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Communication As The Site For The Emergence of Organization.
Communication As The Site For The Emergence of Organization.
Date of Submission
18 April 2007
Lecturer:
Colin Chasi
Content page p.
1. INTRODUCTION 1
4. CONCLUSION 9
5. SOURCE LIST 11
1. INTRODUCTION
The process of conceptualizing the modern organization is problematic in its scope and represents a
dramatic change from the traditional approaches of Weber’s ‘classical organizational theory’ and
Likert’s managerial perspective on human relations. These, and other, earlier approaches appear to have
become obsolete in dealing with the complexities of postmodern environmental dynamics and
adaptability. Past theorist have concentrated on the role of order and power in creating and maintaining
stable structures in an attempt to control environmental fluxes as well as the internal architecture of an
organization. However, the role of communication as the foundation to the organization has become the
focus as the boundaries of organizations have become blurred through transnational dialogue and the
resultant interactional displacement cause by communication technology. This essay will deconstruct
the nominal understanding of ‘organization’ as pertains to its origin, function and operations, as well as
challenge the traditional ontological assumptions of organization. In order to illustrate how
communication acts as the site for the emergence of organizations the film production process will be
discuss as it relates to coordination and role enactment within the temporary organization.
‘Communication’ has been defined in a number of specific schools of thought and its conceptualization
as a term has proven to be contextual as opposed to an all-encompassing explanation, in this vein
‘communication’ will be defined as a “mode of exchange and a mode of knowledge production”
(Taylor & Van Every in McPhee, 2000: 328-329). The notions of ‘exchange’ and ‘production’ are
evolutionary terms used to describe the transference and creation of information in order to assess
environmental interaction and the process of sense making in organizations. Therefore, organizations
are a process of communication activity in which they are formed and reformed by communication
discourse between the context in which they operate (i.e. the global economy) and the resultant
organizational texts and culture. This dialogic process represents the double interact that lead Karl
Weick to reformulate the notion of the ‘organization’ to that of ‘organizing’.
Weick’s ‘organizing’ highlights the paradigmatic nature of organizations, as they are “something that
people accomplish through a continual process of communication” and not defined by the positions and
roles the members occupy (Littlejohn & Foss, 2005:245). The question of dualism between
communication and organizations represents latter as a “symbolically realized construction” produced
by interactional process of the organizations members and the macro system they occupy (Taylor &
Robichaud, 2004). These ‘symbolically realized constructions’ emphasis the importance of interlocked
behaviors as they create, maintain, and are adjusted in accordance with the normative competencies
necessary to reduce uncertainty or ‘equivocality’ (Weick in Littlejohn & Foss, 2005: 246).
Taylor’s approach to communication and organizing focuses on collective action, dialogue between
partners, the context, and on micro and macro processes (Taylor & Robichaud, 2004: 396). This
challenges the traditional ontological assumptions of organizations being concrete structures; instead
they see communication, as does Weick, as boundaryless social structures formed and maintained by
communication interaction. The theories of Taylor and colleagues also explore the terrain of what
constitutes organizational structures and functioning. Similarly to Weick, Taylor deconstructs the notion
of ‘organizing’ and identified two core components: the conversation and the text (the content and ideas
embedded in language) and communication. Communication, according to Taylor, is a circular process
that makes use of conversation and text in the production of shared meaning. However it should be
noted that the text and the conversation cannot be functionally separated, instead a double translation is
constantly present that acknowledges the duality of these two interdependent components (Littlejohn &
Foss, 2005). These basic terms used by Taylor act as the foundation for his multilayered conception of
communication as both a mode of exchange and of knowledge production that emphasizes “shared
meaning and interpretations that are constructed within the networks” (Littlejohn & Foss, 2005: 249).
Similarly Weick’s approach explores how these networks are created and maintained through
communication within these networks but his emphasis is on role of sense-making in reducing
environmental equivocality.
Organizational members first become aware of the events they are experiencing (be it environmental or
relational) and then begin to ‘bracket’ these experiences according to something that has already
occurred within the organizing process, but which does not yet have a name (Weick & Sutcliffe, 2005:
411). This act of ‘bracketing’ is intrinsic to sense-making because equivocal information cannot be
dealt with until it has been acknowledged and labeled within organizing structures. Therefore the
organization must produce a system for ‘functional deployment’. In organizational terms ‘functional
deployment refers to “imposing labels on independent events that suggest a plausible acts of managing,
coordinating, and distribution” (Weick & Sutcliffe, 2005: 411), hence by initially ‘bracketing’ empirical
information the organization is able to commence with the classification of that event/situation. This
creates a socially constructed form (the label) that offers the organizational members a communal term
that acts as the catalyst for meaningful action. This is because once uncertainty can be labeled within
the organizing structures the original threat of equivocality is reduced due to the mere labeling of that
uncertain event.
The paradox here is that even if zero-based planning is offered as an alternative, the speed at which
uncertainty is labeled (and then action is taken) is hindered by the this continual information ‘ground-
zero’, whereby knowledge production is hindered and information is overwhelming. Therefore the
channels and mediums through which an organization is able to transfer meaningful information should
consist of progressive approximations, which would allow for a better linkage between the concrete
(organizational norms) and the abstract (current and future equivocality). The question of sense-making
raised here are placed into a conceptual framework through Weick’s position of organizing being an
evolutionary process that involves enactment, selection, and retention as they relate to organizational
members cognitive understanding of equivocality and meaningful action.
The second process is selection. This involves reducing the quantity of possible meanings, derived
from ecological change, into tentative and provisional units of meaning to be acted upon (Littlejohn &
Foss, 2005). The selection process is a direct result of enactment and is hence dependent on it. What the
organization considers of high or low priority is determined by how the organization is designed to
achieved its goals as well as what situations would possibly destabilize and threaten the organizations
ability to function in its environment.
Thirdly, the ‘stock’ of information selected is then stored for possible future use; this process in the
evolutionary process of organizing is called retention (Littlejohn & Foss, 2005). Here the organization
face a choice point is which organizational members must decide whether they should reenact the
environment in order to approach a particular problem from a different course of possible action or to
acknowledge an area that was previously considered of less importance (Littlejohn & Foss, 2005). This
choice point is what acts as an adaptive measure that allows organizational structures to constantly
create a bank of knowledge for the creation, and revision, of possible strategies for approaching
ecological change as well as inter-organizational routines.
The film production process involves complex coordination and generally flexible structures in order to
reduce costs and ensure the production process is successfully and timely completed. In any given
production there are a number of specialized personnel and teams that have to coordinate their actions
under a shared understanding of immediate and end goals. This requires extensive communication, or
heedful interrelating, among organizational members (Weick and Roberts in Bechky, 2002). However,
the level of sophistication required in achieving such a task is dependent on a clear understanding of
each members role within the production, this is particular important given the fact that the film
production process, by nature, forms temporary organizations that require the socialization of the
technical personnel and teams in order to the smooth functioning of the organization.
The manner in which members of organization interact with other members is based on previously
constructed knowledge of the roles each member previously occupied. The role and purpose of the
actor in the production is not defined after the merger of specialized personnel and teams, but rather
through the act of communication prior to the production, and even pre-production, activities. More
specifically, the structures and the specific roles within the organization are made visible out of a need
to create a smooth and functional process that allows individuals to be almost immediately socialized
into their roles. The visibility of the organizations structures means that roles are easily associated with
tasks and behaviors, additionally “as crew members enact their roles on a project, they are strongly
socialized via a culture of direct feedback, excessive gratitude, and role-directed humor” (Bechky,
2002), this reinforces the crews’ role within the production and it allows future productions to be less
equivocal.
Although each new project produces a variant organizational culture the “generalized role structure is
made visible through the career progression across projects” (Bechky, 2002). Hence Weick’s
component of retention and behavioral cycles are highlighted, as these temporary organizations are
dependent on previously established norms and acquired information to fulfill the tasks at hand. This
role enactment contributes towards reducing the constant equivocal threats, common with each new
production, by allowing members to understand their roles in response to production problems and
setbacks.
Consider the process of resolving the issue when a location is not longer viable for shooting. The
production manager has to reevaluate the budget and importance of that segment of the production; the
screen writer/s have to possible restructure the narrative in accordance to what location resources are
available whilst still capturing the thematic elements required in the story; the director of photography
might have to develop new visual compositions or approach to the story-telling process; and the actors
might receive a new scene script and new direction from the director. What this scenario highlights is
that when problems arise in temporarily organizations the role enactment present in such productions
allows members to preempt the possible impact that the situation will have on their functioning. This
role certainty allows for flexibility and responsibility within the organization as well as providing crew
members with unambiguous role clarity in times of chaos.
Although roles within film production are generally predetermined, the inter-organizational
communication is highly complex and relies in constant cycles of interaction. Consider the interaction
that occurs between crewmembers when setting up a basic in-door drama scene. Firstly the set
designers have to correspond with both the director and screen writer/s as to what elements are of
importance and how the actors will be moving within the scene. Then the director of photography has
to communicate with the set designers whilst he/she arranges mise-en-scene and lighting, the camera
man then has to positioning himself accordingly and make is own adjustments in accordance to present
lighting and colour conditions created by the set designers and the director of photography.
Furthermore the director would comment and relay feedback to any of the members involved if
changes are to be made. All this is achieved through a number of communication mediums (e.g. walkie
talkies, non-verbal signals, face-to-face interactions, e-mail, group discussions, via the actual script,
etc.). The important thing to note here is that the communication methods and means involved in just
basic set construction is complex and integrated, and the use of technology in creating meaningful
feedback loops is vital as these temporary organizations coordinate their actions in the production
process. In summary, the film production process highlights the role of communication in the formation
of temporary organizations that, by nature, rely on complex communication structures and channels for
success.
4. CONCLUSION
Organizations constitute many areas of society and the communication process lends to our
understanding of how these structures come into being. A large body of literature has emerged on the
nature of organizations and how they function within the context in which they arise and Weick’s
theory of organizing acknowledges the context in which organizations find themselves, that being a
environment that is constantly changes and affecting the manner in which communication shapes
organizations and their culture. Although past organizational theories have suggested a seemingly self-
contained system of organizing, Weick’s perspectives have allowed for a more holistic standpoint on
how organizations come too know themselves and the world they operate in. Furthermore, by using the
preferred label of ‘organizing’ it is allowing theorist to embrace an organizational paradigm that
acknowledges the means by which mankind comes to know their world-through communication.
Weick’s sense-making process deals with organizational members need to infer pragmatic data from the
environment in order to function effectively and more so to survive in the continually emergent
globalized world. However sense-making goes beyond being able to reduce equivocality, it needs to be
utilized and communicated to the organization in order to have an affect on the organizational
operations and structuring. Therefore inter-organizational communication is just as vital in effective
organizational practice and the weight of the two in a highly effective organization is equal. Taylor
acknowledges this in his theories that emphasis the conversation in the process of organizing,
furthermore his sociocultural perspective grounds Weick’s basics components and reiterates the
importance of communicative texts and the organizational culture towards them.
It has been shown how communication acts as the site for the emergence of organization as well as how
sense-making (as a communication activity) is a vital construct for reducing the uncertainty that affects
organizational functioning and efficiency. In addition, the film production process serves as good
example of how organizing and enactment can contribute towards organizational functioning in chaos.
Through the use of Weick and Taylor’s theories this essay has illustrate how communication is actually
the medium that makes organizations possible.
5. SOURCE LIST
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