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WK 11 Writing Guidelines Short Ver
WK 11 Writing Guidelines Short Ver
• http://www.english.hku.hk/general_files/Guid
elines%20for%20Citing%20and%20Documen
ting%20Sources.pdf
3.6 Quotations
There are a number of ways of indicating your use of reference
material. The simplest is direct quotation. You should make it
clear that the quotation is a quotation, and briefly indicate its
source in your essay itself (see 3.1), or in a footnote, as well as
listing the source in your bibliography.
Eg 1:
The business of the poet is not to find new emotions, but to use
the ordinary ones and, in working them up into poetry, to express
feelings which are not in actual emotions at all. (4)
Alternative forms
Eg 2:
The argument put forward by Eliot (4) depends on a
distinction between emotions and “feelings which are not in
actual emotions at all”.
Eg 3:
Schiffrin (1994, 5) says that discourse analysis is an ill-defined
area because “our understanding of discourse is based on
scholarship from a number of academic disciplines that are
actually very different from one another”.
3.7 Paraphrase
Example:
Schiffrin (1994, 5)
There are problems with
defining the area of
“our understanding of
discourse analysis because
discourse is based on
of the heterogeneity of the
scholarship from a number
academic disciplines on
of academic disciplines that
which it is based (Schiffrin
are actually very different
1994, 5).
from one another”
3.9 Plagiarism in action!
Sample:
From T.S. Eliot, “Tradition and
It has always seemed to me that the
the Individual Talent”
business of the poet is not to find
new emotions, but, so to speak, to
The business of the poet is not to use the ordinary ones and, in
find new emotions, but to use the
working them up into poetry, to
ordinary ones and, in working
express feelings which are not in
them up into poetry, to express
emotions at all. Thus we see that
feelings which are not in actual
poetry is an escape from emotion.
emotions at all.
In this essay, I will discuss the role I argue that Marinetti’s vision of
modernity is dominated by a sense of
masculinity plays in conceptions
misogynistic machismo. Modernity is
of modernity by examining The presented in the text as an exciting
Futurist Manifesto. I will first new world of cars, speed, danger, and
adventure, a world intent on breaking
define what Futurism is, then
apart the old order. This is, however, a
reveal the misogynism displayed future envisioned only for men; there
in the Manifesto. is no room for women.
Structure
• Modernity as a macho man’s
I argue that Marinetti’s vision of
world
modernity is dominated by a sense
– cars, speed, danger
of misogynistic machismo.
– Futurist modernity predicated on
Modernity is presented in the text as
rejecting the past; the past is
an exciting new world of cars, speed,
connected to women
danger, and adventure, a world
• Marinetti’s misogynism
intent on breaking apart the old
– Where does he see women? How
order. This is, however, a future
does he view feminism and
envisioned only for men; there is no women?
room for women.
How to write conclusions