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Art and The Post War "Crisis of Meaning".: Futurism, Dadaism and Surrealism
Art and The Post War "Crisis of Meaning".: Futurism, Dadaism and Surrealism
19th. Century era of invention and discovery. First World War led to social trauma. People found consolation in art and literature. Form of expression critical of political and social behaviours. Pacifism became increasingly popular and Nihilism grew in popularity.
Futurism: (1911-1944)
Artistic and social movement originated in Italy. - Emphasized the dynamism, speed, energy, and power of the machine and the vitality, change, and restlessness of modern life in general.
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Demonstrate the beauty of modern life - the beauty of the machine, speed, change and the new technology of the automobile. Key figures: Filippo Tommaso Emilio, Giacomo Balla and Carlo Carr.
Dadaism: (1916,1924)
Cultural movement in visual art as well as literature (mainly poetry), theatre and graphic design. Originated in Zrich and France. Works were characterized by a deliberate irrationality and the rejection of the prevailing standards of art. Rejection of war politics and social organization.
Fought against sexism/racism. Key figures: Tristan Tzara, Hannah Hoch and Francis Picabia.
Surrealism: (1924-1955)
Originated in France and was founded by the writer Andr Breton, after WW1. Highly concerned with dreams and the subconscious mind. Was considered socially acceptable and artistically valid. Artists created works of abstract beauty to delight the eyes. From the 1920s onward, the movement spread around the globe, eventually affecting the visual arts, literature, film, and music of many countries and languages, as well as political thought and practice, philosophy, and social theory.
Art movements are born out of the need for people to express their reactions to social, political and religious changes. The new movement will no doubt meet with resistance from critics and patrons alike, anyway, the artist will push forward with their movement until it gains acceptance.