Angela Leong M13608 Background Franz Schulz, mayor of the eastern Berlin district Friedrichshain, confirmed rumours that a section of the Berlin Wall would be demolished to facilitate construction of a block of luxury flats.
About 300 protestors turned up at the Wall, forcing workers to abandon demolition.
Thousands of demonstrators turned up, including 6000 on Sunday. Feb 26 (Tue) Mar 1 (Fri) Mar 2 (Sat) Mar 3 (Sun) Background Segment in question is the East Side Gallery, the longest remaining stretch of the Berlin Wall Slated removal of 22 metres (i.e. 19 slabs, each 4 feet) of the Wall, by developer Living Bauhaus Sections would be relocated to a riverside park behind the East Side Gallery
Background Living Levels 14 storey, 63 m high 36 private flats 2,750 10,000/m 2
Brommybrucke Linked with Muhlenstrae Connect Kreuzberg and Friedrichshain for cyclists and pedestrians Background Mr. Maik Uwe Hinkel of Living Bauhaus has agreed to cease demolition until a meeting with the city council and other relevant players on March 18. To date, more than 74 000 people have signed a petition at www.change.org/eastsidegallery.
Legacy left by older generation who fought for their rights - East Side Gallery is under monument protection - Historically important artwork Enduring symbol for younger generation - Identify with suffering of parents and grandparents - Icon of communism, of a divided nation - Reminder of a painful past so future leaders do not err As a mark of respect to the dead, developments should not be built on the death strip. R e a s o n s
a g a i n s t
Historical Significance History is ingrained into culture. - As a heritage site, the Berlin Wall is something Germans, and in particular Berliners, can identify with - Questions the worth of the German/Berlin culture East Side Gallery is a world-renowned open air gallery. - Culturally significant artwork - ~106 murals from ~60 international artists worldwie - Artists were not informed of the removal of their work R e a s o n s
a g a i n s t
Preservation of Culture Recently restored for more than 2 million East Side Gallery is the second biggest tourist attract in Berlin. - 1000 visitors a day, 800k to 1 mil annually - 10,000 people walk along the death strip every day Golden Goose scenario - Bulk of revenue from condominium will go to the developer, not the city - Economic loss in the long term from loss of tourism R e a s o n s
a g a i n s t
Economically Unwise R e a s o n s
f o r
Move on lest one becomes quagmired in history - Japan vs Germany The worth of the Berlin Wall/East Side Gallery as a historical/cultural symbol? - Inglorious chapter of Germanys past - Art on East Side was added after the fall of the Wall - Is there a need for a physical monument? If so what does it show about the value Germans ascribe to history? Let Go of History R e a s o n s
f o r
Wall was traditionally a symbol of communism. - Germans went from championing its fall to advocating its preservation. Wall is being demolished to reconstruct a footbridge destroyed during WW2. Inherent Hypocrisy R e a s o n s
f o r
Redevelop and revitalise Berlin - First step in the district governments plan to redevelop the death strip - Promote riverside living a trait of global cities Economic revitalisation - Stimulate economy of region - Aid in alleviating Euro debt crisis
Gentrification R e a s o n s
f o r
Many parts of the original Berlin Wall have already been demolished and/or relocated all around the world. What makes this any different? Only a short section will be removed Removed segments will not be destroyed but instead relocated to within a stones throw away from the East Side Gallery
Berlin Wall Today History is not standing in way of development in this case more a matter of poor planning Embrace history, ugly or otherwise, because it offers us lessons in either case Urban renewal can occur in tandem with preservation of history Is a historical monument the same after you translocate a part of it?
M y
S t a n d
Do Not Demolish S i g n i f i c a n c e
Illustrates changing symbolism of the Berlin Wall - No longer seen as a symbol of communism - Peoples perception of history can, and will, evolve. Highlights what the Wall means to Berliners, when stacked up against development and commercialisation. - Will decide future policies in the gentrification of the city History is not set in stone S i g n i f i c a n c e
In 2008, a 50-metre section of the Wall was removed to provide access to a boat landing area for the O 2 World, a multipurpose indoor arena. Berlin has long stood as an island of low rents and abundant space, making it home to a thriving counterculture unable to persist in more expensive international cities. Wall Street Journal S i g n i f i c a n c e
O2 was built arguably for the public, while the luxury flats cater to only a privileged minority. Real controversy: City government is allowing private real estate development on the death strip and in a public riverside park What is the real protest? S i g n i f i c a n c e
Privatisation of land that is part of a peoples shared history How should spaces and structures with historical/cultural significance be used? Underlying issues S i g n i f i c a n c e
Different historical and socioeconomic settings - Young nation with less polarising and controversial pieces of history - Land scarcity - Development for the country not corporations - Governments attitude towards preserving heritage sites In the context of Singapore Mayor Wowereit has proposed a compromise: removed segments will be returned to the wall after construction, and existing O 2 gap widened. Mr. Hinkel will share a driveway with an anonymous Israeli investor. Only temporary solutions S o l u t i o n s
Updates Consult and notify the public before reconstruction of national monument Stricter, clearer guidelines and organisation structures Riverside living and gentrification need not be driven by privatisation of land - Alfresco dining, riverside recreational places, nature spaces for the public - People-driven, rather than profit-driven approach
S o l u t i o n s
Singapore as a Model The strong reactions over [] the Railway Line and Bukit Brown suggest that Singaporeans have a growing need for visible and palpable connections to a shared past. A society that places no visible value on continuity will create future generations who are adrift on market forces rather than one anchored by a shared nationhood to country and fellow countrymen. - Singapore: Home or hotel? The Straits Times, March 4 2013
Sergio Cortesini, Invisible Canvases. Italian Painters and Fascist Myths Across The American Scene, American Art, Vol. 25, No. 1, Spring 2011, Pp. 52-73.