This document discusses the contemporary theater of the Philippines. It provides an overview of key concepts in theater including plot, character, thought, language, music, spectacle, and different types of theater stages. It then discusses styles in Philippine theater arts and some of the outstanding directors who have contributed to the development of modern Philippine theater such as Lamberto Avellana, Zenaida Amador, Antonio Mabesa, Behn Cervantes, and Lutgardo Labad. It also mentions other influential figures in Philippine theater like Cecile Alvarez, Soxy Topacio, Rody Vera, Baby Barredo, and Joonee Gamboa.
This document discusses the contemporary theater of the Philippines. It provides an overview of key concepts in theater including plot, character, thought, language, music, spectacle, and different types of theater stages. It then discusses styles in Philippine theater arts and some of the outstanding directors who have contributed to the development of modern Philippine theater such as Lamberto Avellana, Zenaida Amador, Antonio Mabesa, Behn Cervantes, and Lutgardo Labad. It also mentions other influential figures in Philippine theater like Cecile Alvarez, Soxy Topacio, Rody Vera, Baby Barredo, and Joonee Gamboa.
This document discusses the contemporary theater of the Philippines. It provides an overview of key concepts in theater including plot, character, thought, language, music, spectacle, and different types of theater stages. It then discusses styles in Philippine theater arts and some of the outstanding directors who have contributed to the development of modern Philippine theater such as Lamberto Avellana, Zenaida Amador, Antonio Mabesa, Behn Cervantes, and Lutgardo Labad. It also mentions other influential figures in Philippine theater like Cecile Alvarez, Soxy Topacio, Rody Vera, Baby Barredo, and Joonee Gamboa.
Theatre or theater •is a collaborative form of fine art that uses live performers, typically actors or actresses, to present the experience of a real or imagined event before a live audience in a specific place, often a stage. Photo by: Ian Quimot Theatre Arts •The main events of a play, novel, movie, or similar work, devised and presented by the writer as an interrelated sequence.
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1. Plot •The elements of dramatic theatrical performance
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2. Character •a person in a novel, play, or movie.
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3. Thought - the action or process of thinking
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4. Language and Diction • Diction – its original, primary meaning, refers to the writer’s or the speaker’s distinctive vocabulary choices and style of expression in a poem or story. • Language – a body of word and the systems of their use common to a people who are of the same community or nation, the same geographical. Photo by: Ian Quimot 5.Song or Music –refers to the speaking ,dancing and singing part in the performance.
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6.Spectacle • an event or scene regarded in terms of its visual impact.
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7. Director • A person who supervises the actors, camera crew, and other staff for a movie, play, television program, or similar production
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8.Playwright • A playwright, also known as a dramatist, is a person who writes plays
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9.Theater Space • (with a focus on Proscenium,Thrust Stage, Theatre in the Round, Black Box Theater)
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The 4 basic Theatre stages Photo by: Ian Quimot 1. Proscenium • -The Proscenium Arch was the most common form of theatre building in the 18th, 19th and 20th centuries. The “Arch”•acts like a picture frame through which the action can be seen. The picture above shows the Proscenium Arch of the York Theatre Royal in the UK. Photo by: Ian Quimot 2. Arena or circle stage • In theatre and performing arts, the stage is a designated space for the performance of ... In theatre in the round, the audience is located on all four sides of the stage. Photo by: Ian Quimot 3.Thrust Stage •a stage that extends into the auditorium so that the audience is seated around three sides.
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4. Created and Found - A stage can also be improvised where ever a suitable space can be found. Examples may include staging a performance in a non traditional space such as a basement of a building, a side of a hill or, in the case of a busking troupe, the street. In a similar manner, a makeshift stage can be created by modifying an environment. Photo by: Ian Quimot Style in Philippine Theatre Arts
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Theater •as the performing art that consists of acting in front of an audience, uses a combination of gesture, music,dance, sound, speech ,or a narrative .Theater takes many forms ,such as plays, musical,opera, ballet or a combination of contemporary forms. Photo by: Ian Quimot According to Nicanor Tiangson • Most of the Original plays of today were written for literary contests or evolved through workshops or created for semi- professional companies ,student drama organizations and numerous community theatre groups all over the country. Photo by: Ian Quimot Outstanding directors who have contributed to the development of Modern Philippine Theater Photo by: Ian Quimot Lamberto Avellana y Vera • Born in Bontoc in the Mountain Province on 12 February 1915. he studied at Ateneo de Manila, where he learned about his passion and talent for the theater arts. He became a teacher at Ateneo, and aspired to promote Filipino theater. Photo by: Ian Quimot • - He met Daisy Hontiveros who acted in plays staged by the University of the Philippines. Hontiveros and Avellana formed a theater arts group called the Barangay Theater Guild, which has had members such as Leon • Lamberto Avellana y Vera was born in Bontoc in the Mountain Province on 12 February 1915. He studied at Ateneo de Manila, where he learned about his passion and talent for the theater arts. He became a teacher at Ateneo, and aspired to promote Filipino theater. Photo by: Ian Quimot Founder of Repertory Philippines
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Zenaida Amador • THE “MOTHER” of the country’s oldest theater group, Repertory Philippines, Zenaida “Bibot” Amador left behind a legacy of theater excellence and a “brood” of world- class stage artists when she died of lung cancer last Nov. 28.
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• Amador formed Repertory Philippines Foundation Inc. as president and artistic director in 1967, training theater hopefuls including Lea Salonga and Monique Wilson
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Antonio Mabesa • Last September, Professor Emeritus Antonio “Tony” Mabesa received this year’s Gawad CCP Para sa Sining, the highest award given by the Cultural Center of the Philippines (CCP) every three years. This recent achievement, though, is just one of Prof. Mabesa’s many accomplishments in a career that spans more than six productive decades. Photo by: Ian Quimot • Prof. Mabesa is best known for his works in the theater and is widely considered one of the country’s finest directors, having directed some 170 productions. He is also a prolific actor, having acted in countless plays, films, and TV shows.
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Behn Cervantes • He was also acclaimed for directing the landmark political film “Sakada”. • From the 1970s through the late 1980s, the mercurial Cervantes staged numerous political plays with the student actors of UP Repertory.
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• A renowned activist who was jailed during Martial Law alongside his friend, the late National Artist for Film Lino Brocka, Cervantes was a leading figure in Philippine theater, both as director and actor. • Theater and film director and activist Benjamin “Behn” Cevantes
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Lutgardo Labad
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• It was at PETA where I met Lino (Brocka) who was then our publicity officer. He wanted me to compose music for his movies. I would say that it was in Tinimbang where I got my first big break. It was his first produced film and almost all of PETA got involved. It was a very exciting time for me.
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Cecile (Guidote) Alvarez • (born November 13, 1943) founded the Philippine Educational Theater Association (PETA), a pioneering theater group that honed creative artists and audiences through children’s, college, and community theater. She was recognized as National Artist for Photo by: Ian Quimot Soxy Topacio • Soxy has been also a Resident Artist of PETA since 1969, a Program director of Kalinangan Ensemble from 1982- 1986, PETA Executive Director from 1986- 1994, a member of the Board of Trustees from 1995 to present, a member of Afredo Salanga Foundation Board of Trustees from 1990-1992, a member of the PETA Artistic Com from 2004-2006 and a membership committee from 2005 to present.
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• In 2013, Lamangan was named as the artistic director of Gantimpala Theater Foundation. Lamangan will direct an original musical titled "Katipunan: Mga Anak ng Bayan" and it will star actors Sandino Martin and Anna Fegi. The show toured in August and September of 2013 around provinces of Manila to celebrate the 150th anniversary of the birth of Philippine hero Photo by: Ian Quimot Baby Barredo • Ms Baby Barredo, one of the founders of Repertory Philippines, is better known in the theater community as “Tita Baby”. Being almost everyone’s “tita” really made this community one big happy family. And just like how in any family, the children grow up and start putting up their own families, most of the new theater companies that get built up are mostly alumni of Repertory Philippines Photo by: Ian Quimot Joonee Gamboa
• Filipino actor and voice actor.
As veteran actor, he appeared in more than 145 movies and television shows.
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Realism • The Filipino Playwrights adopted realism as a style in theater arts. Realism in the contemporary modern theater follows two tendencies: the psychological ,which focuses on the problems of individuals and the social, which situates and roots individual problems within the larger framework of a class society.
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Psychological Realism Photo by: Ian Quimot Wilfrido Maria Guerrero • Outstanding psychological studies of character are found in some English plays • Filipino playwright, director, teacher and theater artist. Guerrero wrote well over 100 plays, 41 of which have been published. His unpublished plays have either been broadcast over the radio or staged in various parts of the Philippines Photo by: Ian Quimot •Nick Joaquin •Orlando Nadres •Bienvenido Noriega Jr. •Tony Perez •Bobby Flores Villasis • Demigod •Elsa Victoria Martinez Coscoluela Photo by: Ian Quimot Social Realism • Social Realism is a naturalistic realism focusing specifically on social issues and the hardships of everyday life. The term usually refers to the urban American Scene artists of the Depression era, who were greatly influenced by the Ashcan School of early 20th century New York. Photo by: Ian Quimot •Alberto Florentino •Reuel Molina Aguila •Paul Dumol •Chris Millado