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com - naisreP ot namreG morf detalsnarT

‫ﺭﯾﭽﺎﺭﺩﺟﺎﺳﻨﻮ ﻭ ﮐﺎﺭﻝ ﺗﺉﻮﺩﻭﺭ ﺯﺍﺉﺰﯾﭻ‬

‫ﮐﺘﺎﺏﻣﺼﺮ ﺑﺎﺳﺘﺎﻥ ﺗﻮﺙ ﺩﻭﻡ‬

 ‫ﺭﯾﭽﺎﺭﺩﺟﺎﺳﻨﻮ ﻭ ﮐﺎﺭﻝ ﺗﺉﻮﺩﻭﺭ ﺯﺍﺉﺰﯾﭻ‬

‫ﻣﺼﺮﯼﺑﺎﺳﺘﺎﻥ‬
‫ﮐﺘﺎﺏﺗﻮﺙ ﺩﻭﻡ‬
‫ﻧﻮﯾﺴﻪ ﮔﺮﺩﺍﻧﯽﻭ ﺗﺮﺟﻤﻪ ﺍﺻﻼﺡ ﺷﺪﻩ‪ ،‬ﻗﻄﻌﺎﺕ ﺟﺪﯾﺪ ﻭ ﻣﻄﺎﻟﺒﯽ ﺑﺮﺍﯼ‬
‫ﻣﻄﺎﻟﻌﻪﺁﯾﻨﺪﻩ‬

‫ﻗﺴﻤﺖ‪ :1‬ﻣﺘﻦ‬

‫‪2021‬‬
‫ﻭﯾﺴﺒﺎﺩﻥ· ‪Harrassowitz Verlag‬‬
 ‫ﺍﻃﻼﻋﺎﺕﮐﺘﺎﺑﺸﻨﺎﺧﺘﯽ ﺍﺯ ﮐﺘﺎﺑﺨﺎﻧﻪ ﻣﻠﯽ ﺁﻟﻤﺎﻥ‬
‫ﮐﺘﺎﺑﺨﺎﻧﻪﻣﻠﯽ ﺁﻟﻤﺎﻥ ﺍﯾﻦ ﻧﺸﺮﯾﻪ ﺭﺍ ﺩﺭ ﮐﺘﺎﺑﺸﻨﺎﺳﯽ ﻣﻠﯽ ﺁﻟﻤﺎﻥ ﻓﻬﺮﺳﺖ ﻣﯽ ﮐﻨﺪ‪ .‬ﺍﻃﻼﻋﺎﺕ ﮐﺘﺎﺑﺸﻨﺎﺧﺘﯽ‬
‫ﻣﻔﺼﻞﺩﺭ ﺍﯾﻨﺘﺮﻧﺖ ﺩﺭ ‪ http://dnb.dnb.de‬ﻣﻮﺟﻮﺩ ﺍﺳﺖ‪.‬‬

‫ﺍﻃﻼﻋﺎﺕﮐﺘﺎﺑﺸﻨﺎﺧﺘﯽ ﻣﻨﺘﺸﺮ ﺷﺪﻩ ﺗﻮﺳﻂ ﮐﺘﺎﺑﺨﺎﻧﻪ ﻣﻠﯽ ﺁﻟﻤﺎﻥ ﮐﺘﺎﺑﺨﺎﻧﻪ ﻣﻠﯽ ﺁﻟﻤﺎﻥ ﺍﯾﻦ ﻧﺸﺮﯾﻪ ﺭﺍ ﺩﺭ‬
‫ﻓﻬﺮﺳﺖﮐﺘﺎﺑﺸﻨﺎﺳﯽ ﻣﻠﯽ ﺁﻟﻤﺎﻥ ﻓﻬﺮﺳﺖ ﻣﯽ ﮐﻨﺪ‪ .‬ﺍﻃﻼﻋﺎﺕ ﮐﺘﺎﺑﺸﻨﺎﺧﺘﯽ ﺩﻗﯿﻖ ﺩﺭ ﺍﯾﻨﺘﺮﻧﺖ ﺩﺭ‬
‫‪ http://dnb.dnb.de‬ﻣﻮﺟﻮﺩ ﺍﺳﺖ‪.‬‬

‫ﺑﺮﺍﯼﺍﻃﻼﻋﺎﺕ ﺑﯿﺸﺘﺮ ﺩﺭ ﻣﻮﺭﺩ ﺑﺮﻧﺎﻣﻪ ﺍﻧﺘﺸﺎﺭﺍﺕ ﻣﺎ ﺑﻪ ﻭﺏ ﺳﺎﯾﺖ ﻣﺎ ‪-verlag.de‬‬

‫‪ http://www.harrassowitz‬ﻣﺮﺍﺟﻌﻪ ﮐﻨﯿﺪ‬
‫‪.‬ﺍﯾﻦﺍﺛﺮ‪ ،‬ﺷﺎﻣﻞ ﺗﻤﺎﻡ ﻗﺴﻤﺖ ﻫﺎﯼ ﺁﻥ‪ ،‬ﺗﻮﺳﻂ ﺣﻖ ﭼﺎﭖ ﻣﺤﺎﻓﻈﺖ ﻣﯽ ﺷﻮﺩ‪ .‬ﻫﺮ‬
‫ﮔﻮﻧﻪﺍﺳﺘﻔﺎﺩﻩ ﻓﺮﺍﺗﺮ ﺍﺯ ﻣﺤﺪﻭﺩﻩ ﻗﺎﻧﻮﻥ ﮐﭙﯽ ﺭﺍﯾﺖ ﺑﺪﻭﻥ ﺍﺟﺎﺯﻩ ﻧﺎﺷﺮ ﻣﻤﻨﻮﻉ ﻭ ﻣﺸﻤﻮﻝ‬
‫ﻣﺠﺎﺯﺍﺕﻣﯽ ﺑﺎﺷﺪ‪ .‬ﺍﯾﻦ ﺍﻣﺮ ﺑﻪ ﻭﯾﮋﻩ ﺩﺭ ﻣﻮﺭﺩ ﺑﺎﺯﺗﻮﻟﯿﺪ‪ ،‬ﺗﺮﺟﻤﻪ‪ ،‬ﻣﯿﮑﺮﻭﻓﯿﻠﻢ ﻭ ﺫﺧﯿﺮﻩ‬
‫ﺳﺎﺯﯼﻭ ﭘﺮﺩﺍﺯﺵ ﺩﺭ ﺳﯿﺴﺘﻢ ﻫﺎﯼ ﺍﻟﮑﺘﺮﻭﻧﯿﮑﯽ ﺻﺪﻕ ﻣﯽ ﮐﻨﺪ ‪2021‬‬
‫‪© Otto Harrassowitz GmbH & Co. KG, Wiesbaden‬‬

‫ﭼﺎﭖﺭﻭﯼ ﮐﺎﻏﺬ ﺩﺍﺉﻤﯽ‪/‬ﺑﺎﺩﻭﺍﻡ‪ .‬ﭼﺎﭖ ﻭ ﺻﺤﺎﻓﯽ‪:‬‬

‫‪ Hubert & Co., Göttingen‬ﭼﺎﭖ ﺁﻟﻤﺎﻥ‬

‫ﺷﺎﺑﮏ‪3-11717-447-3-978‬‬
 ‫ﺑﻪ‬

‫(‪Gisela Zauzich )1938–2003‬‬

‫ﮐﺮﯾﺴﺘﯿﻨﺎﺩﯼ ﺳﺮﺑﻮ‬
 ‫ﻓﻬﺮﺳﺖ‬

‫ﺟﻠﺪ‪ :1‬ﻣﺘﻦ‬

‫‪IX‬‬ ‫ﺍﺧﺘﺼﺎﺭﺍﺕ‬

‫‪XII‬‬ ‫ﻓﻬﺮﺳﺖﺍﺭﻗﺎﻡ‬

‫ﺳﯿﺰﺩﻫﻢ‬ ‫ﻣﮑﺎﻥ ﻫﺎﯼﻧﻮﯾﺴﻪ ﮔﺮﺩﺍﻧﯽ ﻭ ﺗﺮﺟﻤﻪ ﻫﺎ ﺑﺎ ﺗﻔﺴﯿﺮ ﻭ ﺻﻔﺤﺎﺕ‬

‫‪XVII‬‬ ‫ﻗﺪﺭﺩﺍﻧﯽﻫﺎ‬

‫‪XXI‬‬ ‫ﯾﺎﺩﺩﺍﺷﺖﺷﺨﺼﯽ ﺩﺭ ﻣﻮﺭﺩ ﮐﺎﺭ ﺑﺎ ‪Zauzich‬‬

‫ﻣﻦﻣﻘﺎﻻﺕﻣﻘﺪﻣﺎﺗﯽ ﺩﺭﺑﺎﺭﻩ ﮐﺘﺎﺏ ﺗﻮﺙ ‪1‬‬

‫‪1‬‬ ‫ﻣﻘﺪﻣﻪﻭ ﺍﻫﺪﺍﻑ ﺍﯾﻦ ﺍﻧﺘﺸﺎﺭ ﺑﺮﺭﺳﯽ ﺍﺟﻤﺎﻟﯽ ﻭﺿﻌﯿﺖ ﺗﺤﻘﯿﻖ‬
‫‪2‬‬ ‫‪ 2‬ﺩﺭﻣﻮﺭﺩ ﮐﺘﺎﺏ ﺗﻮﺙ ﺩﺭ ﺑﺎﺯﺳﺎﺯﯼ ﮐﺘﺎﺏ ﺗﻮﺙ ﭘﯿﺸﺮﻓﺖ ﻣﯽ‬
‫‪2‬‬ ‫‪ 3‬ﮐﻨﺪﻣﺸﺎﺭﮐﺖ ﻗﻄﻌﺎﺕ »ﺟﺪﯾﺪ«‬
‫‪3‬‬ ‫‪4‬‬
‫‪6‬‬ ‫‪ 5‬ﮐﺘﺎﺏﺗﻮﺙ ﻭ ﺩﻧﯿﺎﯼ ﻭﺍﻗﻌﯽ‬
‫‪ 6‬ﺍﺭﺟﺎﻋﺎﺕﺍﺣﺘﻤﺎﻟﯽ ﯾﺎ ﻧﻘﻞ ﻗﻮﻝ ﻫﺎﯾﯽ ﺍﺯ ﮐﺘﺎﺏ ‪ Thoth‬ﺧﺎﺭﺝ ﺍﺯ ﺗﺮﮐﯿﺐ‬
‫‪8‬‬
‫‪9‬‬ ‫ﺑﻮﺭﺳﯿﻪﺍﺧﯿﺮ ﺩﺭ ﮐﺘﺎﺏ ﺗﻮﺙ ﻋﻨﻮﺍﻥ ﺗﺮﮐﯿﺐ‬ ‫‪7‬‬
‫‪10‬‬ ‫‪8‬‬
‫‪11‬‬ ‫‪ 9‬ﺍﺳﺘﺎﺩﻭ ﺷﺎﮔﺮﺩ ﭼﻪ ﮐﺴﺎﻧﯽ ﻫﺴﺘﻨﺪ؟‬
‫‪16‬‬ ‫‪ 10‬ﻧﮑﺎﺗﯽﻣﺨﺘﺼﺮ ﺩﺭ ﻣﻮﺭﺩ ﻣﻮﺿﻮﻋﺎﺕ ﻣﺨﺘﻠﻒ ﺩﺭ ﮐﺘﺎﺏ ﺗﻮﺙ‬
‫‪17‬‬ ‫‪ 11‬ﺭﺍﺑﻄﻪﺍﺳﺘﺎﺩ ﻭ ﻣﺮﯾﺪ ﺩﺭ ﮐﺘﺎﺏ ﺗﻮﺙ ﻣﯿﻞ ﺷﺎﮔﺮﺩ ﺑﻪ ﺩﺍﻧﺶ‬
‫‪17‬‬ ‫‪12‬‬
‫‪18‬‬ ‫‪ 13‬ﻣﯿﻞﺷﺎﮔﺮﺩ ﺑﻪ ﺍﺣﺘﺮﺍﻡ ﻭ ﮔﻨﺠﺎﻧﺪﻥ ﺩﺭ ﮐﺘﺎﺏ ﺗﻮﺙ‬
‫‪18‬‬ ‫‪.14‬ﺩﺷﻮﺍﺭﯼ ﺭﺍﻩ ﻣﺮﯾﺪ ﺑﻪ ﻫﺪﻓﺶ ‪15‬‬
‫‪19‬‬ ‫ﻣﺴﯿﺮﺗﺤﺖ ﺍﻟﻠﻔﻈﯽ ﻣﺮﯾﺪ‬
‫‪20‬‬ ‫‪ 16‬ﻣﻀﺎﻣﯿﻦﺗﺴﻠﻂ ﻭ ﮐﻨﺘﺮﻝ ﺩﺭ ﮐﺘﺎﺏ ﺩﺍﻧﺶ ﺗﻮﺙ ﺑﻪ ﻋﻨﻮﺍﻥ ﺍﻓﺴﻮﻥ‬
‫‪21‬‬ ‫‪17‬‬
‫‪21‬‬ ‫‪ 18‬ﮐﺘﺎﺏﺗﻮﺙ ﻭ ﺳﻨﺖ ﭘﺰﺷﮑﯽ ﻣﺼﺮ ﻣﺮﻭﺭﯼ ﺑﺮ ﺗﺮﺟﻤﻪ ﻣﺴﺘﻤﺮ ﺍﻧﺘﺸﺎﺭﺍﺕ‬
‫‪23‬‬ ‫‪ 19‬ﮐﺘﺎﺏﺗﻮﺙ ﺩﺭ ﻣﻮﺭﺩ ﮐﺘﺎﺏ ﺗﻮﺙ‬
‫‪24‬‬ ‫‪20‬‬
‫‪26‬‬ ‫‪.21‬ﺍﻧﺘﺸﺎﺭﺍﺕ ﻣﻨﺘﺨﺐ ﺑﺎ ﺍﺳﺘﻨﺎﺩ ﺑﻪ ﺑﺨﺸﻬﺎﯼ ﺧﺎﺹ ﺩﺭ ﮐﺘﺎﺏ ﺗﻮﺙ‬

‫‪ II‬ﺑﺤﺚﺩﺭﺑﺎﺭﻩ ﭘﺎﭘﯿﺮﻭﺱ ‪ 1‬ﺷﺮﺡ‬

‫‪31‬‬ ‫ﭘﺎﭘﯿﺮﻭﺱ‬
 ‫ﻓﻬﺮﺳﺖ‬ ‫ﻫﺸﺘﻢ‬

‫ﺳﻮﻡﻧﻮﯾﺴﻪ ﮔﺮﺩﺍﻧﯽ‪ ،‬ﺗﺮﺟﻤﻪ ﻭ ﺗﻔﺴﯿﺮ ﮐﺘﺎﺏ ﺗﻮﺙ‬

‫‪47‬‬ ‫‪ 1‬ﻓﻬﺮﺳﺖﺷﺎﻫﺪﺍﻥ ﺩﺳﺖ ﻧﻮﺷﺘﻪ‬
‫‪54‬‬ ‫‪ 2‬ﺷﺎﻫﺪﺍﻥﺧﻄﯽ‬
‫‪233‬‬ ‫‪ 3‬ﻗﻄﻌﺎﺕﺟﺪﯾﺪ ﻗﺮﺍﺭ ﺩﺍﺩﻩ ﺷﺪﻩ ﺑﺎ ﺷﻤﺎﺭﻩ ﻫﺎﯼ ﺧﻂ ‪ Jasnow-Zauzich‬ﻣﺮﺗﺒﻂ ﻗﻄﻌﺎﺕ‬
‫‪235‬‬ ‫‪ 4‬ﺟﺪﯾﺪﺑﺪﻭﻥ ﻗﺮﺍﺭ ﺑﺎ ﻗﻄﻌﺎﺕ ﻣﻨﺘﺸﺮ ﻧﺸﺪﻩ ﻗﺒﻠﯽ‬

‫‪ Jasnow-Zauzich1‬ﺗﺮﺟﻤﻪ ﻣﺘﻮﺍﻟﯽ ﺧﻄﻮﻁ ﺷﻤﺎﺭﻩ ﺩﺍﺭ ‪ 694–IV‬ﻭ ﺑﺮﮔﺰﯾﺪﻩ‬

‫‪315‬‬ ‫ﻗﻄﻌﺎﺕﺑﯽ ﺟﺎ‬

‫ﻭﺍﮊﻩﻧﺎﻣﻪ ﮐﺘﺎﺏ ﺗﻮﺙ ﺑﺎ ﻓﮑﺲ ﺩﯾﺠﯿﺘﺎﻝ ﮐﻠﻤﺎﺕ‬

‫‪349‬‬ ‫‪ 1‬ﻭﺍﮊﮔﺎﻥﻋﻤﻮﻣﯽ‬
‫‪547‬‬ ‫‪ 2‬ﺍﺳﻤﺎءﺍﻟﻬﯽ ﻭ ﻣﻨﺘﺨﺐ ﺍﻟﻘﺎﺏ ﺍﺳﻤﺎء‬
‫‪554‬‬ ‫‪3‬‬
‫‪557‬‬ ‫‪ 4‬ﺁﯾﺘﻢﻫﺎﯼ ﮔﺮﺍﻣﺮﯼ‬
‫‪586‬‬ ‫‪ 5‬ﺷﻤﺎﺭﻩ‬
‫‪589‬‬ ‫ﮐﻠﻤﺎﺕﯾﺎ ﮔﺮﻭﻩ ﻫﺎﯼ ﺧﻮﺍﻧﺪﻩ ﻧﺸﺪﻩ ﻭ ﻧﺎﻣﺸﺨﺺ ﺍﻧﺘﺨﺎﺏ ﺷﺪﻩ ﺍﺳﺖ‬ ‫‪6‬‬

‫‪591‬‬ ‫ﮐﺘﺎﺑﺸﻨﺎﺳﯽ‪ -‬ﻓﻬﺮﺳﺖ ﮐﺘﺐ‬

‫‪615‬‬ ‫ﺷﺎﺧﺺﻋﻤﻮﻣﯽ‬

‫ﺟﻠﺪ‪ :2‬ﺑﺸﻘﺎﺏ‬

‫‪VI‬‬ ‫ﻗﺪﺭﺩﺍﻧﯽﺍﺯ ﻋﮑﺲ ﻫﺎ ﻭ ﺗﺼﺎﻭﯾﺮ‬

‫‪VII‬‬ ‫ﻟﯿﺴﺖﺑﺸﻘﺎﺏ ﻫﺎ‬

‫‪XI‬‬ ‫ﻣﮑﺎﻥ ﻫﺎﯼﻧﻮﯾﺴﻪ ﮔﺮﺩﺍﻧﯽ ﻭ ﺗﺮﺟﻤﻪ ﻫﺎ ﺑﺎ ﺗﻔﺴﯿﺮ‪ ،‬ﻭ ﺻﻔﺤﺎﺕ ﭘﺎﭘﯿﺮﻭﺱ‬

‫‪XV‬‬ ‫ﺻﻔﺤﺎﺕ‪ :115–1‬ﻧﺴﺨﻪ ﻫﺎﯼ ﺩﺳﺘﯽ ﻭ ﻋﮑﺲ ﻫﺎﯼ ﭘﺎﭘﯿﺮﻭﺱ‬

 ‫ﻗﺪﺭﺩﺍﻧﯽﻫﺎ‬

‫ﻗﺪﺭﺩﺍﻧﯽﻫﺎ‪ ،‬ﺫﺍﺗﺎ‪ ً،‬ﺁﺧﺮﯾﻦ ﺑﺨﺶ ﺍﺯ ﯾﮏ ﮐﺘﺎﺏ ﻫﺴﺘﻨﺪ ﮐﻪ ﺑﺎﯾﺪ ﻧﻮﺷﺘﻪ ﺷﻮﺩ‪ .‬ﻣﺘﺄﺳﻔﺎﻧﻪ‪ ،‬ﺍﻣﻀﺎﮐﻨﻨﺪﻩ ﺯﯾﺮ ﺑﺎﯾﺪ‬
‫ﺍﯾﻦﻗﺴﻤﺖ ﺭﺍ ﺑﻪ ﺗﻨﻬﺎﯾﯽ ﺑﺴﺎﺯﺩ‪ ،‬ﺯﯾﺮﺍ ﮐﺎﺭﻝ‪-‬ﺗﺉﻮﺩﻭﺭ ﺯﺍﺉﻮﺯﯾﭻ ﺩﺭ ‪ 23‬ﻣﺎﺭﺱ ‪ 2021‬ﺩﺭﮔﺬﺷﺖ‪ .‬ﺑﺎ ﺍﯾﻦ ﺣﺎﻝ‪،‬‬
‫ﭘﺲﺍﺯ ﺳﯽ ﺳﺎﻝ ﻫﻤﮑﺎﺭﯼ ﺑﺎ ﺍﯾﻦ ﻣﺤﻘﻖ ﺑﺰﺭﮒ ﺩﺭ ﺍﯾﻦ ﭘﺮﻭﮊﻩ‪ ،‬ﻣﻌﺘﻘﺪﻡ ﮐﻪ ﻣﯽ ﺗﻮﺍﻧﻢ ﻫﻢ ﺑﻪ ﺟﺎﯼ ﺯﺍﺉﻮﺯﯾﭻ ﻭ‬
‫ﻫﻢﺍﺯ ﻃﺮﻑ ﺧﻮﺩﻡ ﺻﺤﺒﺖ ﮐﻨﻢ‪ .‬ﺍﺑﺮﺍﺯ ﻗﺪﺭﺩﺍﻧﯽ ﺍﺯ ﮐﺴﺎﻧﯽ ﮐﻪ ﺑﻪ ﻣﺎ ﮐﻤﮏ ﮐﺮﺩﻧﺪ‪ .‬ﺍﯾﻦ ﺳﻮﻣﯿﻦ ﻭ ﺁﺧﺮﯾﻦ ﺟﻠﺪ‬
‫ﻣﺎﺩﺭ ﮐﺘﺎﺏ ﺗﻮﺙ ﺍﺳﺖ‪ .‬ﻫﺪﻑ ﻣﺎ ﺍﻧﻌﮑﺎﺱ ﭘﯿﺸﺮﻓﺖ ﻫﺎﯼ ﺣﺎﺻﻞ ﺷﺪﻩ ﺩﺭ ﻣﻄﺎﻟﻌﻪ ﺗﺮﮐﯿﺐ ﺍﺯ ﺁﻥ ﺯﻣﺎﻥ‬
‫ﺍﺳﺖﻭﯾﺮﺍﯾﺶ ﭘﺮﻧﺴﭙﺲﺳﺎﻝ ‪ 2005‬ﻭ ﺑﺮﺍﯼ ﺍﺭﺍﺉﻪ ﻣﺒﻨﺎﯾﯽ ﻣﺤﮑﻢ ﺑﺮﺍﯼ ﺗﺤﻘﯿﻘﺎﺕ ﺑﯿﺸﺘﺮ‪.‬‬

‫ﻣﺎﺍﺯ ﻫﻤﮑﺎﺭﺍﻧﯽ ﮐﻪ ﺍﻣﮑﺎﻥ ﻣﻄﺎﻟﻌﻪ ﭘﺎﭘﯿﺮﻭﺱ ﻫﺎﯼ ﮐﺘﺎﺏ ﺗﻮﺙ ﺭﺍ ﻓﺮﺍﻫﻢ ﮐﺮﺩﻧﺪ ﻋﻤﯿﻘﺎ ﺳﭙﺎﺳﮕﺰﺍﺭﯾﻢ‪ .‬ﮐﯿﻢ‬
‫ﺭﯾﻬﻮﻟﺖﻣﻈﻬﺮ ﺳﺨﺎﻭﺕ ﺩﺭ ﮐﻤﮏ ﺑﻪ ﻣﺎ ﺩﺭ ﮐﺎﺭ ﺑﺎ ﭘﺎﭘﯿﺮﻭﺱ ﻫﺎ ﺩﺭ ﻣﺠﻤﻮﻋﻪ ﭘﺎﭘﯿﺮﻭﺱ ﮐﺎﺭﻟﺰﺑﺮﮒ‪ ،‬ﺩﺍﻧﺸﮕﺎﻩ‬
‫ﮐﭙﻨﻬﺎﮒﺑﻮﺩﻩ ﺍﺳﺖ‪ .‬ﻣﺎ ﺍﺯ ﺗﺴﻠﻂ ﺍﻭ ﺩﺭ ﭘﺎﭘﯿﺮﻭﻟﻮﮊﯼ ﺩﻣﻮﺗﯿﮏ ﺑﺴﯿﺎﺭ ﺑﻬﺮﻩ ﺑﺮﺩﻩ ﺍﯾﻢ‪ .‬ﯾﻮﺁﺧﯿﻢ ﮐﻮﺍﮎ ﻫﻤﭽﻨﯿﻦ ﺩﺭ‬
‫ﻃﻮﻝﺳﺎﻝ ﻫﺎ ﺩﺍﻧﺸﯽ ﺳﺨﺎﻭﺗﻤﻨﺪﺍﻧﻪ ﺩﺭﺑﺎﺭﻩ ﻗﻄﻌﺎﺕ ﮐﺘﺎﺏ ﺗﻮﺙ ﮐﻪ ﺩﺭ ﺑﺎﺯﺩﯾﺪﻫﺎﯾﺶ ﺍﺯ ﻣﺠﻤﻮﻋﻪ ﻫﺎﯼ‬
‫ﻣﺨﺘﻠﻒﺩﺭ ﺍﺭﻭﭘﺎ ﻭ ﺁﻣﺮﯾﮑﺎ ﭘﯿﺪﺍ ﮐﺮﺩﻩ ﺍﺳﺖ‪ ،‬ﺑﻪ ﺍﺷﺘﺮﺍﮎ ﮔﺬﺍﺷﺘﻪ ﺍﺳﺖ‪ .‬ﺍﻭ ﺑﯿﺶ ﺍﺯ ﻫﺮ ﻣﺤﻘﻖ ﺩﯾﮕﺮﯼ ﺑﻪ‬
‫ﮐﺘﺎﺏﺗﻮﺙ ﭘﺮﺩﺍﺧﺘﻪ ﺍﺳﺖ ﻭ ﻣﺎ ﺗﺼﺤﯿﺤﺎﺕ‪ ،‬ﭘﯿﺸﻨﻬﺎﺩﺍﺕ ﻭ ﺑﺤﺚ ﻫﺎﯼ ﺍﻭ ﺭﺍ ﺍﺭﺯﺷﻤﻨﺪ ﻣﯽ ﺩﺍﻧﯿﻢ‪ ،‬ﺣﺘﯽ ﺍﮔﺮ‬
‫ﻫﻤﯿﺸﻪﺩﺭ ﺍﯾﻦ ﯾﺎ ﺁﻥ ﻧﮑﺘﻪ ﺑﺎ ﺍﻭ ﻣﻮﺍﻓﻖ ﻧﺒﻮﺩﻩ ﺑﺎﺷﯿﻢ‪ .‬ﻣﻦ ﺩﺭ ﺍﯾﻦ ﺟﻠﺪ )ﺑﻪ ﻭﯾﮋﻩ ﺩﺭ ﻭﺍﮊﻩ ﻧﺎﻣﻪ( ﺍﺭﺟﺎﻋﺎﺕ ﺯﯾﺎﺩﯼ‬
‫ﺑﻪﮐﺎﺭ ﺍﻭ ﺩﺭ ﻣﻮﺭﺩ ﮐﺘﺎﺏ ﺗﻮﺙ ﺑﻪ ﺧﻮﺍﻧﻨﺪﮔﺎﻥ ﺍﺭﺍﺉﻪ ﮐﺮﺩﻩ ﺍﻡ ﺗﺎ ﺧﻮﺩﺷﺎﻥ ﺩﺭ ﻣﻮﺭﺩ ﻣﻮﺿﻮﻋﯽ ﻗﻀﺎﻭﺕ ﮐﻨﻨﺪ‪.‬‬
‫ﺩﺭﺍﯾﻦ ﺭﺍﺑﻄﻪ ﻣﺎ ﺑﺎﯾﺪ ﺍﺯ ﻓﺮﯾﺪﻟﻢ ﻫﺎﻓﻤﻦ ﻧﯿﺰ ﺗﺸﮑﺮ ﮐﻨﯿﻢ ﮐﻪ ﺑﺮﺭﺳﯽ ﺩﻗﯿﻖ ﺍﻭ ﺍﺯ ﺁﻥﻭﯾﺮﺍﯾﺶ ﭘﺮﻧﺴﭙﺲ ﮐﻪ ﺩﺭ‬
‫‪ 92–65 )2008(، cols., 86Bibliotheca Orientalis‬ﺑﺴﯿﺎﺭ ﻣﻔﯿﺪ ﺑﻮﺩﻩ ﺍﺳﺖ‪ .‬ﻣﺎ ﺻﻤﯿﻤﺎﻧﻪ ﺍﺯ ‪Lepper‬‬
‫‪) Verena‬ﻣﻮﺯﻩ ﻣﺼﺮ ﻭ ﻣﺠﻤﻮﻋﻪ ﭘﺎﭘﯿﺮﻭﺱ( ﺳﭙﺎﺳﮕﺰﺍﺭﯾﻢ ﮐﻪ ﻣﺪﺕ ﻫﺎ ﺍﺯ ﭘﺮﻭﮊﻩ ﻣﺎ ﺣﻤﺎﯾﺖ ﮐﺮﺩﻩ ﺍﺳﺖ ﻭ ﺑﻪ‬
‫ﻣﺎﺍﻣﮑﺎﻥ ﺩﺳﺘﺮﺳﯽ ﺳﺮﯾﻊ ﺑﻪ ﭘﺎﭘﯿﺮﻭﺱ ﻫﺎ ﻭ ﺗﺼﺎﻭﯾﺮ ﺩﺭ ﺑﺮﻟﯿﻦ ﺭﺍ ﻣﯽ ﺩﻫﺪ‪ .‬ﺩﺍﻧﯿﻼ ﻣﺎﻧﺘﯽ ﺑﺎ ﻣﻬﺮﺑﺎﻧﯽ ﻣﺠﻮﺯ‬
‫ﺍﻧﺘﺸﺎﺭﺑﺴﯿﺎﺭﯼ ﺍﺯ ﻗﻄﻌﺎﺕ ﮐﺘﺎﺏ ﺗﻮﺙ ﺭﺍ ﺩﺭ ‪ .Isituto Papirologica “G‬ﻭﯾﺘﻠﯽ« ﺩﺭ ﻓﻠﻮﺭﺍﻧﺲ‪ .‬ﺳﯿﻤﻮﻧﺎ‬
‫ﺭﻭﺳﻮﻫﻤﭽﻨﯿﻦ ﮐﺎﺭ ﻣﺎ ﺭﺍ ﺑﺮ ﺭﻭﯼ ﻣﻮﺍﺩ ﺩﻣﻮﺗﯿﮏ ﺩﺭ ﺁﻥ ﻣﺠﻤﻮﻋﻪ ﺗﺴﻬﯿﻞ ﮐﺮﺩ‪ .‬ﻣﺎ ﺍﺯ ﺑﺮﻧﻬﺎﺭﺩ ﭘﺎﻟﻤﻪ )ﻣﺠﻤﻮﻋﻪ‬
‫ﭘﺎﭘﯿﺮﻭﺱﻭ ﻣﻮﺯﻩ ﭘﺎﭘﯿﺮﻭﺱ ﮐﺘﺎﺑﺨﺎﻧﻪ ﻣﻠﯽ ﺍﺗﺮﯾﺶ(‪ ،‬ﮐﻪ ﺗﺼﺎﻭﯾﺮ ﺑﺴﯿﺎﺭ ﺧﻮﺑﯽ ﺍﺯ ﻗﻄﻌﺎﺕ ﺗﺤﺖ ﺳﺮﭘﺮﺳﺘﯽ ﺍﻭ‬
‫ﺍﺭﺍﺉﻪﮐﺮﺩ‪ ،‬ﺳﭙﺎﺳﮕﺰﺍﺭﯾﻢ‪ .‬ﺩﺭ ﻟﻮﻭﺭ ﭼﻨﺪﯾﻦ ﺷﺎﻫﺪ ﻣﻬﻢ ﺑﺮﺍﯼ ﮐﺘﺎﺏ ﺗﻮﺙ ﻭﺟﻮﺩ ﺩﺍﺭﺩ‪ .‬ﺑﻨﺎﺑﺮﺍﯾﻦ ﻣﺎ ﻣﺪﯾﻮﻥ‬
‫ﻣﺎﺭﮎﺍﺗﯿﻦ ﻭ ﻭﯾﻨﺴﻨﺖ ﺭﻭﻧﺪﻭ )ﺩﭘﺎﺭﺗﻤﺎﻥ ﻋﺘﯿﻘﻪ ﻣﺼﺮ( ﺑﺮﺍﯼ ﺗﻤﺎﻡ ﮐﻤﮏ ﻫﺎﯾﯽ ﻫﺴﺘﯿﻢ ﮐﻪ ﻣﺘﺼﺪﯾﺎﻥ ﻟﻮﻭﺭ ﺩﺭ‬
‫ﻃﻮﻝﺗﺤﻘﯿﻘﺎﺕ ﻣﺎ ﺑﻪ ﻣﺎ ﺩﺍﺩﻩ ﺍﻧﺪ‪ .‬ﻣﺎ ﺍﺯ ﻫﻠﻦ ﮐﻮﻭﯾﻨﯽ )ﻣﺆﺳﺴﻪ ﭘﺎﭘﯿﺮﻭﻭﻟﻮﮊﯼ ‪ -‬ﺩﺍﻧﺸﮕﺎﻩ ﺳﻮﺭﺑﻦ( ﻭ ﻓﻠﻮﺭﻧﺖ‬
‫ﮊﺍﮎ)ﭘﺎﭘﯿﺮﻭﺗﮑﺮ ﻣﺆﺳﺴﻪ ﭘﺎﭘﯿﺮﻭﻭﻟﻮﮊﯼ ﺩﺍﻧﺸﮕﺎﻩ ﺳﻮﺭﺑﻦ( ﮐﻪ ﺑﻪ ﺳﺮﻋﺖ ﺑﻪ ﺳﺆﺍﻻﺕ ﻣﺎ ﺩﺭ ﻣﻮﺭﺩ ﮐﺘﺎﺏ ﺗﻮﺙ‬
‫ﺩﺭﺳﻮﺭﺑﻦ ﭘﺎﺳﺦ ﺩﺍﺩﻧﺪ ﻭ ﻗﻄﻌﻪ ﺭﺍ ﺍﺳﮑﻦ ﮐﺮﺩﻧﺪ ﺑﺴﯿﺎﺭ ﺳﭙﺎﺳﮕﺰﺍﺭﯾﻢ‪ .‬ﻣﺎ ﻣﺎ ﻣﺪﯾﻮﻥ ﻣﺎﺭﺗﯿﻦ ﺍﺳﺘﺪﻟﺮ ﻫﺴﺘﯿﻢ‬
‫ﮐﻪﻣﺎ ﺭﺍ ﺍﺯ ﻭﺟﻮﺩ ﺁﻥ ﻗﻄﻌﻪ ﮐﺘﺎﺏ ﺗﻮﺙ ﺩﺭ ﺳﻮﺭﺑﻦ ﻣﻄﻠﻊ ﮐﺮﺩ‪ .‬ﺁﻥ ﻣﺎﺭﯼ ﻣﻨﺘﺎ ﻋﮑﺲ ﻫﺎﯼ ﺍﻧﺘﺸﺎﺭ ﭘﺎﭘﯿﺮﻭﺱ‬
‫ﯾﯿﻞﺭﺍ ﺩﺭ ﮐﺘﺎﺑﺨﺎﻧﻪ ﺑﯿﻨﮏ ﺍﺭﺍﺉﻪ ﮐﺮﺩ‪ ،‬ﮐﻪ ﻣﺎ ﺻﻤﯿﻤﺎﻧﻪ ﺍﺯ ﺍﻭ ﺗﺸﮑﺮ ﻣﯽ ﮐﻨﯿﻢ‪ .‬ﺍﯾﻠﻮﻧﺎ ﺭﮔﻮﻟﺴﮑﯽ )ﺩﭘﺎﺭﺗﻤﺎﻥ ﻣﺼﺮ‬
‫ﺑﺎﺳﺘﺎﻥﻭ ﺳﻮﺩﺍﻥ‪ ،‬ﻣﻮﺯﻩ ﺑﺮﯾﺘﺎﻧﯿﺎ( ﺑﺎ ﻣﻬﺮﺑﺎﻧﯽ ﻭ ﺳﺮﯾﻊ ﺗﺮﺗﯿﺐ ﺍﺳﮑﻦ ﻗﻄﻌﻪ »ﺟﺪﯾﺪ« ﻣﻮﺯﻩ ﺑﺮﯾﺘﺎﻧﯿﺎ ﺍﺯ ﮐﺘﺎﺏ‬
‫ﺗﻮﺙﺭﺍ ﺩﺍﺩ ﻭ ﺑﻪ ﻣﺎ ﺍﺟﺎﺯﻩ ﺍﻧﺘﺸﺎﺭ ﺁﻥ ﺭﺍ ﺩﺭ ﺍﯾﻨﺠﺎ ﺩﺍﺩ‪.‬‬
 ‫ﻗﺪﺭﺩﺍﻧﯽﻫﺎ‬ ‫ﻫﺠﺪﻫﻢ‬

‫ﺍﯾﻦﺟﻠﺪ ﺣﺪﻭﺩ ﭘﺎﻧﺰﺩﻩ ﺳﺎﻝ ﺍﺳﺖ ﮐﻪ ﺩﺭ ﺣﺎﻝ ﺍﻧﺠﺎﻡ ﺍﺳﺖ‪ .‬ﺗﻮﻟﯿﺪ ﮐﺘﺎﺏ ﺑﺪﻭﻥ ﭼﺎﻟﺶ ﻧﺒﻮﺩﻩ ﺍﺳﺖ‪ .‬ﻭﺍﮊﻩ ﻧﺎﻣﻪ‬
‫ﮔﺴﺘﺮﺩﻩﺑﺎ ﻭﺍﮊﻩ ﻫﺎﯼ ﻓﮑﺲ ﺷﺎﯾﺪ ﻣﻬﻢ ﺗﺮﯾﻦ ﺑﺨﺶ ﺍﯾﻦ ﺟﻠﺪ ﺑﺎﺷﺪ‪ ،‬ﺯﯾﺮﺍ ﺍﻣﯿﺪﻭﺍﺭﻡ ﺑﺘﻮﺍﻥ ﺍﺯ ﺁﻥ ﺑﺮﺍﯼ‬
‫ﻣﻄﺎﻟﻌﺎﺕﻣﺘﻨﯽ‪ ،‬ﻓﺮﻫﻨﮓ ﺷﻨﺎﺳﯽ ﻭ ﺩﯾﺮﯾﻨﻪ ﺷﻨﺎﺳﯽ ﺁﯾﻨﺪﻩ ﺍﺳﺘﻔﺎﺩﻩ ﮐﺮﺩ‪ .‬ﺑﺮﺍﯼ ﻧﺴﺨﻪ ﻫﺎﯼ ﺩﺳﺘﯽ‬
‫ﭘﺎﭘﯿﺮﻭﺱ ﻫﺎﯼﻣﻨﺘﺸﺮ ﺷﺪﻩ ﺩﺭ ﺍﯾﻨﺠﺎ ﻧﯿﺰ ﺁﻣﺎﺩﻩ ﺷﺪﻩ ﺍﺳﺖ‪ .‬ﭘﯿﺶ ﻧﻮﯾﺲ ﮐﻞ ﻭﺍﮊﻩ ﻧﺎﻣﻪ ‪ ۲۵۰‬ﺻﻔﺤﻪ ﺍﯼ ﺩﺭ‬
‫ﻭﺍﻗﻊﭼﻨﺪﯾﻦ ﺳﺎﻝ ﭘﯿﺶ ﺁﻣﺎﺩﻩ ﺷﺪﻩ ﺑﻮﺩ‪ .‬ﻫﻤﮑﺎﺭﺍﻥ ﻣﻤﮑﻦ ﺍﺳﺖ ﺑﻪ ﺧﻮﺑﯽ ﻧﺎﺭﺍﺣﺘﯽ ﻣﻦ ﺭﺍ ﺗﺼﻮﺭ ﮐﻨﻨﺪ‪ .‬ﻣﻦ‬
‫ﻣﺠﺒﻮﺭﺷﺪﻡ ﮐﻞ ﻓﺮﺁﯾﻨﺪ ﺗﻬﯿﻪ ‪ 8176‬ﻓﮑﺲ ﮐﻠﻤﻪ ﺗﮑﯽ ﻭ ﺩﺭﺝ ﺁﻧﻬﺎ ﺭﺍ ﺩﺭ ﯾﮏ ﺳﻨﺪ ﺟﺪﯾﺪ ﺩﺭ ‪ InDesign‬ﺗﮑﺮﺍﺭ‬
‫ﮐﻨﻢ‪.‬ﺑﯿﻠﯽ ﺟﯿﻦ ﮐﺎﻟﯿﻨﺰ ﺍﺯ ‪ Lockwood Press‬ﺑﻪ ﻣﻦ ﺗﻮﺻﯿﻪ ﻫﺎﯼ ﺑﺴﯿﺎﺭ ﺧﻮﺑﯽ ﺩﺭ ﻣﻮﺭﺩ ﺍﯾﻨﮑﻪ ﭼﮕﻮﻧﻪ ﻭﺍﮊﻩ‬
‫ﻧﺎﻣﻪﺭﺍ ﺩﺭ ﯾﮏ ﭘﻠﺘﻔﺮﻡ ﭘﺎﯾﺪﺍﺭﺗﺮ ﻗﺮﺍﺭ ﺩﻫﻢ ﺑﻪ ﻣﻦ ﺍﺭﺍﺉﻪ ﮐﺮﺩ‪ .‬ﺍﺯ ﻃﺮﯾﻖ ﺍﻭ ﺑﺎ ﺳﻮﺯﺍﻥ ﻭﯾﻠﻬﻠﻢ‪ ،‬ﻃﺮﺍﺡ ﮔﺮﺍﻓﯿﮏ‬
‫ﺑﺮﺍﯼ‪ ISD‬ﺁﺷﻨﺎ ﺷﺪﻡ‪ .‬ﺍﻭ ﺑﻪ ﻃﻮﺭ ﻣﺎﻫﺮﺍﻧﻪ ﺍﻟﮕﻮﯼ ﺍﻭﻟﯿﻪ ‪ InDesign‬ﺭﺍ ﺑﺮﺍﯼ ﻭﺍﮊﻩ ﻧﺎﻣﻪ ﺗﻮﺳﻌﻪ ﺩﺍﺩ ‪ ،‬ﺳﭙﺲ‬
‫ﺗﻮﺍﻧﺴﺘﻢ»ﺗﯿﻤﯽ« ﺍﺯ ﺩﺍﻧﺸﺠﻮﯾﺎﻥ ﻓﺎﺭﻍ ﺍﻟﺘﺤﺼﯿﻞ ﺭﺍ ﮔﺮﺩ ﻫﻢ ﺑﯿﺎﻭﺭﻡ‪ ،‬ﮐﻪ ﺑﻪ ﻣﻦ ﮐﻤﮏ ﮐﺮﺩﻧﺪ ﺗﺎ ﻓﮑﺲ ﻫﺎﯼ‬
‫ﻓﺮﺩﯼﺭﺍ ﺍﺯ ﺑﺴﯿﺎﺭﯼ ﺍﺯ ﮐﭙﯽ ﻫﺎﯼ ﺩﯾﺠﯿﺘﺎﻟﯽ ﭘﺎﭘﯿﺮﻭﺱ ﻫﺎ »ﺑﺮﺵ ﺩﻫﻢ«‪ .‬ﺳﭙﺲ ﻣﯽ ﺗﻮﺍﻧﻢ ﺍﯾﻨﻬﺎ ﺭﺍ ﺑﻪ ﻓﺎﯾﻞ‬
‫ﺟﺪﯾﺪ‪ InDesign‬ﻭﺻﻞ ﮐﻨﻢ‪ .‬ﻃﺒﯿﻌﺘﺎ‪ ً،‬ﻣﻦ ﺧﻮﺩﻡ ﻫﺰﺍﺭﺍﻥ ﻓﺎﮐﺴﯿﻤﯿﻞ ﮐﻠﻤﻪ ﺭﺍ ﻧﯿﺰ »ﺑﺮﺵ ﺩﺍﺩﻩ« ﻭ ﺩﺭﺝ ﮐﺮﺩﻡ‪.‬‬
‫ﺍﺯﺩﺍﻧﺸﺠﻮﯾﺎﻥ ﻓﺎﺭﻍ ﺍﻟﺘﺤﺼﯿﻞ ﺩﺍﻧﺸﮕﺎﻩ ﺟﺎﻧﺰ ﻫﺎﭘﮑﯿﻨﺰ ﻭ ﺩﺍﻧﺸﮕﺎﻩ ﺷﯿﮑﺎﮔﻮ ﮐﻪ ﺑﻪ ﻣﻦ ﮐﻤﮏ ﮐﺮﺩﻧﺪ ﻭﺍﮊﻩ ﻧﺎﻣﻪ ﺭﺍ‬
‫ﺩﻭﺑﺎﺭﻩﺑﺴﺎﺯﻡ‪ ،‬ﻋﻤﯿﻘﺎ ﺳﭙﺎﺳﮕﺰﺍﺭﻡ‪ :‬ﺁﺭﯾﻞ ﺳﯿﻨﮕﺮ‪ ،‬ﺑﺮﻧﺪﺍﻥ ﻫﺎﯾﻦ ﻻﯾﻦ‪ ،‬ﺟﯿﻞ ﻭﺍﻟﺮ‪ ،‬ﻟﯿﻨﮕﺴﯿﻦ ﮊﺍﻧﮓ‪ ،‬ﻣﺎﯾﮑﻞ‬
‫ﭼﺎﭘﯿﻦﻭ ﻣﺎﺭﮔﺎﺭﺕ ﺳﻮﺍﻧﯽ ﺟﯿﻞ ﻭﺍﻟﺮ ﻧﯿﺰ ﺑﻪ ﻣﻦ ﺩﺭ ﮔﺮﺩﺁﻭﺭﯼ ﮐﺘﺎﺑﻨﺎﻣﻪ ﺁﺭﯾﻞ ﺳﯿﻨﮕﺮ‪ ،‬ﺩﺍﻧﺸﺠﻮﯼ ﺩﮐﺘﺮﺍ ﻣﺼﺮ‬
‫ﺷﻨﺎﺳﯽﺩﺭ ﺩﺍﻧﺸﮕﺎﻩ ﺷﯿﮑﺎﮔﻮ ﮐﻤﮏ ﮐﺮﺩﻧﺪ‪ ،‬ﺳﭙﺲ ﺩﺭ ﺗﺒﺪﯾﻞ ﮐﻞ ﻧﺴﺨﻪ ﺧﻄﯽ ﮐﺘﺎﺏ ﺗﻮﺙ ﺍﺯ ‪ Word‬ﺑﻪ‬
‫ﮐﻤﮏﺑﯽ ﺣﺪ ﺧﻮﺩ ﺍﺩﺍﻣﻪ ﺩﺍﺩﻧﺪ‪ .‬ﻭ ﻓﺘﻮﺷﺎﭖ ﺭﺍ ﻭﺍﺭﺩ ﺍﯾﻦ ﺩﯾﺰﺍﯾﻦ ﮐﻨﯿﺪ‪ .‬ﺍﻭ ﺩﺭ ﺗﻬﯿﻪ ﺍﯾﻦ ﻧﺴﺨﻪ ﺧﻄﯽ ﭘﯿﭽﯿﺪﻩ‬
‫ﺑﺮﺍﯼﺍﺭﺳﺎﻝ ﺑﻪ ﺍﺗﻮ ﻫﺎﺭﺍﺳﻮﻭﯾﺘﺰ ﻣﺪﺑﺮ ﻭ ﮐﺎﺭﺁﻣﺪ ﺑﻮﺩﻩ ﺍﺳﺖ‪ .‬ﻣﻦ ﻋﻤﯿﻘﺎ ًﺍﺯ ﺍﻭ ﺳﭙﺎﺳﮕﺰﺍﺭﻡ ﻭ ﺑﺎﯾﺪ ﺩﺭ ﺍﯾﻨﺠﺎ ﺍﺯ‬
‫ﺩﮐﺘﺮﻣﻮﺗﯽﺧﻮﺩ ﻧﯿﺰ ﻧﺎﻡ ﺑﺒﺮﻡ‪ ،‬ﺟﺎﻧﺖ ﺟﺎﻧﺴﻮﻥ ﺍﺯ ﺩﺍﻧﺸﮕﺎﻩ ﺷﯿﮑﺎﮔﻮ‪ ،‬ﮐﻪ ﺩﺭ ﺯﻣﺎﻥ ﻣﻦ ﺑﻪ ﻣﻦ ﺗﻮﺻﯿﻪ ﻭ ﺗﺸﻮﯾﻖ‬
‫ﮐﺮﺩ‪.‬ﺗﻼﺵ ﺑﺮﺍﯼ ﻣﻘﺎﺑﻠﻪ ﺑﺎ "ﻓﺎﺟﻌﻪ" ﻧﺮﻡ ﺍﻓﺰﺍﺭ ﻣﻦ ﺑﺎﺭﺑﺎﺭﺍ ﮐﺮﺍﻭﺱ ﺍﺯ ﺍﺗﻮ ﻫﺎﺭﺍﺳﻮﻭﯾﺘﺰ ﺑﯿﺶ ﺍﺯ ﺑﯿﺴﺖ ﺳﺎﻝ‬
‫ﺍﺳﺖﮐﻪ ﺩﻭﺳﺖ ﻭﻓﺎﺩﺍﺭ ﺗﻮﺙ ﺑﻮﺩﻩ ﺍﺳﺖ‪ .‬ﺍﻭ ﺳﺮﺩﺑﯿﺮ ﺍﺻﻠﯽ ﻣﺠﻠﻪ ﺑﻮﺩ‪.‬ﻭﯾﺮﺍﯾﺶ ﭘﺮﻧﺴﭙﺲﺍﻭ ﭘﺲ ﺍﺯ ﺍﯾﻨﮑﻪ‬
‫ﻣﺪﯾﺮ‪ Harrassowitz Verlag‬ﺷﺪ ﺑﻪ ﺣﻤﺎﯾﺖ ﺍﺯ ﭘﺮﻭﮊﻩ ﻣﺎ ﺍﺩﺍﻣﻪ ﺩﺍﺩ‪ .‬ﺍﻭ ﭘﺲ ﺍﺯ ﺑﺎﺯﻧﺸﺴﺘﮕﯽ ﻧﯿﺰ ﺍﺯ‬
‫ﻃﺮﻓﺪﺍﺭﺍﻥﺟﺪﯼ ﭘﺮﻭﮊﻩ ‪ Book of Thoth‬ﻣﺎ ﺑﻮﺩﻩ ﺍﺳﺖ‪ .‬ﻣﺪﯾﺮ ﻓﻌﻠﯽ ‪Verlag، Stephan Specht‬‬
‫‪ ،Harrassowitz‬ﺑﻪ ﺣﻤﺎﯾﺖ ﺍﺯ ﮐﺘﺎﺏ ﻣﺎ ﺍﺩﺍﻣﻪ ﺩﺍﺩﻩ ﺍﺳﺖ‪ .‬ﭘﺮﻭﮊﻩ ‪ Thoth‬ﻣﺎ ﺍﺯ ﺍﻭ ﺻﻤﯿﻤﺎﻧﻪ ﺳﭙﺎﺳﮕﺰﺍﺭﯾﻢ‪،‬‬
‫ﻫﺮﺩﻭ ﺟﻮﻟﯿﺎ ﮔﻮﺛﻤﻮﻟﺮ‪ ،‬ﮐﻪ ﺳﺮﺩﺑﯿﺮﮔﻔﺘﮕﻮ ﺩﺭ ﺧﺎﻧﻪ ﺯﻧﺪﮔﯽﻭ ﯾﻨﺲ ﻓﺘﮑﻨﻬﻮﺉﺮ‪ ،‬ﮐﻪ ﺑﺮ ﺗﻮﻟﯿﺪ ﻓﻨﯽ ﺍﯾﻦ ﺟﻠﺪ‬
‫ﻧﻈﺎﺭﺕﺩﺍﺷﺘﻪ ﺍﺳﺖ‪ ،‬ﺑﺴﯿﺎﺭ ﻣﻔﯿﺪ ﺑﻮﺩﻩ ﺍﻧﺪ‪ ،‬ﺯﯾﺮﺍ ﻣﻦ ﺗﻼﺵ ﮐﺮﺩﻩ ﺍﻡ ﺍﯾﻦ ﺁﺧﺮﯾﻦ ﺳﻬﻢ ﺭﺍ ﺩﺭ ﮐﺘﺎﺏ ﺗﻮﺙ ﺑﻪ‬
‫ﭘﺎﯾﺎﻥﺑﺮﺳﺎﻧﻢ ﺑﺪﻭﻥ ﻣﺸﺎﻭﺭﻩ ﺗﺨﺼﺼﯽ ﺗﯿﻢ ‪ ،Harrassowitz‬ﻣﺎ ﻫﺮﮔﺰ ﻧﻤﯽ ﺗﻮﺍﻧﺴﺘﯿﻢ ﺍﯾﻦ ﭘﺮﻭﮊﻩ ﺭﺍ ﺑﻪ ﭘﺎﯾﺎﻥ‬
‫ﺑﺮﺳﺎﻧﯿﻢ‪.‬‬

‫ﮐﺮﯾﺴﺘﯿﻨﺎﺩﯼ ﺳﺮﺑﻮ‪ ،‬ﺳﯽ ﺳﺎﻝ ﺍﺳﺖ ﮐﻪ ﺑﻪ ﺻﺤﺒﺖ ﻫﺎ‪ ،‬ﺻﺤﺒﺖ ﻫﺎ ﻭ ﺻﺤﺒﺖ ﻫﺎﯼ ﻣﻦ ﺩﺭﺑﺎﺭﻩ ﮐﺘﺎﺏ ﺗﻮﺙ‬
‫ﮔﻮﺵﺩﺍﺩﻩ ﺍﺳﺖ‪ ،‬ﺻﺒﺮ ﻭ ﺣﻮﺻﻠﻪ ﺍﻭ ﺷﮕﻔﺖ ﺍﻧﮕﯿﺰ ﺑﻮﺩﻩ ﺍﺳﺖ‪ ،‬ﭘﯿﺸﻨﻬﺎﺩﺍﺕ ﺍﻭ ﻫﻤﯿﺸﻪ ﻋﺎﻟﯽ ﺑﻮﺩﻩ ﺍﺳﺖ‪،‬‬
‫ﺣﺘﯽﺯﻣﺎﻧﯽ ﮐﻪ ﺍﻭ ﺑﻪ ﺷﺪﺕ ﻣﺸﻐﻮﻝ ﮐﺎﺭ ﺧﻮﺩ ﺩﺭ ﺧﺎﻧﻪ ﺷﯿﮑﺎﮔﻮ ﺩﺭ ﻟﻮﮐﺴﻮﺭ ﺑﻮﺩ‪ ،‬ﺍﻭ ﺗﻮﻟﯿﺪ ﮐﺮﺩ‪ .‬ﻧﺴﺨﻪ ﻫﺎﯼ‬
‫ﺍﻭﻟﯿﻪﻓﺘﻮﺷﺎﭖ ‪ 115‬ﺻﻔﺤﻪ‪ ،‬ﮐﺎﻣﻞ ﺑﺎ ﺷﻤﺎﺭﻩ ﺧﻄﻮﻁ‪ ،‬ﮐﺎﺭﯼ ﮐﻪ ﭼﻨﺪﯾﻦ ﻣﺎﻩ ﻃﻮﻝ ﮐﺸﯿﺪ ﻫﻤﺎﻧﻄﻮﺭ ﮐﻪ ﺩﺭ‬
‫ﺟﺎﯼﺩﯾﮕﺮ ﻧﻮﺷﺘﻪ ﺍﻡ‪ ،‬ﺗﺠﺮﺑﻪ ﮐﺮﯾﺴﺘﯿﻨﺎ ﺑﺎ ﺗﺒﻠﺖ ﻃﺮﺍﺣﯽ ‪ WaCom‬ﻭ ﻓﺘﻮﺷﺎﭖ ﺩﺭ ﻃﻮﻝ ﺳﺎﻝ ﻫﺎ ﺑﺮﺍﯼ ﻣﻦ‬
‫ﺯﻧﺪﮔﯽﺍﻣﻦ ﺗﺮ ﺑﻮﺩﻩ ﺍﺳﺖ‪ .‬ﺭﻭﯼ ﺟﻠﺪ ﺍﯾﻦ ﮐﺘﺎﺏ ﺑﺮﺍﺩﺭ ﻣﻦ‪ ،‬ﻣﺎﯾﮑﻞ ﺟﺎﺳﻨﻮ‪ ،‬ﯾﮏ ﺭﻭﺍﻧﺸﻨﺎﺱ ﺑﺎ ﻋﻼﻗﻪ ﻋﻤﯿﻖ ﺑﻪ‬
‫ﺩﻧﯿﺎﯼﺑﺎﺳﺘﺎﻥ ﺍﺳﺖ‪ .‬ﻫﻤﮑﺎﺭ ﺑﺮﺟﺴﺘﻪ ﻣﻦ‪ ،‬ﺑﺘﺴﯽ ﺑﺮﺍﯾﺎﻥ‪ ،‬ﺍﺯ ﺯﻣﺎﻧﯽ ﮐﻪ ﺩﺭ ﺳﺎﻝ ‪ 1994‬ﺑﻪ ﺟﺎﻧﺰ ﻫﺎﭘﮑﯿﻨﺰ‬
‫ﺭﺳﯿﺪﻡ‪،‬ﮐﺎﺭ ﮐﺮﺩﻥ ﺑﺎ ﺍﻭ ﺑﺴﯿﺎﺭ ﻟﺬﺕ ﺑﺨﺶ ﺑﻮﺩﻩ ﺍﺳﺖ‪ .‬ﺍﻭ ﻫﻤﭽﻨﯿﻦ ﻫﻤﯿﺸﻪ ﺁﻣﺎﺩﻩ ﺻﺤﺒﺖ ﺑﺎ ﻣﻦ ﺩﺭ ﻣﻮﺭﺩ‬
‫ﺗﻮﺙﻭ‬
‫ﻧﻮﺯﺩﻫﻢ‬ ‫ﻗﺪﺭﺩﺍﻧﯽﻫﺎ‬

‫ﻣﻮﺿﻮﻋﺎﺕ‪ ،Thothian‬ﻭ ﺍﺭﺍﺉﻪ ﮐﻠﻤﺎﺕ ﺗﺸﻮﯾﻖ ﻭ ﺣﻤﺎﯾﺖ‪ .‬ﻣﻦ ﻫﺮﮔﺰ ﺑﺤﺚ ﻫﺎﯼ ﻣﺼﺮ ﺷﻨﺎﺧﺘﯽ ﻣﺘﻌﺪﺩ‬
‫ﺧﻮﺩﺭﺍ ﺩﺭ ﻣﻮﺭﺩ ﺍﻧﻮﺍﻉ ﻣﻮﺿﻮﻋﺎﺕ ﻓﺮﺍﻣﻮﺵ ﻧﺨﻮﺍﻫﻢ ﮐﺮﺩ‪ ،‬ﮐﻪ ﺍﺯ ﺁﻧﻬﺎ ﺁﻧﻘﺪﺭ ﺁﻣﻮﺧﺘﻪ ﺍﻡ ﮐﻪ ﺍﮔﺮ ﺍﯾﻨﺠﺎ ﻧﺒﻮﺩﻡ ﺍﺯ‬
‫ﻫﻤﮑﺎﺭﺍﻧﻢﺩﺭ ﮔﺮﻭﻩ ﻣﻄﺎﻟﻌﺎﺕ ﺧﺎﻭﺭ ﻧﺰﺩﯾﮏ ﺩﺭ ﺩﺍﻧﺸﮕﺎﻩ ﺟﺎﻥ ﻫﺎﭘﮑﯿﻨﺰ ﻧﺎﻣﯽ ﺍﺯ ﻫﻤﮑﺎﺭﺍﻧﻢ ﺩﺭ ﺩﺍﻧﺸﮕﺎﻩ ﺟﺎﻧﺰ‬
‫ﻫﺎﭘﮑﯿﻨﺰﺑﻪ ﻭﺟﻮﺩ ﻧﯿﺎﻭﺭﺩﻡ ﻏﺎﻓﻞ ﻣﯽ ﺷﺪﻡ‪ .‬ﯾﮏ ﻣﺤﯿﻂ ﺍﯾﺪﻩ ﺁﻝ ﺑﺮﺍﯼ ﭘﯿﮕﯿﺮﯼ ﯾﮏ ﭘﺮﻭﮊﻩ ﺑﻠﻨﺪ ﻣﺪﺕ ﺍﺯ ﺍﯾﻦ ﻧﻮﻉ‬

‫ﻣﻦﻫﻤﭽﻨﯿﻦ ﻣﯽ ﺧﻮﺍﻫﻢ ﺩﺭ ﺍﯾﻨﺠﺎ‪ ،‬ﺑﻪ ﻧﻤﺎﯾﻨﺪﮔﯽ ﺍﺯ ﻫﻤﮑﺎﺭ ﺩﺍﻏﺪﺍﺭﻡ‪ ،‬ﺍﺯ ﻣﺎﺭﺗﯿﻦ ﺯﺍﻭﺯﯾﭻ‪ ،‬ﭘﺴﺮ ﮐﺎﺭﻝ ﺗﺉﻮﺩﻭﺭ‬
‫ﺯﺍﻭﺯﯾﭻﺗﺸﮑﺮ ﮐﻨﻢ‪ ،‬ﻋﻠﯽ ﺭﻏﻢ ﺩﺍﺷﺘﻦ ﺯﻧﺪﮔﯽ ﺣﺮﻓﻪ ﺍﯼ ﮐﺎﻣﻞ ﺑﻪ ﻋﻨﻮﺍﻥ ﯾﮏ ﻣﻌﻤﺎﺭ‪ ،‬ﻣﺎﺭﺗﯿﻦ ﻫﻤﯿﺸﻪ ﺑﺮﺍﯼ‬
‫ﮐﻤﮏﺑﻪ ﭘﺪﺭﺵ ﺩﺭ ﺗﻌﺪﺍﺩ ﺑﯽ ﺷﻤﺎﺭﯼ ﻭﻗﺖ ﭘﯿﺪﺍ ﻣﯽ ﮐﺮﺩ‪ .‬ﺍﻭ ﺍﯾﻦ ﺍﻣﮑﺎﻥ ﺭﺍ ﺑﺮﺍﯼ ﮐﺎﺭﻝ ﺗﺉﻮﺩﻭﺭ ﻓﺮﺍﻫﻢ ﮐﺮﺩ ﺗﺎ‬
‫ﺗﺤﻘﯿﻘﺎﺕﺳﺎﺯﻧﺪﻩ ﺧﻮﺩ ﺭﺍ ﺗﺎ ﺁﺧﺮ ﺍﺩﺍﻣﻪ ﺩﻫﺪ‪.‬‬

‫‪.‬ﻣﻦﻭ ﺯﺍﺉﻮﺯﯾﭻ ﺩﺭ ﻃﻮﻝ ﺳﺎﻝ ﻫﺎ ﺁﻧﻘﺪﺭ ﺩﺭﺑﺎﺭﻩ ﮐﺘﺎﺏ ﺗﻮﺙ ﺭﺩ ﻭ ﺑﺪﻝ ﮐﺮﺩﯾﻢ ﮐﻪ ﺗﺸﺨﯿﺺ »ﻣﻦ« ﺍﺯ »ﻣﺎ«‬
‫ﺑﺮﺍﯼﻣﻦ ﻏﯿﺮﻣﻤﮑﻦ ﺍﺳﺖ ﺑﺎ ﺗﻮﺟﻪ ﺑﻪ ﺑﺴﯿﺎﺭﯼ ﺍﺯ ﻣﻮﺿﻮﻋﺎﺕ ﻣﺮﺑﻮﻁ ﺑﻪ ﺗﺮﮐﯿﺐ ﺑﻨﺪﯼ ‪in this volume.‬‬
‫‪ Ibegtheader'sedulgenceifIvarybeenthe-person-multed and multiple‬ﮔﻔﺘﮕﻮ ﺩﺭ ﺧﺎﻧﻪ‬
‫ﺯﻧﺪﮔﯽ‪ ،‬ﺑﺴﯿﺎﺭ ﻣﺤﺼﻮﻝ ﻣﺸﺘﺮﮎ ‪ Zauzich‬ﻭ ﻣﻦ ﺍﺳﺖ )ﺍﻟﺒﺘﻪ ﺁﻥ ﻧﯿﺰ ﺩﺭ ﺟﺎﻫﺎﯾﯽ ﺍﺻﻼﺡ ﺷﺪﻩ ﺍﺳﺖ(‪.‬‬
‫ﺑﻨﺎﺑﺮﺍﯾﻦﻣﻦ ﺍﺣﺘﻤﺎﻻ ًﺍﺯ »ﻣﺎ« ﺩﺭ ﺗﻔﺴﯿﺮ ﺑﯿﺸﺘﺮ ﺍﺯ ﺟﺎﻫﺎﯼ ﺩﯾﮕﺮ ﺍﺳﺘﻔﺎﺩﻩ ﻣﯽ ﮐﻨﻢ ﮐﻪ ﻣﻘﺎﻟﻪ ﻫﺎﯼ ﻣﻘﺪﻣﺎﺗﯽ‪،‬‬
‫ﺗﺮﺟﻤﻪ‪،‬ﺗﻔﺴﯿﺮ ﻭ ﻭﺍﮊﻩ ﻧﺎﻣﻪ ﺭﺍ ﻧﻮﺷﺘﻪ ﺍﻡ‪ ،‬ﺩﺭ ﺣﺎﻟﯽ ﮐﻪ ﺍﻓﮑﺎﺭ ﺑﯿﺎﻥ ﺷﺪﻩ ﺩﺭ ﺍﯾﻦ ﺑﺨﺶ ﻫﺎ ﻣﻄﻤﺉﻨﺎ ًﺍﻏﻠﺐ‬
‫ﺍﯾﺪﻩ ﻫﺎﯼ‪ Zauzich‬ﺭﺍ ﻣﻨﻌﮑﺲ ﻣﯽ ﮐﻨﻨﺪ‪ ،‬ﺍﻭ ﻓﺮﺻﺖ ﺧﻮﺍﻧﺪﻥ ﮐﺘﺎﺏ ﺭﺍ ﻧﺪﺍﺷﺖ‪ .‬ﻧﺴﺨﻪ ﺧﻄﯽ ﮐﺎﻣﻞ ﻗﺒﻞ ﺍﺯ‬
‫ﺍﻧﺘﺸﺎﺭﺍﻭ ﭘﯿﺶ ﻧﻮﯾﺲ ﻗﺒﻠﯽ ﻭﺍﮊﻩ ﻧﺎﻣﻪ ﺭﺍ ﻣﺮﻭﺭ ﮐﺮﺩ ﻭ ﺍﺻﻼﺣﺎﺕ ﻭ ﯾﺎﺩﺩﺍﺷﺖ ﻫﺎﯾﯽ ﺩﺭ ﺁﻥ ﺑﺨﺶ ﺍﻧﺠﺎﻡ ﺩﺍﺩ‪.‬‬
‫ﺧﻮﺩﭘﺎﭘﯿﺮﻭﺱ ﻫﺎ‪ ،‬ﺍﻣﺎ ﻧﻤﯽ ﺗﻮﺍﻧﺴﺘﻨﺪ‪ ،‬ﺑﻪ ﺩﻟﯿﻞ ﺩﺷﻮﺍﺭﯼ ﻫﺎﯼ ﺍﻧﺠﺎﻡ ﺗﺤﻘﯿﻖ ﻭ ﻧﮕﺎﺭﺵ ﺩﺭ ﺷﺮﺍﯾﻂ ﻫﻤﻪ ﮔﯿﺮﯼ‬
‫ﮐﻨﻮﻧﯽ‪،‬ﻣﻤﮑﻦ ﺍﺳﺖ ﻧﺎﺩﺭﺳﺘﯽ ﯾﺎ ﻧﺎﺳﺎﺯﮔﺎﺭﯼ ﻫﺎﯼ ﺩﯾﮕﺮﯼ ﺩﺭ ﺩﺳﺖ ﻧﻮﯾﺲ ﻭﺟﻮﺩ ﺩﺍﺷﺘﻪ ﺑﺎﺷﺪ ﮐﻪ ﺍﺯ ﺩﺭﮎ ﻭ‬
‫ﺗﺤﻤﻞﺧﻮﺍﻧﻨﺪﻩ ﺗﻘﺎﺿﺎ ﺩﺍﺭﻡ‪.‬‬

‫ﻣﺎﯾﻠﻢﺩﺭ ﺍﯾﻨﺠﺎ ﻧﯿﺰ ﺑﺪﻫﯽ ﺑﺰﺭﮒ ﺧﻮﺩ ﺭﺍ ﺑﻪ ﻣﻌﻠﻤﺎﻥ‪ ،‬ﻣﺮﺑﯿﺎﻥ ﻭ ﺩﺍﻧﺸﺠﻮﯾﺎﻧﻢ ﺩﺭ ﻣﺆﺳﺴﻪ ﺷﺮﻗﯽ ﺩﺍﻧﺸﮕﺎﻩ‬
‫ﺷﯿﮑﺎﮔﻮ‪،‬ﺑﻪ ﻭﯾﮋﻩ ﺟﺎﻧﺖ ﺟﺎﻧﺴﻮﻥ‪ ،‬ﺟﻮﺭﺝ ﻫﯿﻮﺯ‪ ،‬ﻣﺎﺭﮎ ﺍﺳﻤﯿﺖ ﻭ ﺭﺍﺑﺮﺕ ﺭﯾﺘﻨﺮ ﺍﻋﺘﺮﺍﻑ ﮐﻨﻢ‪ .‬ﺑﺮﺍﯼ ﻣﻦ ﺍﻟﻬﺎﻡ‬
‫ﺑﺨﺶ‬

‫ﺗﻌﺎﻣﻞﺯﺍﺉﻮﺯﯾﭻ ﺑﺎ ﮐﺘﺎﺏ ﺗﻮﺙ ﺑﻪ ﺣﺪﻭﺩ ﺷﺼﺖ ﺳﺎﻝ ﻗﺒﻞ ﺑﺎﺯﻣﯽ ﮔﺮﺩﺩ‪ ،‬ﻭ ﺑﻪ ﺩﻭﺭﺍﻥ ﺍﻭ ﺩﺭ ﻣﻮﺯﻩ ﺑﺮﻟﯿﻦ‬
‫ﻣﯽ ﺭﺳﺪ‪:( .‬‬

‫ﻣﺎﺭﮔﺎﺭﺕﺑﻮﺳﯿﻨﮓ‬ ‫ﯾﻮﺍﺧﯿﻢﺍﺩﻭﻣﯿﺖ‬
‫ﺗﻮﻣﺎﺱﮐﺮﯾﺴﺘﯿﻨﺴﻦ‬ ‫ﻣﺠﺪﯼﻋﻠﯽ‬
‫ﺩﺑﻠﯿﻮﻭﯾﻮﯾﻦ ﺩﯾﻮﯾﺲ‬ ‫ﮔﯿﻠﺖﺁﻧﺪﺭﯾﻮ ﻻﻧﻮ ﮐﺎﺭﻭﻝ ﺍﻧﺪﺭﻭﺯ‬
‫ﮐﺎﺗﺮﯾﻦﺩﯾﻮﯾﺲ‬
‫ﺍﻟﯿﺰﺍﺑﺖﺩﻻﻧﮓ‬ ‫ﺭﺍﺑﺮﺕﺑﺎﺑﮑﺎﮎ‬
‫ﺗﺮﺍﯾﺎﻧﻮﺱﮔﺎﮔﻮﺱ‬ ‫ﮐﺮﯾﺴﺘﻒﺑﺎﺭﺑﻮﺗﯿﻦ‬
‫ﺩﯾﺮﮎﮔﺮﻭﺗﻮﺯ‬ ‫ﮔﯿﺪﻭﺑﺎﺳﺘﯿﺎﻧﯿﻨﯽ‬
‫ﻫﺮﻣﺎﻥﻫﺎﺭﻭﺉﺮ‬ ‫ﺳﻮﻧﯿﺎﺑﮑﺮ‬
‫ﻣﻠﯿﻨﺪﺍﻫﺎﺭﺗﻮﯾﮓ‬ ‫ﺩﯾﻨﻮﺑﯿﺪﻭﻟﯽ‬
‫ﺗﺎﺩﻫﯿﮑﯽ‬ ‫ﻣﺎﮐﺲﺑﺮﺯﯾﺴﮑﯽ‬
 ‫ﻗﺪﺭﺩﺍﻧﯽﻫﺎ‬ ‫‪XX‬‬

‫ﺭﯾﭽﺎﺭﺩﭘﺎﺭﮐﯿﻨﺴﻮﻥ‬ ‫ﯾﻮﺭﮔﻦﻫﺎﻓﻤﻦ‬
‫ﻣﺎﺭﮐﻮﭘﺮﺍﻟﻪ‬ ‫ﻫﺮﻭﯾﮓﻣﺎﻟﺮ‬
‫ﻣﺎﺭﮐﻮﺭﺍﺵ‬ ‫ﻭﻟﻔﮕﺎﻧﮓﻣﻮﻟﺮ‬
‫ﮐﻮﺭﻧﻠﯿﺎﺭﻭﻣﺮ‬ ‫ﺍﻟﮑﺴﺎﻧﺪﺭﺟﻮﻧﺰ‬
‫ﺳﺮﮊﺭﻭﺳﻤﻮﺭﺩﻭﮎ‬ ‫ﺩﻭﻧﺎﻟﺪﺟﻮﺩﺯ‬
‫ﺳﻮﻓﯽﺳﺎﮔﺎ‬ ‫ﻭﺭﻧﺮﻗﯿﺼﺮ‬
‫ﮔﺮﺗﺮﻭﺩﺷﯿﻨﺰﻝ‬ ‫ﺍﯾﺰﺍﺑﻼﮐﻮﺭﺍﻧﺪﺍ‬
‫ﮐﺎﺗﻠﯿﻦﺍﺳﮑﺎﺕ‬ ‫ﻣﯿﺮﯾﺎﻡﮐﺮﻭﺗﺰﺵ‬
‫ﺗﻮﻣﺎﺱﺍﺷﻨﺎﯾﺪﺭ‬ ‫ﺍﺭﯾﺶﻟﻮﺩﮐﻨﺰ‬
‫ﯾﻮﺭﮔﻦﺳﺘﮕﺎﺳﺖ‬ ‫ﻣﺎﻧﻔﺮﺩﻭﻣﺎﻧﻔﺮﺩﯼ‬
‫ﻭﺍﻟﺘﺮﺍﺳﺘﻔﻨﺰ‬ ‫ﺟﯿﻮﺍﻧﺎﻣﻨﭽﯽ‬
‫ﺗﻮﻣﺎﺱﺍﺭﺑﻦ‬ ‫ﺍﯾﻨﮕﺒﻮﺭﮒﻣﻮﻟﺮ‬
‫ﮔﯿﺴﻠﯿﻦﻭﯾﺪﻣﺮ‬ ‫ﻣﺎﺗﯿﺎﺱﻣﻮﻟﺮ‬
‫ﺗﺮﯼﻭﯾﻠﻔﻮﻧﮓ‬ ‫ﻭﻟﻔﮕﺎﻧﮓﻣﻮﻟﺮ‬
‫ﮐﺮﯾﺴﺘﯿﻦﺯﯾﮕﻠﺮ‬ ‫ﮐﺮﯾﺴﺘﯿﻦﻻﯾﺘﺰ‬
‫ﺟﯿﺴﻮﻥﺍﻟﯿﻮﺭ‬