Mackenzie Marshall created a stippling artwork using small dots to depict values and create an image of a seashell. They used a Micron ink pen to stipple the shell, learning techniques like pointillism used by artists such as Seurat and Chuck Close. For their still life drawing, Mackenzie drew a skull with surrounding objects using different pencils to experiment with techniques. They are proud of capturing values and textures but feel they could improve the depiction of glass in the drawing.
Mackenzie Marshall created a stippling artwork using small dots to depict values and create an image of a seashell. They used a Micron ink pen to stipple the shell, learning techniques like pointillism used by artists such as Seurat and Chuck Close. For their still life drawing, Mackenzie drew a skull with surrounding objects using different pencils to experiment with techniques. They are proud of capturing values and textures but feel they could improve the depiction of glass in the drawing.
Mackenzie Marshall created a stippling artwork using small dots to depict values and create an image of a seashell. They used a Micron ink pen to stipple the shell, learning techniques like pointillism used by artists such as Seurat and Chuck Close. For their still life drawing, Mackenzie drew a skull with surrounding objects using different pencils to experiment with techniques. They are proud of capturing values and textures but feel they could improve the depiction of glass in the drawing.
Developing Artist: Mackenzie Marshall Stippling Stippling, a method of artwork using small dots to create the values of an object was one of the most tedious works I have done this semester, but it was certainly one of the most interesting. I have done a replica of a seashell, which allowed me to get creative, as the image lacked sense of value, allowing me to create some of my own. To create this piece, the media I have used is a Pigma Micron ink oen, in the color black, found in the classroom supplies. Some of the vocabulary we may have learned is the word stippling itself, as well as pointilism. Along with the vocabulary we learned, we have learned about famous artist specializing in pointilism, such as George Seurat, and Chuck Close. Stippling Photos Artist Statement (Stippling) I am very satisfied with my stippling project, and I am most proud of the sense of value I have created myself, and the way I have created lines and details within the design of the shell. If I could change something about the project to improve it, I would essentially blend the darker values in with the lights a little better, so it isns as bold. Also, I noticed I do have some, but few tails following my dots, and I would have been more careful. Still Life Drawing The Still Life Drawing project was one of my favorites, as it was really an improvement on my drawing skills. For the project, I selected the skull in the still life set-up to be my focus, with surrounding objects leading the eye to it. The light source was located in the left upper corner, as the photos will show the values proving. For this project, it was required to use different drawing techniques, which made it fun because it allowed me to see the individual effects of each one. The media used to create this piece included a variety of pencils, such as Prismacolor scholar drawing pencils, varying from H to B. Along with the Prismacolor pencils, a Prospector extra black pencil was used, as well as white and black charcoal pencils found in the classroom. A myriad of vocabulary was learned in this project, such as composition, focal point, hierarchy, overlap, and proportion. As well as these words, we learned terms such as center- biased, rule of thirds, back, middle, and foreground, and assymetry. The shading vocabulary we learned included contrast, implied texture, value scale, chiaroscuro, occlusion shadow, and terminator. Still Life Photos Artist Statement (Still Life) I am really actually ecstatic with the way my still life drawing turned out. I am very proud of the effects of the different techniques of shading and drawing, with the way they affected the appearance of the objects to give them a textured look. I am really happy with the way the composition itself turned out as well. However, if I could change something about this piece, it would be the appearance of the vase. I dont feel as if I captured the look of the glass in the way I would have liked.