E | MAGAZINE

MAY 2016
 All images and text published in PhotographizeMag are the sole property of the featured authors and the subject copyright.
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2010-2014 © PhotographizeMag | all rights reserved
 All images and text published in PhotographizeMag are the sole property of the featured authors and the subject copyright.
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2010-2014 © PhotographizeMag | all rights reserved
 MAY 2016
Photographize is an independent electronic magazine,
downloadable FREE, that involves any kind of art
regardless of technique or period such as illustra-
tion, painting, digital art, photography, sculpture,
graphics. Wants to be a virtual place based on the
immediacy, where the images are presented in their
pure beauty have the ability to capture and capti-
vate the viewer

All images and text published in PhotographizeMag

are the sole property of the featured authors and
15

27

63
39

51

75
the subject copyright.
3
pag

pag

pag

pag

pag

pag

pag
No image or text can be reproduced, edited, copied
3

or distributed without the express written permission

of its legal owner.

2010-2014 © PhotographizeMag | all rights reserved

Alexander Yakovlev

Editor,founder,publisher and
Simon McCheung

Eduard Gordeev
Art Director : Andrea Costantini
David Talley

Chris Kovacs

Kindra Nikole

Karen Knorr
Follow me:

web: www.photographize.org
email: photographizemag@gmail.com
Cover : © Alexander Yakovlev
 MAY 2016
Photographize is an independent electronic magazine,
downloadable FREE, that involves any kind of art
regardless of technique or period such as illustra-
tion, painting, digital art, photography, sculpture,
graphics. Wants to be a virtual place based on the
immediacy, where the images are presented in their
pure beauty have the ability to capture and capti-
vate the viewer

All images and text published in PhotographizeMag

are the sole property of the featured authors and
15

27

63
39

51

75
the subject copyright.
3
pag

pag

pag

pag

pag

pag

pag
No image or text can be reproduced, edited, copied
3

or distributed without the express written permission

of its legal owner.

2010-2014 © PhotographizeMag | all rights reserved

Alexander Yakovlev

Editor,founder,publisher and
Simon McCheung

Eduard Gordeev
Art Director : Andrea Costantini
David Talley

Chris Kovacs

Kindra Nikole

Karen Knorr
Follow me:

web: www.photographize.org
email: photographizemag@gmail.com
Cover : © Alexander Yakovlev
 David Talley believes in a necessary resolution.
An internationally recognized photographer and educator operating
out of Portland, his work exhibits the darkest moment before an
explosion of light. His imagery is marked by a story broken, but
changed for the better, and the ability to transform the present
problem in to a prospering future.

Of mass and matter © David Talley

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3 No image or text can be reproduced, edited, copied or distributed without the express written permission of its legal owner. 4
2010-2014 © PhotographizeMag | all rights reserved
 David Talley believes in a necessary resolution.
An internationally recognized photographer and educator operating
out of Portland, his work exhibits the darkest moment before an
explosion of light. His imagery is marked by a story broken, but
changed for the better, and the ability to transform the present
problem in to a prospering future.

Of mass and matter © David Talley

All images and text published in PhotographizeMag are the sole property of the featured authors and the subject copyright.
3 No image or text can be reproduced, edited, copied or distributed without the express written permission of its legal owner. 4
2010-2014 © PhotographizeMag | all rights reserved
 Rose and might © David Talley Poison © David Talley

Of mass and matter © David Talley

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5 No image or text can be reproduced, edited, copied or distributed without the express written permission of its legal owner. 6
2010-2014 © PhotographizeMag | all rights reserved
 Rose and might © David Talley Poison © David Talley

Of mass and matter © David Talley

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5 No image or text can be reproduced, edited, copied or distributed without the express written permission of its legal owner. 6
2010-2014 © PhotographizeMag | all rights reserved
 One,self © David Talley
Beckon © David Talley

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2010-2014 © PhotographizeMag | all rights reserved
 One,self © David Talley
Beckon © David Talley

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2010-2014 © PhotographizeMag | all rights reserved
 Proxy © David Talley
The american dream © David Talley

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9 No image or text can be reproduced, edited, copied or distributed without the express written permission of its legal owner. 10
2010-2014 © PhotographizeMag | all rights reserved
 Proxy © David Talley
The american dream © David Talley

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 Untitled © David Talley You fall © David Talley

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 Untitled © David Talley You fall © David Talley

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2010-2014 © PhotographizeMag | all rights reserved
 Igniting nightmares © David Talley

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2010-2014 © PhotographizeMag | all rights reserved
 © Kylli Sparre

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2010-2014 © PhotographizeMag | all rights reserved
 Studio-dance photographer Alexander Yakovlev makes his images of
professional dancers come alive by adding dynamic elements like
exploding flour.
The Moscow resident is a graduate from the faculty of law at the
Russian State University For the Humanities, but it’s clear from his
work here that rhetoric isn’t his only specialty. Yakovlev’s photos
span a wide spectrum of dance styles, from ballet to break-dancing,
but it was his flour-filled photo “Big bang theory” that has garnered
the most recent attention.

© Alexander Yakovlev

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15 No image or text can be reproduced, edited, copied or distributed without the express written permission of its legal owner. 16
2010-2014 © PhotographizeMag | all rights reserved
 Studio-dance photographer Alexander Yakovlev makes his images of
professional dancers come alive by adding dynamic elements like
exploding flour.
The Moscow resident is a graduate from the faculty of law at the
Russian State University For the Humanities, but it’s clear from his
work here that rhetoric isn’t his only specialty. Yakovlev’s photos
span a wide spectrum of dance styles, from ballet to break-dancing,
but it was his flour-filled photo “Big bang theory” that has garnered
the most recent attention.

© Alexander Yakovlev

All images and text published in PhotographizeMag are the sole property of the featured authors and the subject copyright.
15 No image or text can be reproduced, edited, copied or distributed without the express written permission of its legal owner. 16
2010-2014 © PhotographizeMag | all rights reserved
 © Alexander Yakovlev

© Alexander Yakovlev

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17 No image or text can be reproduced, edited, copied or distributed without the express written permission of its legal owner. 18
2010-2014 © PhotographizeMag | all rights reserved
 © Alexander Yakovlev

© Alexander Yakovlev

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17 No image or text can be reproduced, edited, copied or distributed without the express written permission of its legal owner. 18
2010-2014 © PhotographizeMag | all rights reserved
 © Alexander Yakovlev

© Alexander Yakovlev

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19 No image or text can be reproduced, edited, copied or distributed without the express written permission of its legal owner. 20
2010-2014 © PhotographizeMag | all rights reserved
 © Alexander Yakovlev

© Alexander Yakovlev

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19 No image or text can be reproduced, edited, copied or distributed without the express written permission of its legal owner. 20
2010-2014 © PhotographizeMag | all rights reserved
 © Alexander Yakovlev
© Alexander Yakovlev
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21 No image or text can be reproduced, edited, copied or distributed without the express written permission of its legal owner. 22
2010-2014 © PhotographizeMag | all rights reserved
 © Alexander Yakovlev
© Alexander Yakovlev
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21 No image or text can be reproduced, edited, copied or distributed without the express written permission of its legal owner. 22
2010-2014 © PhotographizeMag | all rights reserved
 © Alexander Yakovlev

© Alexander Yakovlev

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23 No image or text can be reproduced, edited, copied or distributed without the express written permission of its legal owner. 24
2010-2014 © PhotographizeMag | all rights reserved
 © Alexander Yakovlev

© Alexander Yakovlev

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23 No image or text can be reproduced, edited, copied or distributed without the express written permission of its legal owner. 24
2010-2014 © PhotographizeMag | all rights reserved
 © Alexander Yakovlev

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w w w. a n d r e a c o s t a n t i n i . o r g
25 No image or text can be reproduced, edited, copied or distributed without the express written permission of its legal owner.
2010-2014 © PhotographizeMag | all rights reserved
 © Alexander Yakovlev

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w w w. a n d r e a c o s t a n t i n i . o r g
25 No image or text can be reproduced, edited, copied or distributed without the express written permission of its legal owner.
2010-2014 © PhotographizeMag | all rights reserved
 Simon McCheung came from a small town called Grimsby, UK. Which he later
attended Surrey Institute of Art and Design to study animation film. He
is now currently working in London as a graphic designer for video games
developer, Rocksteady/Warner Bros. However his photography career only
started in 2012 which lead to exhibiting some of his work at the Saatchi
Gallery in London and he continues to coexists his passion for
photography with his full time job.

McCheung began to use self-portrait as a means to self teach himself the

technical aspects of photography, which quickly grew into one of the
main subject matters of his now current fine art journey. The evolution
came about when he was seeking ways to engage his self created stories
and to express his own psyche.

The goal was to imprint memorible stories to his viewers which even
though the images are of a single frame into his world. He invites the
An underwater spell © Simon McCheung viewer to create a story of their own by encouraging them to fill in the
voids of the beginning and end.

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27 No image or text can be reproduced, edited, copied or distributed without the express written permission of its legal owner. 28
2010-2014 © PhotographizeMag | all rights reserved
 Simon McCheung came from a small town called Grimsby, UK. Which he later
attended Surrey Institute of Art and Design to study animation film. He
is now currently working in London as a graphic designer for video games
developer, Rocksteady/Warner Bros. However his photography career only
started in 2012 which lead to exhibiting some of his work at the Saatchi
Gallery in London and he continues to coexists his passion for
photography with his full time job.

McCheung began to use self-portrait as a means to self teach himself the

technical aspects of photography, which quickly grew into one of the
main subject matters of his now current fine art journey. The evolution
came about when he was seeking ways to engage his self created stories
and to express his own psyche.

The goal was to imprint memorible stories to his viewers which even
though the images are of a single frame into his world. He invites the
An underwater spell © Simon McCheung viewer to create a story of their own by encouraging them to fill in the
voids of the beginning and end.

All images and text published in PhotographizeMag are the sole property of the featured authors and the subject copyright.
27 No image or text can be reproduced, edited, copied or distributed without the express written permission of its legal owner. 28
2010-2014 © PhotographizeMag | all rights reserved
 Discovering Grace © Simon McCheung Origin © Simon McCheung

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29 No image or text can be reproduced, edited, copied or distributed without the express written permission of its legal owner. 30
2010-2014 © PhotographizeMag | all rights reserved
 Discovering Grace © Simon McCheung Origin © Simon McCheung

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29 No image or text can be reproduced, edited, copied or distributed without the express written permission of its legal owner. 30
2010-2014 © PhotographizeMag | all rights reserved
 Escape from Wonderland © Simon McCheung

I Dream of Solitude © Simon McCheung

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31 No image or text can be reproduced, edited, copied or distributed without the express written permission of its legal owner. 32
2010-2014 © PhotographizeMag | all rights reserved
 Escape from Wonderland © Simon McCheung

I Dream of Solitude © Simon McCheung

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31 No image or text can be reproduced, edited, copied or distributed without the express written permission of its legal owner. 32
2010-2014 © PhotographizeMag | all rights reserved
 Spells © Simon McCheung

Honeymoon © Simon McCheung

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33 No image or text can be reproduced, edited, copied or distributed without the express written permission of its legal owner. 34
2010-2014 © PhotographizeMag | all rights reserved
 Spells © Simon McCheung

Honeymoon © Simon McCheung

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33 No image or text can be reproduced, edited, copied or distributed without the express written permission of its legal owner. 34
2010-2014 © PhotographizeMag | all rights reserved
 Mondays © Simon McCheung

Somewhere that Matters © Simon McCheung

The Bridge © Antonio Mora

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35 No image or text can be reproduced, edited, copied or distributed without the express written permission of its legal owner. 36
2010-2014 © PhotographizeMag | all rights reserved
 Mondays © Simon McCheung

Somewhere that Matters © Simon McCheung

The Bridge © Antonio Mora

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35 No image or text can be reproduced, edited, copied or distributed without the express written permission of its legal owner. 36
2010-2014 © PhotographizeMag | all rights reserved
 Perspective © Simon McCheung

37
 Island © Leszek Bujnowski

37
 (1976) Born in Edmonton, Alberta, Canada. Chris Kovacs is an award winning
photographer best known for his multiple exposure black-and-white
photography.

Chris is fascinated with science, particularly with quantum mechanics and

the possibility of a multiverse, or multiple, parallel universes, which
also sets the stage for his style of photographic works. Chris is also
interested in exploring dreams, the subconscious mind and memory.

Chris' photography focuses primarily on scenes containing elements of

architecture and people. Chris captures "in camera" multiple-exposures of
the same scene from different angles and later combines several multi-
ple-exposure photographs together to form a single image.

When asked about his photographic style Chris responds

“It’s Multiplexualization.” Multiplexualization is a term Chris has
coined.

It is the digital layering of many different multiple-exposure photographs

to form a single image which deliberately depicts a dreamlike quality.
Multiplex, in this case, means: many elements in a complex relationship,
where ualization represents the single, final image–the deliberate
dreamlike visual.

Drive Through, New York City, USA.

© Chris Kovacs

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39 No image or text can be reproduced, edited, copied or distributed without the express written permission of its legal owner. 40
2010-2014 © PhotographizeMag | all rights reserved
 (1976) Born in Edmonton, Alberta, Canada. Chris Kovacs is an award winning
photographer best known for his multiple exposure black-and-white
photography.

Chris is fascinated with science, particularly with quantum mechanics and

the possibility of a multiverse, or multiple, parallel universes, which
also sets the stage for his style of photographic works. Chris is also
interested in exploring dreams, the subconscious mind and memory.

Chris' photography focuses primarily on scenes containing elements of

architecture and people. Chris captures "in camera" multiple-exposures of
the same scene from different angles and later combines several multi-
ple-exposure photographs together to form a single image.

When asked about his photographic style Chris responds

“It’s Multiplexualization.” Multiplexualization is a term Chris has
coined.

It is the digital layering of many different multiple-exposure photographs

to form a single image which deliberately depicts a dreamlike quality.
Multiplex, in this case, means: many elements in a complex relationship,
where ualization represents the single, final image–the deliberate
dreamlike visual.

Drive Through, New York City, USA.

© Chris Kovacs

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39 No image or text can be reproduced, edited, copied or distributed without the express written permission of its legal owner. 40
2010-2014 © PhotographizeMag | all rights reserved
 © Baptiste Fallon

Vessel, Venice, Italy Right Where It Belongs

© Chris Kovacs Venice, Italy © Chris Kovacs

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41 No image or text can be reproduced, edited, copied or distributed without the express written permission of its legal owner. 42
2010-2014 © PhotographizeMag | all rights reserved
 © Baptiste Fallon

Vessel, Venice, Italy Right Where It Belongs

© Chris Kovacs Venice, Italy © Chris Kovacs

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41 No image or text can be reproduced, edited, copied or distributed without the express written permission of its legal owner. 42
2010-2014 © PhotographizeMag | all rights reserved
 The Mark Has Been Made
Venice, Italy © Chris Kovacs Submergence, Venice, Italy
© Chris Kovacs

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43 No image or text can be reproduced, edited, copied or distributed without the express written permission of its legal owner. 44
2010-2014 © PhotographizeMag | all rights reserved
 The Mark Has Been Made
Venice, Italy © Chris Kovacs Submergence, Venice, Italy
© Chris Kovacs

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43 No image or text can be reproduced, edited, copied or distributed without the express written permission of its legal owner. 44
2010-2014 © PhotographizeMag | all rights reserved
 Beside You In Time Real Estate & Bike
Zagreb, Croatia © Chris Kovacs Rovinj, Croatia © Chris Kovacs

All images and text published in PhotographizeMag are the sole property of the featured authors and the subject copyright.
45 No image or text can be reproduced, edited, copied or distributed without the express written permission of its legal owner. 46
2010-2014 © PhotographizeMag | all rights reserved
 Beside You In Time Real Estate & Bike
Zagreb, Croatia © Chris Kovacs Rovinj, Croatia © Chris Kovacs

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45 No image or text can be reproduced, edited, copied or distributed without the express written permission of its legal owner. 46
2010-2014 © PhotographizeMag | all rights reserved
 © Baptiste Fallon

Woodwards Building
Vancouver, Canada © Chris Kovacs
Grand Central & Chrysler
New York City, USA © Chris Kovacs

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47 No image or text can be reproduced, edited, copied or distributed without the express written permission of its legal owner. 48
2010-2014 © PhotographizeMag | all rights reserved
 © Baptiste Fallon

Woodwards Building
Vancouver, Canada © Chris Kovacs
Grand Central & Chrysler
New York City, USA © Chris Kovacs

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47 No image or text can be reproduced, edited, copied or distributed without the express written permission of its legal owner. 48
2010-2014 © PhotographizeMag | all rights reserved
 We're In This Together
Venice, Italy © Chris Kovacs

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49 No image or text can be reproduced, edited, copied or distributed without the express written permission of its legal owner. 60
2010-2014 © PhotographizeMag | all rights reserved
 Stockify © Flora Borsi

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49 No image or text can be reproduced, edited, copied or distributed without the express written permission of its legal owner. 60
2010-2014 © PhotographizeMag | all rights reserved
 Kindra Nikole is a Seattle-based mixed-media artist whose work draws on
natural settings to create surreal, otherworldly images. Kindra manifests
fantastical realities in her images, oftentimes with a hint of dark
allure. Her works tend toward vibrant, rich colors and typically feature a
solitary figure immersed in nature.

Kindra creates many of the sets, props, and costumes seen in her images.
She then captures the intricacy of the moment with her trusty camera, Sir
Didymus, and spends a great deal of time editing the image on her
computer. The image is then printed onto giclée paper and treated as her
underpainting layer, which is mounted onto a wood panel. Kindra then
embellishes the piece with acrylics and sometimes metal-leaf techniques,
creating a unique, beautiful painting. Finally, Kindra glazes the entire
piece with a resin coating, creating a lustrous, glasslike presentation
which also seals and protects the image.

As a native to the Pacific Northwest and avid lover of the great outdoors,
Kindra's profound admiration of nature is harnessed as a foundation in all
of her work. Kindra believes that the mystery and magic of nature is a
boundless well of inspiration. Outside her passionate pursuit of art,
Kindra enjoys yoga, snowboarding, longboarding, hiking with her dog
Ziggy, and reading.

Poof © Kindra Nikole

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51 No image or text can be reproduced, edited, copied or distributed without the express written permission of its legal owner. 52
2010-2014 © PhotographizeMag | all rights reserved
 Kindra Nikole is a Seattle-based mixed-media artist whose work draws on
natural settings to create surreal, otherworldly images. Kindra manifests
fantastical realities in her images, oftentimes with a hint of dark
allure. Her works tend toward vibrant, rich colors and typically feature a
solitary figure immersed in nature.

Kindra creates many of the sets, props, and costumes seen in her images.
She then captures the intricacy of the moment with her trusty camera, Sir
Didymus, and spends a great deal of time editing the image on her
computer. The image is then printed onto giclée paper and treated as her
underpainting layer, which is mounted onto a wood panel. Kindra then
embellishes the piece with acrylics and sometimes metal-leaf techniques,
creating a unique, beautiful painting. Finally, Kindra glazes the entire
piece with a resin coating, creating a lustrous, glasslike presentation
which also seals and protects the image.

As a native to the Pacific Northwest and avid lover of the great outdoors,
Kindra's profound admiration of nature is harnessed as a foundation in all
of her work. Kindra believes that the mystery and magic of nature is a
boundless well of inspiration. Outside her passionate pursuit of art,
Kindra enjoys yoga, snowboarding, longboarding, hiking with her dog
Ziggy, and reading.

Poof © Kindra Nikole

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51 No image or text can be reproduced, edited, copied or distributed without the express written permission of its legal owner. 52
2010-2014 © PhotographizeMag | all rights reserved
 Pillar © Kindra Nikole

The Last of Her Fading Power

© Kindra Nikole

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53 No image or text can be reproduced, edited, copied or distributed without the express written permission of its legal owner. 54
2010-2014 © PhotographizeMag | all rights reserved
 Pillar © Kindra Nikole

The Last of Her Fading Power

© Kindra Nikole

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53 No image or text can be reproduced, edited, copied or distributed without the express written permission of its legal owner. 54
2010-2014 © PhotographizeMag | all rights reserved
 Germination © Kindra Nikole

Alice's Secret © Kindra Nikole

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55 No image or text can be reproduced, edited, copied or distributed without the express written permission of its legal owner. 56
2010-2014 © PhotographizeMag | all rights reserved
 Germination © Kindra Nikole

Alice's Secret © Kindra Nikole

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55 No image or text can be reproduced, edited, copied or distributed without the express written permission of its legal owner. 56
2010-2014 © PhotographizeMag | all rights reserved
 Turning tides and silvered shores
© Kindra Nikole
Shallow Drowned © Kindra Nikole

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57 No image or text can be reproduced, edited, copied or distributed without the express written permission of its legal owner. 58
2010-2014 © PhotographizeMag | all rights reserved
 Turning tides and silvered shores
© Kindra Nikole
Shallow Drowned © Kindra Nikole

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57 No image or text can be reproduced, edited, copied or distributed without the express written permission of its legal owner. 58
2010-2014 © PhotographizeMag | all rights reserved
 Whispers of the Nothing
© Kindra Nikole Orðian © Kindra Nikole

Stockify © Flora Borsi Stockify © Flora Borsi

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59 No image or text can be reproduced, edited, copied or distributed without the express written permission of its legal owner. 60
2010-2014 © PhotographizeMag | all rights reserved
 Whispers of the Nothing
© Kindra Nikole Orðian © Kindra Nikole

Stockify © Flora Borsi Stockify © Flora Borsi

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59 No image or text can be reproduced, edited, copied or distributed without the express written permission of its legal owner. 60
2010-2014 © PhotographizeMag | all rights reserved
 Stockify © Flora Borsi

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61 No image or text can be reproduced, edited, copied or distributed without the express written permission of its legal owner. 62
Of Withering Abundance © Kindra Nikole
2010-2014 © PhotographizeMag | all rights reserved
 Stockify © Flora Borsi

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61 No image or text can be reproduced, edited, copied or distributed without the express written permission of its legal owner. 62
Of Withering Abundance © Kindra Nikole
2010-2014 © PhotographizeMag | all rights reserved
 St. Petersburg-based Russian photographer Eduard Gordeev captures delicate
cityscape scenes by taking photos in the rain. Flowing rain drops blur the
colors and diffuse light, resulting in photos that have a strong
resemblance to Impressionist oil paintings.
Though the series mostly features Russia’s St. Petersburg and its widely
recognized landmarks, some captivating shots from Lisbon can be found
there as well. Nothing gloomy about the rain here, just pure Russian
romance.

© Eduard Gordeev

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63 No image or text can be reproduced, edited, copied or distributed without the express written permission of its legal owner. 64
2010-2013 © PhotographizeMag | all rights reserved
 St. Petersburg-based Russian photographer Eduard Gordeev captures delicate
cityscape scenes by taking photos in the rain. Flowing rain drops blur the
colors and diffuse light, resulting in photos that have a strong
resemblance to Impressionist oil paintings.
Though the series mostly features Russia’s St. Petersburg and its widely
recognized landmarks, some captivating shots from Lisbon can be found
there as well. Nothing gloomy about the rain here, just pure Russian
romance.

© Eduard Gordeev

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 © Eduard Gordeev

© Eduard Gordeev

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 © Eduard Gordeev

© Eduard Gordeev

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 © Eduard Gordeev

© Eduard Gordeev

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 © Eduard Gordeev

© Eduard Gordeev

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 © Eduard Gordeev

© Eduard Gordeev

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 © Eduard Gordeev

© Eduard Gordeev

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 © Eduard Gordeev

© Eduard Gordeev

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 © Eduard Gordeev

© Eduard Gordeev

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 © Eduard Gordeev

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 © Jack Savage

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 Karen Knorr was born in Frankfurt am Main, Germany and was raised in San
Juan, Puerto Rico in the 1960s. She finished her education in Paris and
London. Karen has taught, exhibited and lectured internationally,
including at Tate Britain, Tate Modern, The University of Westminster,
Goldsmiths, Harvard and The Art Institute of Chicago. She studied at the
University of Westminster in the mid-1970s, exhibiting photography that
addressed debates in cultural studies and film theory concerning the
‘politics of representation’ practices which emerged during the late
1970s qnd early 1980s. She is currently Professor of Photography at the
University for the Creative Arts in Farnham, Surrey.

Karen Knorr produced Belgravia (1979-1981) a series of black and white

photographs with ironic and humorous texts that highlighted aspirations,
lifestyle and the British class system under the neo liberalist Thatcher
era in the late 70’s and early 80’s. Her most well known work called G
entlemen (1981-1983) was photographed in Saint James’s clubs in London
and investigated the patriarchal conservative values of Britain during
the Falklands war. Karen ’s work developed a critical and playful dia-
logue with documentary photography using different visual and textual
strategies to explore her chosen subject matter that ranges from the
family and lifestyle to the animal and its representation in the museum
context.

In 1986 her work Connoisseurs used colour to explore connoisseurship

regarding authenticity, heritage and art in England. Here she introduced
elements and staged events in the architectural interiors of Chiswick
House, Osterley Park House and the Dulwich Picture Gallery. The use of
text and captioning appeared as a device to slow down consumption of the
image and to comment on the received ideas of fine art in museum culture.
These strategies still appear in her photography today with digital col-
lage of animals, objects and social actors in museums and architecture
challenging the authority and power of heritage sites in Europe and more
recently in India.

The Battle Gallery [Château Chantilly]

© Karen Knorr
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75 No image or text can be reproduced, edited, copied or distributed without the express written permission of its legal owner. 76
2010-2014 © PhotographizeMag | all rights reserved
 Karen Knorr was born in Frankfurt am Main, Germany and was raised in San
Juan, Puerto Rico in the 1960s. She finished her education in Paris and
London. Karen has taught, exhibited and lectured internationally,
including at Tate Britain, Tate Modern, The University of Westminster,
Goldsmiths, Harvard and The Art Institute of Chicago. She studied at the
University of Westminster in the mid-1970s, exhibiting photography that
addressed debates in cultural studies and film theory concerning the
‘politics of representation’ practices which emerged during the late
1970s qnd early 1980s. She is currently Professor of Photography at the
University for the Creative Arts in Farnham, Surrey.

Karen Knorr produced Belgravia (1979-1981) a series of black and white

photographs with ironic and humorous texts that highlighted aspirations,
lifestyle and the British class system under the neo liberalist Thatcher
era in the late 70’s and early 80’s. Her most well known work called G
entlemen (1981-1983) was photographed in Saint James’s clubs in London
and investigated the patriarchal conservative values of Britain during
the Falklands war. Karen ’s work developed a critical and playful dia-
logue with documentary photography using different visual and textual
strategies to explore her chosen subject matter that ranges from the
family and lifestyle to the animal and its representation in the museum
context.

In 1986 her work Connoisseurs used colour to explore connoisseurship

regarding authenticity, heritage and art in England. Here she introduced
elements and staged events in the architectural interiors of Chiswick
House, Osterley Park House and the Dulwich Picture Gallery. The use of
text and captioning appeared as a device to slow down consumption of the
image and to comment on the received ideas of fine art in museum culture.
These strategies still appear in her photography today with digital col-
lage of animals, objects and social actors in museums and architecture
challenging the authority and power of heritage sites in Europe and more
recently in India.

The Battle Gallery [Château Chantilly]

© Karen Knorr
All images and text published in PhotographizeMag are the sole property of the featured authors and the subject copyright.
75 No image or text can be reproduced, edited, copied or distributed without the express written permission of its legal owner. 76
2010-2014 © PhotographizeMag | all rights reserved
 The Maharaja’s Apartment, Udaipur City Palace, Udaipur
© Karen Knorr
Academies (1994- 2001), a series of colour photographs taken in academies
and museums across Europe, reflects on the relationship between the
production of western fine art, its transmission and consumption.
The work continues a critical dialogue with conceptual art, visual
culture, feminism and animal studies reflecting an engaged interest in
theory and its relation to photographic practice. In 1995 the Academies
project included video and installation with wall text transfers in order
the explore the relationship between art and science in the staging of
transgressive performative events and gestures in museums.
All images and text published in PhotographizeMag are the sole property of the featured authors and the subject copyright.
77 No image or text can be reproduced, edited, copied or distributed without the express written permission of its legal owner.
2010-2014 © PhotographizeMag | all rights reserved
A Place like Amravati 2, Udaipur City Palace, Udaipur
© Karen Knorr
Being for Another (1995), an 18 minute video records a young man
caressing an 18th century sculpture by Canova in the Victoria and Albert
Museum and three lifeclass models enact the lifeclass on the dissecting
table of the anatomy theatre of Uppsala University in Lessons (2002).
The introduction of a sound glass sculpture with recorded birdsong
responded to the furniture and art collection of The Wallace Collection
in 2001 synthesizing a 1960’s Pete Seeger song with an actual blackbird’s
sound.
78
 The Maharaja’s Apartment, Udaipur City Palace, Udaipur
© Karen Knorr
Academies (1994- 2001), a series of colour photographs taken in academies
and museums across Europe, reflects on the relationship between the
production of western fine art, its transmission and consumption.
The work continues a critical dialogue with conceptual art, visual
culture, feminism and animal studies reflecting an engaged interest in
theory and its relation to photographic practice. In 1995 the Academies
project included video and installation with wall text transfers in order
the explore the relationship between art and science in the staging of
transgressive performative events and gestures in museums.
All images and text published in PhotographizeMag are the sole property of the featured authors and the subject copyright.
77 No image or text can be reproduced, edited, copied or distributed without the express written permission of its legal owner.
2010-2014 © PhotographizeMag | all rights reserved
A Place like Amravati 2, Udaipur City Palace, Udaipur
© Karen Knorr
Being for Another (1995), an 18 minute video records a young man
caressing an 18th century sculpture by Canova in the Victoria and Albert
Museum and three lifeclass models enact the lifeclass on the dissecting
table of the anatomy theatre of Uppsala University in Lessons (2002).
The introduction of a sound glass sculpture with recorded birdsong
responded to the furniture and art collection of The Wallace Collection
in 2001 synthesizing a 1960’s Pete Seeger song with an actual blackbird’s
sound.
78
 The Witness, Humayun's Tomb, Delhi © Karen Knorr
In her series Fables (2004-2008) photographs mixes analogue and digital
photography playfully reconfiguring tales (Ovid, Aesop La Fontaine) with
popular culture (Disney and Attenborough) in museums and heritage sites
which include Carnavalet Museum, the Museum of Hunt and Nature in Paris,
Chambord Castle and the Conde Museum in Chantilly Castle. The visuality
of these photographs is rich with reference to the baroque. In the last
© Carla DLM
section of the work, Knorr interrogated the free flowing space of modern
architecture in Corbusier’s Villa Savoye reintroducing life into the
modernist aesthetic of a building.
Since her life changing journey to Rajasthan, India in 2008, Karen
Knorr’s work continues to explore Rajput and Mughal cultural heritage and
its relationship to questions of feminine subjectivity and animality.
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79 No image or text can be reproduced, edited, copied or distributed without the express written permission of its legal owner.
2010-2014 © PhotographizeMag | all rights reserved
The Queen's Room, Zanana Palace, Udaipur
© Karen Knorr
India Song, a series of carefully crafted photographs explores the past
and its relation to India’s contemporary heritage sites across Rajasthan.
Since 2012 Knorr has been visiting Japan to reflect on tradition within
contemporary Japan referencing Ukiyo-e prints and folktales connected to
Shinto and Buddhist heritage sites.Her first series entitled Monagatari,
places animals and humans in temple sites found in Nara, Kyoto, Tokyo and
Ohara. Her second related series Karyukai is inspired by the Kano’s 36
portraits of poets also referencing “bijinga” prints of the 17th
century. Women photographed by Karen Knorr were asked to compose waka and
haiku reflecting on their life and dreams.
© Carla DLM
80
 The Witness, Humayun's Tomb, Delhi © Karen Knorr
In her series Fables (2004-2008) photographs mixes analogue and digital
photography playfully reconfiguring tales (Ovid, Aesop La Fontaine) with
popular culture (Disney and Attenborough) in museums and heritage sites
which include Carnavalet Museum, the Museum of Hunt and Nature in Paris,
Chambord Castle and the Conde Museum in Chantilly Castle. The visuality
of these photographs is rich with reference to the baroque. In the last
© Carla DLM
section of the work, Knorr interrogated the free flowing space of modern
architecture in Corbusier’s Villa Savoye reintroducing life into the
modernist aesthetic of a building.
Since her life changing journey to Rajasthan, India in 2008, Karen
Knorr’s work continues to explore Rajput and Mughal cultural heritage and
its relationship to questions of feminine subjectivity and animality.
All images and text published in PhotographizeMag are the sole property of the featured authors and the subject copyright.
79 No image or text can be reproduced, edited, copied or distributed without the express written permission of its legal owner.
2010-2014 © PhotographizeMag | all rights reserved
The Queen's Room, Zanana Palace, Udaipur
© Karen Knorr
India Song, a series of carefully crafted photographs explores the past
and its relation to India’s contemporary heritage sites across Rajasthan.
Since 2012 Knorr has been visiting Japan to reflect on tradition within
contemporary Japan referencing Ukiyo-e prints and folktales connected to
Shinto and Buddhist heritage sites.Her first series entitled Monagatari,
places animals and humans in temple sites found in Nara, Kyoto, Tokyo and
Ohara. Her second related series Karyukai is inspired by the Kano’s 36
portraits of poets also referencing “bijinga” prints of the 17th
century. Women photographed by Karen Knorr were asked to compose waka and
haiku reflecting on their life and dreams.
© Carla DLM
80
 © Carla DLM
© Loïc Remy - ELREM © Carla DLM

The Green Room [Carnavalet] © Karen Knorr

Corridor [Carnavalet] © Karen Knorr

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 © Carla DLM
© Loïc Remy - ELREM © Carla DLM

The Green Room [Carnavalet] © Karen Knorr

Corridor [Carnavalet] © Karen Knorr

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 Ledoux's Reception [Carnavalet]
© Karen Knorr
Bhakti, The Path of Sants, Shiva Temple, Hampi
© Karen Knorr

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 Ledoux's Reception [Carnavalet]
© Karen Knorr
Bhakti, The Path of Sants, Shiva Temple, Hampi
© Karen Knorr

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 All images and text published in PhotographizeMag are the sole property of the featured authors and the subject copyright.
Awakened to Emptiness, Hosen-in Temple, Ohara
85 No image or text can be reproduced, edited, copied or distributed without the express written permission of its legal owner. © Karen Knorr
86
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 All images and text published in PhotographizeMag are the sole property of the featured authors and the subject copyright.
Awakened to Emptiness, Hosen-in Temple, Ohara
85 No image or text can be reproduced, edited, copied or distributed without the express written permission of its legal owner. © Karen Knorr
86
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 Dancers © Elicia Edijanto

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 David Talley 3

www.davidtalley.io

Alexander Yakovlev
www.ayakovlev.com

Simon McCheung
www.mc-cheung.com

Chris Kovacs
www.chriskovacsphotography.com

Kindra Nikole

www.kindranikole.com

Eduard Gordeev
www.500px.com/egordeev

Karen Knorr
www.karenknorr.com

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the subject copyright.

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