

Arabesque No. 1 in E Major

L . 66 No . 1


Claude Debussy

    
      
Andantino con moto

   
    


     
3 3

         
 3 3

     


        3 
                
rit.

    
a tempo

  
          
       
    


    
 3 3


   
    
   
              
       
3 3

  
 
  
3


sempre cresc.

        
3

   
stri gen

    
      
poco a poco cresc.

    
 



         
   
   
a tempo

   
   
         



do. rit.


   
  
      
3


       
            
a tempo

     
   
3

               
  
3

     
 rit.

      


   

             
        
    
     
poco mosso

  
     
3

    cresc.
  
                   
 3


rit. 

       
 
3 3


3

 


          
            
                         
      
       
    
   
3 3


 
 
  
 
     
                      
tempo rubato (un peu moins vite)

 
                    
3 3

       

        
        
     


 


    


             
      
 


      
  
2

               
 
mosso

       

  
3


   


 
3

     
cresc.

   


    
    


  

                                 
a tempo

        
       


  
mosso


3


 
  
    
3 cresc.   

      
rit. 

       
 


    

       
                            
   
3

         
risoluto

             
3


 
         
    
             


           
     


 


  
   
       
       
   
 
1° Tempo

          
  
   
   
       
  
dim. molto più dim. 

                        
 
3




        
    
 
  
 

 
 

   
 
       
     
rit.

 
   

 


     3    
   
       
      
a tempo

 
3

      
     
  
             
 3 3


poco a poco cresc.

   


    
        
   
stri gen do.

             
rit.


3

     

  

    
sempre cresc.

        
3

  
3

               
 


           
   
 
    
a tempo

    
 
            



         
3



         
3

          
              
     

                                    
      


          
   
                 
   
più dim.



           
dim.

    

 


   
     
    
          
     
                  
3 3 3

        
    


       
  
   
               
 
     
 


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