Professional Documents
Culture Documents
Gradin BK 2012
Gradin BK 2012
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10. Visitors are welcome, subject to their observing the above rules, where applicable.
HISTORY OF KARATE
the Islands Loochoo(now Okinawan Islands of Japan), The Karate Originated ainpeculiar bareofhand and bare feet striking technique(athis was inhabitants had called Tei which means hand. During the Tang dynasty of China, Kenpo form of boxing) was introduced to Loochoo where elements were accepted and the resulting form was called To-Dei(literally Tang hand) n 1406 the King of Loochoo proclaimed peaceful country and his Icitizens to carry weapons which madeovera time everprotectpopular,forbadefrom To-Dei more eventually some warriors were allowed to re-arm to the country possible invasion. n 1609 the country was invaded Satsuma Iwho conquered the and practising by the Japanese Shimazu Daimyo ofRyukyuan Ryukyuan Islands (formally Loochoo), He then prohibited the carrying of weapons any martial arts by its people. The warriors who fought against the Shimazu clan were brave and skilled in the practice of ToDei, most were also members of the Shizoku (Samurai class). art of weaponless was first The Okinawa Kenpo ofdefence or Ryukyuintroduced to the people of Japan in 1922 as To-Dei Karate-Jutsu. arts master Hironori Otsuka studied this great interest Japanese martialcombined it with advancedancient form of form withcombat Wado and eventually another unarmed called Jujitsu to introduce in 1934 the combat Wado-Ryu Karate-Do. Means way of peace and harmony, Ryu means style and Karate-Do means the way of the empty hand (weaponless defence).
KARATE-DO
The practice of Karate is to develop and maintain health and strength, both physical and mental, to teach good manners, self discipline and mutual respect between Karate-Ka and others. It also encourages decency and respect between all members of society. Karate is endless, because every technique can always be improved upon. This inculcates modesty and a strong intellectual stature. Except in the defence of life or limb, karate techniques must never be used outside the dojo, because they can be extremely dangerous.
KATA
Kata are a combination of basic Karate techniques arranged in a stream of consecutive body movements, consisting of various attacking and defending techniques, using both both hands and feet, against a number of imaginary opponents, covering attacks from every possible direction. This demands good balance and posture, correct stances, speed, strong focus, swift and accurate perception and correct breathing. Wado Ryu Kata are generally smaller than those of other styles, unnecessary movements should not be performed in Wado Ryu Kata. The movements should be performed in the shortest possible way, when the movements are smaller, it becomes more difficult to accelerate and focus, so you would need more skill to perform them effectively. In Budo it has always been said that it is very important to learn from the old masters who perform techniques very rationally and do not expend energy uselessly, instead we have to reach as high a energy as possible at the moment the attack reaches the opponent, actually all we have to do is concentrate the energy at the very moment of contact. This energy concentration is called Kime (focusing) and is very important in all aspects of Karate. for this reason as in all aspects of Karate relaxation immediately before and after a movement is essential to good technique. Excerpts taken from Karate Kata of Wado Ryu Shingo Ohgami.
Kata is very important in Karate training and is considered to be the Life and Soul of Karate-Do, having been practiced and developed for centuries by literally millions of Karate-Ka Kata is also said to be the expression of both mental culture and human nature.
Defender
MHG Nijiriashi back Nagashi sotouke, Nagashi gedanbarai & Nakadaka Ipponken zuki. MHG Nijiriashi back Nagashi sotouke, nijiriashi to Soe-ashi dachi & Ushiro gedan barai, R Haito uchi & L Shuto-uchi MHG Nijiriashi back Nagashi sotouke, Tobikomi kagizuki chudan & Naka daka Ippon ken zuki to knee. MHG Nijiriashi back Nagashi sotouke, half step back & Nagashi shuto uchi uke, step in Haito uchi, & Nakadaka ipponken zuki. MHG Nijiriashi back Nagashi sotouke, Nagashi otoshi uke, grab hand & Ipponken uchi, Yoko enpi uchi, grab two handed twist pull round to floor(Kotegaeshi) pressure to arm, shuto-uchi to neck. MHG Nijiriashi back Nagashi sotouke, Half turn Soe-ashi dachi & Ushiro gedan barai, Haishu nagashi sotouke & Naka daka Ippon ken zuki. MHG Nijiriashi back Nagashi sotouke, Negash Shuto uchi to neck or Teisho uchi to shoulder.
No 2
MHG Tobikomizuki Jodan, Okutte sokuto chudan. MHG Tobikomizuki Jodan, half step Maegeri chudan. HHG Tobikomizuki Jodan, gyakuzuki Jodan
No 3
No 4
No 5
No 6
No 7
No 8
MHG Tobikomizuki Chudan, Gyakuzuki jodan. MHG Qtr turn Nagashi uchi uke. Teija dachi with Hiji uke jodan, Tsukkomi junzuki gedan, yoriashi to Shiko dachi with Yoko enpi, push knee & Morote haito uchi chudan. MHG Tobikomizuki Chudan, Gyakuzuki jodan. MHG Qtr turn Nagashi uchi uke, half turn Nagashi Haishu sotouke Jodan & Nakadaka ippon ken zuki. MHG Tobikomizuki Jodan, Gyakuzuki jodan. MHG Nagashi Shuto uchi uke Jodan, Yoko enpi under arm pit, hold, Haito uchi gedan, twist inside grab hold hip and throw over R shoulder.
No 9
No 10
Maegeri Uke
1. Maegeri Chudan . . . . . . . . . . . . . . . .Uchi-Gedanbarai, Gyakuzuki Chudan 2. Maegeri Chudan . . . . . . . . . . . . . . . .Half step back, Maegeri Chudan 3. Maegeri Chudan . . . . . . . . . . . . . . . .Half step back, Mawashigeri Chudan/Jodan 4. Maegeri Chudan . . . . . . . . . . . . . . . .Tobikomi Counter Gyakuzuki Chudan 5. Okutte Maegeri Chudan . . . . . . . . . . .Step back half turn, Uchi-Gedanbarai Gyakuzuki Chudan 6. Okutte Maegeri Chudan . . . . . . . . . .Move back & side Soto Gedanbarai Gyakuzuki Chudan 7. Okutte Maegeri Chudan . . . . . . . . . .Counter, Nagashizuki Jodan/Chudan 8. Okutte Maegeri Chudan . . . . . . . . . .Counter, Tobikomi Gyakuzuki Chudan 9. Maegeri Chudan . . . . . . . . . . . . . . . .(RIGHT) Move back & side Soto Gedanbarai, AshibaraiGyakuzuki Chudan/Jodan 10. Maegeri Chudan . . . . . . . . . . . . . . . .(RIGHT) Counter, Nagashizuki Jodan/Chudan.
Mawashigeri Uke
1. Mawashigeri Chudan . . . . . . . . . . . .Back foot step side, Chudan-Uke Gyakuzuki Chudan 2. Mawashigeri Chudan/Jodan . . . . . . . .Half step back, Mawashigeri Jodan/Chudan 3. Okutte Mawashigeri . . . . . . . . . . . . .Step back & side, Chudan/Jodan-Uke Gyakuzuki Chudan 4. Okutte Mawashigeri . . . . . . . . . . . . .Counter, Nagashizuki Jodan/Chudan 5. Okutte Mawashigeri . . . . . . . . . . . . .Tobikomi, Kakae-Nage, Gyakuzuki Chudan/Jodan 6. Mawashigeri . . . . . . . . . . . . . . . . . . .(RIGHT) Counter, Nagashizuki Jodan/Chudan
Defender
HHG Ushiro ayumiashi, shuto uchi uke
No 2
No 3
MHGUshiro ayumiashi, shuto uchi uke, ushiro nijiriashi, otoshi uke, Counter, junzuki no tsukkomi.
No 5
HHG Ushiro ayumiashi Shuto uchi uke. HHG Ushiro nijiriashi, shuto uchi uke Ushiro nijiriashi, shuto uchi uke Counter maegeri chudan.
No 7
Fighting Strategy
Includes forestalling the opponent. there are three principal methods, known as SEN. These are: 1. 2. Sen-te, Ken-no-sen (first attack). this is to attack the opponent before he has prepared for the attack. Go-Sen-No-Te, Go-No-Sen, or Tai-No-Sen (Counter attack) After the attacker has started his attack, Defender (with block, if necessary) strikes Attacker before he has struck. Sen-Sen-No-Sen-Te, Tai-Tai-No-Sen (Anticipatory attack)this is to attack the opponent after he has prepared his attack, but has not yet carried it out.
3.
Renkei Waza
1. 2. Maegeri Chudan - Tobikomizuki Jodan (Front kick to body - snap punch to the face) Maegeri Chudan - Gyakuzuki Chudan (Front kick to the body - opposite punch to the body)
(Senior Syllabus)
Yakusoku Gumite
1. 2. 3. 4. Jodan (Zuki) Uke . . . .L & R Ipponme (No.1 face punch and block) Chudan (Zuki) Uke . . .L & R Ipponme (No.1 body punch and block) Maegeri Uke . . . . . . . . .L & R Ipponme (No.1 front kick, and block) Mawashigeri Uke . . . . .L & R Ipponme (No.1 Mawashigeri, and block)
(Junior Syllabus)
Yakusoku Gumite
Jodan (Zuki) Uke ........L & R Ipponme (No.1 face punch and block)
10
Renkei Waza
1. 2. Maegeri Chudan - Mawashigeri Chudan - Gyakuzuki Chudan Gyakuzuki Jodan - Maegeri Chudan
(Senior Syllabus)
Kata
1 Pinan Nidan
(Junior Syllabus)
Kata
Pinan Nidan
Yakusoku Gumite
1. 2. 3. 4. Jodan (Zuki) Uke . . . .L & R Nihonme (2) Chudan (Zuki) Uke . .L & R Nihonme (2) Maegeri Uke . . . . . . . .L & R Nihonme (2) Mawashigeri Uke . . . .L & R Nihonme (2)
Yakusoku Gumite
Chudan (Zuki) Uke .........L & R Ipponme (1)
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Renkei Waza
1. 2. Okutte Maegeri Chudan - Sokuto Chudan - Uraken Jodan Tobikomi Jodan - Chudanzuki - Okutte Maegeri Chudan.
(Senior Syllabus)
Kata
Pinan Shodan (1) Pinan Sandan (3)
(Junior Syllabus)
Kata
Pinan Nidan (2) Pinan Shodan (1)
Yakusoku Gumite
1. 2. 3. 4. Jodan (Zuki) Uke . . . .L & R Sanbonme (3) Chudan (Zuki) Uke . .L & R Sanbonme (3) Maegeri Uke . . . . . . . .L & R Sanbonme (3) Mawashigeri Uke . . . .L & R Sanbonme (3) Maegeri Uke
Yakusoku Gumite
L & R Ipponme (1)
Ohyo Gumite
1. Ipponme (1)(Att/L, Def/L)
Ohyo Gumite
Ipponme (1)(Att/L, Def/L)
Jiyu Gumite
(Free Fighting)
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Renkei Waza
1. 2. Mawashigeri Chudan - Ushirogeri Chudan - Gyakuzuki Chudan Tobikomi Jodan - Chudanzuki - Mawashigeri Chudan
(Senior Syllabus)
Kata
Pinan Shodan (1) Pinan Yodan (4)
(Junior Syllabus)
Kata
Pinan Shodan (1) Pinan Sandan (3)
Kihon Gumite
Ipponme (1)
Kihon Gumite
not required
Yakusoku Gumite
1. 2. 3. 4. Jodan (Zuki) Uke . . . .L & R Ipponme (1) Chudan (Zuki) Uke . .L & R Yonhonme (4) Maegeri Uke . . . . . . . .L & R Yonhonme (4) Mawashigeri Uke . . . .L & R Yonhonme (4)
Yakusoku Gumite
1.Mawashigeri Uke . .L & R Ipponme
Ohyu Gumite
Nihonme (2)(Att/L, Def/R)
Ohyu Gumite
Nihonme (2)(Att/L, Def/R)
Jiyu Gumite
(Free Fighting)
13
Renkei Waza
1. 2. Maegeri Chudan - Nagashizuki Jodan - Gyakuzuki Chudan Maegeri Chudan - Sokuto Chudan - Ushirogeri Chudan - Uraken Jodan
(Senior Syllabus)
Kata
Pinan Yodan (4) Pinan Godan (5)
(Junior Syllabus)
Kata
Pinan Sandan (3) Pinan Yodan (4)
Kihon Gumite
Nihonme (2)
Kihon Gumite
Not Required
Yakusoku Gumite
1. 2. 3. 4. Jodan (Zuki) Uke . . . .L & R Nihonme (2) Chudan (Zuki) Uke . .L & R Gohonme (5) Maegeri Uke . . . . . . . .L & R Gohonme (5) Mawashigeri Uke . . . .L & R Ropponme (6)
Yakusoku Gumite
Jodan (Zuki) Uke L & R Nihonme (2) Chudan (Zuki) Uke L& R Nihonme (2)
Ohyu Gumite
Ipponme (1)(Att/L, Def/L) Nihonme (2)(Att/L, Def/R)
Ohyu Gumite
Ipponme (1)(Att/L, Def/L) Nihonme (2)(Att/L, Def/R)
Jiyu Gumite
(Free Fighting)
14
Renkei Waza
1. 2. Tobikomi Jodan Chudanzuki - Okutte Maegeri Chudan - Sokuto Chudan - Uraken Jodan Maegeri Chudan - Nagashizuki Jodan - Gyakuzuki Chudan - Mawashigeri Jodan
(Senior Syllabus)
Kata
Pinan Godan (5) Kushanku
(Junior Syllabus)
Kata
Pinan Yodan (4) Pinan Godan (5)
Kihon Gumite
Ipponme (1) Nihonme (2) Sanbonme (3)
Kihon Gumite
Not Required
Yakusoku Gumite
1. 2. 3. 4. Jodan (Zuki) Uke . . . . L & R Sanbonme (3) Chudan (Zuki) Uke . . L & R Ipponme (1) Maegeri Uke. . . . . . . . L & R Ropponme (6) Mawashigeri Uke . . . . L & R Ipponme (1)
Yakusoku Gumite
Maegeri Uke ...........L & R Gohonme (5) Mawashigeri Uke ...L & R Sanbonme (3)
Ohyu Gumite
Yonhonme (4)(Att/R, Def/R)
Ohyu Gumite
Ipponme (1)(Att/L, Def/L) Nihonme (2)(Att/L, Def/R)
Jiyu Gumite
(Free Fighting)
15
Renkei Waza
(Senior Syllabus)
Kata
One Pinan Kata of students choice (Tokui-Kata) Kushanku Naihanchi
(Junior Syllabus)
Kata
Kushanku
Kihon Gumite
Sanbonme (3) Yonhonme (4) Ropponme (6)
Kihon Gumite
Ipponme (1)
Ohyu Gumite
Yohonme (4)
Ohyu Gumite
Yohonme (4)
Jiyu Gumite
Free Fighting
Jiyu Gumite
Free Fighting
16
Renkei Waza
1. 2. Zenshinite Jodan - Chudanzuki - Maegeri Chudan - Nagashizuki Jodan - Gyakuzuki Chudan Mawashigeri Jodan Sunegeri - Mawashigeri Jodan - Ushirogeri Chudan - Gyakuzuki Chudan
(Senior Syllabus)
Kata
Naihanchi Seishan Chinto
(Junior Syllabus)
Kata
Kushanku
Kihon Gumite
Yonhonme (4) Ropponme (6) Nanahonme (7) Happonme (8)
Kihon Gumite
Ipponme (1)
Yakusoku Gumite
Jodan (Zuki) Uke ...........................L & R Chudan (Zuki) Uke........................L & R (Chosen by the Examiner)
Ohyu Gumite
Ipponme (1) Nihonme (2) Yonhonme (4)
Ohyu Gumite
Ipponme (1) Nihonme (2) Yonhonme (4)
Jiyu Gumite
(Free Fighting)
Jiyu Gumite
(Free Fighting)
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Gorei (commands)
Kiotsuke ! . . . . . . . . . . . . . . . . . . . . . . . . .Attention ! (Musubi Dachi) Mokuso . . . . . . . . . . . . . . . . . . . . . . . . . . . .Meditation Seiza . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Kneel Sensei-ni-Rei . . . . . . . . . . . . . . . . . . . . . . . .Bow to instructor Otagai-ni-Rei . . . . . . . . . . . . . . . . . . . . . . .Bow to all assembled Kiritsu . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Stand Yo-oi . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Ready stance (Hachiji Dachi) Junzuki Hidari Gamae . . . . . . . . . . . . . . . . .Left Junzuki position Hidari Hanmi Gamae . . . . . . . . . . . . . . . . .Left fighting stance Migi Hanmi Gamae . . . . . . . . . . . . . . . . . . .Right fighting stance Hidari Shizentai . . . . . . . . . . . . . . . . . . . . .Left natural stance (Lenoji Dachi) Migi Shizentai . . . . . . . . . . . . . . . . . . . . . . .Right natural stance (Lenoji Dachi) Mawatte, Jodan Uke . . . . . . . . . . . . . . . . . .Turn with upper rising block Mawatte,Gedan Barai . . . . . . . . . . . . . . . . .Turn with downward block Sonobade Gyakuzuki . . . . . . . . . . . . . . . . .Change to reverse punch & position Kiai . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Shout Yame . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Stop Naore . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Relax Numeration Used in Kata (Ordinal) & Dan Grades 1. Ichi.......................Shodan ......................Ipponme 2. Ni ........................Nidan ........................Nihonme 3. San.......................Sandan ......................Sanbonme 4. Shi .......................Yodan.........................Yonhonme 5. Go........................Godan........................Gohonme 6. Roku ....................Rokudan ....................Ropponme 7. Shichi...................Shichidan...................Nanahonme 8. Hachi ...................Hachidan ...................Happonme 9. Ku........................Kudan........................Kyuhonme 10. Ju .........................Judan.........................Jipponme (Cardinal)
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Tachikata (Stances)
Heisoku Dachi
Naihanchi Dachi
Ko-ashi Dachi
METHOD OF MOVEMENT Taju no ido . . . . . . . . . . . . . . . . . . . . . .One leg to the other(weight shifting) Ayumiashi . . . . . . . . . . . . . . . . . . . . . . .Taking one step forward or backward(Walking) Surikomiashi . . . . . . . . . . . . . . . . . . . . .Taking two steps F. or B. Yoriashi . . . . . . . . . . . . . . . . . . . . . . . . .Move one foot the the other F. or B. Tsugiashi . . . . . . . . . . . . . . . . . . . . . . . .Move foot opposite to direstion of movement then the other F. or B. 6. Nijiriashi . . . . . . . . . . . . . . . . . . . . . . . .Glide both feet at the same time F. or B. 7. Choyaku . . . . . . . . . . . . . . . . . . . . . . . .(Jumping) 7. Kagami . . . . . . . . . . . . . . . . . . . . . . . . .(Ducking) TAOSHI WAZA (Take Downs) 1. 2. 3. 4. 5. 6. Kosotogari . . . . . . . . . . . . . . . . . . . . . .Small outside clip Osotogari . . . . . . . . . . . . . . . . . . . . . . .Big outside clip Sasae Tsurikomiashi . . . . . . . . . . . . . . .Lifting pull throw with support Kouchigari . . . . . . . . . . . . . . . . . . . . . . .Small inside clip Ouchigari . . . . . . . . . . . . . . . . . . . . . . .Big inside clip Kubinage . . . . . . . . . . . . . . . . . . . . . . . .Neck throw.
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1. 2. 3. 4. 5.
KUMITE SHIAI
WUKO rule are applied. These allow touch contact only. The normal duration of a bout is either two or three minutes of fighting time. This, however can be extended to five minutes according to the rules of the tournament. The result of the bout is determined by one contestant having achieved three Ippons (an Ippon is a full point) or 6 Waza-aris (a Waza is half a point), or a combination of Ippons and Wazaaris totalling three points. Or it can be determined by the declaration by the Referee of HANSOKU (a foul), OR SHIKKAKU (disqualification), or KIKEN (withdrawal by a contestant). If none of these have been attained during the duration of a bout, the winner is the contestant with the greater number of points. In the event of a draw the referee declares ENCHO-SEN (in individual match & DAISHO-SEN), whereby the bout is extended until one of the contestants has scored further Ippon or Waza-ari. In the event that the bout continues to be drawn, the winner is selected by HANTEI, the decision arrived at by the referee, judge and Arbitrator. IPPON is awarded for a scoring technique such as: 1. 2. 3. 4. 5. A Jodan kick with control Scoring at the precise moment of an opponents attack (counter) Deflecting an attack, combined with scoring to an opponents unguarded back Sweeping or throwing, followed by a scoring technique A combination technique, each component of which is entitled to score in its own right
CRITERIA applied by the referee 1. 2. 3. 4. 5. 6. Good form Correct attitude Vigorous application Proper timing Zanshin Correct distance
TARGET AREAS are limited to: 1. 2. 3. 4. 5. 6. Head Face Neck Abdomen Chest Back (excluding shoulders)
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KUMITE SHIAI
PROHIBITED BEHAVIOUR 1. Contact to the throat 2. Excessive contact 3. Attacks to the groin, joints or instep 4. Open-handed attacks to the face 5. Dangerous throws 6. Use of an uncontrollable technique 7. Repeated direct attack to arms or legs 8. Repeated exit from the competition area (JOGAI) or actions that waste time 9. Purposeless grabbing, wrestling or violent pushing 10. MUBOBI (reckless disregard for ones own safety) 11. Any discourteous behaviour 12. Feigning injury in order to gain advantage SHIKKAKU (disqualification) may be invoked against behaviour such as: 1. 2. 3. 4. 5. 6. Action which harms the prestige and honour of Karate-Do Disobedience of referees order Over-excitement such as to jeopardise the smooth running of a bout Any action which is dangerous and deliberately violates the rules of prohibited behaviour Entering, or continuing a contest, against a doctors recommendation Actions which violate the rules of the tournament
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