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Drawing 300 Resource and Image Bibliography
Drawing 300 Resource and Image Bibliography
Bibliography
DRAW 300 Section AA by Kevin Dykstra
Bibliography for Drawing Techniques
Brommer, Gerald F. Drawing Ideas, Materials and Techniques. Davis Publications, Inc., 1978 Constance, Diane. Complete life drawing course, Sterling Publishing Co., Inc., 2001 Edwards, Betty. The new Drawing on the Right side of the Brain. Penguin Putnam Inc., 1999 Entice, Wayne and Peters, Melody. Drawing - Space, Form and Expression. Prentice Hall Inc., 1996 Franck, Frederick. Zen Seeing, Zen Drawing Meditation in action. Bantam Books, 1993 Gair, Angela. Artists Manual A Complete Guide to Painting and Drawing Materials and Techniques, Chronicle Books, 1996 Malins, Frederick. Drawing Ideas of the Masters Artists techniques compared and contrasted. Phaidon Press Ltd., 1981 McDaniel, Richard. The Drawing Book Materials and Techniques for Todays Artists. Watson-Guptill Publications, 2001 Mendelowitiz, David M. A Guide to Drawing. Holt, Rinehart and Winston, 1976 Parramon. Barrons Art Handbooks The Nude, Barrons Educational Series Inc., 2001 Smith, Ray. The Artists Handbook, Alfred A. Knopf, Inc., 1987 Watson, Lucy. Life Drawing Class, Georgetown Publications Inc., 2003
Bibliography
DRAW 300 Section AA by Kevin Dykstra
Schneider, Pierre. The World of Watteau. Time Incorporated, New York, 1967 Simmons, Seymour and Winer, Marc S. A. Drawing - The Creative Process, Prentice Hall Inc., 1977 Socit des Espositions du Palais des Beaux-Arts de Bruxelles. Ingres et Delacroix, Dessins et aquarelles. Socit des Espositions du Palais des Beaux-Arts de Bruxelles, 1986 Wilson-Bareau, Juliet. Goya Drawings from his private albums, Hayward Gallery, 2001
Image Bibliography
DRAW 300 Section AA by Kevin Dykstra
Lawrence R. Brullo, untitled, Watercolor washes of various hues and ink, Courtesy of the Artist
Gustave Courbet, Self-Portrait (The man with the pipe), c. 1849. Charcoal, 11 x 8 in. Wadsworth Atheneum, Hartford
Daurmier, The Thieves and the Ass, vers 1845. Black Chalk, 340 x 255 mm. Muse du Louvre, Paris
Bibliography
DRAW 300 Section AA by Kevin Dykstra
Daurmier, A Woman and Child Crossing a Bridge, vers 1855. Black chalk, pen and ink with wash, 290 x 220 mm. Andr Bromberg Collection, Paris
Daurmier, A Woman Nursing a Child, vers 1855. Black chalk, wash and cont crayon, 163 x 143 mm. Private Collection
Daurmier, A Painters Studio, vers 1870. Stumped charcoal, pen and ink, and wash, 311 x 460 mm. Jos Mugrabi Collection
Bibliography
DRAW 300 Section AA by Kevin Dykstra
Edgar Degas, Danseuses au Repos, 1878. Pastel on paper, 24 x 22 in
Edgar Degas, Femmes se poignant, c. 1875-76. Oil on paper mounted on canvas, 12.25 x 17.75 in. The Phillips Collection
Bibliography
DRAW 300 Section AA by Kevin Dykstra
Edgar Degas, Trois danseuses dans les coulisses, c. 1880-85. Oil on canvas, 21 x 25 in. Acquavella Galleries, Inc
Edgar Degas, Danseuse attachant son chausson, .1887. Pastel and pencil on paper, 16 1/8 x 15 in. Acquavella Galleries, Inc
Bibliography
DRAW 300 Section AA by Kevin Dykstra
Edgar Degas, Femme prenant un tub, c. 1886. pastel on paper, 28 3/8 x 22 in. Acquavella Galleries, Inc
Edgar Degas, Danseuse vue de face, le bras gauche leve, 1887. Pastel on paper, 18 x 11 in. Kimbell Art Museum
Bibliography
DRAW 300 Section AA by Kevin Dykstra
Delacroix, Trois tudes de nu, vers 1850. Graphite and ink, 265 x 413 mm. Muse du Louvre, Cabinet des dessin, Paris
Lorenzo di Credi, Saint Bartholomew, c. 1510. Pencil, white and red chalk on brown paper, 15 3/16 x 10 5/8 in. Louvre, Paris
Bibliography
DRAW 300 Section AA by Kevin Dykstra
Jim Dine, The Early Sitter, 1975. Charcoal and pastel, 40 x 31 in. Museum of Fine Arts, Boston
Jim Dine, The Thin Model, 1976. Charcoal, oil and crayon, 45 x 31 in. Private collection
Bibliography
DRAW 300 Section AA by Kevin Dykstra
Jim Dine, The Blond Runner #2, 1978. Charcoal and pastel, 45 x 31 in. Corman, Beverly Hills, California
Jim Dine, Jessie with a Shell XIV, 1982. Mixed mediums, 43 x 30 in. Collection Mr. Clement Stone, Lake
Jim Dine, Venus Outlined in Blue, 1983. Mixed mediums, 60 x 44 in. Private collection, New York
Bibliography
DRAW 300 Section AA by Kevin Dykstra
Francis de Erdely, The Banjo Player, no date. Balsa stick and ink on brown paper, 29.5 x 24 in. The Snow Gallery, San Marino, California.
Goya, Young woman pulling up her stocking, 1796. Brush and Indian ink, 172 x 100 mm. Private collection, Sanlucar Album
Goya, Young woman arranging her hair as another rests on a bed, 1796. Brush and Indian ink, 172 x 101 mm. Private collection, Sanlucar Album
Bibliography
DRAW 300 Section AA by Kevin Dykstra
Ingres, Mlle Henriette Ursle Claire, 1816. Graphite, 304 x 221 mm. The Gemeente Museum, Den Haag
Ingres, Louise Gonin, 1821. Graphite, 208 x 153mm. Muse dArt et dHistoire, Cabinet des dessins, Genve.
Ingres, Etude draperie, vers 1824. Graphite and white chalk, 335 x 358 mm. Muse des Beaux-Art, Lille.
Bibliography
DRAW 300 Section AA by Kevin Dykstra
Dan Leary, Self-Portrait, no date. Pastel and powder pigment on paper, 22 x 17 in. Printworks Gallery, Chicago
Valerie Love, Figures, no date. Ball point, 16 x 10 in., Courtesy of the Artist
Renoir, Bather rubbing her foot, 1885-90. Sauguine heightened with white, 14 3/8 x 11 in. Csar de Hauke Collection
Bibliography
DRAW 300 Section AA by Kevin Dykstra
Renoir, Bather, 1882-90. Pastel, 23 x 17 in. , unknown location.
Renoir, Portrait of Gabrielle, c. 1906. Sanguine heightened with white, 23 x 18 in. Muse du Louvre, Paris.
Bibliography
DRAW 300 Section AA by Kevin Dykstra
Peter Paul Rubens, Two Figures from The Adoration of the Shepherds at Fermo, Pen and brown ink and brown wash, 140 x 151 mm. Historisch Museum, Amsterdam.
Peter Paul Rubens, Crouching man seen from behind study for the Raising of the Cross, 1610-1611. Black chalk heightened with white and reworked with Chinese ink on faded yellow paper, 465 x 320 mm. Mr. C.P. van Eeghen, Amsterdam.
Peter Paul Rubens, Male nude seen partially from behind,, Black chalk heightened with white, 315 x 367 mm. The Ashmolean Museum, Oxford.
Bibliography
DRAW 300 Section AA by Kevin Dykstra
Seurat, The Artists Mother, 1882-83. Cont crayon, 32.7 x 24 in. The Metropolitan Museum, New York
Seurat, Nude, 1879. Cont crayon, 59.1 x 44.8 in. Courtauld Institute of Art, London
Seurat, The Black Bow, 1882-83. Cont crayon, 31 x 23 in. Private collection
Bibliography
DRAW 300 Section AA by Kevin Dykstra
Seurat, Study for Night Stroll, 188788. Ink, 27.5 x 20.5 in. Dr. Eduard Freiherr von der Heydt, Ascona
Seurat, Woman Seated, Umbrella Raised, study for the Grande Jatte, 1884-85, Cont crayon, 30.2 x 18 in. A. Dunoyer de Segonzac, Paris Seurat, Au Divan Japonais, 1888. Cont crayon, 20.5 x 23 in. Baron Gourgaud
Bibliography
DRAW 300 Section AA by Kevin Dykstra
Seurat, A Music Hall Artist, 1887-88. Cont crayon, 30.5 x 23.3 in. Fogg Art Museum, Harvard University
Charles Sheeler, Feline Felicity, .1934. Conte crayon on white paper, 559 x 457 mm. The Fogg Art Museum, Harvard
Everett Shinn, Lovers, 1908. Brown wash, red charcoal, and Chinese white on tan paper, 10 3/16 x 12 7/8 in. Allen Memorial Art Museum, Oberlin College, Ohio.
Bibliography
DRAW 300 Section AA by Kevin Dykstra
Anthony van Dyck, The Carrying of the Cross, 1617-1618. Black chalk with pen and brown ink and brown and grey washes, 203 x 107 mm. Museum of Art, Rhode Island School of Design, Providence, Rhode Island.
Anthony van Dyck, The crucifixion,, c. 1627-30. Pen with brown ink and brown wash, with highlights in white body color on blue-grey paper, 271 x 195 mm. British Museum, London
Antoine Watteau, Reclining bacchante holding a glass, no date. Red, white and black chalk on paper
Bibliography
DRAW 300 Section AA by Kevin Dykstra
Fritz Wiegele, Two young girls, 1935. Rubbed pencil, 21 3/8 x 12 3/8 in. Collection Count Antoine Seilern, London
Charles White, untitled, Sepia wash drawing, Courtesy of the artist Marc Winer, Twisted nude No.4, pencil,
fom the book The Creative Process