3.

Every Night

I Have the Blues

Next up, we havea tune$,ritten the styleof "EveryDay I Havethe Blues."recorded Memphis in by S1im. another imporlant Chicago blucspianist. This againuses boogie-woogie influenced handp|x, which left a at this moremediumtenpo creates "chugging"andpropulsive a cffect.Notethe useof right-hand crossovers theintro, in the first chorus- a variadon the sccond in and in chorus. Eighih notetripietpatterns (or arealsoused the sccond in In chorus, usingrepeatcd notes dronenotes) top from thebluesscale. the lhird chorus. repetition the thlee-beat the pattemis another of lefl-hand right handplxaseagainst steady the example rhythnlicdisplacement. of Workon playingIheright-hand phrases thefirst and second crossovcr in choruses evenlyas you can,at as (palicularlythe lastsection the second a slowertempoat first ifnecessary of chorus). Again,havingIhe pattern "auto-pilot"will help you,espccially left- hand on duringtherhythmicdisplacenents usedin the third chorus.

Ilode.ately.

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67

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Fancy"
pureandsimwasan earlybluespianislwhoseearlystyleremained Jimmy Yancey(1894 1951) of ple. His approach by represenis biuesstyleunaffected ihe influence mgtime.He alsobecame a influential theboogiewoogjestyleof the 1920s. followingtuneis writtenin his pureblues The in Sykes. pianists "Pinetop"SmithandRoosevelt style.Otherblues includeClarence

TRACK9

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