Oskar Fischinger was a German-American abstract animator and filmmaker notable for his experimental abstract animations created in the early 1920s. He created visual patterns of extreme complexity that developed in overlapping cycles with radical frame edits. Fischinger influenced Disney's Fantasia and created special effects for Fritz Lang's 1929 sci-fi film Woman in the Moon. The document includes concept art, 3D models, matte paintings, and a travelogue describing a journey through a futuristic city of luminous glowing shapes called Metropolis, highlighting its bright colors, floating buildings, and citizens maintaining the city's lights.
Oskar Fischinger was a German-American abstract animator and filmmaker notable for his experimental abstract animations created in the early 1920s. He created visual patterns of extreme complexity that developed in overlapping cycles with radical frame edits. Fischinger influenced Disney's Fantasia and created special effects for Fritz Lang's 1929 sci-fi film Woman in the Moon. The document includes concept art, 3D models, matte paintings, and a travelogue describing a journey through a futuristic city of luminous glowing shapes called Metropolis, highlighting its bright colors, floating buildings, and citizens maintaining the city's lights.
Oskar Fischinger was a German-American abstract animator and filmmaker notable for his experimental abstract animations created in the early 1920s. He created visual patterns of extreme complexity that developed in overlapping cycles with radical frame edits. Fischinger influenced Disney's Fantasia and created special effects for Fritz Lang's 1929 sci-fi film Woman in the Moon. The document includes concept art, 3D models, matte paintings, and a travelogue describing a journey through a futuristic city of luminous glowing shapes called Metropolis, highlighting its bright colors, floating buildings, and citizens maintaining the city's lights.
THE CITY OF LUMINOUS, IN COLLABORATION WITH OSKAR FISCHINGER CONTEXT • About Oskar Fischinger • Influence map • Travelogue • Thumbnails • Concept art • Break down between 3D Models and Matte painting • Production Design • Orthographs • Matte painting • Lead up to final scene OSKAR FISCHINGER Oskar Fischinger was born in Gelnhausen, Germany on 22 June 1900, and was a German-American abstract animator, filmmaker, and painter, notable for creating abstract musical animation many decades before the appearance of computer graphics and music videos. He originally chose music as a career, studying violin and organ building before 1914. He was trained in architectural drafting and tool design as he too young and unhealthy for war duty. His first film experiments, made in the early 1920s, are among his most radical. In Wax Experiments and Spirals Fischinger designed visual patterns of extreme complexity which often develop in overlapping cycles, yet he interrupts these patterns with radical editing of single frames of contrasting imagery. He created special effects for Fritz Lang's 1929 Woman in the Moon, one of the first sci-fi rocket movies, and influenced Disney's Fantasia. Among Fischinger's form-breaking experiments of the era were the abstract multiple-projector performances under the concept name of Raumlichtkunst, which could use up to five film projectors and several slide projectors. These were performed around the 1926-1927 and had individual performances in it, a few examples of these performances are called Fieber and Macht. INFLUENCE MAP TRAVELOGUE As you walk along a night covered road, bright neon lights appear in the distance, cutting through the darkness and acting a like a beacon for wanderers roaming the land. As you walk closer to these lights, you notice that there is only one path leading to somewhere, and if there are more, these are hidden from your eyes. At first, the city appears to be just a mass of colours with little signs of life but the closer to these you get, the clearer the lights begin to take form and shapes start to appear through this city. As you approach the city, the more you notice about the place. Spheres, cubes and more odd shapes begin to cut through the city glow. The closer you get the more detail you begin to notice about these shapes, does that cube have diamond shaped windows? Each shape seems to give off their own slight light which adds to the brightness and colourfulness of the city, making you wonder what each one is made of. As you start to walk among spheres, cubes and other shapes which you have now seen them for what they are. You notice that some seem to be float above the dark ground. As you walk closer you notice dark shaped rising up to meet these float buildings, and that these strong poles are keeping these buildings up. As you move through this bright, cheerful and mystery place, you begin to get a sense about what goes on throughout the city and the more you look and see and experience what the city has to offer, you began to wander why this city of light was so full of these lights, where the lights part of their religion where they worship the Gods for their gift of light, light up those around, or was the nights as long as the days or how hey only have light for a specific amount of time each year? TRAVELOGUE As you move between the bright buildings, you notice the movement of the locals around you. All the citizens of the city are wearing bright neon colours as they go about their business, those of higher wealth seem to wear long clean robes with bright jewellery while the less wealth seems to wear dull coloured ripped robes with little to no accessories at all. All the citizens seem to follow the main road in the city, the road which shines a brilliant grey through the city, creating a path for those lost and those who know their way. This road also seems to have golden swirls or patterns shining through the grey. Whether the gold represents a deeper meaning or there for just decoration, you guess you’ll never know. Next to this beacon of light embedded into the ground itself, lies streams of bright lights, each a bright colour, flowing trough the ground and giving of light as they wave between buildings. As you wander through this bright city following the brightly lit road, you notice some of the citizens carrying around pots of paint, each a different colour, and a set of ladders. As you watch them, you see that these workers have gone up to a sphere which has less of a glow then those around it and started to paint. With each stroke of paint, the building begins to regain its life. While you continue to wander, you notice people standing around large clay pots and slowly mixing a powder into the mixture. As they mix, people come forth carrying bags of this mineral-like substance and place them next to the pots while the painters coming and going, collecting pots of the mixture and leaving to bring more life to the buildings, and leaving the pots to be refilled. TRAVELOGUE The centre of the city is the liveliest part of the city. It is where most of the entertainments, stores, restaurants and bars. While around the messier and less satisfying jobs are around the outskirts of the city, like factories for making paint for the buildings. The smell of fried food and the sweetness of baked goods linger in the air, enticing people to come and buy one of their goods. While in the outskirts, smoke rises from chimneys as people work. Also, in the centre of the city, lies the city centre where most of the deciding of the city takes place. Quite a large building, it is quite around compared to other places in the city. On of this v shaped building lies two massive domes, lighting up the entire area around them as they emit light, this you could tell, was an important place. Next to this building, sits a smaller sized circle shaped building also wearing a dome, but only one suggesting that it is still slightly important. Along the side of this building it is adored by windows shaped like the windows you usually see on ships. As you stand admiring this building you notice that some of the Locals who were carrying pots were bring the finished versions here, suggesting this building was either used as storage, which is unlikely considering how similar it is to the city centre, meaning it could also be a workshop for locals to paint or craft different thing for the city. As you start to leave this bright, colourful city you look back, to get one last look of the city, of luminous, standing out against the dark calling those to it with its light, so that you can remember it as you are likely never to come back and find the city of luminous again. THUMBNAILS ORIGINAL CONCEPT ART CONCEPT ART BREAK DOWN Matte Painting
3D Models KEY ASSETS ORTHOGRAPHICS MATTE PAINTING TEXTURES FINAL RENDER
(Intersections - Interdisciplinary Studies in Early Modern Culture 30) Karl A. E. Enenkel-The Reception of Erasmus in The Early Modern Period-Brill Academic Publishers (2013)