Professional Documents
Culture Documents
Hyperobjects 2.0: Oil Remix: Timothy Morton
Hyperobjects 2.0: Oil Remix: Timothy Morton
Hyperobjects 2.0: Oil Remix: Timothy Morton
0:
Oil Remix
Timothy Morton
The world is charged with the grandeur of God.
It will flame out, like shining from shook foil;
It gathers to a greatness, like the ooze of oil
Crushed
—Gerard Manley Hopkins
By coming to terms with an increasing range
of objects, human beings do not become
nihilistic princes of darkness, but actually the
most sincere creatures the earth has ever
seen
—Graham Harman, Guerilla Metaphysics, 247
1. Dancing about
Architecture
NOAA
Object-Oriented Ontology
(OOO)
Malkovichism
http://chartsgraphs.wordpress.com/tag/climate-trends/
context
Aristotle
1) Frightening timescale
Several hundred years
2) Horrifying timescale
Thirty thousand years
3) Petrifying timescale
One hundred thousand years
4. Hyperobjects
Is the truth [of no-self] depressing? Some may find it so. But
I find it liberating, and consoling. When I believed that my
existence was [a ‘deep further fact, distinct from physical
and psychological continuity, and a fact that must be all-or-
nothing’], I seemed imprisoned in myself. My life seemed
like a glass tunnel, through which I was moving faster every
year, and at the end of which there was darkness. When I
changed my view, the walls of my glass tunnel disappeared.
I now live in the open air. There is still a difference between
my life and the lives of other people. But that difference is
less. Other people are closer. I am less concerned about
the rest of my own life, and more concerned about the lives
of others.
Joseph Jastrow,
Duck-rabbit illusion
5. Hyperviscosity
Banksy
viscosity
Comora Tolliver, Pod