The document discusses postmodern elements in television shows like The Simpsons. It notes that reality is now defined by media reflections rather than the other way around. It defines the postmodern nature of The Simpsons as its self-referentiality and foregrounding of itself as a television program, using satire to undermine the cultural significance of other texts while also mocking itself. Examples are given of The Simpsons parodying and alluding to scenes from Psycho and Twilight through self-referential intertextuality.
The document discusses postmodern elements in television shows like The Simpsons. It notes that reality is now defined by media reflections rather than the other way around. It defines the postmodern nature of The Simpsons as its self-referentiality and foregrounding of itself as a television program, using satire to undermine the cultural significance of other texts while also mocking itself. Examples are given of The Simpsons parodying and alluding to scenes from Psycho and Twilight through self-referential intertextuality.
The document discusses postmodern elements in television shows like The Simpsons. It notes that reality is now defined by media reflections rather than the other way around. It defines the postmodern nature of The Simpsons as its self-referentiality and foregrounding of itself as a television program, using satire to undermine the cultural significance of other texts while also mocking itself. Examples are given of The Simpsons parodying and alluding to scenes from Psycho and Twilight through self-referential intertextuality.
intertextual postmodern TV Strinati 1995 The mass mediawere once thought of as holding up a mirror to, and thereby reflecting, a wider social reality. Now that reality is only definable in terms of the surface reflections of that mirror. It is no longer a question of distortion since the term implies that there is a reality, outside the surface simulations of the media, which can be distorted, and this is precisely what is at issue, The Simpsons and Postmodernism Definitions of the "postmodern" are of course legion, but for our purposes we can locate the postmodernity of The Simpsons in the program's relentless self- referentiality, a consistent foregrounding of itself as a television program and media construct that functions as an operative principle and satirical target of the show, not just an occasional rhetorical gesture. Thus, The Simpsons uses satire not only to undermine the pretensions to cultural significance of various texts from both "high" and "low" culture, it includes itself as part of that mockery. The Simpsons Psycho Psycho shower scene The Simpsons Skinner Psycho