Piano OBLIVION

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Milonga
Alex Abad A. Piazzolla
 = 92-96

   
                            
Milonga lenta

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       
        
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   

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   
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5

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        
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                               
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        
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    
        
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   

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             
     
13

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       
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     

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          
          
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       
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          
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        
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     
2

                  
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         
                 
       

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   
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   
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          
       
        
   
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  
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             
    

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       
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              
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          
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              
    
       

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
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             
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    

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 
                 
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         
         
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       
   
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         
   
            
   
           
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      
                   
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        
      
 

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
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      
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              
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     
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       
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         
   

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     
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     
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