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SKRIPSI HABIB COMPILED
SKRIPSI HABIB COMPILED
SKRIPSI HABIB COMPILED
Compiled by:
Ahmad Habib Najmudin
B. Research Focus
Based on the research background described above, the researcher only focuses
on psychoanalytic analytic in the film Case 39 (2009) which refers to the psychology of
Emily Jenkins as the main actor in the film Case 39 (2009) and the researcher analyzes it
using Sigmund Freud's theory of perception who is nicknamed the father of
psychoanalytic.
A. Theoretical Review
1. Literature and Psychology
When we study the psychology of literature, we learn about people from the
inside out, which enables us to comprehend the depths of the human psyche. Literary
psychology appeals to issues with the human soul that describe it, not just the soul as
it appears in literature but also the soul of others. Every author frequently incorporates
personal experiences into its writing, and readers frequently go through the same
things.
Psychology and literature both study humans, but they focus on different
aspects of the human condition. Psychology which deals with actual situations in life
and literature which deals with human representation. Wellek & Warren (1956) stated
that literary theory and apologetics may emphasize either the typicality or the
particularity of literature; one may argue that literature is more specific than
psychology or sociology but more universal than history and biography. Changes in
literary theory's emphasis are present as well. The precise level of generality or
particularity in literary practice varies from work to work and from time to period.
Considering this salient correlation between literature and psychology, David
Lodge in his work titled Consciousness and the Novel Connected Essays explains the
meaning of literature as a record of human consciousness, the richest and most
comprehensive we have. Lyric poetry is arguably the most successful thing to
describe quality and the novel is arguably the most successful thing to describe the
experience of individual human beings moving through space and time (Aras, 2002).
Psychology and literature are two scientific disciplines that investigate the
human psyche. While literature uses fiction to represent human behavior, psychology
studies human behavior and its causes. These two disciplines that research human
behavior are related and complementary to one another (Emir, 2016). A literary work
also serves as the fundamental cornerstone of the relationship between literature and
psychology. According to Ulleberg & Rundmo (2003) on the international research
arena, the traffic psychology literature has witnessed two broad research traditions
that aim to explain individual differences in risk driving behavior and traffic accident
involvement. These approaches are the personality trait approach and the social
cognition approach (Yimer, 2019).
Meanwhile, according to Meyer (1997), literature is a canon which consists of
those works in language by which a community defines itself through the course of its
history. It includes works primarily artistic and also those whose aesthetic qualities
are only secondary. The self-defining activity of the community is conducted in the
light of the works, as its members have come to read them.
Human beings through several aspects such as aspects of psychology,
sociology or phenomena that occur, besides that existence is also a bridge for many
people and researchers to reveal things that can only be found by research reason, for
example Sigmund Freud, a pioneer figure in psychoanalytic criticism, analyzing many
literary texts including Shakespeare's works (Meiliana, 2020).
In other words, there are many findings yet to be found by means of research,
and this knowledge can only be uncovered by precise analysis and criticism of literary
works. This is how new theories and formulations such as Freud’s psychoanalysis
theory are discovered and developed. The above statement its showing that a
psychology and literature are two branches of science that study human behaviour.
Psychology studies human behaviour while literature depicts human behaviour
through fiction. A literary work benefits from psychology in terms of successfully
presenting characters, expressing moods, and bringing the reader into the
psychological dimension of human reality.
Therefore literature has a relationship with psychology because a scientific
psychological approach to art, following standard empirical research methods,
objectively searches for universal phenomena common to all artists, works of art, and
art connoisseurs, not limited to certain things. Thus, the researcher can explain the
behavior and psychology experienced by the main character in the film Case 39
(2009).
3. Personality’s Theory
In Freud's view, the id, ego, and superego are three crucially conceived
elements of the human personality. The Id functions subconsciously and is based on
the pleasure principle. Eros and Thanatos are two different types of biological
instincts that make up the id (Freud, 1923).
Hidayati, Suwandi, & Slamet (2019) states in Freud’s theory that eros, the
instinct for life, guides act that keep people alive, such as eating, breathing, and
having sex. Libido is the energy that comes from life instincts. All humans possess a
set of destructive instincts known as Thanatos, or death instincts. Sometimes this
aggression, or violent behavior, is directed towards other people. Freud was adamant
that Eros was more powerful than Thanatos. People always benefit from it in order to
survive. Id exists in the subconscious of people. The human is driven by instinct and
urge to immediately satisfy their basic biological demands. Additionally, the id is
dominated by the instincts of life (eros) and death (Thanatos). The id operates on the
tenets of pleasure.
a. Id
The id is all the irrational, non-logistical impulses that drive you to seek
pleasure. The id is in the conscious stage where you absorb information and
transform it so that it can be perceived. It asserts that most actions are taken by
individuals to satisfy their personal desires. The principle, which states that people
want to experience and experience difficult things, is what the id is based on. This
is the underlying concept and the most basic human motivation (Lapsley & Stey,
2012). Rarely do the instincts of the id's directly manifest themselves to the world
at large. Following the superego and the outside world, the ego always controls
and alters the primal instincts. The demands of the three oppressive masters—the
id, the superego, and the outside world—are synchronized by the ego.
As a result, the ego turns into a battlefield for the conscious and unconscious
minds. Even the ego, which is a fundamental component of the id, adapts its
operations to meet the demands of the outside world. The ego's weakness is
demonstrated by its inability to satiate the id's demands, which results in the split
of the mind. It demonstrates the might of the ego to assume that it can meet the
id's want.
b. Ego
The relationship between a person's internal and exterior worlds is primarily
mediated by the ego; the id operates according to the reality principle. According
to Anthony W. Bateman, Jeremy Holmes (2021), Freud liked to relate the adult
personality to an archaeological site that had multiple civilizations, each built on
top of the one before it and maintaining some characteristics of that civilization.
He described the ego as a "precipitate of abandoned object cathexes," built from
the significant historical characters that each person has identified with.
In addition, Esposito, Cieri, di Giannantonio, & Tartaro (2019) said that the ego is
influenced by the contradictory impulses of other instances, whose actions are
often hidden. The id, which is present at birth and determined by constitution, is
made up of impulses and instincts that come from the body organization and find
expression in an unidentified psychological form. The second instance in which
the ego is exposed results from the absorbing of behavior codes, injunctions, and
social prohibitions that are perceived as restrictions and barriers to enjoying
satisfaction. This censorship system controls the passage of the instinct from the
id to the ego.
c. Superego
According to Freud (1923), the superego serves as the personality's "conscience"
and can cause guilt as retaliation for the ego's flaws. Since the superego is a
descendant of the id's first object, cathexis (in the oedipal situation), it is
nonetheless close to the id and "may operate as its representation" (in contrast to
the ego, which represents reality). Additionally, as the unconscious Oedipus
complex is the source of conscience, guilt must also have its origins in
unconsciousness (Lapsley & Stey, 2012).
It also stated by Morris & Maisto (2014) that superego is not present at birth. In
reality, Freud believed that young children lack morality and only pursue their
pleasure. But as we become older, we begin to accept as our own the opinions that
our parents had about what was "good" and "bad." Our own internal self-control
eventually replaces our parents' exterior restraint. In the same way that parents
traditionally watched over and led their children, the superego eventually assumes
control and serves as our conscience. The superego also evaluates the ego's deeds
against an ideal of perfection and rewards or punishes the ego in accordance. The
superego functions at the conscious, preconscious, and unconscious levels, just as
the ego.
From the theory above, it can be concluded that in Freud’s theory there are id,
ego, and superego in human psychology that have an important role to see someone’s
personality. It’s typically the effect the biological instinct that contains Eros and
Thanatos.
4. Movies Theory
Movies are pictures in frame, where frame by frame is projected through the
projector lens mechanically so that on the screen the image looks alive. Movies move
quickly and alternately providing continuous visuals (Arsyad, 2015). Film is a type of
media that uses visuals and audiovisuals (or images harmonized with sound) to
convey information. In addition, films can be used to not only describe a phenomenon
or provide knowledge about natural events, but also to tell a narrative of the author's
life or a true story of someone's life. It also leads to a point of view or belief that a
film that depicts a depiction of society has been made.
Film can explore everything that happens in real life, and psychology in film is
one of interesting topic to explore. According to Tan (2018), around 1894-1895, the
publication of The Photoplay: A Psychological Study marked the beginning of the
psychology of the film. The Photoplay's first section looks at how films typically
address the mechanisms of the fundamental psychological processes that experimental
psychology looks into—namely perception, attention, memory, and emotion. In The
Photoplay, the psychological function that theatrical films eventually exploit is
imagination; nevertheless, the film also makes use of attention, perception, memory,
and emotion, which serve as foundational elements for the imagination throughout the
viewing experience.
The important aspect in film is character and also characterization. According
to Andrew Bennett (2016), characters are what give literature their life; they are the
focus of our admiration, censure, and devotion. In fact, our connection to literary
characters is so strong that they frequently stop being considered to be merely
"things". They can influence how we view ourselves and become a part of who we are
through the power of affiliation, compassion, and dislike.
Character is acting either protagonist or antagonist character and deal with
some sequence of events those later causes changes them. In sum, the audience must
know if the characters within a story is a main or peripheral character. According to
Abrams (1999), characters are people who are represented in a drama or narrative
work, the reader perceives the character as a unique or equipped object certain moral,
intellectual, and emotional qualities related to how they say things and their
distinctive way of saying it (dialogue) and from what they do (action).
The reason in character describing temperament, desires, and moral traits for
their speech and actions called their motivation. other than that the character should
not suddenly break up and act in a way that doesn't suit his temperament as we know
before So, the character plays an important role in a literary works because there is a
story without character and character belongs to people in a story that is created to
make the story alive. In other words, character means a figure in a story.
Characters in stories who are played in narrative works such as films become
the main focus for the audience and readers. According to Putri (2017), she states in
the Pope’s book called Creativity: Theory, History, Practice, that there are two
categories of character below:
a. Major Character
The main character is referred to as a Protagonist, and their struggle with an
antagonist may be what causes the conflict in the film. The main character with
whom people can most often identify is the protagonist. The person or thing that
the protagonist battles against is known as the antagonist. The Protagonist
character is a given character sympathy and empathy, but often the protagonist is
played into a tense situation to find a solution to the chaos that has occurred in his
life and describe the contents in a story as experienced by Emily Jenkins in the
main role in the film "Case 39 (2009)" which played a role in as a law enforcer
and has a sense of empathy for the case of Lilith, a girl who was abused by her
parents, but on the other hand Emily was trapped in a tense situation, namely
Lilith, who she knew was just an ordinary girl, turned out to be a demon in
disguise and that made the situation worse. The character played by Emily
experiences tension especially in her psychology and of course the protagonist can
also be called a hero in a story. While the Antagonist Character is a character
whose attitude is opposite to that of the protagonist. This character can cause
conflict and created between the protagonist and the antagonist, besides that the
antagonist character often manipulates the environment to look good, as played by
Lilith in Case 39 (2009). Lilith is a demon who is used as a girl and is often used
around her to fulfill her desires and desires to get complete love and attention for
everyone around her like Emily Jenkins.
b. Minor Character
Minor characters are unlikely to be used as a viewpoint character. Pope states that
minor characters can still shine in a literary work, although they will only appear
briefly and seldom. Minor characters are essentially flat stereotypes in two
dimensions. All the other characters in the story who have a smaller role are
referred to as minor characters. In Case 39 (2009) one of the minor characters that
also important to the film is Douglas J. Ames, Emily’s boyfriend that also take
over Lilith case.
In the other hand, Sutton (1971) that quoted in Putri (2017) divides characters into
four types below:
a. Flat Character
Flat characters tend to be predictable, basic, and possess a small number of
dominant features. They are portrayed with delicate particularity and have
complex motivations and temperaments. Flat characters are typically minor (such
as family members, friends, or employees), yet not all minor characters are
inherently flat.
b. Round Character
A round character typically has a significant impact on the plot. They're frequently
referred to as the hero or heroine. However, a lot of major characters are
everything from heroic, thus it's better to use the more unbiased word protagonist.
c. Static Character
The static characters essentially don't change. Their lives are not significantly
impacted by the action (unlike the protagonist in a typical action or adventure
movie).
d. Dynamic Character
A dynamic character is one who undergoes substantial change during the story's
development. Changes in commitment, shifts in values, or shifts in perception are
all taken into consideration when determining whether a character is dynamic.
Character is someone who has an identity in a literary work and is represented
by their look, conversation, actions, name, and internal thoughts. Meanwhile, the
method to evaluate the personality and growth of the primary character, which deals
with the process of developing an image of a person in fiction complete with the
person's attributes, features, and motivations is characterization. According to Putri
(2017), there are two different approaches to characterization, including direct
characterization and indirect characterization. Direct characterization, which is
typically utilized in stories, is when the author discloses to the reader the personality
of the character. While it's typically employed in movies, indirect characterization is
used when an author displays elements that reflect a character's nature. There are four
different methods of indirect characterization: speech, thoughts, action, and looks.
In conclusion, Psychology and literature are very often intertwined with each
other. For example, psychoanalysis is one of the methods used for psychological
research and the research is related to the literature obtained by reading, observing
and then poured into scientific works. One of the most prominent personal in regard
to the development of psychoanalysis is Sigmund Freud. According to Freud, the
human psyche consists of id, ego, and superego – all of which should work together
and create a harmonious bond which shapes a person’s mind. This concept can be
used to analyze various works of literature including films.
B. Relevant Study
There are so many researched that have been conducted by other researcher
related to analysis psychology through the literature. There are some explanations about
previous related study.
The first previous related study was conducted by Nandika Tahta Aulia (2021).
The title of the research was “Personality Structure of the Main Character in Mitch
Albom's for One More Day: A Freudian Psychoanalysis”. This research is using
descriptive qualitative technique that requires to identify the personality traits of Mitch
Albom's Charley "Chick" Benetto, the protagonist of For One More Day. This study has
three goals: first, it wants to figure out who Charley "Chick" Benetto is as an Id; second,
it wants to figure out who he is as an Ego; and third, it wants to figure out who he is as a
Superego. The personality structure hypothesis of Sigmund Freud is applied in this study.
The id, which stores pulses and is the source of psychic energy, and the Ego, which
serves as a mediator and balances the demands of the pulses and the prohibitions of the
Superego, the Superego being in charge of supervising and preventing the complete
satisfaction of these pulses, are the three components of Freud's theory of personality. The
results of this study show that Charley "Chick" Benetto struggles to maintain a healthy
balance between his id, ego, and superego.
The second previous related study was conducted by Cahya Tri Atmaja (2019)
with the title “Alaska's Borderline Personality Disorder as Reflected in John Green's
Looking for Alaska”. This research examined the borderline personality disorder of The
Looking for Alaska's main character. The goal of this research is to clarify how the main
character deals with all the tension in her personality and the borderline personality
disorder that is detailed in the book. Structuralism theory and the Theory of Personality
by Sigmund Freud were used in this study's descriptive qualitative methodology to
describe the main character's personality in words. The novel The Looking for Alaska
served as the study's subject, and the study's major emphasis was Alaska Young. The
research tool was a list of an observational sheet, and the data were gathered through
library research. The study involved understanding Alaska's personality using Sigmund
Freud's Theory of Personality and structural theory to characterize Alaska's
characterisation and conflicts. The study's findings indicated that Alaska has a personality
that satisfies three essential characteristics of borderline personality disorder, and that
Alaska's personality affects how she handles conflict.
The third previous related study was conducted by Nurul Hikmah Maulanie
(2011) with the title “An Analysis of Esther's Psychopath Problem in Orphan Film
Viewed from Psychoanalysis Theory by Sigmund Freud”. In this study, the researcher
examines the protagonist of the film Orphan as a psychopathic problem-character. The
researcher used the Oprhan film as the analytical unit. The theoretical foundation of the
study is based on Sigmund Freud's psychoanalytic notions as applied to the psychopathic
condition. The research used descriptive qualitative methodology to describe the intrinsic
and extrinsic elements of the movie, such as the conversation and scenes, which are then
subjected to Sigmund Freud's psychoanalysis as the movie's extrinsic component. The
researcher dives into the specifics of psychopathic character and the factors that
contribute to it as seen through the lens of Sigmund Freud's psychoanalysis through
observations of the scenes and dialogues that the filmmaker presents Esther's
characterizations as the primary character of Orphan.
In the first previous study the researcher used novel For One More Day, the
second previous study used novel The Looking for Alaska, and the third previous study
used film Orphan as a data of the research. While this research is used film Case 39 as a
data of the research. The method that used in all of the previous research was descriptive
qualitative, same as this research that used descriptive qualitative as a method to conduct
this research. Psychoanalysis by Sigmund Freud was also the dependent variable that
used in analysis one of the characters in all of the previous studies, and this research also
used that as a way to analyse the character of the film Case 39. Those relevant studies
include Psychology and Sigmund Freud theory as a dependent variable. The differences
from the previous research with this research is the kind of literature that used and also
how the researcher collecting the data. The researcher used those related studies as
references and hopefully complete the deficiencies that contained in this research.
CHAPTER III
METHODOLOGY
B. Research Time
The research will conduct from January 2022 to September 2022. The researcher
also made a schedule for this study so that the time of the study was clearer.
Months (2023)
Submission
1
Tittle
Guidance of
2
Proposal
Seminar of
3
Mini Thesis
Guidance
and Revision
4
of Seminar
result
Data
5
Collection
Data
6
Analysis
Final test of
7
the research
E. Research Instrument
In this study, the researcher will be the main instrument in collecting data, as stated
by El Hussein, Kennedy, & Oliver (2017), Qualitative research methods are a research
method used to examine natural objects, in which the researcher is the primary
instrument, and the data is interpreted by looking at the guidelines.
In order to collect the data, instrument in research is needed. The researcher uses
document as the instrument. According to Ary, Jacobs, & Sorensen (2006), in order to
understand human behaviour, content analysis focuses on examining and interpreting
recorded material. The content might include books, letters, movies, tapes, journals,
topics, reports, or other written materials. It could also be public records. In order to
complete this research and provide the best possible outcome, the researcher used the
document to address the issues. Based on the explanation above, the researcher assumes
that content analysis is to learn about human behaviour by analysing and interpreting
recorded material that such as public records, textbooks, letters, films, tapes, diaries,
themes, reports, or other documents.
By using research instrument the researcher can analyse research that has been
analysing, that is analysing teaching method in film Case 39 (2009). Besides, the
researcher can get the data and analyze in sufficient detail of the research. Thus, the
researcher will analyze the research very well.
In analyzing psychological aspects in the film Case 39 (2009), the researcher used
research instrument or content analysis in order to find out what the psychological aspects
in the characters of the film Case 39 (2009). Therefore, the researcher watched the film
Case 39 (2009) as the instrument.
G. Data Validity
To ensure that the description of the data that has been presented the above is
valid data and has a degree of trust Validity assurance techniques are carried out through:
confirmability, credibility, transferability, dependability.
1. Confirmability
Objectivity means the work process that is carried out to achieve the objective
conditions. As for the objectivity criteria, if it meets the minimum requirements, the
research design is made properly and correctly, the right research focus, literature
review relevant, appropriate data collection techniques focus of research problems,
data analysis is carried out true, the research results are useful for the development of
science knowledge.
2. Credibility
Internal validity (credibility) discusses how far research results can be trusted, to
achieve trust these are things to do:
a. Observation extension (Extended engagement)
b. Increased persistence (Persistent observation)
c. Triangulation (peer debriefing)
To achieve data validity, triangulation is one of the techniques checking as a
comparison against the data that has been taken.
1) Source Triangulation
2) Technical Triangulation
3) Time Triangulation
4) Negative case analysis
d. Negative case analysis is when the researcher is conduct research to find cases that
contrary to the statements of collected informants. With a negative case that
researchers appear to research in depth again to obtain real data.
e. Discussion with colleagues (peer debriefing)
f. Member check
The member check step in qualitative research is to get agreement on the
analytical, interpretive and conclusions from the data that has been organized.
When the data that has been processed by the researcher can be agreed, then
credibility is acceptable, but otherwise if data analysis that has been made is not
agreed upon, then the researcher conducts a discussion to reach agreement on
interpretation.
3. Transferability
Transferability relates to research results that can be transferred by others and can be
applied in situations others, in order to achieve external validity the authors study in a
systematic, detailed, clear and accountable manner.
4. Dependability
To test and achieve the reliability of the data in the research, then the data is ready to
be re-audited against the entire study, from determining the focus of the problem,
enter the field, data collection, data analysis, test validity to the conclusion in writing
the validity of the data the author chooses the technique of guaranteeing validity what
data will be used. In deciding the validity of the data, the researcher chooses some of
the above techniques according to with the problem.
In sum up, the researcher will use confirmability, credibility, transferability,
and reliability to achieve a valid data. Confirmability use to ensure that the data and
findings are valid according to relevant studies. In credibility the researcher using
triangulation and member check to achieve credible data. Then the researcher use
transferability to examines the data in a systematic way.
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