Professional Documents
Culture Documents
Ellington and Early Jazz: Jeff Hellmer
Ellington and Early Jazz: Jeff Hellmer
Jeff Hellmer
Announcements
• Pre-roll music:
• Duke Ellington: “Solitude” and “Isfahan”
• Louis Armstrong: “Potato Head Blues”
• Al Hirt: “Darktown Strutters’ Ball”
Announcements
• Next in-class quiz will be given on Tuesday,
March 12
• Review guide posted on Canvas
Announcements
• UT Jazz Ensemble Thursday night at 7:30
• Live Performance Summary #1 due Monday,
March 11 at 3 PM
• Cerego sets due Friday, March 15 at midnight
Live Performances
• No laptops; notes with pencil and paper
• Sit next to each other!
• No standing in back or sitting in aisles
Live Performances
• If you arrive after the start of the second
song of the concert, you will not be seated
• Signatures after the concert
Final Piece of Ellington’s Mood Music
–“Prelude To A Kiss”
–Features Johnny Hodges, alto
saxophone
–Hodges with Ellington from 1928-
1970 (except for four years)
Final Piece of Ellington’s Mood Music
–Hodges “scoops” into long notes
–Nicknames: “Jeep” and “Rabbit”
Duke Ellington’s Extended Form
Category
–Lengthy works about a particular
subject or theme
–Examples: Sacred Concerts, Such
Sweet Thunder, Far East Suite
(inspired by 1963 tour), Queenie Pie
Duke Ellington’s Extended Form
Category
• “Madness In Great Ones” from Such Sweet
Thunder (1957)
• Depicts Hamlet
Duke Ellington’s Extended Form
Category
• Hamlet attempts to make his stepfather
believe that he is crazy
• Imaginative, sometimes schizophrenic
colors in the arrangement
• First excerpt: leaping melodies with
unexpected starts and stops
“Madness In Great Ones”
• High-note trumpet specialist Cat Anderson
• Audio excerpt: high trumpets; dissonant
chord; squeaks
Extended Form
• Ellington at Newport
(1956)
Duke Ellington
• “Diminuendo and Crescendo in Blue”
• Tenor saxophonist Paul Gonsalves’ blues
solo
Duke Ellington
The platinum blonde
Duke Ellington
• 27 chorus solo by Gonsalves
• The “blond who launched 7,000 cheers”
• One of the most exciting live jazz
performances in jazz history
Ellington at Newport
One of Ellington’s biggest selling albums
Quiz in Progress
Having technical issues? Go to the homepage & click HELP
Origins of Jazz
• Blend of European and African cultures
• New Orleans – the right place at the right
time
European Influences
• Instruments—first common jazz
instruments
• Trumpet, trombone, clarinet, saxophone,
tuba, piano
• Not from Europe: drum set, banjo
European Influences
• Form/Structure—
• Jazz adopted the 8 measure phrase, 4
measure phrase, 4 beats per measure
European Influences
• Harmony—
• Chord progression (“changes”) came
from European music
African Influences
• Music an integral part of African
musical culture
African Influences
• Call and response – a dialogue between
leader and a group
• Groups of drummers
• Vocalist and instruments
• Dance
• Call often improvised
African Influences
• Rhythm—emphasis on drumming and
“polyrhythm” (similar to “cross-
rhythm”)
African Influences
• Rhythm—
• Drums/Percussion very important
African Influences
• Rhythm—
• Polyrhythm is likely the seed for the
swing rhythmic feel in jazz
African Influences
• Vocal characteristics of African music
applied to instruments
• Crying, singing, shouting
Why New Orleans?
• Cultural melting pot
• Band instruments
• Party town
Congo Square – French Quarter
Early Jazz: The Features
• Collective Improvisation
Featured during melody presentations
– Trumpet, clarinet, and trombone all
“improvise” at the same time (trumpet sticks
close to melody)
Early Jazz: The Features
• Collective Improvisation
• Instrumentation differs from many eras
that follow
• Short selections
Early Jazz: The Features
• Function of music: social (dancing,
carousing)
• Happy, fast paced music
Early Jazz: The Features
• The “jazz funeral”
Hearing The Difference:
Swing v. Early Jazz
• Focus on three major differences
– Collective improvisation: important feature of
Early Jazz
– Instrumentation
– The sound of Louis Armstrong: a hallmark of
Early Jazz
For Next Time