Professional Documents
Culture Documents
Women Musicians
Women Musicians
in the
SIX STYLISTIC REGIONS
of
AFRICA
http://www.youtube.com/watch?v=4zJK_122BM0&feature=relmfu
NORTH AFRICA
Due to matrilineal societies, in pre-Islamic
North Africa, women dominated the music of the
Berbers who lived there. In the past century,
women have often ranked as the most celebrated
singers in North African traditions. But with
noteworthy exceptions, such as the women
iggawin (traditional musicians) of Mauritania,
they typically play instruments only in
private settings, not as a profession.
Algerian woman
playing a ceramic
drum
Algerian woman
playing a frame
drum
EASTERN CATTLE
The drum is so important in African society that
it is sometimes equated strictly with a man
power. Women must consequently treat it with
the same respect that they would show towards
their menfolk. In some African countries women
are not even allowed to touch a drum under any
circumstance, though Islam and European
colonial influence have softened some of these
traditions. African music is nearly always
coupled with some other art such as poetry or
dance and is one of the most revealing forms of
expression of the African soul.
Ennanga
lute - string instrument
African lutes have a boatshaped sound box, at
times with a fairly long
wooden neck that enters
the resonator through the
skin table. Ancient
paintings depict these
instruments, often in the
hands of women.
CONGO
GUINEA COAST
Baga Drum(a-ndef)
Baga people, Republic of Guinea
GUINEA COAST
GUINEA COAST
Baga women and children often carry great
clay water vessels and large rice-filled
baskets on their heads. Such vessels were
also used in music making.
Jembe
Throughout many
world societies, it is
said that women are
suppose to dance
and sing, not drum.
The lack of women
instrumentalists in
general is a result
of various factors
within the various
aspects of modern
and traditional
cultures.
African Women
Djembefola
http://www.youtube.com/watch?
v=8VVbcFQMePo
KHOISAN
Stella is one of the most original artists in
the contemporary African scene using
popular music to show the deepness and
power of her traditional spiritual music at
home and abroad. Stella introduces Mbira
music to the occidental context without
losing the relation to her Zimbabwean
tradition: She creates warm dance grooves
as well as popular songs always based
around Mbira rhythms. The fusion of
Stella's music and contemporary guitars has
made her an international figure.
Stella Rambisai
Chiweshe Shiri Nhengure
http://www.youtube.com/watch?v=PyPX
VYe0z0
http://www.youtube.com/watch?v=NwQGqrZZPCM
Mbira = of the
ancestors) is
played during
a bira
ceremony.
The repetitive
chiming of the
mbira combine
with the sounds of
the hosho (gourd
rattles) and
singing to invoke a
trance-like
mindset that is
conducive to
ancestors - who
offer guidance
through a medium.
Membranaphones:
Udu
Udu
http://www.youtube.com/watch?v=5-8W0eNYMRw
Demonstration
http://www.youtube.com/watch?v=P39ZPYntMdM
SUDAN
Performing as a female musician in the
public has never lost its connotation of
indecency in most areas of Sudanese
society. Ironically, this area also has
some of the most independent female
musicians, like Tartit (again, largely
due to the prominence of traditional
matrilineal lineage in the region)
The
End