This document discusses a weekly reading assignment that covers writing essays, analyzing The Big Sleep, and The Bluest Eye. It provides analysis of Phillip Marlowe's character in The Big Sleep, arguing that he projects his own emotions onto other characters and the environment while female characters like Carmen are depicted as overly emotional. The document suggests the novel sets up an asymmetry in how it condemns women's decisions based on emotion versus authorizing similar decisions from men. It then provides an excerpt from The Bluest Eye and sample responses to the readings from other students.
Original Description:
A presentation teaching the American Novel to Undergrads
Original Title
A presentation teaching the American Novel to Undergrads
This document discusses a weekly reading assignment that covers writing essays, analyzing The Big Sleep, and The Bluest Eye. It provides analysis of Phillip Marlowe's character in The Big Sleep, arguing that he projects his own emotions onto other characters and the environment while female characters like Carmen are depicted as overly emotional. The document suggests the novel sets up an asymmetry in how it condemns women's decisions based on emotion versus authorizing similar decisions from men. It then provides an excerpt from The Bluest Eye and sample responses to the readings from other students.
This document discusses a weekly reading assignment that covers writing essays, analyzing The Big Sleep, and The Bluest Eye. It provides analysis of Phillip Marlowe's character in The Big Sleep, arguing that he projects his own emotions onto other characters and the environment while female characters like Carmen are depicted as overly emotional. The document suggests the novel sets up an asymmetry in how it condemns women's decisions based on emotion versus authorizing similar decisions from men. It then provides an excerpt from The Bluest Eye and sample responses to the readings from other students.
Passive Voice Essay Writing Questions? The Big Sleep Responses The Bluest Eye
In critical readings of The Big Sleep, Phillip Marlowe can be seen as a
hardboiled figure, because of how he is disconnected from his very male emotions , and is responding by hiding this emotions. He is distanced from the emotional impact of the very shocking events that are occurring in the novel and is displayed as having disproportionately unemotional reactions to the majorly emotional events that occur in the novel. As Marlowe is operating as the hardboiled masculine figure, then he is paired with Carmen, who is a typical female character. While Marlowe is typically masculine, Carmine is depicted as typically feminine. She is provided with an excess of emotions. Yet it is not that Carmen is a hysteric while Marlowe is a figure for reason. Rather, it is that Marlowe is projecting his emotions on to the landscape, onto the environment, onto the atmosphere, and also on to other characters. In this way, Marlowe and Carmen are compliments of one another. We are given the narrative through Marlowes eyes, it is not that Carmen is less emotional than Marlowe but that she is being depicted that way The novel shows that male emotions and thoughts are externalized and that they are shifted onto the environment and objects, rather than occuring within the interior of the selfbelonging to men, women are seen as having irrational feelings and acting on them, and the novel condemns them for that.. I am arguing that The Big Sleep is systematically categorizing womens decisions as demonic because they are based on emotions and feelings, while it is authorizing male decisions that are based on the same things. In this way, a asymmetry between the condemnation of feelins is being set up, along the lines of gender. Thus, women are systematically prohibited from being allowed to author their actions based on a form of reason that men are praised for.
Close reading: Moving from
observation Interpretation Claim But was it really like that? As painful as I remember? Only mildly. Or rather, it was a productive and fructifying pain. Love, thick and dark as Alaga syrup, eased up into that cracked window. I could smell ittaste itsweet, musty, with an edge of wintergreen in its baseeverywhere in that house. It stuck, along with my tongue, to the frosted windowpanes. It coated by chest, along with the salve, and when the flannel came undone in my sleep, the clear, sharp curves of air outlined its presence on my throat. And in the night, when my coughing was dry and tough, feet padded into the room, hands repinned the flannel, readjusted the quilt, and rested a moment on my forehead. So when I think of autumn, I think of somebody with hands who does not want me to die (12).
Responses:
Ellie: Sternwood sexuality
Sara L: Victorian hypocrisy Maria: Biology as character Francesca: Weather and Marlowes moods Rachel: Ropes and damsels in distress Ryan: Sternwood family bonding Michael B: Marlowe, intelligence, alcohol and prohibition Daisy: Marlowes coolness as his affect Jocelyn: *Sternwoods] thoughts were as grey as ashes