées sur la virtuosité, le style et le rythme
GB6555)
for Bass Trombone, Vol. 1 (Billaudot GB6555)
for Bass Trombone,
6 Weissenborn, Vol. Allegro
arr. Lake 1 (Billaudot GB6555)
vivace (low Bs may be adapted): No. 12 from 12 Studies for Bass Trombone
6 Weissenborn, arr. Lake Allegro vivace (low Bs may be adapted): No. 12 from 12 Studies for Bass Trombone
6 Weissenborn, arr. Lake Allegro vivace (low Bs may be adapted): No. 12 from 12 Studies for Bass Trombone
(Neuschel Music)
(Neuschel Music)
(Neuschel Music)
AURAL TESTS FOR THE GRADE: see pp. 90 and 95
AURAL TESTS FOR THE GRADE: see pp. 90 and 95
AURAL TESTS FOR THE GRADE: see pp. 90 and 95
SCALES AND ARPEGGIOS: from memory, to be played tongued, with legato tonguing and staccato in the
SCALES AND ARPEGGIOS: from memory, to be played tongued, with legato tonguing and staccato in the
SCALES AND
following keys:ARPEGGIOS: from memory, to be played tongued, with legato tonguing and staccato in the
following keys:
C, D bb, D,
following E b, E, F, F #, G majors; C, C #, D, E b, E, F, F #, G minors (two octaves)
keys:
C, D b, D, E bb, E, F, F ##, G majors; C, C ##, D, E bb, E, F, F ##, G minors (two octaves)
C, D , D, E , E,major
All other keys, F, F , and
G majors;
minorC, (aCtwelfth)
, D, E , E, F, F , G minors (two octaves)
All other keys, major and minor (a twelfth)
All other keys, major and minor (a twelfth)
Scales: in the above keys (minors in both harmonic and melodic forms)
Scales: in the above keys (minors in both harmonic and melodic forms)
Scales: in the abovestarting
keys (minors
on any in bothB–E b (two octaves)
harmonic and melodic forms)
Chromatic Scales: starting on any note B–E bb (two octaves)
Chromatic Scales: note
Chromatic Scales: starting on any note b
B–E (two octaves)
Whole-Tone Scales: starting on D and E b (two octaves), as example given on p. 10
Whole-Tone Scales: starting on D and E b (two octaves), as example given on p. 10
Whole-Tone
Arpeggios: the Scales:
commonstarting on Dofand
chords the Eabove(twokeys
octaves),
for theasranges
example given on p. 10
indicated
Arpeggios: the common chords of the above keys for the ranges indicated
Arpeggios: the common chords of the above# keys b
for
Dominant Sevenths: in the keys of E, F, F #, G and A b (two octaves) the ranges indicated
Dominant Sevenths: in the keys of E, F, F #, G and A b (two octaves)
Dominant Sevenths:
Sevenths:instarting E,DF,b Fand
the keysonofC, , GDand A octaves)
(two octaves)
Diminished Sevenths: starting on C, D bb and D (two octaves)
Diminished (two
Diminished Sevenths: starting on C, D and D (two octaves)
SIGHT-READING: see p. 11.
SIGHT-READING: see p. 11.
SIGHT-READING: see p. 11.

42
62
62
62
The repertoire lists indicate the clefs in which the pieces are published (? and/or && ). If necessary,
The
The repertoire
repertoire
candidates
lists indicate
indicate the
listsmanuscript
may use the clefs
clefs in
in which
which
transpositions
the pieces
intothe pieces
treble
are published ((? and/or
published
are clef.
or bass and/or & ).
). If
If necessary,
necessary,
candidates may use manuscript transpositions into treble or bass
candidates may use manuscript transpositions into treble or bass clef. clef.
Examiners will ask candidates whether they are bass- or treble-clef readers.
Baritone and Euphonium
Examiners
Examiners will
will ask
ask candidates
Performance Grades
candidates whether
whether they
they are
are bass-
bass- or
or treble-clef
treble-clef readers.
Performance
readers. Grades 2013–2022
Baritone and Euphonium 2013–2022
Baritone
Baritone and Euphonium GRADE 1
GRADE 1and
Baritone and Euphonium
Euphonium GRADE
GRADE 1
1
THREE
FOURPIECES:
PIECES: atone chosen
least by the
one chosen bycandidate from
the candidate each
from ofofthe
each thethree Lists,A,
three Lists, A,BBand
andC,C:
and a fourth of the
THREE
THREE PIECES:
PIECES: one
one chosen
chosen byby the
the candidate
candidate from
from each
each of
of the
the three
three Lists,
Lists, A,
A, B
B and
and C:
C:
candidate
LIST A ’s own choice; for further programming requirements, see pages 4–6
LIST
LIST
1 A Bach Chorale from St Matthew Passion. Boosey Brass Method, Repertoire Book B (Boosey & Hawkes: ?
A
J. S. ?
A 1 J.
1 J. S.
S. Bach
Bach Chorale b St
Chorale& from
from St Matthew Passion. Boosey
Matthew Passion. Boosey Brass
Brass Method,
trombone edition or & B b Brass Band Instruments edition) Method, Repertoire
Repertoire Book
Book B (Boosey &
B (Boosey Hawkes: ?
& Hawkes:
2
trombone edition
trombone edition or
Czerny Rise and B b Brass
or & B
Shine Brass Band
Band Instruments
Instruments
¸
edition)
edition) ? edition)
2 Czerny Rise ¸ Bravo! Euphonium, arr. Barratt (Boosey & Hawkes: ? /&
2
3 Trad. Rise and
CzernyScottish and
The
Shine
Shine
Night Visiting Song ˛
˝
¸ Bravo! Euphonium, arr. Barratt (Boosey & Hawkes: ? /&
˝ edition)
˝ Bravo! Euphonium, arr. Barratt (Boosey & Hawkes: /& edition)
Song ˛Brass, Book 1 (ABRSM: ? /&& brass edition; B bb piano accomp. published
3 Trad. Scottish The Night Visiting Song ˛
3
4 Trad.Davoren
Tom Scottish Romanza
The Night Visiting ¸ Shining ?
4 Tom Davoren Romanza ¸ Shining Brass, Book 1 (ABRSM: ? /& brass edition; B b piano accomp. published
˝
4
5 Tom
PhilipDavoren
Sparke A Romanza
Knight’s Tale ˛ ˝ Shining
¸ Brass, Book 1 (ABRSM: / brass edition; B piano accomp. published
separately)
5
5
6
Philip
Philip Sparke
Grieg Sparke A Knight’s
MorningA (from
Knight’s Tale ˝
PeerTale ˛ separately)
˛
Gynt) separately) ?
¸ Winners Galore, arr. Lawrance (Brass Wind: ? trombone edition or & brass
Wind: ? trombone
&
6
6 Grieg
Grieg Morning (from Peer
(from
MorningCornish Peer Gynt)
Gynt) ˝
¸ Winners b piano
¸ Winners Galore,
Galore, arr.
arr. Lawrance
Lawrance (Brass Wind:
(Brassseparately) trombone edition or & brass
edition or brass
7 Trad. Cornish Floral Dance ˛ ˝ edition; B b piano accomp. published separately)
edition; B accomp. published
˝
B b piano Hawkes: ?
7 Trad. Cornish Cornish Floral Dance ˛
7
8 Cornish The
Trad. English Cornish
BarleyFloral Dance
Break. edition;
The˛Magic Trombone, arr.accomp. published
Hare (Boosey & separately) ? / & edition)
8 Trad. English
English The Barley Break. The Magic Trombone, arr.
arr. Hare (Boosey & ? trombone
& Hawkes: ?/ &
& edition)
8
9 Trad. Spiritual The Barley All
All Night, Day. The
Break. EasyMagic Trombone,
Winners, arr. LawranceHare (Boosey
(Brass Wind: Hawkes:
? edition)
/edition or && brass edition;
9
9 B bb piano
Trad.
Trad. Spiritual
Spiritual All Night,
accomp.All
All Day. Easy
All Day.
Night, separately)
published Easy Winners,
Winners, arr.
arr. Lawrance
Lawrance (Brass Wind: ? trombone
(Brass Wind: trombone edition or & brass
edition or brass edition;
edition;
B b piano
B piano accomp.
accomp. published
published separately)
separately)
LIST B
LIST B
LIST B Amos Morris Miler: No. 5 from The Eddie Stobart Collection for Trombone/Euphonium (CMA Publications:
1 Keith
B 1 ?
1 Keith
Keith Amos
Amos Morris
Morris Miler:
Miler: No.
No. 5 from The
5 from The Eddie
Eddie Stobart
Stobart Collection
Collection for
for Trombone/Euphonium
Trombone/Euphonium (CMA (CMA Publications:
Publications:
?
?/
/&& edition)
/ & edition)
edition)
2 Carol Barratt Shortcake-Walk. Bravo! Euphonium, arr. Barratt (Boosey & Hawkes: ? /& edition) ? &
?/
Wind: ?
2 Carol
Carol Barratt Shortcake-Walk. Bravo!Bravo! Euphonium, arr.arr. Barratt (Boosey & Hawkes: edition)
/&(Brass
3 Barratt
2 Bernstein OneShortcake-Walk.
Hand, One Heart (fromEuphonium,
West Side Story). Barratt
Easy (Boosey
Winners, &arr.
Hawkes:
Lawrance edition) ? trombone
3 Bernstein
Bernstein
3 edition One Hand,
or && One
brass Hand, B bb piano
One
edition;One
Heart (from
Heartaccomp. West
West Side Story).
Story). Easy
Easy Winners,
Side separately)
(from published Winners, arr.
arr. Lawrance
Lawrance (Brass Wind: ? trombone
(Brass Wind: trombone
forBE.b piano (ABRSM: ? /&& brass edition; B bb piano accomp. published
edition or brass edition;
or & brassWaltz B piano accomp. published separately)
4 edition
Tom Davoren edition; accomp.
¸ Shining published
Brass, Book 1 separately) ?
Tom ¸ Shining Brass, Book 1 (ABRSM: ? /& brass edition; B b piano accomp. published
4 Tom Davoren
4 David
5 Davoren
A. Stowell
Waltz
Waltz for
for E.
Strollin’E. ˛˝
˝ Shining
¸ Brass, Book 1 (ABRSM: / brass edition; B piano accomp. published
separately)
No. 1 or No. 2 from Cityscapes for B bb Instrument (Gramercy Music: ?
˝
˛
5 David A.
6 David
5 A. Stowell
Stowell Strollin’
Strollin’ ˛ separately)
separately)
Peter Graham Moscow or Paris: ?
?/
/&& edition)
6 Peter
Peter Graham
6 RendallGraham Moscow
Moscow or
or Paris:
Paris: No. 1 or
1 or No.
No. Winners 2
2 from
No. Galore, Cityscapes
Cityscapes
fromarr. for
for BB b Instrument
Wind: ?
Instrument (Gramercy Music:
Music: or edition)
/&& brass
edition)
7 and Thomas Birdie Song. Lawrance (Brass ?(Gramercy
?
trombone edition &
7 Rendall
RendallBand
7 edition; b piano
and Thomas
Thomas Birdie
Birdie Song.
Song. Winners
Winners Galore, arr. Lawrance (Brass Wind: trombone edition or & brass
Galore, arr. Lawrance (Brass Wind: trombone edition or brass
b accomp. published separately)
8 edition; B b piano
edition; B
Trad. Americanpiano accomp.
accomp.
When the
published
published The Magic Trombone, arr. Hare (Boosey & Hawkes: ?
separately)
Saints.separately) ? /&& edition)
?/
? trombone edition or && B bb
8 Trad. American When When the Saints. The Magic Trombone, arr.
arr. BHare (Boosey &
& Hawkes: /& edition)
9 Trad. American
8 Zulu Siyahamba. the BrassThe
Saints.
Boosey MagicRepertoire
Method, Trombone,Book Hare (Boosey
(Boosey Hawkes:
& Hawkes: ? edition)
9 Trad. Zulu
Trad.Band
9 Brass Siyahamba.
Zulu Instruments Boosey
Boosey Brass
Siyahamba.edition) Brass Method,
Method, Repertoire
Repertoire Book
Book B (Boosey &
B (Boosey Hawkes: ? trombone
& Hawkes: trombone edition or & B
edition or Bb
Brass Band Instruments edition)
Brass Band Instruments edition)
LIST C
Gregson Thoughtful Prelude: No. 1 from 20 Supplementary Tunes for Beginner Brass (Brass Wind: ?
LIST C
LIST C
C 1 Edward ?
1 Edward
Edward
1 brass Gregson
Gregson Thoughtful
edition) Thoughtful Prelude:
Prelude: No.
No. 1 from 20
1 from 20 Supplementary
Supplementary Tunes
Tunes for
for Beginner
Beginner Brass
Brass (Brass Wind: ?
(Brass Wind:
brass edition)
brass edition)
2 Edward Gregson Step by Step: No. 1 from 20 Supplementary Tunes for Beginner Brass (Brass Wind: && brass
2 Edward
Edward Gregson
2 edition) Gregson Step
Step by
by Step:
Step: No.
No. 1 from 20
1 from 20 Supplementary
Supplementary Tunes
Tunes for
for Beginner
Beginner Brass
Brass (Brass Wind: & brass
(Brass Wind: brass
McKenzie Baksimba or Rumba: No. 4 or No. 5 from Dance to the Beat of the World (Con Moto: ?
edition)
edition)
3 Jock ? or && brass
3 Jock
Jock McKenzie Baksimba or
McKenzie Baksimba
3 editions) or Rumba:
Rumba: No. 4 or
No. 4 or No.
No. 5 from Dance
5 from Dance to
to the
the Beat
Beat of
of the
the World
World (Con Moto: ? or
(Con Moto: or & brass
brass
editions)
editions)
4 Peter Meechan One, Two, Three! ¸ ?
4 Peter Meechan One, ¸ Shining Brass, Book 1 (ABRSM: ? /& brass edition)
5 Peter
4 PhilipMeechan One, Two,
Sparke Puppet’s Two, Three!
Three! ˝
Dance ¸ Shining Brass, Book 1 (ABRSM: ? /&
˛
˝ brass edition)
˝ Shining Brass, Book 1 (ABRSM: /& brass edition)
Siesta: No. 1 or No. 2 from Easy Jazzy ’Tudes (Warwick Music: ?
5 Philip Sparke ˛
6 Sparke Puppet’s
PhilipNightingale
5 Mark Puppet’s
A Small
Dance
Dance ˛
Step or Fiesta ?
6 Mark
Mark Nightingale
Nightingale
6 euphonium A
A Small
edition or Small Step or
& brassStep or Fiesta
edition)Fiesta Siesta:
Siesta: No.
No. 11 or
or No.
No. 2 from Easy
2 from Easy Jazzy
Jazzy ’Tudes
’Tudes (Warwick Music: ?
(Warwick Music:
euphonium edition or & brass edition)
7 euphonium
Philip Sparkeedition & brass edition)
or Tape
Ticker Parade or Lullaby: No. 5 or No. 6 from Skilful Studies for Baritone or Euphonium
7 Philip
7 Philip Sparke
Sparke Ticker
Ticker Tape ? /& edition)
Tape Parade
Parade or
or Lullaby:
Lullaby: No. 5 or
No. 5 or No.
No. 6 from Skilful
6 from Skilful Studies
Studies for
for Baritone
Baritone or
or Euphonium
Euphonium
(Anglo Music AMP 101-401: ? & edition)
(Anglo Music AMP 101-401: ? /
(Anglo Music AMP 101-401: /& edition)

(continued overleaf )
(continued overleaf
(continued overleaf ))
63
63
63

43
Performance Grades Baritone and Euphonium 2013–2022
Baritone
Baritone and Euphonium GRADE 2
GRADE 2and
Baritone and Euphonium
Euphonium GRADE
GRADE 2
2
THREE
FOURPIECES:
THREE PIECES: atone chosen
least by the
one chosen bycandidate from
the candidate each
from ofofthe
each thethree Lists,A,
three Lists, A,BB and
and C,C:
and a fourth of the
THREE PIECES:
PIECES: one
candidate one chosen
chosen byby the
the candidate
candidate from
from each
each of
of the
the three
three Lists,
Lists, A,
’s own choice; for further programming requirements, see pages 4–6 A, B
B and
and C:
C:
LIST
LIST A
A
LIST
1 A
Nicholas Hare Variations on ‘Goe from My Window’. The Magic Trombone, arr. Hare (Boosey & Hawkes:
A
1 Nicholas
1 ?
Nicholas
?
Hare
Hare Variations
& edition) Variations on
on ‘Goe
‘Goe from
from My Window’. The
My Window’. The Magic
Magic Trombone,
Trombone, arr.
arr. Hare (Boosey &
Hare (Boosey & Hawkes:
Hawkes:
?// & edition)
&
/ edition) ? trombone edition or &
2 Mozart Aria (from The Marriage of Figaro) ¸ Winners Galore, arr. Lawrance (Brass Wind: ?
2 Mozart
2 Mozart Aria (from The
Aria (from The Marriage
Marriage of
of Figaro) ¸ Winners
¸
Figaro) ˝ Winners Galore,
˝ Galore, arr.
arr. Lawrance
Lawrance (Brass Wind: ? trombone
(Brass Wind: trombone edition or &&
edition or
bb piano accomp. published separately)
3 Trad. English Portsmouth
Portsmouth ˝ brass
˛ edition; B
3
3 Trad.
Trad. English
English Portsmouth ˛ brass
˛
brass edition; B b piano
edition; B piano accomp.
¸ Shining Brass, Book 1 (ABRSM: ?
published
published separately)
? /& brass
accomp. B bb piano
separately)
4 Philip Sparke My Lady’s Pavan ?/ & brass edition; accomp.
4
4
5
Philip
Philip
David
Sparke
Sparke
A.
My
My
Stowell
Lady’s
Lady’s
A Walk
Pavan
Pavan
in the Rain
¸
˝
¸
˝
˛
Shining
Shining
published
Brass,
Brass, Book
Book 1
1
separately)
(ABRSM:
(ABRSM: /& brass edition; B b piano
edition; B piano accomp.
accomp.
5 David A. Stowell A Walk in the Rain ˝
˛ published separately)
5
6 David
Trad. A. Stowell
Irish A Walk
Avenging and inBright.
the Rain ˛
Booseypublished
Brass separately)
Method, Repertoire Book B (Boosey & Hawkes: ?
? trombone edition
6
6 Trad.
Trad. Irish Avenging
b BrassAvenging
& B Irish
and
and Bright.
Bright. Boosey
Boosey Brass
Brass Method,
Method, Repertoire
Repertoire Book
Book B (Boosey &
B (Boosey Hawkes: ? trombone
& Hawkes: trombone edition
edition
or & Bb Band Instruments
Instruments edition)
or
or & B b Brass Band Instruments edition)
Brass Band edition) ?
7
7 Trad. Irish
Trad. Irish Football
Irish Football Crazy.
Football Crazy. Winner Scores
Winner Scores
Crazy. Winner All,
Scores All, arr.
All, arr. Lawrance
arr. Lawrance (Brass
Lawrance (Brass Wind: ? trombone
Wind: ? trombone
(Brass Wind: edition
trombone edition or
edition or
& brass edition;
& brass edition;
or & brass edition;
7 B bb piano accomp.
Trad. published separately)
B
B b piano
piano accomp.
accomp. published
published separately)
separately)¸
8
8 Trad.
Trad. Latvian
Latvian Harvest Time ?
? /&& edition)
Latvian Harvest Time ¸ Bravo!
¸ Euphonium, arr. Barratt (Boosey & Hawkes:
Hawkes: ? /
8 Trad. 16th-century
Harvest TimeMorris ˝
9 Trad. Staines ˝ Bravo!
˝
˛ Bravo! Euphonium,
Euphonium, arr.
arr. Barratt (Boosey &
Barratt (Boosey & Hawkes: /& edition)
edition)
9
9 Trad.
Trad. 16th-century
16th-century Staines Morris ˛
Staines Morris ˛
LIST
LIST B
B
LIST
1 B Barratt and Karl Jenkins Brava Bossa Nova! Bravo! Euphonium, arr. Barratt (Boosey & Hawkes: ?
Carol ? /&& edn)
B 1 Carol
Carol Barratt
1 Bartók
2 Barratt
Slovakian
and Karl
Karl Jenkins
and Folk Jenkins
Tune.
Brava
Brava
The
Bossa
Bossa
Magic
Nova!
Nova! arr.
Trombone,
Bravo!
Bravo!
Hare
Euphonium,
Euphonium,
(Boosey &
arr.
arr. Barratt
?
Barratt
Hawkes: ? /
(Boosey
(Boosey &
& edition) Hawkes: ? /
& Hawkes: /& edn)
edn)
2 Bartók Slovakian Folk Tune. The Magic Trombone, arr. Hare (Boosey & Hawkes:
? /Hawkes: ? / & edition)
2
3 Bartók
Tom Slovakian
Davoren Folk Tune.
Hangin’ with The Magic
Monti Trombone, arr. Hare (Boosey &
¸ Shining Brass, Book 1 (ABRSM: ?
&
& brass edition; B b
/ edition)
b piano accomp.
3 Tom Davoren
4 Tom
3 PhilipDavoren
Hangin’
Hangin’ with
Sparke Tennessee
Tennessee with Monti ˝
RagMonti ˛ ¸ Shining
¸
˝ Shining Brass,
Brass,
published
Book
Book 1
separately) (ABRSM: ? /
1 (ABRSM: /&& brass
brass edition;
edition; BB b piano
piano accomp.
accomp.
˝ published
4
4 Philip
Philip Sparke
Sparke Tennessee Rag
Rag ˛ published separately)
˛
separately) ?
5 Howard Goodall
Howard Goodall
5 Howard Blackadder
Goodall Blackadder Theme.
Blackadder Theme. Winners Galore,
Winners Galore,
Theme. Winners Galore, arr.arr. Lawrance
arr. Lawrance (Brass
Lawrance (Brass Wind: ? trombone
Wind: ? trombone
(Brass Wind: edition
edition or
trombone edition
&
or && brass
brass
5 edition; B bb piano accomp. published separately) or brass
edition;
edition; B b piano accomp.
B pianoSeville
accomp. published
published separately)
separately) bb Instrument (Gramercy Music: ?
6 Peter Graham or Kyoto: No. 3 or No. 4 from Cityscapes for B ?
?// & edition)
6 Peter Graham
7 Peter
6 Graham
Geoffrey Kinder
Seville
Seville or
or Kyoto:
Saudades Kyoto: No.
No. 3
de Lisboa.3 or
Lisboa.
No.
No. 4
or Boosey from
4 Brass Cityscapes
from Method, for B b Instrument
for B
CityscapesRepertoire Instrument
Book B
(Gramercy
(Gramercy
B (Boosey
(Boosey
Music:
Music: ?
& Hawkes:
Hawkes: ? / & edition)
& edition)
trombone
7 Geoffrey Kinder Saudades de Boosey Brass Method, Repertoire Book & ? trombone
Geoffrey
7 edition or b
Kinder
b
Saudades de Lisboa.
& B Brass Band Instruments edition) Boosey Brass Method, Repertoire Book B (Boosey & Hawkes: trombone
edition or
edition &
or & B B b Brass
Brass Band
Band Instruments
Instruments edition)
edition)
8 Andrew Lloyd
8 Andrew
8 Lloyd ?
Webber
Webber Love
Love Changes
Changes Everything
Everything (from Aspects
(from Aspects of
of Love).
Love). Winner Scores
Love). Winner Scores All, arr.
Scores All,
All, arr.
Lawrance
arr. Lawrance
AndrewWind:
(Brass Lloyd ? Webber
trombone Love
editionChanges
or & brassEverything
& brass edition; B bb(from
piano Aspects
accomp. ofpublished Winner
separately) Lawrance
(Brass Wind: ? trombone edition or edition; B b piano accomp. published separately)
(Brass
arr.
9 arr. Wind: Cockles
Ramskill tromboneand
edition or & brass
Mussels. All edition;
Jazzed Up
UpB for piano accomp.
Trombone or published
Euphonium, separately)
arr. Ramskill
Ramskill (Brass Wind: ?
(Brass Wind: ? or
9
9 &arr. Ramskill Cockles and Mussels. All Jazzed Up for Trombone or Euphonium, arr. Ramskill (Brass Wind: ? or
Ramskill Cockles and Mussels. All Jazzed for Trombone or Euphonium, arr. or
& editions)
& editions)
editions)
LIST
LIST C
C
LIST
1 C
Edward Gregson Song or Rhythmic Prelude: No. 5 or No. 8 from 20 Supplementary Tunes for Beginner Brass
C or
1 Edward
1 Gregson
EdwardWind:
(Brass ?
Gregson
?
Song
Song
brass or Rhythmic
edition)Rhythmic Prelude:
Prelude: No.
No. 55 or
or No.
No. 8 from 20
8 from 20 Supplementary
Supplementary Tunes
Tunes for
for Beginner
Beginner Brass
Brass
(Brass
(Brass Wind:
Wind: ? brass
brass edition)
edition)
Edward Gregson
2 Edward
2 Gregson PopPop Song
Song oror Justin’s
Justin’s March:
March: No.
No. 13 or No.
13 or No. 1414 from
from 20 20 Supplementary
Supplementary Tunes
Tunes for
for Beginner
Beginner Brass
Brass
2 Edward Gregson
Wind: & Pop Song or Justin’s March: No. 13 or No. 14 from 20 Supplementary Tunes for Beginner Brass
(Brass Wind: & brass edition)
(Brass
(Brass Wind: & brass
brass edition)
edition) ?
3 Jock McKenzie Klezmer or Calypso: No. 9 or No. 11 from Dance to the Beat of the World (Con Moto: ? or && brass
3 Jock
Jock McKenzie Klezmer or
McKenzie Klezmer
3 editions) or Calypso:
Calypso: No. 9 or
No. 9 or No.
No. 11 from Dance
11 from Dance toto the
the Beat
Beat of
of the
the World
World (Con Moto: ? or
(Con Moto: or & brass
brass
editions)
editions)
4 Peter Meechan
4 Peter Meechan Haunted
Haunted House House ¸ ¸
Shining Brass, Book 1 (ABRSM: ? ? &
/& brass edition)
(ABRSM: ? /
4 Peter Meechan
StowellHaunted House ˝ ¸
5 David
David A.
A. High Street ˝ Shining
˝
˛
˛ Shining Brass,
Brass, Book
Book 11 (ABRSM: /& brass
brass edition)
edition)
5
5
6 David
Mark A. Stowell
Stowell High
Nightingale High
Big
Street
Street or The
Mama
˛
Sleuth: No. 5 or No. 7 from Easy Jazzy ’Tudes (Warwick Music: ?
? euphon-
6 Mark Nightingale
Markedition
6 ium Nightingale
or
Big
Big
& brass
Mama
edition)
or Sleuth: No. 5 or No. 7 from Easy Jazzy ’Tudes
Mama or The Sleuth: No. 5 or No. 7 from Easy Jazzy ’Tudes (Warwick
The Music: ? euphon-
(Warwick Music: euphon-
ium edition or & brass edition)
7 ium edition
Philip or &Allegheny
Sparke brass edition) or Soldier’s
Aria or Soldier’s Song:
Song: No.
No. 15 or No.
15 or No. 19
19 from Skilful Studies
from Skilful Studies for
for Baritone
Baritone or
or Euphonium
Euphonium
7 Philip Sparke Allegheny Aria
101-401: ?
7 Philip Sparke Allegheny Aria or Soldier’s Song: No. 15 or No. 19 from Skilful Studies for Baritone or Euphonium
(Anglo Music AMP ? /&& edition)
(Anglo Music
(Anglo Music AMP 101-401: ? /
AMP 101-401: /& edition)
edition)
AURAL
AURAL TESTS FOR THE GRADE: see pp. 90 and 91
AURAL TESTS
TESTS FOR
FOR THE
THE GRADE:
GRADE: see
see pp.
pp. 90
90 and
and 91
91
SCALES
SCALES AND ARPEGGIOS: from memory, to be played both slurred and tongued in the following keys:
SCALES ANDAND ARPEGGIOS:
ARPEGGIOS: fromfrom memory,
memory, toto be
be played
played both
both slurred
slurred and
and tongued
tongued inin the
the following
following keys:
keys:
Bass clef: A bb, C majors; G, C minors (one octave)
Bass
Bass clef: A b,, bC
clef: A C majors;
majors; G,
G, C
C minors
minors (one
(one octave)
octave)
clef: B b,, D
Treble clef: D majors; A,
A, D minors
minors (one octave)
octave)
Treble
Treble clef: B B b, D majors;
majors; A, D
D minors (one
(one octave)
Scales: in
in the
the above
above keys
keys (minors
(minors in
in natural or harmonic
natural or harmonic or melodic
melodic form atat candidate’s choice)
choice)
Scales: in the above keys (minors in natural or harmonic or
Scales: or melodic form
form at candidate’s
candidate’s choice)
Arpeggios: the
Arpeggios: the common
common chords
chords of
of the
the above
above keys
keys for
for the
the range
range indicated
indicated
Arpeggios: the common chords of the above keys for the range indicated
SIGHT-READING:
SIGHT-READING: (bass or treble clef at candidate’s choice) aa short piece in simple time within the keys,
SIGHT-READING: (bass
(bass or
or treble
treble clef
clef at
at candidate’s
candidate’s choice)
choice) a short
short piece
piece in
in simple
simple time
time within
within the
the keys,
keys,
notes
notes and
and overall
overall range
range of
of the
the scale
scale requirements
requirements set
set up
up to
to and
and including
including this
this grade.
grade. Some
Some accidentals,
accidentals,
notes and overall range of the scale requirements set up to and including this grade. Some accidentals,
dotted and
dotted and tied notes
notes may be included. See also p. 11.
dotted and tied
tied notes may
may bebe included.
included. SeeSee also
also p.
p. 11.
11.
44
65
65
65
Performance Grades Baritone and Euphonium 2013–2022
Baritone
Baritone and
and Euphonium
GRADE 3and
Baritone Euphonium GRADE
Euphonium GRADE 3
GRADE 3
3
THREE
FOURPIECES:
THREE PIECES: atone
least one chosen
chosen bycandidate
by the the candidate
fromfrom each
each ofofthe
thethree Lists,A,
three Lists, A,BBand
andC,C:
and a fourth of the
THREE PIECES:
PIECES: one
candidate one chosen
chosen byby the
the candidate
candidate from
from each
each of
of the
the three
three Lists,
Lists, A,
’s own choice; for further programming requirements, see pages 4–6 A, B
B and
and C:
C:
LIST
LIST A
LIST A
A
1 Brahms Love Song (from Op. 52) ¸ The
The Magic
Magic Trombone,
Trombone, arr.
arr. Hare (Boosey &
A
1
1 Brahms
Brahms Love Song
Loveand
Song (from
(from Op.
Op. 52)
52) ¸
˝
˝ The
¸ Magic??Trombone, arr. Hare
& edition)
(Boosey &
Hare (Boosey &
2
2 Elgar
Elgar Pomp
Pomp and Circumstance
Circumstance (Theme
(Theme from
from March
March No.
No. 4)
4) ˛
˝
˛ Hawkes:
Hawkes: ? /
/ & edition)
ElgarDavoren
2 Tom Pomp and Circumstance (Theme from March
Book No.
1 4) ˛ ?
Hawkes:
? brass
& edition)
/edition; b
¸ Shining Brass, Book 1 (ABRSM: ? /& brass edition; B b piano accomp. published
Shining Brass, & B piano accomp. published
¸ Shining Brass, Book 1 (ABRSM: /& brass edition; B b piano accomp. published
3 Rondo Olympia (ABRSM: /
3 Tom
3
4 Tom Davoren
LucyDavoren Rondo
Rondo Olympia
Olympia ¸
Pankhurst Sicilienne
˝ ˝
˛ separately)
Lucy ˝ separately)
˛
4
4 Lucy Pankhurst
Pankhurst Sicilienne
Sicilienne ˛ separately) ?
? & edition)
5
5 trans.
trans. Fitzgerald
Fitzgerald Finale:
Finale: 5th
5th movt
movt from
from English
English Suite
Suite for Euphonium(Presser:
Suite for Euphonium(Presser: ?//&&& brass
/ edition)
5 trans. Fitzgerald Finale: 5th movt from English(Brass for ?
Euphonium(Presser:
? edition) B bb piano
6
6
6
Gluck
Gluck Che
Che
Gluck Che
farò.
farò. Great
Great Winners,
Winners,
farò. separately)
arr.
arr. Lawrance
Lawrance (Brass Wind:
Wind: ? trombone
trombone edition
edition or
Great Winners, arr. Lawrance (Brass Wind: trombone edition or brass edition;
or & brass edition;
& edition; BB b piano
piano
accomp.
accomp. published
published separately)
7 accomp. published
Philip Sparke separately)
Sparke Promenade.
Promenade. No. No. 7 7 from
from Skilful
Skilful Solos
Solos for
for Baritone
Baritone or
or Euphonium,
Euphonium, arr. arr. Sparke
Sparke (Anglo Music AMP
(Anglo Music AMP
7
7 Philip
Philip ?
Sparke Promenade. No. 7 from Skilful Solos for Baritone or Euphonium, arr. Sparke (Anglo Music AMP
194-400:
194-400: ?
?/ &
& edition)
/& edition) ?
bb
194-400: / edition) ? trombone edition or && brass
Wind: ? trombone
Tchaikovsky Winner Scores All, arr. Lawrance (Brass Wind: edition; B
Bb
8 Reverie. Winner
8
8 Tchaikovsky
Tchaikovsky
piano accomp.
Reverie.
Reverie.
published Winner Scores
Scores All,
separately) All, arr.
arr. Lawrance (Brass Wind:
Lawrance (Brass trombone edition
edition oror & brass
brass edition;
edition; B
piano accomp. published separately)
piano
Trad. accomp. published separately)
at b.
b. 61 ).
). No. 1 1 from The
The Young Soloist B bb Instruments, Vol.
Soloist for B Vol. 4, arr.
arr. Newsome
for B b Instruments,
9 The Ash
Ash Grove (ending
(ending
9
9 Trad.
Trad.
(Studio
The
The Ash& Grove
Music: Grove
edition)(ending at
at b. 61
61 ). No.
No. 1 from
from The Young
Young Soloist for Instruments, Vol. 4, 4, arr. Newsome
Newsome
&
(Studio Music:
(Studio Music: & edition)
edition)
LIST
LIST B
B
LIST B ?
? trombone
Wind: ? separately)
B 1 Bernstein America (from West
West Side
Side Story) ¸ Winner Scores All, arr. Lawrance (Brass Wind: edition
1 Bernstein
1 Bernstein America
America (from
(from Side Story)
WestEvery Story) ¸ Winner
¸
˝ Winner Scores
Scores All,
All, arr.
arr.b
Lawrance
Lawrance (Brass Wind:
(Brasspublished trombone
trombone edition
edition
Andrew Lloyd Webber ˝ or & brass edition; B b piano accomp. published separately)
˝
˛ & brass edition; B piano accomp.
2
2 Andrew Lloyd Webber Close
Close Every Door
Door to
to Me
Me ˛ or
b
B bb Instruments,
AndrewJeannie
2 Foster Lloyd Webber Me6 ˛from & brass edition; B piano accomp. published separately)
theClose
light Every
brownDoorhair. toNo.
No. orThe Young Soloist
Soloist for
for B Vol. 4, arr. Newsome
the light brown hair. No. 6 from The Young Soloist for B b Instruments, Vol. 4, arr. Newsome
3
3 Foster Jeannie with the
with light brown hair. 6 from The Young Instruments, Vol. 4, arr. Newsome
Foster Music:
3 (Studio Jeannie& with
Music: & edition)
(Studio & edition)
(Studio Music: edition) (ABRSM: ? ? /&& brass bb piano accomp.
(ABRSM: ? /
John Frith Shining Brass, Book 1 edition; B published
B b piano
4 Broken Dreams ¸
4 John
John Frith
4 Peter Frith Broken
Broken Dreams
Dreams ¸ Shining
¸
˝
˝
˛ Shining Brass,
Brass, Book
Book 11 (ABRSM: /& brass
brass edition;
edition; B piano accomp.
accomp. published
published
5
5 Peter Meechan
Meechan Purple
Purple Shade
Shade ˛ separately)
˝ separately)
B bb Instrument
˛ separately)
6 Peter
5 Peter Meechan
Graham New Purple Shade note optional
optional )) or
or Vienna: or No. Cityscapes for
for B Instrument
York (grace note optional ) or Vienna: No. 5 or No. 6 from Cityscapes for B b Instrument
6 Peter Graham New York
York (grace note
(grace Vienna: No.
No. 55 or No. 6 6 from
from Cityscapes
Peter Graham
6 (Gramercy New?
? &
(Gramercy
(Gramercy
Music:
Music:
Music: ?// & edition)
& edition)
edition)
/Four
7 Jacob No. 3: from Little Pieces for Trumpet/Cornet (Emerson E13: & edition)
7 Jacob No. Four Little Pieces E13: & edition)
No. 3:
JacobMenken
7 Alan 3: from
from Four New Pieces for
Little World for Trumpet/Cornet
Trumpet/Cornet (Emerson
(Emerson E13: & edition) ?
? trombone
Wind: ? trombone
8 A Whole (from Aladdin).
Aladdin). Great
Great Winners,
Winners, arr.
arr. Lawrance
Lawrance (Brass Wind:
8 Alan
8 Alan Menken
Menken
edition or &
A
A Whole
Whole
brass edition;
New
New
edition; B b
World
World
B b piano
(from
(from
piano accomp. Aladdin).
accomp. published Great
published separately) Winners,
separately) arr. (Brass Wind:
Lawrance (Brass trombone
& brass edition; B b piano accomp. published separately)
edition or & brass
edition or ?
? or && edns)
Wind: ? or
9 Robert Ramskill Chicago Sunset. All Jazzed Up for Trombone or Euphonium, arr. Ramskill (Brass Wind:
9 Robert
9 Robert Ramskill
Ramskill Chicago Sunset. All
Chicago Sunset. All Jazzed
Jazzed Up
Up for
for Trombone
Trombone or
or Euphonium,
Euphonium, arr. arr. Ramskill (Brass Wind:
Ramskill (Brass or & edns)
edns)
LIST
LIST C
C
LIST C & brass edn)
C 1 Edward Gregson Moto Perpetuo: No. 11 from 20 Supplementary Tunes for Beginner Brass (Brass Wind:
1
1 Edward
Edward Gregson
Gregson Moto
Moto Perpetuo:
Perpetuo: No.
No. 11 from 20
11 from 20 Supplementary
Supplementary Tunes
Tunes for
for Beginner
Beginner Brass
Brass (Brass Wind: && brass
(Brass Wind: brass edn)
edn)
2
2 Timothy
Timothy Jackson
Jackson How’s
How’s Tricks?
Tricks? ¸
¸ ?
? &
2 Timothy Jackson
Peter Meechan
3 Peter Meechan SummerHow’s Tricks?
Summer Sound
˝
¸
˝ Shining
Shining Brass,
Brass, Book
Book 1
1 (ABRSM:
(ABRSM: ? /
/ brass edition)
& brass edition)
˝ Shining Brass, Book 1 (ABRSM: /& brass edition)
˛
3 Sound ˛
3 PeterMcKenzie
Meechan Summer Sound 33 ˛ ? or & brass editions)
4 Jock
4
4 McKenzie Bossa
Jock McKenzie
Jock Bossa Nova:
Bossa Nova: No.
Nova: No. 33
No. from Dance
33 from
from Dance to
Dance to the
to the Beat
the Beat of
Beat of the
of the World
the World (Con Moto: ?
(Con Moto:
World (Con Moto: ? or
or && brass
brass editions)
editions) ?
Music: ?
Music: ?
5 Mark Nightingale Skipping or
or Cinnamon Tea: No. 11 or
or No. 12 from Easy
Easy Jazzy
Jazzy ’Tudes
’Tudes (Warwick
5 Mark
5 Mark Nightingale
Nightingale
euphonium edition
Skipping
Skipping
or or Cinnamon Tea: No. 11 or No. 12 from Easy Jazzy ’Tudes (Warwick
Cinnamon
& brass edition)
Tea: No. 11 No. 12 from (Warwick Music:
euphonium edition or & brass edition)
euphonium edition or & brass edition)
Philip Sparke
6 Philip Sparke MyMy Country
Country oror Tyrolean
Tyrolean Tune:
Tune: No.
No. 26 or or No. 27 Skilful Studies for
27 from Skilful for Baritone or
or Euphonium
6
6 Philip Sparke 101-401: or
My Country ?
?/Tyrolean Tune: No. 26
& edition)
26 or No. from Skilful Studies
No. 27 from Studies for Baritone
Baritone or Euphonium
Euphonium
101-401: ? /
(Anglo Music AMP
(Anglo Music
(Anglo Music AMP
AMP 101-401: /&& edition)
edition) ? /& brass edition)
?
Moto: ? /
7 Richard Warren No. 3: from 12 Progressive Short Studies for Brass Instruments (Con Moto:
7 Richard
7 Richard Warren
Warren No.No. 3: from 12
3: from 12 Progressive
Progressive Short
Short Studies
Studies for
for Brass
Brass Instruments (Con Moto:
Instruments (Con /&& brass
brass edition)
edition)
AURAL
AURAL TESTS FOR THE GRADE: see pp. 90 and 92
AURAL TESTS
TESTS FOR
FOR THE
THE GRADE:
GRADE: see
see pp.
pp. 90
90 and
and 92
92
SCALES
SCALES AND ARPEGGIOS: from memory, to be played both slurred and tongued in the following keys:
SCALES AND AND ARPEGGIOS:
ARPEGGIOS: from from memory,
memory, to to be
be played
played both
both slurred
slurred and
and tongued
tongued in
in the
the following
following keys:
keys:
b
b b
b
D b,, D B b,, D
Bass
Bass clef: D , D majors; B , D minors (one octave)
Bass clef:
clef: D D majors;
majors; B D minors
minors (one(one octave)
octave)
G major
G major (a twelfth)
twelfth)
G major (a
E bbb,, E
(a twelfth)
Treble
Treble clef:
clef: majors; C, E minors (one octave)
Treble clef: E E ,E E majors;
majors; C, C, EE minors
minors (one(one octave)
octave)
A major
A major (a (a twelfth)
twelfth)
A major (a twelfth)
Scales: in
in the above
above keys (minors harmonic or melodic
(minors in harmonic melodic form atat candidate’s choice)
choice)
Scales:
Scales: in the
the above keys keys (minors in in harmonic or or melodic form
form at candidate’s
candidate’s choice)
Chromatic Scale:
Chromatic Scale: Bass Bass clef:
clef: starting
starting on B bbb (one
on B (one octave)
octave)
Chromatic Scale: Bass clef: starting on B (one octave)
Treble
Treble clef: starting on C (one octave)
Treble clef:
clef: starting
starting on on CC (one
(one octave)
octave)
Arpeggios:
Arpeggios: the common chords of the above keys for the ranges indicated
Arpeggios: the common chords
the common chords of of the
the above
above keys
keys for
for the
the ranges
ranges indicated
indicated
SIGHT-READING:
SIGHT-READING: (bass or treble clef at candidate’s choice) aa short piece in simple time within the keys,
SIGHT-READING: (bass
(bass or
or treble
treble clef
clef at
at candidate’s
candidate’s choice)
choice) a short
short piece
piece in
in simple
simple time
time within
within the
the keys,
keys,
notes and
notes and overall
overall range
range of
of the
the scale
scale requirements
requirements set
set up
up to
to and
and including
including this
this grade.
grade. See
See also
also p.
p. 11.
11.
notes and overall range of the scale requirements set up to and including this grade. See also p. 11.
45
66
66
66
Performance Grades Baritone and Euphonium 2013–2022
Baritone
Baritone and Euphonium GRADE 4
GRADE 4and
Baritone and Euphonium
Euphonium GRADE
GRADE 4
4
THREE
FOURPIECES:
THREE PIECES: atone
PIECES: chosen
least
one by
by the
one chosen
chosen bycandidate
the from
the candidate
candidate from each
from of
ofofthe
each
each thethree
the three Lists, A,
A,BB
Lists,A,
three Lists, and
Band
andC,C:
and a fourth of the
C:
THREE PIECES: one chosen by the candidate from each of the three Lists, A, B and C:
candidate’s own choice; for further programming requirements, see pages 4–6
LIST
LIST A
A
LIST A
1 Charpentier
1 Charpentier Prelude
Prelude to
to Te Deum (observing
Te Deum (observing lower
lower line
line in
in ossia) ¸ Savoir
ossia) ¸ Savoir Faire
Faire for
for Trombone/Euphonium,
Trombone/Euphonium,
?
arr.
arr.
A 1 Charpentier Prelude to Te Deum (observing lower line in ossia) ˝ ¸ Savoir
˝
˛ Faire for Wind: ? or
Trombone/Euphonium,
& editions) arr.
2 Saint-Saëns
2 Saint-Saëns L’éléphant
L’éléphant ˝ Mowat
˛ Mowat (Brass
(Brass Wind: ? or & editions)
L’éléphant Allegro ¸ Shining Brass, Book 2 (ABRSM: ? ? b
B b piano
2 Saint-Saëns ˛ Mowat (Brass Wind: &
or editions)published
3 Tom
3 Tom Davoren
Davoren Beaufort
Beaufort Allegro ¸ Shining Brass, Book 2 (ABRSM: ? / /&& brass
brass edition;
edition; B piano accomp.
¸ Shining Brass, Book 2 (ABRSM: /& brass edition; B b piano accomp. published
accomp. published
3 Tom Davoren Beaufort Allegro ˝ ˝
˝ separately)
Lucy ˛
4
4 Lucy Pankhurst
Pankhurst Folk Folk Song
Song ˛ separately)
¸ Going Solo – Trombone/Euphonium, arr. Gout (Faber: ?
4 Lucy Pankhurst Folk Song ˛ separately)
No.
5
5 Delius
Delius Serenade.
Serenade. No. 88 from
from ¸ ? /& edition)
5 Delius Serenade. No.
Castle. No. 8 from ˝ ¸ Going Solo – Trombone/Euphonium, arr. Gout (Faber: ? /&
˝ edition)
6
6 Mussorgsky The
Mussorgsky The Old
Old Castle. No. 14
14 from ˛ ˝ Going Solo – Trombone/Euphonium, arr. Gout (Faber: /& edition)
˛
?
6
7
7
Mussorgsky
trans. FitzgeraldThe Aria:
Old Castle.
2nd movtNo.from
14 from ˛
English Suite for Euphonium (Presser:
trans. Fitzgerald Aria: 2nd movt from English Suite for Euphonium (Presser: ? / edition) ? /& edition)
&
?
(Brass Wind: ? trombone
7 trans. FitzgeraldSong Aria: 2nd movt from English Suite for Euphonium /& edition)
(Presser:Wind:
8 Grieg
Grieg Solveig’s (from Peer
Solveig’s Song (from Peer Gynt).
Gynt). Great
Great Winners,
Winners, arr.
arr. Lawrance
Lawrance (Brass trombone edition or && brass
edition or
Great Winners, arr. Lawrance (Brass Wind: ? trombone edition or & brass
8 brass
8 edition; B bb piano Song
Grieg Solveig’s (from
accomp. Peer Gynt).
published separately)
edition; B b piano accomp. published separately) ?
9 edition; B
Mozart Adagio. piano accomp.
Adagio. No. No. 15 published
15 from separately)
from Skilful
Skilful Solos
Solos for
for Baritone
Baritone or
or Euphonium,
Euphonium, arr.
arr. Sparke
Sparke (Anglo Music AMP
(Anglo Music 194-400: ? /
AMP 194-400: /&&
Mozart Adagio. No. 15 from Skilful Solos for Baritone or Euphonium, arr. Sparke (Anglo Music AMP 194-400: ? /&
9 Mozart
9 edition)
edition)
edition)
LIST
LIST B
B
LIST B Amos Crunch Corner or The Bittoms: No. 15 or No. 20 from The Eddie Stobart Collection for Trombone/
B 1 Keith
1 Keith Amos Crunch Corner or?The Bittoms: No. 15 or No. 20 from The Eddie Stobart Collection for Trombone/
Keith Amos(CMA
1 Euphonium Crunch Corner or?The
Publications: Bittoms: No. 15 or No. 20 from The Eddie Stobart Collection for Trombone/
/&& edition)
Euphonium (CMA Publications: ?/ edition)
2 Euphonium (CMA Publications:
Alberto Dominguez
Dominguez Frenesì ¸ / & edition)
Great Winners, arr.
arr. Lawrance
Lawrance (Brass Wind: ?
(Brass Wind: ? trombone
trombone edition or && brass
edition or brass edition;
edition;
(Brass Wind: ? trombone edition or & brass edition;
2 Alberto Frenesì ¸ Great Winners,
Alberto
2 Ron
3 Dominguez
Goodwin 633 Frenesì ˝
Squadron ˝
˛ B bb piano
¸ Great Winners, arr.published
accomp. Lawranceseparately)
3 Ron Goodwin 633 Squadron ˝ B b piano accomp. published separately)
˛
? b
(ABRSM: ? / B b piano
3 Ron Goodwin 633 Squadron ˛¸ ShiningB piano accomp. published separately)
4 John
4 John Frith
Frith Bragtime ¸ Shining Brass,
Brass, Book
Book 22 (ABRSM: /&& brass
brass edition;
edition; B piano accomp.
accomp. published
Brass, Book 2 (ABRSM: ? /& brass edition; B b piano accomp. published
Bragtime published
4 John Frith Bragtime Plains ˝ ¸ Shining
˝
˛ separately)
5 David
5 David A.A. Stowell Open Plains ˛
Stowell Open ˝ separately)
5 David A.
Jacob No.
6 Jacob Stowell
No. 1 or No.
1 or Open
No. 22 or Plains
or No.
No. 4: ˛
4: from separately)
Four Little
from Four Little Pieces
Pieces for
for Trumpet/Cornet
Trumpet/Cornet (Emerson &
E13: & edition)
(Emerson E13: edition)
6 ? or & edns)
Wind: ?
6 Jacob No. 1 or No. 2 or No. 4: from Four Little Pieces for Trumpet/Cornet (Emerson E13: & edition)
7 Kander
7 Kander & & Ebb Cabaret. Stranger
Ebb Cabaret. Stranger on
on the
the A
A Train
Train for
for Trombone/Euphonium,
Trombone/Euphonium, arr. arr. Iveson (Brass Wind:
Iveson (Brass ? or & edns)
or &?edns)
8 Peter Lawrance Aubade or Dance: No. 2 or No. 3 from Badinage for Trombone/Euphonium (Brass Wind: ?
Kander
7 Peter & Ebb Cabaret. Stranger on the ANo.
Train for Trombone/Euphonium, arr. Iveson (Brass(Brass
Wind:Wind:
8 Lawrance Aubade or Dance: No. 2 or 3 from Badinage for Trombone/Euphonium or &&
or
Peter Lawrance Aubade or Dance: No. 2 or No. 3 from Badinage for Trombone/Euphonium (Brass Wind: ? or &
8 editions)
editions)
9 editions)
9 Philip Sparke
Philip Sparke Thinking
Thinking of of You.
You. No.No. 1717 from
from Skilful
Skilful Solos
Solos for
for Baritone
Baritone oror Euphonium,
Euphonium, arr.
arr. Sparke
Sparke (Anglo Music
(Anglo Music
Sparke ?
AMP 194-400: ?
Philip194-400:
9 AMP Thinking of You. No. 17 from Skilful Solos for Baritone or Euphonium, arr. Sparke (Anglo Music
? /&& edition)
/ edition)
AMP 194-400: /& edition)
LIST
LIST C
C
LIST C Amos No. 2 or No. 6: from 12 Miniatures for Solo Euphonium (CMA Publications: ?
C Keith Amos No. 2 or No. 6: from 12 Miniatures for Solo Euphonium (CMA Publications: ?
1 Keith
1 /&& edition)
/
12 Miniatures for Solo Euphonium (CMA Publications: ? /& edition)
edition)
¸ Shining Brass, Book 2 (ABRSM: ?
1 Keith Amos No. 2 or No. 6: from
2 Timothy
2 Timothy Jackson
Jackson Circulation
Circulation ¸ ˝ ? / & brass edition)
& brass edition)
2 Timothy Jackson
Peter Meechan
3 Peter
3
Circulation
Meechan Reflections
Reflections ˛ ˝
¸
˛ Shining Brass, Book 2 (ABRSM: ? /
˝ Shining Brass, Book 2 (ABRSM: /& brass edition)
? or & brass editions)
Moto: ?
3 PeterMcKenzie
Meechan Reflections ˛
4 Jock
4 Rumba or
Jock McKenzie Rumba or Rock: from Music
Rock: from Music Makes
Makes the
the World
World Go
Go Around (Con Moto:
Around (Con ? or & brass editions)
?
Music: ?
Jock McKenzie
4 Mark Rumba orfor
Rock: fromorMusic Makes the World Go Around (Con Moto: or & brass editions)
5 Mark Nightingale Blues for Big-Ears or The Shout: No. 15 or No. 17 from Easy Jazzy ’Tudes
5 Nightingale Blues Big-Ears The Shout: No. 15 or No. 17 from Easy Jazzy (Warwick Music:
’Tudes (Warwick ?
5 Mark Nightingale
euphonium edition Blues
or for
& brass Big-Ears
edition) or The Shout: No. 15 or No. 17 from Easy Jazzy ’Tudes (Warwick Music:
euphonium edition or & brass edition)
euphonium edition
Philip Sparke
6 Philip or &
Sparke Shepherd’sbrass
Shepherd’s Songedition)
Song oror Ursa
Ursa Major:
Major: No.
No. 33 or No.
33 or No. 37
37 from Skilful Studies
from Skilful Studies for
for Baritone
Baritone or
or Euphonium
Euphonium
6 ? /& or
101-401: ?
Philip Sparke
6 (Anglo Shepherd’s Song Ursa Major: No. 33 or No. 37 from Skilful Studies for Baritone or Euphonium
(Anglo Music
Music AMP
AMP 101-401: ? /& edition)
edition)
/& edition) Short Studies for Brass Instruments (Con Moto: ?
Progressive Short Studies for Brass Instruments (Con Moto: ? /
(Anglo Music AMP 101-401:
7 Richard
7 Richard Warren
Warren No.No. 7: from 12
7: from 12 Progressive /&& brass
brass edition)
7 Richard Warren No. 7: from 12 Progressive Short Studies for Brass Instruments (Con Moto: ? /& brass edition)
edition)

AURAL
AURAL TESTS
TESTS FOR
FOR THE
THE GRADE:
GRADE: see
see pp.
pp. 90
90 and
and 92
92
AURAL TESTS FOR THE GRADE: see pp. 90 and 92
SCALES
SCALES AND AND ARPEGGIOS:
ARPEGGIOS: from from memory,
memory, toto be
be played
played both
both slurred
slurred and
and tongued
tongued in
in the
the following
following keys:
keys:
SCALES AND bARPEGGIOS: b from memory, to be played both slurred and tongued in the following keys:
Bass clef: E bb major; E bb minor (one octave)
Bass clef: E major; E minor (one octave)
# bclef:
F ##,, A
A b majors;
Bass
F E major; E minor twelfth)
(one octave)
majors; G,
G, AA minors
minors (a
, A b majors;
(a twelfth)
F
Treble clef: G, A minors (a (one
twelfth)
Treble clef: F major; F minor (one octave)
F major; F minor octave)
A b B bb majors;
A bb,, B
Treble clef: F major;
majors; A,A, B
F minor (one
B minors
minors (a
octave)
(a twelfth)
b
A , B majors; A, B minors (a twelfth)
twelfth)
Scales:
Scales: in in the
the above
above keys
keys (minors
(minors in harmonic or
in harmonic or melodic
melodic form
form at
at candidate’s
candidate’s choice)
choice)
Scales: in the above keys (minors in harmonic
Chromatic Scale: Bass clef: starting on A b
b (a
or melodic form at candidate’s choice)
twelfth)
Chromatic Scale: Bass clef: starting on A b (a twelfth)
Treble
Treble clef:
clef: starting on
b (astarting
on B b (a
Scale: BassBclef:
Chromaticstarting twelfth) on A (a twelfth)
Treble clef: starting on B b (a twelfth)
twelfth)
Arpeggios:
Arpeggios: the common chords of the
the common chords of the above
above keys
keys for
for the
the ranges
ranges indicated
indicated
Arpeggios: the common chords of the above keys for the ranges indicated
SIGHT-READING:
SIGHT-READING: (bass(bass or
or treble
treble clef
clef at
at candidate’s
candidate’s choice)
choice) aa short
short piece
piece in
in simple
simple or
or compound
compound time
time
SIGHT-READING:
within (bass oroverall
treble range
clef atofcandidate’s choice) a short piece in simple or compound time
within the keys, notes and overall range of the scale requirements set up to and including this
the keys, notes and the scale requirements set up to and including this grade.
grade. See
See
within
also p. the
11. keys, notes and overall range of the scale requirements set up to and including this grade. See
also p. 11.
also p. 11.
46 67
67
67
Performance Grades Baritone and Euphonium 2013–2022
Baritone
GRADE 5and
Baritone
Baritone and Euphonium
and Euphonium GRADE
Euphonium GRADE 5
GRADE 5
5
THREE
FOURPIECES:
THREE PIECES: atone
PIECES: least
one one chosen
chosen
chosen by
by thebycandidate
the candidate
fromfrom each
each ofofthe
thethree
three Lists,
Lists, A,
A,BBand
andC,C:
and a fourth of the
THREE PIECES:
candidate’s ownone chosen
choice; by the
the
for further
candidate
candidate from
programming from each
each of the
of see
requirements,
three
thepages Lists,
Lists, A,
three4–6 A, B
B and
and C:
C:
LIST
LIST A
LIST A
A
Wind: ? ? trombone edition or && brass bb
Wind: ? trombone
1 Bizet Great Winners, arr. Lawrance (Brass edition; B
Bb
1 Chanson bohème. Great
A 1 Bizet Chanson
Bizet accomp.
piano Chanson bohème.
bohème.
published Great Winners,
separately)Winners, arr.
arr. Lawrance (Brass Wind:
Lawrance (Brass trombone edition
edition or or & brass
brass edition;
edition; B
piano
piano accomp.
accomp. published separately)
published separately)
2 Fauré Après
Fauré Après
2 Fauré Après unun
un rêve
rêve ¸ Savoir
Savoir Faire for
Faire for Trombone/Euphonium,
for Trombone/Euphonium,
Trombone/Euphonium, arr. arr. Mowat
arr. Mowat (Brass
Mowat (Brass Wind:
Wind:
(Brass Wind:
2 Marcherêve
¸
˝ ? or &Faire
Savoir
˝ ?
¸
marionnette ˝
˛ ? or
Gounod Marche
3 Gounod funèbre d’une
d’une marionnette ˛
˛ & editions)
3 funèbre & editions)?
bb piano accomp.
3 Gounod Marche funèbre d’une marionnette or editions)
(ABRSM: ? /&& brass
(ABRSM: ? /
John Frith Caber Shining
Shining Brass, Book 2 edition; B published
B b piano
4 Dance ¸ Brass,
4 John
John Frith
4 David
5 Frith
A.
Caber Dance
Caber Jam
Stowell Dance
Bouree
¸
˝
˝ Shining
¸
˛ Brass, Book
separately) Book 22 (ABRSM: /& brass
brass edition;
edition; B piano accomp.
accomp. published
published
5 David A. Stowell Jam Bouree ˝
˛ separately)
5 David A. Stowell Jam Bouree ˛ separately) ?
? &
(De Haske: ? /
Mendelssohn On
6 Mendelssohn On Wings
Wings of Song,
Song, arr. DeDe Smet. The The Classical Euphonium
Euphonium (De Haske:Haske: /& edition;
edition; piano accomp.
accomp.
6
6 Mendelssohn On Wings of
published separately)
separately) of Song, arr. Smet. The Classical
arr. De Smet. Classical Euphonium (De /& edition; piano
piano accomp.
published
published separately) ?
7 Offenbach Barcarolle (from The Tales of Hoffmann), arr. Mead (Studio Music: ?
?/ & edition)
7 Offenbach Barcarolle
7 Offenbach Barcarolle (from The Tales
(from The Tales of
of Hoffmann),
Hoffmann), arr. arr. Mead
Mead (Studio Music:
(Studio Music: ?
? /&&&editions)
/ edition)
edition)
8
8 Paradies
Paradies Sicilienne,
Sicilienne, arr.
arr. Snell
Snell (observing
(observing lower
lower line
line in
in b.
b. 26)
26) (Rakeway
(Rakeway Music:
Music: ? or
or & editions)
M Brand: ?
8 Paradies Sicilienne, arr. Snell (observing lower line in b. 26) (Rakeway Music: or & editions) ? /&& edn)
Brand: ? /
Cantilena and An
Ernest Young Cantilena
9 Ernest An English Tune:Tune: Nos 2 2 and 5 Five Pieces for
5 from Five for Brass (G (G & M edn)
Young Cantilena and
9 Ernest Young
9 and An English
English Tune: Nos Nos 2 and from Five Pieces
and 5 from Pieces for Brass
Brass (G & & M Brand: /& edn)
LIST
LIST B
B
LIST B
1 Bernie, Pinckard & Casey Sweet Georgia Brown. Stranger on the A Train for Trombone/Euphonium, arr. Iveson
B 1 Bernie,
1 Bernie, Pinckard
?
Pinckard
?
&
&
&
Casey
Casey Sweet
Sweet Georgia Brown. Stranger
Georgia Brown. Stranger onon the
the A
A Train
Train for
for Trombone/Euphonium,
Trombone/Euphonium, arr. arr. Iveson
Iveson
Wind:
(Brass Wind:
(Brass ? oror & editions)
& editions)
(Brass Wind: or editions) ?
? & edition)
2 June
2 June
2 Emerson
June Emerson
Summer
Emerson Summer
Morning
Morning or
or On
or On
the
On the
Prom:
the Prom:
No.
No. 1 or
1 or
No. 1
No.
or No.
3
No. 3
from Summer
from Summer
3 from
Suite
Suite (Emerson E359:
(Emerson E359:
Suite (Emerson ?//
/&& edition)
Summer MorningThing Prom: Show Summer ? or & editions)
E359: edition)
3 Gershwin
3 Gershwin Let’s
Let’s Call
Call the
the Whole Off. Slide
Thing Off.
Whole Thing Show for
Slide Show for Trombone,
Trombone, arr. Mowat
Mowat (Brass
arr. ? Wind: ?
(Brass Wind: ? or & editions)
3 Gershwin
Peter MeechanLet’s
Meechan FinalCall the Whole Off. Slide
Shining Brass, for
BookTrombone,
2 arr. Mowat
?
?
(Brass Wind: b or & editions)
& brass edition; B b piano accomp.
4 Peter
4
4 Peter Meechan Final
Final Thought
Thought
Thought ¸ Shining Brass, Book 2 (ABRSM: /& brass edition; B b piano accomp.
¸
˝ Shining Brass, Book 2 (ABRSM:
(ABRSM: /
/ & brass edition; B piano accomp.
5 Lucy Pankhurst Gone, Not Forgotten ¸ ˝ published separately)
˛
˝
5
5 Lucy
Lucy Pankhurst
Pankhurst Gone,
Gone, Not
Not Forgotten
Forgotten ˛ published
˛
published separately)
separately) ? /& edition)
6
6 Mark
Mark Nightingale
Nightingale The
The Viennese
Viennese Dwarf:
Dwarf: No.
No. 8
8 from
from Lucky
Lucky
Lucky
Dip
Dip for Euphonium
Dip for
for Euphonium
(Warwick
(Warwick Music: ?
Music: ?//&& edition)
?
6 Mark Nightingale The Viennese Dwarf: No. 8 from Euphonium Ledbury Music:
(Warwick edition)
? or &&
George Shearing Lullaby of Birdland. Big Chillers for Trombone/Euphonium, arr. Ledbury (Brass Wind: ? or
7 George Shearing
7 George Shearing Lullaby
Lullaby ofof Birdland.
Birdland. Big Big Chillers
Chillers for
for Trombone/Euphonium,
Trombone/Euphonium, arr.
arr. Ledbury Wind:
(Brass Wind:
(Brass
7 editions) or &
editions)
editions)
8 Philip Sparke Song of Farewell: No. 7 from Super Solos for Baritone or Euphonium (Anglo Music AMP 267-400:
8 Philip
8 ?
Philip
?
Sparke
Sparke Song
& edition)
Song ofof Farewell:
Farewell: No.
No. 7 from Super
7 from Super Solos
Solos for
for Baritone
Baritone or
or Euphonium
Euphonium (Anglo(Anglo Music
Music AMP
AMP 267-400:
267-400:
?// & edition)
(Brass Wind: ?
/ & edition)
? trom-
Wind: ? trom-
John Williams
9 John Williams Raiders
Raiders March
March (from Raiders of
(from Raiders of the
the Lost
Lost Ark).
Ark). Great
Great Winners, arr.
arr. Lawrance (Brass
9 Johnedition
9 bone Williams
or &&Raiders March
brass edition;
edition; B bb(from
piano Raiders
accomp.ofpublished
published Ark). Great Winners,
the Lost separately) Winners, arr. Lawrance
Lawrance (Brass Wind: trom-
bone edition or & brass edition; B b piano accomp. published separately)
bone edition or brass B piano accomp. separately)
LIST
LIST C
C
C LIST C
Publications: ? ? /&& edition)
Publications: ? /
1 Keith Amos No. 3: from 12 Miniatures for Solo Euphonium (CMA
1
1 Keith
Keith Amos No.
No. 3:
AmosLament from 12
3: from 12 Miniatures
Miniatures for
for Solo
Solo Euphonium (CMA Publications:
Euphonium (CMA /& edition)
edition)
2 John Frith ¸ ? /& brass edition)
2
2 John
John Frith
Frith Lament
Lament ¸ Shining Brass, Book 2 (ABRSM: ?
¸
˝ Shining Brass, Book 2 (ABRSM: ?
David A.
3 David
3 A. Stowell
Stowell Flennon
Flennon Study (either version)
version) ˝ Shining Brass, Book 2 (ABRSM: /
˝
˛
˛ /&& brass
brass edition)
edition)
David A.
3 Soichi Flennon Study
Stowell Daydream. Study (either
(either version) ˛
Haske: ? ? or && editions)
4
4 Soichi Konagaya
Konagaya Daydream. New
New Concert
Concert Studies for
Studies for Euphonium,
Euphonium, Vol.
Vol. 2
2 (De
(De Haske: ? or editions)
4 Soichi Konagaya Daydream. New Concert Studies for Euphonium, Vol. 2 ?
(De Haske: or & editions)
5 Jock
5
5 Jock McKenzie
Jock McKenzie Fling:
McKenzie Fling: from Music
Fling: from
from Music Makes
Music Makes the
Makes the World
the World Go
World Go Around
Go Around (Con Moto: ?
(Con Moto:
Around (Con Moto: or &&& brass
? or
or brass editions)
brass editions)
editions) ?
? euphonium
Music: ? euphonium
6
6 Mark
Mark Nightingale
Nightingale Hillbilly
Hillbilly or
or The
The Turkey:
Turkey: No.
No. 16
16 or
or No.
No. 22
22 from
from Easy
Easy Jazzy
Jazzy ’Tudes
’Tudes (Warwick
(Warwick Music:
Music:
Mark Nightingale
6 edition &
Hillbilly
brass edition)
or & brass edition) or The Turkey: No. 16 or No. 22 from Easy Jazzy ’Tudes (Warwick euphonium
edition or
edition or & brass edition) ?
? & brass edition)
7
7
Richard Warren
Richard Warren
7 Richard Warren No.No. 12:
No. 12: from
12: from
from 1212 Progressive
12 Progressive Short
Progressive Short Studies
Short Studies for
Studies for Brass
for Brass Instruments
Brass Instruments (Con
Instruments (Con Moto: ? /
Moto:
(Con Moto: /& brass edition)
/& brass edition)

AURAL
AURAL TESTS FOR THE GRADE: see pp. 90 and 93
AURAL TESTS
TESTS FOR
FOR THE
THE GRADE:
GRADE: see
see pp.
pp. 90
90 and
and 93
93
SCALES
SCALES AND ARPEGGIOS: from memory, to be played both slurred and tongued in the following keys:
SCALES AND AND ARPEGGIOS:
ARPEGGIOS: from from
##, B minors
memory,
memory, to to be
be played
played both
both slurred
slurred and
and tongued
tongued in
in the
the following
following keys:
keys:
Bass clef:
Bass clef: A
clef: A
b
b
A b,, B
, B majors;
B majors;
majors; G G #,, B
G B minors
minors (a (a twelfth)
(a twelfth)
twelfth)
F ## majors; F
Bass
F, F # majors;
F, F
F, F minor (two (two octaves)
octaves)
majors; Fb minor b majors;
minor (two octaves)b C ### minors
Treble
Treble clef:
clef: BB bb,,, D
D bb majors; B bb,,, C
B minors (a (a twelfth)
twelfth)
Treble
G, A
G,
b clef:
A bb majors;
B
majors; G
D
G minor
majors;
minor (two
B
(two octaves)
C minors
octaves)
(a twelfth)
G, A majors; G minor (two octaves)
Scales: inin the above
above keys (minors (minors in harmonic harmonic or melodicmelodic form atat candidate’s choice)
choice)
Scales:
Scales: in thethe above keys keys (minors in in harmonic or or melodic form
form at candidate’s
candidate’s choice)
Chromatic Scale:
Chromatic Scale: Bass Bass clef:
clef: starting
starting on B bbb (a
on B (a twelfth)
twelfth)
Chromatic Scale: Bass clef: starting on B (a twelfth)
Treble
Treble clef:
clef: starting
starting on on C C (a
(a twelfth)
twelfth)
Treble clef: starting on C (a twelfth)
Arpeggios:
Arpeggios: the the common
common chords
the common chords of of the
the above
above keyskeys for
for the
the ranges
ranges indicated
indicated
Arpeggios: chords of the above keys for the ranges indicated
Dominant Seventh:
Dominant Seventh:
Seventh: Bass Bass clef:
Bass clef:
clef: inin the
in the
the keykey of
key of
of B B b
b
B b (two
(two octaves)
(two octaves)
octaves)
Dominant
Treble clef:
Treble clef: in the
the key of of C (two
(two octaves)
Treble clef: in
in the keykey of C C (two octaves)
octaves)
SIGHT-READING:
SIGHT-READING: (bass or treble clef at candidate’s choice) see p. 11.
SIGHT-READING: (bass
(bass or
or treble
treble clef
clef at
at candidate’s
candidate’s choice)
choice) see
see p.
p. 11.
11.
47
68
68
68
Performance Grades Baritone and Euphonium 2013–2022
Baritone
GRADE 6and
Baritone and Euphonium GRADE 6
Baritone and Euphonium
Euphonium GRADE
GRADE 6
6
PREREQUISITE
PREREQUISITEFOR
PREREQUISITE FOR ENTRY:
FOR ENTRY: ABRSM
ENTRY: ABRSM
ABRSM Grade
Grade
Grade 5 (or
5
5 above)
(or in Music
above) Theory,
in Music Practical
Theory, Musicianship
Practical or a Practical
Musicianship or any
PREREQUISITE
Grades solo JazzFOR ENTRY:For
instrument. ABRSM Gradesee
alternatives, 5 (or
(or above)
above) in
in Music
Music Theory,
Theory, Practical
www.abrsm.org/prerequisite. Practical Musicianship
Musicianship or or any
any
solo
solo Jazz subject. For alternatives, see www.abrsm.org/prerequisite.
solo Jazz
Jazz subject.
subject. For
For alternatives,
alternatives, see
see www.abrsm.org/prerequisite.
www.abrsm.org/prerequisite.
THREE
FOURPIECES:
THREE PIECES: atone chosen
least by the
one chosen bycandidate from
the candidate each
from ofofthe
each thethree Lists,A,
three Lists, A,BB and
and C,C:
and a fourth of the
THREE PIECES:
PIECES: one
candidate one chosen
chosen byby the
the candidate
candidate from
from each
each of
of the
the three
three Lists,
Lists, A,
’s own choice; for further programming requirements, see pages 4–6 A, B
B and
and C:
C:
LIST
LIST A
A
LIST
1 B. A
Marcello Largo and Allegro: 1st and 2nd movts from Sonata No. 1 in F (IMC 1978, arr. Ostrander: ?
? edition
A
1 B.
B. Marcello
1 or Marcello
Editions
Largo
Largo
Marc
and
and
Reift
Allegro:
Allegro:
EMR 2043M,
1st and
1starr. 2nd
2nd movts
andMortimer:
movts from
from Sonata
& editionSonata
or
No. 1
1 in
in F
No.Music,
Studio
(IMC
Farr.
(IMC 1978,
Mead: ?
1978,
? /
arr.
arr. Ostrander: ? edition
Ostrander:
& edition) edition
or Editions Marc Reift EMR 2043M, arr. Mortimer: & edition or Studio Music, arr. Mead: ? /& edition)
2 or Editions Marc
Mendelssohn ReiftMy
Hear EMR 2043M,
Prayer. arr. Mortimer:
Available in the
& edition
album: Hear Studio
or My Music,
Prayer, arr.arr. Mead:
Childs
& edition)
/ Vista
(Prima Musikk: ?
? &&
/
2 Mendelssohn
2 Mendelssohn Hear
edition) Hear My Prayer. Available
My Prayer. Available in
in the
the album:
album: Hear
Hear My
My Prayer,
Prayer, arr.
arr. Childs (Prima Vista
Childs (Prima Musikk: ? /
Vista Musikk: /&
edition)
edition) ?
3 Purcell Sound the Trumpet, arr. Wiggins ¸ The Classical Euphonium (De Haske: ? /&& edition; piano accomp.
3
3
4
Purcell
Purcell
Schubert
Sound
Sound the Trumpet,
themilitaire
Marche Trumpet, arr.
arr.1,Wiggins
No. Wiggins
arr. Grey
¸
˝
¸
˝
˛
The
The Classical
Classical
published
Euphonium
Euphonium (De
separately) Haske: ? /
(De Haske: /& edition;
edition; piano
piano accomp.
accomp.
4 Schubert Marche militaire No. 1, arr. Grey ˝
˛ published separately)
4
5 Schubert Marche
Saint-Saëns Danse militaire
macabre. No.Savoir
1, arr.Faire ˛ published separately) arr. Mowat (Brass Wind: ?
Greyfor Trombone/Euphonium, ? or & editions)
or & editions)
5
5 Saint-Saëns
Saint-Saëns Danse macabre. Savoir
Danse macabre. Savoir1 Faire
Faire for
for Trombone/Euphonium,
Trombone/Euphonium, arr.
arr. Mowat
Mowat (Brass Wind: ?AMP
(Brass Wind: or & editions)
6
6
6
Philip
Philip Sparke
?
Philip Sparke Little
Sparke Little Overture:
Little Overture: No.
Overture: No. 1
No. from Super
1 from
from Super Solos
Super Solos for
Solos for Baritone
for Baritone or
Baritone or Euphonium
or Euphonium (Anglo Music
Euphonium (Anglo
(Anglo Music AMP 267-400:
Music AMP 267-400:
267-400:
?
?// & edition)
/&& edition)
edition)
7 Stradella Andantino, arr. Ball (G & M Brand: ?
? / & edition)
7
7 Stradella Andantino,
StradellaWalter’s
Andantino, arr.
arr. Ball
Ball (G &
(G M
M Brand:
&The Brand: ?//&& edition)
edition)
8 Wagner Prize Song (from The Mastersingers).
Mastersingers). Wagner
Wagner Three Operatic Arias, arr. Wright (G & M Brand:
8
8 Wagner
Wagner
&
Walter’s
Walter’s Prize
Prize Song
Song (from
(from The Mastersingers). Wagner Three
Three Operatic
Operatic Arias,
Arias, arr.
arr. Wright
Wright (G
(G &&M M Brand:
Brand:
& edition)
& edition)
edition) ?
Brand: ?
&
9
9
9
Ernest
Ernest Young
Ernest Young Intermezzo:
Young Intermezzo: 2nd
Intermezzo: 2nd movt
2nd movt from
movt from Euphonium
from Euphonium Sonata
Euphonium Sonata (G &
Sonata (G
(G &M
& M Brand:
M Brand: ?//&& edition)
/ edition)
edition)
LIST
LIST B
B
LIST B Amos Dragon Dance: No. 1 from Dragon Dance (CMA Publications: ? ? &
B 1
1 Keith
Keith Amos Dragon Dance: No. 1 1 from Dragon Dance (CMA Publications: ?//&& edition)
edition)
1
2
2
Keith
Andrew
Andrew
Amos
BlythDragon
Blyth
Dance:
Compelled
Compelled byNo.
by Love.
Love. No. Dragon
from
No. 11 from Dance
11 from The
(CMA
The Derick
Derick Publications:
Kane
Kane Euphonium/Album
Euphonium
edition)
Album (Salvationist Publishing:
(Salvationist Publishing:
2 ?
Andrew
? & Blyth
edition) Compelled by Love. No. 11 from The Derick Kane Euphonium Album (Salvationist Publishing:
?/ & edition)
/& edition) ? /& edition)
/ b
3 Peter
3
3 Peter Graham
Peter Graham A
Graham A Time
A Time for
Time for Peace. Gramercy
for Peace.
Peace. Gramercy Solo
Gramercy Solo Album
Solo Album B
Album B bb (Gramercy
B (Gramercy Music: ?
(Gramercy Music:
Music: ?/ /&& edition)
edition)
?
4 Reginald Heath Andante and Scherzo for Euphonium/Baritone (G & M Brand: ? /&& edition)
4
5
Reginald
Reginald
4 Peter Heath Andante
Heath Andante
Lawrance
and
Andante and Scherzo
Scherzo for
and Badinage: for
Nos
Euphonium/Baritone
Euphonium/Baritone
5 and 6 from Badinage
(G &
(Gfor M Brand: ? /
M Brand: /& edition)
& Trombone/Euphonium edition) (Brass Wind:
5 Peter
5 ?
Peter Lawrance
Lawrance Andante
Andante and
and Badinage:
Badinage: Nos
Nos 5
5 and
and 6
6 from
from Badinage
Badinage for
for Trombone/Euphonium
Trombone/Euphonium (Brass Wind:
(Brass Wind:
?
? or
&
& editions)
editions)
or & editions)
6 or
Christopher Mowat Bone Idyll. Slide Show for Trombone, arr. Mowat (Brass Wind: ?
? or & editions)
6 Christopher Mowat
6 Christopher Mowat Bone
Bone Idyll. Slide Show
Idyll. Slide Show for
for Trombone,
Trombone, arr.
arr. Mowat
Mowat (Brass Wind: ? or && editions)
(Brass Wind: editions) ?
7 Mark Nightingale From Ragtime to Riches: No. 13 from Lucky Dip for Euphoniumor (Warwick Music: ? /&&
7 Mark
7 Mark Nightingale
Nightingale From
edition) From Ragtime
Ragtime to to Riches:
Riches: No.
No. 13 from Lucky
13 from Lucky Dip
Dip for
for Euphonium
Euphonium (Warwick Music: ? /
(Warwick Music: /&
edition)
edition)
8 Philip Sparke Chicago Blues: No. 5 from Super Solos for Baritone or Euphonium (Anglo Music AMP 267-400:
8 Philip
8 ?
Philip
?
Sparke
Sparke Chicago
& edition) Chicago Blues:
Blues: No.
No. 5 from Super
5 from Super Solos
Solos for
for Baritone
Baritone or
or Euphonium (Anglo Music
Euphonium (Anglo Music AMP
AMP 267-400:
267-400:
?//
/ & edition)
& edition) ?
9 Fats Waller Ain’t misbehavin’. Big Chillers for Trombone/Euphonium, arr. Ledbury (Brass Wind: ? or & editions)
9 Fats
9 Fats Waller
Waller Ain’t misbehavin’. Big
Ain’t misbehavin’. Big Chillers
Chillers for
for Trombone/Euphonium,
Trombone/Euphonium, arr. arr. Ledbury Wind: ? or
(Brass Wind:
Ledbury (Brass or && editions)
editions)
LIST
LIST C
C
C LIST
1 C Amos No. 9 or No. 10: from 12 Miniatures for Solo Euphonium (CMA Publications: ?
Keith ? & edition)
1 Keith
Keith Amos
1 Alwyn Amos No.
No. 9 or
9 No.
No.5:10:
orNo. 10: from
from 12 Miniatures
Miniatures for
12 Euphonium for Solo
Solo Euphonium
Euphonium (CMA
(CMA Publications:
?
Publications: ?//&& edition)
/ edition)
2 Green Study P. 30 from Eurhythmics (Warwick Music: ?
? or & editions)
&
2
3
Alwyn Green
2 Alwyn
Peter
Green Study
Graham Study
A Bach
No. 5:
5: P.
P. 30
No.Invention from Euphonium
30 from Euphonium Eurhythmics (Warwick Music:
Eurhythmics (Warwick Music: or or & editions)
editions)
¸ New Concert Studies for Euphonium, Vol. 2 (De Haske:
Peter Graham
3 Peter
3 Graham A A Bach
Bach Invention
Invention New Concert Studies
? orConcert
¸ New
˝ Studies for
for Euphonium,
Euphonium, Vol. Vol. 2
2 (De Haske:
(De Haske:
˛ ?
4 André Waignein Comme dans une tarantelle ¸
˝
˛ & editions)
4
4 André
André Waignein Comme
Waignein Mazurka
Comme or dans
dans une
une tarantelle
tarantelle
˝
˛ ? or &
& editions)
editions)
or(Con ?
5 Jock McKenzie Jota: from Rhythms of Life Moto: ? or & brass editions)
or & brass editions)
5 Jock
5 Jock McKenzie
McKenzie Mazurka
Mazurka or
or Jota:
Jota: from Rhythms
Rhythms of
of Life
fromTransposition Life (Con Moto:23?or
(Con Moto: or & brass editions) Jazzy ’Tudes (Warwick
6 Mark
6
6 Mark Nightingale
Mark Nightingale
?
Nightingale
On
On the
On the Off-beat or
the Off-beat
Off-beat or Transposition Blues:
or Transposition Blues: No.
Blues: No. 23
No. or No.
23 or No. 27
No. 27 from Easy
27 from
from Easy Jazzy
Easy Jazzy ’Tudes
’Tudes (Warwick
(Warwick
Music: ? euphonium
Music: ? euphonium edition
euphonium edition or & brass edition)
or && brass
edition or brass edition)
edition)
7
Music:
Allen Vizzutti Cowboy Dance: from 20 Dances for Euphonium (De Haske: ?
? or & editions)
7 Allen
7 Allen Vizzutti
Vizzutti Cowboy
Cowboy Dance: from 20
Dance: from 20 Dances
Dances for
for Euphonium
Euphonium (De Haske: ? or
(De Haske: or && editions)
editions)
AURAL
AURAL TESTS FOR THE GRADE: see pp. 90 and 93
AURAL TESTS
TESTS FOR
FOR THE
THE GRADE:
GRADE: see
see pp.
pp. 90
90 and
and 93
93

(continued overleaf ))
(continued overleaf
(continued overleaf )

69
69
69
48
Treble clef: starting on G (two octaves)

SIGHT-READING:
SIGHT-READING: (bass
(bass or
or treble
treble clef
clef at
at candidate’s
candidate’s choice)
choice) see
see p.
p. 11.
11.
Performance Grades Baritone and Euphonium 2013–2022

Baritone
GRADE 7and
Baritone and Euphonium
Euphonium GRADE
GRADE 7
7
PREREQUISITE FOR ENTRY: ABRSM Grade 5 (or above) in Music Theory, Practical Musicianship or a Practical
PREREQUISITE
PREREQUISITE FOR ENTRY: ABRSM Grade 5
5 (or above)
above) in
in Music
Music Theory,
Theory, Practical
Practical Musicianship
Musicianship or
or any
Grades solo JazzFOR ENTRY:For
instrument. ABRSM Gradesee
alternatives, (or
www.abrsm.org/prerequisite. any
solo Jazz
solo Jazz subject.
subject. For
For alternatives,
alternatives, see
see www.abrsm.org/prerequisite.
www.abrsm.org/prerequisite.
FOURPIECES:
THREE PIECES: atone
least one chosen
chosen by bycandidate
the candidate from each ofthe
thethree
three Lists, A, BBand C, and a fourth of the
THREE PIECES:
candidate’s ownone chosen
choice; by the
the
for further candidate from
programming from each
each of
of see
requirements, thepages Lists,
Lists, A,
three4–6 A, B and
and C:
C:
LIST
LIST A
A
A 1 J. S.
1 J. S. Bach
Bach Allegretto:
Allegretto: 1st1st movt
movt from
from Sonate
Sonate en
en Trio
Trio No.
No. 1,
1, BWV
BWV 525,
525, arr.
arr. Fritsch
Fritsch for
for Euphonium
Euphonium (Billaudot
(Billaudot
7777B: ?
G 7777B:
G ?//&& edition)
edition) ? & edition; piano accomp. published
2 J.
2 J. S.
S. Bach
Bach Sinfonia,
Sinfonia, arr. Hesford ¸
arr. Hesford ¸ The
˝
˝
The Classical
Classical Euphonium
Euphonium (De Haske: ? /
(De Haske: /& edition; piano accomp. published
˛
3 Chabrier
3 Chabrier España,
España, arr.arr. De Smet ˛ separately)
De Smet separately)
4 Bizet
4 Bizet Menuet,
Menuet, arr.arr. Norbury.
Norbury. No.
No. 13
13 from
from ¸ ¸ The
The Derick
Derick Kane
Kane Euphonium
Euphonium Album
Album
˝ (Salvationist Publishing: ?
˝
5 Trad.
5 Trad. My My love
love is
is like
like aa red,
red, red
red rose,
rose, arr. Downie. No.
arr. Downie. No. 33 from
from ˛ ˛ (Salvationist Publishing: ? / & edition)
& edition)
6 Elgar Salut d’amour, arr. Childs. Available in the album: Monti’s Czardas (Winwood Music: ? //& edition)
?
6 Elgar Salut d’amour, arr. Childs. Available in the album: Monti’s Czardas (Winwood Music: /& edition)
7 B.
7 B. Marcello Adagio and
Marcello Adagio and Allegro: 1st and
Allegro: 1st and 2nd
2nd movts
movts from
from Sonata
Sonata?No.
No. 33 in
in A
A minor,
minor, arr.
arr. Mortimer
Mortimer (observing
(observing
semiquavers
semiquavers in in ossias
ossias in
in Allegro) (Editions Marc
Allegro) (Editions Marc Reift
Reift EMR 2032M: ? /
EMR 2032M: /&& edition)
edition)
8 Philip
Philip Sparke
8 ? Sparke Scherzo
Scherzo Finale:
Finale: No.
No. 10 from Super
10 from Super Solos
Solos for
for Baritone
Baritone or
or Euphonium (Anglo Music
Euphonium (Anglo Music AMP
AMP 267-400:
267-400:
?/ /&& edition)
edition)
9 Ernest
9 Ernest Young
Young Allegro giocoso and
Allegro giocoso Romanza, or
and Romanza, Romanza and
or Romanza and Allegro
Allegro Scherzando:
Scherzando: 1st1st and
and 2nd movts, or
2nd movts, 2nd
or 2nd
and 3rd
and 3rd movts
movts from
from Euphonium
Euphonium SuiteSuite (G
(G &&M Brand: ?
M Brand: ?//&& edition)
edition)
LIST
LIST B
B
B 1
1 Paolo
Paolo Baratto
Baratto Euphonissimo
Euphonissimo (Editions BIM: && edition)
(Editions BIM: edition) ? & edition)
2
2 James
James Curnow
Curnow Rhapsody
Rhapsody for for Euphonium
Euphonium (Winwood
(Winwood Music: ? /
Music:
? & edition) /& edition)
3
3 Peter Graham
Peter Graham The The Holy
Holy Well
Well (Gramercy Music: ? /
(Gramercy Music: /& edition)
4
4 Harbach
Harbach and Kern
? and Kern Smoke
Smoke Gets
Gets in
in Your Eyes. Let’s
Your Eyes. Let’s Face
Face the
the Music
Music for
for Trombone/Euphonium,
Trombone/Euphonium, arr.arr. Iveson
Iveson (Brass
(Brass
Wind: ? or
Wind: or && editions)
editions) ?
5 Joseph Horovitz Lento: 2nd movt from Euphonium Concerto (Novello NOV120387:
5 Joseph Horovitz Lento: 2nd movt from Euphonium Concerto (Novello ?NOV120387: /& edition) ? /& edition)

6 Rodney Newton
6 Rodney Newton The The Riders
Riders of
of Rohan. Childs’ Choice
Rohan. Childs’ Choice (Winwood Music: ? /
(Winwood Music: /&& edition)
edition)
7 Rodney Newton Allegro energico,?or Chaconne and Molto vivace: 1st movt, or
7 Rodney Newton Allegro energico, or Chaconne and Molto vivace: 1st movt, 2nd and
or 2nd and 3rd
3rd movts
movts from
from
Sonata
Sonata Brevis (Prima Vista
Vista Musikk: ?//&& edition)
Baritone
8 Goff
and
Brevis
Richards
Euphonium
(Prima
Midnight
GRADE
Musikk:
Euphonium
7
edition)
(observing cadenza) (Studio Music: ?
? / & edition)
8 Goff Richards Midnight Euphonium (observing cadenza) (Studio Music: /& edition)
Philip Sparke
9 Philip
9 Sparke Song
Song for
for Ina
Ina (Studio Music: ?
(Studio Music: ?/ /&& edition)
edition)
LIST C
C 1 Arban Moderato: No. 6 from 14 Studies for Cornet (Boosey & Hawkes: & edition). Also available in Arban Cornet
70Method (Boosey & Hawkes: & edition)
2 Derek Bourgeois Presto: No. 3 from Fantasy Pieces for Euphonium (Brass Wind: ? or & editions)
70
3 Alwyn Green Study No. 20: P. 58 from Euphonium Eurhythmics (Warwick Music: ? or & editions)
4 Soichi Konagaya Lamentoso. New Concert Studies for Euphonium, Vol. 2 (De Haske: ? or & editions)
5 Jock McKenzie Salsa or Dixieland: from Rhythms of Life (Con Moto: ? or & brass editions)
6 Allen Vizzutti Funk (ignoring lower notes in bb. 17, 30 & 31): from 20 Dances for Euphonium (De Haske: ? or &
editions)
7 Philip Wilby Tarantella: Piazza San Marco (No. 3 from Partita Veneziana). Advanced Concert Studies for
Euphonium (De Haske: ? or & editions)

AURAL TESTS FOR THE GRADE: see pp. 90 and 94

SCALES AND ARPEGGIOS: from memory, to be played slurred, legato-tongued and staccato in the follow-
ing keys:
Bass clef: B b, B, C, D b, D, E b majors; B b, B, C, C #, D, E b minors (a twelfth)
All other keys, major and minor (two octaves)
Treble clef: C, D b, D, E b, E, F majors; C, C #, D, E b, E, F minors (a twelfth)
All other keys, major and minor (two octaves)
Scales: in the above keys (minors in both harmonic and melodic forms)
Chromatic Scales: Bass clef: starting on any note E–A (two octaves)
Treble clef: starting on any note F # –B (two octaves)
49
Arpeggios: the common chords of the above keys for the ranges indicated
Performance Grades Baritone and Euphonium 2013–2022
Baritone
GRADE 8and
Baritone and Euphonium GRADE 8
Baritone and Euphonium
Euphonium GRADE
GRADE 8
8
PREREQUISITE
PREREQUISITEFOR
PREREQUISITE FOR ENTRY:
FOR ENTRY: ABRSM
ENTRY: ABRSM Grade
ABRSMGrade
Grade 5
5 (or
5 (or above)
above)
(or in
in Music
in Music
above) Theory,
Theory,
Music Practical
Practical
Theory, Musicianship
Musicianship
Practical or
or any
or a Practical
Musicianship any
PREREQUISITE
Grades
solo Jazz solo JazzFOR ENTRY:For
instrument. ABRSM Gradesee
alternatives, 5 (or above) in Music Theory, Practical Musicianship or any
www.abrsm.org/prerequisite.
solo Jazz subject.
subject. For
For alternatives,
alternatives, see
see www.abrsm.org/prerequisite.
www.abrsm.org/prerequisite.
solo Jazz subject. For alternatives, see www.abrsm.org/prerequisite.
THREE
FOURPIECES:
THREE PIECES: atone
PIECES: one chosen
least
chosen by
by the
one chosen bycandidate
the from
the candidate
candidate from each
from of
ofofthe
each
each thethree
the three Lists, A,
A,BB
Lists,A,
three Lists, and
Band
andC,C:
and a fourth of the
C:
THREE PIECES: one chosen by the candidate from each of the three Lists, A, B and C:
candidate’s own choice; for further programming requirements, see pages 4–6
LIST
LIST A A
LIST
1 J. AS.
S. Bach
Bach 2nd and 3rd
2nd and 3rd movts
movts from
from Sonate
Sonate enen Trio
Trio No.
No. 1,
1, BWV
BWV 525,
525, arr.
arr. Fritsch
Fritsch for
for Euphonium
Euphonium (Billaudot
(Billaudot
1 J.
Bach?2nd
7777bb:: ?
A 1 G J. S. & and 3rd movts from Sonate en Trio No. 1, BWV 525, arr. Fritsch for Euphonium (Billaudot
G 7777 ? /&& edition)
/ edition) ?
Music: ?
G 7777b: / edition) Music: &
2 Capuzzi
2 Capuzzi Andante
Andante and and Rondo,
Rondo, arr.
arr. Childs
Childs and
and Wilby
Wilby for
for Euphonium
Euphonium (Winwood /& edition)
/
Music: ? /& edition)
(Winwood
? /& edition) edition)
Music: ?
2 Capuzzi Andante and62, Rondo, arr. Childs and Wilby for Euphonium (Winwood
3 Elgar
3 Elgar Romance,
Romance, Op. Op. 62, trans.
trans. Wilson
Wilson for
for Euphonium (Winwood Music:
Euphonium (Winwood ? /&& edition)
3 Elgar Romance,
Handel Adagio
4 Handel Adagio and Op. 62, trans.
and Allegro
Allegro (from Wilson
(from Sonatafor Euphonium
Sonata inin E),
E), trans. (Winwood
trans. Fitzgerald Music:
Fitzgerald for /
for Euphonium (Presser: ?
edition)
Euphonium (Presser: ?//& edition)
4
Handel Allegro
4 Mozart Adagio (Rondo):
and Allegro (from Sonata inRondo,
E), trans. Fitzgerald for Euphonium ? /&& edition)
edition)
(Presser:(Winwood
5
5 ? Mozart Allegro (Rondo): from Adagio and Rondo, arr. Childs and Wilby for Euphonium (Winwood Music:
from Adagio and arr. Childs and Wilby for Euphonium Music:
5 ? Mozart
/ Allegro
& edition) (Rondo): from Adagio and Rondo, arr. Childs and Wilby for Euphonium (Winwood Music:
?/ & edition)
/& edition) Vocalise, trans. Mead for Euphonium (Studio Music: ? ? /& edition)
6 Rachmaninov
6 Rachmaninov Vocalise, trans. Mead for Euphonium (Studio Music: ? /&& edition)
6 Rachmaninov Vocalise, trans. Mead for Euphonium Music: / edition)
(StudioChilds.
7 Rossini
7 Rossini Largo
Largo alal?Factotum (from The
Factotum (from The Barber
Barber of
of Seville), arr. Childs. Available
Seville), arr. Available inin the
the album:
album: Monti’s
Monti’s Czardas
Czardas
7 Rossini
(Winwood Largo
Music:al?Factotum
/& edition)(from The Barber of Seville), arr. Childs. Available in the album: Monti’s Czardas
(Winwood Music: ? /& edition)
&
Music: / edition)
(WinwoodPrelude,
8 Rossini
8 Rossini Prelude, Theme
? /& edition) Theme andand Variations,
Variations, arr.
arr. Newsome
Newsome for for Euphonium (starting at
Euphonium (starting at Fig.
Fig. C) (Obrasso Verlag:
C) (Obrasso Verlag:
?
8 Rossini Prelude, Theme and Variations, arr. Newsome for Euphonium (starting at Fig. C) (Obrasso Verlag:
?/ & edition)
/ &
9 Schumann edition)
Schumann AllegroAllegro vivace:
vivace: from Adagio and
from Adagio and Allegro,
Allegro, Op.
Op. 70,
70, arr.
arr. Johnson
Johnson forfor Euphonium
Euphonium (Brass Wind: ?
(Brass Wind: ?//&&
Allegro vivace: from Adagio and Allegro, Op. 70, arr. Johnson for Euphonium (Brass Wind: ? /&
9
9 Schumann
edition)
edition)
edition)Young Pentalude and Scherzando: 1st and 3rd movts from Euphonium Sonata (G & M Brand: ?
Ernest Young Pentalude and Scherzando: 1st and 3rd movts from Euphonium Sonata (G & M Brand: ? /
&
10 Ernest
10
10 Ernest Young Pentalude and Scherzando: 1st and 3rd movts from Euphonium Sonata (G & M Brand: ? /&
/&
edition)
edition)
edition)
LIST
LIST B
B ? &
Music: ? /
LIST B
1 Darrol Barry Con moto or
Con moto or Scherzando:
Scherzando: 1st 1st or
or 3rd
3rd movt
movt from
from Concerto
Concerto for
for Baritone (Studio Music:
Baritone (Studio
Barry Con moto or Scherzando: 1st or 3rd movt from Concerto for Baritone (Studio Music: ? /&
B 1 Darrol Barry /&
1 Darrol
edition)
edition) ?
edition)
Peter
2 Peter Graham Whirlwind. Gramercy Solo
Whirlwind. Gramercy Solo Album
Album B B bb (Gramercy Music: ?
(Gramercy Music: /&& edition)
2 Graham
Gramercy Solo Album B bcadenza) ?/ edition)
/&?edition)
Wind: ?
2 Peter Graham Whirlwind. Euphonium (Gramercy Music: /&& edition)
3 Alwyn
3 Alwyn Green
Green Euphoria
Euphoria for
for Euphonium (observing (Brass Wind:
(observing cadenza) (Brass ?/ edition)
3 Alwyn Green Euphoria for Euphonium (observing cadenza) (Brass Wind: /& edition) (Novello NOV120387:
4
4 ?Joseph
Joseph Horovitz Moderato or
Horovitz Moderato or Con
Con moto: 1st or
moto: 1st or 3rd
3rd movt
movt from
from Euphonium
Euphonium Concerto
Concerto (Novello NOV120387:
4 ?Joseph Horovitz
/&& edition) Moderato or Con moto: 1st or 3rd movt from Euphonium Concerto (Novello NOV120387:
?/ edition) ?
5 /& edition)
Karl Jenkins Romanza: 2nd movt from Euphonium Concerto (Boosey & Hawkes:
5 Karl Jenkins Romanza: 2nd movt from Euphonium Concerto (Boosey & Hawkes: ? /&& edition) ? /& edition)
? & edition)
Verlag: ? /
5 Karl Jenkins Romanza:(Mountain
2nd movt fromfor Euphonium Concerto (Boosey & Hawkes: / edition)
6 Goff
6 Goff Richards
Richards Pilatus
Pilatus (Mountain Air)Air) for Euphonium (observing cadenza)
Euphonium (observing (Obrasso Verlag:
(Obrasso
(Obrasso Verlag: ? /& edition)
cadenza)
? /& edition)
7 Goff Richards
6 Antony Pilatus
Roper 1st
1st (Mountain
movt: from Sonata Air)for
Sonata forEuphonium
Euphonium(Studio
(observing
Music: ?/
cadenza)
/&& edition)
edition)
7 Antony Roper movt: from for Euphonium (Studio Music: ? /& edition) ?
Music: ? /
7 Antony Roper 1st movt: from Sonata for Euphonium (Studio Music: &
8 Philip
8 Philip Sparke
Sparke Moderato
Moderato ee energico:
energico: 1st
1st movt
movt from
from Euphonium Concerto (Studio Music:
Concerto (Studio /& edition)
Concerto (Studio Music: ? /& edition)
Euphonium
? edition)
b ?/
B bb Baritone
8 Moderato e energico: 1st movt from Euphonium
Music: & edition)
9 Philip
9 Philip Sparke
Sparke Rhapsody
Rhapsody for
for B Baritone (Studio
(Studio?/Music: ? /& edition)
10 SparkeConcert
9 Philip Wilby Rhapsody for B(Winwood
Gallop BaritoneMusic:
(Studio? Music:
& edition)
10 Philip Wilby Concert Gallop (Winwood Music: ? /&& edition)
/& edition)

10 Philip Wilby Concert Gallop (Winwood Music: / edition)


LIST
LIST C
C
C LIST
1 C
Arban Allegro or Allegro: No. 9 or No. 10 from 14 Studies for Cornet (Boosey & Hawkes: & edition). Also
1 Arban Allegro or Allegro: No. 9 or No. 10 from 14 Studies for Cornet (Boosey & Hawkes: && edition). Also
1 Arban
availableAllegro or Allegro: No. 9 or No. 10 from 14 &&Studies for Cornet (Boosey & Hawkes: edition). Also
available in
in Arban
Arban Cornet
Cornet Method (Boosey &
Method (Boosey & Hawkes:
Hawkes: & edition)
edition)
available in Arban Cornet Method (Boosey
or & Hawkes: edition)
or
2
2 Derek
?
Bourgeois
Derek Bourgeois Allegro energico or Allegro: No. 8 or No. 9
Allegro energico Allegro: No. 8 No. from Fantasy
9 from Fantasy Pieces
Pieces for
for Euphonium (Brass Wind:
Euphonium (Brass Wind:
2 ?
Derek Bourgeois Allegro energico or Allegro: No. 8 or No. 9 from Fantasy Pieces for Euphonium (Brass Wind:
or && editions)
? or &
editions)
¸ New Concert Studies for Euphonium, Vol. 2 (De Haske: ?
or
Douglas editions)
3
3 Douglas Court
Court TheThe Chase
Chase ¸
? or & editions)
editions)
3 Otto Court The ChaseTongue ˝
Douglas Schwartz ¸ New Concert Studies for Euphonium, Vol. 2 (De Haske: ? or &
˝
˛
4
4 Otto M.
M. Schwartz Flying
Flying Tongue ˛ ˝ New Concert Studies for Euphonium, Vol. 2 (De Haske: or & editions)
?
4
5
5
Otto M.
Alwyn Schwartz
Green Study Flying
No. Tongue
12: P. 37 ˛
from Euphonium Eurhythmics (Warwick
Alwyn Green Study No. 12: P. 37 from Euphonium Eurhythmics (Warwick Music: ? or Music: ? or & editions)
& editions)
? or
Haske: ?
5 Alwyn No. 12: P. 37 from Euphonium
Green Study Moncayo. Eurhythmics (Warwick(De Music: or & editions)
& editions)
6
6 Jan
Jan Hadermann
Hadermann El El Moncayo. Advanced
Advanced Concert
Concert Studies
Studies for
for Euphonium
Euphonium
? (De Haske: ? or & editions)

Moto: ?
6 Jan Hadermann El Moncayo. Advanced Concert Studies for Euphonium& (De Haske: or & editions)
7
7 Jock
Jock McKenzie Syrto or
McKenzie Syrto or Rock: from Rhythms
Rock: from Rhythms ofof Life (Con Moto:
Life (Con ??
or
or & brass
brass editions)
editions)
&& brass editions)
7
8 Jock
Allen McKenzie
Vizzutti Syrto
Polka: or
fromRock:
20 from
Dances Rhythms
for of Life
Euphonium (Con
(De Moto:
Haske: ? or
or editions)
8 Allen Vizzutti Polka: from 20 Dances for Euphonium (De Haske: ? or && editions)
8 Allen Vizzutti Polka: from 20 Dances for Euphonium (De Haske: or editions)
AURAL
AURAL TESTS
TESTS FOR
FOR THE
THE GRADE:
GRADE: see
see pp.
pp. 90
90 and
and 95
95
AURAL TESTS FOR THE GRADE: see pp. 90 and 95

50
72
72
72
published separately. In addition, for pieces marked ‡ , further information about the publications
(including where parts/accompaniments are issued in different keys) is available at: www.abrsm.org/
(including where parts/accompaniments are issued in different keys) is available at: www.abrsm.org/
clarifications.
clarifications.
Examiners will ask candidates whether they are bass- or treble-clef readers.
Tuba
Examiners
Performancewill ask candidates whether they are bass- or treble-clef readers.
Grades 2013–2022
Tuba 2013–2022
Tuba GRADE 1
Tuba GRADE
GRADE 1 1
THREE
FOURPIECES:
PIECES: atone
least one chosen
chosen bycandidate
by the the candidate
fromfrom each
each ofofthe
thethree Lists,A,
three Lists, A,BBand
andC,C:
and a fourth of the
THREE PIECES:
candidate’s ownone chosen
choice; by the
for further candidate from
programming each of see
requirements, thepages
three4–6
Lists, A, B and C:
LIST A
LIST A
1 Tom Davoren Romanza ?
¸ Shining Brass, Book 1 (ABRSM: ? /& brass edition; piano accomps published
A 2 1 Tom Davoren Romanza ¸ Shining Brass, Book 1 (ABRSM: /& brass edition; piano accomps published
˝
Philip Sparke A Knight’s Tale ˛ ˝ separately) ‡
Philip ˛ separately) ‡
2
3 GurlittSparke
AndanteA Knight’s TaleSteps,
(from First Op. 82). P. 29 from Learn as You Play Tuba, arr. Wastall (Boosey & Hawkes:
3 ?
Gurlitt Andante (from First Steps, Op. 82). P. 29 from Learn as You Play Tuba, arr. Wastall (Boosey & Hawkes:
? edition;
edition;
piano accomp. published separately)
piano accomp. published separately)
4 Jock McKenzie Baroque Dreams. P. 17 from The Jock McKenzie Tutor Book for Young Brass Players (Book 1) (Con
4 Moto: ? tuba edition
Jock McKenzie Baroque edition;P.piano
Dreams.
& brass 17 from The Jock
accomp. McKenzie
published Tutor Book
separately) ‡ for Young Brass Players (Book 1) (Con
Moto: ? tuba edition or & ? tuba‡
5 Offenbach Can-canor ¸ brass edition;
Winners piano
Galore, arr.accomp.
Lawrancepublished separately)
(Brass Wind: ? edition or & brass edition;
5
6 Offenbach Can-can
Trad. Russian Dance ˝
˝
¸ Winners Galore, arr. Lawrance
˛ piano accomp. published separately) (Brass ‡Wind: tuba edition or & brass edition;
No. 4 from 1st Recital Series (Curnow Music: ?
˛ piano accomp. published separately) ‡
6 Trad.
Trad. KumRussian Dance tuba edition or E b bass edition or
4 from 1st ‡Recital Series (Curnow Music: ? tuba edition or E b bass edition or
7 Ba Yah, arr. Johnson.
7 B b bassKum
Trad. Ba Yah,
edition; pianoarr. Johnson.
accomp. No. separately)
published
b
Winners, arr. Lawrance (Brass Wind: ? tuba edition or & brass edition;
B bassSpiritual
edition; piano accomp. ‡
Trad. Allpublished
Day. Easy separately)
All Day.‡ Easy Winners, arr. Lawrance (Brass Wind: ? tuba edition or & brass edition;
8 All Night,
8 Trad. Spiritualpublished
piano accomp. All Night,
separately)
Buffaloes: No. 4 from Preludes for Pachyderms for Tuba (G & M Brand: ?/E b &
piano ‡
Bram accomp.
Wigginspublished separately)
Bram Wiggins Bisons and Buffaloes: No. 4 from Preludes for Pachyderms for Tuba (G & M Brand: ?/E b &
9 Bisons and
9 edition)
edition)
LIST B
LIST B
Bernstein One Hand, One Heart (from West Side Story). Easy Winners, arr. Lawrance (Brass Wind: ? tuba
Story). ‡ Easy Winners, arr. Lawrance (Brass Wind: ? tuba
B 1
Bernstein
1 edition or & One
brass Hand,
edition;One
pianoHeart
accomp.(from West Side
published separately)
& brass edition; piano accomp. published separately) ‡ ?
2 Douglas Coombes Trotting Tuba. Keynotes Album for E b Bass/Tuba (Brass Wind: ? or E b & editions) ‡‡
edition or
Douglas
2 Tom CoombesWaltzTrotting ShiningKeynotes
for E. ¸Tuba. Album
Brass, Book for E b Bass/Tuba
1 (ABRSM: ? /& brass
(Brass Wind:pianoor E b & editions)
3
3 Tom
Davoren
Davoren Waltz for E. ˝
¸ Shining Brass, Book 1 (ABRSM: ? /& brass edition;
edition; piano
accomps
accomps
published
published
4 David A. Stowell Strollin’ ˝ separately) ‡
˛ ‡
No. 1 or No. 2 from Cityscapes (Gramercy Music: E b ?
or Paris:separately) & edition or B b ? /&
DavidGraham
4 Peter A. Stowell Strollin’ ˛
Moscow or Paris: No. 1 or No. 2 from Cityscapes (Gramercy Music: E b ? /& edition or B b ? /&
5 Moscow /
5 Peter Graham
edition) ‡
edition) ‡ Johnson Carnival. No. 6 from 1st Recital Series (Curnow Music: ? tuba edition or E b bass edition or B b
6 Timothy
Timothy
6 bass Johnson
edition; Carnival.
piano accomp. No. 6 separately)
published from 1st Recital
‡ Series (Curnow Music: ? tuba edition or E b bass edition or B b
bass edition; piano accomp. published separately) ‡
7 Jock McKenzie Latin Masters. P. 19 from The Jock McKenzie Tutor Book for Young Brass Players (Book 1) (Con
7 Jock ? tuba edition
Moto:McKenzie Latin
or Masters. P. 19piano
& brass edition; from The Jock published
accomp. McKenzie separately)
Tutor Book‡for Young Brass Players (Book 1) (Con
Moto: ? tuba
8 Rendall and edition
Thomas or Birdie Song. Winners Galore, arr. Lawrance (Brass Wind: ?
& brass edition; piano accomp. published separately) ‡
tuba edition or & brass edition;
Rendall
8 piano and Thomas Birdie Song.‡ Winners Galore, arr. Lawrance (Brass Wind: ? tuba edition or & brass edition;
Tuba GRADE
accomp. 1
published separately)
Seek. Gregson and Ridgeon Nine Miniatures for E b Bass/Tuba (Brass Wind: ? or E b &

9 piano accomp. published
John Ridgeon separately)
John Ridgeon Hide and Seek. Gregson and Ridgeon Nine Miniatures for E b Bass/Tuba (Brass Wind: ? or E b &
Hide and
9 editions)
editions)
LIST C
C 1 Don Blakeson Mister Freddie: No. 3 from Smooth Groove (Brass Wind: ? tuba edition or & E b bass edition)
2 Timothy Jackson Gently or Deliberately: No. 2 or No. 4 from Adverbial Etudes (Onyx Brass Publishing: E b ? / &
edition or B b ? / C ? / F ? edition)
3 Stuart Johnson Tuba Ceremony: No. 1 from The Tuneful Tuba (Brass Wind: ? or & editions)
4 Peter
‡ See Meechan One, Two, for
www.abrsm.org/clarifications Three!
further¸ publication details ?
detailsBook 1 (ABRSM: /& brass edition)
Shining Brass,
‡ See www.abrsm.org/clarifications for further˝ publication
5 Philip Sparke Puppet’s Dance ˛
74
6 Mark Nightingale A Small Step or Fiesta Siesta: No. 1 or No. 2 from Easy Jazzy ’Tudes (Warwick Music: ? tuba
74
edition or & brass edition)
7 Philip Sparke Bluebird’s Ballad or Dance of the Dolls: No. 38 or No. 40 from Starter Studies (Anglo Music: ?
tuba edition or E b/B b bass edition) ‡

AURAL TESTS FOR THE GRADE: see pp. 90 and 91

SCALES AND ARPEGGIOS: from memory, to be played both slurred and tongued in the following keys:
Bass clef E b Tuba: E b major; C minor (one octave)
Bass clef F Tuba: F major; D minor (one octave)
Bass clef B b Tuba: B b major; G minor (one octave)
Treble clef (all Tubas) and bass clef C Tuba: C major; A minor (one octave)
Scales: in the above keys (minor in natural or harmonic or melodic form at candidate’s choice)
Arpeggios: the common chords of the above keys for the range indicated

‡ See www.abrsm.org/clarifications
SIGHT-READING: (bass or treblefor further
clefpublication details
at candidate’s choice) a short piece in simple time within the keys, 51
notes and overall range of the scale requirements set for this grade. Some accidentals, dotted and tied
Performance Grades Tuba 2013–2022
Tuba
Tuba GRADE
GRADE 2
2
Tuba GRADE
GRADE 2 2
THREE
FOURPIECES:
THREE PIECES: atone
PIECES: one chosen
least
chosen by
by the
one chosen bycandidate
the from
the candidate
candidate from each
from of
ofofthe
each
each thethree
the three Lists, A,
A,BB
Lists,A,
three Lists, and
Band
andC,C:
and a fourth of the
C:
THREE PIECES: one chosen by the candidate from each of the three Lists, A, B and C:
candidate
LIST A ’s own choice; for further programming requirements, see pages 4–6
LIST A
A Alan Soliloquy for Tuba. No. 2 from 1st Recital Series (Curnow Music: ? tuba edition or E bb bass edition or
Series (Curnow Music: ?
LIST
1 Craig
B bb bassAlan Series (Curnow Music: ? tuba edition or E b bass edition or
1 Craig Alan Soliloquy for Tuba. No. 2 from 1st Recital
‡ tuba edition or E bass edition or
A 1 Craig Soliloquy
edition; for Tuba.
piano accomp. No. 2separately)
published from 1st Recital
B b bass edition; piano accomp. published separately) ‡‡
P. 44 from Learn as You Play Tuba, arr. Wastall (Boosey & Hawkes: ?
2 Grétry Air (from Richard Coeur de Lion). P. 44 from Learn as You Play Tuba, arr. Wastall (Boosey & Hawkes: ?
B bass edition;
2 Grétry Air (frompiano accomp.
Richard published
Coeur separately)
de Lion).
2 Grétry Air (from
edition; piano Richard
accomp. Coeur
published de Lion). P. 44 from Learn as You Play Tuba, arr. Wastall (Boosey & Hawkes: ?
separately)
Hill. Easy Winners, arr. Lawrance (Brass Wind: ?
edition; piano accomp. published separately)
Winners, arr. Lawrance (Brass Wind: ? tuba edition or & brass edition;
edition;The
3 Hook pianoLass
accomp. published separately)
of Richmond tuba edition or & brass edition;
Easy Winners, arr. Lawrance (Brass Wind: ? tuba edition or & brass edition;
‡ Easy
3 Hook The Lass of Richmond Hill.
3 Hook The Lass of Richmond Hill.
piano accomp. published separately) ‡
piano accomp. published separately) ‡
4 piano accomp. published
Jock McKenzie Gentleseparately)
River. P. 28 from The Jock McKenzie Tutor Book for Young Brass Players (Book 1) (Con
4 ? tuba edition
Jock McKenzie Gentle River. P. 28 from The Jock McKenzie Tutor Book for ‡ Young Brass Players (Book 1) (Con
Moto: ?
4 Jock McKenzie
Moto: or & River.
Gentle P. 28 from
brass edition; pianoThe Jock McKenzie
accomp. publishedTutor Book for
separately) Young Brass Players (Book 1) (Con
? tuba edition or && brass edition; piano accomp. published separately) ‡‡
Bass Impressions (Con Moto: ? ? // E b & / B b & edition)
E b && / B bb && edition)
5 Paul tuba edition
Moto:Mealor brassoredition;
orWaltz
A Little piano
Pastoral: No.accomp.
3 or No.published
4 from separately)
/ E b edition
5 Paul Mealor A Little Waltz or Pastoral: No. 3 or No. 4 from Bass Impressions (Con Moto: ?
5
6 Paul Mealor
Mozart A Little
Aria (from Waltz
The or Pastoral:
Marriage or No. 4Galore,
No. 3Winners
of Figaro). from Bass Impressions(Brass
arr. Lawrance Moto: ? tuba
(Con Wind: & brass
/ B oredition)
6
6
Mozart Aria (from The Marriage of Figaro).
Mozart accomp.The
Aria (from
edition; piano Marriage
published ‡ Winners Galore, arr. Lawrance (Brass Wind: ? tuba edition
of Figaro).
separately)
Winners Galore, arr. Lawrance (Brass Wind: tuba or & brass
edition or & brass

7
edition; piano accomp. published separately) ‡
edition; piano accomp.
Philip Sparke published
My Lady’s Pavanseparately)¸ Shining Brass, Book 1 (ABRSM: ? /&
? brass edition; piano accomps published
7 Philip Sparke My Lady’s Pavan ¸ Shining Brass,
˝ ‡ Book 1 (ABRSM: ? /&& brass edition; piano accomps published
7
8 Philip A.
David Sparke MyALady’s
Stowell Walk Pavan
in the Rain ˛ ¸ Shining
˝ Brass,
separately) Book 1 (ABRSM: / brass edition; piano accomps published
˝ separately) ‡
for Pachyderms for Tuba (G & M Brand: ?/E bb &&
8 David A. Stowell A Walk in the Rain ˛ ‡
Bram Wiggins The Unhappy Hippo: No. 5 from Preludes for Pachyderms for Tuba (G & M Brand: ?
8
9 David A. Stowell
Bram Wiggins TheA Walk
Unhappyin the ˛ separately)
Rain No.
Hippo: 5 from Preludes
Bram Wiggins The Unhappy Hippo: No. 5 from Preludes for Pachyderms for Tuba (G & M Brand: ?/E b &
9 /E
9 edition)
edition)
edition)
LIST B
LIST B
B Bart Where is Love? (from Oliver). Easy Winners, arr. Lawrance (Brass Wind: ?
Winners, arr. Lawrance (Brass Wind: ? tuba edition or & brass
LIST
1 Lionel tuba edition or & brass
Easy Winners, arr. Lawrance (Brass Wind: ? tuba edition or & brass
B 1 Lionel Bart Where is Love? (from Oliver). ‡ Easy
Lionel Bart
1 edition; pianoWhere
accomp.ispublished
Love? (from Oliver).
separately)
edition; piano accomp. published separately) ‡‡
No. 10 from 1st Recital Series (Curnow Music: ? tuba edition or E bb bass edition or
Series (Curnow Music: ?
2 edition; piano accomp.
James Curnow Tuba published
Dances. separately)
bb bassCurnow Series (Curnow Music: ? tuba edition or E b bass edition or
2 James Tuba Dances. No. 10 from 1st Recital ‡ tuba edition or E bass edition or
2 BJames Curnow Tubaaccomp.
edition; piano No. 10 separately)
Dances.published from 1st Recital

B b bass edition; piano accomp. published separately) ‡ ?
B bass
3 Tom edition; piano
Davoren accomp.
Hangin’ with published Shining Brass, Book 1 (ABRSM: ? /&& brass edition; piano accomps published
Monti separately)
3 Tom Davoren Hangin’ with Monti ¸
Book 1 (ABRSM: ? /& brass edition; piano accomps published
¸ Shining Brass,
˝ ‡ Book 1 (ABRSM: / brass edition; piano accomps published
4 Tom
3 PhilipDavoren Hangin’ with
Sparke Tennessee RagMonti ˛ ¸ Shining
˝ Brass,
separately)
˝ separately) ‡
arr. Lawrance (Brass Wind: ?
4 Philip Sparke Tennessee Rag ˛

Galore, arr. Lawrance (Brass Wind: ?
5 Philip Sparke
4 Howard GoodallTennessee Rag Theme.
Blackadder ˛ separately)
Winners Galore, tuba edition or && brass
Galore, arr. Lawrance (Brass Wind: ? tuba edition or & brass
5 Howard Goodall Blackadder Theme. Winners ‡ tuba edition or brass
5 Howard Goodall
edition; piano Blackadder
accomp. separately)Winners
published Theme. ‡
No. 3 or No. 4 from Cityscapes (Gramercy Music: E b /&& edition or B bb ?
?
edition; piano accomp. published separately) ‡
Seville or Kyoto: No. 3 or No. 4 from Cityscapes (Gramercy Music: E bb ? / edition or B ? /&
6 edition; piano accomp.
Peter Graham Sevillepublished
or Kyoto:separately) /&
No. 3 or No. 4 from Cityscapes (Gramercy Music: E ? /& edition or B b ? /&
6 Peter Graham

Peter Graham
6 edition) Seville or Kyoto:
edition) ‡‡
edition)
7 Jock McKenzie The Chase (omitting DC). P. 30 from The Jock McKenzie Tutor Book for Young Brass Players (Book
Moto: ?
7 Jock McKenzie The Chase (omitting DC). P. 30 from The Jock McKenzie Tutor Book ‡ for Young Brass Players (Book
Jock
7 1) McKenzie
(Con ? The edition
tuba Chase or & brass DC).
(omitting edition;P.piano
30 from The Jock
accomp. McKenzie
published Tutor Book
separately)
1) (Con Moto: ? tuba edition or && brass edition; piano accomp. published separately) ‡‡
for Young Brass Players (Book
Tuba, arr. Wastall (Boosey & Hawkes: ?
8 Christopher Norton Make Mine a Tuba. P. 45 from Learn as You Play Tuba, arr. Wastall (Boosey & Hawkes: ?
8 1) (Con Moto:Norton
Christopher tuba edition
Make orMinebrass edition;
a Tuba. P. piano accomp.
45 from Learnpublished separately)
as You Play
8 Christopher
edition; piano Norton Make Mine
accomp. published a Tuba. P. 45 from Learn as You Play Tuba, arr. Wastall (Boosey & Hawkes: ?
separately)
Gregson and Ridgeon Nine Miniatures for E b Bass/Tuba (Brass Wind: ? or E bb
edition; piano accomp. published separately)
9 John Ridgeon Prelude or March. Gregson and Ridgeon Nine Miniatures for E bb Bass/Tuba (Brass Wind: ?
edition;
9 John piano accomp.
Ridgeon Preludepublished separately)
or March.
Ridgeon Prelude or March. Gregson and Ridgeon Nine Miniatures for E Bass/Tuba (Brass Wind: ? or E b
or E
&
9 &John
editions)
editions)
& editions)
LIST C
LIST C
C Blakeson Chickpea or Sink It: No. 11 or No. 12 from Smooth Groove (Brass Wind: ? tuba edition or & E bb
1 Don Blakeson Chickpea or Sink It: No. 11 or No. 12 from Smooth Groove (Brass Wind: ?
C LIST
1 Don
Blakeson Chickpea or Sink It: No. 11 or No. 12 from Smooth Groove (Brass Wind: ? tuba edition or & E b
tuba edition or & E
Donedition)
1 bass
Jackson Longingly or Gracefully: No. 8 or No. 9 from Adverbial Etudes (Onyx Brass Publishing: E bb ?
bass edition)
or Gracefully: No. 8 or No. 9 from Adverbial Etudes (Onyx Brass Publishing: E b ?
bass edition)
2 Timothy / &&
B bb ? or Gracefully: No. 8 or No. 9 from Adverbial Etudes (Onyx Brass Publishing: E ? / &
? / F ? edition)
2 Timothy Jackson Longingly /
Timothy
2 edition ?
or Jackson ? ?
/ CLongingly
edition or B b ? / C ? / F ? edition) ?
3 Stuart Johnson Lament: No. 3 from The Tuneful Tuba (Brass Wind: ?
3 edition or B
Stuart Johnson C / F No.
/Lament: 3 from The Tuneful Tuba (Brass Wind: or && editions)
edition)
3 from The Tuneful Tuba (Brass Wind:?? or & editions)
or editions)
4 StuartMeechan
3 Peter Johnson Lament:
HauntedNo. House
4 Peter Meechan Haunted House ¸ ¸ Shining Brass, Book 1 (ABRSM: ? /&
˝ brass edition)
5 Peter
4 DavidMeechan
A. StowellHaunted House ˛
High Street ¸ Shining Brass, Book 1 (ABRSM: ? /&
˝ brass edition)
˝ Shining Brass, Book 1 (ABRSM: /& brass edition)
Aim, Fire! or Big Mama: No. 4 or No. 5 from Easy Jazzy ’Tudes (Warwick Music: ?
5 David A. Stowell High Street ˛
6 Mark Nightingale Ready, Aim, Fire! or Big Mama: No. 4 or No. 5 from Easy Jazzy ’Tudes (Warwick Music: ?
6 DavidNightingale
5 Mark A. Stowell High Street
Ready, ˛ tuba
Ready, Aim, Fire! or Big Mama: No. 4 or No. 5 from Easy Jazzy ’Tudes (Warwick Music: ? tuba
tuba
or & brass edition)
Mark Nightingale
6 edition
edition or && brass edition)
7 edition edition) Ballad: No. 46 from Starter Studies (Anglo Music: ?
or brassBaroque b b ‡
7 Philip Sparke Baroque Ballad: No. 46 from Starter Studies (Anglo Music: ? tuba edition or E b/B b bass edition) ‡
Philip Sparke tuba edition or E /B bass edition)
7 Philip Sparke Baroque Ballad: No. 46 from Starter Studies (Anglo Music: ? tuba edition or E b/B b bass edition) ‡
AURAL
AURAL TESTS
TESTS FOR
FOR THE
THE GRADE:
GRADE: see
see pp.
pp. 90
90 and
and 91
91
AURAL TESTS FOR THE GRADE: see pp. 90 and 91

‡ See www.abrsm.org/clarifications for further publication details


‡ See www.abrsm.org/clarifications for further publication details
52 ‡76
See www.abrsm.org/clarifications
‡ See www.abrsm.org/clarificationsfor
forfurther publicationdetails
further publication details
76
76
Performance Grades Tuba 2013–2022
Tuba
Tuba GRADE
GRADE 3
3
Tuba GRADE
GRADE 3 3
THREE
FOURPIECES:
THREE PIECES: atone
PIECES: chosen
least
one by
by the
one chosen
chosen bycandidate
the from
the candidate
candidate from each
from of
ofofthe
each
each thethree
the three Lists, A,
A,BB
Lists,A,
three Lists, and
Band
andC,C:
and a fourth of the
C:
THREE A PIECES:
candidate
LIST ’s ownone chosen
choice; by the
for further candidate from
programming each of see
requirements, thepages
three4–6 Lists, A, B and C:
LIST A
LIST
1 Tom A Davoren Rondo Olympia ¸ Shining Brass, Book 1 (ABRSM: ? ? /&& brass edition; piano accomps published
Book 1 (ABRSM: ? /& brass edition; piano accomps published
1 Tom Davoren Rondo Olympia ˝ ¸ Shining Brass, ‡ Book 1 (ABRSM: / brass edition; piano accomps published
A 2 Tom Davoren
1 Lucy PankhurstRondo Olympia ˛
Sicilienne ¸ Shining
˝ Brass,
separately)
˝ separately) ‡
(Brass Wind: ? tuba edition or && brass edition; piano accomp. published
2 Lucy Pankhurst Sicilienne ˛

Easy Winners, arr. Lawrance (Brass Wind: ?
3 Lucy
2 FauréPankhurst
Pavane. Easy Sicilienne ˛ separately)
Winners, arr. Lawrance
Easy Winners, arr. Lawrance (Brass Wind: ? tuba edition or & brass edition; piano accomp. published
3 Fauré Pavane. ‡ tuba edition or brass edition; piano accomp. published
Fauré Pavane.
3 separately) ‡
In Folk-song Style: No. 5 from Six Little Tuba Pieces (Emerson E118: ? /E bb && edition)
separately) ‡
4 Jacob In Folk-song Style: No. 5 from Six Little Tuba Pieces (Emerson E118: ?
separately)
4 Jacob
5 Jacob
4 In Folk-song
Jock McKenzie Style:
Alpine No. 5P.from
Vista. Six The
38 from LittleJock
Tuba Pieces (Emerson
McKenzie Tutor Book E118: ?/E
/E b Brass
for Young
edition)
& edition)
Players (Book 1) (Con
?
5 Jock McKenzie Alpine Vista. P. 38 from The Jock McKenzie Tutor Book for
‡ Young Brass Players (Book 1) (Con
5 Moto: ?
Jock McKenzie Alpine
tuba edition &
or & Vista. P. 38 from
brass edition; pianoThe Jock McKenzie
accomp. publishedTutor
Moto: ? tuba edition or brass edition; piano accomp. published separately) ‡
Book for
separately) ‡ Young Brass Players (Book 1) (Con
No. 2 from Bass Impressions (Con Moto: ? / E bb && /
Mealor At the Carnival or A Prayer to Sunrise: No. 1 or No. 2 from Bass Impressions (Con Moto: ?
6 Moto:
Paul Mealortuba edition
At theor & brass edition;
Carnival pianotoaccomp.
or A Prayer Sunrise: published
No. 1 orseparately)
bb & edition) No. 2 from Bass Impressions (Con Moto: ? / E b & /
6 Paul /E /
Paul
6 B Mealor At the Carnival or A Prayer to Sunrise: No. 1 or
B b & edition)
It Was a Lover and His Lass. Winner Scores All, arr. Lawrance (Brass Wind: ?
Scores All, arr. Lawrance (Brass Wind: ?
7 B & edition)
Morley tuba edition or & brass
tuba edition or & brass
Scores All, arr. Lawrance (Brass Wind: ? tuba edition or & brass
7 Morley It Was a Lover and His Lass. Winner ‡
Morley piano
7 edition; It Wasaccomp.
a Lover Lass. Winner
and Hisseparately)
published
edition; piano accomp. published separately) ‡‡
8 edition;
Schumann pianoThe
accomp.
Merrypublished
Peasantseparately)
(from Album for the Young). P. 62 from Learn as You Play Tuba, arr. Wastall
8 Schumann The Merry ? edition;
Peasant (from Album for the Young). P. 62 from Learn as You Play Tuba, arr. Wastall
(Boosey & Hawkes: ?
8 Schumann
(Boosey The Merry
& Hawkes: Peasant (from
piano Album
accomp. for the Young).
published separately)P. 62 from Learn as You Play Tuba, arr. Wastall
? edition;
edition; piano
8 from Preludes for Pachyderms (G & M Brand: ?/E bb &&
accomp. published separately)
Bram Wiggins Jumbo’s Jaunt or Whales: No. 7 or No. 8 from Preludes for Pachyderms (G & M Brand: ?
9 & Hawkes:
(BooseyWiggins
Bram Jumbo’s Jauntpiano accomp.No.
or Whales: published separately)
7 or No.
Bram Wiggins Jumbo’s Jaunt or Whales: No. 7 or No. 8 from Preludes for Pachyderms (G & M Brand: ?/E b &
9 /E
9 edition)
edition)
edition)
LIST B
LIST B
B Alan Polonaise for Polar Bears. No. 5 from 1st Recital Series (Curnow Music: ? tuba edition or E bb bass
(Curnow Music: ?
LIST
1 Craig
B 1 Craig Alan bPolonaise for Polar Bears. No. 5 from 1st Recital
1 Craig or B bPolonaise
editionAlan forpiano
bass edition; Polaraccomp. No. 5 from
Bears. published separately) ‡ Series
1st Recital Series (Curnow Music: ? tuba
tuba edition or E b bass
edition or E bass
edition or B b bass edition; piano accomp. published separately) ‡‡
Tuba, arr. Wastall (Boosey & Hawkes: ?
2 Bogár Quick Dance. P. 62 from Learn as You Play Tuba, arr. Wastall (Boosey & Hawkes: ?
edition or
2 Bogár B bass
Quick edition;
Dance. P. piano accomp.
62 from Learnpublished separately)
as You Play edition; piano accomp.
Dance. P. 62 from Learn as You Play Tuba, arr. Wastall (Boosey & Hawkes: ? edition; piano accomp.
edition; piano accomp.
2 Bogár
publishedQuick
separately)
The Old Steam Railway: No. 2 from A Haworth Suite (The Music Company: ? / E bb && / B bb &&
published separately)
3 Andrew Duncan The Old Steam Railway: No. 2 from A Haworth Suite (The Music Company: ?
publishedDuncan
3 Andrew separately)
Andrew Duncan The Old Steam Railway: No. 2 from A Haworth Suite (The Music Company: ? / E b & / B b &
/E /B
3 edition)
edition)
edition)
4 John Frith Broken Dreams ¸ Shining Brass, Book 1 (ABRSM: ? /&
? brass edition; piano accomps published
1 (ABRSM: /& brass edition; piano accomps published
Book 1 (ABRSM: ? /& brass edition; piano accomps published
4 John Frith Broken Dreams ¸ Shining Brass,
˝ ‡ Book
5 John
4 PeterFrith
MeechanBroken Dreams
Purple Shade ˛ ¸ Shining
˝ Brass,
separately)
5 Peter Meechan Purple Shade ˛ ˝ separately) ‡ ‡
6 Peter
5 Andrew Meechan Purple The
Lloyd Webber Shade ˛ separately)
Music of the Night or Close Every Door to Me. Winner Scores All, arr. Lawrance
6 Andrew Lloyd ? Webber The Music of the Night or Close Every Door to Me. Winner ‡ Scores All, arr. Lawrance
(Brass Wind: ?
AndrewWind:
6 (Brass Lloyd Webber
tuba edition & brass
TheorMusic ofedition;
the Night
pianooraccomp.
Close Every to Me. Winner
Doorseparately)
published Scores All, arr. Lawrance
& brass edition; piano accomp. published separately) ‡
Wind: ? tuba
tuba edition or ‡ McKenzie Tutor Book for Young
(BrassMcKenzie
7 Jock edition
Friday Ragor or&Absolutely
brass edition; piano accomp.
Tango’ed. P. 37 published separately)
or P. 49 from The Jock
7 Jock McKenzie Friday Rag or Absolutely ? tuba edition
Tango’ed. P. 37 or P. 49 from The Jock McKenzie Tutor Book‡ for Young
Brass Players (Book 1) (Con Moto: ?
Jock McKenzie
7 Brass Friday
Players (Book or Absolutely
RagMoto:
1) (Con or & brass
Tango’ed. P. 37 or P. 49
edition; fromaccomp.
piano The Jock McKenzie
published Tutor Book
separately) for Young
? tuba edition or & brass edition; piano accomp. published
? separately) ‡‡
Easy Winners, arr. Lawrance (Brass Wind: ?
Brass Players
8 Monty Norman (BookJames
1) (Con
Bond Moto:
Theme. tuba Easy
edition or & brass
Winners, arr.edition;
Lawrancepiano accomp.
(Brass Wind:published edition or & brass edition;
tuba separately)
tuba edition or & brass edition;
Easy Winners, arr. Lawrance (Brass Wind: ? tuba edition or & brass edition;
8 Monty Norman James Bond Theme. ‡
8 Monty Norman
piano accomp. James separately)
published Bond Theme.
piano accomp. published separately) ‡‡
Big Chillers for Tuba/E b Bass, arr. Ledbury (Brass Wind: ? or E bb && editions)
9 Weill Mack the Knife. Big Chillers for Tuba/E bb Bass, arr. Ledbury (Brass Wind: ?
9 piano
Weill accomp.
Mack the published
Knife. separately)
? or E b & editions)
9 C Mack the Knife. Big Chillers for Tuba/E Bass, arr. Ledbury (Brass Wind: or E
Weill
LIST editions)
LIST C
C Blakeson American Smoothie or Red Chilli Sauce: No. 8 or No. 18 from Smooth Groove (Brass Wind: ?
Smoothie or Red Chilli Sauce: No. 8 or No. 18 from Smooth Groove (Brass Wind: ?
C LIST
1 Don
Smoothie or Red Chilli Sauce: No. 8 or No. 18 from Smooth Groove (Brass Wind: ?
E b bass edition)
1 Don Blakeson American
tuba edition or & E bb bass edition)
Don edition
1 tuba Blakeson or &American
2 tuba edition
Timothy or & E How’s
Jackson bass edition)
2 Timothy Jackson How’s Tricks? ˝
Tricks? ¸ ? brass edition)
¸ Shining Brass, Book 1 (ABRSM: ? /&
Timothy
2 Peter
3 JacksonSummer
Meechan How’s Tricks?
Sound ˛ ¸ Shining Brass, Book 1 (ABRSM: ? /&
˝ brass edition)
˝ Shining Brass, Book 1 (ABRSM: /& brass edition)
No. 12 or No. 13 from Adverbial Etudes (Onyx Brass Publishing: E bb ?
3 Peter Meechan Summer Sound ˛
or Cheekily: No. 12 or No. 13 from Adverbial Etudes (Onyx Brass Publishing: E b ?
4 Peter Meechan
3 Timothy JacksonSummerAgitatedlySound ˛
or Cheekily: / &&
B bb ? or Cheekily: No. 12 or No. 13 from Adverbial Etudes (Onyx Brass Publishing: E ? / &
? / F ? edition)
4 Timothy Jackson Agitatedly /
Timothy
4 edition orJackson ? ?
/ CAgitatedly ?
edition or B b ? / C ? / F ? edition)
5 edition or B
Stuart Johnson C /Tune:
/Jim’s No. 5 from The Tuneful Tuba (Brass Wind: ?
F edition) ? or && editions)
5 Stuart Johnson Jim’s Tune: No. 5 from The Tuneful Tuba (Brass Wind: ? or editions)
’Tudes (Warwick Music: ? tuba
6 Mark Nightingale Ermie’s Blues or Skipping: No. 10 or No. 11 from Easy Jazzy ’Tudes (Warwick Music: ?
6 StuartNightingale
5 Mark Johnson Jim’s Tune:Blues
Ermie’s No. 5orfrom The Tuneful
Skipping: No. 10Tuba (Brass
or No. Wind:
11 from Easyor & editions)
Jazzy
Ermie’s Blues or Skipping: No. 10 or No. 11 from Easy Jazzy ’Tudes (Warwick Music: ? tuba
tuba
6 Mark or && brass edition)
editionNightingale
edition) Tune or In the Black Mountains: No. 27 or No. 28 from Skilful Studies (Anglo Music: ?
edition or brass edition)
7 Philip Sparke Tyrolean Tune or In the Black Mountains: No. 27 or No. 28 from Skilful Studies (Anglo Music: ?
7 edition or & brassTyrolean
Philip Sparke
Philip
7 tuba Sparke
edition bb/B bb bassTune
or ETyrolean edition) ‡ the Black Mountains: No. 27 or No. 28 from Skilful Studies (Anglo Music: ?
or In
tuba edition or E b/B b bass edition) ‡‡
tuba edition or E /B bass edition)
AURAL
AURAL TESTS
TESTS FOR
FOR THE
THE GRADE:
GRADE: see
see pp.
pp. 90
90 and
and 92
92
AURAL TESTS FOR THE GRADE: see pp. 90 and 92

‡ See www.abrsm.org/clarifications for further publication details


‡ See www.abrsm.org/clarifications for further publication details
‡ See
78 www.abrsm.org/clarifications
‡ See www.abrsm.org/clarificationsfor
forfurther publicationdetails
further publication details 53
78
78
Performance Grades Tuba 2013–2022
Tuba
Tuba GRADE
GRADE 4
4
Tuba GRADE
GRADE 4 4
THREE
FOURPIECES:
THREE PIECES: atone chosen
least by the
one chosen bycandidate from
the candidate each
from ofofthe
each thethree Lists,A,
three Lists, A,BB and
and C,C:
and a fourth of the
THREE PIECES:
PIECES: one
candidate one chosen
chosen byby the
the candidate
candidate from
from each
each of
of the
the three
three Lists,
Lists, A,
’s own choice; for further programming requirements, see pages 4–6 A, B
B and
and C:
C:
LIST A
LIST A
LIST A
Savoir Faire for Tuba/E b Bass, arr. Mowat (Brass Wind: ? ? or E b & editions)
1 Charpentier Prelude to Te Deum ¸ ‡
˛ Savoir Faire for Tuba/E bb Bass, arr. Mowat (Brass Wind: ? or E bb &
1 Charpentier Prelude to Te Deum ¸
A 1 Prelude to Te Deum ˝
Charpentier L’éléphant ¸
˝ editions) ‡
2 Saint-Saëns
2 Saint-Saëns L’éléphant ˝ Savoir Faire for Tuba/E Bass, arr. Mowat (Brass Wind: or E & editions) ‡
˛
?
2 Saint-Saëns L’éléphant Allegro ¸ Shining Brass, Book 2 (ABRSM: ? /& brass edition; piano accomps published
˛
3 Tom
3 Tom Davoren
Davoren Beaufort
Book 2 (ABRSM: ? /& brass edition; piano accomps published
Beaufort Allegro ˝ Shining Brass,‡ Book 2 (ABRSM: /& brass edition; piano accomps published
3 Tom Davoren Beaufort Allegro ¸ ¸ Shining
˝
˛ Brass,
4 John
4 John Frith
Frith Jiggedy
Jiggedy Jig ˝ separately)
˛ separately) ‡‡
Jig ?
Wind: ? tuba
4 John Frith Jiggedy ˛ separately)
Jig(from Peer Gynt &
5 Grieg Solveig’s Song (from Peer Gynt ). ‡Great Winners, arr.
5 Grieg Solveig’s Song ). Great Winners, arr. Lawrance (Brass Wind:
Lawrance (Brass tuba edition or & brass
edition or
Gynt ). ‡Great Winners, arr. Lawrance (Brass Wind: ? tuba edition or & brass
brass
Grieg Solveig’s
5 edition; piano (from Peer
Songpublished
accomp. separately)
edition; piano accomp. published separately) ‡ ? b&
E118: ?/E/E b & edition)
edition;Restful
piano accomp. published separately)
6 Jacob
6 Jacob Restful Prelude:
Prelude: No.No. 1 from Six
1 from Six Little
Little Tuba
Tuba Pieces (Emerson E118:
Pieces (Emerson
Six Little Tuba Pieces (Emerson E118: ?/E b & edition)
edition)
6 Jacob Gavotte.
Restful Prelude: No.No. 1 from
7 Lully No. 10
10 from ¸ First Solos for the Tuba Player, arr. Wekselblatt (G. Schirmer: ?
7 from ¸
7
Lully Gavotte.
Lully Gavotte. No. 10 from ˝
˝
? edition)
¸ First Solos for the Tuba Player, arr. Wekselblatt (G. Schirmer: ? edition)
8 Rameau La Villageoise. No.
8 Rameau La Villageoise. No. 12 from ˛ 12 from ˛
˝ First Solos for the Tuba Player, arr. Wekselblatt (G. Schirmer: edition)
8 Rameau La Villageoise. No. 12 from ˛
9 Mozart
9 Mozart? Papageno’s
Papageno’s Song (from The
Song (from The Magic
Magic Flute).
Flute). From
From Vivaldi
Vivaldi to
to Fats
Fats Waller
Waller for
for Tuba,
Tuba, arr.
arr. Ramskill
Ramskill (Brass
(Brass
b&
Mozart? Papageno’s
E bb && editions)
9 Wind: Song (from The Magic Flute). From Vivaldi to Fats Waller for Tuba, arr. Ramskill (Brass
Wind: ? oror E editions)
Wind: or E editions)
LIST B
LIST B
LIST B Bernstein Great Escape March ¸ Great Winners, arr. Lawrance (Brass Wind: ?
Great Winners, arr. Lawrance (Brass Wind: ? tuba &
1 Elmer
1 tuba edition or & brass
edition or
B Wind: ?‡‡ tuba edition or & brass
Elmer Bernstein Great Escape March ˝ brass
1 Elmer Bernstein Great Escape March ¸ ¸ Great
˝ Winners, arr. Lawrance (Brass
˝ edition; piano accomp. published separately)
˛
2 Ron
2 Ron Goodwin
Goodwin 633
633 Squadron
Squadron ˛ edition; piano accomp. published separately) ?
‡ b&
Company: ? // E E b & //
2 Ron Goodwin 633 Squadron ˛ edition; piano accomp. published separately)
3 Andrew
3 Andrew Duncan
Duncan Flying
Flying aa Kite
Kite over
over Haworth
Haworth Moor:
Moor: No.No. 1 from A
1 from A Haworth
Haworth Suite (The Music
Suite (The Music Company:
Andrew
3 B Duncan Flying a Kite over Haworth Moor: No. 1 from A Haworth Suite (The Music Company: ? / E b & /
bb & edition)
B b & edition)
B & edition) ? or E b & or B b & editions)
4 Mark
4 Mark Goddard
Goddard Daydreams:
Daydreams: No.No. 4 from Party
4 from Party Pieces
Pieces (Spartan Press: ?
(Spartan Press: or E bb && or B bb && editions)
Press: ? or bbEBass/Tuba ? b&
Wind: ? or Eb &
Mark Goddard
4 Edward Daydreams: No. 4 fromandParty PiecesNine
(Spartan or B editions)
5 Edward Gregson Folk Song. Gregson and Ridgeon Nine Miniatures for
5 Gregson Folk Song. Gregson Ridgeon Miniatures for E (Brass Wind:
E b Bass/Tuba (Brass or E
5 Edward
editions) Gregson Folk Song. Gregson and Ridgeon Nine Miniatures for E Bass/Tuba (Brass Wind: ? or E b &
editions)
editions) Hupfeld As Time Goes By. Big Chillers for Tuba/E bb Bass, arr. Ledbury (Brass Wind: ? ? or b&
6 Herman
6 Herman Hupfeld As Time Goes By. Big Chillers for Tuba/E b Bass, arr. Ledbury (Brass Wind: ? ? or E b & editions)
E
or E bbb && editions)
editions)
Herman Hupfeld
6 Kahn As Time Goes By. Big Chillers for Tuba/EforBass, arr. Ledbury (Brass Wind: ? editions)
7 Kahn and
7 and Donaldson
Donaldson That’s
That’s My Baby. A
My Baby. A Little
Little Light
Light Music
Music for Tuba,
Tuba,?arr.
arr. Iveson (Brass Wind:
Iveson (Brass Wind: ? oror E
E b && editions)
8 Kahn and
7 Peter Donaldson
Meechan Way That’s
Down My Baby.
South ¸ A Little
Shining Light
Brass, Music
Book 2 for Tuba,
(ABRSM: ? /& brass edition; piano accomps published
arr.
/ & Iveson
brass (Brass
edition; Wind:
piano or
accomps E editions)
published
8 Peter Meechan Way Down South ¸
8 Peter Meechan Way Down South ˝
Shining
˛ Shining
¸
˝ ‡ Book 2 (ABRSM: ? /& brass edition; piano accomps published
Brass,
Brass,
Book 2 (ABRSM:
9 David
9 David A. A. Stowell
Stowell Open
Open Plains
Plains ˝ separately)
˛ separately) ‡
9 David A. Stowell Open Plains ˛ separately) ‡
LIST C
LIST C
LIST C Bourgeois Majestic or Pompous: from Per Tuba ad Astra (Brass Wind: ?
Derek Bourgeois Majestic or Pompous: from Per Tuba ad Astra (Brass Wind: ?
C &
1 Derek
1 or & editions)
or
from Per Tuba ad Astra (Brass Wind: ? or & editions)
editions)
Derek Bourgeois
1 Tom Majestic or Pompous:
2 Tom Davoren ¸ Shining Brass, Book 2 (ABRSM: ?
2 Davoren Quiet
Quiet Moment
Moment ¸
2 Tom Davoren Quiet Moment ˛ ˝
˝
?
¸ Shining Brass, Book 2 (ABRSM: ? /&
/& brass edition)
brass edition)
3 Timothy Jackson Circulation
3 Timothy Jackson Circulation ˛ ˝ Shining Brass, Book 2 (ABRSM: /& brass edition)
b ? & edition or
Eb ? /
3 Timothy Jackson Circulation ˛
4 Timothy
4 Jackson Delicately:
Delicately: No.
No. 15 from Adverbial
15 from Adverbial Etudes (Onyx Brass
Etudes (Onyx Brass Publishing:
Publishing: E
Delicately: No. 15 from Adverbial Etudes (Onyx Brass Publishing: E b ? / & edition or
?
Timothy ?
Jackson ? / & edition or
4 B bb ? / C Jackson
Timothy ? / F ? edition)
B b ? / C ? / F ? edition) ?
Wind: ?
B / C / F Ragtime edition) &
5 Stuart
5 Stuart Johnson
Johnson Ragtime Tuba: Tuba: No.
No. 6 from The
6 from The Tuneful
Tuneful Tuba (Brass Wind:
Tuba (Brass or && editions)
or
Wind: ?Jazzy
editions) ?
Music: ? tuba
5 StuartNightingale
Johnson Ragtime Tuba: No. The Tuneful
6 fromPig: Tuba (Brass or editions)
6 Mark
6 Mark Nightingale The Shout or
The Shout or The
The Pink
Pink Pig: No. 17 or
No. 17 or No.
No. 19 from Easy
19 from Easy Jazzy ’Tudes (Warwick Music:
’Tudes (Warwick
(Warwick Music: ? tuba
tuba
6 Mark
editionNightingale
or & brass The
edition)Shout or The Pink Pig: No. 17 or No. 19 from Easy Jazzy ’Tudes
&
edition or & brass edition) ?
Music: ? tuba
edition Sparke
or brass edition)
7 Philip
7 Philip Sparke Penny Parade or
Penny Parade or Hungarian
Hungarian Dance:
Dance: No. 34 or
No. 34 or No.
No. 38 from Skilful
38 from Skilful Studies (Anglo Music:
Studies (Anglo
Parade‡or Hungarian Dance: No. 34 or No. 38 from Skilful Studies (Anglo Music: ? tuba
tuba
Philip Sparke
7 edition b Penny
b
or E
edition or E bb/B
/B bb bass
bass edition)
edition) ‡‡
edition or E /B bass edition)
AURAL
AURAL TESTS FOR THE GRADE: see pp. 90 and 92
AURAL TESTS
TESTS FOR
FOR THE
THE GRADE:
GRADE: see
see pp.
pp. 90
90 and
and 92
92

‡ See www.abrsm.org/clarifications for further publication details


‡ See www.abrsm.org/clarifications for further publication details
54 ‡ See www.abrsm.org/clarifications
‡ See www.abrsm.org/clarificationsfor
forfurther publicationdetails
further publication details
80
80
80
Performance Grades Tuba 2013–2022
Tuba
Tuba GRADE
GRADE 5
5
Tuba GRADE
GRADE 5 5
THREE
FOURPIECES:
PIECES: atone chosen
least by the
one chosen bycandidate from
the candidate each
from ofofthe
each thethree Lists,A,
three Lists, A,BBand
andC,C:
and a fourth of the
THREE
THREE PIECES:
PIECES: one
one chosen
chosen byby the
the candidate
candidate from
from each
each of
of the
the three
three Lists,
Lists, A,
A, B
B and
and C:
C:
candidate
LIST A ’s own choice; for further programming requirements, see pages 4–6
LIST
LIST A
A Adams Intrada or Intermezzo: 1st or 2nd movt from Suite on Old Nautical Airs for Tuba (Editions BIM:
1 Byron
A 1 ?
1 Byron
Byron
?
Adams
edition) Intrada or
Adams Intrada or Intermezzo: 1st or
Intermezzo: 1st or 2nd
2nd movt from Suite
movt from Suite on
on Old
Old Nautical
Nautical Airs
Airs for
for Tuba (Editions BIM:
Tuba (Editions BIM:
? edition)
edition) ?
2 John Frith Canzona ¸ Shining Brass, Book 2 (ABRSM: ? /& brass edition; piano accomps published
2 John
2 John Frith
Frith Canzona
Canzona
David A. Stowell Jam Bouree ˛ ¸ Shining
˝
¸ Shining Brass,
‡ Book
Brass, Book 2 (ABRSM: ? /
2 (ABRSM: /&& brass
brass edition;
edition; piano
piano accomps
accomps published
published
3 ˝ separately)
˝ ‡
3
3 David
David A.A. Stowell
Stowell
Marche Jam
Jam Bouree
Bouree ˛
separately) ‡ Savoir Faire for Tuba/E b Bass, arr. Mowat (Brass Wind: ?
separately)
˛ marionnette.
? or E b
4 Gounod funèbre d’une b b
4
4 Gounod
Gounod
& editions)
Marche

Marche funèbre
funèbre d’une
d’une marionnette.
marionnette. Savoir
Savoir Faire
Faire for Tuba/E b Bass,
for Tuba/E Bass, arr.
arr. Mowat
Mowat (Brass Wind: ? or
(Brass Wind: or EEb
&
& editions)


5 editions)
Grieg In the Hall of the Mountain King (from Peer Gynt). No. 6 from First Solos for the Tuba Player, arr.
5
5 Grieg
Grieg InIn the
Wekselblatt the Hall of
(G.Hall the?
of the
Schirmer:
Mountain King (from Peer Gynt). No. 6 from First Solos for the Tuba Player, arr.
edition) King (from Peer Gynt). No. 6 from First Solos for the Tuba Player, arr.
?Mountain
?
Jacob Scottish: No. 6 from Six Little Tuba Pieces (Emerson E118: ? /E bb && edition)
Wekselblatt
Wekselblatt (G.
(G. Schirmer:
Schirmer: edition)
edition)
E118: ?
6
6 Jacob
Jacob Scottish: No.
No. 6 6 from Six Little Tuba Pieces (Emerson ?/E
/E b Collection
edition) (Kirklees Music: E b & edition)
& edition)
6
7 Scottish:
Saint-Saëns Le cygne (The Six
from Littlearr.
Swan), Tuba PiecesThe
Wyss. ThomasE118:
(Emerson Wyss Tuba b edition)
7
7
8
Saint-Saëns
Saint-Saëns Le
Le cygne
Vaughan Williams cygne (The Swan),
Nos(The
2 andSwan),
6: from
arr. Wyss.
arr.Six
Wyss. The Thomas
StudiesThe
in Thomas
Wyss
Wyss Tuba
Tuba
English Folksong
Collection
Collection
(Stainer
(Kirklees Music:
H174:Music:
(Kirklees
& Bell ? E b && piano
? edition;
E edition)
8
8 Vaughan
Vaughan Williams Nos
Nos 22 and
Williamsseparately,
accomp. published and
H47
6: from Six
6:)from Six Studies
Studies in
in English
English Folksong (Stainer &
Folksong (Stainer & Bell H174: ? edition;
Bell H174: edition; piano
piano
Vivaldi to Fats Waller for Tuba, arr. Ramskill (Brass Wind: ? b & editions)
accomp.
accomp. published separately, H47 )
9 Vivaldi published
Largo from separately, H47From
‘Winter’. ) ? or E b
9
9 Vivaldi
Vivaldi Largo
Largo from ‘Winter’. From
from ‘Winter’. From Vivaldi
Vivaldi toto Fats
Fats Waller
Waller for
for Tuba,
Tuba, arr.
arr. Ramskill Wind: ? or
(Brass Wind:
Ramskill (Brass E b && editions)
or E editions)
LIST B
LIST B
LIST
1 TomB Davoren Lindy Hop! ?
¸ Shining Brass, Book 2 (ABRSM: ? /& brass edition; piano accomps published
B 1 Tom
Tom Davoren
1 Peter
2 Davoren
MeechanLindy
Lindy Hop!
Final Hop!
Thought ˛ ¸ Shining
˝
¸
˝ Shining Brass,
‡ Book
Brass,
separately) Book 2 (ABRSM: ? /
2 (ABRSM: /&& brass
brass edition;
edition; piano
piano accomps
accomps published
published
˝ separately) ‡
Day at Brontë Falls: No. 3 from A Haworth Suite (The Music Company: ?
2 Peter Meechan Final Thought ˛
˛ separately) ‡
3 Peter
2 Andrew Meechan
Duncan Final Thought
A Lazy Summer’s ?/
3
3 E b & / B bDuncan
Andrew
Andrew Duncan A Lazy Summer’s Day at Brontë Falls: No. 3 from A Haworth Suite (The Music Company: ? //
A Lazy Summer’s Day at Brontë Falls: No. 3 from A Haworth Suite (The Music Company:
b
E b & // B b & edition)

4 E
&
B band&
Warren Chattanooga Choo Choo. A Little Light Music for Tuba, arr. Iveson (Brass Wind: ?
& edition)
edition) ? or E b
Gordon b
4 &Gordon
4 Gordon
editions)
and
and Warren
Warren Chattanooga
Chattanooga Choo Choo. A
Choo Choo. A Little
Little Light
Light Music
Music forfor Tuba,
Tuba, arr.
arr. Iveson
Iveson (Brass Wind: ? or
(Brass Wind: Eb
or E
& editions)
5 &Edward
editions) Gregson Habanera and Ragtime. Gregson and Ridgeon Nine Miniatures for E bb Bass/Tuba (Brass Wind:
5 ? editions) Habanera and Ragtime. Gregson and Ridgeon Nine Miniatures for E b Bass/Tuba (Brass Wind:
or E bb &&Gregson
5 Edward
Edward Gregson Habanera and Ragtime. Gregson and Ridgeon Nine Miniatures for E Bass/Tuba (Brass Wind:
?
? oror E b
6 Don Haddad Allegro con brio: 3rd movt from Suite for Tuba (Shawnee Press: ?
E & editions)
editions) ? edition)
? edition)
6 Don
Don Haddad
6 Cole Haddad Allegro
Allegro con brio:
andcon brio: 3rd movt
Big3rd movtforfrom
from Suitebfor
Suite for Tuba
Tuba (Shawnee Press:
Ledbury Press:
arr.(Shawnee ? or E b & editions)
edition)
7 Porter Night Day. Chillers Tuba/E bb Bass, (Brass Wind: ?
? or b editions)
7 Cole Porter
Cole Porter
7 Simon Night
Night and Day.
and Day. Big Chillers
Big Chillers for Tuba/E
for Tuba/E Bass,
Bass, arr. b Bass (Brass
Ledbury
arr. Ledbury (Brass Wind:?
Wind:
(BrassWind: ? or Eb b&&&editions)
orEE editions)
8 Proctor Bakerloo Boogie: from Take the Tube for Tuba/E bb Bass (Brass Wind: ? bb && editions)
Music: ?
8
8 Simon
Simon Proctor
Proctor Bakerloo
Bakerloo Boogie:
Boogie: from
from Take
Take the
the Tube
Tube for
for Tuba/E
Tuba/E Bass (Brass Wind: or
or E
E editions)
9 Alec Wilder Effie Goes Folk Dancing: 5th movt from Suite No. 1 (‘Effie Suite’) for Tuba (Margun ?
9 Alec
Alec Wilder
Wilder Effie
9 edition) Effie Goes
Goes Folk
Folk Dancing:
Dancing: 5th5th movt
movt from
from Suite
Suite No.
No. 1 1 (‘Effie
(‘Effie Suite’)
Suite’) for
for Tuba
Tuba (Margun Music: ?
(Margun Music:
edition)
edition)
LIST C
No. 10: from 70 Studies for B bb Tuba, Vol. 1 (Robert King AL28596: ?
LIST C
LIST C
C 1 Blazhevich ? edition)
? edition)
1 Blazhevich No.No. 10: from 70
70 Studies
Studies for
for B b Tuba,
Bad Tuba, Vol. 1
Wind: ?
1 (Robert King&AL28596:
2 Blazhevich
1 Derek Bourgeois 10:Joyful:
from from Per Tuba Astra Vol.
(Brass (Robert?King
?
or &AL28596:
editions) edition)
Publishing: E bb ?
2 Derek Bourgeois Joyful: from Per Tuba ad Astra (Brass Wind: or editions)
& editions)
3 Derek Bourgeois
2 Timothy Joyful: from
Jackson Creepily: No.Per
18Tuba
fromad Astra (Brass
Adverbial EtudesWind:
(Onyx orBrass ? / && edition or
3 b?
Timothy
Timothy
3 B ?
? / F ? edition)
Jackson
Jackson
? ?
Creepily:
Creepily: No.
No. 18 from Adverbial
18 from Adverbial Etudes (Onyx Brass
Etudes (Onyx Brass Publishing:
Publishing: E Eb ? / / & edition
edition or
or
B b ? / C ? / F ? edition)
b
/ C
?
4 B C / F Wagner
Stuart/Johnson edition)Tubas: No. 8 from The Tuneful Tuba (Brass Wind: ? or & editions)
4 Stuart Johnson
Johnson Wagner
StuartMeechan
4 Peter Wagner Tubas:
Tubas: No.
No. 8 from The
8 from The Tuneful
Tuneful Tuba
Tuba (Brass Wind: ? or
(Brass Wind: or && editions)
editions)
Shining Brass, Book 2 (ABRSM: ?
5 Air ¸
5
5 Peter
Peter Meechan
Meechan Air
Air ˝
¸
¸ Shining Brass, Book 2 ?
?/
/&& brass edition)
6 David A. Stowell Flennon Study (either version) ˝
6 David A. Stowell Flennon Study (either version)
˛
˝
˛ Shining Brass, Book 2 (ABRSM:
(ABRSM: /& brass
brass edition)
edition)
6 David A. Stowell Flennon Study (either version) ˛
7 Mark Nightingale Passion Fruit Samba or The Turkey: No. 18 or No. 22 from Easy Jazzy ’Tudes (Warwick Music:
7 Mark
7 ?
Mark Nightingale Passion Fruit or or Easy Jazzy ’Tudes
Fruit Samba or The Turkey: No. 18 or No. 22 from Easy Jazzy ’Tudes (Warwick
Samba The Turkey: No. 18 No. 22 from (Warwick Music:
Music:
? tubaNightingale Passion
edition or && brass edition)
? tuba
tuba edition or & brass
edition or brass edition)
edition)
AURAL TESTS FOR THE GRADE: see pp. 90 and 93
AURAL
AURAL TESTS
TESTS FOR
FOR THE
THE GRADE:
GRADE: see
see pp.
pp. 90
90 and
and 93
93

‡ See www.abrsm.org/clarifications for further publication details



‡ See www.abrsm.org/clarifications for further publication details
See www.abrsm.org/clarifications
‡ See www.abrsm.org/clarificationsfor
forfurther publicationdetails
further publication details 55
82
82
82
Performance Grades Tuba 2013–2022
Tuba
Tuba GRADE
GRADE
GRADE 6 6
6
Tuba GRADE 6
PREREQUISITE
PREREQUISITEFOR
PREREQUISITE FOR ENTRY:
FOR ENTRY: ABRSM
ENTRY: ABRSM
ABRSM Grade
Grade
Grade 5 (or
5
5 above)
(or in Music
above) Theory,
in Music Practical
Theory, Musicianship
Practical or a Practical
Musicianship or any
PREREQUISITE
Grades
solo Jazz solo JazzFOR
subject. ENTRY:For
instrument.
For ABRSM
alternatives, see Gradesee
alternatives, 5 (or
(or above)
above) in
in Music
Music Theory,
Theory, Practical
www.abrsm.org/prerequisite.
www.abrsm.org/prerequisite. Practical Musicianship
Musicianship or or any
any
solo Jazz subject. For alternatives, see www.abrsm.org/prerequisite.
solo Jazz subject. For alternatives, see www.abrsm.org/prerequisite.
THREE
FOURPIECES:
THREE PIECES: atone chosen
least by the
one chosen bycandidate from
the candidate each
from ofofthe
each thethree Lists,A,
three Lists, A,BB and
and C,C:
and a fourth of the
THREE PIECES:
PIECES: one
candidate one chosen
chosen byby the
the candidate
candidate from
from each
each of
of the
the three
three Lists,
Lists, A,
’s own choice; for further programming requirements, see pages 4–6 A, B
B and
and C:
C:
LIST A
LIST A
LIST A
1 Arban
1 Arban The Carnival
The Carnival of Venice. No.
of Venice. No. 17
17 from
from ¸ First Solos
¸ First Solos for
? edition) for the
the Tuba
Tuba Player,
Player, arr.
arr. Wekselblatt (G. Schirmer:
Wekselblatt (G. Schirmer:
from ˝
˝ ?
A 1 Arban The TheCarnival of Venice. No. 17 ¸ First
˝ Solos for the Tuba Player, arr. Wekselblatt (G. Schirmer:
Farmer. No. No. 2
2 from
˛
2 Schumann
2 Schumann The Happy
Happy Farmer. from ˛ ? edition)
2 Schumann The Happy Farmer. No. 2 from ˛
3 Berlioz edition)
3 Berlioz Air
Air gai
gai ¸¸
3 Berlioz Air gai Ó¸Ó Concert
4
4 B.
B. Marcello
Marcello Largo
Largo and
and Allegro
Allegro Concert and
and?Contest
Contest Collection
Collection for
for Tuba,
Tuba, arr.
arr. Voxman
Voxman
4 B. Marcello Largo and Allegro ÏÏÓ Concert and?Contest Collection for Tuba, arr. Voxman
5
5 Rimsky-Korsakov Andante cantabile (from Concerto) ˛Ï (Rubank: ? edition; piano accomp. published separately)
Rimsky-Korsakov Andante cantabile (from Concerto) (Rubank: edition; piano accomp. published separately)
5 Rimsky-Korsakov Andante cantabile (from Concerto) ˛ (Rubank: edition; piano accomp. published separately)
(observing
(observing cadenza)
cadenza) ˛ ? edition)
6
6
(observing
Jacob cadenza)or Bourree: No. 2 or No. 4 from Tuba Suite
Hornpipe (Boosey & Hawkes:
Jacob Hornpipe or Bourree: No. 2 or No. 4 from Tuba Suite (Boosey & Hawkes: ? edition) ?
6 Jacob Hornpipe or(only):
Bourree: No. 2 or No. 4 from Tuba Suite (Boosey & Hawkes: edition)
7
7 Mozart
Mozart?Romanza
Romanza (only): from from Horn
Horn Concerto
Concerto No. 4. No.
No. 4. No. 4 4 from
from Classics
Classics for
for Tuba,
Tuba, arr.
arr. Woods
Woods and
and Death
Death (Studio
(Studio
7 Mozart
Music: ? bb & edition)
Romanza
/E (only): from Horn Concerto No. 4. No. 4 from Classics for Tuba, arr. Woods and Death (Studio
Music: ?/E b & edition)
&
?
b b&
Wind: ?

Tuba/E b Bass, E b & editions)
Music: /E edition)
8 Saint-Saëns
Saint-Saëns Danse macabre. Savoir
Danse macabre. Savoir Faire
Faire for
for Tuba/E Bass, arr.arr. Mowat (Brass Wind:
Mowat (Brass or E
or editions) ‡
for Tuba/E b Bass,BWI00473:
arr. Mowat ?(Brass Wind: ? or E b & editions) ‡
8
(Alfred BWI00473: ?
8
9 Saint-Saëns Danse
Vivaldi macabre. No.Savoir Faire edition)
9 Vivaldi Allegro
Allegro (from
(from Sonata
Sonata No. 3),
3), arr.
arr. Swanson
Swanson (Alfred ? edition)
9 Vivaldi Allegro (from Sonata No. 3), arr. Swanson (Alfred BWI00473: edition)
LIST B
LIST B
LIST B Clarke Fighting Windmills: from Sketches from Don Quixote for Tuba (Brass Wind: ? b&
Nigel Clarke Fighting Windmills: from Sketches from Don Quixote for Tuba (Brass Wind: ?
1 Nigel
1 or E
? or E b & editions)
or E b &Music:
B editions)
?/E b &
2 Tony Cliff Low-down Blues or Demented Waltz: No. 1 or No. 3 from Suite Syncopation (Winwood Music: ? /E b &
2 Nigel Cliff
1 Tony Clarke FightingBlues
Low-down Windmills:
or from Sketches
Demented Waltz: from
No. Don
1 or Quixote
No. 3 for Tuba
from Suite (Brass Wind:(Winwood
Syncopation editions)
Tony Cliff Low-down Blues or Demented Waltz: No. 1 or No. 3 from Suite Syncopation (Winwood Music: ?/E b &
2 edition)
edition) ?
Music: ?/E b&
/E b & edition)
edition)
Peter
3 Peter Davis Stomp:
Stomp: No.
No. 22 from Two Character
from Two Character Pieces
Pieces for
for Tuba
Tuba (Warwick
(Warwick Music:
Pieces for Tuba (Warwick Music: ?/E b & edition)
3 Davis ? edition) edition)
(Elkan-Vogel: ?
3 Peter Davis Stomp: No. 2 from Two Character
4 Walter
4 Walter Hartley
Hartley Aria
Aria for
for Tuba
Tuba (Elkan-Vogel: ? edition)
edition) ?
4636: ? edition)
4 Walter Hartley Aria for Tuba (Elkan-Vogel:
5 Hindemith
5 Hindemith Allegro
Allegro assai:
assai: 2nd
2nd movt
movt from
from Sonata
Sonata for
for Bass
Bass Tuba (Schott ED
Tuba (Schott ED 4636:
ED 4636: ? edition)
edition)
? or E b & editions)
Tuba b(Schott(Brass
Tuba/E bb Bass Wind: ? or E bb && editions)
5 Hindemith Allegro assai: 2ndThemovt fromofSonata for Bass
6 Jim
6 Jim Parker
Parker Soldier, Soldier. The Music
Soldier, Soldier. Music of Jim
Jim Parker
Parker for
for Tuba/E Bass (Brass Wind: ??
bb Bass(Brass ororE E bb editions)
7 Simon Proctor Circle Line Dance: from Take the Tube? for Tuba/E b Bass (Brass Wind: ?
6 Jim Parker Soldier, Soldier. The Music ofTake
Jim Parker
the TubeforforTuba/E
Tuba/E Bass Wind:
Wind: &
7 Simon Proctor Circle Line Dance: from (Brass
? or E & editions)
Bass (Brass Wind: or E b & editions)
editions)
Take the Tube?/E for bTuba/E
Music: ?/E bb && edition)
7 SimonSweden
Proctor Circle Line Dance: from &
8 John
8 John Sweden Waltz
Waltz La
La Souterraine (Warwick Music:
Souterraine (Warwick edition) ?
b b
Tuba/E b Bass, Wind: ? or E b & editions)
8 John Sweden Waltz La Souterraine (Warwick Music: /E edition) &
9 Fats
9 Fats Waller
Waller Ain’t Misbehavin’. Big
Ain’t Misbehavin’. Big Chillers
Chillers for
for Tuba/E Bass, arr.
arr. Ledbury (Brass Wind:
Ledbury (Brass or E
9 Fats Waller Ain’t Misbehavin’. Big Chillers for Tuba/E b Bass, arr. Ledbury (Brass Wind: ? or E b & editions)
editions)
LIST C
LIST C ?
LIST C b
C 1 Blazhevich
1 Blazhevich No. 11 or
No. 11 or No.
No. 14: from 70
14: from 70 Studies
Studies for B bb Tuba,
for B Tuba, Vol. 1 (Robert King
1 (Robert AL28596: ? edition)
King AL28596:
King AL28596: ? edition)
Vol. ? edition)
2 Blazhevich
1 Derek Bourgeois or No. 14:
No. 11Happy: from from
Per 70
TubaStudies
ad for B(Brass
Astra Tuba, Vol. ?
Wind: 1 (Robert
or & editions)
2 Derek Bourgeois Happy: from Per Tuba ad Astra (Brass Wind: ? or && editions) ? /& edition)
(Con Moto: ?
3 Derek Bourgeois
2 Jonathan Cranston Happy: from No.
Moderato: Per Tuba
2 fromadTen
Astra (Brass Wind:
Progressive Studies or
for editions)
Tuba (Con Moto:
3 Jonathan Cranston Moderato: No. 2 from Ten Progressive Studies for Tuba ? tuba ?/ & edition)
/&& edition)
(Con Moto: ?
3 Jonathan Cranston Moderato: No. 2 from Ten Progressive Studies Moto:
for Tuba (Con Moto: or
4 Jock
4 Jock McKenzie Hornpipe or
McKenzie Hornpipe or Mazurka:
Mazurka: fromfrom Rhythms
Rhythms of of Life
Life (Con ? tuba edition
edition or && brass
brass edition)
edition)
4 Jock McKenzie Hornpipe or Mazurka:Transposition
from Rhythms of Life No. (Con Moto: tubafrom
edition or Jazzy
brass edition)
5 Mark
5 Mark Nightingale
?
Nightingale On
On the Off-beat or
the Off-beat or Transposition Blues: 23 or
Blues: No. 23 or No.
No. 2727 from Easy
Easy Jazzy ’Tudes
’Tudes (Warwick
(Warwick
5 Music: ?
Mark Nightingale
tuba On
edition orthe Off-beat
& brass or Transposition Blues: No. 23 or No. 27 from Easy Jazzy ’Tudes (Warwick
edition)
Music: ? tuba edition or && brass edition) ? (tuba in C) edition or & (bass BC/TC)
Studies for Tuba (De Haske: ? (tuba in C) edition or & (bass BC/TC)
6 Music:
Piet tubaTuba
Swerts edition
Ragor brass¸edition)
Performance Studies for Tuba (De Haske:
¸ Performance
‡‡ Studies for Tuba (De Haske: ? (tuba in C) edition or & (bass BC/TC)
6 Piet Swerts Tuba Rag ˝
6 PietVan
Swerts Roost
Tuba Rag ¸ Performance
˝
˛
7 Jan
7 Jan Van der
der Roost Saudade
Saudade ˛ ˝ edition)
edition) ‡
7 Jan Van der Roost Saudade ˛ edition)
AURAL
AURAL TESTS FOR THE GRADE: see pp. 90 and 93
AURAL TESTS
TESTS FOR
FOR THE
THE GRADE:
GRADE: see
see pp.
pp. 90
90 and
and 93
93

‡ See www.abrsm.org/clarifications for further publication details


56 ‡‡ See www.abrsm.org/clarifications
‡ See
See www.abrsm.org/clarificationsfor
www.abrsm.org/clarifications forfurther
for
publicationdetails
further publication
further
details
publication details
84
84
84
Performance Grades Tuba 2013–2022
Tuba
Tuba GRADE
GRADE
GRADE 7 7
7
Tuba GRADE 7
PREREQUISITE
PREREQUISITEFOR
PREREQUISITE FOR ENTRY:
FOR ENTRY: ABRSM
ENTRY: ABRSM
ABRSM
Grade
Grade
Grade
5 (or
5
5
above)
(or in Music
above) Theory,
in Music Practical
Theory, Musicianship
Practical or a Practical
Musicianship or any
PREREQUISITE
Grades
solo Jazz solo JazzFOR
subject. ENTRY:For
instrument.
For ABRSM
alternatives, see Gradesee
alternatives, 5 (or
(or above)
above) in
in Music
Music Theory,
Theory, Practical
www.abrsm.org/prerequisite.
www.abrsm.org/prerequisite. Practical Musicianship
Musicianship or or any
any
solo Jazz subject. For alternatives, see www.abrsm.org/prerequisite.
solo Jazz subject. For alternatives, see www.abrsm.org/prerequisite.
THREE
FOURPIECES:
THREE PIECES: atone chosen
least by the
one chosen bycandidate from
the candidate each
from ofofthe
each thethree Lists,A,
three Lists, A,BB and
and C,C:
and a fourth of the
THREE PIECES:
PIECES: one
candidate one chosen
chosen byby the
the candidate
candidate from
from each
each of
of the
the three
three Lists,
Lists, A,
’s own choice; for further programming requirements, see pages 4–6A, B
B and
and C:
C:
LIST A
LIST A
LIST
1 A Adams Hornpipe: 4th movt from Suite on Old Nautical Airs for Tuba (Editions BIM: ?
Byron ? edition)
A 1 Byron Adams Hornpipe: 4th movt from Suite on Old Nautical Airs for Tuba (Editions BIM: ? edition)
? edition)
2 Anon. Hornpipe. No. 14 from First Solos for the Tuba Player, arr. Wekselblatt (G. Schirmer: ?
2 Byron Adams
1 Anon. Hornpipe. Hornpipe:
No. 144th frommovt Solos Suite
Firstfrom for theonTuba
Old Player,
Nautical Airs
arr. for Tuba(G.
Wekselblatt (Editions
Schirmer: BIM: edition)
?
E bb && edition)
edition)
3 Anon.
2 HandelHornpipe.
Andante and No.Allegro,
14 from arr.
FirstWyss.
Solos for
ThetheThomas
Tuba Player, arr. Wekselblatt
Wyss Tuba (G. Schirmer:
Collection (Kirklees Music: edition)
(Kirklees Music: E b & edition)
?/E b & edition)
3 Handel Andante and Allegro, arr. Wyss. The Thomas Wyss Tuba Collection (Kirklees Music: E edition)
4 Massenet Meditation (from Thäis), arr. Meador (Warwick Music: ? /E bb && edition)
4 Handel Andante
3 Massenet and (from
Meditation Allegro, arr. Wyss.
Thäis), The Thomas
arr. Meador WyssMusic:
(Warwick Tuba Collection
MassenetRondo
4 Mozart Meditation Thäis), Music: ? /E foredition)
5 (only):(from
from Horn arr. Meador
Concerto No. (Warwick
4. No. 4 from Classics Tuba, arr. Woods and Death (Studio
5 Mozart?Rondo
/E b & edition)
(only): from Horn Concerto No. 4. No. 4 from Classics for Tuba, arr. Woods and Death (Studio
Mozart?Rondo
Music: ?/E bb && edition)
5 Music: (only): from Horn Concerto No. 4. No. 4 from Classics for Tuba, arr. Woods and Death (Studio
edition) and Allegro spiritoso, arr. Catelinet (Hinrichsen H853: ? / E bb & / B bb & edition)
6 Senaillé Introduction and Allegro spiritoso, arr.?Catelinet (Hinrichsen H853: ?
6 Music:
Senaillé /E Introduction
? / E & / B & edition)
edition) (Hinrichsen H853: / E b & / B b & edition)
7 Tcherepnin Andante, Op. 64 (Belaieff BEL 223: ?
7 Senaillé Introduction
6 Tcherepnin Andante, Op. and 64Allegro spiritoso,
(Belaieff BEL 223:arr. Catelinet
?
Smoothing Iron (Winwood Music: ?/E bb && edition)
edition)
8 Trad., arr. Steadman-Allen Dashing Away with the Smoothing Iron (Winwood? Music: ?
8 Tcherepnin
7 Andante, Op. 64
Trad., arr. Steadman-Allen BELwith
(BelaieffAway
Dashing 223:theedition)
?/E
edition) /E b & edition)
edition)
9 Vaughan Williams Romanza: 2nd movt from Concerto for Bass Tuba (OUP: ?
9 Trad., arr.Williams
8 Vaughan Steadman-Allen
Romanza: Dashing
2nd movt Away with
from the Smoothing
Concerto for BassIron (OUP: Music:
Tuba(Winwood
9 Vaughan Williams Romanza: 2nd movt from Concerto for Bass Tuba (OUP: ? edition)
edition)
LIST B
LIST B
LIST
1 B
Andrew Duncan A Cat and Mouse Chase Down Haworth Main Street!: No. 4 from A Haworth Suite (The
B 1 Andrew Duncan?A Cat
E b &and b & edition)
and Mouse Chase Down Haworth Main Street!: No. 4 from A Haworth Suite (The
Music Company: ? / E bb && / B bb && edition)
1 Andrew Duncan A/ Cat
Music Company: / B Mouse Chase Down Haworth Main Street!: No. 4 from A Haworth Suite (The
?
for Tuba (‘The Cobbler’s Bench’) (observing cadenza) (Shawnee Press: ?
2 Arthur Frackenpohl Variations for Tuba (‘The Cobbler’s Bench’) (observing cadenza) (Shawnee Press: ?
Music Company:
2 Arthur Frackenpohl / EVariations
/ B edition)
Arthur Frackenpohl Variations for Tuba (‘The Cobbler’s Bench’) (observing cadenza) (Shawnee Press: ?
2 edition)
Frith Tuba Treat (Camden Music: ?/E bb && edition)
edition)
3 John Frith Tuba Treat (Camden Music: ?
edition)
3 John
?/E
/E bSonata for Bass Tuba (Schott ED 4636: ?
edition)
& edition)
4 John
3 Frith Tuba
Hindemith Treat
Allegro (Camden
pesante: 1st Music:
movt from ? edition)
4 Hindemith Allegro pesante: 1st movt from Sonata for Bass Tuba (Schott ED ?/E ? edition)
b & edition)
4636:
5 Joseph Horovitz Andante: 2nd movt from Tuba Concerto (Studio Music: ? /E bb && edition)
5 Hindemith
4 Joseph Allegro
Horovitz pesante:2nd
Andante: 1stmovt
movtfromfromTuba
Sonata for Bass(Studio
Concerto Music:ED
Tuba (Schott 4636: edition)
?
Voxman (Rubank: ?
6 Leroy Ostransky Serenade and Scherzo. Concert and Contest Collection for Tuba, arr. Voxman (Rubank: ?
6 JosephOstransky
5 Leroy Horovitz Andante:
Serenade 2nd and movt from Concert
Scherzo. Tuba Concerto
and Contest(Studio Music:
Collection /E arr.
for Tuba, edition)
6 Leroy
edition;Ostransky Serenade
piano accomp. published and Scherzo. Concert and Contest Collection for Tuba, arr. Voxman (Rubank: ?
separately)
from Tuber Music (Brass Wind: ? E bb && editions)
edition; piano accomp. published separately)
7 edition; piano accomp.
Simon Proctor Ullocopublished
or Oca:separately) ? or
7 Simon Proctor Ulloco or Oca: from Tuber Music (Brass Wind: ? or
?/E bb &E b & editions)
8 Simon
7 Proctor AUlloco
Philip Sparke Song for or Oca:
Susiefrom(AngloTuber Music
Music AMP (Brass Wind:
211-401:
8 Philip Sparke A Song for Susie (Anglo Music AMP 211-401: ?/E b && edition) ? or Eedition)
editions)
PhilipWilder
8 Alec
9 SparkeEffieA Song
Chases for aSusie
Monkey andMusic
(Anglo Effie AMP
Falls 211-401:
in Love: 1st/Eand 2nd edition)movts from Suite No. 1 (‘Effie Suite’)
9 Alec Wilder Effie Chases ? a Monkey and Effie Falls in Love: 1st and 2nd movts from Suite No. 1 (‘Effie Suite’)
for Tuba (Margun Music: ?
AlecTuba
9 for Wilder Effie Chases
(Margun edition) and Effie Falls in Love: 1st and 2nd movts from Suite No. 1 (‘Effie Suite’)
Music: a Monkey
for Tuba (Margun Music: ? edition)
edition)
LIST C
LIST C
LIST C No. 15 or No. 20: from 70 Studies for B b Tuba, Vol. 1 (Robert King AL28596: ? edition)
C 1 Blazhevich No. 15 or No. 20: from 70 Studies for B bb Tuba, Vol. 1 (Robert King AL28596: ?
1 Blazhevich
? edition)
(Brass Wind: ?
2 Derek Bourgeois Allegro moderato or Commodo: No. 1 or No. 4 from Fantasy Pieces for Tuba (Brass Wind: ?
2 Blazhevich
1 Derek Bourgeois or No. 20:
No. 15Allegro from 70orStudies
moderato Commodo:for B No. Tuba, Vol.
1 or No.14 (Robert King AL28596:
from Fantasy edition)
Pieces for Tuba
Derek
2 or Bourgeois Allegro moderato or Commodo: No. 1 or No. 4 from Fantasy Pieces for Tuba (Brass Wind: ?
& editions)
or && editions)
Bourgeois Convivial: from Per Tuba ad Astra (Brass Wind: ? or && editions)
3 Derek Bourgeois Convivial: from Per Tuba ad Astra (Brass Wind: ?
3 or
Derek editions)
? or
Studies for Tuba (Con Moto: ? /&&
editions)
or & editions)
4 Jonathan Cranston Andante or Allegro: No. 8 or No. 9 from Ten Progressive Studies for Tuba (Con Moto: ?
3 Derek Bourgeois
4 Jonathan CranstonConvivial:
Andantefrom Per Tuba
or Allegro: No.ad8 Astra
or No.(Brass
9 fromWind:
Ten Progressive
?/
edition) Cranston Andante or Allegro: No. 8 or No. 9 from Ten Progressive Studies for Tuba (Con Moto: /&
4 Jonathan
McKenzie Dixieland or Samba: from Rhythms of Life (Con Moto: ?
edition)
edition)
5 Jock ? tuba edition or && brass edition)
5 Jock McKenzie Dixieland or Samba: from Rhythms of Life (Con Moto: ? tuba edition or & brass edition)
for Tuba (De Haske: ? (tuba in C) edition or & (bass BC/TC)
Jock McKenzie
5 Bertrand
6 Bagatelleor Samba:
MorenDixieland RhythmsforofTuba
from Studies
Performance Life (Con Moto: tuba
(De Haske: (tubaedition or brass
in C) edition or &edition)
(bass BC/TC)
6 Bertrand Moren Bagatelle ¸
6 Bertrand Moren Bagatelle ˝
7 Jan Van der Roost Allegria ˛
¸ Performance
¸ Performance
˝ edition) ‡ Studies for Tuba (De Haske: ? (tuba in C) edition or & (bass BC/TC)
‡ Studies
7 Jan Van der Roost Allegria ˝
˛ edition) ‡
7 Jan Van der Roost Allegria ˛ edition)
AURAL
AURAL TESTS FOR THE GRADE: see pp. 90 and 94
AURAL TESTS
TESTS FOR
FOR THE
THE GRADE:
GRADE: see
see pp.
pp. 90
90 and
and 94
94

‡ See www.abrsm.org/clarifications for further publication details


‡ See www.abrsm.org/clarifications
‡ See www.abrsm.org/clarificationsfor
forfurther publicationdetails
further publication details 57
‡ See www.abrsm.org/clarifications for further publication details
86
86
86
Performance Grades Tuba 2013–2022
Tuba
Tuba GRADE
GRADE
GRADE 8
8
8
Tuba GRADE 8
PREREQUISITE
PREREQUISITEFOR FOR ENTRY: ABRSMGrade
ENTRY: ABRSM Grade 5 (or
5 (or above)
above) in Music
in Music Theory,
Theory, Practical
Practical Musicianship
Musicianship or any
or a Practical
PREREQUISITE FOR ENTRY: ABRSM Grade 5 (or above) in Music Theory, Practical Musicianship or any
PREREQUISITE
Grades
solo solo JazzFOR
Jazz subject. ENTRY:For
instrument.
For ABRSM
alternatives, Gradesee
alternatives, 5 (or above) in Music Theory, Practical Musicianship or any
www.abrsm.org/prerequisite.
see www.abrsm.org/prerequisite.
solo Jazz subject. For alternatives, see www.abrsm.org/prerequisite.
solo Jazz subject. For alternatives, see www.abrsm.org/prerequisite.
THREE
FOURPIECES:
PIECES: atone chosen
least by the
one chosen bycandidate from
the candidate each
from ofofthe
each thethree Lists,A,
three Lists, A, B andC,C:
THREE PIECES: one chosen by the candidate from each of the three Lists, A,BBand and a fourth of the
and C:
THREEA PIECES:
candidate
LIST ’s ownone chosen
choice; by the
for further candidate from
programming each of see
requirements, thepages
three4–6
Lists, A, B and C:
LIST A
LIST
1 J. AS. Bach Minuet and Badinerie. No. 1 from ¸ Classics for Tuba, arr. Woods and Death (Studio Music:
1 J. S. Bach Minuet and Badinerie. No. 1 from ˝ ?/E b &for
¸ Classics Tuba, arr. Woods and Death (Studio Music:
˝ ? b &for
A 2 J. S. BachHungarian
1 Brahms Minuet and Badinerie.
Dance No. 5. No. 3 1 from ˛ ¸ Classics
˝ Tuba, arr. Woods and Death (Studio Music:
edition)
2 Brahms Hungarian Dance No. 5. No. 3 from ˛
3 Brahms
2 J. S. BachHungarian
Vivace from Dance 5. No.
No.Suite,
a Cello ? /E
from ˛ /E ¸ &The
arr.3 Wyss b edition)
edition)
Thomas Wyss Tuba Collection (Kirklees Music:
3 J. S. Bach Vivace from a Cello Suite, arr. Wyss ¸ Theb Thomas Wyss Tuba Collection (Kirklees Music:
˝
˝ E b & edition)
4 J. S. Bach Variations
3 Paganini Vivace from on aa Cello
Theme Suite, arr. Wyss
by Rossini, arr. Wyss ˛ ¸ The
˝ & edition)
E Thomas Wyss Tuba Collection (Kirklees Music:
E b & edition)
? / E b & / B b & edition)
4 Paganini Variations on a Theme by Rossini, arr. Wyss ˛
5 Capuzzi Andante and Rondo, arr. Catelinet (Hinrichsen H1474: ? b & / B b & edition)
5 Paganini
4 Variations
Capuzzi Andante onRondo,
and a Theme arr.byCatelinet
Rossini, arr. Wyss ˛ H1474:
(Hinrichsen
from? Concerto
/ E b & / B for
b & edition)
/ E
6 Capuzzi Andante
5 Edouard Chappot and Rondo,
Lento arr. Catelinet
and Allegretto: 2nd(Hinrichsen
and 3rd movts H1474: Tuba (Editions Marc Reift
6 Edouard Chappot ? Lento and Allegretto: 2nd and 3rd movts from Concerto for Tuba (Editions Marc Reift
Edouard
6 EMR 2034: ?
Chappot Lento and Allegretto: 2nd and 3rd movts from Concerto for Tuba (Editions Marc Reift
edition)
EMR 2034: ? edition) ?
Fantasia for Tuba (Curnow Music: /E bb && edition)
7 James Curnow Fantasia for Tuba (Curnow Music: ?
EMR 2034:
7 James Curnowedition)
8 James
7 HandelCurnowAdagio Fantasia for Tuba
and Allegro: (Curnow
1st and 2nd movtsMusic: ?/E
from b & edition)
/ESonataedition)
in C minor, Op. 1 No. 8, arr. Foster (observing
8 Handel Adagio and Allegro: 1st and?2ndb &movts from Sonata in C minor, Op. 1 No. 8, arr. Foster (observing
Handel
8 upper lineAdagio and(Warwick
in ossias) 1st and?2nd
Allegro: Music: /E b &movts from Sonata in C minor, Op. 1 No. 8, arr. Foster (observing
edition)
upper line in ossias) (Warwick Music: ?/E b & edition)
9 upper
Michael lineHopkinson
in ossias) (Warwick
Allegro Music:
moderato /Eor Allegro
edition)giocoso (observing cadenzas): 1st or 3rd movt from
E b & edition)
9 Michael Hopkinson Allegro moderato or Allegro giocoso (observing cadenzas): 1st or 3rd movt from
Concerto for Tuba (‘Concerto Euphonique’) (Kirklees Music: E bb && edition)
Michael Hopkinson
9 Concerto Allegro moderato
for Tuba (‘Concerto or Allegro
Euphonique’) giocoso
(Kirklees (observing
Music: cadenzas): 1st or 3rd movt from
10 Concerto for Tuba Finale–Rondo
Vaughan Williams (‘Concerto Euphonique’) (Kirklees Music:
alla tedesca (observing E 3rd
cadenza): edition)
movt from Concerto for Bass Tuba
10 Vaughan ? edition)
Williams Finale–Rondo alla tedesca (observing cadenza): 3rd movt from Concerto for Bass Tuba
Vaughan
10 (OUP: ? Williams Finale–Rondo alla tedesca (observing cadenza): 3rd movt from Concerto for Bass Tuba
(OUP: ? edition)
(OUP:
LIST B edition)
B Frith Hailstorm for Tuba (Warwick Music: ?/E bb & edition)
LIST B
1 John Frith Hailstorm for Tuba (Warwick Music: ?
LIST
1 John
B
2 John
1 EdwardFrith Hailstorm
Gregson for Tuba
Allegro (Warwick
giocoso Music:
(observing ?/E
/E bon
cadenza
& edition)
& edition)
p. 9 ): 3rd movt from Tuba Concerto (Novello
2 Edward Gregson ? edition)
Allegro giocoso (observing cadenza on p. 9 ): 3rd movt from Tuba Concerto (Novello
NOV120484: ?
Edward Gregson
2 NOV120484: Allegro giocoso (observing cadenza on p. 9 ): 3rd movt from Tuba Concerto (Novello
? edition)
edition)
commodo: 3rd movt from Sonata for Bass Tuba (Schott ED 4636: ?
3 Hindemith Variationen–Moderato, commodo: 3rd movt from Sonata for Bass Tuba (Schott ED 4636: ?
NOV120484:Variationen–Moderato,
3 Hindemith
3 Hindemith
edition) Variationen–Moderato, commodo: 3rd movt from Sonata for Bass Tuba (Schott ED 4636: ?
edition) Horovitz Allegro: 1st movt from Tuba Concerto (Studio Music: ? /E bb && edition)
edition)
Music: ?
4 Joseph
Music: ?/E b & edition)
4 Joseph Horovitz Allegro: 1st movt from Tuba?Concerto
or E bb && or B bb && editions)
(Studio /E edition)
5 Monti Csardas, arr. Reift (Editions Marc Reift:??
5 Joseph Csardas,
4 Monti Horovitzarr.
Allegro: 1st movt Marc
Reift (Editions fromReift:
Tuba Concerto (Studio
? or E b or B b editions)
6 William Presser Capriccio for Tuba (Presser: ?
Monti Csardas,
5 William
6 Presser arr. for TubaMarc
Reift (Editions
Capriccio Reift: edition)
(Presser: &
or E or B editions) &
? Wind:
edition)?
edition) or E bb && editions)
7 Simon Proctor Ysano: from Tuber Music (Brass Wind: ?
7 WilliamProctor
6 Simon Presser Ysano:
Capriccio
fromfor Tuba
Tuber (Presser:
Music (Brass
2nd?and
or E b & editions)
8 Simon
7 Corrado Proctor Ysano:
Saglietti from
Adagio Tuber
and Music
Allegro (Brass
con Wind:
spirito: or E3rd editions)
movts from Concerto for Tuba (mute
8 Corrado Saglietti Adagio ? edition)
and Allegro con spirito: 2nd and 3rd movts from Concerto for Tuba (mute
optional) (Editions BIM: ?
Corrado (Editions
8 optional) Saglietti BIM:
Adagio and Allegro con spirito: 2nd and 3rd movts from Concerto for Tuba (mute
? edition)
movt from Tuba Concerto (Anglo Music AMP 187-401: ?
edition)
/E bb && edition)
187-401: ?
optional)
9 Philip (Editions
Sparke BIM: 2nd
Allegro:
187-401: ?/E b & edition)
? edition)
9 Philip Sparke Allegro: 2nd movt from Tuba Concerto (Anglo Music AMP /E edition)
10 Philip
9 TomasiSparke Allegro:
Être ou ne pas 2nd
être movt from Tuba
(Monologue Concerto
d’Hamlet) (Anglo
(Leduc Music AMP
AL23327:
10 Tomasi Être ou ne pas être (Monologue d’Hamlet) (Leduc AL23327: ? edition) ?
10 Tomasi
LIST C Être ou ne pas être (Monologue d’Hamlet) (Leduc AL23327: edition)
M.C Arnold Fantasy for Tuba, Op. 102 (Faber: ? edition)
LIST C
1 M. Arnold Fantasy for Tuba, Op. 102 (Faber: ?
C LIST
1
Studies ? B b Tuba, Vol. 1 (Robert King AL28596: ? edition)
edition)
2 Blazhevich No. 27 or No. 32: from 70 Studies for B bb Tuba, Vol. 1 (Robert King AL28596: ?
2 M. Arnold Fantasy
1 Blazhevich forNo.
No. 27 or Tuba,
32: Op.
from102
70 (Faber: foredition)
No. 6 from? Fantasy
edition)
3 Blazhevich
2 Derek or No. 32:
No. 27Allegro
Bourgeois from 70e Studies
moderato pesantefororBAllegro
Tuba, moderato:
Vol. 1 (RobertNo.King
5 or AL28596: edition)Pieces for
?
3 Derek Bourgeois Allegro moderato e pesante or Allegro moderato: No. 5 or No. 6 from Fantasy Pieces for
Tuba (Brass Wind: ?
Derek(Brass
3 Tuba Bourgeois or && editions)
Wind: Allegro moderato e pesante or Allegro moderato: No. 5 or No. 6 from Fantasy Pieces for
Tuba (Brass
4 Derek ? or & editions)
Wind: Complex:
Bourgeois or editions) ?
from Per Tuba ad Astra (Brass Wind: ? or && editions)
4 Derek Bourgeois Complex: from Per Tuba ad Astra (Brass Wind: ? or & editions)
(Con Moto: ? /&& edition)
5 Jonathan Cranston Moderato: No. 10 from Ten Progressive Studies for Tuba (Con Moto: ?
5 Derek Bourgeois
4 Jonathan CranstonComplex:
Moderato: No.Per
from 10Tuba
fromadTenAstra (Brass Wind:
Progressive orTuba
Studies for editions)
Progressive Studies for Tuba (Con Moto: ??/& edition)
/ edition)
6 Jonathan
5 Cranston
Martin Ellerby Moderato:
El Patricko No.(La
Latino DanzaTen
10 from ¸
6 Martin Ellerby El Patricko Latino (La Danza ¸ Performance Studies for Tuba (De Haske: ? (tuba in C)
Martin Ellerby El Patricko Latino (La Danza ˝¸ Performance&Studies for Tuba (De Haske:
6 Cubana) ‡ ? (tuba in C)
Cubana) ˝ Performance
edition or Studies for Tubaedition)
(bass BC/TC) (De Haske: (tuba in C)
Schoonenbeek You Can Count on It! ˛˝ edition or & (bass BC/TC) edition) ‡‡
Cubana)
7 Kees
7 Kees Schoonenbeek You Can Count on It! ˛˛ edition or & (bass BC/TC)
on It!Rhythms of Life (Con Moto: ? tuba edition or && brass edition)
edition)
8 Jock McKenzie Krivo Horo or Rock: from Rhythms of Life (Con Moto: ?
8 Kees
7 Schoonenbeek
Jock McKenzie KrivoYou
Horo Canor Count
Rock: from
8 Jock McKenzie Krivo Horo or Rock: from Rhythms of Life (Con Moto: ? tuba edition or & brass edition)
tuba edition or brass edition)

AURAL TESTS FOR THE GRADE: see pp. 90 and 95


AURAL TESTS FOR THE GRADE: see pp. 90 and 95
AURAL TESTS FOR THE GRADE: see pp. 90 and 95

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58 ‡‡ See www.abrsm.org/clarifications
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www.abrsm.org/clarifications forfurther
for
publicationdetails
further publication
further
details
publication details
88
88
88

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