As a young student, he first performed in Showboat with the American Light Opera Company Studied with the Jones-Haywood Capitol Ballet and with Carolyn Tate of Howard University, where he eventually enrolled Worked with director Owen Dodson Decided to move to New York City to become a dancer after seeing a production of the Alvin Ailey Company Career
Danced with the Alvin Ailey Company from 1967-1969
Danced in the original Broadway production of Purlie in 1970 Founded the George Faison Universal Dance Experience in 1971 Suite Otis (Music of Otis Redding) combined elements of ballet and contemporary styles Broadway debut as choreographer Dont Bother Me, I Cant Cope The Wiz Tony Award for Best Choreography Worked as a choreographer for entertainers in later career Founded the American Performing Arts Collaborative (APAC) in 1997 Shows
Dont Bother Me, I Cant Cope
Via Galactica Tilt The Wiz* 1600 Pennsylvania Avenue Porgy and Bess Sing, Mahalia, Sing The Apollo Just Like Magic Revelation in the Courthouse Park King Style
Incorporates different styles of dance
Combines classic technique with modern jazz/rock n roll street dance/swing Strong ballet technique base Focuses on the emotion of the text Goal of integration