Professional Documents
Culture Documents
Streetcar
Streetcar
Streetcar
Watch this extract from the end of Scene 1 in Elia Kazans 1951 film version
of A Streetcar Named Desire and, as you watch it, write what you think
were the stage directions given to guide the actors.
Keep your copies of the play closed!
What is different?
What is similar?
Scene 2
Source
New York
Production
1914
Plastic Theatre
To express his universal truths Williams created what he termed plastic
theatre, a distinctive new style of drama. He insisted that setting, properties,
music, sound, and visual effects - all the elements of stagingmust combine to
reflect and enhance the action, theme, characters, and language. (Alice Griffin:
Understanding Tennessee Williams. Columbia: University of South Carolina ,
1995)
The scholarship that has focused on Williams' plastic theatre principally
examines its practical implications. Roger Boxill states, for instance, "The 'new
plastic theatre' must make full use of all the resources of the contemporary
stagelanguage, action, scenery, music, costume, sound, lightingand bind
them into an artistic unity conceived by the playwright. (Boxill, Roger.
Tennessee Williams. Modern Dramatists Series)
The purpose of this 'plastic theatre,' of which lighting, music, set, and props
are essential elements, is to provide 'a more penetrating and vivid expression
of things as they are.
(Website Link: http://bhslit10.blogspot.co.uk/2010/09/plastic-theatre.html)
Plastic Theatre
Plastic Theatre was an attempt to create theatre in which
truth, life, or reality is an organic thinking which poetic
imagination can represent or suggest, in essence, only
through changing other forms that those which merely
present in appearance.
(Sweet Bird of Youth, Katherine Weiss 2010)