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Symbols: Art Appreciation
Symbols: Art Appreciation
Art Appreciation
STUDY OF SYMBOLS
During the Middle Ages European trade guilds If only an image = symbol, logo or trademark.
began using marks to identify the origin and content If a combination of symbol and logotype= signature.
of their products. The term “hallmark” comes from
the identification marks that metal artisans stamped
into metal when exhibiting wares in the guild hall in
London.
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ISOTYPE system was born from research and theories of Otto Neurath (1882–1945), a Viennese philosopher, economist and
social scientist. As a child he was fascinated by the function of Egyptian hieroglyphics—their forms and ability to communicate
a story. This early influence was integrated into his life's work, the development of a system to pictorially organize statistics.
In 1925 Neurath, while head of a housing museum, initiated The Social and Economic Museum of Vienna. The museum's
purpose was to educate the general public about post-war housing by creating displays of social information. The new venue
afforded him an opportunity to showcase his intellectual and educational ideals using his symbol-based language — an
alternative to written language.
TEAM ISOTYPE : Otto Neurath, Marie Neurath and Gerd Arntz
Visual education was always the prime motive behind
ISOTYPE. It was not intended to replace verbal language,
rather it was a “helping language” accompanied by verbal
elements.
Neurath was deeply convinced that his "world language
without words" would not only enhance education but
facilitate international understanding.
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The ISOTYPE team, interrupted by Austrian political upheaval in 1934, moved
to The Hague in The Netherlands. By 1935 the team had created a name for their
new symbol language, ISOTYPE.
Otl Aicher Munich Olympic
Grid
Otl Aicher (1922-1991) designed
modernist modular symbols and then
combined them into unequivocally
clear language systems.
Büro Aicher, created symbol systems
for large corporations such as Braun
and Lufthansa. Most notably Aicher
and his team devised the landmark
Munich Olympics symbol / grid
system.
Aicher's symbols appeared on 2,600 signs and numerous
printed materials. Complicated information, such as event
timetables, were simplified by the use of easily identifiable
pictograms, bright colors and Univers 55. (Echoed later in
the LA Olympics of 1984)
Henry Dreyfuss (1904-1972)
Self-taught, intelligent and methodical, industrial designer Henry Dreyfuss was unique
in considering the relationship between the manufacturer, the designer and the
consumer. Usability and practicality were as important (or more so) then styling in his
design process.
AIGA & The US DOT System
5 The Gap Logo Debacle: A Half Brained Mistake, Umair Haque, Harvard
Business Review.
6 The Urban Dictionary