Professional Documents
Culture Documents
346587686-Electro-Cultur-i
346587686-Electro-Cultur-i
Here you can see that fluorine (F) on the top right is the most
electronegative element. We shoudl talk about the electronegativity of alloys
and combinations of different elements, because in nature and in our society
we often have things that are not pure, like brass which is a mixture of
copper and zinc, quartz, which is silicate and oxygen etc. all these
combinations also have their own electronegativity, but it becomes much
harder to determine. Hence lets stick to pure materials, and those that are of
interest for electroculture, which I’ll order by decreasing order of
electronegativity:
Gold (Au): 2.4
Platinum (Pt): 2.2
Silver (Ag): 1.93
Copper (Cu): 1.9
Iron (Fe): 1.83
Zinc (Zn): 1.65
Aluminium (Al): 1.61
That’s enough! Just by looking at those values you can understand why
precious metals are so useful in electronic circuits, because not only are they
excellent conductors of electricity, but also very electronegative (as far as
metals are concerned). However, please do note that a high electronegativity
does not mean a high electrical conductivity, Fluorine is the most
electronegative element, hence also very reactive, since it attracts electrons
very easily it always has a tendency to bond with other elements and hence
is not easily available in its pure form in nature. But fluorine is not an
electrical conductor, since electrical conductivity depends mostly of the fact
that the element has one electron on the outer orbit, or maybe two, but
fluorine has seven…
Anyway, lets get back to electroculture. We now have the electronegativity of
the most common metals, so we can look in details at the setups of
electroculture.Lets look at schematic A which I re-edited for more clarity.
Graphite is a form of carbon, so I used the electronegativity of carbon, 2.55,
it might not be 100% accurate, but even if it were 2.3 or 2, it’s clearly more
than the electronegativity of zinc, which is 1.65. Hence the carbon electrode
attracts more electrons than zinc, which means that the natural flow of
electrons will flow in the copper wire, going from the zinc electrode toward
the graphite electrode. Here electrons are collected from the infinite pool of
electrons which are in the soil! If the electrodes are in contact with the air
they will also clearly collect some electrons from the air. What must be also
clearly understood, why I added red dotted arrows, is that electrons will also
flow through the soil from one electrode toward the other, since the soil is
also an electrical conductor (with varying resistance depending on humidity
and the minerals in it). This setup is clear, it promotes a good flow of
naturally available electrons through the soil and through the air, through the
copper wire.
Now let’s look at schematic B, which I also re-edited.
Just before carrying on, when building your setup, always keep an
eye on the directions north, south, east, west on the various
schematics, on some the north is upward, on some the south is
upward..
Here it must be clearly understood that there are two parts, the antenna and
the grids. The antenna has a tip in a metal that is less electronegative than
the tube. It’s done on purpose, in the original document they explain that we
must use iron wire, but zinc is also suitable. The copper tube is the most
suitable, because it has an electronegativity of 1,9, which makes it easy to
find other metals that are less electronegative for the antenna tip; zinc
(1,65), iron (1,83). The tip of the antenna is less electronegative than the
tube, hence electrons will naturally flow toward the tube. The purpose of the
antenna is to collect electrons from the air. Then you must also remember
that in this installation, the antenna is insulated from the soil! It’s very
important, there shouldn’t be any electrical conduction between the base of
the antenna and the ground. Else like a lightning rod, the excess of electrons
will go straight to the ground. This is not what we want, we want to collect
the electrons in the air and send them to the galvanised iron mesh first!
You will also notice that when we connect the copper tube with a standard
electric cable (in copper) to the galvanised iron mesh in the soil, the copper
has an electronegativity of 1,9 and iron only 1,83. Hence you would think
that electrons will go from the grid toward the copper tube since it has a
higher electronegativity, the copper tube should attract electrons more than
the iron mesh… But, it’s not the case, because we shouldn’t forget that
electrical currents always want to go to the ground, lightning hits the ground,
we insulate our houses with ground rods. It’s a bit of a paradox, earth is as
much of a large supplier of electrons as an attractor of electrons. It’s because
the ground always attracts electrons, that it’s full of charges.. And anyway,
that being said, there are loads of free electrons anywhere around us!
Hence here, the electrons accumulated from the air in the antenna are
transferred to the iron grid, because this grid is connected to the soil, thus
electrons will naturally want to go in that direction, electronegativity is not a
factor of importance for this transfer of energies from antenna to the ground
grid. Then we have an antenna that provides electrons to this iron mesh and
these electrons arrive in the iron mesh and will diffuse into the soil, the
electrons will first go from the antenna through the grid because iron is a
better conductor than the soil (it has less resistance). this is where the other
opposite mesh will play its role, since it’s once again copper, or any other
metal more electronegative than iron, the electrons going through the iron
mesh will have a slight tendency to be attracted in the direction of the
opposed mesh before dispersing anyway in the end…
From an electrical point of view it’s obvious, electrons always take the path
of least resistance; hence they arrive in the iron mesh and then into the
ground, but since on another side there is a copper mesh, slightly more
electronegative, this will naturally induce a path of slight less resistance in
the direction of the copper mesh (because added to the soil resistance there
is also the copper attraction..)
Another important point that must be observed is that the meshes should be
placed east and west, because we want to leave the north-south path free
for the natural magnetic field of the earth.
Now I’m talking from my own understanding of the subject, why must we
have the direction of electrons flow from east to west? And not west east? If
we take into account the rotation of the planet, if we could leave and object
in the air without it being affected by the gravity of the planet, and also not
the inertia etc. As the earth rotates, this object would be somewhere else on
the planet without having to be moved. By making electrons flow from east
to west, the earth rotates in the opposite direction, hence this promotes in a
minimal fashion an easier flow for the electrons from east to west instead of
the opposite. Also, given the fact that electrons are so light, they are not
affected by gravity like normal objects. But it becomes hard to talk about
these subjects, because we have go into the topic of relativity..
Furthermore, there is also another interesting aspect that seems to me
important to take into account, and electromagnetic wave is composed, as
its name indicates, of a magnetic field and an electric field.
A light particle (shown here as the green dot), going to the right, with the
electric and magnetic fields shown here above. If we take into account that
the natural magnetic fields going north to south and the electric fields going
from east to west sort of encourage electromagnetic waves to superpose on
these same electric and magnetic fields, we can induce that the installation
above helps light particles to go toward the soil. The natural telluric currents
and magnetic fields are in these directions anyway. This electroculture setup
fosters the penetration of the light into the soil.. If that makes any sense,
that’s how I understand it. We shouldn’t forget that what we see is just but a
tiny part of the electromagnetic spectrum, many other waves at other
frequencies invisible to our eyes can be guided toward the soil, from my
point of view cosmic waves are also electromagnetic waves.
Lets go to schematic C, also re-edited.
This setup, instead of promoting the natural flow of electrons, amplifies the
strength of the natural magnetic field. Don’t forget while looking at the
image, that the needle of a compass pointing to the magnetic north means
that what we consider as the north is in fact a magnetic south pole, it’s a
convention that is not always evident, still logical though! This setup does
not need to be explained more than that, because here it’s not about the
electronegativity of metals, this should more be called magnetoculture… The
magnet simply amplifies the natural alignment of electrons inside the iron
mesh, which is a ferromagnetic materiel and hence electrons can keep their
alignment more or less permanently. Here we can’t use a copper grid or any
other non ferromagnetic metal, a ferromagnetic metal is absolutely needed.
Here we amplify the natural magnetic field of the planet while not disturbing
the telluric (east-west) currents.
Schematic D now.
This setup is clearly the most simple to put in palce, in a flower pot, around
any plant in the garden. But it is in my opinion slightly less efficient than
method B or C. Also if we orient setup A correctly, the setup A, I think, is also
more efficient than this one.
However, this one is still the easiest and it’s still much better than nothing, it
will bring great benefits in any case. The negative point I see here is that the
natural flow of electrons in the soil will be multidirectional and hence it’s not
on ly in the direction of natural telluric currents. Nonetheless this setup still
clearly amplifies the electron flow in the soil and above soil. The antenna is
the same as in setup B, with a tip made of a metal that has an inferior
electronegativity than the copper tube, thus it attracts electrons from the air,
to the tube and to the soil. But here the antenna is directly planted into the
soil. Here again we can see it in two parts like, setup B, that are somewhat
independent of each other, but still related!
The antenna is directly planted in the ground and hence the electrons
collected from the air naturally go to the path of least resistance, the soil.
Then the surrounding grid, in galvanised iron mesh, with an electronegativity
lower than copper, will, I believe, collect electrons from the soil and also
those from the antenna and then again there will be an electron flow going
from the mesh to the antenna. And so on the cycle continues, they go back
in the antennas, are re-diffused into the soil, partly re-collected by the mesh,
etc.
This setup, as I understand, helps naturally collected electrons to flow in a
sort of ‘closed loop’ in the same space much longer than they would
otherwise without any setup. Which allows the plants to have more time to
collect more abundant electrons, which have a tendency to re-circulate in the
same place over and over.
Finally there is schematic E, which to me, like to the editors of the Rustica
magazine, is the ultimate setup, because here we really play with what’s in
nature and the surroundings and nothing else.
The explanation in the article is fully correct, the only thing that is missing to
this schematic is that, I think, these compost bands should be oriented east-
west, not north-south, south-north; to amplify the natural telluric currents
and not disturb earths’ natural magnetic field.
To end the subject, while writing this I thought about a small detail, cosmic
waves! from what I learned in astrophysics, this waves can all be considered
like light (or electromagnetic waves). Hence, if I’m not wrong with my
understanding, the various electroculture setups, allow, by amplifying the
natural telluric currents or magnetic field, not only these natural fields to flow
more easily but also to let cosmic waves penetrate the soil more easily.
Growing outdoors
tomatoes succesfully in
the north
I’d like to share what I’ve learned about tomatoes growing in my region
(Lorraine, France), so that everyone can enjoy it, it seems important to me
because I’ve never found a condensed summary, like I’m about to share, in
any book or on any internet page.
Firstly, for those who know me, I always look for the best way to do things
while working as little as possible (in the long term) and allow plants to grow
naturally as they wish. So I won’t in no way talk about cutting suckers,
watering or using any treatment on the plants. I’m simply trying to offer the
best environment to the plants, so that they are happy; plants in good health
will be plants that bring good results for us as well, it’s as simple as that.
Also one other important information, setting up what I’m describing might
take some time, but in the long term it will be much better for us and for the
tomato plants; it’s really worth it.
The first and most evident thing is, to have a south exposure as much as
possible, to benefit the most from the little amounts of sun we can have in
northern regions!
On this schematic, the circle indicates the suns’ position rising in the east
and setting in the west. The south exposition must be as good as possible
because we’re going to wall off the northern side, we’ll basically plant
tomatoes in front of a wall or a big pile of stones. The point is to just have as
many stones as possible on the northern side, because these stones will first
of all protect the tomatoes from strong winds that most often come from the
north or north-west and they will act as a slow diffusion heater, exposed to
the sun most of the time, the wall or stones will collect heat and release it
slowly when sun is lacking and during the night.
Don’t hesitate to make it tall, a 2 m tall wall is a good size! There is no sun
coming from the northern side, so we might as well have as many stones as
possible to collect heat. It is also useful to add stones all around the
tomatoes, they will all collect/release heat and under the stones, humidity
will be retained for longer periods.
The second, and very important point; tomatoes love water but they don’t
like being wet! That’s generally the biggest problem in northern regions,
excess rain causing blight, which I personally think of as the cold of
tomatoes. From my own observations I discovered that the problem is not
rain itself, it’s that in the north, when it rains it usually means that a low-
pressure system is arriving and temperatures are going to drop, which in turn
will prevent the tomato plant leaves from drying up quickly. Whereas in
southern regions, when it rains, the temperatures remain the same and the
water on the leaves will evaporate almost as quickly as it fell. And that’s the
most important aspect to understand, it’s as if a human in the north stayed
outside by 30°C under heavy rain and then staying the rest of the day wet
because the temperatures dropped to 20°C afterwards, a perfect way to
catch a cold. Whereas in southern regions you are otuside, get soaked by a
heavy rain, but the temperatures remain as high and one hour later you’re
dry again as if nothing happened!
Thus, it is an absolute necessity in northern regions to have a roof on top of
your tomato plants! That way, the leaves won’t ever become too wet, with
the wall on the northern side you can simply attach the roof at a height of
about 2 m. But since we have a lot of rain in the north, we might as well use
it well, tomatoes love water, there are two ways to do it easily. If like me you
have a chance to put your tomatoes in a place with a heavy clay soil where
water is always plentiful 10-20 cm below, you don’t have to do much, just be
sure that the bottom of the plant is not soaked in water (by planting it high
enough), but making sure that the roots can go deeper by themselves to
collect the water they need. If you have a sandy soil, or a soil that dries up
quickly, then the best is to put a gutter on the roof to direct rain water
straight into the soil aroudn the tomatoes feet.
I said it earlier, in no way are we going to remove the suckers, a name very
badly chosen if you want my opinion, because these suckers will grow into
branches that will give more tomatoes if the plant is robust, many more
tomatoes! The additional leaves will not prevent tomatoes from growing well,
on the contrary, these leaves will collect more sunlight to be able to grow
more tomatoes at the same time. A tomato plant that grows well and healthy
without ever being trimmed can easily produce 10 times more tomatoes than
one on which all suckers are removed. Here we have to set up cages, a prop
is useless, we have to support the tomato plant from the outside with a grid
around it on which all branches will be able to lie instead of attaching the
central stem. The easiest method is a round grid cage made with grid of
about 2 m length (about 20 x 20 cm mesh), which is rolled on itself, making
a grid tube of about 60 cm diameter. A tomato plant growing freely becomes
a big bush!
Example, with a wall facing south:
The roof is drawn in brown, the gutter in red, with a drop by drop irrigation
system (still with a good flow) to direct rainwater directly around the
tomatoes cages when it rains. That’s about it, just put one tomato plant in
the middle of each cage and you’re set. In these conditions, tomatoes will
have enough heat, they will be protected from the rain and will be naturally
watered at their base without making their leaves excessively wet when it
rains. You can also (I recommend it) add a big layer of mulch/straw etc.
around the tomatoes to keep the soil humid for longer periods when it is dry.
With these cages you can also easily use a method of electroculture by
adding a copper pipe as central prop, using the method described in
schematic B on this page: Electroculture – Basics
But don’t forget that you shouldn’t connect the grid from the bottom with the
grid on top in this case, you just need this grid of galvanised iron mesh
around the base, wit ha grid of around 30-40 cm height halfway buried into
the ground. Here’s a schematic below to show what I think is the best to do
for the cage.
The support poles don’t need to be made of wood, but they must be in a
material that is an electrical insulator, hence no metal: wood or plastic is the
most practical.
Then, grid 1 is the one used for the electroculture method, I didn’t draw the
central copper antenna, but it obviously needs to be there. The grid 1 is in
galvanized iron. Then grid 2 is placed a bit higher, not connected to the
bottom one and it has a larger mesh (~ 20 x 20 cm), because this is where
the tomato branches will have to go past the grid when they grow and use it
as support. Then I still recommend to not connect grid 2 to grid 1, and grid 3
to grid 2 etc. for higher up grids. Because there is a small voltage potential
difference between the ground and any metallic thing that is higher up in the
air not electrically grounded. The higher the grid is, the larger of a voltage
difference there is. I’m talking here about differences that can be measured
in 0,1 V etc. But for a plant these are huge differences of potentials!
This cage system is useful in any region, not just for northern ones…
The following page is sadly only in french, tomate en cage it provides
informations about misconceptions people have about growing tomatoes
which are completely wrong!
Here’s a small summary of the most important points:
Letting suckers grow does not mean that tomatoes will be smaller, if the plant
is growing freely there will be many more tomatoes on one plant and all of the
same size, if you had cut all the suckers you’d get the same size tomatoes but in
a much smaller quantity.
Tomatoes don’t need to be exposed to the sun to grow, on the contrary it
burns them! Leaves need to be exposed to the sun to collect the energy to grow
the tomatoes that are protected by the leaves from excessive sunlight.
Letting suckers grow won’t delay the growth of the first tomatoes, they will
grow at the same speed and additional ones will grow on the new branches,
once the suckers have developed into full grown branches.
I forgot to specify that this method of growing tomatoes in cages is much
more useful for indeterminate varieties (that grow indefinitely) than
determinate ones (that stay quite short), on the other hand, the wall and the
roof, that’s good for any variety of tomatoes in any northern region!
That’s it folks, it will take a bit of time to set up such an installation, but it’s
really worth it in the long term to have nice and healthy tomato plants, that
do not require much care and provide us with plenty of tomatoes!
Types of resin
The common point between all types of resins or other ‘binding agents’ used
to make orgonites is the presence of long chains of carbon, polymers. All the
following materials can be used to make orgonites.
Synthetic resins
Polyester resin: also called fibreglass in many countries, this resin is produced
by a reaction between organic acids and alcohol. The resin is composed of
unsaturated polyesters and most often styrenes which reduce the vicosity of the
resin. In the non-catalysed form, the resin is liquid/viscous, a catalyst must be
added to start an exothermic (heat generation) reaction which will form the free
radicals on the unsaturated links and hence allow the resin to solidify. The
required catalyst percentage is usually around 1% at room temperature, with
the best temperature to work with these resins usually around 20°C.
Epoxy resin: which (like polyester resin) is also called fibreglass in many
countries is a resin composed of monomers (or short polymers) with an epoxide
at one or each end(s) which must then also be mixed with a catalyst to start-up
the reaction that will allow the resin to harden. Thanks to its chemical structure,
the polymers are much more interlinked than with polyester, this makes hard
epoxy much more resistant to shocks and various corrosions in comparison with
polyester resin. This resin is also liquid in its non-solidified state, the quantity of
catalyst required to make the resin solid depends on the type of the epoxy and
on the ambient temperature, in general it is between 20% and 50%.
Natural resins
These resins, compared to synthetic resins do not require any catalyst, but
the drawback is that these resin cannot harden to become a completely solid
plastic. To make orgonites with these resins, one must usually just heat up
the resin to make it liquid enough and then mix the metal shavings and
quartz and then let it cool down again. These resins will all melt at some
temperature, it depends on the resin. That’s why it is best to cast orgonites
with natural resins inside some kind of a container to be sure that when the
temperature increases the orgonite won’t melt, for example when placed in
full sunlight.
There are many types of natural resins:
Pine tree resin
Dammar resin
Acacia resin
Amber
Spruce resin
etc.
These resins can be extracted from almost all trees and plants.
Other
Another ‘binding agent’ that can be used to make orgonites is caramel, it
requires a bit of practice to become skilled at heating up the sugar to the
right temperature, to keep it in a caramel state while mixing the metal
shavings and quartz, without letting the caramel burn and blacken. Like
natural resins, the only inconvenient with caramel is that such an orgonite
won’t ever be solid either, if exposed to direct sunlight (or high
temperatures) the orgonite is sure to melt too. Thus, as with natural resins, it
is best to cast these orgonites inside a container. Glass/plastic jars are the
best.
There are other binding agents being discussed on internet to be used for the
fabrication of orgonites, but I won’t be able to guarantee anything about
these methods, or if they are useful to make functional orgonites. One of the
discussed products is bees wax. These waxes are composed of long chains of
carbons, but there are still many negative feedbacks indicating that bees
wax is not perfect to make orgonites. In my opinion this might be due to the
fact that bees wax are greasy/oily, whereas all other binding agents that
work are usually very sticky and not greasy at all? Maybe the grease
prevents the metal and quartz from binding properly with the wax.. Another
subject on internet is plasterite and in my opinion this is a completely bogus
idea, maybe due to the fact that plaster is much cheaper than resin, hence
some people try to promote it? Basically plaster is used instead of resin,
according to all that is said above, there is no way for this method to work,
because plaster is not composed of polymers (long chains of carbon), all
other working binding agents are composed of polymers, plaster is mainly
composed of calcium sulphate.
Quartz/Stones
General information about quartz/stones
Size/Dimension of the stones
Direction/Orientation of the stones
General information about quartz/stones
The choice of stones to use in an orgonite is almost infinite, each stone has
its own properties, it is impossible to describe quickly all the stones that
exist, let alone all their properties, there’s still room for years and years of
discovery.
I will concentrate on quartz, which is the one and only stone that is required
in all orgonites, without quartz an orgonite would not work. Firstly, one thing
to be aware of is that many known stones are a type of quartz: amethyst,
ametrine, aventurine, blue quartz, rose quartz, citrine, tiger’s eye, agate,
carnelian, onyx, jasper, etc. There are so many varieties of stones that are
classified as a type quartz that I won’t ever be able to list them all.
Technically, quartz is subdivided in two main categories, crystalline quartz
and cryptocrystalline quartz. They are differentiated by the way they form in
nature which can be roughly described as follows:
Crystalline quartz (macrocrystalline) form by the addition of molecules on the
surface of the crystal, layer by layer, in a mixture of colloidal water with very low
concentrations of silicate
Cryptocrystalline quartz form from a mixture of colloidal water with high
concentrations of silicate
This is just a rough description, because there are hundreds of exceptions to
this rule, overall this classification is quite correct. One must also note that
this is a modern classification, originally a third category (microcrystalline)
used to exist, which is now more or less included into the cryptocrystalline
category.
This difference in the process of formation of the quartz is also what gives
rise to the most evident differences between both types, macrocrystalline
quartz are usually more transparent/translucent, whereas cryptocrystalline
quartz are more translucent/opaque. Their visual aspect is also different,
macrocrystalline quartz are more ‘shiny’, whereas the cryptocrystalline
variety is more dull/matt. One other useful detail to know is that
macrocrystalline quartz all have almost exactly the same hardness (7 on the
Mohs scale), this is due to the way they build up, almost without any
impurities other than silicate (max ~0.5%), whereas cryptocrystalline quartz
can contain up to 20% of impurities other than silicate.
There are still many technical things that can be said on the subject, for
example, macrocrystalline quartz can almost not form in water with a high
concentration of silicate and always require electrolytes in water to be able
to form, whereas cryptocrystalline quartz cannot form when electrolytes are
present in water or if there is no water. There are tons of other little details
that are yet unknown, I’ll leave that to the experts, because there are so
many factors to account for. The descriptions above are not 100% accurate
either, it’s just a rough guide..
I explained all that to say that any form of quartz you can find in nature is
perfect for use in an orgonite, it doesn’t need to be pretty, or well cut, it just
has to be quartz! Almost all quartz that are found in nature (above ground)
or that you can buy always have ‘shiny’ attributes and hence are
macrocrystalline. Aroudn nature, in europe, quartz can generally be white,
grey, slightly transparent or a big red/orange (which is due to iron/copper
impurities). There are all sorts of otehr colour variations that you could end
up finding, all are good for an orgonite. What changes the colourare the
impurities, which are not pure silicate, for example amethyst is quartz with
iron, if there is too much iron the amethyst will even look more like iron ore
than amethyst. Citrine is also another type of quartz which is yellow because
it has iron oxide, citrine is actually quite rare, amethyst heavily heated can
look like citrine because the iron will turn from violet to yellow under
excessive heat. Rose quartz is rose because of the presence of manganese
and titanium, aventurine (also a type of quartz) is green because it contains
fuchsite, which is itself a type of silicate with aluminium, potassium and
other elements, which classified as a type of mica…
Once again I won’t go too much into details, because I simply don’t know
them, there is so much to learn about stones and how they form and what
they contain, I bet that even after living a thousand years I wouldn’t be able
to learn a tenth of all that there is to know, and I’m not even going into the
metaphysical properties yet!
Just to repeat myself on purpose, any quartz you’ll find is good to make a
good orgonite, any type of macrocrystalline quartz is good, you could even
make an orgonite just with amethyst, or citrine or rose quartz, all are a sort
of macrocrystalline quartz. But now we get into the most interesting details,
energetically speaking all these stones have their own properties and that’s
why it is recommended to use white/grey/transparent quartz as the basic
building block of an orgonite.
Goodbye objective science, hello metaphysics, since all that comes is not
recognized by science yet..
Rock crystal (white/grey/transparent quartz) is known as being an all-round
stone that is more or less balanced and not specific to any chakra
(transparent quartz is linked to the crown chakra) but white/greyish is just
linked to no specific chakra and all chakras at the same time. That’s why it is
recommended as the primary stone to add in any orgonite. Other stones
usually affect very specific chakra(s).
Examples of macrocrystalline quartz
Smoky quartz is essentially active on the root chakra (1st chakra)
Citrine is essentially active on the solar plexus chakra (3rd chakra)
Rose quartz is a stone that acts on the heart chakra (4th)
Amethyst is mostly active on the crown chakra (7th)
Examples of cryptocrystalline quartz (also named Chalcedony)
Onyx is mostly active on the root chakra (1st)
Carnelian is mostly active on the sacral chakra (2nd)
Agate is mostly active on the solar plexus chakra (3rd)
Celestite is mostly active on teh throat chakra (5th)
etc.
There are dozens of other examples. There are also tons of stones that are
not quartz (or a subtype of quartz): calcite, amazonite, garnet, malachite,
etc. All these stones have their own properties. The world of stones is so vast
and so interesting, we can never get bored when getting into that subject!
By the way I said ‘mostly active’ because many stones have effects on
multiple chakras, and one can enhance these less prominent properties by
using other stones in conjunction.
Just remember the basic information, that’s all there is to know as far as
orgonite is concerned. Use a chip of rock crystal in each and every orgonite
and the orgonite will be good for all situations and all uses. Then as you
become more experienced you can go into making orgonites with other
stones added, like what I do in my own orgonites by adding rose quartz in all
of them, because I feel the energies of love (unconditional love) are the most
important to nourish. Apart from that if you want to use a unique stone as
the base for your orgonites, it has to be a type of macrocrystalline quartz
(amethyst, citrine etc.), else you’ll always need to add some type of quartz
with the other stones you want to add.
If you feel like mixing up many different stones together in a single orgonite,
you can, but you should know a bit what you are doing. You can safely use
rock crystal as a base and add one or two other stones, however if you want
to add dozens of stones, you’d better know what you are doing, it won’t
necessarily be good. It’s like cooking, all ingredients are good, but if you start
mixing up, salt, sugar, peas, meat, bread, pasta, tomato, spinach, carrots,
apples, lemon and all sorts of things together, they might be good
separately, but all together it can just become a completely inedible mixture!
Instead of cooking, we can compare stones with music, lets say that rock
crystal is a musical chord that is in harmony wit hall other chords (in music
that doesn’t exist, but lets assume it does), then you have to make sure that
other stones you add are in tune with that first chord, sicne it is in tune with
anything, you can add one other stone without any problem, but when you
start adding multiple stones you have to be sure they fit together, like in
music. For example the E(mi) Minor chord, E(mi), G(sol), B(si) or E(mi) Major;
E(mi), G#(sol#) and B(si). you can play each separately, but you cannot play
E(mi), G(sol), G#(sol#) and B(si) together, G(sol) and G#(sol#) are not in
tune with each other! With stones it is exactly the same.
We can say that stone ‘A’ is in tune with the stone ‘B’ and ‘C’, and the stone
‘A’ can also be in tune with a stone ‘D’ and ‘E’.. But that still doesn’t mean
that ‘B’ is in tune ‘D’, or ‘B’ with ‘C’, or ‘C’ with ‘D’, or ‘E’ with ‘B’, or ‘E’ with
‘C’ etc. Combinations of stones are very vast, there’s probably and infinite
number of combinations, but when you mix them together in an orgonite you
have to know a bit what you are doing else you can end up with and orgonite
that will probably still be functional but with a weird energy because of a lack
of harmony between some stones. It is exactly like listening to music that
does not respect the rules of musical harmony, it can still be played and we
can listen to it, but it won’t be perfect. Same applies to an orgonite, it will
work, but if we could transform the energy of this orgonite to a musical
equivalent we would notice it does not sound right..
Size/Dimension of the stones
To make orgonites, the size of the stones doesn’t have much influence.
Quartz is quartz, whether a stone weighs 1kg or 1g. The most important is to
respect the Basic rules to make orgonites.
A mix of about 50% resin, 50% metal shavings
Any metal is good
And add a small bit of quartz in the mix
The size of the quartz (or any other stone for that matter) doesn’t change
anything. As long as you have the mix resin/metal/quartz, you’ll have a fully
functional orgonite. However, depending on the form of the orgonite, the
direction can matter if the stones have a definite/precise shape.
Direction/Orientation of the stones
The direction of the stones is important if you have stones that have a
specific shape, i.e. with one or two points and also other carved shapes; for
example merkaba, pyramid, etc. shapes. But that’s really important only if
the orgonite itself also has a precise shape that, or in one way or another,
gives a precise direction to the movement of the energies.
The most specific example is that of a pyramid or cone shape. These shapes,
already just by their shape, induce a rotation of the energies, which will tend
to come out as a vortex by the tip, a vortex opening up upwards as shown on
the schematic below.
The direction of the rotation of the vortex is yet another subject, but here
there’s a vortex, that’s the important part. In the case of a pyramid or cone,
when you have a single or double terminated quartz, you have to place it at
the center with a point pointing toward the tip of the pyramid/cone. If you
have a double terminated quartz you should, it is preferable, also know
which point goes upward and which goes downward, I invite you to check out
this page to find out more on the subject: Questions about Cloudbusters >
Quartz in the pipes, single or double terminated?. What applies to the
positioning of quartz in the pipes of a cloudbuster also applies to quartz in
pyramids and cones. For the specific example of a pyramid with a square
base, it is also more effective if it is oriented wrt. to the cardinal directions
(north/south east/west), so it is also very good to add 4 more pointed quartz
on the bottom of the base pointing to the middle of each face and thus when
the pyramid is properly placed, the quartz will also point to the 4 cardinal
directions. As shown on the schematic below, which is in fact one of the
multiple correct ways of making an orgonite HHG.
Here again, if you have double terminated quartz, the point that was
naturally growing in the air should be pointing toward the outside of the
pyramid.
I’m going a bit beyond the subject at hand to also talk about the cloudbuster
and more generally orgonites with an empty pipe inside (or many). These
pipes also induce a vortex rotation to the orgone. That’s why the rules that
apply to placing quartz in the tubes of a cloudbuster also apply to pyramids
and cones. However as explained on that page, Questions about
Cloudbusters > Are quartz required in the tubes of a cloudbuster?, quartz are
not absolutely necessary in the pipes of a cloudbuster nowadays, because
the base already contains quartz. Though, if you place a quartz in the pipe, it
should follow the direction of the vortex, because hollow pipes on their own
already induce a vortex rotation to the orgone, whether there is a pointed
quartz in in the pipe or not. In a cloudbuster, it’s the association of the 6
pipes placed in an hexagon that induce a larger central vortex, the 6 pipes
each generate a small vortex, and all combined induce a larger central
vortex; The 144 formation.
As a final note, remember that even if you misplace the stones in an
orgonite, the orgonite will always work, as long as there’s resin, metal and
quartz it’s good. But it won’t be as optimal as it could be.
We can compare that somehow with music.
Music will still be music, it’s sound, but what makes a music very nice are
the harmonic relationships between the notes and instruments that are
part of and play this music.
An orgonite will still be an orgonite, it’s orgonite after all, but what makes an
orgonite very nice (energetically speaking) are the geometric relationships
between the stones and other components that are part of the
composition of this orgonite.
For stones carved in other shapes, for example a quartz in a square base
pyramid form, you’ll understand that it is evident that if the stone is place
inside a pyramid of the same geometry, the stone should be oriented in the
same direction as the pyramid in which it is embedded. But for stones of
different shapes, merkabas, cubes etc. it becomes more complicated as you
can guess, I’m not sure myself what are the best arrangements (and why).
There are also plenty of other shapes possible for orgonites! I try to go into
the subject more in detail on that page: (–page in the works, forms and
geometry–).
Remember that these above explained examples are most relevant to
orgonite shapes that induce a movement in the flow of orgone, a simple
round Tower Buster does not induce any specific movement, so in such an
orgonite it’s (in my opinion) a waste of material to induce a well carved
quartz, a simple formless quartz is perfect already!
Observations
A couple of seconds after the DECT Phone base was turned on, the workers
started moving differently (more slowly, hesitant, even seeming to have
some difficulties). They gradually started to move away from just above
where the DECT Phone antenna was located and the ones that went in
direction to that zone evidently looked like they tried to avoid it (changing
direction and even walking backward).
Adding one orgonite (TB) didn’t seem to change much. We then added 5
more orgonites (TBs/ITBs). Soon after, the workers started to move a little bit
faster, more easily, less hesitant and some ants were observed even above
the zone where the antenna was located. There seemed to be a rather large
variability of reaction/behaviour between different ants.
Half an hour after having switched off the DECT, ants moved again as
previously, at a normal speed, without hesitation and going easily anywhere
and above where the active antenna was previously.
With a DECT Phone turned on 5.8 (4.4 7.2) 230 (202 – 272)
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