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Realism: Inovácia Obsahu A Metód Vzdelávania Prispôsobená Potrebám Vedomostnej Spoločnosti
Realism: Inovácia Obsahu A Metód Vzdelávania Prispôsobená Potrebám Vedomostnej Spoločnosti
vedomostnej spoločnosti
Realism
(source: http://www.artcyclopedia.com/history/realism.html)
Gustave Courbet , The Painter's Studio
Oil on canvas, 1855
Realism specifics
• Realism was a historical movement that had a
profound influence on the literature and
figurative arts of Europe.
• The year 1855 was significant in the
establishment of Realism in Europe.
• Artists portrayed life as it was and without any
form of ideality.
Gustave Courbet
(1819-77)
• A French painter who is
considered to be a leader
of Realism in France
• In 1855 he exhibited his
work in Paris in the
Pavilion du Realisme, a
building that he himself
paid for.
• He exhibited about forty
paintings, including The
Painter's Studio, which
had been refused by the
jury of the Exposition
Universelle https://www.youtube.com/watch?v=lzZX3CxUY2c
The Barbizon School
• The Barbizon School was a
group of landscape artists
working in the area of the
French town of Barbizon,
south of Paris.
• They rejected the
Academic tradition,
abandoning theory in an
attempt to achieve a truer
representation of life in
the countryside, and are Camille Corot, Fontainebleau: Oak
part of the French Realist Trees at Bas-Bréau, 1832 or 1833
movement.
The Barbizon School
• Theodore Rousseau (not
to be confused with naive
artist Henri Rousseau) is
the best-known member
of the group.
• Other prominent
members : Constant
Troyon , Charles-Francois
Daubigny, Camille Corot
Theodore Rousseau
The English landscape artists
• John Constable (1776-1837 exhibited with great success
at the so-called English Salon of 1824.
• Together with Joseph Mallord William Turner(1775-
1851), they were largely responsible for introducing a
new approach to landscape painting that was to have a
major influence on European art.
• They brought to landscape painting a respect for
location, a belief that the commonplace was worth
painting and that changing atmospheric effects (light and
weather) were an essential part of the landscape.
The English landscape artists