Documentary Bibliography Nichols, Bill. (2001). How Do Documentaries Differ from Other Types of Film, from Introduction to Documentary.

Bloomington, IN: Indiana University Press. Nichols, Bill. (2001). What Types of Documentary Are There, from Introduction to D ocumentary. Bloomington, IN: Indiana University Press. Eitzen, Dirk. (1995, Fall). When Is a Documentary?: Documentary as a Mode of Rece ption, Cinema Journal 35(1), 81-102. Monaco, James (1981). The Language of Film: Signs and Syntax, from How to Read a F ilm. New York: Oxford University Press. Grierson, John. (1976). First Principles of Documentary, from Richard Barsam (Ed.) , Nonfiction Film Theory and Criticism. New York: E.P. Dutton & Co. Grierson, John. (1976). The Nature of Propaganda, from Richard Barsam (Ed.), Nonfi ction Film Theory and Criticism. New York: E.P. Dutton & Co. Grierson, John. (1976). The Documentary Idea, from Richard Barsam (Ed.), Nonfictio n Film Theory and Criticism. New York: E.P. Dutton & Co. Keil, Charlie. (1998). Persuasion and Expression in The Plow That Broke the Plains and The City, from Barry Keith Grant and Jeannette Sloniowski (Eds.)., Documenting the Documentary: Close Readings of Documentary Film and Video. Detroit, MI: Wayn e State University Press. Guyn, William. (1998). Basil Wrights Song of Ceylon, from Barry Keith Grant and Jeann ette Sloniowski (Eds.)., Documenting the Documentary: Close Readings of Document ary Film and Video. Detroit, MI: Wayne State University Press. Rothman, William. (1997). Land Without Bread, from Documentary Film Classics. New York: Cambridge University Press. Nichols, Bill. (2001). How Have Documentaries Addressed Social and Political Issu es? from Introduction to Documentary. Bloomington, IN: Indiana University Press. Flaherty, Robert. J. How I filmed Nanook of the North, from Harry Gould (Ed.), Film Makers on Film Making. Bloomington, IN: Indiana University Press. Rothman, William. (1997). Nanook of the North, from Documentary Film Classics. New Y ork: Cambridge University Press. Stubbs, Liz. (2002). Albert Maysles: Father of Direct Cinema, from Documentary Fil mmakers Speak. New York: Allworth Press. Pryluck, Calvin. (1988). Ultimately, We are All Outsiders, from Alan Rosenthal, (E d.), New Challenges for Documentary. Berkeley, CA: University of California Pres s. Schwartz, David. (1985). Streetwise and Seventeen,Theatre Crafts, 19(9), 103-105. Rothman, William. (1997). Chronicle of a Summer, from Documentary Film Classics. New York: Cambridge University Press. King, Noel. (1981). Recent Political Documentary: Notes on Union Maids and Harlan Cou nty USA. Screen, 22(2), 7-18. Stubbs, Liz. (2002). Barbara Kopple: Through the Lens Fearlessly, from Documentary Filmmakers Speak. New York: Allworth Press. Fischer, Lucy. (1998). Ross McElwees Shermans March, from Barry Keith Grant and Jeanne tte Sloniowski (Eds.)., Documenting the Documentary: Close Readings of Documenta ry Film and Video. Detroit, MI: Wayne State University Press. Stubbs, Liz. (2002). Ross McElwee: Personal Journeyman, from Documentary Filmmaker s Speak. New York: Allworth Press. Feldman, Seth. (1998). Dziga Vertovs The Man with a Movie Camera, from Barry Keith Gr ant and Jeannette Sloniowski (Eds.)., Documenting the Documentary: Close Reading s of Documentary Film and Video. Detroit, MI: Wayne State University Press. Michelson, Annette (1984). Introduction, from Annette Michelson (Ed.), Kino-Eye: T he Writings of Dziga Vertov. Berkeley, CA: University of California Press. Vertov, Dziga. (1984/1922). We: Variant of a Manifesto, from Annette Michelson (Ed .), Kino-Eye: The Writings of Dziga Vertov. Berkeley, CA: University of Californ ia Press. Bernstein, Matthew. (1994, Spring). Documentaphobia and Mixed Modes: Michael Moor es Roger & Me, from Barry Keith Grant and Jeannette Sloniowski (Eds.)., Documenting the Documentary: Close Readings of Documentary Film and Video. Detroit, MI: Wayn e State University Press.

Ruby, Jay. The Image Mirrored: Reflexivity in Documentary Film Bullert, B. J. (1997). Roger & Me and the Heartbeat of America, from Public Televi sion: Politics and the Battle over Documentary Film. New Brunswick, NJ: Rutgers University Press. Arthur, Paul. (1993). Jargons of Authenticity, from M. Renov (Ed.), Theorizing Doc umentary. New York: Routledge. Lane, Jim. (1993). Notes on Theory and the Autobiographical Documentary Film in America. Wide Angle, 15(3), 21-36. Petty, Sheila. (1998). Silence and Its Opposite: Expressions of Race in Tongues Un tied, from Barry Keith Grant and Jeannette Sloniowski (Eds.)., Documenting the Doc umentary: Close Readings of Documentary Film and Video. Detroit, MI: Wayne State University Press. Bullert, B.J. (1997). Tongues Untied, from Public Television: Politics and the Bat tle over Documentary Film. New Brunswick, NJ: Rutgers University Press. Greg Bordowitz, Operative Assumptions, from M. Renov & E. Suderburg (Eds.), Resolu tions: Contemporary Video Practices. Minneapolis, MN: University of Minnesota Pr ess. Riggs, Marlon. (1996). Tongues Re-tied, from M. Renov & E. Suderburg (Eds.), Resol utions: Contemporary Video Practices. Minneapolis, MN: University of Minnesota P ress. Rothman, William. (1997). Cinema Verit in America and Dont Look Back, from Documentary Film Classics. New York: Cambridge University Press. Levin, G.Roy. (1971). Donn Alan Pennebaker, from Documentary Explorations: Intervi ews with Filmmakers. New York: Doubleday & Co. Plantinga, Carl. (1998). Satirizing Masculinity in This is Spinal Tap, from Barry Ke ith Grant and Jeannette Sloniowski (Eds.)., Documenting the Documentary: Close R eadings of Documentary Film and Video. Detroit, MI: Wayne State University Press . Nichols, Bill. (1994). At the Limits of Reality (TV), from Blurred Boundaries. Blo omington, IN: Indiana University Press. Andrejevic, Mark. (2004). Rediscovering Reality, from Reality TV: The Work of Bein g Watched. New York: Rowman & Littlefield. Andrejevic, Mark. (2004). The Kinder, Gentler Gaze of Big Brother, from Reality TV : The Work of Being Watched. New York: Rowman & Littlefield. Boyle, Deirdre. (1992, Summer). From Portapak to Camcorder: A Brief History of Gu errilla Television, Journal of Film & Video, 44(1-2), 67-79. Millner, Sherry. (1991). Bargain Video, from D. Marcus (Ed.), The Paper Tiger Tele vision Guide to Media Activism. New York: The Paper Tiger Television Collective. Stein, Laura. (2001). Access Television and Grassroots Political Communication in the United States, from John Downing with T. Ford, G. Gil & L. Stein. Radical Me dia: Rebellious Communication and Social Movements. Thousand Oaks, CA: Sage Publ ications. Williams, Linda. (1998). Truth, History, and The Thin Blue Line, from Barry Keith Gr ant and Jeannette Sloniowski (Eds.)., Documenting the Documentary: Close Reading s of Documentary Film and Video. Detroit, MI: Wayne State University Press. Bates, Peter. (1989). Truth Not Guaranteed: An Interview with Errol Morris. Cine aste, 17, 1, pp. 16-17. Barnouw, Dagmar. (1995). Seeing and Believing: The Thin Blue Line of Documentary Objectivity. Common Knowledge, 4, 1, pp. 129-143. Engardio, Joel (1999, October 20-26). ITVS: Might See TV, SF Weekly.